Category: Genres

They say sometimes you need to go away to come back and for fans of Long Island’s most promising powerhouse fusion trio Baked Shrimp, you can only hope that’s true.

After tirelessly traveling the roads, sailing the seas and playing music together for the last seven years, 2024 finds the band in uncharted waters. Murky and unclear. Fresh off the release of their 5th, yes 5th, studio album, fans of the band (known as the Crustnation), were both surprised and saddened to hear that Baked Shrimps’ current tour would also be their last.  But before you can stick a fork in them, the tasty band with the tasty jams served up one final course on Friday, February 9^th, giving longtime Albany supporters one final chance to dance at the packed-out Hollow Bar + Restaurant, a venue that’s played an important part in the bands storied history.  

The double dose of entertainment started off proper with an opening set from Albany’s Glass Pony. Supporting the release of their latest album Washed Away, the self-described ‘psychedelic groove circus’ had fans both new and old mesmerized by their infectiously danceable tunes from the very start. Comprised of Eddie Hotailing (guitar/vocals), Chanda Dewey (drums), Jeff Picarazzi (bass) and Greg Pittz (lead guitar), the band has seen a noticeable growth in both their popularity and in their song writing over the last year.  Showcasing their dynamic range and versatility with a set of mostly original songs like “Greenhorn Blues,” “Hypnos” -> “Somewhere to Go” and “Doppler,” it was Glass Pony’s searing rendition of the H.G. Wells/War of the Worlds-inspired jam “Grover’s Mill 1938” that was perhaps most memorable.

Humble and quiet off stage, when frontman Eddie Hotailing is in the grips of performing, he becomes like a rabid animal unleashed.  Whether jumping off the stage and jamming out in the crowd, climbing up the walls or on top of Chanda Dewey’s drum kit, feeding off the energy and connecting with the audience is what he does best. Perched high atop The Hollow stage with his guitar in the air, Hotaling has never been more magnetic. Paying tribute to one of the groups biggest influences, Glass Pony would finish out their set with a cover of God Street Wine’s “Nightingale.” A great start to a great night of rock ‘n roll music indeed.

After a brief set break, promoter Greg Bell of Guthrie Bell Productions took the stage to say a few words about Baked Shrimp. An early believer in the band, Bell is largely responsible for bringing them to the Capital Region so many times over the years, but sadly, this night would be his last. Introducing the band by saying he loves these guys and calling them “the most polite fucking band he’s ever met in his life,” Baked Shrimp jumped right into the deep end with a near 12 minute confessional-like rendition of “More Or Less.” It was clear the guys weren’t just going through the motions.  Every note had added meaning and things felt sentimental from the start.

Briefly pausing to acknowledge the elephant in the room, the band took a moment to welcome bass player Max Perrotti to the “Crustnation” family. Filling in for original Shrimp bassist Scott Reill on this night, the amount of material and notes Perrotti was able to learn is a bit mindboggling. While the band has kindly requested privacy regarding the specifics of the situation, it was certainly weird seeing someone other than Scott holding down the low end.  Perhaps intentionally building on that theme, the infectious opening licks of “Weird Times” and the deep improvisational jam that came from it further laid the blueprints of the unpredictability yet to come. After showing off a bit of country-style pickin’ and counting their “Lucky Stars,” Baked Shrimp would go all the way back to their earliest years with “Touché” from their 2018 debut album Feast of Delight.

Seamlessly segueing from the psychedelic vibes into their first call-back cover of the night, the band jammed on the “Peter Gunn Theme” in a nod to their Blues Brothers-inspired Halloween set that took place at this same venue in 2023. Fans were eating it up and dancing their tushies off as the band brought it back to the final verse of “Touché,” which I could have sworn also contained teases of “The End” by The Doors.  

Suddenly stopping the show and announcing he simply can’t go on any longer without Bones, lead guitarist and frontman Jared Cowen then introduced the Albany audience to the band’s latest amusing muse, a replica skeleton torso made of, you guessed it, bones.  Placed atop the bass drum, it didn’t end there as this will forever be remembered as the night local artist Kosmic Kris introduced Bones to Legs, a rather creepy looking mannequin base covered in various inks. Paired together, somehow Bones and Legs just worked, like love at first sight, almost as if it were meant to be.

