For the third year in a row, Buffalo Jazz Festival will be hosted on the Richardson-Olmsted Campus in Buffalo on Sunday, September 1st from 12:30 pm to 7:30 pm.
JazzBuffalo, a non-profit organization, presents this year’s Buffalo Jazz Festiva, seeking to increase and spread Jazz awareness and appreciation. They also host a variety of events throughout the year such as “Food Truck Tuesdays at Larkin Square,” as well as the “Jazz at Richardson” series, which holds performances both on the lawn and inside the Richardson Hotel.
The Richardson Hotel is also the home of the festival this year. The stage on the south lawn will hold performances throughout the day. The historic hotel was built as a mental asylum by Frederick Law Olmsted (of Central Park fame,) and housed patients from 1880 until 1974. The campus was deemed a National Historic Landmark in 1986.
Attendees this year will experience Salsa, Latin Jazz, as well as timeless jazz classics. The festival will include free salsa and swing dance lessons.
Wallows, the Los Angeles-based indie rock trio, has been captivating audiences since their formation in 2017. Made of Braeden Lemasters, Dylan Minnette, and Cole Preston, Wallows boasts a signature blend of nostalgic 90s alt-rock and modern indie-pop. Over time, they’ve consistently delivered infectious hits that have earned them both critical acclaim and a dedicated fanbase.
Their live performances are where Wallows truly shine. Known for their electric energy and dynamic stage presence, each member of the band brings something unique to the table. Their individual contributions combine to create a show that is both sonically and visually captivating. Their shows are more than just concerts—they are experiences that leave fans with lasting memories.
The Show
Wallows’ show at The Mann in Philadelphia was spectacular, showcasing the band’s growth and their connection with their audience. They created memorable moments throughout the evening, making it a night that Philly fans won’t forget.
As the show kicked off, Wallows took to the main stage with “Do Not Wait,” immediately drawing the crowd in. Braeden kept the crowd engaged throughout the night, seamlessly transitioning from talking about Philly’s national treasures to introducing “Quarterback” by joking, “If Benjamin Franklin was alive right now, I think he’d be into football. Speaking of football…” Cole then took over on vocals, and the crowd was loving every minute.
The Mann, with its expansive and almost boat-like feel (as noted by Cole), provided the perfect backdrop for Wallows’ dynamic setlist. From fan favorites like “Scrawny” and “These Days” to deeper cuts like “Drunk on Halloween,” the band delivered a performance that had the audience singing along and dancing throughout the night. One of the standout moments of the night was when Dylan made his way through the crowd during “She’s an Actress,” holding hands with fans and bringing an extra layer of intimacy to the show.
The guys surprised the crowd on the B-Stage by performing “Ground,” a song they hadn’t played on the Model Tour until now. They followed this with a haunting rendition of “Drunk on Halloween,” which further cemented the band’s ability to captivate their audience with both their sound and their presence.
As the band transitioned back to the main stage, they brought the night to a close with a powerful sequence of songs, including “Worlds Apart,” during which Braeden made his way back through the crowd, and the crowd-favorite “Are You Bored Yet?” The energy in the venue was palpable, with fans singing every word and savoring every moment.
Looking Forward
If you missed Wallows on this tour , don’t worry—you can catch them when they’re in New York. Their live shows are an unforgettable experience, and this band is only getting better with time. Catch them live, and be prepared for a night full of incredible music, memorable interactions, and an atmosphere that will stay with you long after the last note has been played.
Setlist:
Main Stage Do Not Wait, Your Apartment, [Anytime, Always], Scrawny, Don’t You Think It’s Strange, Quarterback, Bad Dream, These Days, You (Show Me Where My Days Went), At the End of the Day, Just Like a Movie, A Warning, Uncomfortable, She’s an Actress
B Stage Pictures of Girls, Ground (Tour debut), Drunk on Halloween Main Stage Worlds Apart, Pleaser, Calling After Me, Remember When, I Don’t Want to Talk, Are You Bored Yet?
