Category: Genres

  • Master of Muppets: The Avett Brothers Come Alive in Albany

    They say blood is thicker, but when it comes to musical siblings, being related can often be the kiss of death. Historically speaking, the list of dysfunctional “brother bands” is long and distinguished. From acts like the Everlys, The Kinks, and Duane and Greg Allman, to modern rockers like Chris and Rich Robinson of The Black Crows and Noel and Liam Gallagher of Oasis, tales of in-fighting, lawsuits and bad break-ups are the stuff of legend. Hell, the last thing in the world I can imagine is writing songs with my older brother. Not because I don’t love the guy, but simply because I just wouldn’t feel comfortable sharing my most personal feelings with him that way. But this article isn’t about me, it’s about The Avett Brothers and the shared bond that makes them so special and unique. 

    The Avett Brothers performing at MVP Arena in Albany, NY 5/23/24

    For Scott and Seth Avett, trust is a must and their unwavering belief in each other is largely what’s responsible for carrying the genre-bending folk rockers from Concord, North Carolina all the way to the top. If you’ve never heard them play before, imagine three Bob Dylan’s rolled into one, or a cross between Tom T. Hall and Faith No More, or John Prine meets Nirvana.  Hard-working and relatable, above all, the Avett’s are a family band with an uncanny ability to keep it real, no matter how tough times get.

    No strangers to the area, The Avett Brothers formed in 2001 and have been making regular stops around the Capital Region for over two decades now.  First playing for only a handful of people at a since-closed Italian restaurant in Albany, the Avett’s have also played memorable gigs at Troy’s Revolution Hall as far back as 2007, were regular fixtures during the early years of Mountain Jam Festival, and in recent times, have gone on to headline multi-night runs at Brewery Ommegang and Beak & Skiff Orchards. Their stop at MVP Arena on Thursday, May 23th, was the group’s first Albany date since performing at the Palace Theatre in 2012. Tapping red-hot Americana/roots artist Sierra Ferrell to open the show, fans old and new were all but guaranteed a magical evening of music. It’s just a shame more people didn’t get the memo in time.     

    Sierra Ferrell performing ahead of Avett Brothers at MVP Arena in Albany, NY 5/23/24

    Kicking off the evening with a blistering, but brief set, West Virginia-born songwriter and multi-instrumentalist Sierra Ferrell was stunning from the start. Seen as one of the brightest young luminaries in roots music today, Ferrell’s soulful voice was powerful and confident and instantly won the crowd over on songs like “In Dreams,” “Why’d Ya Do It” and “Jeremiah” from her 2021 debut album Long Time Coming.  Along with her dapper and distinguished backing band, Ferrell’s wide rang of styles on songs like “Money Train,”  “I Could Drive You Crazy,” and “Dollar Bill Bar” offered a taste of everything from country and ragtime, to foot-stomping folk to straight up rock n’ roll. 

    Pausing to ask the audience if anyone was looking forward to Del Fest as much as she was, the meager response was broken up by one man who screamed out “Del Yeah!” which elicited widespread laughter. After paying homage to a couple of her heroes by covering Arthur Smith Trio’s “Chittlin’ Cookin’ Time in Cheatham County” and “Years” by John Anderson, the remainder of the set featured material from Sierra’s excellent new album, Trail of Flowers including “American Dreaming,” and the arena-ready, Celtic-like stomper “Fox Hunt” to close out the truly unique set. Proving the hype is real on this one, Sierra Ferrell stood tall in Albany and made instant fans out of many of the first-time listeners.

    Sierra Ferrell performing ahead of Avett Brothers at MVP Arena in Albany, NY 5/23/24

    After a brief intermission that included songs from local underground folk heroes, the Felice Brothers, the stage was set and I knew I was exactly where I needed to be. It was finally time for The Avett Brothers to take us to church. The rare kind of band that have always been honest with the audience and true to themselves, I may not be a smart man, but even I know that’s hard to find these days. For me, their show at the MVP Arena on May 23th was personal and it hit me over the head like a ton of bricks. Timeless harmonies with lyrics that have helped shape my life in a way few other bands have, I think that’s a big part of the Avett’s secret recipe. An ability to put feelings into words in a way that the common man can understand and relate to. It’s a gift the Avett’s have been sharing with us since deciding to make music a career more than 20 years ago.

    Avett Brothers Albany
    The Avett Brothers performing at MVP Arena in Albany, NY 5/23/24

    Opening their performance with the beautifully sung vocal prelude of “Never Apart” that featured both Scott and Seth sharing the same microphone, it was the first of six songs that would be played from the band’s recently released self-titled album. Along with older brother Scott on banjo and Seth on acoustic guitar, the group also consists of longtime members Bob Crawford on standup and electric bass, Joe Kwon on electric cello, Tania Elizabeth on fiddle, Mike Marsh on drums and Bonnie Avett-Rini on piano.

    “I wonder which brother is better
    Which one our parents loved the most

    I wondered what my dad would say
    He said, “I love you and I’m proud of you both
    In so many different ways

    Always remember there was nothing worth sharing
    Like the love that let us share our name”

    Lyrics from “Murder in the City”

    The genre-bending folk rockers would show off their experimental side next on the digitally enhanced “Satan Pulls the Strings” before landing on the lone song played from 2012’s The Carpenter, the foot stomping singalong, “Live and Die.”  From there the band would play a powerful rendition of their introspective hit, “Morning Song”, which received the biggest cheers of the night thus far.  Bouncing back with the upbeat lead single from the new album, “Love of a Girl” set the stage for an early highlight of the show, the sentimental fan favorite “Murder in the City.” A song that embodies what The Avett Brothers are all about – a brilliant combination of lyrics, melody and chord progression – its mantra about family and love was stunning and poignant. 

    Avett Brothers Albany
    Seth and Scott Avett performing at MVP Arena in Albany, NY 5/23/24

    Pausing for a moment to let the song resonate, fiddle player Tania Elizabeth, battling through some minor feedback, had her turn in the spotlight with an extended solo on “Le reel du pendu / Les bars de la prison,” shredding the hairs of her bow to a rabid applause as the rest of the band rejoined the stage behind her. After working their way through another new one “Country Kid,”  the band would tug at the heart strings on “Living of Love”, our first song from The Avett’s breakthrough 2007 album, Emotionalism, before another well-penned Scott song, “Vanity,” forced the audience to take a critical look inside themselves. 

