February 26 saw the magic of the 37th annual Tibet House US Benefit Concert at Carnegie Hall in NYC. The show saw an eclectic lineup of hugely talented acts including Laurie Anderson, Joan Baez, Maggie Rogers, Maya Hawke, Bowen Yang, and many more.
Joan Baez & Maggie Rogers Perform Bob Dylan’s “Don’t Think Twice, It’s Alright
Every year, the annual Tibet House Benefit Concert hosts extraordinary and memorable one-night-only performances. The evening had countless standout moments as the artists celebrated the Year of the Dragon.
The Tibetan Monks performed to an entranced audience to start the show. The hypnotizing vocals welcomed Tibet House President Bob Thurman who shared his gratitude for the evening’s co-artistic directorsand the Tibetan people.
Various types of arts were played including quartets of strings which backed a guided meditation session. Acoustic melody, grand ensemble, comedy and poetry. The renowned Philip Glass Ensemble captivated concertgoers. At various points throughout the night, the audience was moved to emotion, and moved to their feet for ovations.
The festivities continued late into the night as the performing artists, VIPs, and Tibet House supporters like Chloë Sevigny, Clairo, Sarah Morris, Jason Weinberg and more enjoyed the elegant post-concert gala at Ziegfeld Ballroom. Proceeds support the work of Tibet House US. Their mission is to protect, preserve, and empower the unique Tibetan culture.
To learn more about the Tibet House and their upcoming events, click here.
Banjo great Béla Fleck has announced his latest project, expanding and exploring George Gershwin’s Rhapsody in Blue, just in time for its centennial.
Available on February 12, 100 years to the day Gershwin premiered the work at Aeolian Hall in NYC, Fleck will pay homage to the legendary composer while redefining an American classic. Fleck’s Rhapsody in Blue album includes three variations: “Rhapsody in Blue(grass),” “Rhapsody in Blue(s),” and the classic orchestration, but with banjo featured instead of piano, performed by the Virginia Symphony Orchestra and conducted by Eric Jacobson. “Rhapsody in Blue(grass),” also commemorates the 100th birthday of the great Earl Scruggs. The set also features Gershwin’s “Rialto Ripples” and “Unidentified Piece for Banjo,” an unrecorded and unreleased gem discovered at the Library of Congress.
“It’s very much like a ragtime tune through a Gershwin lens, with a highly catchy melody and some surprising harmonic moves at the ends of phrases,” Fleck says. “He didn’t write out the harmony, but the implications seemed to point clearly towards ‘I Got Rhythm’ types of chords, though a little more quirky. To keep the authenticity of the piece, I played it on an old gut-string, five-string banjo.”
Béla Fleck was born and raised in New York City, and over the last four decades, he has boldly gone where no banjo player has before. He has earned 16 GRAMMY awards in different areas, including country, pop, jazz, instrumental, classical, and world. Fleck has had a lifelong love for Gershwin and his compositions. He took his homage further and decided to incorporate bluegrass instrumentation instead of a full orchestra for some areas.
“A piano player can play Rhapsody a lot faster than I can,” adds Fleck. “But the truth is, they’ve played it so much that it sometimes gets rushed through. I’d listen and think, ‘There is so much in there but it’s going by so fast that I’m not getting it all.’ That gave me a window into a way to reinterpret those parts on banjo. It could be a new experience for listeners rather than hearing it banged out on piano for the twenty-fifth time. It might even be revelatory.”
Photo credit: Jeremy Cowart.
He’s joined by the core band from his GRAMMY-winning My Bluegrass Heart band: Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz, and Bryan Sutton. Rhapsody in Blue(s)—the blues version—features longtime Fleck collaborators Sam Bush, Jerry Douglas, and Victor Wooten.
Béla Fleck added a solo banjo rendition of Gershwin’s “Rialto Ripples,” a ragtime novelty that initially flopped when it premiered in 1916. “My wish is that George Gershwin might have loved it, that he might have thought, ‘Hmmm, this is not what I expected, but the musicians certainly brought something different to it.’”
On May 4, 2024, at Carnegie Hall, Rhythm, Raga & Rhapsody will celebrate the music of Béla Fleck, including his New York premiere of Rhapsody in Blue performed with the Aeolian Orchestra, conducted by Eric Jacobsen. The multi-artist night will also feature My Bluegrass Heart, tabla master Zakir Hussain, pianist Bruce Hornsby, and woodwind player Anat Cohen.
