Category: Jam/Progressive

Phish Shine Over 4 Days at Mondegreen Festival

Phish has kicked off their eleventh festival, Mondegreen, at The Woodlands in Dover, Delaware, welcoming 40,000 fans for a 4-day musical and visual odyssey. The modern day music festival landscape has evolved from Phish being the progenitor of the 90s festival resurgence, the one with the most success despite only a single band on the lineup, to a landscape where festivals are failing, canceling, being too big, or underattended, and generally going the away after two decades of success. Yet here we are with Phish keeping their success with fests going even as bigger and “better” ones continue to fall by the wayside.

In a concert bowl full of art installations with surprises around each corner and tucked into the woods surrounding the fans, Phish fans find themselves in a real life choose your own adventure book, where every turn and decision leads to even more action and escapades.

Likewise, Phish onstage rose to the occasion, opening the festival with a mondegreen of a song, ‘The Moma Dance’ (the moment ends), dropping a first set that was highlighted by a 19-minute “Wolfman’s Brother” and a 30-minute combined 1-2 punch of a closer with “A Wave of Hope” and “Sand.”

Set 2 opened with the true Phish debut (sans Billy Strings on vocals) of “What’s Going Through Your Mind” that clocked in at a surprising 25 minutes. Energetic versions of “Chalkdust Torture” and “Light” followed, with both jams eclipsed by a mid-set highlight in “Prince Caspian” that featured healthy teases of “Sneakin’ Sally Through the Alley” from Mike Gordon with Talking Heads’ “Crosseyed and Painless” later providing a continued burst of energy. A brief “Lonely Trip” was the only respite this set, as a 15-minute “Everything’s Right” closed the set.

A triple encore of the all too infrequent “Saw It Again” had added lyrics referencing the festival, with “Possum” and “Slave to the Traffic Light” closing night 1 on a high note.

photo by Derek Java

Setlist via phish.net

Phish – Mondegreen Festival – The Woodlands – Dover, DE 8/15/24

Set 1: The Moma Dance, Back on the Train, Wolfman’s Brother, Funky Bitch, Roggae, NICU, A Wave of Hope, Sand

Set 2: What’s Going Through Your Mind -> Chalk Dust Torture -> Light > Prince Caspian, Crosseyed and Painless, Lonely Trip, Everything’s Right

Encore: Saw It Again > Possum, Slave to the Traffic Light

Night two of Phish’s Mondegreen Festival is now in the books with the band delivering two sets of nearly seamless originals and a brilliant “not-so-secret” third set of musical improvisation that ran the gamut from ambient to explosive psychedelia.

photo by Derek Java

The show began almost promptly at 7 pm this evening with an old school opener in the harmony-laden “Bouncing Around The Room.” This was followed by a “Kill Devil Falls” that set the tone for the rest of the night with an exploratory, groove-intensive jam that technically left the song unfinished. Instead of rounding it back into form, Phish threw out their signature take on Frank Zappa’s “Peaches En Regalia,” the only cover song played all night. “Free” then built on the momentum with an ebullient, free flowing jam before a perfectly placed “Divided Sky” with the sun slowly beginning to set helped create a brilliant aural landscape. The “Tube” that followed elicited another thick jam that had some certifiable meat to it before “Mountains In The Mist” served as a suitable first set “breather” song. “Reba” brought with it all the feels and emotion with a super blissed out jam that further cemented the already immaculate first set vibes. Bypassing the traditional “whistling” ending, Phish instead rounded off the first set with a fun “Twist” > “Character Zero” closing musical salvo.

photo by Derek Java

The second set kicked off with another monstrous “My Friend, My Friend,” a song the band has really stretched out and added some extensive jams to as of late. The traditional “Myfe” ending was skipped over on this one as well with the music instead flowing right into “No Men In No Men’s Land,” a song that typically features some heavy exploratory improvisation on the band end and tonight’s performance was no exception. From here, it was a non-stop runaway train of high end musical improvisation as the band shuffled seamlessly through segues into “Ruby Waves” and “Pillow Jets.” Keyboardist Page McConnell then dove in the sample bin for “Your Pet Cat,” spicing up another intense jam with sounds of cats screeching and screaming, giving a real back alley brawl feel to this rarely played instrumental number. WIthout ever fully stopping, Phish then circled back with ease to revisit both “Ruby Waves” and “No Men” while throwing a hearty “Story Of the Ghost “ right in between them. A flawless “Fluffhead” then closed out the set in grandiose fashion, featuring some amazing drumming and light hearted singing from Jon Fishman.

photo by Derek Java

Prior to the encore, Trey Anastasio facetiously mentioned to “one guy in a white shirt” that there may be a secret set tonight and it may not be wise to head right back to the campground after the show. First, however, was an appearance from “Harry Hood” and its typical powerful, blissful jam before a thunderous and feedback-heavy “First Tube” with Anastasio going full guitar god mode ended things….for now. With many taking heed to Trey’s suggestion and sticking around, a sheer screen descended in front of the stage, turning it into a veritable movie screen. Phish then proceeded to pull a “reverse Sphere,” with the band playing behind the screen as it proceeded to show a series of brilliant images that seemed to grow more intense and vivid as the 50-minute set went on. It was a legitimate question to wonder if the music was dictating the images or the other way around. Either way, it made for one of the more legendary secret sets in the band’s rich festival history as Phish touched on everything from the ambient to thrash metal and seemingly everything in between, dazzling the audience and capping off a special second night at Mondegreen.

Phish – Mondegreen Festival – The Woodlands – Dover, DE 8/16/24

Set 1: Bouncing Around the Room, Kill Devil Falls > Peaches en Regalia, Free, Divided Sky, Tube, Mountains in the Mist, Reba, Twist > Character Zero

Set 2: My Friend, My Friend > No Men In No Man’s Land > Ruby Waves > Pillow Jets -> Your Pet Cat -> Ruby Waves > Ghost -> No Men In No Man’s Land > Fluffhead

Encore: Harry Hood > First Tube

Set 3: Woodlands Jam

photo by Filip Zalewski

The third day of Mondegreen was as hot as any of the previous two, with little in terms of shade or escape from the heat. Phish fans pushed through – we do train for this – and rallied to be inside and take in the art installations, food offerings and stand up comedy that took place in the hours before the music began.

