Category: Show Reviews

Neon Pill: The Legend of Cage the Elephant Grows in Saratoga Springs

Rolling into SPAC for the Neon Pill tour, Grammy award winning rockers Cage the Elephant put on a performance for the ages on Sunday night, August 18^th. With a broken foot and a heart full of the rock n’ roll spirit, lead singer Matt Shultz powered through the entire show in unforgettable fashion, rolling around the stage on a modified medical scooter.

Weaving through blasts of pyro and popping the occasional wheelie, he showed more charisma and showmanship on one leg than most mortals have in their whole body. Even if you couldn’t get into the music, you had to respect the max effort behind it. Alongside an eclectic lineup that featured Young the Giant, Bakar, and rising star Willow Avalon, the evening was a celebration of musical diversity, perseverance and raw emotion, drawing thousands of fans to experience a show that will be remembered for many years to come.

Burning Down the House: Cage the Elephant lit it up in Saratoga Springs on 8/18/24.

The buzz around SPAC before the show was all about Cage the Elephant’s previous gigs in the Capital Region. Long time fans were quick to remember their 2016 show with Portugal. The Man at the Palace Theatre in Albany where hundreds of fans jumped up on stage and hoisted Schultz into the air during the encore. From there, their legend only grew when Cage the Elephant moved up the road to SPAC in 2019 and stole the show from then headliner Beck (“Loser,” “Where It’s At”) with Shultz stripping down to his lifeguard shorts and completing a most epic crowd surf from the very front of the stage to the very top of the SPAC lawn to the tune of Queen’s “We Are the Champions.” So when the temporally handicapped Shultz rolled out in Saratoga Springs sitting on scooter, no one was really sure what to expect from the man who often spends more time running through the crowd than on stage.

Matt Schultz of Cage the Elephant completing an epic crowd surf at SPAC in 2019.

Sustaining a serious foot injury while performing in Atlanta earlier this August, this isn’t the first time members of Cage the Elephant have been hurt by their high-octane performance style. With a history of jumping off balconies and stage diving, things like cracked ribs, bruised sternums, bite marks and deep scratches that require stiches have all been par for the course with these guys. A few years ago, the band needed to cancel an entire UK and European tour when guitarist Nick Bockrath required immediate surgery after suffering a ruptured PCL, torn ACL, and fractured tibia while performing. But if pain is temporary and glory lasts forever, as they say in show business, the show must go on and this one did in a most grandiose way.

Neon Pill Tour: Matt Shultz performing with Cage the Elephant in Saratoga Springs on 8/18/24.

Formed as a six piece in 2006, the Kentucky bred Cage the Elephant has been a force in the music industry for nearly two decades. With six studio albums under their belt, including the newly released Neon Pill, the band has solidified their place as one of the most beloved and enduring bands in modern rock. Along with their unpredictable frontman Matt Shultz and his brother, Brad, on guitar, Cage the Elephant is also made up of Nick Bockrath (guitar), Daniel Tichenor (bass), Jared Champion (drums), and Matthan Minster (keyboards/guitar).

Rising to prominence with their gritty blend of alternative garage rock and punk blues combined with an elaborate and explosive live performance, their popularity can be attributed to their relentless energy, genre-defying sound, and the emotional depth of their lyrics. Despite his recent injury, Shultz’s indomitable spirit was on full display at SPAC, where he performed most of the set on a scooter, adding an unexpected yet fitting touch of rebellion to the evening. Opening up with the ever-appropriate “Broken Boy,” the band wasted no time playing with fire, dazzling the crowd pyrotechnics early and often.

Wheelie Time: Despite an injured foot, nothing could stop the showmanship of Cage the Elephant’s rockstar frontman on 8/18/24.

“Cry Baby,” the opening track from 2015’s Tell Me I’m Pretty, had the crowd singing along to every word, a recurring theme that was consistent throughout the night. Rocking renditions of “Mess Around” and “Cold Cold Cold” from the same album were also played, while “Spiderhead,” “Halo,” and “Telescope” represented the Melophobia portion of the show.

Fan favorite “Trouble” would receive the full “cell phone waving/sea of fireflies” treatment, which is a special moment at any show, no matter who is playing. Suddenly dropping into the hit single that put them on the map (and the only song played from their debut album), the crowd all but lost their minds singing along to “Ain’t No Rest for the Wicked.” With the audience firmly in the palm of their hands at this point, the sense of love and admiration for Cage the Elephant was palpable and through the roof. However, the journey to get to this moment hasn’t been without its challenges.

Watch fan shot footage of Cage the Elephant performing “Ain’t No Rest for the Wicked” in Saratoga Springs 8/18/24.

Supporting their first new album in 5 years, behind the scenes has been a little rough for the band. After Matt and Brad Shultz sadly lost their father in 2020, Matt made headlines when he was arrested for criminal possession of illegal firearms in Manhattan. Avoiding jail time by accepting a plea deal, he was placed in treatment for a medically induced psychosis in 2023. Now with legal troubles behind him and using the unfortunate setback as fuel for the new record, the phrase “neon pill” is a reference to the brightly colored medication that kicked off his mental breakdown. Delving into themes of self-discovery, inner turmoil, and the search for meaning in an increasingly chaotic world, when it came time to hype up the new stuff, Matt would casually ask if it was cool for them to play a few songs from Neon Pill.

After a resounding approval, “Rainbow” stuck out for its colorful laser light show, while “Good Time” had everyone from the front, back to the balcony getting lit. Including its title track, Cage the Elephant would only play three songs from the new album, instead putting much of the focus on 2019’s Social Cues. Treating the audience to tunes like “Ready to Let Go,” “Skin and Bones,” “Tokyo Smoke” and “House of Glass,” perhaps the most punk rock inspired song of the night was a fiery and emphatic stab at 2011’s “Sabertooth Tiger,” which saw even more pyro going off as the band exited the stage to a deafening loop of distorted guitar feedback.

Neon Pill Tour: Cage the Elephant brought the heat in Saratoga Springs on 8/18/24.

With the crowd howling for more, the band would return for a three-song encore of hit singles. First up from Thank You Happy Birthday was “Shake Me Down.” Met with thunderous cheers, the connection between the band and their fans was palpable, with the audience singing along to every word, creating a communal atmosphere that is rarely seen in live music today. “Cigarette Daydreams,” a song that’s rapidly approaching 1 billon streams on Spotify, felt absolutely huge in this setting. Finally, Cage the Elephant would unleash one last sing along in “Come A Little Closer” resulting in a euphoric eruption that truly made you feel alive and the hairs on your neck stand up. Watching Shultz push his body to the brink and scoot off the stage one final time, you simply knew you had just been a part of something special.

Cage the Elephant performing in Saratoga Springs on 8/18/24.

Prior to Cage the Elephant, the ever-evolving indie rock band Young the Giant played a set of fan favorites. Formed in Irvine, California, in 2004, the band has become a staple in the alternative music scene, known for their melodic soundscapes and introspective lyrics. The band’s current lineup includes Sameer Gadhia (vocals), Jacob Tilley (guitar), Eric Cannata (guitar), Payam Doostzadeh (bass), and Francois Comtois (drums). After opening up with “Jungle Youth, “ and “The Walk Home,” the band would then unleash their biggest hit to date with “Cough Syrup,” a song that’s amassed over 340 million streams on Spotify alone. Afterwards, singer Sameer Gadhia noted the band had no plans of touring this summer, but when an opportunity from Caged the Elephant knocked, they were glad to answer.