    Picking up the pace now, the momentum of the show took a major turn when The Avett’s launched into 2009’s high octane “Kick Drum Heart,” getting the entire crowd up on their feet and clapping in unison when suddenly, Seth Avett jumped off the stage with his wireless guitar, ran the length of the floor while high-fiving  fans and soloing all the way into the upper deck of section 123 of the MVP Arena before making his way back to the stage for the songs epic conclusion. Completely connected with the crowd, the band easily could have stopped the show here and no one would have complained, but luckily for everyone in attendance, the magic was only just beginning. 

    Avett Brothers Albany
    Feeding off the crowds energy, Seth Avett runs wild at MVP Arena in Albany, NY 5/23/24

    Transporting listeners to a contemplative space on “Cheap Coffee,” a song that features heartwarming audio samples and feels radically different from most of their other work, the tone was set for another beloved staple and perhaps most well-known song, “I and Love and You.” With the crowd taking over and singing those same words back in unison, it was a moment that truly gave you goosebumps.  With the audience firmly in their grip, the placement of the sentimental love letter “I Wish I Was” flowed perfectly. 

    Watch fan shot footage of The Avett Brothers performing “I and Love and You” in Albany, NY 5/23/24

    Until this point in the night the band had let their songs do most of the talking, so when older brother Scott took to the microphone and starting speaking from the heart, you knew he had something significant to say.  Reflecting on the moment, he mentioned how he “looks out there and sees people that I connect to, how grateful [he] is and that those people are the reason they are here tonight.” Saying, “The opportunity to do that is amazing, it’s our life’s work, and we are so blessed to do it.” Reminiscing about what it was like getting reviews in the early days, Scott commented how “It was an interesting part of our journey, reading what people said about us. Eventually we had to stop reading until we could get to a point where we could do it without being crushed.

    We would get things written about us like, “The Avett Brothers show potential, but write small songs,” to which the Albany crowd loudly started booing. “We booed them too, but later we realized writing small songs is kind of an awesome thing.” Seth would playfully stop him there and say, “What is this old man with a banjo talking about?” before continuing with similar sentiments. “In any event, we were always very excited to be written about no matter what they said. I do recall we had hoped to be compared to our heroes. We didn’t get that so much, but we did get comparisons to The Muppets. Those were very good days, very exciting days. We thought it might be fun to give you a glimpse of what those early shows were like. Instead of talking about it, we’re gonna try and illustrate it and there’s only one group in the whole world that can help us do that and luckily, here in Albany they are here tonight! So without further ado, would you please help us welcome to the stage… The Avetts.” Erupting in a massive applause, the spotlights then revealed three Muppet-like alter egos of the band – Seth Monster, Scott Monster and Bob Monster – who would go on to ‘perform’ “Hard Worker” and “I Would Be Sad.” You can watch fan shot footage of that in the clip below.

    Master of Muppets: Watch fan shot footage of The Avett’s performing “Hard Worker” live in Albany, NY 5/23/24

    Smiles for miles all around, the real-life Avetts would get serious once again, performing a flawless version of the song “Shame.” A true emotional journey of “ups and downs,” the band would bounce back with an upbeat rocker from the new album, “Orion’s Belt” before going all the way back to 2006’s “Left on Laura, Left on Lisa.”  After a cathartic rendition of “Head Full of Doubt/Road Full of Promise,” the Muppet version of the band would return for a set closing singalong of the funky hit single “Ain’t No Man” resulting in a veritable party-like atmosphere on and off stage.

     “When nothing is owed or deserved or expected
    And your life doesn’t change by the man that’s elected
    If you’re loved by someone, you’re never rejected
    Decide what to be and go be it”

    -Lyrics from “Head Full of Doubt/Road Full of Promise”

    After exiting the stage to a standing ovation, the band would take a little extra time soaking it in before returning. “Ya know it’s funny how in some rooms three thousand people can sound like twenty thousand, so thank you for that.”  Choosing to play the closer from the new self-titled album, “We Are Loved,” the vocal harmonies were about as beautiful as it gets.

    Avett Brothers Albany
    Seth Avett performing at MVP Arena in Albany, NY 5/23/24

    After paying homage to David Childers & The Modern Don Juans by covering “The Prettiest Thing,” the career-spanning show came to a proper close with Seth saying “Albany, thank you so much for letting us play for you. This is our last one and we are honored to do it with you,” as the band strummed the opening chords of perhaps the most emotional song in the Avett catalog, “No Hard Feelings.” Fading out with the repeating lyrics of “I have no enemies” sending chills up your spine, you knew you had just witnessed something special.

    Avett Brothers Albany
    Scott Avett performing at MVP Arena in Albany, NY 5/23/24

    With polished harmonies and heartfelt melodies, a charismatic stage presence and a wealth of wisdom contained within the lyrics, these songs feel timeless and should be heard by everyone. Rich with “repeat customer” appeal, the brothers Avett are veritable song-writing machines and put every ounce of energy and life experience they have into their craft. Even after a two-plus hour performance, there were still so many “favorites” left on the table in Albany. It’s no wonder people are so willing to travel from all over to see this band again and again.  

    With 3 Grammy nominations so far and over 2 million monthly listeners on Spotify alone, it’s easy to see the broad appeal and why the Avett Brothers continue to connect. From their first time in Albany playing at an Italian restaurant where people were more interested in pasta than what they were doing, to now playing the city’s biggest Arena two decades later, it’s fair to say this family band finally has Albany’s undivided attention now. At least they do mine. Salute.

    No Enemies: Watch fan shot footage of The Avett Brothers performing “No Hard Feelings” in Albany, NY 5/23/24

    The Avett Brothers | 5-23-2024 | MVP Arena | Albany, NY
    Setlist: Never Apart (w/ Vocal Prelude), Satan Pulls the Strings, Live and Die, Morning Song, Love of a Girl, Murder in the City, Le reel du pendu / Les bars de la prison, Country Kid, Living of Love, Vanity, Kick Drum Heart, Cheap Coffee, I and Love and You, I Wish I Was, Hard Worker, I Would Be Sad, Shame, Orion’s Belt,  Left on Laura, Left on Lisa, Head Full of Doubt/Road Full of Promise, Ain’t No Man.
    Encore: We Are Loved, The Prettiest Thing (David Childers & The Modern Don Juans cover) No Hard Feelings.

    Avett Brothers Albany
    Avett Brothers Albany
    Avett Brothers Albany
    Avett Brothers Albany
    Avett Brothers Albany
    Avett Brothers Albany
    Avett Brothers Albany
    Avett Brothers Albany

    Sierra Ferrell | 5-23-2024 | MVP Arena | Albany, NY

    Setlist: In Dreams, Money Train, Why’d Ya Do It, Chittlin Cookin’ Time in Cheatham County (Arthur Smith Trio cover), Jeremiah, I Could Drive You Crazy, Years (John Anderson), Amierican Dreaming, Dollar Bill Bar, Fox Hunt.

