Fresh off of their resounding and successful Blackout Tour, rousing alt-metal outfitFrom Ashes to New announced that they will officially join fellow metal band Set It Off on a full U.S. tour this fall.
The tour will take the duos nationwide, with three shows in New York. They will be joined by metal powerhouses New Years Day and If Not For Me.
Following the end of From Ashes To New’s current 2024 tour, “The Deathless Tour Part Two” will begin on Saturday, September 21, in Johnstown, PA. The tour starts just as From Ashes to New and Set It Off complete their joint supporting tour dates with Nothing More. The co-headlining jaunt will make its way across both coasts before ending in Wantagh, on November 2.
The official tour dates are listed below. Fans can visit here for more information on the tour, music, and merch.
“THE DEATHLESS TOUR PART TWO” TOUR DATES with Set It Off + FROM ASHES TO NEW w/ support from New Years Day & If Not For Me 9/21 Johnstown, PA – Frank J. Pasquarella Conference Center & 9/25 Grand Rapids, MI – The Intersection 9/28 Belvidere, IL – The Apollo Theatre 9/29 Omaha, NE – The Admiral 10/1 Albuquerque, NM – El Rey Theater 10/2 Tucson, AZ – Rialto Theatre 10/5 Fresno, CA – Tioga Sequoia Brewery 10/7 Portland, OR – Roseland Theater 10/8 Boise, ID – Knitting Factory 10/9 Seattle, WA – Showbox Sodo 10/11 Bend, OR – Midtown Ballroom 10/15 Grand Junction, CO – Mesa Theater 10/17 Wichita, KS – Cotillion 10/19 Davenport, IA – Capitol Theater 10/22 Green Bay, WI – EPIC Event Center 10/23 Indianapolis, IN – Egyptian Room 10/25 Syracuse, NY – Sharkey’s Stage 10/26 Montclair, NJ – The Wellmont Theater 10/27 Worcester, MA – The Palladium 10/29 Albany, NY – Empire Live 10/30 Portland, ME – Aura 11/1 Stroudsburg, PA – The Sherman Theater 11/2 Wantagh, NY – Mulcahy’s Concert Hall
On Thursday, June 6, the humid New York City air blew in hard rock band The Dead Daisies. With a new record titled, Light ‘Em Up, slated to be released in September, the band kicked off their US tour at Racket NYC.
The band consists of Tommy Clufetos on drums, Michael Devin on bass, Dave Lowy and Doug Aldrich on guitars with John Corabi on lead vocals. The former Mötley Crüe lead vocalist is replacing former singer and bassist Glenn Hughes. Prior to the night’s show, Corabi joined me via Zoom to talk about the new release. Watch below for the full interview.
Before The Dead Daisies hit the stage, there were two supporting acts. The first act was a local New York group called Tempt. The quartet played a total of seven songs and made it memorable. Between the power pop rock and catchy tunes, their set was enjoyable and they quickly won the crowd over with their charisma and young energy. Tempt promptly set the pace for the rest of the evening.
Sometimes it’s difficult for a new band to win a crowd that is there solely to see the headliners. Yet, this didn’t seem to be the issue. From the first note of “Living Dangerous” which was released as a single in 2021, their well-oiled rock and roll machine seemed to run without any sign of slowing down. It was great to see such a young band take the 650-person venue – who at the time were still filing in – and treat it as Madison Square Garden. Their energy was the most notable and they never seemed to be bored, they fully were in the moment and treated it as such.
After a beautiful rendition of Queen’s “We Will Rock You,” another New York City band, Killcode jumped on stage. The five-piece band brought a different style from Tempt. Killcode’s sound consisted of hard rock with a southern twang. The band played a total of seven original songs throughout their set. Two songs in their set appeared on their newest record, 2023’s Life, Death, Rock n’ Roll. While the smaller stage was crowded with the five members, they were able to use the small piece of real estate to put on a captivating show.
Throughout the set, the band prowled along the stage and after a song or two, won the crowd over. For the members of the audience that knew the band, they were cheering for their favorite songs, singing and dancing while the band played deeper into their set. The duel guitars on stage created a monster wall of sound yet complemented each other at the same time. The last song that Killcode played was “Kickin’ and Screamin’” off of 2018’sThe Answer. By the time the last chorus swung around, the audience was singing along with the band before they took their final bow.