Mind Over Matter: Young the Giant celebrated the 10th anniversary of the their 2nd album at SPAC on 8/18/24.

Speaking candidly to the audience, Gadhia talked about how it’s kind of crazy he’s feeling comfortable enough to banter with crowd since he’s usually a reserved person off stage. Through the enabling power of music and art, when he’s in the grips of performing, somehow it all that goes away and he feels like he can do anything. Living in the moment and trying not to be afraid of taking chances, he said Young the Giant was going to try some songs they haven’t played in a while, as well as something from every album they’ve released so far. Continuing on with “Waves” and “Dollar $tore,” the band would go back to 2016’s Home of the Brave for “Titus Was Born,” before going all the way back to the beginning on “Apartment.”

Young the Giant’s Sameer Gadhia speaking candidly to the crowd in Saratoga Springs on 8/18/24.

Pausing once again to have another moment with the receptive crowd, Gadhia would talk about how this year marks the 10^th anniversary of their second album Mind Over Matter. Reflecting back, he said “When it first came out everyone was so confused by it, because it was so drastically different than [their] previous work.” “But if you put all of yourself and all of your heart into something and truly believe in it, eventually someone will hear it and connect with it.” Ten years later, the album has gone from being an initial flop to their most streamed overall. Reminding everyone to “never apologize for your art,” Young the Giant would launch into the title track of “Mind Over Matter” then “Tightrope” from the same album. Finishing up strong with a pair of their biggest hits, setlist staples “Silvertongue” and the closer, “My Body,” had everyone up on their feet and waving their arms from side to side, fully primed for the main event yet to come.

Bakar performing in Saratoga Springs on 8/18/24.

Perhaps the most unique voice on the diverse bill was genre-blending English artist Bakar. Hailing from Camden, London, his distinct style fuses elements of hip-hop, indie rock, and pop. Wearing a red cap and a shirt reading “Cage the Bakar/Neon Pill Tour Forever,” Bakar’s inclusion on the tour was a bold choice, but one that paid off immensely. Performing solo and singing over backing tracks, “1^st Time” would feature samples of “Dancing in the Moonlight,” while “Right Here, for Now” and “Stop Selling Her Drugs” would showcase his versatility and unique perspective on societal issues. After working his way through “Alive!” and “Small Town Girl,” Baker would sing his biggest song, “Hell N Back” last to close out the set. Bringing a refreshing and unexpected twist to the evening, Bakar’s music talked issues of race, identity, and the struggles of youth, making him a voice for a generation that is often overlooked in mainstream music. The audience, initially unsure of what to expect, quickly warmed to his dynamic performance and were up on their feet with cheers by the end of it.

Willow Avalon kicked off the Neon Pill tour in Saratoga Springs on 8/18/24.

Kicking off the long evening of music with sophistication and grace was a star-making performance by the Willow Avalon band. A so-called “southern belle raising hell,” Avalon’s presence was magnetic from the start. Originally from Asheville, North Carolina, she’s quickly made waves in the indie music scene with her infectious country-pop twang, stunning vibrato and carefree spirit. It wasn’t just Willow having all the fun either, her whole band appeared to be having a blast playing for Saratoga. Performing most of the tracks from her 2024 debut album Stranger, songs like “Honey Ain’t No Sweeter,” and “Getting’ Rich, Goin’ Broke” were met with smiles and applause, as her happy-go-lucky attitude and genuine passion for her craft was obvious.

Willow Avalon and her band performing at SPAC on 8/18/24.

Backed by a talented group of musicians, Avalon even worked in a brand-new foot stomper the band just wrote called “Raise Some Hell.” Joyful and radiant, Willow often touched on themes of love, nature, and self-empowerment. Rapidly becoming known for her vibrant stage presence and beauty, her microphones were adorned with flowers, reflecting her connection to the natural world and her upbeat personality. Her “friend not food” tattoo, featuring a pig, further emphasized her advocacy for animal rights, endearing her even more to the crowd. After working their way though Willow’s latest single, “Yodelayheewho” and her biggest song so far, “Tequila or Whiskey,” the band would ask for a little help from the crowd on the final song of the set. Quickly teaching them the lyrics to “Homewrecker,” it’s easy to see why Avalon’s rise to popularity has been so swift—her beauty, authenticity and warmth are qualities that resonate deeply and surely will continue to do so with audiences everywhere.

Willow Avalon performing in Saratoga Springs on 8/18/24.

The Neon Pill Tour at SPAC was a resounding success, showcasing the diversity and talent of some of today’s most exciting artists. From the hard-hitting rock of Cage the Elephant to the introspective melodies of Young the Giant, the genre-defying sounds of Bakar, and the uplifting country-pop of Willow Avalon, the night offered something for everyone. If you missed out in Saratoga Springs, don’t worry. With upcoming dates in Mansfield, MA, Holmdel, NJ, the Artpark in Lewiston, NY and a massive show at Madison Square Garden on September 5^th, there’s still plenty more chances to get in on the action. If you’ve never seen Cage the Elephant before, and you’re a fan of live music, you simply owe it to yourself to check it out.

Watch fan shot footage of Cage the Elephant’s encore, “Come A Little Closer”at SPAC on 8/18/24.

Cage the Elephant | August 18, 2024 | SPAC | Saratoga Springs, NY

Setlist: Broken Boy, Cry Baby, Spiderhead, Too Late to Say Goodbye, Good Time, Cold Cold Cold, Ready to Let Go, Neon Pill, Social Cues, Halo, Mess Around, Trouble, Ain’t No Rest for the Wicked, Skin and Bones, Rainbow, Telescope, Tokyo Smoke, House of Glass, Sabretooth Tiger

Encore: Shake Me Down, Cigarette Daydreams, Come a Little Closer

Young the Giant | August 18m 2024 | SPAC | Saratoga Springs, NY

Setlist: Jungle Youth, The Walk Home, Cough Syrup, Waves, Dollar $tore, It’s About Time, Titus Was Born, Apartment, Superposition, Mind Over Matter, Tightrope, Silvertongue, My Body.

Bakar | August 18m 2024 | SPAC | Saratoga Springs, NY

Setlist: All In, 1^st Time (with Dancing in the Moonlight tease), Right Here, for Now, Stop Selling Her Drugs, NW3, Alive!, Small Town Girl, Hell N Back.

Willow Avalon | August 18m 2024 | SPAC | Saratoga Springs, NY

Setlist: Stranger, Honey Ain’t No Sweeter, Getting’ Rich, Goin’ Broke, Raise Some Hell (new song), Yodelayheewho, Tequila or Whiskey, Homewrecker.

August 21, 2024
Blues Rockers Tedeschi Trucks Band Dazzle Fans at CMAC

It was the perfect summer night with just a little rain mixed in for Tedeschi Trucks Band to perform at Constellation Brands Marvin Sands Performing Arts Center (CMAC) in Canandaigua, New York, on Friday, August 16.