  • Nicki Minaj Pink Friday 2 Tour Adds Queens, Buffalo Dates

    Dubbed the Queen of Hip Hop, Nicki Minaj has announced her highly anticipated tour, showcasing her brand new album Pink Friday 2. She will stop at Madison Square Garden on Saturday, March 30, and Barclays Center on Thursday, April 4, 2024. Additionally, Minaj has announced shows in Buffalo on September 14 and in Queens on October 11.

    For the finale of the tour, Nicki will make her return to Queens for one final show in her hometown after a total of over 80 shows across the globe.

    Nicki Minaj became “the first woman to score 100 Billboard Hot 100 Hits” with an astounding 133 total entries to date (the most among female hip-hop acts). These include three #1’s, over 70 Top 40 hits (also a record among female hip-hop acts), and 23 Top 10’s (another record among female hip-hop acts). As a songwriter, she also holds the record for the “Most Billboard Hot 100 Entries Among Women in the 2010s.”

    Minaj has set the tone in music, fashion, and beauty for more than a decade. Her seminal song “Super Bass” surpassed one billion YouTube views, entering history alongside the likes of “Anaconda.” As such, she has emerged as “the first female rapper to cross the one billion mark with multiple solo tracks.” With nine videos receiving more than one billion views thus far, she has earned “the most videos with over one billion views for any female artist.”

    Nicki Minaj at the Barbie premiere. Credit: Rodin Eckenroth.

    Her supremacity can be traced back to her landmark debut Pink Friday in 2010, which sold 375,000 copies in its first week according to MRC Data. It made history by achieving “the largest sales week for a female hip-hop artist since Lauryn Hill in 1998.” In 2022 she released “Super Freaky Girl,” which impressively debuted at #1 on the Billboard Hot 100. Other accolades she acquired were “the female rapper with the most solo Top 10 albums in Billboard 200 history,” “the most-awarded rapper at the American Music Awards,” and “the first female rapper with over 30 billion Spotify streams across her catalog.”

    In addition to music, Nicki Minaj has made numerous TV and film appearances, including as a judge on American Idol along with film roles in 2014’s The Other Woman, 2016’s Barbershop: The Next Cut, and voiceover for Ice Age: Continental Drift. She has landed high-profile deals with Fendi, Adidas, H&M, Diesel, Mercedes-Benz, Sprint, and Pepsi, released a nail polish collection with OPI, and was the face of MAC’s Viva Glam campaign. Not to mention, she is a co-owner of TIDAL, and her BEATS 1 QUEEN radio show stands out as “the highest-rated show in Apple Music history.”

    minaj-Kevin-Mazur-Getty-Images
    Nicki Minaj – photo by Kevin Mazur Getty Images

    You can listen to Pink Friday 2 here.

    Tickets will be available starting with a Citi presale beginning on Tuesday, December 12. Additional presales will run throughout the week ahead of the general on-sale beginning on Friday, December 15 at 9 a.m.

    PINK FRIDAY 2 WORLD TOUR DATES: 

    Fri Mar 01 – Oakland, CA – Oakland Arena 

    Sun Mar 03 – Denver, CO – Ball Arena 

    Fri Mar 08 – Las Vegas, NV – T-Mobile Arena 

    Sun Mar 10 – Seattle, WA – Climate Pledge Arena 

    Wed Mar 13 – Phoenix, AZ – Footprint Center 

    Fri Mar 15 – Inglewood, CA – Rolling Loud California*

    Mon Mar 18 – New Orleans, LA – Smoothie King Center 

    Wed Mar 20 – Atlanta, GA  – State Farm Arena

    Fri Mar 22 –  Orlando, FL – Amway Center

    Tue Mar 26 –  Charlotte, NC – Spectrum Center

    Thu Mar 28 – Newark, NJ – Prudential Center

    Fri Mar 29 – Philadelphia, PA – Wells Fargo Center 

    Sat Mar 30 – New York, NY – Madison Square Garden 

    Mon Apr 01 – Washington, DC – Capital One Arena 

    Tue Apr 02 – Baltimore, MD – CFG Bank Arena 

    Thu Apr 04 –  Brooklyn, NY – Barclays Center 

    Fri Apr 05 – Hartford, CT – XL Center 

    Sun Apr 07 – Raleigh, NC – Dreamville Festival*

    Wed Apr 10 – Boston, MA – TD Garden 

    Fri Apr 12 – Columbus, OH – Schottenstein Center 

    Sat Apr 13 – Milwaukee, WI – Fiserv Forum 

    Wed Apr 17 – Montreal, QC – Bell Centre 

    Thu Apr 18 – Toronto, ON – Scotiabank Arena 

    Sat Apr 20 – Detroit, MI – Little Caesars Arena 

    Wed Apr 24 – Chicago, IL – United Center 

    Sat Apr 27 – Minneapolis, MN – Target Center 

    Thu May 02 – Oklahoma City, OK – Paycom Center

    Thu May 09 – Houston, TX – Toyota Center 

    Sat May 11 – Dallas, TX – American Airlines Center

    Sun May 12 – Austin, TX – Moody Center 

    Sat May 25 – Manchester, UK – Co-Op Live 

    Sun May 26 – Birmingham, UK – Resorts World Arena 

    Tue May 28 – London, UK – The O2 

    Sat Jun 01 – Paris, France – Accor Arena 

    Sun Jun 02 – Amsterdam, Netherlands – Ziggo Dome 

    Wed Jun 05 – Cologne, Germany – Lanxess Arena

    Fri Jun 07 – Berlin, Germany – Mercedes Benz Arena


    PINK FRIDAY 2 WORLD TOUR DATES: 