After a brief load out of Killcode’s gear, the house lights dimmed and Led Zeppelin’s “Rock and Roll” blasted into the speakers. In a matter of minutes, the band jumped on stage and blasted into their first song of the night and newest single, “Light ‘Em Up.” With a record set to be released in September of the same name, the band played multiple songs off of the forthcoming record in addition to a blues number that was recorded during the sessions at Muscle Shoals Sound Studio.
Throughout the evening the band crisscrossed through their entire discography and played songs throughout their entire career. This included several songs from the Hughes era. Three songs total were played from Radianceand Holy Ground including, “Born to Fly,”“Unspoken” and “Bustle and Flow.” It was great to see the band, especially Corabi acknowledge Hughes. Corabi’s vocals were excellent. Throughout his classic raspy register, his vocals pierced through fans while he was perched at the edge of the stage.
Aldrich and Lowy were the guitar masters flanking the stage and throughout the evening, they brought the energy. Lowy was running around the stage the entire night and never stood still. Aldrich plowed through solo after solo. At one point, Aldrich crept to the edge of the stage, kneeled and soloed right in front of the general admission section.
Rounding out the rest of the group was Devin on bass who officially joined the band when Hughes left. Hammering away on the drums the entire night was Clufetos who, most recently, filled in for Tommy Lee in Mötley Crüe when Lee injured himself. At one point, a fan turned to another and said “he [Clufetos] is a monster on the drums.” It seemed that no matter how hard Clufetos beat the drums, he never seemed to break a sweat. Clufetos during his drum solo was hitting them so hard that the vibrations could be felt in fans’ chests as they watched in awe.
It was amazing to see how interactive the band was with the fans, throughout the night, in between songs and jokes from Corabi, the band tossed guitar picks and waved to familiar faces in the audience. As the band was introducing themselves, they would quickly jam in between announcements to tunes like “Dirty Deeds Done Dirt Cheap” and “Seven Nation Army.” Each jam session was met with thunderous applause from the fans who sang along with Corabi and sang the guitar riffs as well. The band was as versatile as ever as they played multiple covers including the final song, “Helter Skelter,” by The Beatles.
Throughout the 17-song set, if they could, it seemed like the band would never stop. They rarely stopped in between songs – which were accompanied by a giant video screen behind them. Throughout each song, a different video was played which further enhanced the audience’s experiences as they showed the band throughout the years. Despite the venue only holding 650 people, the band treated it as if it were a festival or stadium. Their energy and charisma on the stage seemed like they could have blown the doors off the venue and after the encore, fans still stuck around the stage just in case the band came back on.
New York City was the perfect city to host the first night of the band’s tour. The energy of the band mixed with the energy of the fans – which grew over the night – created a rock and roll cathedral. Some fans were making the trek to the group’s next show while other fans immediately flocked to the merch table. After the legendary Rolling Stones show at Racket NYC, The Dead Daisies followed up with a legendary show of their own.
The Dead Daisies Setlist: Light ‘Em Up, Rise Up, Dead and Gone, Make Some Noise, I Wanna Be Your Bitch, Unspoken, Bustle and Flow, Lock ‘n’ Load, Born to Fly, Take a Long Time, Dirty Deeds Done Dirt Cheap / Seven Nation Army / Heaven and Hell / D’yer Mak’er / Join Together, I’m Ready, Fortunate Son (Creedence Clearwater Revival cover), Mexico, Midnight Moses (The Sensational Alex Harvey Band cover), Long Way to Go, Helter Skelter (The Beatles cover)
Killcode Setlist: Show Me, Ride, OTP, Let’s Get Back to Rock n Roll, Phenomenon, Shot, Kickin’ and Screamin’
Tempt Setlist: Living Dangerous, Roses, Burn Me Down, Company, Cold Blood, Golden Tounge, We Will Rock You (Queen cover)
On May 18, From Ashes to New electrified the stage at Waterstreet Music Hall with their Blackout Tour Part Two. They were joined by an exciting lineup of Ejiajh, Phix, Ekoh, and Point North, making it an unforgettable night for fans of rock, metal, and rap.