The two props would remain on stage for the remainder of the show as charismatic drummer Jager Soss took over on vocal duties for the down and dirty rocker “Molly Ann.” Baked Shrimp would bring the tremendous first set to a close with the lead single “Chop Suey” from 2024’s final self-titled album. Catchy as hell and even better live. Working in more call-backs to previous Halloween shows, “Chop Suey” also contained “Scooby Doo Theme” teases (Scooby Doo 2018), and a “Ding-Dong the Witch is Dead” jam (Wizard of Oz 2019).

Following a quick 10-minute set break, Baked Shrimp returned for Set II with purpose and vigor. After launching into an extended “Pork Etiquette” -> “Dragostea din tei” -> “Pork Etiquette” dance sandwich, the band called back to their 2021 NRBQ themed Halloween show with the rarely played “Howard Johnson’s Got his HoJo Workin.” From fun to introspective, there was a noticeable shift in The Hollow’s vibe when the band mellowed out on “The Victim” before lifting the mood back up with John Fogerty’s ‘can’t miss’ singalong “Centerfield,” which the band first played at their baseball themed Halloween show back in 2020. You can watch fan shot video of that in the video clip below.

After leading the crowd through another song from the new album called “Can’t Cut the Mustard,” the bittersweet feeling that the end was near suddenly felt very palpable. Expressing a genuine and heartfelt “thank you” to the audience for all the years of good memories and support, Cowen would mention how special this night felt to him and his hopes people will keep up with the guys down the line as they will still be out there making music in one form or another.  After getting the ‘OK’ from both Greg Bell and Bones, Baked Shrimp would encore for the final time in Albany with a funked out nod to their 2022 Spinal Tap show with “All the Way Home,” before closing with a nostalgic speech about the importance of friends and loved ones, forgetting about those ‘weird’ times and to be present in the moment, to smile, to dance with strangers and the importance of supporting your local music scene. Pouring everything left in the tank into the powerful and soaring anthem “Rock Bottom,” which included subtle Umphrey’s McGee “All In Time” and Led Zeppelin “Immigrant Song” song teases, Baked Shrimp stood tall at the end, proud and powerful and completely exhausted as the marathon performance came to a close just after 2am.

What. A. Show. Incredible musicians and even better people. While this chapter of Baked Shrimp may be coming to a close, it’s clear there’s still lots of music and lots of talent left inside these guys.  It’s been a privilege watching them grow and getting to know them a bit over the years.  From their earliest gigs at hole-in-the-wall clubs, to gracing the stage at major festivals like Peach, Northlands, Adirondack Independence, and the Great South Bay, to teaching us how to “Love Like Lon” at their own inaugural LonCon Festival, we here at NYS Music wish nothing but this best for all the members of this band. If hard work truly pays off, one day Baked Shrimp will surely be swimming in riches as bountiful as the heart of the ocean itself. Don’t take it from me though, listen for yourself!  You can stream the entire show from The Hollow now on Bandcamp or at the link below. Baked Shrimp is scheduled to play their final show on Saturday, February 17, 2024 in Bridgeport Connecticut in what will surly be an emotional evening.

Stream the show here.

Baked Shrimp | February 9, 2024 | The Hollow | Albany, NY

Set One: More or Less, Weird Times, Lucky Stars, Touché -> Peter Gunn Theme -> Touché, Molly Ann, Chop Suey.
Set Two: Pork Etiquette -> Dragostea din tei -> Pork Etiquette, Howard Johnson’s Got his HoJo Workin’, The Victim, Centerfield, Can’t Cut the Mustard.
Encore: All the Way Home, Rock Bottom.
Notes: Entire show featured Max Perrotti on bass, filling in for Scott Reill. This show paid a tribute to Baked Shrimp’s 6 Halloween performances which all took place in New York, 2 of the most recent being at The Hollow. “Peter Gunn Theme” from Blues Brothers 2023, “Chop Suey” contained “Scooby Doo Theme” teases (Scooby Doo 2018), and a “Ding-Dong the Witch is Dead” jam (Wizard of Oz 2019), “Howard Johnson’s Got his HoJo Workin’” from NRBQ 2021, “Centerfield” from Baseball 2020, and “All the Way Home” from Spinal Tap 2022. “Bones” and his new partner “Legs” were introduced and brought on stage prior to “Molly Ann.”

Glass Pony | February 9, 2024 | The Hollow | Albany, NY

Setlist: Kitty > Greenhorn Blues, Hypnos* -> Somewhere to Go, Doppler, Grover’s Mill 1938, Nightengale^.
* – unfinished
^ – @godstreetwine.