    Tue May 28 – London, UK – The O2 

    Wed May 29 – Glasgow, Scotland – OVO Hydro

    Thu May 30 – Manchester, UK – Co-Op Live 

    Sat Jun 01 – Paris, France – Accor Arena 

    Sun Jun 02 – Amsterdam, Netherlands – Ziggo Dome 

    Mon Jun 03 – Manchester, UK – Co-Op Live

    Wed Jun 05 – Cologne, Germany – Lanxess Arena 

    Fri Jun 07 – Berlin, Germany – Mercedes Benz Arena 

    Sat Jun 08 – Warsaw, Poland – Orange Warsaw Festival*^

    Sun Jun 09 – Paris, France – Accor Arena

    Tue Jun 11 – Copenhagen, Denmark – Royal Arena 

    Wed Jun 12 – Stockholm, Sweden – Tele2 Arena 

    Thu Jun 27 – Portimao, Portugal – Afronation Portugal*^

    Fri Jun 28 – Rabat, Morocco – Mawazine*^

    Wed Jul 03 – Milan, Italy – Fiera Milano Live^

    Fri Jul 05 – Vienna, Austria – Rolling Loud Europe*

    Sat Jul 06 – Dublin, Ireland – Malahide Castle and Gardens

    Sun Jul 07 – Bucharest, Romania – SAGA Festival*^

    Fri Jul 12 – London, UK – Wireless Festival*

    Sat Jul 13 – Frauenfeld, Switzerland – Openair Frauenfeld*

    Sun Jul 14 – Liege, Belgium – Les Ardentes*

    Wed Sep 4 – Philadelphia, PA – Wells Fargo Center

    Fri Sep 6 – Pittsburgh, PA – PPG Paints Arena

    Sat Sep 7 – New York, NY – Madison Square Garden

    Mon Sep 9 – Washington, DC – Capital One Arena

    Thu Sep 12 – Buffalo, NY – KeyBank Center

    Fri Sep 13 – Cleveland, OH – Rocket Mortgage FieldHouse

    Sun Sep 15 – Birmingham, AL – Legacy Arena at the BJCC

    Tue Sep 17 – Dallas, TX – American Airlines Center

    Wed Sep 18 – San Antonio, TX – Frost Bank Center

    Sat Sep 21 – Los Angeles, CA – Crypto.com Arena

    Sun Sep 22 – Los Angeles, CA – The Kia Forum

    Mon Sep 23 – San Francisco, CA – Chase Center

    Thu Sep 26 – San Diego, CA – Viejas Arena

    Sat Sep 28 – Las Vegas, NV  – MGM Grand Garden Arena

    Tue Oct 1 – Kansas City, MO – T-Mobile Center

    Wed Oct 2 – St. Louis, MO – Enterprise Center

    Fri Oct 4 – Jacksonville, FL – VyStar Veterans Memorial Coliseum   

    Sat Oct 5 – Tampa, FL – Amalie Arena

    Sun Oct 6 – Miami, FL – Kaseya Center

    Tue Oct 8 – Raleigh, NC – PNC Arena

    Wed Oct 9 – Columbia, SC – Colonial Life Arena

    Fri Oct 11 – Queens, NY – UBS Arena

    *Festival Performance

  • The Sembrich Announces 100th Anniversary Season

    The Sembrich in Bolton Landing, NY has opened its lakeside museum and grounds for its 100th anniversary season. On top of exhibitions, tours, and information talks, the museum will host a number of musical performances throughout the Summer.

    Marcella Sembrich
    Marcella Sembrich (1858-1935)

    The Marcella Sembrich Memorial Association seeks to spread appreciation of opera and classical music through performance and education. The association was formed in honor of Polish soprano Marcella Sembrich (1858-1935), who conquered opera stages across Europe and the US.

    As part of the Metropolitan Opera, Sembrich sang 466 performances, singing alongside legends like Enrico Caruso, and performing for Europe’s monarchs. When not performing, Sembrich lent her voice to some of the earliest commercial records for the Victor Talking Machine Company. Following her retirement, she founded the Juilliard and Curtis Institute vocal programs. The Sembrich maintains her manor and studio on the shores of Lake George, where she would hold lessons and benefit concerts in the summer.

    Following Sembrich’s death in 1935, the manor was converted into a public museum of arts and music. The Spanish revival mansion and its 4.5 acre grounds are open to the public, and host an array of performances and exhibitions.

    The Sembrich Studio Museum

    The estate hosts Sembrich’s original collection of letters, artworks, and awards from her career. On top of this, there is a summer exhibit regarding Sembrich’s role as a fashion icon. This exhibition features gilded age fashion accessories, such as Sembrich’s gloves, and custom pieces by Louis Vuitton. On top of display, there will be information regarding the trends that spawned these items, and the controversies caused by them. The museum will also hold the special exhibition “Mastering Mozart,” celebrating the Mozart operas that launched Sembrich to stardom. The centerpiece of the exhibition is Sembrich’s couture Queen of the Night costume from The Magic Flute.

    The museum will also host the “Century of Sembrich” Summer festival, celebrating Sembrich’s legacy in Lake George. The Summer concert series will feature renowned concert artists and ensembles, beginning on June 5, with a performance by the Opera Saratoga in the studio museum. Performances of note include the cutting-edge wind quintet WindSync, and Polish violin virtuoso Kinga Augustyn.

    On top of classical performances, the festival will also feature film screenings, and talks. Especially of note are Anthony Davis, the composer of the opera X, who will give a special Juneteenth talk. Additionally Vincent Caruso, host of Sirius XM’s Symphony Hall, will give a studio talk on June 15th. With this variety, the Summer festival offers plenty of chances for the community to get involved and educated with classical and operatic music. The schedule for the 2024 Summer Festival is listed below.

    WindSync

    2024 Summer Festival Schedule 

    6/5, 7:00 PM – Festival Artists from Opera Saratoga 
    6/9, 2:00 PM – 2024 Young Performers Showcase 
    6/15, 2:00 PM – An Afternoon with Vincent Caruso (Studio Talk) 
    6/19, 7:00 PM – A Juneteenth Celebration with Anthony Davis (Studio Talk) 
    6/24, 7:30 PM – FILM: The Magic Flute (1975) 
    6/26, 2:00 PM – Seagle Festival Season Preview 

    7/6, 7:00 PM – Classical Splendor 
    7/8, 7:30 PM – FILM: The Opera House (2017) 
    7/11, 7:00 PM – A Night at the Museum 
    7/13, 7:00 PM – Chopin… and all that Jazz 
    7/17, 2:00 PM – Harmonia Ensemble 
    7/25, 11:00 AM – Peter and the Wolf by WindSync 
    7/27, 7:00 PM – WindSync Woodwind Quintet 
    7/28, 7:30 PM – FILM: Fitzcarraldo (1983) 

    8/1, 10:00 AM – Seagle Festival: Dragon’s Breath (Children’s Opera) 
    8/2, 7:00 PM – From Steam Launch to Stucco: The Story of The Sembrich Studio (Studio Talk) 
    8/4, 7:00 PM – Composers Sembrich Knew  
    8/7, 2:00 PM – Jomion and The Uklos 
    8/12, 7:30 PM – FILM: Veselka (2024)  
    8/17, 7:00 PM – Violinist Kinga Augustyn 
    8/21, 7:00 PM – ArcoStrum  
    8/24, 7:00 PM – At That Hour, Act One (World Premiere) 
    8/25, 2:00 PM – At That Hour, Act One (Encore Matinee) 
    8/26, 7:30 PM – FILM: Falling for Figaro (2021) 
    8/28, 2:00 PM – Cantrip 
    8/31, 6:00 PM – Chopin by Candlelight 

    The Sembrich museum and grounds are open daily from May 24-October 14. Tickers for the “Century of Sembrich” Summer Festival are on sale now. For more information on the Sembrich and its summer events, visit the link here.