Ejiajh Opens the Show
The evening kicked off with Ejiajh, a dynamic rock/metal band hailing from Austin, TX. Their high-energy performance set the tone for the night, captivating the audience with their powerful riffs and commanding stage presence. Ejiajh’s set was a perfect blend of raw energy and technical prowess, leaving the crowd eagerly anticipating the acts to follow.
Phix Keeps the Momentum
Next up was Phix, a talented rapper and songwriter also from Texas. Phix brought a unique blend of lyrical depth and stage charisma, engaging the audience with his sharp rhymes and catchy hooks. A special highlight of Phix’s performance was the appearance of 11-year-old drumming prodigy Bronx Sandoval. Despite his young age, Bronx is no stranger to the stage, having completed four tours with the band. During a brief technical difficulty, Ekoh’s drummer joined Bronx for an impromptu jam session, showcasing their incredible synergy and adding a spontaneous thrill to the set.
Ekoh Takes the Stage
Following Phix was Ekoh, a rapper who has been rapidly gaining fame on social media platforms like TikTok and X. Ekoh’s performance was nothing short of electrifying, as he connected with the audience through his relatable lyrics and energetic delivery. His growing popularity was evident, with many fans in the crowd singing along to every word. Ekoh’s stage presence and interaction with the audience made for a highly engaging set.
Point North’s Dynamic Performance
The penultimate act of the night was Point North, a band based in Los Angeles, CA. Point North delivered a high-octane performance, blending elements of rock and punk with infectious energy. Their tight musicianship and engaging stage presence kept the momentum going strong, leaving the audience primed and ready for the headlining act.
From Ashes to New’s Triumphant Return
Finally, From Ashes to New took the stage, led by local favorite Danny, who previously fronted the band Vanity Strikes. The band’s performance was a triumphant homecoming for Danny, and the energy in the room was palpable. From Ashes to New delivered a powerful set, seamlessly
blending their signature mix of rock, rap, and electronic elements. Danny’s connection to the local crowd added an extra layer of intensity to the performance, making it a night to remember.
Overall, the Blackout Tour Part Two at Waterstreet Music Hall was a resounding success. Each act brought their unique flair to the stage, creating a diverse and exhilarating concert experience and leaving the fans buzzing with excitement.
Finishing of the first leg of their Invincible Shield tour, Judas Priest played to a hyped-up crowd in Syracuse on May 22. With the help of Swedish metal group, Sabaton, the stage at Lakeview Amphitheater was rocking the shores of Onondaga Lake for nearly three hours.
50 years is quite the career in music. 50 years is something even more special when you are a pioneer, and Judas Priest is just that, special. Early pioneers of the heavy metal genre, Rob Halford and crew are still thrashing in 2024, promoting their newest release, Invincible Shield.
There is certainly some debate as to who are the OG’s of heavy metal. No matter who else you have on your list, Judas Priest deserves a spot. Formed in 1969, the band paved their own path to stardom, and it wasn’t until 1974, when a former salesman of men’s clothing took over as lead vocalist, did the band release an album. A young Rob Halford came in and in September of 1974, Rocka Rolla was released as the first of what would be nineteen studio albums.
Sabaton set list: Ghost Division, The Last Stand, Swedish Pagans, The Red Baron, Bismarck, Stormtroopers, Carolus Rex(done in Swedish), Resist and Bite, The Attack of the Dead Men, Primo Victoria, Soldier of Heaven, To Hell and Back
Hitting the stage around 9pm, Halford and Co began their set off with “Panic Attack”, the lead track from newest album. With lyrics that seem to fit the political and social media landscape these days, this was a fitting song for not only the show, but 2024.
The clamour and the clatter of incensed keys Can bring a nation to its knees On the wings of a lethal icon Bird of prey
Rounding out the first three for the photographers in the pit, Judas crushed “Rapid Fire” (1980) and “You’ve Got Another Thing Coming” (1982). Lucky for all of us photographers in the front of the stage, Halford and the rest of the band love getting up front and seemingly posing for the cameras.
While the music of Judas is not for everyone, it is always a joy to see fans bringing their kids to shows. Upfront, you see fans as young as four or five and as old as Halford himself, who is 72. Kids seeing a band their parents grew up with I am sure is a great bonding moment and testament to the power of music. The fact that a band like Judas Priest, while heavier in sound, is pretty family friendly music, which makes the decision to bring a child to the show that much easier.