Opening the afternoon with “Mike’s Song” gave Lemonwheel vibes, but the classic combo of “Mike’s > I Am Hydrogen > Weekapaug Groove” was the fuel and fans needed to get down. A lofty “Theme From the Bottom” followed, along with a Mondegreen of a song, “Blaze On” (Nice Shades/Night Shades) to follow. Perhaps compelled by a sign featuring Paulie Walnuts saying “Gaba Jibbool,” “Gotta Jibboo” ended up being a top jam of the set, stretching for more than 12 minutes. All that followed was setting the table for the second set – the funk rock of “46 Days,” the title track off Phish’s latest album, “Evolve,” Phish fest classic “Meatstick” and “David Bowie” to round it out.

photo by Filip Zalewski

By the time second set rolled around, fans were dialed in and preparing themselves mentally and physically for the unexpected news of Sunday’s show being held earlier in the day, with the field opening at 11am for a 1pm set. While the weather never was a factor on Sunday, the preparation by fans was not just on the day of the show, but also the night before.

An errant beat preceded the opening notes of “2001” which beckoned the crowd for a heavy night to come. And while “Oblivion” has been a road tested song since 2023, the lack of segue here stood out, and could have easily been “Tweezer” or “Life Saving Gun,” but the jam still delivered, working towards “Down with Disease,” which, like the “Tweezer” that did follow, clocked in at over 19 minutes each. “Scents and Subtle Sounds” appeared in full form (not the shortened Magnaball version) for more than 16 minutes, a mid-set-ridge that was an abject success on the collective dance floor. When “Boogie On Reggae Woman” began (one of the limited covers of the weekend by this point) the timing couldn’t have been more perfect, nor could it have been for the “Carini” that followed. With an exclamation point, Day 3 of Mondegreen featured the top set of the weekend, by a wide margin of conventional wisdom.

A trio in the encore began with “Backwards Down the Number Line” and then an always huge “You Enjoy Myself” that closed with “Tweezer Reprise,” putting a bow on Saturday and leaving fans wondering what was in store for Sunday’s weather-rescheduled set(s).

Phish – Mondegreen Festival – The Woodlands – Dover, DE 8/17/24

Set 1: Mike’s Song > I Am Hydrogen > Weekapaug Groove, Theme From the Bottom > Blaze On, Gotta Jibboo, 46 Days, Evolve, Meatstick > David Bowie

Set 2: Also Sprach Zarathustra > Oblivion, Down with Disease[1] > Tweezer > Scents and Subtle Sounds > Boogie On Reggae Woman, Carini

Encore: Backwards Down the Number Line, You Enjoy Myself, Tweezer Reprise

[1] Unfinished.

This was the third show of the Mondegreen festival. Mike teased Passing Through in David Bowie. DWD was unfinished. Trey teased La Grange and Eleanor Rigby in DWD and Eleanor Rigby in Tweezer.

photo by Filip Zalewski

Phish closed out the final night, or rather day, of Mondegreen with some more explosive jamming that took place a little earlier due to a change in schedule. An announcement was released on Saturday night that music would be starting at 1:00 pm instead of the usual 6:30 pm due to inclement weather that was expected in the local area. Although it never really opened up or downpoured on Sunday, Phish clearly erred on the side of caution instead of letting festival attendees, vendors and workers potentially get stuck in a storm that had the potential for strong winds and lightning.

Both the band and crowd made the most of the situation, and the near two-hour single set started off in joyous fashion with “Party Time” and the sun still shining bright. “Axilla” followed and kept the energy levels high, even after plodding through a “Part 2” ending, before “Maze” kicked things back into high gear with its typical ferocious solos from Page McConnell on organ and Trey Anastasio on guitar. A mid-set “AC/DC Bag” didn’t quite reach the heights of the one featured at Bethel Woods last weekend, but still featured some significant improvisation on its back end. “Sigma Oasis,” another new number from the band’s recent Evolve album followed very much in suit before segueing into the classic Phish tune “Rift.”

photo by Filip Zalewski

“Stash” found the Mondegreen crowd still very much engaged and elicited another probing and expansive jam and the “Ya Mar” that followed served as a perfect daytime set selection. As some cloud coverage slowly began to make an appearance, Phish closed out the jumbo-sized set with one last progression of songs that flowed seamlessly into one another, starting with a “Bathtub GIn” that, like its brethren from this summer tour, produced yet another deep and exploratory jam. At its conclusion, Anastasio started frantically vamping for the intro to the still-rare cover of Jimi Hendrix’s “Isabella.” The set could have ended here and few would take issue with that, but instead Phish launched into “Simple” before a rousing cover of TV On The Radio’s “Golden Age” properly closed out the set, as the band definitely seems to be in the midst of one of these.

One last high octane jam that had the whole festival grounds moving took place in “Fuego,” another proper song in both placement and name due to the quality and intensity of music displayed all week long. A brief DJ set afterwards gave those sticking around one last chance to dance and enjoy the venue grounds before skies darkened even further and announcement was made for everyone to return to their campsites, a dour ending to an otherwise memorable and festive Mondegreen.

Phish – Mondegreen Festival – The Woodlands – Dover, DE 8/18/24

Set: Party Time, Axilla->Maze, Steam. Martian Monster, AC/DC Bag, Sigma Oasis->Rift, Stash, Ya Mar, Timber (Jerry the Mule), Bathtub GIn > Izabella > Simple > Golden Age

Encore: Fuego

photos by Filip Zalewski

August 25, 2024
Dark Star Orchestra Brings Late-70s Dead Set to Schenectady
Dead & Co’s residency at the Sphere in Vegas may be over for now, but the music of the Grateful Dead most certainly hasn’t faded away from concert stages across the country as myriad tribute, cover, and legacy acts continue to perform in the final weeks of summer.

Dark Star Orchestra may well be the best Dead-music band that is currently touring, and the 1,500-plus dancing heads at Schenectady’s Frog Alley on Thursday, August 22 seemed to be in agreement that DSO are venerable interpreters of the genre.

DSO’s faithful and sequential recreations of notable Grateful Dead setlists and their dedication to performing with period-authentic instruments and equipment set them far apart from typical tribute acts. This is as close as you’re going to get to a late-70s Dead set, short of a time machine.

Thursday’s DSO show featured The Grateful Dead’s 5-5-78 setlist, originally performed in Thompson Arena at Dartmouth College. The two sets were relatively typical of the era, as the Dead balanced Chuck Berry rock with pastoral psychedelia, Americana, jazz-rock, balladry, and an occasional disco groove in the rhythm section.

DSO also played a 1978 show at the Adirondack Independence Music Festival last year up in Lake George. I was hip to the fact that Thursday’s show was going to mine late-70s territory as soon as Jeff Mattson (who plays the Jerry Garcia role in DSO) strapped on his Travis Bean guitar – the same model Jerry played in 1976 and 1977 (he was playing Wolf by ‘78). Mattson was in fine form all night, faithfully modeling his tone and soloing techniques on Garcia’s.