Derek Trucks and Susan Tedeschi of Tedeschi Trucks Band at Constellation Brands Marvin Sands Performing Arts Center (CMAC) in Canandaigua, New York, on Friday, Aug. 16.

The 12-piece powerhouse band took no time getting most of the crowd on their feet to set everyone up for a night of moving and grooving with their soulful, bluesy, rock and roll. The night featured a mix of the band’s original music with some cover songs thrown into the setlist. They relied heavily on songs from their most recent album I am the Moon, released in 2022.
Derek Trucks and Susan Tedeschi are music superstars, and they surround themselves with superb musicians. With such a large band, everyone gets a chance to show off their skills throughout the night.

Tedeschi sings most of the vocals throughout most of the night and she has a powerful, incredible voice that demands attention. Mike Mattison also gets to share his voice on many of the songs and his passion comes through with so much soul on the songs he gets to sing.

The whole night was full of crescendos and deep, meaningful music. The band leads into many of the songs very softly, then just builds everything up to this massive explosion of music from everyone on stage. Many of the bandmembers get their time to shine with solos.
The show got off moving and grooving with high energy with “Part Of Me” and continued through “Playing My Emotions” and then “Ain’t That Something,” with keyboardist Gabe Dixon taking the lead on vocals and trading off with Tedeschi.

Mattison got his first chance to show off his bluesy voice as the band covered Bessie Smith’s “Gin House Blues.”

Tedeschi put down the guitar to sing “All The Love” and slowed things down a bit after this one as Trucks and other bandmembers left the stage with Tedeschi and drums, keys and bass. She performed the popular John Prine cover “Angel From Montgomery” that segued into Grateful Dead’s “Sugaree” and topped the sandwich off by going back into “Angel From Montgomery.”

Coming back from this slower, somber moment, the full band came back out and kicked it back into high gear for the big hit “Anyhow,” which had the crowd back on their feet and just has such an epic feel to it. Tedeschi then sang “Sweet & Low,” another song off 2013’s Made Up Mind and Elizabeth Lea had a big trombone solo.

Susan Tedeschi of Tedeschi Trucks Band at Constellation Brands Marvin Sands Performing Arts Center (CMAC) in Canandaigua, New York, on Friday, Aug. 16.

The band then played a couple covers with “Keep On Growing” by Derek and the Dominos, and Mattison took lead on Taj Mahal’s “Everybody’s Got to Change Sometime.” Then “Circles ‘Round The Sun” let Kebbi Williams loose on the saxophone. Tedeschi and other members then went off stage to let Trucks jam out on the long “Pasaquan” jam that also featured “Mountain Jam” sandwiched in the middle, a nod to Trucks’ past with The Allman Brothers Band. Trucks melted faces with his incredible guitar playing and the drummers Tyler Greenwell and Isaac Eady got to highlight their instruments with some sort of a duel.

The band then played “Just Won’t Burn,” a song from Tedeschi’s personal discography that came out more than 25 years ago. She really lets her bluesy voice do its thing on this one. The set eventually closed with “Show me a Woman,” a cover by Joe Tex, as the band left the stage in high spirits to get ready for an encore.

Only half of the band came out with Tedeschi and she invited opening act Margo Price to sing the George Jones song “Color of the Blues.” Then to really send everyone on their way, the full band came out along with all of Margo Price’s band as the 17 musicians on stage performed Leon Russell’s “Stranger in A Strange Land.”

Margo Price opens for Tedeschi Trucks Band at Constellation Brands Marvin Sands Performing Arts Center (CMAC) in Canandaigua, New York, on Friday, Aug. 16.

Margo Price’s opening set was a real treat for those who settled in early. The country singer-songwriter played a set fit for a headliner at CMAC. She really rocked the house with her good singing and her band really brought some power rock to the mix. Her sweet voice will sweep you off your feet, but that band will have you dancing really hard and almost headbanging.

Setlist: Part of Me, Playing With My Emotions, Ain’t That Something, All the Love, Gin House Blues (Bessie Smith cover), Angel from Montgomery *> Sugaree+>Angel from Montgomery* (*John Prine) (+Grateful Dead), Anyhow, Sweet & Low, Keep On Growing, Everybody’s Got To Change Sometime (Taj Mahal), Circles ‘Round the Sun, Pasaquan >Mountain Jam*> Pasaquan (*The Allman Brothers), Just Won’t Burn – (Susan Tedeschi), Show Me – (Joe Tex)

Encore: Color of the Blues w/Margo Price (George Jones), Stranger in a Strange Lane w/full Margo Price Band (Leon Russell)

. 16.

August 20, 2024
King Gizzard & The Lizard Wizard Play 3 Hour Marathon Show at Forest Hills Stadium

Australian band King Gizzard & The Lizard Wizard formed in 2010, mashing up a combination of prospective band names into their now iconic name. The name tells you almost everything you need to know about this band of Australian goofs and their ability to turn any concept and sound into a piece of complex and intriguing art. In the past 14 years, they have released 26 studio albums covering many genres, from psychedelic rock to metal to indie and everything in-between. That’s almost one full album every six months for over a decade. King Gizzard gave us a taste of all of it Friday, August 16th at Forest Hills Stadium.

Opening for King Gizzard was Geese, coming off of their well-received second studio album, 3D Country and 4D Country EP. Geese’s sound fits well within Gizzard’s world, with more of an american blues lean meets Pearl Jam feeling to their sound. With these shows, Gizzard took a page out of the Grateful Dead’s book, playing three-hour sets with a changing setlist. Comparing the setlists from their Friday and Saturday shows at Forest Hills Stadium, they didn’t repeat a single song across the two shows. Their discography is so deep that they could repeat that feat across almost a dozen of these three-hour marathon sets without ever repeating a song.

If you are a fan of a more niche Gizzard song, now may be your opportunity to see it live as they trawl through their discography over the coming months. The setlist for this first Forest Hills show was a perfect welcome to fans who may not have had a chance to see the band before. The band played a majority of their most popular tracks, with an overall metal lean and a healthy serving of Gizzard’s home base psychadelic funk/rock to round out the 25 song setlist.

With the lack of breaks and varied repertoire, Gizzard amazingly suffered very few hiccups during their set, playing an almost seamless blend of tracks with some especially unique transitions between songs that made the audience’s ears perk up. All of the band’s members are multi-instrumentalists, adding to the complexity and giving King Gizzard their unique layered sound. They invited a fan named Gabby who was holding a sign in the audience on stage to sing the intro to “Nuclear Fusion.” The intro is probably best described as throat singing with some heavy effects layered ontop and Gabby killed it.

Another notable aspect of King Gizzard’s live performances is the audience, a unique combination of deadheads, metal heads, and monster heads, people dressed in a smattering of medieval clothing and monster costumes harkening to King Gizzard’s ever growing lore. Many of these costumes touch on themes inherent to Gizzard’s visual media and lyricism such as the eponymous awareness around the earths climate and the eponymous King Gizzard and Lizard Wizard. King Gizzard’s media presence is heavily based in fantasy and sci fi and has given way to fans concocting a unique world out of an amalgamation of lyrics and imagery. The looseness of this world is what makes their crowds so unique, as fans craft outfits that fit into a world created of their own creation, serving as a true reflection of the wearer in a way that typical fan regalia can’t.

