NYS Music 2024

Category: Jam/Progressive

  • Festival Preview: Memorial Meltdown 2024

    The annual Memorial Meltdown music festival will take place May 25-26 in Lake George. The weekend-spanning festival will feature touring acts from across the country to ring in the summer concert season. With the festival featuring four sets each day, concert-goers will have a variety of genres and artists to enjoy. 

    Memorial Meltdown 2024 Artist Lineup

    Memorial Meltdown is held by the same organizers as the Adirondack Independence Music Festival, which will be held in late August in Lake George. In addition to performances, the festival will feature DJ sets and a variety of food and craft vendors. With the concert’s location at the Charles R. Wood Festival Commons, concert-goers will have access to Lake George’s restaurants, shopping, campgrounds and other amenities.

    This year’s festival will be headlined by The Revivalists on Saturday and Dispatch on Sunday. Americana groups Ryan Montbleau Band, The Mallett Brothers Band, and Rob Beaulieu Band will join the Revivalists on stage on Saturday. On Sunday, Dispatch will be supported by the reggae and funk rock influenced stylings of Mihali, The Samples, and Annie in the Water. 

    The Revivalists are a world-renowned rock ‘n’ roll octet, who have racked up critical and commercial success with their alt-rock anthems. They rose to fame with their signature blending of American music styles, ranging from funk and jazz to roots rock. With smash hits, like the double-platinum “Wish I Knew You,” they have garnered over 800 million streams. Known for their live shows, the Revivalists have previously headlined everywhere from Lollapalooza to the New Orleans Jazz Fest. The Revivalists champion many philanthropic causes with portions of their ticket sales donated to Rev Causes. Rev Causes supports a host of charitable organizations, ranging from gun safety to arts endowments.

    Vermont-based roots rock band Dispatch are legends of the live music circuit. For over 25 years, the band has garnered success in both studio and live environments. Throughout their career, they have released eight acclaimed studio albums, starting with 1996’s Silent Steeples. Throughout their career, Dispatch has not been afraid to completely overhaul their sound between albums. Their latest album Break Our Fall illustrates the band’s eclectic mixing of genre. Reggae, folk, and blues supplement the band’s signature roots rock, working as a vehicle for their most pointed political lyrics to date. They speak to finding hope for the future in a time of such political and social chaos.

    Dispatch is also a mainstay of the live circuit, having performed at countless festivals and concerts. They made history selling out Madison Square Garden three nights in a row, and drawing crowds of over 100,000 to a live concert in Boston in 2004. What makes this all the more impressive is the band’s relative freedom within the music industry, drawing these audiences with no major label support.

    On top of this, Dispatch has remained dedicated to philanthropy, using their fame to aid a number of charitable causes. The band has formed charitable organizations to fight issues like poverty and mass incarceration. They have even traveled as far as Nicaragua and Zimbabwe to help those in need. This show comes before the band’s fall AMPlifying Democracy Tour, meant to promote civic engagement before the presidential elections. The tour will promote Dispatch’s AMPlifying Democracy Campaign to inspire voting in national and local elections regardless of political affiliation.

    Schedule

    Saturday, May 25

    3:30 – Rob Beaulieu Band

    5:00 – The Mallett Brothers Band

    6:45 – Ryan Montbleau Band

    9:00 – The Revivalists

    Sunday, May 26

    3:30 – Annie in the Water

    5:00 – The Samples

    6:45 – Mihali

    9:00 – Dispatch

    Gates for Memorial Meltdown open both days at 2:30 PM, with performances lasting from 3:30 past 9:00 PM. Tickets are on sale now, with a variety of single and multi-day passes. VIP passes include a meal, snacks, discounted beverages and access to a private viewing area. Children 12 and under get free admission. For more information on ticketing, visit the link here.

  • Lucid to Celebrate 20 Years this May at Strand Center in Plattsburgh

    “20 years of Lucid, I never thought I’d see the day.” Lowell Wurster shared this sentiment alongside an announcement that on Saturday, May 18, Lucid would gather together at the Strand Center in Plattsburgh to celebrate two decades of North Country funk and soul.

    Lucid at The Waterhole – October 2023

    The Strand Theater itself is celebrating as well, marking 100 years of performances this year, having opened in 1924 as a vaudeville theatre. In recent years, the venue has undergone renovations and upgrades, bringing the Strand into the 21st Century.