The show opened with “Promised Land”, which featured the outstanding vocals of Rob Eaton, who just embodies the bandleader and rhythm guitar rocker Bob Weir became in the later 70s and throughout the 80s for the Dead. It’s also delightful to hear that vintage Ibanez rhythm guitar tone. I love Ace, but I’m not crazy about the wild trebly, metallic guitar tone he uses in Dead & Co.

“Dire Wolf” may have been the biggest singalong number of the night and “Cassidy” was the first where the band’s slinky contrapuntal interplay was on full display. DSO, much like the original Dead is a true ensemble, and the collective improvisation of Mattson, Eaton, and keyboardist Rob Barraco stood out on this Weir/Barlow classic.

Other highlights of the first set included “Candyman” from American Beauty, and a top-notch “They Love Each Other” that featured solos by both Mattson and Barraco. And while this reviewer might prefer “Brown-Eyed Women” to “Lazy Lightnin’/Supplication” it was this latter medley that ended the first set with one of the best jams of the entire night.

The second set kicked off with a duo of good-time rockers (“Bertha” and “Good Lovin’”) and then the first of two second-set Jerry ballads, a faithful rendition of “Ship of Fools”.

It was the Estimated > Eyes, though, that was the hightlight of the entire show. Eaton nailed the Weir vocals on “Estimated Prophet” while Mattson dialed up the Mu-Tron to great effect. “Eyes of the World” remains one of the superlative Dead vehicles in terms of the song’s jam possibilities and also in the way that the elegantly jazz-leaning chord progression matches the beauty of the lyrics. Mattson seems to be at his best when he really leans into the jazzy elements of Garcia’s playing. Bassist Skip Vangelas (who was excellent, clear, and loud all night in his Phil-role) was also featured in “Eyes” and took a melodic solo.

I’ll admit that these days I’m all-in on the Dead & Co “Drums/Space” in large part because of Mickey Hart’s beam and use of electronics. For me, it’s never a bathroom break opportunity. DSO drummers Dino English and Rob Koritz reminded me that a more analog version of drums isn’t necessarily a bad thing. Koritz’s use of steel drum and a crew of roadies on various percussion instruments coupled nicely with English’s kit playing. Mattson and Barraco then took the stage for a very short “Space” that left me wanting more. While John Meyer certainly might have more “chops” than Mattson, I’ll take the ole Zen Trickster Mattson over Meyer on “Space” any day of the week. Mattson wore a rad purple John Coltrane t-shirt at the show, and his otherworldly “Close-Encounters”-tease into “space-jazz-rock” certainly paid homage to Coltrane’s later free era. Give me 10 more minutes of that next time, Jeff!

“Not Fade Away” was a great reminder that bands like DSO are carrying the torch so that new generations will hear this very vital and living music, and “Stella Blue” featured some of Mattson’s finest vocals of the evening on one of the Dead’s most sensitive ballads. The set closed with a rockin’ “Around and Around” which put Eaton back in the role of showman extraordinaire.

The encores were particularly fun covers. Warren Zevon’s “Werewolves of London” had what remained of the weeknight crowd howling at the moon. The Dead set was complete, but DSO had a few more minutes until curfew, so the band went off-script and launched into The Jefferson Airplane’s “White Rabbit” finally giving backing vocalist Lisa Mackey a chance to take the lead. Mackey is in many ways the heart and soul of DSO. Her dancing, energy, and excellent harmony vocals are always a pleasure to watch, so it was particularly uplifting to hear her crush the Grace Slick part. Let Lisa sing!

Summer may be coming to a close, but that just means that it’s time to start planning for fall and winter indoor shows. Dark Star Orchestra has many shows planned around the state this fall and just announced that they are returning to the legendary Capitol Theatre in Port Chester for a New Year’s run on December 30 and December 31. They’re sure to keep the Dead alive in 2025 too.

A word or two about the Frog Alley venue, since this is still a relatively new Capital Region venue. The place has great beer (I tried a Kolsch that paired nicely with a cool summer night), they have a wealth of food truck options, and the raised stage means most vantage points are good ones. There’s also a VIP option which gives you deluxe bathroom access, tent access, and balcony options, which looked particularly nice if you got there early to grab seating. The sound was also stellar (and I give some of the credit to DSO’s own board operator because the mix was superb). My only gripe at all is that GA concertgoers had to wait in relatively long lines for the porta potties and hopefully more can be added to future events of this capacity. Parking wasn’t bad if you got there early enough and I was on the road and out of town in a jiffy. Definitely looking forward to getting back to Frog Alley for Band of Horses/City + Colour on Friday, September 13.

Finally, I have to give an honorable mention to the dude in front of me who had the best shirt of the night. His maroon and white “Stealie’s Shops” shirt in Stewart’s Shop typography has to be about the best Capital Region-specific Shakedown shirts I’ve ever seen. I want one!

Dark Star Orchestra | August 22, 2024 | Frog Alley Summer Stage | Schenectady, NY

Set I: Promised Land, Dire Wolf, Cassidy, Candyman, El Paso, They Love Each Other, Passenger, Brown Eyed Women, Lazy Lightnin’, Supplication.

Set II: Bertha, Good Lovin’, Ship of Fools, Estimated Prophet, Eyes of the World, Drums > Space, Not Fade Away, Stella Blue, Around and Around.

Encore: Werewolves of London, White Rabbit *

* Not part of the original Grateful Dead show on 5-5-78.

photos by Zak Radick
August 24, 2024
Drumstock Festival Returns to Geneva for Fifth Year

The fifth annual Drumstock Music and Arts Festival will return to Geneva on Saturday, September 7th. The open-air festival will celebrate the region’s rich musical and artistic heritage with 14 hours of entertainment.

Since its start, Drumstock has been so much more than just a music festival. Its organizers are dedicated to crafting an inclusive environment through collaboration with local artists and activists. This year, Drumstock will begin at 12pm on Saturday, September 7th at Geneva’s Lake Drum Brewing. The festival will take place in the outdoors in an open-air space behind the brewery. The free festival will feature a day of live music and community partnerships.

The 2024 Drumstock Festival will feature 17 artists – both local and nationally renowned. At the top of the ticket is avant-garde funk group Soule Monde. Founded by Trey Anasastio Band members Ray Paczkowski and Russ Lawton, Soule Monde combines over 20 years of musical experience. Since their start, the band members have played with artists like Mike Gordon and Dave Matthews. With Lawton on Drums and Paczkowski on Hammond Organ, the duo crafts syncopated and highly improvisational tracks with ease. The band has previously appeared at Bonnaroo, Austin City Limits, and Saturday Night Live.