Article photos by Emma Wannie, Gallery photos by Chloe Dugord
Finger Lakes GrassRoots festival has announced the return of the GrassRoots Unplugged concert. The second annual unplugged festival is held from September 7 to 8 at the Trumansburg Conservatory of Fine Arts.
GrassRoots Unplugged is a two day, two stage, musical gathering featuring some of your favorite GrassRoots performers in an intimate setting. Conclude the perfect summer with Sim Redmond, Rose & the Bros, Kevin Kinsella and more at TCFA September 7-8.
This festival is one for the community. The mission of the Finger Lakes GrassRoots festival is to unify the community and to create a cultural hub for future generations to enjoy. At least ten acts prepare to perform at the unplugged festival.
Performances are held from 1:30 to 9:30 on both days. Tickets are $25 a day or $40 for both days. For children 12 and under, admission is free. Sunday will feature our fabulous dance floor including a Sunday Square Dance with caller Casey Carr and GrassRoots Unplugged musicians. The fest also includes a visual arts section, and a children’s fun area.
For more information on the GrassRoots Unplugged festival coming to Trumansburg, NY, click here. Click this link to purchase your daily tickets or tickets for the whole weekend.
On Saturday, August 24th, the LIMEHOF celebrated the induction of three iconic DJs: Davy DMX, DJ Hurricane, and DJ Jazzy Jay. The event was a tribute to their contributions to hip-hop and the music industry, filled with heartfelt speeches, special performances, and an outpouring of admiration from peers and fans alike.
Davy DMX, Kurtis Blow and DJ Hurricane at the LIMEHOF
Before the induction ceremony, I had the opportunity to ask them a few questions about their careers and perspectives on hip-hop. Kurtis Blow, who was present to induct Davy DMX, also shared his thoughts.
DJ Hurricane, known for his pivotal role in shaping the Beastie Boys’ sound, reflected on his contributions. He described his style as “b-boyish” and “hip-hop,” explaining that he brought a swag and attitude that complemented the group, especially since MCA was the only member from Brooklyn. Hurricane reminisced about the early days, recalling their first meeting at the Def Jam office, although it felt like they had known each other forever. He also discussed the evolution of hip-hop, pointing out that today’s shorter verses and lack of recognition for DJs mark a significant shift from the past.
Kurtis Blow at LIMEHOF
Kurtis Blow, one of hip-hop’s pioneers, expressed his love for the genre, which has been his life for the past 50 years. He encouraged young artists to stay positive and continue to inspire change, emphasizing the importance of returning to hip-hop’s roots of peace, unity, love, and fun. His message was one of hope, urging the new generation to use hip-hop as a tool for global change.
Davy DMX, reflecting on his role as a DJ and producer, stressed the importance of keeping the art of scratching alive. He acknowledged the incredible heights that DJing has reached but emphasized that DJs must remain a central part of hip-hop culture.
DJ Johnny Juice at LIMEHOF
The night kicked off with DJ Johnny Juice taking the stage alongside the honorees, showcasing the skills that have made him a respected figure in the DJ community. Although DJ Jazzy Jay couldn’t attend due to a personal emergency, DJ Johnny Juice graciously accepted the award on his behalf, honoring the legacy of the pioneering DJ.
Davy DMX and Kurtis Blow at LIMEHOF
One of the highlights of the evening was Kurtis Blow’s appearance to induct his longtime friend and collaborator, Davy DMX. In his speech, Kurtis Blow delivered a heartfelt tribute, reminiscing about their early days in Hollis, Queens, and their unforgettable performances, including a legendary night at the Apollo. He credited Davy DMX as a crucial part of his success, particularly for stepping in as his DJ on tour after Run-DMCâs Joey broke his arm. Kurtis praised Daveyâs skills on the turntables and expressed deep gratitude for his unwavering support throughout their global travels. The speech culminated in a powerful moment as Kurtis Blow performed his classic hit, “The Breaks,” to the delight of the audience.