The show stopped exactly at 10pm due to a hard curfew implemented by Forest Hills Stadium last year in an effort to cut down on noise complaints. Following their shows in Queens, King Gizzard & The Lizard Wizard continue on with their North America tour, which is a marathon itself, with 36 more shows through November of this year. Then in May of 2025 they make their way to Lisbon, Portugal for the European leg, which extends through June.

Setlist: Field of Vision, Daily Blues, Cut Throat Boogie, Gamma Knife, People-Vultures, Mr. Beat, Boogieman Sam, Work This Time, Iâm In Your Mind, Iâm Not In Your Mind, Cellophane, Iâm In Your Mind Fuzz, This Thing, Self-Immolate, Organ Farmer, Venusian 2, Gila Monster, Flamethrower, Straws In The Wind, Pleura, All Is Known, Doom City, Rattlesnake, K.G.L.W. (Outro)

King Gizzard & The Lizard Wizard – Forest Hills Stadium – August 16, 2024

August 19, 2024
House of Treats: Primus Gets Weird and Wonderful in Saratoga Springs

It was a night of sonic exploration and psychedelic virtuosity on Monday, August 12, when Les Claypool and the mighty Primus made their return to the Saratoga Performing Arts Center. In a concert experience that definitely did not suck, the music was as eclectic as it was electrifying. Along with the ageless and genre-defying Primus, the stacked bill also included the progressive rock grandeur of Coheed and Cambria, and the surreal cabaret experience of Puddles Pity Party. This unlikely combination of acts came together to create a night that was both surreal and unforgettable.

Here Come The Bastards: Primus frontman Les Claypool performing in Saratoga Springs on 8/12/24.

Primus has always been a band that defies categorization. Fronted by the inimitable Les Claypool, Primus burst onto the scene in the late 1980s, blending elements of funk, metal, punk, and experimental rock into a sound that is uniquely their own. Their music is characterized by complex rhythms, bizarre lyrical narratives, and, most notably, Claypool’s virtuoso bass playing. Over the years, Primus has cultivated a devoted following, attracting fans of both hard rock and improvised jams, their live shows are known for their deeply hypnotic grooves and intense, energetic peaks. At SPAC, Primus delivered a set that was both nostalgic and forward-looking. After taking the stage to their customary Danny Elfman / Pee Wee’s Big Adventure walkup theme known as “Clown Dream,” the band would immediately surprise fans with an unexpected sit-in from Puddles Pity Party, the 6’8” sad clown with the golden voice. Delighting fans with a powerful cover of the Dio classic “Holy Diver,” Primus and friends made it clear they weren’t clowning around in Saratoga, and to strap in for a rollercoaster ride of the unexpected.

Holy Diver: Primus opened the show with a little help from from Puddles Pity Party on 8/12/2024.

Following things up with the heavy-hitting 1993 Pork Soda favorite, “Nature Boy,” Claypool’s basslines were as thunderous as ever, and his off-kilter vocals added an extra layer of strangeness to the proceedings. “Golden Boy” would be lone song played from The Brown Album before “My Friend Fats” took the honors as first extended jam of night, giving guitarist Larry “Ler” LaLonde ample time to showcase his dizzying effects pallet and technical chops, while Claypool’s frantic finger work on the high notes echoed through the pavilion in the most surreal and satisfying way.

C’mon kiddies, gather round: Primus performing at Space on 8/12/2024.

As the lights dimmed between songs and the fog machine continued working overtime, a hooded figure emerged from the side of the stage. Clutching a glowing skull and presenting it to the crowd as if it processed mystical powers, the identity of the druid was soon revealed as Claudio Sanchez of Coheed and Cambria! Teaming up with Primus for the second surprise sit-in of the night, Sanchez’ distinct voice was perfectly suited for the cover of Rush’s “Cygnus X-1.” Bouncing back with the standout song of the night, a deep dive into “Professor Nutbutter’s House of Treats” had all the old school Primates savoring every second. The crowd, a mix of dedicated followers and curious newcomers, were fully engaged, swaying and headbanging to the complex grooves. The visual experience was equally impressive, with trippy, surrealist animations projected behind the band, adding to the sense of being on a musical journey through the weird and wonderful.

Claypool for President: Bassist Les Claypool performing at SPAC on 8/12/24. Would you vote for this man?

Taking a moment to acknowledge the audience, Claypool would remark that it’s been quite a long time since they last played this historic venue. Nostalgic fans were quick to remember the bands appearance at SPAC during the H.O.R.D.E. days in the late 90’s and their many appearances at the Palace Theatre in Albany in the years since, but indeed, it had been awhile since they’ve played a venue of this capacity. Interrupted by a fan requesting “Tommy the Cat,” Claypool would immediately shoot them down by saying, “Did you just say Tommy the Cat? That’s funny because that’s exactly what we’re not going to play.” Instead going with the crunchy punch of “Hamburger Train” anchored by the powerful hands of drummer Tim “Herb” Alexander. Leaving the stage and returning in a horse mask, Claypool would take to his electric standup bass for the particularly poignant cautionary tale of “Jilly’s on Smack.” Ending the tune on a repeating loop, the band created a dark ambience that felt like it could take you in any direction. Choosing once again to return to the Pork Soda era, “The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles, Pt 3)” seamlessly picked up where Jilly left off. Sensing a bit of a shift in momentum, Primus would strike back next with one of their most iconic songs, “Jerry Was a Racecar Driver,” which was famously featured over and over on the original Tony Hawk’s Pro Skateboarder game. Sending fans into a frenzy every time he shouted “go!” the bolted down seats in the amphitheater where the only thing stopping a full-scale mosh pit from breaking out. Jerry would bring the main portin of the show to close and leave fans screaming for more.

House of Treats: Primus pleased the SPAC crowd with a tasty Professor Nutbutter on 8/12/24.

Returning for an encore and with lots of fan favorites still left on the table, Primus would select the title track of their latest EP, 2022’s “Conspiranoia,” which they also played their last time in town at the Palace Theatre. Going all in on the near twelve-minute jam, Claypool would march circles around the stage, stomping his feet to the songs monstrous bass lick while humorous soundbite samples of random conspiracy theories pipped over the PA. Segueing directly into the relentless rhythm of “Here Come the Bastards,” Primus would ultimately send fans home happy with one of their biggest hits, “Wynona’s Big Brown Beaver.” A well-curated mix of classic tracks and deeper cuts, satisfying both long-time fans and newer listeners, Primus never disappoints.

Watch fan shot footage of Primus performing “Wynona’s Big Brown Beaver” in Saratoga Springs 8/12/24.

If Primus represents the quirky and experimental side of rock, Coheed and Cambria bring a sense of epic grandeur to the table. Formed in 1995, Coheed and Cambria are known for their sprawling, concept-driven albums that weave together elements of progressive rock, metal, and emo. Their music often tells the story of *The Amory Wars*, a science fiction narrative that spans multiple albums and has even been adapted into comic books.

Claudio Sanchez of Coheed and Cambria performing in Saratoga Springs on 8/12/24.