Alongside Soule Monde, Drumstock will highlight diverse local talent with a number of New York bands. Among the featured bands are Finger Lakes’ natives St Vith. The indie rock group blends influences ranging from Wilco to Animal Collective. With synthesized electronics and acoustic instrumentation, St Vith crafts an eclectic brand of alternative.

The festival’s local talent spans countless genres, showcasing the region’s rich musical heritage. On top of St Vith’s indie rock, Kajuneji will perform, highlighting their mixing of jam, jazz and world music. This musical heritage will take festival-goers on a musical trip around the world. Geneva’s Zydecorp will bring audiences cajun-inspired accordion dance music and Colors Do Som will play their Brazilian-influenced stylings. Drumstock’s performances will begin at 12pm and last until 2am.

In addition to countless musical performances, the festival provides visitors other ways to engage with local arts and culture. Throughout the day, Drumstock will feature art exhibitions and performances from local Hobart & William Smith students. In addition to arts, local vendors will be present throughout the day, giving visitors the chance to buy local handicrafts and delicacies. This all reflects Drumstock’s core mission of strengthening the local community through its exhibition of arts.

Admission to this year’s Drumstock Festival is free thanks to local partnerships. Lake Drum Brewing, LDC, Geneva Community Projects, Red Jacket, Wayne Bank, Community Proud, and Dave & Wendy’s contributions have made the festival possible. For more information on the 2024 Drumstock Festival, visit their website here.

Drumstock Festival Lineup

Soule Monde (Featuring Ray Paczkowski and Russ Lawton of the Trey Anastasio Band)

St Vith

Kajuneji

Zydecorp

Cool Club & Lipker Sisters

ProjectX

Karen

Colors do Som

El Ka Bong

Streetcat

Charlie Reitz

Seager

Brad Dorrington

Calya Lea

Scott Tremolo

DJ Haggard

NuNu

August 21, 2024
Blues Rockers Tedeschi Trucks Band Dazzle Fans at CMAC

It was the perfect summer night with just a little rain mixed in for Tedeschi Trucks Band to perform at Constellation Brands Marvin Sands Performing Arts Center (CMAC) in Canandaigua, New York, on Friday, August 16.

Derek Trucks and Susan Tedeschi of Tedeschi Trucks Band at Constellation Brands Marvin Sands Performing Arts Center (CMAC) in Canandaigua, New York, on Friday, Aug. 16.

The 12-piece powerhouse band took no time getting most of the crowd on their feet to set everyone up for a night of moving and grooving with their soulful, bluesy, rock and roll. The night featured a mix of the band’s original music with some cover songs thrown into the setlist. They relied heavily on songs from their most recent album I am the Moon, released in 2022.
Derek Trucks and Susan Tedeschi are music superstars, and they surround themselves with superb musicians. With such a large band, everyone gets a chance to show off their skills throughout the night.

Tedeschi sings most of the vocals throughout most of the night and she has a powerful, incredible voice that demands attention. Mike Mattison also gets to share his voice on many of the songs and his passion comes through with so much soul on the songs he gets to sing.

The whole night was full of crescendos and deep, meaningful music. The band leads into many of the songs very softly, then just builds everything up to this massive explosion of music from everyone on stage. Many of the bandmembers get their time to shine with solos.
The show got off moving and grooving with high energy with “Part Of Me” and continued through “Playing My Emotions” and then “Ain’t That Something,” with keyboardist Gabe Dixon taking the lead on vocals and trading off with Tedeschi.

Mattison got his first chance to show off his bluesy voice as the band covered Bessie Smith’s “Gin House Blues.”

Tedeschi put down the guitar to sing “All The Love” and slowed things down a bit after this one as Trucks and other bandmembers left the stage with Tedeschi and drums, keys and bass. She performed the popular John Prine cover “Angel From Montgomery” that segued into Grateful Dead’s “Sugaree” and topped the sandwich off by going back into “Angel From Montgomery.”

Coming back from this slower, somber moment, the full band came back out and kicked it back into high gear for the big hit “Anyhow,” which had the crowd back on their feet and just has such an epic feel to it. Tedeschi then sang “Sweet & Low,” another song off 2013’s Made Up Mind and Elizabeth Lea had a big trombone solo.

Susan Tedeschi of Tedeschi Trucks Band at Constellation Brands Marvin Sands Performing Arts Center (CMAC) in Canandaigua, New York, on Friday, Aug. 16.

The band then played a couple covers with “Keep On Growing” by Derek and the Dominos, and Mattison took lead on Taj Mahal’s “Everybody’s Got to Change Sometime.” Then “Circles ‘Round The Sun” let Kebbi Williams loose on the saxophone. Tedeschi and other members then went off stage to let Trucks jam out on the long “Pasaquan” jam that also featured “Mountain Jam” sandwiched in the middle, a nod to Trucks’ past with The Allman Brothers Band. Trucks melted faces with his incredible guitar playing and the drummers Tyler Greenwell and Isaac Eady got to highlight their instruments with some sort of a duel.

The band then played “Just Won’t Burn,” a song from Tedeschi’s personal discography that came out more than 25 years ago. She really lets her bluesy voice do its thing on this one. The set eventually closed with “Show me a Woman,” a cover by Joe Tex, as the band left the stage in high spirits to get ready for an encore.

Only half of the band came out with Tedeschi and she invited opening act Margo Price to sing the George Jones song “Color of the Blues.” Then to really send everyone on their way, the full band came out along with all of Margo Price’s band as the 17 musicians on stage performed Leon Russell’s “Stranger in A Strange Land.”

Margo Price opens for Tedeschi Trucks Band at Constellation Brands Marvin Sands Performing Arts Center (CMAC) in Canandaigua, New York, on Friday, Aug. 16.

Margo Price’s opening set was a real treat for those who settled in early. The country singer-songwriter played a set fit for a headliner at CMAC. She really rocked the house with her good singing and her band really brought some power rock to the mix. Her sweet voice will sweep you off your feet, but that band will have you dancing really hard and almost headbanging.

Setlist: Part of Me, Playing With My Emotions, Ain’t That Something, All the Love, Gin House Blues (Bessie Smith cover), Angel from Montgomery *> Sugaree+>Angel from Montgomery* (*John Prine) (+Grateful Dead), Anyhow, Sweet & Low, Keep On Growing, Everybody’s Got To Change Sometime (Taj Mahal), Circles ‘Round the Sun, Pasaquan >Mountain Jam*> Pasaquan (*The Allman Brothers), Just Won’t Burn – (Susan Tedeschi), Show Me – (Joe Tex)

Encore: Color of the Blues w/Margo Price (George Jones), Stranger in a Strange Lane w/full Margo Price Band (Leon Russell)

. 16.