As the progresses, fans get more and more into the music, chanting along and pumping fists as soon as the next song begins. “Turbo Lover” was prime example of this. Looking around, you could see faces open up as the drums and guitar notes were recognized. The guy next me ended his Tinder scrolling and the young lady in front of me began hooting and hollering by the time Halford started with “You won’t hear me, but you’ll feel me…”
Rounding out the set, were two more tracks from Invincible Shield: “Crown of Horns” and “Invincible Shield”, as well as “Painkiller”, which seemed to be the favorite of fans as the sounds from everyone was deafening.
After 50 years and a number of lineup changes, Judas Priest is still Judas Priest and Rob Halford, although his image has changed, is still Rob Halford. Nineteen studio albums, 50 million albums sold and several music awards later, Judas Priest has solidified their status among the greatest metal bands. Well deserved, they are a 2022 inductee into the Rock & Roll Hall of Fame as they were inducted by Alice Cooper.
Setlist: Panic Attack, You’ve Got Another Thing Coming, Rapid Fire, Breaking the Law, Lighting Strike, Love Bites, Devil’s Child, Saints in Hell, Crown of Horns, Sinner, Turbo Lover, Invincible Shield, Victim of Changes, The Green Manalishi (With the Two Prong Cow), Painkiller Encore: Electric Eye, (exit music We are The Champions – Queen) **Hell Bent For Leather and Living After Midnight were planned but venue was evacuated due to severe weather and set was cut short
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KRockathon has returned to Syracuse following a 6-year hiatus. For this year’s show, a host of alt-rock alumni will perform at the NYS Fairgrounds’ Chevy Court on Saturday, July 27.
Performances by Hoobastank, Puddle of Mudd, and more will transport concert-goers back to their moshing days.
KRockathon’s beginnings date back to 1996, when Central NY radio station KRock started the festival to promote alternative rock, metal and rap in the region. The event began at the Vernon Downs raceway in Vernon, NY, with alternative legends Butthole Surfers and Toadies. For the next two decades, the event would travel around Central NY, taking place in Oswego, Weedsport and Syracuse before settling at the NYS Fairgrounds.
Throughout its original run, KRockathon drew hundreds of thousands of rock and metal fans to Central NY to see legendary acts like Deftones, Public Enemy and Korn. Following 21 years of rocking the region, KRockathon went on an indefinite hiatus. Its last showing was in 2018, featuring Marilyn Manson and Rob Zombie.
The 6 year hiatus ended this year with the announcement of The Sweet Grass KRockathon Reboot presented by Monster Energy and Mess’s Fireworks. “It’s all the elements of the show that KROCK listeners remember, with a few elevated twists, keeping in mind that we’ve all gotten older and maybe just a little bit wiser,” says Marissa Greenlar, Chief Content Officer of Galaxy Media Partner.
This more mature edition of the event will host an array of amenities for concert-goers. Picnic tables, shade tents and a Monster Energy chill zone will help refresh audiences during the show. There will additionally be food vendors, including WildCat Sports Pub, Halal Gyro and Ashley Lynn Winery. Additionally concert-goers who want to get some ink can visit vendor Black Sea Tattoo.
While this year’s band lineup is smaller than previous years, many tried and true alt-rock legends will perform. 2000s radio hitmakers Hoobastank and Puddle of Mudd will return for the first time in over 20 years. They will be joined on stage by hard-rockers Stabbing Westward, Nonpoint, Boy Hits Car, and Syracuse’s own Brand New Sin.
KRockathon’s Doors will open at 11:00 AM, July 27th, with shows beginning at 12. Early bird tickets for the event are currently on sale for $35. Additionally, there are a limited number of OG Pass tickets on sale for $150. This pass provides exclusive merch, fast entry, and a private area with a cash bar, wifi, and special photo experience. For ticketing information, visit the KRockathon website here.
The Dead Daisies released their brand-new single, “Light ‘Em Up,” on May 10, 2024. The tune – which is the title track of the upcoming album – features John Corabi on lead vocals. This marks the first time since 2018 that Corabi has been on a studio recording with the band.
Corabi originally departed on good terms from the band in 2019. He was replaced by “The Voice of Rock,” Glenn Hughes. That all changed in the spring of 2023 when Corabi returned to the band ahead of a United States tour. Prior to joining The Dead Daisies, Corabi had been in bands like The Scream, and Union and was Vince Neil’s replacement in Mötley Crüe.