    Lowell shared his excitement for the anniversary event. “This show is a celebration of a community and love, The North Country is our home and this is where our hearts lie. To be able to celebrate our 20 year anniversary in our hometown means the world to us. Some of us went to the same high school and had the same teachers.”

    “The whole community rallied around us years ago when we went on our first East coast tour. There’s always been such an outpouring of support for us and its been quite humbling. We love the North Country,” added Wurster.

    lucid strand
    Artwork by Sadie May’s Art & Design

    Supporting Lucid is Lowell’s father, George, with ‘When Pigs Fly’ – the name derived from his band Blind Pigs from many years back. In the past year, members of Lucid, the Blind Pigs original drummer, Pat Madix, and Mike Dashnaw from The Shameless Strangers were brought together to create When Pigs Fly for this special occasion.

    “I honestly think people are pretty excited to watch my dad’s band. After years of watching him sit in with us now folks can watch him front a whole set, that is exciting for me and a lot of other people are pretty stoked.”

    Lowell Wurster, on When Pigs Fly

    A perfect band to pair up for the evening, Lucid fans have seen George play with the group over the years, making this a family affair in more ways that one. Expect to see Wurster’s sister, Catherine, of DoomF$ck, also sitting in throughout the evening.

    “We’re just so excited to share this experience with everyone. This is a celebration of 20 years of building community, this is about love and the family we’ve built with this community,” said Wurster.

    The 20 year anniversary celebration for Lucid takes place on Saturday May 18 at the Strand Center for the Arts, with doors at 6pm and the show starting at 7pm. Tickets and more info can be found here or at the Strandcenter.org

  • Vapor Vespers Release Sophomore Album “Ghosts Before Breakfast” and Announce Upcoming Shows

    Experimental duo Vapor Vespers have released their sophomore album titled, Ghosts Before Breakfast and announced a few upcoming tour dates this May.

    Ghosts Before Breakfast is the group’s second long-playing release, the follow-up to their critically-acclaimed 2020 debut, One Act Sonix. The sophomore album consists of 10 music-driven spoken word tracks. The duo will be supporting the release of their new album with select shows in New York City and the Hudson Valley this May.

    Vapor Vespers is the brainchild of NYC-based multi-instrumentalist/producer Sal Cataldi and award-winning playwright, actor, and slam poet Mark Muro. The duo’s latest collection ups the ante on the cool grooves, intense guitar riffage, synth textures and the verbal hijinks and narrative absurdity showcased on their debut. The duo takes performative arts to the next level by blending intense spoken word with progressive and electrifying hypno-funk.

    The Vapor Vespers are also holding mini-sets during performance by Cataldi’s Spaghetti Eastern Music at Silvana Harlem on May 23. Further, the duo sees the stage at Pangea in the East Village on May 25. More shows may be added.

    Ghosts Before Breakfast was produced, engineered and mastered by Sal Cataldi aboard his houseboat in Port Washington, Long Island. The album covers themes of sex, mystery, art, literature, love, and themselves. The duo expels sound that are everything but standard. Some of their sound includes electro-funk, experimental synth, progressive, jazz and more.

    For more information on Vapor Vespers and their album Ghosts Before Breakfast, click here.

  • In Focus: Pink Talking Fish & One Eyed Jack at The Wellmont Theater

    Jam band powerhouse Pink Talking Fish bring their variety filled show to the Wellmont Theater in Montclair, New Jersey on April 26. One Eyed Jack opened up the show with a funky set.

    The band brings together a really fun medley of different bands. They started off their set with a Talking Heads cover “Life During Wartime”. The first set was Talking Heads heavy including “This Must Be the Place” & “Cities,” but that could technically be considered a cover of a Phish cover given the tempo. The first set also featured a playful “McGrupp” and a booming “Have a Cigar.”

    Second set, what’s the band going to do? Play the whole instrumental part of “Reba”, yes! “Simple”? Yup! “Squirming Coil”!? Okay! The second set was Phish heavy with some Talking Heads covers like “Psycho Killer” and a memorable Floyd “Mother” cover. The band wrapped up the night with “La Grange”.