August 20, 2024
King Gizzard & The Lizard Wizard Play 3 Hour Marathon Show at Forest Hills Stadium

Australian band King Gizzard & The Lizard Wizard formed in 2010, mashing up a combination of prospective band names into their now iconic name. The name tells you almost everything you need to know about this band of Australian goofs and their ability to turn any concept and sound into a piece of complex and intriguing art. In the past 14 years, they have released 26 studio albums covering many genres, from psychedelic rock to metal to indie and everything in-between. That’s almost one full album every six months for over a decade. King Gizzard gave us a taste of all of it Friday, August 16th at Forest Hills Stadium.

Opening for King Gizzard was Geese, coming off of their well-received second studio album, 3D Country and 4D Country EP. Geese’s sound fits well within Gizzard’s world, with more of an american blues lean meets Pearl Jam feeling to their sound. With these shows, Gizzard took a page out of the Grateful Dead’s book, playing three-hour sets with a changing setlist. Comparing the setlists from their Friday and Saturday shows at Forest Hills Stadium, they didn’t repeat a single song across the two shows. Their discography is so deep that they could repeat that feat across almost a dozen of these three-hour marathon sets without ever repeating a song.

If you are a fan of a more niche Gizzard song, now may be your opportunity to see it live as they trawl through their discography over the coming months. The setlist for this first Forest Hills show was a perfect welcome to fans who may not have had a chance to see the band before. The band played a majority of their most popular tracks, with an overall metal lean and a healthy serving of Gizzard’s home base psychadelic funk/rock to round out the 25 song setlist.

With the lack of breaks and varied repertoire, Gizzard amazingly suffered very few hiccups during their set, playing an almost seamless blend of tracks with some especially unique transitions between songs that made the audience’s ears perk up. All of the band’s members are multi-instrumentalists, adding to the complexity and giving King Gizzard their unique layered sound. They invited a fan named Gabby who was holding a sign in the audience on stage to sing the intro to “Nuclear Fusion.” The intro is probably best described as throat singing with some heavy effects layered ontop and Gabby killed it.

Another notable aspect of King Gizzard’s live performances is the audience, a unique combination of deadheads, metal heads, and monster heads, people dressed in a smattering of medieval clothing and monster costumes harkening to King Gizzard’s ever growing lore. Many of these costumes touch on themes inherent to Gizzard’s visual media and lyricism such as the eponymous awareness around the earths climate and the eponymous King Gizzard and Lizard Wizard. King Gizzard’s media presence is heavily based in fantasy and sci fi and has given way to fans concocting a unique world out of an amalgamation of lyrics and imagery. The looseness of this world is what makes their crowds so unique, as fans craft outfits that fit into a world created of their own creation, serving as a true reflection of the wearer in a way that typical fan regalia can’t.

The show stopped exactly at 10pm due to a hard curfew implemented by Forest Hills Stadium last year in an effort to cut down on noise complaints. Following their shows in Queens, King Gizzard & The Lizard Wizard continue on with their North America tour, which is a marathon itself, with 36 more shows through November of this year. Then in May of 2025 they make their way to Lisbon, Portugal for the European leg, which extends through June.

Setlist: Field of Vision, Daily Blues, Cut Throat Boogie, Gamma Knife, People-Vultures, Mr. Beat, Boogieman Sam, Work This Time, Iâm In Your Mind, Iâm Not In Your Mind, Cellophane, Iâm In Your Mind Fuzz, This Thing, Self-Immolate, Organ Farmer, Venusian 2, Gila Monster, Flamethrower, Straws In The Wind, Pleura, All Is Known, Doom City, Rattlesnake, K.G.L.W. (Outro)

King Gizzard & The Lizard Wizard – Forest Hills Stadium – August 16, 2024

August 19, 2024
Grateful Dead Pianist Tom Constanten Announces Farewell Tour

Grateful Dead pianist Tom Constanten has announced a farewell tour spanning September and October 2024. This tour alongside Live Dead & Brothers will give deadheads one last opportunity to see the legendary pianist live in concert. Among the tour dates are four performances across New York state.

Tom Constanten was born in Long Branch, New Jersey in 1944. Following enrollment at UC Berkeley, Constanten met future Grateful Dead bassist Phil Lesh, becoming further involved in music. This musical career soon led Constanten to study across Europe, playing alongside legends of modern classical, like Karlheinz Stockhausen and Steve Reich. Constanten then followed up his studies with a brief stint in the US Air Force.

Following his return to the US, Constanten immediately joined the Grateful Dead on tour. His debut with the band was a November 23, 1968 performance at Athens, Ohio’s Memorial Auditorium. During his three-year career with the band, Constanten played keyboards on three Grateful Dead recordings: Anthem of the Sun, Aoxomoxoa, and Live/Dead. Constanten’s stint with the Grateful Dead ended with an April 28, 1971 performance at the Fillmore East in New York.

Following his departure from the Grateful Dead, Constnaten remained close to his bandmates while pursuing other artistic endeavors. Since 1971, he has recorded alongside the Incredible String Band, Jefferson Starship, and more. In 1994, Constanten was inducted into the Rock and Roll Hall of Fame alongside the other members of the Grateful Dead.

Tom Constanten alongside Jerry Garcia

Now, after more than five decades of touring, Constanten will make a final farewell tour across the United States. Supergroup Live Dead & Brothers will join Constanten on stage throughout the tour. The band consists of Grateful Dead and Allman Brothers collaborators, dedicated to celebrating Constanten’s legacy. Among the musicians are the Allman Betts Band’s Berry Duane Oakley and Les Dudek. Also featured are Grateful Dead collaborators Mark Karan, Scott Guberman, and Pete Lavezzolli.

The tour will begin on September 6th in Irving, Texas, before making its way Northeast. Along the two month-long tour, Constanten will make four stops across New York State. The first stop comes in Buffalo’s Sportsman’s Tavern on September 26th. Following this performance is a September 27th show at Albany’s Empire Live. The 1000-person venue features state-of-the-art lighting and sound equipment, and a large stage, making it one of Albany’s premier venues.

Constanten will return to New York on October 9th with a show at Canandaigua’s Fort Hill Performing Arts Center. The venue’s features a 387-person orchestral theater dating back to 1928. The venue’s impeccable sound makes it one of the top theaters in the Finger Lakes region. Constanten will close out his tour with an October 12th performance at Syracuse’s prolific Westcott Theatre.

