Category: New York Singles

  • “Fantasies Don’t Cry” in Latest Release from JOSCH

    Fresh for 2024, and fresh off the release of his first two singles, emerging Miami-based indie soul artist JOSCH (A.K.A. Josh Schwartz) showcases his musical palette with the funk and soul-filled track, “Fantasies Don’t Cry.”

    Fantasies Don't Cry

    Drawing from a wide pool of inspirations ranging from funk, R&B and electronic music to soul, pop and lyrically-based folk music, JOSCH spent 2022 touring with Zac Brown Band (on their “Out In The Middle” stadium tour) and currently tours with rock and roll legends Jerry Harrison and Adrian Belew (on their “Remain In Light” tour) as well as disco funk band Cool Cool Cool, and of course indie funk band Turkuaz.

    Fantasies Don't Cry

    “The song “Fantasies Don’t Cry” combines bombastic horns by The Horn Section, funky 70’s clavinet from keyboardist Swatkins (Allen Stone, Scary Pockets), a driving back beat and Schwartz’s soulful vocals dripping with attitude. “Fantasies” is the frustrated confessions of a scorned lover who gets kicked to the curb without warning, replaced by someone else.

    “The concept that one’s reality, the model of their universe they put together in their mind, can be shattered instantly by getting broken up with, that has always fascinated me. Whether it’s getting dumped, losing a friendship, getting fired from a job, we’ve all experienced some kind of event that makes us question our perception of others, of ourselves, even our own sanity. It makes you wonder if you can really trust your senses and your gut. My aim with “Fantasies” was to channel that heavy mass of emotions in a way that brings a bit of levity to the situation. I think having me sing the vocal melody in unison with myself but an octave higher lends some Scissor Sisters-esque sassiness and humor to what could other wise have been a pretty dark song.”

    Josh Schwartz

    The opening query, “Did I miss the meeting when you decided to dust me off the shelf?” moves quickly into the accusatory “your heart is fleeting, your mind will mirror someone else.” So begins the journey into the mind of the heartbroken and confused protagonist that waffles between deep hurt, bitter resentment, and a begrudging acceptance of the fact that “romance, to me, can die.”

    While he recorded the song during the pandemic, Schwartz wrote “it “Fantasies” while in college, around 2007, for acoustic guitar. He says of the song: ““Fantasies” is one of the few songs I’ve written that’s stuck with me for years. When I showed it to [then-bandmate] Dave Brandwein, who was producing my album, he loved the soulful, R&B style choruses but hated the verses. On the demo, I played the song on acoustic guitar and swung the rhythm slightly, which Dave rightly pointed out sounded a bit cheesy, kind of 90’s pop rock. The verses just didn’t match the vibe of the chorus, or of the other songs for that matter. But I wasn’t ready to give up on the song.” So Brandwein and Schwartz put their heads together and realized that with a few tweaks to the chords, beat and instrumentation, they could transform the song into a 70’s-inspired funky strut. That’s what it would’ve remained were it not for the insistence on Schwartz’s part that they add horns.

    “Dave suggested I shy away from adding a ton of horns, since our funk band at the time, Turkuaz, was horn-heavy and this album was my chance to show another side of me. While most of the other songs I recorded don’t have horns, I knew in my gut that this song needed a powerful horn arrangement to musically portray the depth of emotions the lyrics deal with.”

    To make that happen, Schwartz tapped his longtime bandmate Chris Brouwers, who masterfully arranged the 6-piece horn arrangement heard on “Fantasies.” The horns you hear are courtesy of The Horn Section, which in addition to Brouwers on trumpet and Schwartz on baritone sax, includes Greg Sanderson on alto and tenor sax as well as Grammy and Latin Grammy nominated trombonist Quinn Carson. “I was worried it was going to be too much with six horns, but Chris’s arrangement beautifully dances around the guitar line and vocals and doesn’t get in the way. It was the final element the song needed to really pop.”