Rhapsody in Blue will be available on LP, CD, and streaming. Order here.
Bela Fleck 2024 TOUR DATES
March 9 Lincoln, NE Lied Center for Performing Arts ~ April 3 Buffalo, NY Kleinhans Music Hall ^ April 4 Oakville, Ontario Oakville Centre for the Performing Arts ^ April 5 Kingston, Ontario Kingston Grand Theatre ^ April 6 Stowe, VT Spruce Peak PAC ^ April 9 Ottawa, Ontario Centrepointe ^ April 10 St. Catharines, Ontario Partridge Hall ^ April 12 State College, PA The State Theatre ^ April 13 Goshen, IN Goshen College ^ April 14 Lexington, KY Lexington Opera House ^
April 24 Skokie, IL North Shore PAC * April 25 Kohler, WI Kohler Memorial Theatre * April 26 Royal Oak, MI Royal Oak Music Theatre * April 27 Wilkesboro, NC MerleFest *
April 28 New Orleans, LA New Orleans Jazz Festival May 4 New York, NY Carnegie Hall (Rhythm, Raga & Rhapsody)
June 13 Groton, MA Groton Hill Music Center ^
June 14 Kingston, NY Ulster PAC ^
June 15 Hartford, CT The Bushnell ^
June 16 Kennett Square, PA Longwood Gardens
June 18 Boulder, CO Chautauqua Amphitheater #
June 20 Telluride, CO Telluride Bluegrass Festival (house band)
June 21 Telluride, CO Telluride Bluegrass Festival #
July 12 Vancouver Island Musicfest #
July 16 Breckenridge, CO Riverwalk Center #
July 17 Aspen, CO Aspen Music Festival #
July 18 Santa Fe, NM The Lensic PAC #
July 27 Lyons, CO RockyGrass ^
Oct 18 Pelham, TN CaveFest ^
Ticket information *My Bluegrass Heart ^Béla Fleck & Abigail Washburn ~Béla Fleck w/ Symphony # Béla Fleck, Edgar Meyer, Zakir Hussain featuring Rakesh Chaurasia
Playbill and the Times Square Alliance have announced they will partner for the third annual Pride in Times Square celebration of free events on June 28 and 29, 2024.
Last year’s Pride in Times Square included top stage and screen celebrities, talent from Broadway/Off-Broadway productions, local Times Square business promotions, Pride Piano Bar sessions, live DJ sets, the return of The Big Broadway Disco, and more.
Founded in 1992, the Times Square Alliance works to improve and promote Times Square, cultivating the creativity, energy, and edge that have made the area an icon of entertainment, culture, and urban life for over a century. It keeps the neighborhood safe and clean, promotes local businesses, manages area improvements, and produces major annual events, like Pride in Times Square. Founded in 1884, Playbill is an internationally known trademark synonymous with theatre and is a symbol of the arts. Playbill Magazine is distributed to every Broadway theatre, most Off-Broadway theaters, regional theaters, and fine arts institutions in over 24 cities across the country.
Pride in Times Square2024 promises to be another exciting event and a great addition to New York City’s celebration of Pride at the Crossroads of the World. On Sunday, June 30, the Playbill Pride Float returns to the NYC Pride March, supporting their partner Heritage of Pride (Pride NYC). Customized double-decker buses from some of the event’s sponsors will also join the Pride March, rounding out an amazing weekend of diversity, equity, education, and celebration.
Past Pride in Times Square events have attracted nearly 800,000 attendees and social media coverage garnering over 1.05 million social impressions. The third day, centered on one of the world’s largest Pride marches, had an attendance at 2023 Pride March of 2.4 million people.
“Playbill is extremely proud to take part in our third annual Pride celebration in the heart of New York City with our fantastic partner, the Times Square Alliance,” said Alex Birsh, Vice President and Chief Operating Officer of Playbill. “For ten years, we have been honored to change our iconic yellow design to recognize the Pride Flag colors, celebrating this expansive and important community. And this year, we are even prouder to celebrate with another activation that celebrates the LGBTQIA+ community and its allies in Times Square. Playbill aims to be a leader in our community, and we look to this event to continue our tradition of standing with and behind our LGBTQIA+ friends, family, and allies. Here’s to an amazing celebration with our partners, sponsors, and the entire Broadway community.”
For more information about the Times Square Alliance, and to find more Pride events happening around the city this June, visit here.