DJ Hurricane and Wife Dawn at LIMEHOF
DJ Hurricane’s induction was equally touching, with his wife, Dawn, taking the stage to honor her husband. She spoke passionately about his impressive career, which began in 1977 and saw him collaborate with legends like Run-DMC, The Beastie Boys, and Davy DMX. Dawn highlighted the challenges Hurricane faced, particularly as a DJ for an all-white group during the early days of hip-hop, and expressed her admiration for his resilience and contributions to the genre. Her words resonated with the crowd, underscoring the impact Hurricane has had on hip-hop culture.
The evening was a powerful reminder of the lasting influence of these legendary DJs, who have shaped the sound and spirit of hip-hop for decades. The LIMEHOF induction ceremony was not only a celebration of their achievements but also a recognition of their contributions to the music world and beyond).
Albany-raised pop-punk band State Champs put forth a new music video for their single, “Too Late to Say.” The release comes just after the band announced their fifth studio album, State Champs, to be released on November 8.
The track “Too Late to Say” showcases an unfamiliar sound to the group’s norm. One that displays a refreshing vulnerability for the band. It rings youthful and polished, but the track holds deeper meaning. “Too Late to Say” highlights the fear of losing yourself. The music video embodies this narrative as the band is seen performing in the back of a speeding truck. This scene is a metaphor for the fast-paced reality of life and its moments.
The music video is an intimate showcasing of the group’s inner fears, and concerns for their future, as well as reminiscing on fears of their past. Throughout the video you see the truck moving quickly down the road. This theme symbolizes the speed at which life may feel to pass as one ages.
“Too Late to Say” is a track off of State Champs’ upcoming 12-song, self-titled album, State Champs. The band is also set to tour across North America beginning November 8 alongside the release of the album. The band has become a major player in the pop-punk scene, championing the genre over the past decade.
For more information on State Champs upcoming releases, and to check out their new music video, click here.
Manhattan’s Mastercard Midnight Theatre will launch a weekly event called “Club Midnight,” starting on September 6th, where the club features the city’s top DJs, dancers, and acts each Friday.
Mastercard Midnight Theatre has quickly become one of Manhattan’s top spots for nightlife. Located at the heart of Midtown Manhattan, the venue is steps away from Hudson Yards and Penn Station. In this space, Midnight Theatre offers an intimate 150-seat theater that has hosted talent from across the world. Among the theater’s regulars are Grammy-winning trumpeter Brian Newman and the Tangier Blues Band.
The Mastercard Midnight Theatre also boasts the restaurant Midnight by Navarro’s. The Parisian-style restaurant offers world-class wine and small bites, while presenting a space for musical performances. This space is already currently home to Brian Newman After Dark each Friday.
As part of this residency, Newman runs a program of genre-bending music and performances. Inspired by artists like Miles Davis, Elliott Smith, and Nirvana, Brian Newman weaves a diverse musical tapestry in each of his performances. His trumpet chops and old-school Las Vegas cool have led Newman to work with everyone from Lady Gaga to Wynton Marsalis. Backed by a ten-piece orchestra, Newman presents shows with stars of the screen and stage each Friday.
While Brian Newman After Dark’s curtain closes at 11pm, the theater’s festivities continue into the night. Starting on September 6th, Club Midnight will open its doors at 11pm. Hosted in the lobby of Midnight by Navarro’s, the show is a who’s who of NYC nightlife. The late-night party will feature local DJs, dancers and more. This weekly event is free to attend, with cocktails and small bites available for purchase.
The inaugural club midnight will feature six acts throughout the night. Providing music for the party is DJ Sticky Dojah. Originally raised in Germany, DJ Sticky Dojah made a name for himself in Brooklyn. Over the past decade, he has toured Europe and Africa with his eclectic and funky musical stylings. In addition to music, the night will feature a number of burlesque dancers, aerialists, and other performers. Among the other highlighted acts are Perse Fanny, Andrea Flow, Mademoiselle Estelle, Synn Sultress, and Dorienne Dreadful.