At SPAC, Coheed and Cambria delivered a performance that was nothing short of cinematic. Frontman Claudio Sanchez’s soaring vocals and intricate guitar work were the perfect match for the band’s complex compositions. The set was a rollercoaster of emotions, with moments of quiet introspection giving way to explosive, arena-sized choruses. Tracks like “Welcome Home” and “The Suffering” were particular highlights, with the audience singing along passionately.

Coheed and Cambria opening for Primus on 8/12/24.

At one point, the band would pause to reflect on their history in the area, with multiple mentions of their early gigs at the since burned down Saratoga Winners venue, even dedicating one of their new songs to the man who booked them way back then. With a sound that still resonates all these years later, there was a noticeable contingent in the audience decked out in sci-fi and comic book-inspired attire, clearly long-time fans of the band and their intricate storylines. Coheed’s set was full of high energy, hair whips and bombastic solos, that at one point even saw Sanchez playing his double-neck guitar behind his head for added showmanship. For the beers drinkers in attendance, the band also brought along their limited edition IPA collaboration with Six Point Brewery called The Liars Club, inspired by the bands album Vaxis II: Window Of The Waking Mind.

Watch fan shot footage of Coheed and Cambria peforming “Welcome Home” at SPAC on 8/12/24.

Puddles Pity Party, the opening act of the evening, was perhaps the most surprising element of the night. For the uninitiated, Puddles Pity Party is the alter ego of Mike Geier, a 6’8” tall clown with a melancholy demeanor and a voice that can only be described as stunning. Puddles rose to fame through viral videos and appearances on America’s Got Talent, where his deep, emotive voice and unique takes on popular songs won him a legion of fans.

Puddles Pity Party performing in Saratoga Springs on 8/12/24.

At SPAC, Puddles Pity Party delivered a set that was both hilarious and deeply moving. Dressed in his trademark white clown costume, Puddles performed a mix of covers and original songs, each delivered with a combination of deadpan humor and genuine emotion. Highlights included his renditions of “Ring of Fire,” The Who’s “Pinball Wizard” and a version of Ozzy’s Osbourne’s “Crazy Train” mashed up with Adele’s “Let It Go.” After a transformative “Space Oddity” homage to David Bowie was met with resounding approval, things would get downright whacky as Puddles then professed his love for actor Kevin Costner in bizarre hybrid of “Stairway to Heaven” meets Celine Dion’s “My Heart Will Go On,” while images of the Costner 1995 Hollywood flop Waterworld projected onto the big screens. Suddenly, the music would bust into Metallica’s “One” for the high-intensity outro to a very fun set. The audience, initially unsure of what to expect, quickly warmed to the sad clown’s unique brand of entertainment. By the end of his set, there wasn’t a frown to be found.

Puddles Pity Party performing in Saratoga Springs on 8/12/24.

From die-hard Primus fans wearing vintage tour shirts to Coheed and Cambria followers letting their sci-fi geek flags fly, the audience was a melting pot of music lovers. The diversity in the crowd reflected the broad appeal of the evening’s acts, with each band bringing their own unique following to the venue. Despite the differences in musical taste and style, the atmosphere was one of mutual respect and shared enjoyment, with everyone there to appreciate the artistry on display. Whether you were there to witness Les Claypool’s bass wizardry, Claudio Sanchez’s epic storytelling, or Puddles’ deranged humor, there was something for everyone. Complete with surprise collaborations and stunning visuals, it was another spectacular night a SPAC and one that is sure to leave a lasting impression on anyone who attended.

Primus | August 12, 2024 | SPAC | Saratoga Springs, NY

Setlist: Clown Dream Intro, Holy Diver *, Nature Boy, Golden Boy, My Friend Fats, Cygnus X-1**, Professor Nutbutter’s House of Treats, Hamburger Train, Jilly’s on Smack, The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles, Pt 3), Jerry Was a Racecar Driver.

Encore: Conspiranoia, Here Come the Bastards, Wynona’s Big Brown Beaver.

*Dio cover featuring Puddles Pity Party

**Rush cover featuring Claudio Sanchez of Coheed and Cambria.

Coheed and Cambria | August 12, 2024 | SPAC | Saratoga Springs, NY

Setlist: In Keeping Secrets of Silent Easrth:3. Ten Speed (Of God’s Blood and Burial), The Willing Well I: Fuel for the Feeding End, Key Entity Extraction V: Sentry the Defiant, A Favor House Atlantic, Blindside Sunny, The Crowing, The Liars Club, Shoulders, Welcome Home.

Puddles Pity Party | August 12, 2024 | SPAC | Saratoga Springs, NY

Setlist: Ring of Fire, Pinball Wizard, Crazy Train > Let It Go, Space Oddity, Stairway to Heaven> My Heart Will Go On, One Outro.

August 17, 2024
Andrew Bird Scintillates in Schenectady Debut

On a picture-perfect summer evening in Schenectady, the vibrant atmosphere of Frog Alley Brewing was electrified by a magnificent performance from Andrew Bird. An artist whose unique blend of folk, indie rock, and classical music has earned him a devoted following over the years, this stop marked his first time playing in the Electric City. Packing the place from the ground on up to the balcony, it was a testament to Bird’s enduring artistry and widespread appeal. Playing a diverse setlist that spanned his rich discography and showcased his eclectic musical talents, his dynamic and colorful debut was nothing short of delightful.

Andrew Bird performing in Schenectady, NY on 8/13/2024.

Opening for Andrew Bird was the legendary Malian duo Amadou & Mariam. The Grammy nominated couple, both of whom are legally blind, have been making music together since the 1970s, blending traditional Malian sounds with rock, blues, and pop influences. Their music is joyful and rhythmic, often addressing social and political themes with a fun touch. Amadou & Mariam’s performance was a perfect complement to Bird’s, offering a lively, soulful, and fun introduction to the evening. Despite obvious cultural barriers, the Frog Alley crowd was fully engaged from the start, and by the end of the hour long set, the entire audience was up on their feet and dancing like they were having the time of their lives, further proof that music truly is a universal language. After a brief intermission, it was finally time to take flight with Andrew Bird.

Amadou & Mariam, known as “the blind couple from Mali,” opened for Andrew Bird at Frog Alley Brewing on 8/13/24.

Andrew Bird’s musical journey has been nothing short of fascinating. A classically trained violinist, Bird has released 16 studio albums, with his music evolving from swing jazz and traditional folk to more intricate and experimental sounds. What sets Bird apart is not just his prolific output but also his innovative approach to music-making. His violin often serves as a multifaceted instrument—strummed like a guitar, plucked like a mandolin, and bowed in traditional and unorthodox ways. Bird’s performances are also characterized by his whistling, which is as nuanced and expressive as any instrument. Fans are also quick to notice his specially-designed spinning speaker known as the Janus Horn that sits center stage during every show. Featuring a two-mouthed horn that spins at various speeds during operation, it gives music played through it a whirling Doppler effect that is truly original and unquestionably psychedelic.

Andrew Bird performing in Schenectady, NY on 8/13/2024.

Opening the show with a pair of songs from his brand new album Sunday Morning Put-On, the easy lounge swing of “Softly, as in a Morning Sunrise” set the mood, while Bird’s buttery smooth voice had the crowd hanging on every delicate word in “I Fall in Love Too Easily.” Performing one of his oldest Bowl of Fire-era numbers next, Bird’s spoken word delivery and theatrical gestures during “Why?” simultaneously had the crowd amused and impressed, just as it has since being released in 2001.