Women have made many contributions to classical music as both composers and performers, yet their work often receives far less attention compared to their male counterparts. This spring, the Geneva Music Festival will host its annual Spring Benefit Concert and silent action on International Women’s Day, with a program that spotlights these oft-forgotten contributors to classical music.
The Geneva Music Festival was founded in 2011 by Geneva, New York violinist Geoffrey Herd as a weekend of chamber music in his hometown. Now in its 14th season, the festival has grown to a nearly month-long event that draws thousands of attendees from across the Finger Lakes region. Each year, the Festival continues its mission of inspiring people with world-class chamber music and engaging diverse audiences in its outreach programs.
On March 8, the Carr-Petrova Duo will perform a concert featuring works for viola and piano by female composers in Froelich Hall on the Hobart and William Smith Campuses.
The concert program, entitled “HERS” is a collaboration of pianist Anna Petrova and violist Molly Carr. Playing together since their student days, they subsequently formed a duo and have traveled the world. Petrova said, “When one creates this kind of partnership, the most important and compelling thing is the musical partnership and the personal partnership. We’d played with many other people before, but she and I just clicked on a musical and personal level very well; it was a natural fit.”
Pianist Anna Petrova and violist Molly Carr
Synthesis and serendipity are the themes behind many of the pieces on the program. Composer Vivian Fung created a piece based on the music of Hildegard Von Bingen, which had its debut during the pandemic, with musicians recording their individual parts remotely and then sending the recordings to be compiled together. Carr and Petrova reached out nearly simultaneously to ask Fung about crafting a piece based on Von Bingen’s work, and Fung rearranged her orchestral piece for viola and piano. “It was serendipitous, meant to be,” said Petrova.
“Andrea Casarrubios’s piece was commissioned in 2021 and we approached Vivian Fung during the pandemic as we started brainstorming composers we wanted to play. Molly was the one who started to forge the idea of all female composers, and it all started to come together into a program.” “HERS” came out of this organic synthesis between friends.”
The last piece on the program is a “staple of the viola repertoire and a very beautiful piece of chamber music. It forged the path of the viola becoming a solo instrument; with pieces like the Clark sonata, the viola was seen as an instrument that can take the spotlight.” While it’s more common to find duos written for piano and violin, Petrova and Carr believe the viola has much to offer. “In terms of playing with the instrument, I really love the viola, its color and voice. It has an almost human voice, very heartfelt and visceral. I’ve never felt like I’m giving up something.”
“’HERS’ is something that we’ve pieced together for a few years now. During the pandemic we actually lived together for about nine months; during those nine months we took a road trip and in the car we were enjoying singing together all our favorite songs. Beyonce’s ‘Halo’ was one of the songs we really loved and the idea of commissioning a piece inspired by that song came up. We really wanted to play something from the pop genre that was different from the usual classical repertoire, but that could still stand its ground on the classical stage. That is how ‘Halo’ was created – with the incredible imagination and compositional skills of Brazilian jazz pianist and composer Henrique Eisenman who weaved a beautiful fantasy on a theme by Beyonce.
The Geneva Music Festival’s biggest fundraising event of the year, the Spring Benefit Concert and Auction, is now live and runs through March 9 at 12pm. Browse through an array of items, from captivating paintings to exclusive Finger Lakes experiences, guaranteed to delight all. Help Geneva Music Festival reach their fundraising goal and continue bringing exceptional music to the greater Finger Lakes community. Start bidding here.
The auction goes live during the Spring Benefit Concert intermission with auctioneers Don Wertman and Susan Henking leading the proceedings, offering a chance to bid on your favorite items.
The Geneva Music Spring Benefit Concert will be held March 8, 2024 in Froelich Hall on the Hobart and William Smith Campuses. Tickets are $75 per person, and the ticket price includes a reception with light fare and biodynamic wines from the celebrated Hermann J. Weimer Winery. To find out more, and to purchase tickets, visit here.
Phish has finally announced their summer tour dates and the band will return to Bethel Woods for a third time after previous visits in 2011 and 2022.
The band’s return to the home of Woodstock will see shows played on August 9, 10 and 11 – the last ones of the tour before their Mondegreen Festival in Delaware the following weekend.