Following this inaugural night, Club Midnight will continue each Friday with a rotating cast of performers. The acts and venues provide an experience that is both refined and edgy, something which might just prove to be the next big thing in NYC nightlife. For more information, visit the Midnight Theatre website here.
“Diorama” explores all the unique nuances of Sam Rappaport’s voice and vision. The track opens up rather smoothly, with notes of contemporary jazz but with a modern undertone. A soft piano melody carries the tune to its heights and to its valleys. Rappaport’s soothing vocals and lyrics fall perfectly along the instruments throughout the entirety of the tune.
The track explores Sam’s inner fears, loves, and life experiences. “Diorama” refers to a layout of all of what makes up oneself. Sam wants to study his own diorama, who he truly is, what makes him who he is. What is he afraid of and what are the fundamental aspects of his person. What does he love, desire and need, and why?
My dad used to take me to the Natural History Museum growing up, and I would love looking at the dioramas. I started thinking, what if there was a diorama for my life and fears, what scenes would it show? So, I guess the main concept is reflectionâorganizing all one’s little traumas into a diorama for public viewing.
Sam Rappaport
Be sure to keep on eye on Sam Rappaport’s further releases by checking his Spotify, Instagram and YouTube. Visit Rappaport’s website to hear the new single “Diorama” For more information on the artist, click here.
Buffalo saxophonist Ellen Pieroni will release her sophomore album, Soul Vacation, on August 30. An experienced musician, Pieroni has played with numerous bands, including Folkfaces and Buffalo Afrobeat Orchestra.
Ellen Pieroni started playing the saxophone at 8 years old, and has perfected a blend of jazz and soul. Her inspiration comes from a variety of places, including Herbie Hancock’s Mwandishi era, Frank Zappa, Todd Rundgren, The Meters, as well as classic saxophonists such as Grover Washington Jr. and Wilton Felder of The Crusaders.
Soul Vacation featured nine tracks, including two “soul standard” covers made famous by Stevie Wonder and the Jackson 5. The album offers an exciting lineup of special guests, including Tyler James (organ, Fender Rhodes), Sophistafunk’s Adam Gold (clavinet), Alex McArthur (vocals), Tim Clarke (trumpet), and Brendan Lanighan (trombone).
The album was recorded at GCR Audio in Buffalo, and was engineered, mixed, and mastered by Brad Lauchert. Celebrate the release at the release party on August 30 at Sportmens Tavern, at 326 Amherst Street in Buffalo. Vinyl and CDs will be available for purchase at the party, and admission is $20 at the door.
Soul Vacation will be available on all streaming platforms on August 30, and more information about Ellen Pieroni here. A live performance of “What Time Were You Born” is available below.
Woodstock-formed pop-rock band Orleans has announced two back-to-back upcoming shows across the state.
The first show, in Cohoes, will happen at the Cohoes Music Hall on September 13, and the second show, in Clayton, NY, takes place at the Clayton Opera House on September 14.
Created in 1972 by John Hall (guitar), Larry Hoppen (guitar/keyboard) and Wells Kelly (drums), Orleans has passed the test of time, still remaining intact in 2024. They released their first album in 1973 and have subsequently had numerous best-selling albums over the years, including Let There Be Music, Waking and Dreaming and Forever.
Over the years, Orleans has amassed a catalog of 17 albums and multiple DVDs. Now, celebrating more than 50 years of live shows, Orleans has continued their consistency to this day, already performing 10 times across the country just this year.
Orleans’ smooth blend of melodic pop-rock is a timeless sound. Their classic tight ensemble playing, gorgeous harmony vocals and inspired and well-crafted songwriting always create the perfect storm to dance to, something that visitors to Cohoes and Clayton will be able to experience.
For Orleans’ first show at the Cohoes Music Hall in Cohoes on September 13, the band will play as part of a double bill with folk/rock band Aztec Two-Step. The show will run between 7:30 and 10:30 p.m. For their second show at the Clayton Opera House in Clayton on September 14, Orleans will take on the stage solo, performing at the historic venue between 7:30 and 9:00 p.m.