    Pink Talking Fish – The Wellmont Theater, Montclair, NJ – April 26, 2024

    Set 1: Life During Wartime, Cars Trucks Buses, Have a Cigar, Cities, Mcgrupp, Run Like Hell, This Must Be the Place

    Set 2: Once in a Lifetime, Reba, Mother, Psycho Killer, Simple, Astronomy Domine, What a Day That Was, The Squirming Coil, Nobody Home, La Grange

  • Dark Star Orchestra Announce More Summer Dates – Shows at Wonderland Forest, Pier 17, Frog Alley and Innovative Field in Rochester

    Dark Star Orchestra, one of the country’s premier Grateful Dead tribute bands, have finalized their U.S. summer touring schedule. The tour will span both coasts and everything in between, and the band’s August slate now contains shows all throughout New York State.

    Dark Star Orchestra summer

    Along the tour, Dark Star Orchestra is going to be performing some special this summer. For the July 21 show at the Stone Pony Summer Stage in Asbury Park, NJ the band announced today they will be recreating the Dead’s epic 9/3/77 show from nearby Englishtown, NJ. “Its proximity, only 25 miles from Asbury Park, and the fact that it was an epic outdoor show, made sense for us to choose,” notes DSO bassist Skip Vangelas.  “It’s a classic show in the GD world and one that New Jerseyans, whether Deadhead or not have never forgotten!”

    A few weeks later, the band is scheduled to play Wonderland Forest in Lafayette, NY on August 9 and 10. The newly established venue located just south of Syracuse will also play host to the Biscoland festival this summer. DSO will also play The Rooftop at Pier 17 on August 11, Innovative Field in Rochester on August 21 and the Frog Alley Summer Stage in Schenectady the following day on August 22.

    Special dates are dotted all throughout the summer tour, including the band’s debut at the Greek Theatre in Berkeley, CA on July 13. It marks a celebration of 40 years of the Rex Foundation and the benefit performance will see DSO offer a 40-years-to-the-day recreation of the Dead’s 7/13/84 performance from The Greek Theatre.

    More information and links to ticketing info can be found here.

  • God Street Wine Announce Four Shows in NY and NJ this September

    Jam band God Street Wine has announced they are playing four live shows, three of which in New York this September.

    God Street Wine was formed in 1988 by Lo Faber, Aaron Maxwell, Dan Pifer, Jon Bevo, and Tom Osander. The band hails from NYC and are known for their multi-genre approach to music. They perform in the styles of Jam Band, Jazz, Bluegrass, Pop, Reggae, Funk, Rock, Psychedelia and so on. The group has had infrequent yet memorable musical gatherings since their separation in 1999.

    2024 brings more activity for God Street Wine. On top of marking the 30th anniversary of the band’s first major label release, $1.99 Romances, and digitally releasing the long-lost Hot Sweet & Juicy, the band is also releasing three albums from their catalog on vinyl for the first time. This all culminates with the original fives-ome performing together again with four New York area shows.

    God Street Wine sees the stage in Woodstock on September 20 and 21. They also perform at The Cutting Room in NYC on September 27. Lastly, the band plays in Asbury Park, New Jersey on September 28. These four shows welcome fans of GSW and those who simply love music. There is a bit of everything for everyone when it comes to GSW’s music.

    For more information on God Street Wine’s upcoming show at Levon Helm Studios in Woodstock, click here. For information on GSW’s show at The Cutting Room in NYC, click here.

  • Spafford Covers All The Bases At Brooklyn Bowl

    Spafford returned to New York City’s Brooklyn Bowl last weekend for a “holiday” performance on April 20 with a show full of cover songs and some exquisitely jammed out originals. This three-set show marked the end of a short run of shows in the Northeast for the band, who are back in action after a scary accident on tour last month in Ohio. Spafford certainly showed no signs of being worse for the wear and made it an enjoyable 4/20 for all involved.

    Photo Credit: Perri Sage Photography Perrisage.com

    A late arriving crowd to the Bowl walked into a soundtrack mix of classic rock hits on the PA atop a bed of pin strikes and gutter balls. Pre-show music included a nice live version of “In Memory Of Elizabeth Reed” as a nod to the recently departed Dickey Betts. Spafford then took the stage and started things off with the appropriately titled “I Can’t Find My Vape,” a newer, funky instrumental tune in the vein of Herbie Hancock.

    The crux of the first set, however, was the next two songs, starting with a near 30-minute “Comfortable.” The song started out exactly as such, with a nice comfortable groove to it, before an intense guitar solo from Brain Moss ushered in another loose but explorative jam with strong psychedelic undertones. Certainly no strangers to extended jamming, the band showed off their musical prowess early and took the sound down to near ambient levels before building it back up to a triumphant finish.