Across these tour dates, Constanten and Live Dead & Brothers will perform an eclectic mix of rock, jazz, and blues. These shows will act as a testament to the legacy of the Grateful Dead and Allman Brothers catalogs, featuring their trademark improvisational jams.

Tickets for Constanten’s farewell tour shows are currently on sale. For more information on tickets, visit the link here.

Tom Constanten Tour Dates

9/6 – Carpenter Hall – Irving, TX

9/7 – Cailloux Theater – Kerrville, TX

9/17 – Perot Theatre – Texarkana, TX

9/18 – Cullen Theatre – Houston, TX

9/19 – Greenville Municipal Auditorium – Greenville. TX

9/20 – Globe-News Center for the Performing Arts – Amarillo, TX

9/26 – Sportsman’s Tavern – Buffalo, NY

9/27 – Empire Live – Albany, NY

9/28 – Pat Garrett Amphitheater – Strausstown, PA

9/29 – The Hamilton – Washington, DC

10/1 – Sellersville Theater – Sellersville, PA

10/2 – Beacon Theatre – Hopewell, VA

10/5 – Rams Head on Stage – Annapolis, MD

10/8 – The Empire – Belleville, ON

10/9 – Fort Hill Performing Arts Center – Canandaigua, NY

10/10 – Jergel’s Rhythm Grille – Warrendale, PA

10/11 – Tussey Mountain Amphitheatre – Boalsburg, PA

10/12 – Westcott Theatre – Syracuse, NY

More dates to be announced

August 17, 2024
House of Treats: Primus Gets Weird and Wonderful in Saratoga Springs

It was a night of sonic exploration and psychedelic virtuosity on Monday, August 12, when Les Claypool and the mighty Primus made their return to the Saratoga Performing Arts Center. In a concert experience that definitely did not suck, the music was as eclectic as it was electrifying. Along with the ageless and genre-defying Primus, the stacked bill also included the progressive rock grandeur of Coheed and Cambria, and the surreal cabaret experience of Puddles Pity Party. This unlikely combination of acts came together to create a night that was both surreal and unforgettable.

Here Come The Bastards: Primus frontman Les Claypool performing in Saratoga Springs on 8/12/24.

Primus has always been a band that defies categorization. Fronted by the inimitable Les Claypool, Primus burst onto the scene in the late 1980s, blending elements of funk, metal, punk, and experimental rock into a sound that is uniquely their own. Their music is characterized by complex rhythms, bizarre lyrical narratives, and, most notably, Claypool’s virtuoso bass playing. Over the years, Primus has cultivated a devoted following, attracting fans of both hard rock and improvised jams, their live shows are known for their deeply hypnotic grooves and intense, energetic peaks. At SPAC, Primus delivered a set that was both nostalgic and forward-looking. After taking the stage to their customary Danny Elfman / Pee Wee’s Big Adventure walkup theme known as “Clown Dream,” the band would immediately surprise fans with an unexpected sit-in from Puddles Pity Party, the 6’8” sad clown with the golden voice. Delighting fans with a powerful cover of the Dio classic “Holy Diver,” Primus and friends made it clear they weren’t clowning around in Saratoga, and to strap in for a rollercoaster ride of the unexpected.

Holy Diver: Primus opened the show with a little help from from Puddles Pity Party on 8/12/2024.

Following things up with the heavy-hitting 1993 Pork Soda favorite, “Nature Boy,” Claypool’s basslines were as thunderous as ever, and his off-kilter vocals added an extra layer of strangeness to the proceedings. “Golden Boy” would be lone song played from The Brown Album before “My Friend Fats” took the honors as first extended jam of night, giving guitarist Larry “Ler” LaLonde ample time to showcase his dizzying effects pallet and technical chops, while Claypool’s frantic finger work on the high notes echoed through the pavilion in the most surreal and satisfying way.

C’mon kiddies, gather round: Primus performing at Space on 8/12/2024.

As the lights dimmed between songs and the fog machine continued working overtime, a hooded figure emerged from the side of the stage. Clutching a glowing skull and presenting it to the crowd as if it processed mystical powers, the identity of the druid was soon revealed as Claudio Sanchez of Coheed and Cambria! Teaming up with Primus for the second surprise sit-in of the night, Sanchez’ distinct voice was perfectly suited for the cover of Rush’s “Cygnus X-1.” Bouncing back with the standout song of the night, a deep dive into “Professor Nutbutter’s House of Treats” had all the old school Primates savoring every second. The crowd, a mix of dedicated followers and curious newcomers, were fully engaged, swaying and headbanging to the complex grooves. The visual experience was equally impressive, with trippy, surrealist animations projected behind the band, adding to the sense of being on a musical journey through the weird and wonderful.

Claypool for President: Bassist Les Claypool performing at SPAC on 8/12/24. Would you vote for this man?

Taking a moment to acknowledge the audience, Claypool would remark that it’s been quite a long time since they last played this historic venue. Nostalgic fans were quick to remember the bands appearance at SPAC during the H.O.R.D.E. days in the late 90’s and their many appearances at the Palace Theatre in Albany in the years since, but indeed, it had been awhile since they’ve played a venue of this capacity. Interrupted by a fan requesting “Tommy the Cat,” Claypool would immediately shoot them down by saying, “Did you just say Tommy the Cat? That’s funny because that’s exactly what we’re not going to play.” Instead going with the crunchy punch of “Hamburger Train” anchored by the powerful hands of drummer Tim “Herb” Alexander. Leaving the stage and returning in a horse mask, Claypool would take to his electric standup bass for the particularly poignant cautionary tale of “Jilly’s on Smack.” Ending the tune on a repeating loop, the band created a dark ambience that felt like it could take you in any direction. Choosing once again to return to the Pork Soda era, “The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles, Pt 3)” seamlessly picked up where Jilly left off. Sensing a bit of a shift in momentum, Primus would strike back next with one of their most iconic songs, “Jerry Was a Racecar Driver,” which was famously featured over and over on the original Tony Hawk’s Pro Skateboarder game. Sending fans into a frenzy every time he shouted “go!” the bolted down seats in the amphitheater where the only thing stopping a full-scale mosh pit from breaking out. Jerry would bring the main portin of the show to close and leave fans screaming for more.

House of Treats: Primus pleased the SPAC crowd with a tasty Professor Nutbutter on 8/12/24.