    Fantasies Don't Cry

    Mixing all the myriad elements of “Fantasies” was no easy feat, but mixing engineer Kyle VandeKerkhoff was more than up for the challenge, and mastering engineer Joe Bozzi made VandeKerkhoff’s mix shine. Rob O’Block, as with Schwartz’s first two singles, was heavily involved in the production of the song. His menacing, synthetic-sounding guitar playing evocative of The Black Keys soars in the instrumental sections, and he added other guitar and electric bass parts along with drum-replacing and other production elements that helped the song go from demo to done. Dave Brandwein, former leader of 9-piece funk band Turkuaz of which Schwartz was a part, produced “Fantasies.”

    JOSCH has previously released “Icarus In Motion” and the chilled-out “No Beginning, No Conclusion,”

    “Fantasies Don’t Cry” one of the many powerful songs featured on JOSCH’s forthcoming full-length album, Ethereality. Listen below.

  • Hipsy Gap releases two singles ‘Fantasize’ and ‘Uno’

    Brooklyn-based indie rock band kicked off 2024 with two great early garage-style singles ‘Fantasize’ and ‘Uno’ released on January 12.

    Hipsy Gap is a five piece Brooklyn-based indie rock band. Their songs often combine all the catchiness of pop and also the energy of a rock band. The five of them come together from vastly different backgrounds and music inspirations and they draw from a wide range of artists like The Cranberries and Slowdive.

    The band’s first single ‘Fantasize’ is a gloomy indie-rock track that features powerful vocals with perceptible synthesizers and strong guitar skills. The song demonstrates excellent teamwork and chemistry, which are crucial skills needed for a band.

    The song borrows sounds from disparate genres, the song features ambient guitars with a reggae-inspired drumbeat and ethereal synthesizers that suggest a comatose dream state where memories flood with the vision at light speed.

    In ‘Uno’ you can hear the Hipsy Gap leaning into their indie rock roots, creating a dreamlike track that pairs a slow pace with a soft, gleaming guitar. The band’s drummer describes the drum beat as “balls-to-the-wall” with an amped-up instrumental mood that mimics the song’s story of lust, death, and revenge.

    I entirely agree with their appraisal as the final verse fully shows their intent, and it also contributes to the track’s upbeat and amped-up vibe. The song evokes some type of nostalgic feeling that will make the listeners question if they might have heard them before but can’t quite pinpoint where.

    To cerebrate the release of the two songs, Hipsy Gap will headline their first set at an up-and-coming FirstLive BK on January 12 with support from Petruziello’s band Little Slicer and My Friends. Tickets can be purchased here.

    Be sure to check out Hipsy Gap’s newest singles ‘‘Fantasize’ and ‘Uno’ and keep up with their social media @hipsygap.

  • Enrose Releases “Therapy”- A Song About Self Awareness

    Talented singer-songwriter and saxophonist, Gabi Rose, has treated us to “Therapy,” part of her project Enrose.

    Enrose-“Therapy”

    This catchy track effortlessly blends Indie Pop with Alt-Rock. What makes this song truly special? Gabi’s signature touch, a saxophone solo- this time as a lead hook, staying true to her classic style we know and love.

    “Therapy” blends saxophone-infused goodness to encourage listeners to follow their dreams. Gabi and her song aim to encourage self-expression, even in the face of fear. Drawing inspiration from artists like Paramore, Alanis Morissette, and Olivia Rodrigo, Enrose’s music melds contemporary appeal with nostalgic elements and expressive New York musical artistry. “Therapy” was made dedicated to those who grasp life’s brevity and recognize that life is complicated but self-reflection is a large part of figuring it out.

    Gabi Rose sings, “That’s it, I’m getting therapy / Cuz I am seeing things / Got No One Else to Blame / The Wheels are Turning the Wrong Way ,” setting the stage for the chorus: “Knot in my Soul / Out of Control / I’ve Done All That I Can Do For Me / I’m Getting Therapy”.

    While therapy is more of a widely discussed topic nowadays, it still can be very challenging to take the leap. This vulnerable, yet uplifting hit describes to listeners the willingness to accept help in therapy, after making an effort to figure things out on your own.

    Gabi has broken barriers with her viral performances and now with her own project, Enrose. Through Enrose, she plans to carve out her unique niche, challenge societal conventions, and empower women in the music scene.