    This was followed up “The Postman,” another original but a much more composition-based song off their 2018 release For Amusement Only. The now firmly entrenched keyboardist Corey Schechtman shined on all of them – piano, synthesizer, and organ – as Spafford doled out some more legitimate funk to the Brooklyn Bowl audience through a thick, oozing jam that slowly escalated in pace. The opening set then came to a close with an old school original, the reggae-tinged “Diana” that culminated with another provocative Moss guitar solo.

    Spafford then let all the covers out in the second set and wasted no time in doing so. Drummer Nick Tkachyk began things with a simple, lone, up tempo drum beat and the band then immediately launched into their take of Stone Temple Pilots’ “Plush.” With its faster pace and underlying organ fills, it’s certainly a more joyous take on the dour alt rock classic. True to their nature, Spafford stretched out the ending and molded it into a massive jam that maintained upbeat and completely danceable. This eventually led to bassist Jordan Fairless taking over the mic to lead the way on a take of Porno for Pyros’ “Pets,” another regular in the Stafford stable of cover songs.

    Another jam that smoothly shifted from mellow to breakneck then served as the springboard for a leap into another signature cover song, Tears For Fears’ “Mad World.” Schechtman on piano alongside some furious rhythm guitar from Moss served as the fuel for yet another ebullient interpretation of a glum pop hit from yesteryear. Spafford then shifted from musical influences to modern day and segued right into a newer cover song they’ve made their own, Demi Lovato’s “Anyone.” Moss did the heartfelt, introspective lyrics about prayer justice all while the song never lost its peppy undercarriage. To close out the second set at Brooklyn Bowl, Spafford once again delved into the alternative music playbook with a pair of Green Day covers. Fairless returned to lead vocals for their their techno-like cover of “Brain Stew” which was parlayed right into a jazzed up take on “Jaded,” both making their live Spafford debut.

    The third set began with a not-so-subtle nod to the holiday at end with a quote from the movie Reefer Madness played over the PA and Spafford followed in tow with an entertaining cover of Sublime’s “Smoke Two Joints,” a song they first debuted last year on 4/20. It paid homage to the original at first and then turned into a sprawling, exploratory jam that reached several veritable peaks before rounding back into form.

    With the holiday formalities out of the way, the third set was then dominated by the other extended jam of the evening, a 30-minute “Dirtbag” that served as testament to the band’s musical dexterity. Starting with a rollicking funk jam, it soon devolved into total silence before being resuscitated by some triumphant guitar fills from Moss. The multi-textured song also has elements of progressive rock, acid jazz and, of course, jam band, really allowing band the show off their full skill set.

    Photo Credit: Perri Sage Photography Perrisage.com

    Spafford then closed out another successful appearance at Brooklyn Bowl with one last flurry of cover songs, starting with Pink Floyd’s “Run Like Hell.” It’s not quite as hectic as The Disco Biscuits’ take on it, but thanks to some looping synthesizer sounds produced by Schechtman and more metronome-like precision from Tkachyk on drums, it eventually produced an incredibly lively jam that funneled right into “Cantaloupe Island,” some actual Herbie Hancock. After some heartfelt thanks from Moss, Spafford paid one last respect to the date and sent folks on their way with an honest cover of Tom Petty’s “You Don’t Know How It Feels” and its joint smoking instructions.

    As a reminder, Spafford has several upcoming shows in New York including one on June 12 at Rochester’s Water Street Music Hall. Three days later, Spafford is set to play Colony in Woodstock and then the band wraps up their time in NY (for now) with a stop on Long Island at The Stephen Talkhouse in Amagansett on June 17. Tickets for all Summer Tour dates are on sale at spafford.net. 

    Spafford Brooklyn Bowl – New York, NY 4/20/24

    Set 1: Can’t Find My Vape, Comfortable > The Postman, Diana

    Set 2: Plush > Pets->Mad World->Anyone, Brain Stew->Jaded

    Set 3: Smoke Two Joints > Dirtbath, Run Like Hell->Cantaloupe Island

    E: You Don’t Know How It Feels

    All photos by Perri Sage Photography Perrisage.com

  • Marc Ribot Teams Up With Tuomo & Markus for “Waiting Room”

    Finnish indie folk artists Tuomo & Markus have joined forces with legendary guitarist Marc Ribot on a new song titled “Waiting Room.” It marks the first offering from the duo’s upcoming album, comprised solely of cinematic instrumental pieces recorded and mixed in immersive Dolby Atmos. The newly released track, which can be heard below, also features Nordic jazz trumpet virtuoso Verneri Pohjola.