  • Midwest Princess Chappell Roan Sells Out Buffalo’s Outer Harbor

    Gay pop icon Chappell Roan has taken the world by a storm in just these last few months and Buffalo is no exception to that. The artist performed at Buffalo’s Outer Harbor on May 24 for a sold out crowd where fans got to the venue as early as 8 a.m. to get a spot up close. 

    Photo Credit: Maddie McCafferty

    Chappell Roan was originally supposed to perform her Buffalo stop of The Midwest Princess tour at Town Ballroom. However, after a heavy demand from fans she got upgraded to an even bigger venue where she quickly sold out as well. 

    Chappell Roan is known for creating a safe space for members of the queer community and even sets to uplift those members in each city she performs in. She does this by having local Drag Queens perform as her openers who energize the crowd effortlessly. Western New York’s local queens included Morticia C Monroe, Daphne York, and Little Mx. Bunny. Chappell shared their Venmoes with the crowd so fans could directly support their own queer community. 

    Photo Credit: Maddie McCafferty

    This Midwest Princess has flipped the concert scene on its head and has brought new art forms into live music. Inviting drag queens allows for greater representation and creates a fun environment. Chappell even has themes for each tour stop so fans can dress up alongside the artist. Buffalo’s theme was “My Kink Is Karma” which left a sea of red and black through the crowd. From devil ears, to cowboy hats, and go-go boots, people were dressed to the nines. 

    Photo Credit: Maddie McCafferty

    Buffalo’s Kink is Karma

    The iconic star came out in her red bedazzled corset and snatched makeup look that made her first song choice so obvious: “Femininomenon.” A song that invites listeners to question the norms that women must conform to in order to be deemed of value. This is one of many themes that Chappell displays in her music. She poses insightful questions while also encouraging everyone to embrace their femininity.

    The room for self-expression layered with Chappell’s unmatched vocal range makes this a concert experience everyone needs to have. She is a pop phenomenon that without a doubt has the talent but synchronously has the “it” factor that make her addicting to watch. 

    Photo Credit: Maddie McCafferty

    Chappell Roan’s control of the pulse of the crowd is of a true performer. She knows exactly when to let loose with fans and when to reel it back to take in those slow moments to feel all the feelings. Chappell then has everyone lifting a middle finger up for their exes. She guides people through pure entertainment especially when getting everyone to do hand signals for her song, “HOT TO GO!.” 

    Dedicated to the Exes

    Her stage is shared with other powerful women including Lucy Ritter on drums, Devon Eisenbarger on guitar and Allee Futterer on bass. The group mostly played tunes off of her latest album The Rise and Fall of a Midwest Princess. She performed her latest single, “Good Luck, Babe!” which has taken the internet by a storm. She obviously had to play Buffalo’s theme single “My Kink Is Karma” but not before dedicating it to the audiences exes.

    Photo Credit: Maddie McCafferty

    Some people tried to exit the venue before the encore in order to beat traffic. Although, once Chappell came back on stage singing “California” with her angelic voice so many people could be seen beelining it back into the crowd just to get a final glimpse.

    That’s the thing about Chappell Roan, she is constantly pulling the crowd in. She’s addicting to watch and enthralling to listen to. A Chappell Roan show isn’t just a safe space for the queer community, but a reminder of what letting go and embracing joy is all about.  

    Photo Credit: Maddie McCafferty

    Terminal B is having quite the lineup to kick off their Summer concert series. Brothers Osborne is coming June 14 and Lil Yachty performs June 15. Get your tickets here

    Setlist: Femininomenon, Naked in Manhattan, Super Graphic Ultra Modern Girl, Love Me Anyway, Picture You, Guilty Pleasure, HOT TO GO!, After Midnight, Coffee, Kaleidoscope, Casual, Red Wine Supernova, Good luck Babe!, My Kink Is Karma

    Encore: California, Pink Pony Club

  • The String Cheese Incident Announce 4 New York Tour Dates

    The String Cheese Incident have announced their 2024 fall tour, which will include four New York dates. In addition to two shows in Port Chester, the renowned jam band will also play in Brooklyn, and Wonderland Forest in LaFayette.

    String Cheese Incident

    The String Cheese Incident (SCI) are a world renowned jam band, innovating musically since the early 1990s. The Colorado-based sextet incorporates elements of psychedelia with bluegrass, dubstep and many other genres into their sound. With all six members writing songs, and trading off vocals, the band’s music is uniquely collaborative. Their musical ingenuity has brought widespread acclaim, with the group sharing stages with Lauryn Hill, James Brown, and Sheryl Crow.

    !On top of their musical innovation, SCI has put their fans at the forefront of their career. They are famous for their immersive live shows, incorporating themed experiences and chances for audience participation into their shows. In addition, the band pioneered file sharing, offering their shows to fans with free online downloads. Since their rise to success, SCI has sought to give back to the community, aiding a number of philanthropic causes. The band were among the first to encourage green tours, and regularly donate to Conscious Alliance and HeadCount charities.

    This tour celebrates the band’s 30th anniversary, with SCI traversing the country throughout much of 2024. The String Cheese Incident’s fall tour is set to begin in Las Vegas on September 12th. Following this inaugural show, SCI will move eastward, ending the first leg of their tour in Baltimore on September 29th. This leg of the tour will see the band play Wonderland Forest in LaFayette, NY on September 28th. The second leg of their show will begin at Suwanee Hulaween in Live Oak, Florida, before moving up the Eastern Seaboard. On October 30th, SCI will perform at the newly opened Brooklyn Paramount Theater. The band will conclude their tour with two dates at Port Chester’s Capitol Theatre on November 1st and 2nd.