It’s not a spell or a curse you put on me
Or the way you make me smile so tenderly
But how I wish it was your temper you were throwing
Damn you for being so easygoing
Lyrics from “Why?”

A longtime fan of Andrew Bird’s music, I’ve seen him perform many times over the years. A unique thing about him though, is every single time has been with a different cast of supporting players. Opting to play this summer tour as a trio, Bird aligned himself with a pair of ultra-talented and distinguished musicians in New York-born drummer Ted Pool, and playing both standup bass, electric bass and acoustic guitars, was Alan Hampton. Each member bringing their unique flair, creating a dynamic interplay that amplified Bird’s intricate compositions, the chemistry between them was magnetic and hearing all three voices sing harmonies together was simply beautiful.

Andrew Bird, Alan Hampton and Ted Pool performing together in Schenectady on 8/13/24.

Bird’s lyrics have always been one of the most compelling aspects of his music. They are poetic, often cryptic, and rich with metaphor, exploring themes of existential dread, love, and the complexities of modern life. “Bloodless,” a personal favorite from 2019’s My Finest Work Yet always stands out for its layered momentum, deep groove and even deeper lyrical content that critiques the current political climate with a subtlety that leaves space for the listener to interpret the meaning. This song becomes more and more relevant every time I hear it.

“I’m keeping mine with the altruists
I’m putting my weight behind the dancer
I know it’s hard to be an optimist
When you trust least the ones who claim to have the answers

It’s an uncivil war, bloodless for now”
-Lyrics from “Bloodless”

Another new song, “You’d be So Nice to Come Home To” felt perfect, as if were written for this exact kind of night, with Bird crooning out “Under an August moon burning above, you’d be so nice, you’d be paradise to come home to and love.” Following his hit single “Sisyphus,” we would enter the Inside Problems portion of the show. Written and recorded during the pandemic, “Atomized,” and “Underlands” further transported the Electric City to a surreal state, before Bird would pause to banter with the crowd for a bit. Switching over from violin to his vintage Gibson electric guitar, he would claim the next song was written for a friend that happens to have a birthday tomorrow. Then launching into one of loudest and most rocking songs of the evening, the vibe during “The Night Before Your Birthday” felt more like a celebration than a concert.

“You’d be So Nice to Come Home To” had all the feels on 8/13/24.

Bird’s use of language is masterful; his lyrics often juxtapose archaic phrases with contemporary issues, creating a timeless quality. This linguistic dexterity is part of what draws a diverse crowd to his shows—fans who appreciate music that challenges as much as it entertains. Setlist staple, “A Nervous Tic Motion of the Head to the Left” was a perfect example of this, while the lush and layered textures of “3 White Horses” delves into themes of mortality, using vivid imagery to create an atmosphere of eerie calm. “Give It Away” and “Orpheo Looks Back,” a pair of songs from 2012’s Break It Yourself, would feature Alan Hampton switching from bass to acoustic guitar and sharing vocal duties on the main microphone with Bird. The two of them clearly having a blast together, singing with smiles and passion. Bird would then tell the crowd he’s been working on some old classical jazz tunes with these fellas, and they’d like to try one for us called “Caravan,” by the legendary Duke Ellington. Finally, bringing the main portion of the show to a close was another personal favorite, “Tables and Chairs.” Offering a glimpse into a post-apocalyptic world, the song still manages to find hope in the idea of human connection, and if you’re asking, yes, there will be snacks!

Andrew Bird and Alan Hampton performing together on 8/13/2024.

Returning to the stage to a prolonged standing ovation, Andrew Bird would humbly thank the crowd at Frog Alley Brewing. Saying it was his first time playing in Schenectady and he didn’t really know what to expect, he seemed genuinely appreciative that people showed up and packed out the place. Rewarding them with perhaps his biggest song to date, Bird would paint a picture of “Pulaski at Night,” before the punchy, bittersweet Are You Serious anthem “Capsized” would send them home feeling inspired, fulfilled and maybe a little froggy, too.

Andrew Bird, Alan Hampton and Ted Pool performing together in Schenectady on 8/13/24.

Andrew Bird’s concert at Schenectady’s Frog Alley Brewing Summer Stage was a showcase of his exceptional talents as a musician and lyricist. A journey through his extensive catalog, the setlist was carefully curated, blending newer tracks with fan favorites. Supported by a stellar band and with an unforgettable opening act in Amadou & Mariam, the evening was a celebration of diverse musical traditions and innovative artistry. Bird’s ability to captivate an audience with his intricate melodies and thought-provoking lyrics is a rare gift, making this concert a highlight of the summer music season and further cements Bird’s growing reputation as one of the most important songwriters of our time.

Andrew Bird | August 13, 2024 | Frog Alley Brewing | Schenectady, NY

Setlist: Softly as in a Morning Sunrise, I Fall in Love Too Easily, Why?, Bloodless, You’d Be So Nice to Come Home To, Atomized, Sisyphus, Underlands, The Night Before Your Birthday, A Nervous Tic Motion of the Head to the Left,3 White Horses, Give It Away, Orpheo, Manifest, Caravan*, Tables and Chairs.

Encore: Pulaski at Night, Capsized.

*Duke Ellington and His Orchestra cover

Amadou & Mariam | August 13, 2024 | Frog Alley Brewing | Schenectady, NY

August 17, 2024
The Bangles’ Vicki Peterson and John Cowsill from The Beach Boys Bring a Heartfelt Tribute to the LIMEHOF

Vicki Peterson, known for her role as the lead guitarist and vocalist of the iconic all-female rock band The Bangles, joined her husband, John Cowsill, drummer and vocalist for The Beach Boys, for a memorable performance at the Long Island Music and Entertainment Hall of Fame. Additionally, the duo’s show marked a poignant tribute to John’s late brothers, Bill and Barry Cowsill, with a selection of songs from their upcoming album, Long After the Fire. The project, which features songs written by Bill and Barry Cowsill, is set for release in early 2025.

Vicki Peterson: From Bangles to New Beginnings

Vicki Peterson’s journey in the music industry began with The Bangles in the early 1980s. Formed in Los Angeles, the band became one of the most successful female-led rock groups of the decade. Moreover, with hits like “Manic Monday,” “Walk Like an Egyptian,” and “Eternal Flame,” The Bangles carved out a significant place in the annals of pop and rock music. Peterson’s intricate guitar work and harmonious vocals were key elements in the band’s distinctive sound, which blended 1960s garage rock with the melodic sensibilities of the 1980s.

Following the band’s initial disbandment in 1989, Peterson pursued various musical projects, including working with the Continental Drifters and releasing solo material. However, the Bangles reunited in 1999, continuing to perform and record, allowing Peterson to revisit and expand upon the band’s musical legacy. Her collaboration with John Cowsill on Long After the Fire represents a new chapter in her career, blending her musical past with new inspirations and partnerships.