    Essentially a 1970s jazz-funk track with some Afrobeat grooves also heavily in the mix, “Waiting Room” finds the Finnish musicians taking a left turn and exploring the urban jazz scenes of Lower East Side NYC. Tuomo & Markus ditch their typical vocal harmonies while Marc Ribot provides the spoken word-like vocals along with his signature guitar play. As a result, the song has strong a coffee house Jazz Night vibe to it.

    “’Waiting Room’ was originally just a studio jam number, built around a bluesy, slightly Tuareg-sounding guitar riff,” Tuomo & Markus recall. “It wasn’t really until Marc entered the studio that we found a sense of purpose for the track. His amazing intensity and willingness to jump into the deep end turned it from a jam to a gem.”

    Keyboard player Tuomo Prättälä’s sound is inspired by the sounds of a vintage Vox Continental organ (similar to the one used by Ethiopian music pioneer Mulatu Astatke) while Verneri Pohjola adds unorthodox live effect treatments to “Waiting Room” on trumpet. The two drummers – Juho Viljanen and Jaska Lukkarinen – lay down a steady West African groove, together with bass player Jeremias Ijäs and rhythm guitarists Markus Nordenstreng and Miikka ‘McGyver’ Paatelainen. It all combines to give the song a spirited underlying groove with heavy international flavoring that drives the tune along.

    Tuomo & Markus’ most recent album, Game Changing, was released to critical acclaim in January 2023 and focused heavily on apocalyptic lyrics, psychedelia, indie folk jangles and multi-layered Laurel Canyon harmonies. Its predecessor, Dead Circles (2018) was more of an Americana affair, as the duo held court in a recording studio in Tucson AZ, backed by their friends from Calexico and Wilco. They’ve also been compared to The Grateful Dead by noted music writer David Fricke for their ability to shift from one musical genre to the next without blinking an eye, while sounding totally unique.

  • The Motet Boogies On Through Buffalo Ironworks

    The Motet and opening act The Sideways got Buffalo boogieing down at Buffalo Ironworks on April 16. They all brought contagious energy.

    The Sideways, a popular band in Rochester, started the night off. The band is a fusion of pop, soul and R&B. They played songs from their recently released debut album, Fair Weather. Their sweet sound got the audience’s dancing feet ready for The Motet.

    The Motet, a Denver-based band with a blend of funk, soul, and jazz music, had people jamming and dancing. With the addition of vocalist Sarah Clark only this past fall, it felt like she’d always been part of the band. The way that she interacted with the crowd and carried this contagious energy of fun. Whether she was trying on an audience member’s sunglasses or leading the crowd in song, she kept up the energy all night long

    Both The Sideways and The Motet left the Buffalo audience with their contagious energy and good vibes. I can honestly say that everyone left in such a great mood. I’d be surprised if someone didn’t.

    The Motet will be back in New York on April 27 at Brooklyn Bowl.

  • Grateful Dead Play Their Lone Cortland Show: April 18, 1971

    1971 was an incredibly busy touring year for the Grateful Dead and on this day in April they found themselves in Cortland, NY for the first and only time. The band toured the East Coast extensively all throughout this month, playing a slew of auditoriums, music halls and college campuses as they continued to build their brand.

    With plenty of gigs scheduled in New York City, this show at SUNY-Cortland’s Lusk Field House would be their only one in Central New York and the entire region was clearly on board. Tickets could be purchased in Ithaca, Binghamton and even the Syracuse University bookstore. Those that went were treated to a good one as the Dead would continue to hone their new originals, play an extremely rare cover song and take another one around the block and back.

    The Dead jump off the starting block with a guitar-driven and passionate “Cold Rain and Snow.” The triumvirate of Jerry Garcia, Bob Weir and Phil Lesh are turned up high in the mix and don’t disappoint. After “Snow” comes to end with a flurry of heavy vamping from all involved, and a quick PSA from Garcia harkening someone to come up to the side of the stage, “Me and My Uncle” starts up and gets played in pristine fashion with Weir leading the charge on vocals. The “Bertha” that follows gets the same treatment and shows the band clearly getting nice and familiar with this newer song that only debuted a few months ago.