    Tour Dates

    Sept 12-15 @ Bender Jamboree | Las Vegas, NV

    Sept 18 @ The Criterion | Oklahoma City, OK  

    Sept 19 @ The Midland Theatre | Kansas City, MO 

    Sept 20-21 @ Riverside Theater | Milwaukee, WI 

    Sept 22 @ Vibrant Music Hall | Waukee, IA 

    Sept 25 @ Royal Oak Music Theatre | Royal Oak, MI 

    Sept 26 @ Palace Theatre | Louisville, KY 

    Sept 27 @ Cain Park Evans Amphitheater | Cleveland Heights, OH 

    Sept 28 @ Wonderland Forest | Lafayette, NY  

    Sept 29 @ Pier Six Pavilion | Baltimore, MD 

    Oct 24-27 @ Suwannee Hulaween | Live Oak, FL

    Oct 30 @ Brooklyn Paramount Theater | Brooklyn, NY* 

    Oct 31 @ The Met | Philadelphia, PA*  

    Nov 1 @ The Capitol Theatre | Port Chester, NY* 

    Nov 2 @ The Capitol Theatre | Port Chester, NY* 

    *with special guest Stolen Gin

    Artist presale kicks off Wednesday, May 29 at 11:00 AM MT. Public on-Sale is Friday, May 31 at 10:00 AM local. For more information on tour dates and ticketing, visit SCI’s website here.

  • Brooklyn Artist Jehry Robinson Releases New Single “Pilot”

    Rising rap, reggae and R&B artist Jehry Robinson released his new single “Pilot” alongside a music video on May 24. This is the first solo single from the Brooklyn native, following his 2023 album, Drink More Water.

    After jumping into the scene with his first record, Pt. IV, V, VI, in 2017, Robinson made his Strange Music record label debut with his August 2020 record 20/Twenty. Since then, Robinson has found a clear lane in the industry, showcasing a unique blend of rap, reggae and R&B influences. With multiple co-signs from rap veteran Tech N9ne and an opening spot on country star Jelly Roll‘s 2022 Son of a Sinner Tour, Robinson’s role as a notable figure in the rapverse is undeniable.

    Since his Strange Music debut, Robinson has released two more studio albums, one in 2021 and the other in 2023. His 2023 album, Drink More Water, earned positive reviews from Underground Hip Hop Blog, Folk N Rock and Dancing About Architecture. Now, with the release of “Pilot,” Robinson appears to be starting the album cycle once again.

    On “Pilot,” a nimbly plucked guitar gives way to a head-nodding beat kickstarted by simmering cymbals. Robinson alternates between hummable melodies and airtight rhymes in the verses. However, his vocals really take flight on the chantable chorus, “I think we’re going down, so I went to see the pilot ’cause I been getting tired, let’s turn this plane around.” In the accompanying visual, Robinson assumes the multiple roles of passengers on a commercial flight, breaking through the turbulence as our hero confronts the man at the wheel (who just so happens to be him).

    “It’s about being the pilot of your own life and you can always turn it around. You’re in control to follow your destiny,” said Robinson.

    Listen to “Pilot” on your preferred streaming platform here

  • Albany Symphony Announces 2024 American Music Festival 

    Experience live new works from world-renowned composers of today debuting at the Albany Symphony’s 2024 American Music Festival, “Water Music NY: More Voices.”

    The event will take place between June 7-9 at the EMPAC concert hall on the RPI campus and locations throughout Troy, NY. “This is the beginning of a three-year project in which we will celebrate and explore the history of New York through the lens of people whose stories have not been told,” writes Music Director David Alan Miller.

    Performances will kick off with Dogs of Desire on Friday, June 7. The festival will also celebrate 30 years of the innovative ensemble by Dai Wei, del Pino, Sohn, Bansal and JURAKHAN. 

    Taking place on June 8 is FLOW, a “Water Music NY: New Voices” commission by Clarice Assad. The suite for piano and orchestra is a musical journey through the symbolic currents of emotions, exploring themes of change, resilience, and the passage of time through the idea of water. All the movements connect seamlessly, each representing a different dynamic ebb and flow of emotions and experiences. Its lively and improvisational character is a celebration of endurance, affirming the idea that even in the face of challenges, the capacity to adapt and emerge stronger exists. The festival will host some of its favorite composers and performers, including Joan Tower, Christopher Theofanidis, and Brandon Patrick George. It will also feature wonderful creators who are new to its stage. 

    Performances include Jack Frerer’s covers of hits by NY-born songwriters, from Cab Calloway to Grace Jones and Lana Del Rey, not to mention an audience. Following the concert, there will be a late-night lounge event where listeners can enjoy the sultry Brazilian rhythms of father-daughter duo Sérgio and Clarice Assad. Sergio Assad is one of the world’s greatest living classical guitarists. Clarice is a major Brazilian-American composer, much loved by the Albany Symphony audience and community. 

    The Last of James Fenimore Cooper on Sunday, June 9 is set to close the event at The Sanctuary for Independent Media. Native American composer Brent Michael Davids has composed a witty, satirical quartet about James Fenimore Cooper. Davids. He embraces indigenous themes and subjects in his music, considering Cooper’s ignorance of native culture in “The Last of the Mohicans” in this work for string quartet, featuring members of the Albany Symphony. This event is featured as part of the Sanctuary for Independent Media’s Freedom Festival in collaboration with the American Music Festival.

    Additional Information here.

    AMF Concerts, Programming and Events: 

    June 7: 

    DOGS OF DESIRE: EMPAC, 7:30pm

    LATE NIGHT LOUNGE: CLARICE & SÉRGIO ASSAD following Dogs of Desire

    June 8: 

    “FIRST DRAUGHTS” READING SESSION & BEER TASTING: Bush Hall, 10:30 am

    GREAT AMERICAN SONG!: Bush Hall, 3:00pm

    AMERICAN MUSIC FESTIVAL: EMPAC, 7:30pm, Pre-Concert Talk, 6:30pm

    LATE NIGHT LOUNGE: BROADWAY & AMERICAN SONGBOOK CABARET: Following American Music Festival Concert

    More American song –Broadway and beyond– long and late into the night.

    JUNE 9: 

    LAST OF JAMES FENIMORE COOPER: Sanctuary for Independent Media, 4:00pm

    Albany Symphony American Music Festival
  • The Vagrants: The Greatest Psychedelic band that Never Was

    The year is 1964 on Long Island, when a group of four high school friends decide to form a garage band called The Vagrants. Little did they know, this pet project would have a massive impact on the music scene within its four short years of existence. Its members would play with legends like Jim Morrison, John Lennon, and The Who. Their singles would influence everything from punk rock to metal to one of Aretha Franklin’s greatest hits. Their lead guitarist would even rise to classic rock stardom at Woodstock. So how is it that The Vagrants could so quickly fade into obscurity?