The band also has a third show scheduled for October at the Northwest Missouri Moon Festival. Visit here for tickets and more information.
On Friday, August 23, Woodstock-based Americana musician Eddy Lee Ryder released her debut album, Sweet Delusions. The album is a testament to Ryder’s storytelling ability, ironically recounting one of the worst parts of life through playfully catchy tunes that still bring out hers, and our own, deepest emotions.
After releasing a collection of singles and EPs, Ryder amassed a decent following through her emotional storytelling and unique, nostalgic musical style. With the help of musicians like producer Father John Misty, drummer/musical director Dan Bailey, multi-instrumentalist Daniel Chae (Zach Bryan, Kacey Musgraves), and keyboardists Todd Caldwell (Crosby, Stills & Nash, James Taylor) and Dave Shephard, along with harmonies and other help from NYC friends like Rebecca Haviland and pianist Abby Payne, Sweet Delusions is an opus two years in the making.
Throughout the entirety of the album, Ryder wears her heart on her sleeve, showing her anger, bitterness, and frustration in a failed relationship. Yet, even through all those negative feelings, there is a deep sense of romanticism behind the music, as if she’s looking back on these particular events and trying to decide whether they were positive or negative. Despite the ending of the album resembling the end of a relationship, the conflicts presented in the music leave the audience wishing they could be a fly on a wall during any one of these recording sessions.
“I want my music to carry multiple emotions, just like every experience,” Ryder says. “Nostalgia, absurdity, humor, and sorrow.”
Sweet Delusions is no exception. At its core, it is a quintessential breakup album with all the turmoil and heartbreak dripping from each track. With this album, Ryder goes back to the folky sounds of the 70s, with a slight southern twang that she herself admitted was purely accidental. Ironically, it feels like the perfect genre to express those emotions of heartbreak, sadness, and the emotional turmoil of a relationship heading in the wrong direction.
Through tracks like “Highwaymen” and “Only Real Cowboy,” Ryder perfectly depicts a toxic relationship. In the lead single, “Highwaymen,” she compares her relationship to that of Thelma and Louise, knowing something would lead to disaster and terrible consequences but eagerly doing it anyway out of sheer excitement and adrenaline. Through “Only Real Cowboy,” her sense of romanticism comes back full circle, singing about a completely bipolar relationship. Ryder depicts this secretive recluse and the emotional turmoil that comes with that type of relationship in an almost Lana Del Rey-like fashion.
However, leading single “Bad Decisions” expresses the complete opposite. While the romanticization of Ryder’s past relationship is definitely present in other singles, “Bad Decisions” brings us back to reality. The track reminds the audience to be angry at everything that happened, repeating, “Don’t say you love me if you’re here for a good time.” While “Highwaymen” tells us of the excitement of something new and potentially toxic, tracks like “Bad Decisions” and “Joke is on Me” bring us back to those dreadful feelings where the rose-tinted glasses come off and reality sinks in. By “County Fair,” the depression with realizing a relationship must end comes in full swing, and the listener gets to see the path of growth and healing it takes to come to that decision.
Regardless of whether the country music vibes were “accidental”, Eddy Lee Ryder definitely uses it to her advantage. The end of this relationship brought forth plenty of anxiety, anger, and depression that is depicted in a perfect way. As a whole, the intimate nature of country music gives us a deeper understanding of Ryder’s feelings. The intimacy definitely pays off throughout the entirety of the album, and she depicts the whirlwind of emotions in a perfect way.
It’s safe to say that Eddy Lee Ryder’s debut album was a surmounting success. Her goal of carrying multiple emotions was definitely met, and it was almost whiplash-inducing to go back and forth between her emotions. After the release of Sweet Delusions, it’s exciting to see what will come next from Eddy Lee Ryder.
Sweet Delusions is out now on all streaming platforms and fans can visit Ryder’s website for any updates and new releases.