    Another song fairly new to the live Dead catalog at the time was their cover of “Me and Bobby McGee.” This too gets played with a noticeable comfort and ease with Garcia adding some extra tasteful guitar licks between early verses and Bill Kreutzmann serving as a one-man wrecking crew on drums. A clearly relaxed and engaged Grateful Dead then attempt to honor the Cortland audience’s request to get some spotlights turned off. Lesh comments that this “isn’t the spacecraft assembly building or anything” with Garcia sarcastically intimating that it just might be.

    Pigpen then gets his lone spotlight of the first set and leads the band through a no-frills “Next Time You See Me.” At this point, the band reengages their war with the lighting crew who get caught trying to turn some lights back up. Things get so (comically) animated that Pigpen even gets involved! That’s right, rare Pigpen banter. And this one is a gem.

    Like nothing ever happened, the Dead then close out the first set in Cortland with their now traditional one-two pairing of “China Cat Sunflower” and “I Know You Rider.” The “Rider” starts off at a slightly slower pace but the crystal clear segue is right there and Garcia delivers a hellacious guitar solo before the set ends with a fairly standard run through of “Casey Jones.”

    The second set begins with some heavy wah-wah effects on guitar as “Sugar Magnolia” begins with Weir leading the way on vocals. The psychedelic guitar interplay makes for a brief rousing jam before Weir reels it back in. The next selection is a true Grateful Dead rarity with Garcia taking over on vocals for a cover of Smokey Robinson’s “I Second That Emotion.” It was played by the Dead only seven times ever, with all of them in April of 1971. Although it would later reappear on Jerry Garcia Band setlists in the future. His stirring guitar solo on this one adds just the right amount of soul and shows why.

    The Dead then delve back into their song book of originals and roll through “Truckin’” with the “Up to Buffalo” lyric getting a noticeable hand from the Cortland crowd. This sets the table for the true exploratory jam of the night with a short but joyous romp that features some cohesive interplay between Garcia and Lesh on bass serving as the musical engine.

    The second one comes with the “Hard to Handle” that follows, with Pigpen once again on the mic, delivering one of his signature cover songs. He flies through the verses with ease and typical swagger and then immediately launches into a semi-coherent, bluesy scat-rap hybrid over a bed of steady groove supplied by the band. It’s essentially the Dead backing up Pigpen as he improvises before he exits stage right and the band takes their turn with a veritable funk jam that slowly gets more and more aggressive before coming to a peak.

    The Dead then continue to trot out more of their newer originals that debuted earlier this year at Capitol Theatre in Port Chester. “Loser” features a pair of Garcia guitar solos rich in emotion with the second one played in a perfect tone. “Playing In The Band” follows and while it’s clear the band has the compositional part of this song down pat by now, there’s yet to be any sort of supplemental jam added to it.

    One of the final musical statements from the Dead on this night in Cortland is a massive cover of The Rascals” “Good Lovin’” with Pigpen once again belting out the vocals. Once the lyrics come to an end, almost immediately a one-man “Drums” section begins with Kreutzmann using every inch of the drum kit for several minutes. Instead of moving on to something else, the band jumps right back into the “Good Lovin’” jam and Pigpen reemerges for another stream of conscious-like, bluesy rap with this one exploring various employment opportunities and the “nookie business.” This eventually fades out and the band takes over once more with a brief jam before reshaping it back into the conclusion of the song, serving as one of the true highlights of the show.

    A tame, in comparison, “Uncle John’s Band” then closes out the one and only Grateful Dead show in Cortland, NY. The band would get a few days off after this show and then continue their assault on the Northeast with shows in Providence, RI and Bangor, ME scheduled after that before a legendary run of shows at New York City’s Fillmore East the following week.

    Vist archive.org for a track by track listing of the show.

    View this and more Grateful Dead shows from across the years in New York State with our interactive map below

    Grateful Dead – Lusk Field House, Cortland, NY – April 18, 1971

    Set 1: Cold Rain and Snow, Me and My Uncle, Bertha, Me and Bobby McGee, Next Time You See Me, China Ca Sunflower > I Know You Rider, Casey Jones

    Set 2: Sugar Magnolia, I Second That Emotion, Truckin’, Hard to Handle, Loser, Playing In The Band, Around and Around, Good Lovin’, Uncle John’s Band

Built in Breakdance