    Like so many other bands. The Vagrants began because of the Beatles. In August 1964, friends Peter Sabatino and Larry Weinstein watched The Beatles play the Forest Hills Stadium and knew they had to start a band. The duo went around town to assemble a ragtag group of their friends to join. Peter would be lead singer, with Larry on bass guitar and backing vocals. They enlisted the best guitarist they knew, who just happened to be Larry’s brother Leslie West. They met future drummer Roger Mansour when their high school principal suspended him and the other fledgling band members for their long hair. Finally, they got Jerry Storch, a regular at the local bowling alley, to join on keys. 

    The Vagrants

    Storch’s bowling alley connection would save the band, as the local lanes would become their base of operations. From this headquarters, the quintet mapped out their plan for future success. As it turns out, Sabatino and Weinstein were as good entrepreneurs as they were musicians, networking to get early gigs across Queens and Long Island. They made the high school circuit, playing everything from sweet 16s to NYC nightclubs. On top of all of this, the band’s members were all still actively enrolled in an arts high school. 

    This early grind worked out for The Vagrants, as they soon caught the eye of a record label willing to promote and release their music. In 1965, representatives from Southern Sound approached the band, having seen their rudimentary press kit. The label offered to release The Vagrant’s debut single, an opportunity that would kickstart their fleeting career.

    This debut single was “Oh Those Eyes” with b-side “You’re Too Young.” The A-side is a hidden gem of 1960s rock, starring Sabatino’s sneering vocals that sound straight out of “My Generation.” His vocals are backed up by Beatles-esque harmonies, eerie Hammond organ, and Leslie West’s reverb-laden surf guitar. All of these come together to create something punky and psychedelic, unlike much rock that had preceded it. 

    Their debut single propelled The Vagrants to greater stardom than before. Soon they had gotten residencies in Hampton Bays in the East end of Long Island, and the Rolling Stone in Manhattan. The single also pushed the group into movie-stardom, after gaining the attention of director Douglas Hickox in 1966. Hickox was in the process of making Disk-O-Tek Holiday, a film about an aspiring musician named Casey Paxton attempting to gain radio airplay of his song. Hickox thought that “Oh Those Eyes” would make a perfect musical number for a dance party scene, and hired the group to perform in his film. 

    The Vagrants soon became regulars on the “Good Guys” program of NYC’s WMCA radio station. Bolstered by its early radio support of The Beatles’ early singles, WMCA had become a haven for cutting-edge rock. The Vagrants, alongside legends like Eric Clapton’s Cream, and The Who, would often play sets for the station, broadcasting their singles across the NYC metro. 

    Until 1968, The Vagrants continued to release 4 more singles, which would later be collected in the 2011 compilation I Can’t Make a Friend. These singles are quintessential 1960s rock, melding influences from all of the decade’s most defining genres. “Hasty Heart” sees the band hearken back to early 60s surf rock. It combines melodic harmonies, exotica-esque organs, and reverberated guitars to craft a hazy, lazy tune that wouldn’t feel out of place at a tiki bar. Their next single, a 1967 cover of Otis Redding’s “Respect” is straight-up soul, with upbeat guitars and a catchy keyboard line. This cover allegedly caught the ear of producer Jerry Wexler who passed it along to his client Aretha Franklin. 

    vagrants

    Despite their best efforts, none of these singles were radio hits. Desperate for success, The Vagrants called in Cream producer Felix Pappalardi to record “Beside the Sea.” This single is a stark departure from their earlier soulful style of garage rock. The track is a slow psychedelic dirge, with guitars so distorted they almost don’t register as instruments. The harsh, raucous guitars foreshadow the later metal, industrial, and noise-rock genres.  “Beside the Sea” mirrors the growing psychedelic and acid rock scenes expanding across late 1960s America. Despite this, the track was not the hit The Vagrants were looking for.

    While The Vagrants didn’t find much success in their studio output, they became infamous for their fiery live performances. In 1966, they became the house band at The Action House in Island Park, NY. The Action House was a Mecca for the Long Island live music scene. Owned by Lucchese mafia family associate Phil Basile, the venue was infamous for its drug use, fights, and overall chaotic atmosphere. Despite its ill repute, it attracted bands both local and national. Bands like The Doors, The Hassles–with a young Billy Joel on keys–and Vanilla Fudge all played The Action house alongside The Vagrants. 

    The Vagrants’ live sets fit right into The Action House’s chaotic atmosphere. As the house band, they were paid $1,500 to perform 28 nights every month. Eager to earn their pay, The Vagrants cranked up their live antics to eleven. They padded out their sets with slowed-down, distorted covers of popular songs, like The Beatles’ “No Reply.” These covers, along with those of their Action House colleagues Vanilla Fudge, would lay the foundation for early heavy metal that would emerge soon after.

    Their antics went beyond just musical experimentation, with the band often incorporating pyrotechnics into their performances. They timed fireworks so that they would go off at the climaxes of their songs. One night, extra fireworks stored under Storch’s organ ignited after the show. The explosion set the stage, along with the band’s instruments on fire, destroying them. The Vagrants were so popular, however, that their show set for the next night couldn’t be delayed, so their label replaced their instruments and repaired the stage in less than a day. 

    Despite their live success, The Vagrants’ future was far from set in 1968. None of their singles had become radio hits like they had hoped, and the band was growing restless. As a result of this restlessness, the band members began fighting more and more, worsened by their increasing drug use. Joey Ramone, who went to school with The Vagrants and followed their career, recalls that Larry modeled himself after “Jim Morrison at that point – just like permanently f—-d-up.” By summer 1968, things were beyond repair, with Jerry Storch leaving. Less than one year later, Leslie West also left, starting a new band with collaborator Felix Pappalardi, leaving The Vagrants all but dead. 

    While the Vagrants died in 1968, West’s new band Mountain was born, launching him to guitar god status. Mountain built off the distortion of Vagrants tracks like “Beside the Sea” to create heavy, psychedelic blues rock. The band got off to a running start, playing at Woodstock less than one year after its founding. At 9:00 PM on the second night of the festival, mountain played an eleven song set to over 500,000 people: a show that was only their fourth gig ever.

    With albums like Climbing! and Nantucket Sleighride, Mountain became legends of classic rock radio. West used his newfound fame to collaborate with some of the biggest names in rock. He went on to record a demo jam with Eric Clapton and John Lennon, as well as playing guitar on the Who track “Baby, Don’t You Do It.”

    vagrants

    While West soared to superstardom with Mountain, the other members of The Vagrants remained quiet for the next few decades. Drummer Roger Mansour became a missionary in Haiti, and keyboardist Jerry Stroch became a rabbi. Peter Sabatino started a local catering business, but still remained hopeful of a Vagrants reunion. 