The band has announced a United States tour that will span the month of June before heading to Europe. The band’s first show of the tour will be at Racket NYC in New York City.
Before the band’s opening night of the tour, John Corabi joined Michael Singer to discuss rejoining the band, life on the road and Muscle Shoals Studios.
Emo-rock band Origami Angel took to the Town Ballroom stage on May 7. This set was the first of their stretch of opening for headliner Microwave, and their first return to Buffalo since April 2023.
Origami Angel took the stage following two 30-minute sets from Carpool Tunnel and Heart Attack Man. With the crowd already enlivened, Origami Angel took things to the next level. With Pat Doherty on drums and Ryland Heagy on guitar and vocals, their 45-minute set weaved through a few of their released and well-received albums, including Gen 3 (2019), Somewhere City (2019), GAMI GANG (2021), and The Brightest Days (2023).
They opened their set with the song “Fruit Wine”. The energy of the crowd illuminated as they sang along, despite the band only releasing the song the day prior. As their set went on, they played fan favorites including “Thank You, New Jersey”, “Ruby”, and “Self-Destruct”. With two band members, two instruments, and no other stage design or graphics, they kept the crowd engaged with their full sound, unique tempo changes and riffs.
Though the venue discouraged crowdsurfing and moshing, Origami Angel’s performance was too enthralling for the crowd to do anything but. The band stopped in Toronto on May 9, and have begun the mid-west stretch of this tour.
On May 8, The Rooftop at Pier 17 in New York City, with its breathtaking backdrop of the Brooklyn Bridge and the Empire State Building, witnessed an electrifying event as two iconic punk rock bands, Social Distortion and Bad Religion, took the stage as part of their co-headlining 2024 tour.
Pier 17, perched five stories above the East River, has become renowned for its dynamic open-air atmosphere since its opening in 2018, making it the perfect setting for a night of raw, energetic music.
What made this particular show even more special was the reunion of these two legendary bands, who first played together in 1980 and now, 43 years later, embarked on an epic nationwide tour. The journey to this momentous occasion was not without its challenges, as in June of 2023, Mike Ness of Social Distortion revealed his diagnosis of tonsil cancer, prompting the postponement of the tour. However, after undergoing surgery, Ness and the band were back on their feet, ready to deliver an unforgettable performance.
Kicking off the evening was Lovecrimes, a band led by Julian Ness, son of Mike Ness, who inherited his father’s talent for delivering gritty, soulful vocals. With Trevor Lucca on guitar, Collin Schlesinger on bass, and Josh Roossin on drums, Lovecrimes set the stage on fire with their high-energy set, featuring tracks like “Sabotage,” “I’m Your Ghost,” and “Lovesick,” setting the perfect tone for the night ahead.
As the anticipation reached its peak, Social Distortion took to the stage, led by the incomparable Mike Ness on vocals and guitar. Joined by Jonny Wickersham on guitar, Brent Harding on bass, David Kalish on keys, and David Hidalgo Jr. on drums, Social Distortion unleashed a barrage of hits, including “Bad Luck,” “Mommy’s Little Monster,” “Ball and Chain,” and their iconic rendition of “Ring of Fire.” The crowd was fully immersed in the raw energy and emotion that is quintessentially Social Distortion.
Closing out the night was Bad Religion, with Greg Graffin commanding the stage with his powerful vocals, backed by Brian Baker and Mike Dimkich on guitars, Jay Bentley on bass, and Jamie Miller on drums. Their set was a relentless onslaught of punk anthems, featuring classics like “No Control,” “Recipe for Hate,” “Struck a Nerve,” and culminating in an explosive performance of “American Jesus.” The crowd erupted into a frenzy, with a massive mosh pit forming in the center and fans surfing the sea of excitement.
As the final chords faded into the night, it was evident that Social Distortion and Bad Religion had delivered a show for the ages. For the fans who had waited 43 years for this moment, it was a night they would never forgetâa celebration of punk rock’s enduring spirit and the power of music to unite and ignite the soul. And as the lights dimmed over the iconic skyline of New York City, the echoes of punk rock reverberated through the air, leaving a lasting impression on all who were fortunate enough to bear witness to this historic event at The Rooftop at Pier 17.