The summer tour kicks off with three nights at Great Woods in Mansfield, MA from July 19-21. It also sees the band returning to Mohegan Sun in Uncasville, CT a few days later. The Midwest gets a lot of attention this summer with weekend gigs planned for both Alpine Valley in Wisconsin and Deer Creek in Indiana with shows in St. Louis and Grand Rapids, MI also on the docket. Phish then returns to the Bethel Woods Center for the Arts for a third time after a monumental three-day run in 2011 that helped sparked the band’s return from hiatus and a pair of weekend shows in 2022.
Official Phish at Bethel Woods 2011 poster
Phish Summer Tour 2024 ticket lottery registration is currently underway via tickets.phish.com. Entries must be received by Monday, March 11 at 12 p.m. ET. Tickets then go on sale to the general public starting on Friday, March 15 at 10 a.m. ET. Each multi-night run has a corresponding multi-night ticket available. Buy Phish tickets through Ticketmaster.com.
Phish 2024 Tour Dates
APRIL
18 – Las Vegas, NV – The Sphere
19 – Las Vegas, NV – The Sphere
20 – Las Vegas, NV – The Sphere
21 – Las Vegas, NV – The Sphere
JULY
19 – Mansfield, MA – Xfinity Center
20 – Mansfield, MA – Xfinity Center
21 – Mansfield, MA – Xfinity Center
23 – Uncasville, CT – Mohegan Sun Arena
24 – Uncasville, CT – Mohegan Sun Arena
26 – East Troy, WI – Alpine Music Valley Music Theatre
27 – East Troy, WI – Alpine Music Valley Music Theatre
28 – East Troy, WI – Alpine Music Valley Music Theatre
30 – St. Louis, MO – Chaifetz Arena
31 – St. Louis, MO – Chaifetz Arena
AUGUST
2 – Noblesville, IN – Ruoff Music Center
3 – Noblesville, IN – Ruoff Music Center
4 – Noblesville, IN – Ruoff Music Center
6 – Grand Rapids, MI – Van Andel Arena
7 – Grand Rapids, MI – Van Andel Arena
9 – Bethel, NY – Bethel Woods Center for the Arts
10 – Bethel, NY – Bethel Woods Center for the Arts
11 – Bethel, NY – Bethel Woods Center for the Arts
15 – The Woodlands, Dover, DE – Mondegreen
16 – The Woodlands, Dover, DE – Mondegreen
17 – The Woodlands, Dover, DE – Mondegreen
18 – The Woodlands, Dover, DE – Mondegreen
29 – Dick’s Sporting Goods Park – Commerce City, CO
30 – Dick’s Sporting Goods Park – Commerce City, CO
31 – Dick’s Sporting Goods Park – Commerce City, CO
SEPTEMBER
1 – Dick’s Sporting Goods Park – Commerce City, CO
The Songwriters Hall of Fame announced Diane Warren as the 2024 recipient of the Johnny Mercer Award this Summer. The prestige takes place at the Songwriters Hall of Fame Induction and Awards Gala at the Marriott Marquis Hotel in NYC.
The Johnny Mercer Award is the highest honor bestowed by the Songwriters Hall of Fame. The award is reserved for a songwriter who has already been inducted in a prior year. The inductee’s body of work must uphold the gold standard of quality and impact set by the legendary Johnny Mercer. Diane Warren was inducted into the Songwriters Hall of Fame in 2001.
Diane Warren has written countless hits including nine #1 and 33 top ten hits on the Billboard Hot 100. She is tied for having written the most #1 songs as a sole writer in Billboard history. Some of these songs include, “I Don’t Wanna Miss a Thing,” “Un-Break My Heart,” “If I Could Turn Back Time, “Nothing’s Gonna Stop Us Now,” and many others.
Tickets for the Songwriters Hall of Fame event begin at $2,000 each, and are available through Buckley Hall Events, and SHOF@buckleyhallevents.com. Net proceeds from the event will go toward the Songwriters Hall of Fame programs. To join the Songwriter’s Hall of Fame, click here.
“The songwriting community is filled with many special people who have delivered incomparable songs that have made the world go round. Within that special group of people, Diane Warren is unique; she is a force of nature that, despite her enormous success from ‘Rhythm Of The Night’ to ‘I Don’t Want To Miss A Thing’ and at least 100 (15!) Academy Award nominations, she shows up to write songs every morning at 8 am! I am delighted to see her receive the esteemed Johnny Mercer Award from the Songwriters Hall of Fame, which is the gold bar standard. Diane is that and more!”