    In 1990, Sabatino reformed The Vagrants with no other original members. These “New Vagrants” made the rounds of NYC and Long Island venues, with regular shows at Amityville’s Odyssey Club. After years of live shows, the group began recording their comeback/debut full-length LP 21st Century Vagrants in 2002. The recording was cut short, however, when their drummer Joe Forgione died of a heart attack during a live show in 2003. Any hopes of a Vagrants comeback died alongside Forgione in 2003, and the band broke up for good. For the second time in their history, The Vagrants had ended before they really got started.  

    Enjoy The Vagrants performing a cover of The Rolling Stones’ “Satisfaction” at The Action House

  • Jane’s Addiction and Love And Rockets to Co-Headline Pier 17 this Fall

    Pier 17 has announced a co-headlining show from Jane’s Addiction and Love and Rockets on September 10. This Manhattan show comes as part of a 23-city cross-country tour in August and September.

    Jane's Addiction Love And Rockets

    Pier 17, located at Manhattan’s South Street Seaport, is one of the city’s most scenic venues. The 1.5 acre rooftop venue is located stories above New York City’s East River. Pier 17 provides concert-goers with stunning views of the Empire State Building, Brooklyn Bridge, Statue of Liberty and other famous sites. With a 3,500 person capacity, the venue is intimate, while still providing a lively atmosphere. Since its inaugural season in 2018, the venue has hosted acts from The Fugees to Billie Eilish. This season is especially busy for Pier 17, with shows from Taking Back Sunday, Slash, and more scheduled for the Summer.

    Below the Pier 17 stage, the Seaport hosts a venue of restaurants and shops for concert-goers to enjoy. With offerings like sushi, tacos, ice cream, and seafood there is a large variety of options at the venue. The Seaport additionally hosts vintage clothing, book, and wine shops for visitors to enjoy before and after their concerts.

    Since their start in 1985, Jane’s Addiction has become one of the most influential alt-rock bands of all time. Perry Farrell’s distinctive vocals, and Dave Navarro’s heavy guitars propelled the band into rock stardom, spawning countless hits. Concert-goers are sure to recognize “Jane Says” off of their 1988 debut Nothing’s Shocking and “Been Caught Stealing” off Ritual De Lo Habitual. Their signature brand of alternative has inspired legendary acts, including The Smashing Pumpkins and Rage Against the Machine. Jane’s Addiction are also renowned for their energetic live shows, with their 1991 farewell tour spawning the legendary Lollapalooza rock festival. This 2024 tour comes after the band’s first reunion in over 14 years.

    Love and Rockets began after the breakup of the seminal goth band Bauhaus in 1983. Members Daniel Ash, David J, and Kevin Haskins sought to combine their goth roots with more pop and psychedelic influences, crafting a unique brand of alternative that led them to stardom. Emerging with a dark cover of the Motown classic “Ball of Confusion,” the band’s music became 1980s club standards. Across their 7 studio albums, the band achieved major radio success with the 1989 hit single “So Alive,” which went to #3 on billboard. Bands like The Flaming Lips, Jane’s Addiction, and Pixies have since cited Love and Rockets as musical influences. This tour comes after the band’s 2023 reunion.

    This concert at Manhattan’s Pier 17, is only one stop on a nation-crossing tour throughout August and September. The tour’s 25 stops across the US and Canada are listed below.

    Fri Aug 09 — Las Vegas, NV — Fontainebleau Las Vegas

    Sun Aug 11 — San Diego, CA — Gallagher Square at Petco Park

    Tue Aug 13 — Los Angeles, CA — YouTube Theater

    Thu Aug 15 — Phoenix, AZ — Arizona Financial Theatre

    Sun Aug 18 — Irving, TX — The Pavilion at Toyota Music Factory

    Mon Aug 19 — Houston, TX — 713 Music Hall

    Wed Aug 21 — Rogers, AR — Walmart AMP

    Fri Aug 23 — Durant, OK — Choctaw Grand Theater

    Sun Aug 25 — New Orleans, LA — The Fillmore

    Tue Aug 27 — Jacksonville, FL — Daily’s Place

    Thu Aug 29 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre

    Sat Aug 31 — Hollywood, FL — Hard Rock Live

    Tue Sep 03 — Raleigh, NC — Red Hat Amphitheater

    Thu Sep 05 — Portsmouth, VA — Atlantic Union Bank Pavilion

    Sat Sep 07 — Atlantic City, NJ — Hard Rock Live at Etess Arena

    Tue Sep 10 — New York, NY — The Rooftop at Pier 17

    Fri Sep 13 — Boston, MA — Leader Bank Pavilion

    Sun Sep 15 — Bridgeport, CT — Hartford Healthcare Amphitheater

    Wed Sep 18 — Toronto, ON — Budweiser Stage

    Fri Sep 20 — Rochester Hills, MI — Meadow Brook Amphitheater

    Sun Sep 22 — Milwaukee, WI — BMO Pavilion

    Tue Sep 24 — Chicago, IL — Byline Bank Aragon Ballroom

    Thu Sep 26 — Indianapolis, IN — Everwise Amphitheater at White River State Park

    Sat Sep 28 – Huntsville, AL – South Star Music Festival*

    Sun Sep 29 – St. Louis, MO – Evolution Festival*

    Tickets presales for this show begin on May 28th, with general sales beginning May 31st at 10am.

  • Gary Clark Jr. Goes Beyond the Blues at Artpark

    Gary Clark Jr. captivated a full house in the Mainstage Theater at Artpark in Lewiston, NY on Saturday, May 25. While he may best be known for his prodigious blues playing he’s made an effort in recent years to broaden his musical stylings, incorporating a wide range of genres in his more recent releases.

    Gary Clark Jr artpark

    Nowhere is that more apparent than in Gary Clark Jr.’s latest full length release, JPEG RAW, which was showcased throughout the evening’s selections. Backed by his eight piece band he deftly moved through funk, rock and hip-hop inspired tracks to the delight of the crowd. His tour rolls on with upcoming shows in Albany and Lafayette, NY.

    Gary Clark Jr. – Artpark, Lewiston, NY – Saturday, May 25, 2024

    Setlist: Maktub, When My Train Pulls In, Hyperwave, This Is Who We Are, The Healing, Alone Together, Triumph, Bright Lights, Habits
    Encore: Stay (with Abraham Alexander), Funk Witch U