Bad Religion Setlist: The Defense, No Control, Leave Mine To Me, Suffer, Anesthesia, Fuck You, Beyond Electric Dreams, Recipe For Hate, Drunk Sincerity, I Want to Conquer the World, 21st Century (Digital Boy), New Dark Ages, Struck a Nerve, Do What You Want, My Sanity, Lookin’ In, Generator, Sorrow, You, Fuck Armageddon…This Is Hell, Los Angeles is Burning, American Jesus
Social D Setlist: Bad Luck, Through These Eyes, I Wasn’t Born to Follow, Tonight, Mommy’s Little Monster, The Creeps, Hour of Darkness, 1945, All Over You, Warn Me, Reach For the Sky, Ball and Chain, Born to Kill, Ring of Fire
Lovecrimes Setlist: Sabotage, Halfway Heart, Stay With Me, All Alone, Lost in a Minute, I’m Your Ghost, Hold Me Back Again, Harbor Blvd, Lovesick
On Sunday, May 5, Ty Segall played the Beachland Ballroom in support of his latest album, ThreeBells. Sharpie Smile opened and played a great set. Just as Ty and his band took the stage you could hear a crackling noise. It sounded like it could have come out of the speakers, like some weird wet sounding feedback.
After the puzzled crowd looked around for a bit, everyone noticed that a sizable chunk of plaster from the venues old ceiling had fallen off on one side, and a piece was still left hanging in the balance. A hero from the venue used a precariously large ladder to grab the piece while an amused Ty and his band watched from the stage. After our hero pulled the plaster down, the crowd roared in approval and the show was once again on it’s way. I will also say that this is the only concert I have ever been to where someone from the venue came out and warned us to wear ear plugs. With no pit and myself situated right in front of the stage and about six inches from a guitarist amp, my tinnitus was happy I didn’t forget mine.
A Ty Segall show is probably not ideal when the state of the ceiling is questionable, his new album was heavily featured and it is certainly hard and blistering. Though as far as I am aware, the rest of the night went by without incident, even if it seemed like Ty and his other guitarist Emmett Kelly were egging each other on to bring down more ceiling.
Ty played a great set, with all of the hard rock proggy guitar solos you could want. The band really plays off Ty’s energy and the packed Cleveland crowd at it up. Some people don’t like it when a band plays so many new songs versus more of the hits, but I think prefer it. It shows that the band is still pushing forward and if they are excited about what they are doing it almost always translates to a better show. Next Ty heads out west before heading to Europe.
Setlist: The Bell, Void, I Hear, Hi Dee Dee, Emotional Mugger/Leopard Priestess, The Crawler, My Head Explodes, Imaginary Person, Waxman, Love Fuzz, My Best Friend, My Room, Wait, Looking At You
On Monday, May 6 in Brooklyn, at the newly reopened Brooklyn Paramount, Canadian pop-punk sensation Sum 41 took the stage for their farewell performance in New York City.
Earlier this year the band announced it was calling it quits after 27 years, going out with a bang while celebrating their amazing career. The farewell tour coincides with the release of the new double album, Heaven :x: Hell, which came out March 29 of this year.
The bill included opening act Joey Valence & Brae from Pennsylvania, an unexpected hip-hop duo, followed by The Interrupters, who are Los Angeles based and delivered an igniting set complete with confetti in the end.
To close out the night, Sum 41 of course! Being my first time seeing them, I have to say they put on an epic show, amazing production, filled with pyrotechnics, lasers, a beautiful light show and multiple use of streamers and confetti. A larger-than-life spectacle in a standing-room-only, sold out venue, is definitely the way to go, if you’re really gonna go.
Sum 41 – Brooklyn Paramount – May 6, 2024
Setlist: Motivation, The Hell Song, Over My Head (Better Off Dead), No Reason, Underclass Hero, Some Say, Landmines, Dopamine, We’re All to Blame, Walking Disaster, With Me, Makes No Difference, My Direction / No Brains / All Messed Up, Drum Solo, Preparasi a salire, Rise Up, We Will Rock You, Ring of Fire, Pieces, What We’re All About, Fat Lip, Still Waiting
Encore: Summer, Waiting on a Twist of Fate, In Too Deep