On Feb. 20, Carnegie Hall remembered the legendary flamenco guitarist Paco de Lucía who passed away on Feb. 25, 2014. Over 30 top artists including some of those close to him gathered to remember his teachings and celebrate flamenco.
The Paco de Lucía Legacy Festival is a testament to the enduring legacy of a musical genius and promises to be an unparalleled celebration of the art of flamenco. This extraordinary event brings together world-class musicians, pays tribute to the profound influence of Paco de Lucía, and showcases the vibrant talent of established and emerging flamenco artists.
An opening night cocktail reception was held in the Rohatyn and Shorin Club Rooms at Carnegie Hall before the emotional night of music, attended by numerous people linked to the musician, as well as figures such as Guillermo Fesser and Juan Luis Cano, the basketball player José Manuel Calderón, the award-winning Latin jazz musician and composer Paquito D’Rivera, among others.
The Consul General of Spain in New York, Caridad Batalla, congratulated the Paco de Lucía Foundation for its initiative, confirmed the support of her consulate, and thanked “all the institutions that disseminate Spanish culture.”
Paco de Lucía’s widow, Gabriela Canseco, announced that “this week we brought together musicians who are part of Paco’s great family, musicians who, although some did not know each other, are all united by their music. They all converge because they have drawn on Paco’s work, whether they have played with him or not. Thirty-three musicians who come from different parts of the world and have been living together for four days, rehearsing, remembering, and talking about Paco non-stop,” she said. “Starting tonight they meet in various spaces to translate all those emotions through their personality, their knowledge, and their instruments. They are perfect conditions for Paco’s music to fly and pure magic to occur.”
Magic hit the stage of Carnegie Hall with well-known artists like Diego El Cigala, José Mercé, Carmen Linares, Al di Meola, Rubén Blades, Sílvia Pérez Cruz, and Farruquito, as well as the members of the two sextets that Lucía surrounded himself in his career. Over three hours, the large cast performed classic songs from Paco de Lucía’s repertoire such as “I Only Want to Walk,” “Monasterio de Sal,” “Luzia, La Barrosa” and the popular rumba “Entre dos Aguas,” adding the finishing touch to the concert.
Coming up next at the festival on Feb. 22 are cajon maestros El Piraña and Makarines teaching a compás master class at KJCC-NYU, with a night of surprises at Town Hall with Flamenco Summit Meets New York. Flamenco, Jazz, Latin, and African music will go hand in hand with names like Niño Josele, Rubén Blades, Josemi Carmona, Antonio Rey, Richard Bona, and Pepe Habichuela. The event will feature the dancers Farruquito, Karime Amaya, and Farru. The program includes Alain Pérez, Rafael Riqueni, Antonio Sánchez, and Silvia Pérez Cruz.
On February 23, the Instituto Cervantes New York will host Puro Flamenco, a recital starring Pepe Habichuela, Rafael Riqueni, and Carmen Linares, among others.
Finally, on February 24 at 4 p.m., Quad Cinema will host the screening of the film The Search by Curro Sánchez, son of Paco de Lucía, about the figure of his father. That same morning, at the Ángel Orensanz Foundation, the unreleased album Pepito y Paquito will be presented and the festival will officially close.
Members of New York City’s metal scene are scrambling to rebook shows as Saint Vitus Bar in Brooklyn was shut down by The NYC Department Of Buildings in the middle of Balmora’s set at the Mindforce show on Feb. 16. Many are questioning what happened and what to do next.
Saint Vitus Bar has been in operation since 2011 but since 2017, the company started receiving complaints about its certificate of occupancy, which got the attention of the city’s building department.
As Gothamreported, in May and June of 2023, the venue received dozens of identical complaints alleging a lack of maximum occupancy signs, an inappropriate certificate of occupancy, and a missing Public Assembly Certificate of Operation. The complaints started threatening to get the city involved, falling silent until September. This recent complaint sparked the inspection during the metal show.
As of Friday, September 22, 2023 the following are facts about 1120 Manhattan Avenue know to the public as Saint Vitus Bar: 1) Saint Vitus Bar does not have any maximum occupancy signs posted anywhere, and more often than not they host more people than their allotted maximum capacity. 2) Saint Vitus Bar’s most recent Certificate of Occupancy on file with the Department of Buildings does not allow it to operate as an eating/drinking establishment. There is no other Certificate of Occupancy or Letter of No Objection that supersedes their Certificate of Occupancy dated November 12, 1953…I will continue to make this complaint on a daily basis until either the Department of Buildings performs an inspection or until Saint Vitus Bar can remedy their situation.