Returning for an encore and with lots of fan favorites still left on the table, Primus would select the title track of their latest EP, 2022’s “Conspiranoia,” which they also played their last time in town at the Palace Theatre. Going all in on the near twelve-minute jam, Claypool would march circles around the stage, stomping his feet to the songs monstrous bass lick while humorous soundbite samples of random conspiracy theories pipped over the PA. Segueing directly into the relentless rhythm of “Here Come the Bastards,” Primus would ultimately send fans home happy with one of their biggest hits, “Wynona’s Big Brown Beaver.” A well-curated mix of classic tracks and deeper cuts, satisfying both long-time fans and newer listeners, Primus never disappoints.

Watch fan shot footage of Primus performing “Wynona’s Big Brown Beaver” in Saratoga Springs 8/12/24.

If Primus represents the quirky and experimental side of rock, Coheed and Cambria bring a sense of epic grandeur to the table. Formed in 1995, Coheed and Cambria are known for their sprawling, concept-driven albums that weave together elements of progressive rock, metal, and emo. Their music often tells the story of *The Amory Wars*, a science fiction narrative that spans multiple albums and has even been adapted into comic books.

Claudio Sanchez of Coheed and Cambria performing in Saratoga Springs on 8/12/24.

At SPAC, Coheed and Cambria delivered a performance that was nothing short of cinematic. Frontman Claudio Sanchez’s soaring vocals and intricate guitar work were the perfect match for the band’s complex compositions. The set was a rollercoaster of emotions, with moments of quiet introspection giving way to explosive, arena-sized choruses. Tracks like “Welcome Home” and “The Suffering” were particular highlights, with the audience singing along passionately.

Coheed and Cambria opening for Primus on 8/12/24.

At one point, the band would pause to reflect on their history in the area, with multiple mentions of their early gigs at the since burned down Saratoga Winners venue, even dedicating one of their new songs to the man who booked them way back then. With a sound that still resonates all these years later, there was a noticeable contingent in the audience decked out in sci-fi and comic book-inspired attire, clearly long-time fans of the band and their intricate storylines. Coheed’s set was full of high energy, hair whips and bombastic solos, that at one point even saw Sanchez playing his double-neck guitar behind his head for added showmanship. For the beers drinkers in attendance, the band also brought along their limited edition IPA collaboration with Six Point Brewery called The Liars Club, inspired by the bands album Vaxis II: Window Of The Waking Mind.

Watch fan shot footage of Coheed and Cambria peforming “Welcome Home” at SPAC on 8/12/24.

Puddles Pity Party, the opening act of the evening, was perhaps the most surprising element of the night. For the uninitiated, Puddles Pity Party is the alter ego of Mike Geier, a 6’8” tall clown with a melancholy demeanor and a voice that can only be described as stunning. Puddles rose to fame through viral videos and appearances on America’s Got Talent, where his deep, emotive voice and unique takes on popular songs won him a legion of fans.

Puddles Pity Party performing in Saratoga Springs on 8/12/24.

At SPAC, Puddles Pity Party delivered a set that was both hilarious and deeply moving. Dressed in his trademark white clown costume, Puddles performed a mix of covers and original songs, each delivered with a combination of deadpan humor and genuine emotion. Highlights included his renditions of “Ring of Fire,” The Who’s “Pinball Wizard” and a version of Ozzy’s Osbourne’s “Crazy Train” mashed up with Adele’s “Let It Go.” After a transformative “Space Oddity” homage to David Bowie was met with resounding approval, things would get downright whacky as Puddles then professed his love for actor Kevin Costner in bizarre hybrid of “Stairway to Heaven” meets Celine Dion’s “My Heart Will Go On,” while images of the Costner 1995 Hollywood flop Waterworld projected onto the big screens. Suddenly, the music would bust into Metallica’s “One” for the high-intensity outro to a very fun set. The audience, initially unsure of what to expect, quickly warmed to the sad clown’s unique brand of entertainment. By the end of his set, there wasn’t a frown to be found.

Puddles Pity Party performing in Saratoga Springs on 8/12/24.

From die-hard Primus fans wearing vintage tour shirts to Coheed and Cambria followers letting their sci-fi geek flags fly, the audience was a melting pot of music lovers. The diversity in the crowd reflected the broad appeal of the evening’s acts, with each band bringing their own unique following to the venue. Despite the differences in musical taste and style, the atmosphere was one of mutual respect and shared enjoyment, with everyone there to appreciate the artistry on display. Whether you were there to witness Les Claypool’s bass wizardry, Claudio Sanchez’s epic storytelling, or Puddles’ deranged humor, there was something for everyone. Complete with surprise collaborations and stunning visuals, it was another spectacular night a SPAC and one that is sure to leave a lasting impression on anyone who attended.

Primus | August 12, 2024 | SPAC | Saratoga Springs, NY

Setlist: Clown Dream Intro, Holy Diver *, Nature Boy, Golden Boy, My Friend Fats, Cygnus X-1**, Professor Nutbutter’s House of Treats, Hamburger Train, Jilly’s on Smack, The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles, Pt 3), Jerry Was a Racecar Driver.

Encore: Conspiranoia, Here Come the Bastards, Wynona’s Big Brown Beaver.

*Dio cover featuring Puddles Pity Party

**Rush cover featuring Claudio Sanchez of Coheed and Cambria.

Coheed and Cambria | August 12, 2024 | SPAC | Saratoga Springs, NY

Setlist: In Keeping Secrets of Silent Easrth:3. Ten Speed (Of God’s Blood and Burial), The Willing Well I: Fuel for the Feeding End, Key Entity Extraction V: Sentry the Defiant, A Favor House Atlantic, Blindside Sunny, The Crowing, The Liars Club, Shoulders, Welcome Home.

Puddles Pity Party | August 12, 2024 | SPAC | Saratoga Springs, NY

Setlist: Ring of Fire, Pinball Wizard, Crazy Train > Let It Go, Space Oddity, Stairway to Heaven> My Heart Will Go On, One Outro.

August 17, 2024
What’s Next For New Paltz Jam Band, What?

Horn-rock New Paltz band What? has been part of the DIY scene for more than five years and they continue to rock the Hudson Valley today.

Who are What?

With new bands forming every year in New Paltz, What? is a fan favorite in the small college town. Its band members are Dan Steen on guitar, Ryan Perrone on vocals and trombone, Jeremiah Mahoney on bass Alex Endres on drums, Owen Moore on tenor & baritone saxophone, and Jared Nelson on guitar and percussion, They all met at the local university SUNY-New Paltz through the music program. Previously, most members were part of musical groups in their high schools but What? is the first band they’ve been a member of.