John Cowsill: Carrying the Legacy of The Beach Boys and The Cowsills

John Cowsill’s musical roots run deep. As a member of The Cowsills, a family band that rose to fame in the late 1960s, John was part of hits like “The Rain, The Park & Other Things” and “Hair.” Similarly. the Cowsills’ music was characterized by rich vocal harmonies and a pop sensibility that mirrored the era’s optimistic sound. In 2000, John joined The Beach Boys as their drummer and vocalist, a role he has embraced for the past 23 years. In addition, his dynamic performances have helped sustain the band’s legendary status in the music world.

A Heartfelt Tribute and Personal Insights

After their performance, I had the opportunity to speak with both Vicki Peterson and John Cowsill. Peterson shared insights into the couple’s evolving musical chemistry, noting that each night of their collaboration feels fresh and enjoyable. Her favorite track from their new project is a soulful song she sings, along with a timeless piece written by Barry Cowsill. She also highlighted the significant contributions of Paul Allen, a multi-instrumentalist from Nashville, who played various instruments and produced the album.

In my conversation with John Cowsill, he introduced their new project, Long After the Fire, a labor of love that has been in the works for the past few years. The project faced delays due to John’s commitments with The Beach Boys and Vicki’s touring schedule. Much of the recording took place at their home studio allowing the couple to work closely and intimately on the music.

John discussed the challenges they faced in navigating the modern music industry, such as understanding ISWC codes, ISNI numbers, and metadata management. He expressed concern that without these codes, they risk losing revenue from their music. The complexities of securing consistent publishing were also a hurdle, as companies can be bought or absorbed, changing the original agreements.

Looking Forward

As Vicki Peterson and John Cowsill prepare to release Long After the Fire in early 2025, their performance at the Long Island Music and Entertainment Hall of Fame offered a glimpse into a project that honors the legacy of John’s late brothers while showcasing the couple’s unique musical bond. Furthermore, their dedication to preserving the music of Bill and Barry Cowsill, combined with their passion for creating new sounds, promises to make this album a standout addition to their respective careers.

August 13, 2024
South Korean Singer Saay Makes Her U.S. Debut at Brooklyn’s Elsewhere Zone One

South Korean soul singer, Saay, made her US debut at Elsewhere on Friday, August 9, her first show in the US after twelve years in the industry, seven of which have been as a soloist. The Korean artist recently came back with a new single, Domino, a bouncy track with digitally harmonized synth vocals, a la Imogen Heap’s hit song “Hide and Seek.” Her contract with Universal Music Korea also expired last month, but when asked about physical releases of her music during the show, she said she is planning to release a new EP next year.

Saay debuted in Korea twelve years ago as part of the group EvoL but began her solo career seven years ago with the release of her single “Circle” in July of 2017. This was a one-off show in Brooklyn, followed by another at The Moroccan Lounge in Los Angeles on August 15th. Before her Elsewhere show, she also sang “Domino” on Fox’s Good Day New York. Expect more great content from Saay this week on social media as she experiences LA and continues to share photos and videos from her show at Elsewhere.

Performance

Elsewhere Zone One provided the perfect venue for this kind of intimate, emotionally charged show full of fan interaction. As people started filtering into the venue, the room’s cumulative energy made for a shared cathartic moment. A small, low-set stage puts the artist up close with fans. The production at Elsewhere was low-key. Besides the LED panel covering the wall behind Saay, a contrasting pair of purple and blue lights lit the stage.

Korean artists are always skilled at creating meaningful interactions with their fans, but you could clearly tell how much this show meant to Saay, at times bringing her to tears. During the show, she wore a Lucky Dragon hat that a fan later recognized as one they had given Saay at a past concert. She ended her set with a song ironically titled “Encore,” which was then followed by the actual encore, her breakout hit (and a personal favorite) from 2019, “ZGZG.”

After the final song, she stayed on stage to speak candidly to the audience and to tell everyone to get home safely, stay healthy, and eat well. We look forward to seeing footage of Saay’s August 15th show at the Moroccan Lounge and wish her luck in her future endeavors. Keep an eye out for new music from Saay in the next year and, hopefully, a return to New York following her upcoming EP.

Saay – Elsewhere Zone One – August 9, 2024

Setlist: Talk 2 Me Nice, Overzone, Baad, Omega, Circle, Domino, Rocky, Sh*t Makerrrrrrrr, I’m Okay, Sweet as Hell, Encore

Encore: ZGZG

August 12, 2024
Phish Return to Bethel Woods on “Tweezer Jets” Bound for Mondegreen

For the third time in their career, Phish performed at Bethel Woods Center for the Arts, opening up a three-night run on Friday, August 9. With the remnants of Tropical Storm Debbie making its way through the Mid-Atlantic region and drenching much of New York State over Thursday and Friday, Phish fans planned for the worst and were rewarded for their efforts, with only lingering sprinkles during the show.

Nearing the end of their Summer Tour with only Bethel, their Mondegreen festival and four nights in Colorado left on their schedule, Phish has been rolling from the Northeast to the Midwest, dropping lengthy jams in unexpected spots, bringing new material to fans off Evolve, and inviting Billy Strings to the stage in Grand Rapids, MI. Now in Bethel, the band has their sites set on building towards their 11th festival, an event always ripe with surprises and leveled up improvisation.

With a pair of ASL interpreters just off stage right, Set 1 began with instrumental (and GRAMMY-nominated) “First Tube,” a rare opener normally found in a late-second set slot, but nevertheless an energetic way to start the show. A lengthy “No Man in No Man’s Land” followed, always a great sign that the band is dialed in and wants to get down to business right away.

https://www.youtube.com/watch?v=2QnFL5wdFFg

A spacey and wandering “My Friend, My Friend” was a first set highlight, clocking in at more than 18 minutes and another example of Phish taking more of their catalog down the improv route than in past years. A late first set “2001” was a treat, dipping into an always welcome “Taste” before closing the set with “Character Zero.”

Opening the second set with “The Wedge” could have launched the Rift track to new heights, but it served as a buffer song before the big jam of the night, “Tweezer.” A vehicle for jams in the second set since the 90s, “Tweezer” found a few separate jams (including “There is a Mountain” by Donovan) over the course of 24 minutes, coming full circle before dipping into the Evolve track “Pillow Jets,” which took a dark psychedelic turn mid-way through before returning to “Tweezer,” as one does mid-second set.

Finding its way into “Piper,” this brief “Tweezer” return birthed a top notch “Piper,” found itself turning back into “Tweezer” briefly before the Rolling Stones’ “Shine a Light” provided an exultant breather with the set wrapping up with a thorough “Chalk Dust Torture.” A triple encore featuring songs from across the band’s history was a delightful surprise to the evening, starting with Junta track “Big Black Furry Creature From Mars,” Farmhouse’s “Gotta Jibboo” and Big Boat’s “More.” With two more nights to go, the bar is set for Phish to exceed over this weekend and next.

https://www.youtube.com/watch?v=_ORBkMm_9lY

Phish – Bethel Woods Center for the Arts, Bethel, NY – Friday, August 9, 2024

Setlist via Phish.net

Soundcheck: My Soul, Dinner and a Movie, Waves, Tequila x2, Jam
Set 1: First Tube, No Men In No Man’s Land, Cavern, My Friend, My Friend[1], Bug, Julius, Also Sprach Zarathustra > Taste, Character Zero
Set 2: The Wedge, Tweezer, Pillow Jets -> Tweezer -> Piper -> Tweezer > Shine a Light, Chalk Dust Torture
Encore: Big Black Furry Creature from Mars, Gotta Jibboo > More
[1] No “Myfe” ending.