    Now streaming on all platforms, have a listen to “Therapy” from Enrose.

  • Longwave Share New Official Video For ‘Tidal Wave’

    Acclaimed Brooklyn indie rock band Longwave has released a new music video for the track ‘Tidal Wave’ off of their latest breakthrough album The Strangest Things.

    The new video was released to celebrate the 20th anniversary of the album’s release and it was shot by Jason Oliva on tour in the UK and Europe from 2002 to 2003, and edited together by Bill Moldt.

    The band will reissue their critically acclaimed album The Strangest Things on Jan. 26 and fans can preorder the limited-edition red vinyl now here including signed versions while supplies last.

    The Strangest Things was the band’s second studio album after ‘Endsongs’ in 2000, and was produced by Dave Fridmann (Flaming Lips, Mercury Rev, Weezer) at his studio in Fredonia, New York & released by RCA. The 12-track record features the band’s seminal singles like ‘Wake Me When It’s Over’, ‘Pool Song’, ‘Tidal Wave’, and more. 

    To mark the occasion, The band will return to NYC to headline at Bowery Ballroom the night after its release on January 27, 2024. They will play the new record in full. Tickets are on sale now at boweryballroom.com

    Also, their limited-edition vinyl release will include the 12 tracks; and can be purchased through the band’s website .

  • Lucas Garrett Releases New Single “Going Home”

    Multi-faceted Upstate musician Lucas Garrett has announced the release of his evocative and groovy new single “Going Home.”

    Lucas Garrett is a musician from Upstate New York, who has played professionally for over nine years. He has a unique style that blends progressive rock, folk, new wave, and indie, with an expansive discography. With the new track announcement, Garrett is also welcoming his newest band member, Collette, a multi-instrumentalist, and writing partner.

    Some people don’t get do-overs with one another in life. This song celebrates the moments where this ends up being possible. Best friends coming back together after years apart and a lifetime of experiences later… how do they find each other again? Better? Worse? Who knows? But the ride and the journey is worth it.

    Lucas Garrett

    “Going Home” has a nostalgic and homey feel to it, incorporating melodic and groovy guitars and percussion that won’t quit. Tackling topics of camaraderie, and nostalgia, the video for “Going Home” incorporates select live performances of Garret and crew over the years. With unique arrangements and enticing lyricism, the track encompasses the feelings that going home, wherever that may be, has over you, and all the exciting and nerve-wracking emotions that come with it.

    “Going Home” from Lucas Garrett is available to stream everywhere. For more information about Garrett, visit here.

  • Wes Seneca Offers Sneak Peek at Upcoming EP with “Sam”

    518 retro-electronica artist Wes Seneca, having unleashed the full-length album While Rome Burns in March 2023, has given a sneak peek into his upcoming project with the single and video for “Sam.”

    wes seneca sam
    EPSON MFP image

    “Sam” is based on a voice sample from Jim Gallagher of the late 1980s Albany-based band E Plemnista. Gallagher, the front man and trumpeter, was cautioning a fan standing too close to the band during a performance. Gallagher and then bandmates Josh Vincent, Frank Cristafaro, Nick Nealon and Michael Eck were known for their physically aggressive performances and concert-related injuries.

    Wes Seneca resides in the Capital Region and calls on musical influences that stretch from Germany’s Kraftwerk to DEVO and Wolf Alice. A veteran Capital Region acoustic performer, John Wesley “Wes” Seneca trades in what he calls “retro-electronica,” music created with decades-old electronic gear and recorded not with software on a laptop, but on a hardware digital workstation.

    wes seneca sam

    Wes is in many ways a creation of the global pandemic. When his acoustic group could not perform in front of live audiences, he took to the basement and conjured up a wide-ranging collection of audio tracks which took shape several years later, as the album While Rome Burns.

    Even now that his acoustic group has found its way back to the stage, “Wes” continues create more electronic music and the single and video “Sam” are simply a sneak peek at a forthcoming 2024 release.

    Prior to the release of the upcoming and currently untitled EP, “Sam” is available only as a free download at wessenecamusic.com.