The main question plaguing the venue owners and staff is who could have made these complaints. Do they have some personal vendetta against the venue? Why would the DOB come during the show? As one of the last independent venues operating in the city, it is a loss for the underground community. Bands scheduled for February and March now have to cancel shows and find new venues, which is difficult in a city like New York where acts are booked months in advance.
With the fishiness of the similar complaints, people believe it might be one disgruntled community member who was upset by the noise. Obviously, the venue needs to get their paperwork and rules in order, but hopefully, this isn’t the end of Saint Vitus.
Acclaimed NYC singer/songwriter and guitarist Steve Conte has announced the release of his new album The Concrete Jangle this Spring. The album will feature 10 tracks and will be a display of renowned songwriting from Conte, along with Andy Partridge.
Conte is best known for his work with proto-punk band New York Dolls as the guitarist from 2004-2010. Prior to this, Conte had several gigs as a guitarist throughout NYC for much of his beginning. In 1988, Conte was a part of The Hudson River Rats, a blues band based in the west-village of Manhattan.
Conte has collaborated with a range of notable artists, including Peter Wolf, Eric Burdon of The Animals, Willy DeVille, Billy Squier, Maceo Parker, Willie Nile, Jim Jones, Hubert Sumlin, and even Paul Simon.
Steve’s mother Rosemary Conte is also a renowned New York artist, as she was a vibrant jazz singer in the 50s and 60s.
Steve Conte’s upcoming album is set to release on April 20, which is also Record Store Day. The 10-track album will contain a variety of rock tunes ranging from soft to heavy. The album will be released on all platforms and music services.
To learn more about Steve Conte and his latest album, click here. To catch the vinyl release of The Concrete Jangle, visit recordstoreday.com.
Disco Biscuits have shared part 2 of their Rock Opera set in space, Revolution in Motion. The four tracks follow the January release of Part 1, which included newer jam vehicles, “Another Plan of Attack” and “Twisted in the Road.”
Revolution in Motion, Part 2, features songs “Times Square,” “Freeze,” “Tourists (Rocket Ship),” and “Spaga’s Last Stand,” all which have debuted by the Disco Biscuits since 2022 and become the basis for some of the band’s most exploratory work to date.
The video companion to Part 2 picks up where Part 1 left off, where we saw aliens enter a wormhole while getting too ‘shocked’ brings them to our solar system, where the aliens descend towards New York City, setting their sites on Times Square – specifically, in front of Palladium Times Square at 7th Ave and 45th St., where the Disco Biscuits are performing.
The aliens freeze all those outside waiting to get into the show, but with Disco Biscuits on stage deep underground, they are not frozen and come to the rescue, ascending the memorable escalator in the lobby of the Palladium theater. With the aliens planning to abduct the frozen humans for study, the Disco Biscuits confront the aliens, saving the day, but in the process of themselves being abducted onto the alien ship.
Part 3 and 4 will released in March, as the band builds up to their album release show at Webster Hall on March 29.
Disco Biscuits 2024 Tour Dates 3/7 – Silver Spring, MD – The Fillmore 3/8 – Silver Spring, MD – The Fillmore # 3/9 – Pittsburgh, PA – Stage AE # 3/10 – Charlottesville, VA – Jefferson Theater 3/13 – Albany, NY – Empire Live 3/14 – New Haven, CT – College Street Music Hall % 3/15 – Portland, ME – State Theatre % 3/16 – Boston, MA – House of Blues % 3/28 – Wilkes-Barre, PA – F.M. Kirby Center 3/29 – New York, NY – Webster Hall ! (SOLD OUT) 3/30 – Buffalo, NY – Town Ballroom 3/31 – Buffalo, NY – Town Ballroom 4/2 – Louisville, KY – Mercury Ballroom 4/4 – New Orleans, LA – House of Blues 4/5 – Houston, TX – The Heights Theater 4/6 – Dallas, TX – Longhorn Ballroom 4/7 – Burnet, TX – Texas Eclipse Festival 4/11 – Asheville, NC – The Orange Peel 4/12 – Nashville, TN – Brooklyn Bowl 4/13 – Atlanta, GA – Tabernacle 4/14 – Raleigh, NC – Lincoln Theatre 6/20-23 – Rothbury, MI – Electric Forest Festival