The band has been operating under the name, What?, since 2016. They released their first album Lavender Lounge in 2020 including some fan favorite songs like “Napkin Party” and “The Cloud.” They confirmed that a sophomore album is in the making which will likely come out early this upcoming year.

The entire band contributes to their original music, but Perrone does most of the writing. “When I write a song, I really have this band in mind. It’s structured, but it’s always loose because I want everyone to kind of give their voice into the piece,” he told NYS Music.

Tours

Although they frequently travel outside of the state, they stay true to their New Paltz beginnings. They got their start playing at bars in New Paltz like Snug Harbor and Bacchus. Whenever they return to these venues, they always pull a packed audience with them. On Aug 23 they will be back in their hometown at a newer bar and restaurant, The Lemon Squeeze.

Touring to Portland, Maine and Burlington, Vermont, the band spends a lot of time on the road but sharing their music beyond the bars of New Paltz is something they aspire to continue. Last year What? performed at the iconic Mercury Lounge in NYC and this past March they played at another historic venue, Colony in Woodstock. “That fulfills something in my heart and soul just to be able to go to some random spot in upstate New York with five other fellas,” Steen said.

Next month, they will be back for more shows in the Hudson Valley like Kingston, NY on Aug 8 as well as Wakefield, RI on Aug 11. You can watch all of their performances on their YouTube channel and keep up with What? through their Instagram here.

August 15, 2024
Dogs In A Pile Announce 4-Night New Years Run in Saratoga Springs

Dogs In A Pile have announced a four-day run at Saratoga Springs’ Putnam Place from December 28-31 to ring in the New Year. These shows come in the aftermath of the band’s cross-country fall 2024 tour.

Art by Joe Winograd

Dogs In A Pile began in Asbury Park, at the heart of the Jersey Shore. Guitarist Jimmy Law and drummer Joe Babick teamed up with Berklee graduates Sam Lucid (bass), Jeremy Kaplan (keyboard), and Brian Murray (guitar). Together, the quintet has made a name for itself for their eclectic mix of funk, rock, and psychedelia. With live shows that build improvised psychedelic soundscapes, the band has amassed a large cult following, known as the Dog Pound.

2024 marks a monumental year for Dogs In A Pile. Throughout the Summer, the quintet has headlined multiple shows and concerts in Colorado, and toured with Andy Frasco & The U.N. and Pigeons Playing Ping Pong. Following up these shows, the band announced a cross-country fall tour. The tour begins on October 25th in Philadelphia, before looping around the country for a November 22nd show in Atlanta.

To cap off this busy year of touring, Dogs In A Pile will play four nights at Putnam Place in Saratoga Springs. Located in Downtown Saratoga Springs, the 400+ person venue is a staple of Upstate New York tours. Over the years, the venue has hosted everyone from Ghostface Killah to Blues Traveler. Among Putnam Place’s many shows was a NYE 2023 show by Dogs In A Pile. The show was a display of the band’s musical ability, debuting four new songs, and playing a number of improvised psychedelic jams.

Dogs In A Pile at Putnam Place on December 31st, 2023. Photo by Nick Codina

Now, Dogs In A Pile will return to Putnam Place from December 28th to 31st. These shows will put their improvisational prowess to the test, and offer audiences the chance to see original tunes and fresh takes on loved covers. Ticket presale begins on Wednesday, August 14th at 12pm ET. General public sale will follow on Friday, August 16th at 12pm ET. In addition, concert-goers can purchase a 4-day pass including access to all shows. For more information, visit the Dogs In A Pile website here.

Dogs In A Pile Fall 2024 Dates

10/25 – Philadelphia, PA – Brooklyn Bowl Philadelphia
10/26 – Philadelphia, PA – Brooklyn Bowl Philadelphia
10/29 – St. Louis, MO – Atomic Cowboy
10/31 – Oklahoma City, OK – Beer City Music Hall
11/1 – Dallas, TX – Deep Ellum Art Co.
11/2 – Dallas, TX – Deep Ellum Art Co.
11/6 – Buena Vista, CO – Surf Hotel
11/8 – Fort Collins, CO – Aggie Theatre
11/9 – Boulder, CO – Fox Theatre

11/12 – Omaha, NE – Slowdown
11/13 – Minneapolis, MN – Fine Line
11/15 – Milwaukee, WI – Vivarium
11/16 – Chicago, IL – Chop Shop
11/17 – Grand Rapids, MI – The Stache
11/19 – Asheville, NC – Salvage Station
11/21 – Nashville, TN – Basement East
11/22 – Atlanta, GA – Terminal West
12/28 – Saratoga Springs, NY – Putnam Place
12/29 – Saratoga Springs, NY – Putnam Place
12/30 – Saratoga Springs, NY – Putnam Place
12/31 – Saratoga Springs, NY – Putnam Place

August 14, 2024
Hearing Aide: Tyler Adams Organ Trio “The Color Red Sessions”

Jam band extraordinaires, Tyler Adams Organ Trio, released their new jazz-funk E.P. The Color Red Sessions on August 9. Comprised of Tyler Adams and Caton Sollenberger of The Jauntee and Will Trask of The High Hawks, the trio effectively brings different experiences to this new collection of music.

The ensemble is a part of Color Red Music, out of Denver, CO. Tyler Adams is the keyboardist for the Boston-based band The Jauntee, along with trio member, guitarist, Caton Sollenberger. After years of experience in the east coast jam-band scene, they’re entering a different musical sphere out west. Similarly, drummer, Will Trask, also has extensive band experience with multiple collectives, notably The High Hawks.

This E.P. marks the debut of the Tyler Adams Organ Trio. Made up of individually established musicians, the trio’s first product showcases musical depth and well-versed collaboration. Produced by Tyler Adams, the collection was evidently created with much care and attention to detail throughout an extremely hands-on experience.

The Color Red Sessions, which features the prominent Hammond B3 organ, exemplifies the sound of many other musicians under Color Red Music. The refreshing layers of organ, guitar, and percussion instrumentation create a syncopated dynamic. The energy presented across all five tracks emulates that of a relaxed jam session. Hence the record’s title, it subsequently brings the recording atmosphere to life through the songs.

Though lyricless, each song presents it’s own character. The musicians simultaneously convey the song’s individual messages through their respective roles. The drums and guitar create melodic accents as they follow the organ’s lead producing, positive, high-energy songs, that also hold a relaxing beat. Overall, Adams, Sollenberger, and Trask produced a body of groovy, experimental music that creatively tells a story.

Key Tracks: Monday Morning, The Bend, Sunday Evening

Listen to The Color Red Sessions by Tyler Adams Trio on your preferred streaming service, here.

August 14, 2024