Saturday, August 10, 2024

Set 1: Back on the Train, Sample in a Jar, Hey Stranger, Dinner and a Movie, Halley’s Comet > Sand, Gumbo > Maze, Weigh, Cities > Run Like an Antelope

Set 2: Wilson > Down with Disease[1] -> Waves > Twist > Kill Devil Falls > Beneath a Sea of Stars Part 1 -> Backwards Down the Number Line > Ghost > Tweezer Reprise

Encore: Wading in the Velvet Sea > Runaway Jim

[1] Unfinished.

Trey teased Call to the Post at the end of Weigh and The Line during Antelope. DWD was unfinished.

Sunday, August 11, 2024

Set 1: I Never Needed You Like This Before, 46 Days, Bathtub Gin, Fikus, Theme From the Bottom > Timber (Jerry the Mule), Human Nature, Limb By Limb, Axilla > Sigma Oasis

Set 2: Buried Alive > AC/DC Bag > Fuego > Golden Age -> Simple, Life Saving Gun, Harry Hood

Encore: A Life Beyond The Dream, Say It To Me S.A.N.T.O.S.

Fikus was performed for the first time since November 7, 1998 (801 show gap). Mike teased Fikus in AC/DC Bag.

photos by Zak Radick

August 10, 2024
The Doobie Brothers Take It To The Streets at Hartford Healthcare Amphitheater

After a thrilling performance at Madison Square Garden in New York City days before, the Rock and Roll Hall of Fame band, The Doobie Brothers traveled north to Bridgeport, Connecticut. The band, which is on their “The 2024 Tour,” packed in fans who braved the rain and played a thrilling 15-song set. Before the show began, fans had to arrive early as the show was moved up a half hour with the storms approaching.

Official music video for The Doobie Brothers – “Black Water” from ‘What Were Once Vices Are Now Habits’ (1974)

As fans were finding their seats, the legendary Steve Winwood and his spectacular band warmed up the humid audience. Winwood – who has been in famous bands like Traffic and Blind Faith – played a small, yet powerful seven-song set. Winwoods set featured music from his old bands. With the intro of “Can’t Find My Way Home,” fans roared to their feet and stood there the entire song. After each song ended the audience would repeatedly rise to their feet to pay respect to the living legend.

Winwood’s band featured five stellar musicians. The band featured Edwin Sanz on percussion, Tristan Banks on drums, Paul Booth on saxophone and piano and Nate Williams playing keyboards. Lastly, Winwood’s very own daughter, Lilly Winwood was featured on background vocals. The entire band had smiles on their faces, bringing an amazing atmosphere to the audience.

Just as quickly as Winwood jumped on stage, the stage was reset for The Doobie Brothers. The band did not have any flashy intro or spectacular entrances. Classically, the house lights dimmed and the band walked on and kicked into “Rockin’ Down the Highway” off of 1972’s Toulouse Street. Almost immediately, the rain – which stopped for Winwood – picked up again yet did not deter the band. They met the weather with great tunes and excellent showmanship.

In between songs, guitarist Patrick Simmons would whip out some of the brightest colored guitars in all of rock. One after the other, the spotlights would bounce off the shiny colored red and blue guitars. Flanking Simmons on his right was John Cowan who appeared to barely move all night. Despite the minimal movement, fans could tell that he was chugging away at his bass guitar throughout the entire set.

Some fans might have wondered what The Doobie Brothers sounded like during their “Golden Age.” Well, they didn’t need to think hard or long at all. Singer and guitarist, Tom Johnston along with keyboardist and singer, Michael McDonald, sound just like the records. Not every band can say that their singer’s voice has stood the test of time, but The Doobie Brothers can. Whether the song was “What a Fool Believes” or “Long Train Runnin’” Johnston and McDonald’s vocals were top-notch. The Hartford Healthcare Amphitheater is open to the outdoors on either side and sometimes vocals can get mushy. That didn’t happen for either vocalist. The vocals were one of the highlights of the show.

Joining Johnston, McDonald, Simmons and Cowan were four other stellar musicians. On drums were Ed Toth, John McFee on guitar, Marc Russo on saxophone and Marc Quiñones on percussion. Despite the crowded stage, each musician perfectly played their part in The Doobie Brothers’ rock and roll machine.

Throughout the show, the video screen would show moments in the band’s career and fade into the band on stage. The band’s crew did an amazing job enhancing the audience’s experience and giving them a little insight into the band in their heyday.

By the time the band reached the middle backend of the set, the smell of weed was distinct in the air, in typical Doobie Brothers fashion. By that point, the band was on another level as they were cranking out hit, after hit, after hit. Some fans took to the aisles to dance with their spouses. Others even tried to run up to the front to record their favorite songs. The amphitheater was in a Doobie Brothers frenzy.

In an attempt to save time, the band very quickly jumped back on stage for the four-song encore. The encore, highlighted by a Paul Simon cover of “Still Crazy After All These Years” was an instrumental duet between McDonald and Russo. Russo would take center stage when he belted out an amazing solo. It combined jazz, blues and classic rock into one solo reimagined by The Doobie Brothers.

As the summer winds down, The Doobie Brothers brought nothing but great vibes to the Bridgeport Audience. “The 2024 Tour” will take both bands to Saratoga Springs, New York to play at the Saratoga Performing Arts Center. This tour is not to be missed, each band compliments each other perfectly and will make for a great night to “Listen to the Music.”

Steve Winwood Setlist: Glad, Can’t Find My Way Home, Why Can’t We Live Together (Timmy Thomas cover), Roll With It, Back in the High Life Again, Higher Love, Gimme Some Lovin’
The Doobie Brothers Setlist: Rockin’ Down the Highway, Take Me in Your Arms (Rock Me a Little While), Here to Love You, Depending on You, Minute by Minute, It Keeps You Runnin’, Without You, Jesus is Just Alright (The Art Reynolds Singers cover), What a Fool Believes (Kenny Loggins cover), Long Train Runnin’, China Grove, Black Water, Still Crazy After All These Years (Paul Simon cover), Takin’ It to the Streets, Listen to the Music

August 10, 2024
Sharon Marley Shines at City Winery with a Tribute to Bob and Rita Marley

On August 7th, Sharon Marley delivered a captivating performance at City Winery in New York City, paying homage to the legendary music of her parents, Bob and Rita Marley, as well as showcasing her own artistry. The intimate venue was filled with the soulful sounds of reggae as Sharon performed iconic tracks like “Is This Love,” “One Draw,” “Trench Town” and “No Woman, No Cry.” Each song resonated with the audience, blending nostalgia with the vibrant energy of live music.

In addition to the music, the evening offered a special preview of an upcoming art exhibit titled The Garden That Rita Grew: My Grandma Rita. Curated by filmmaker Donisha Prendergast, the granddaughter of Bob and Rita Marley, the exhibit is a tribute to the strength, resilience, and creativity of Rita Marley. The showcase, powered by Humanity Ova Vanity (HOV), features a collection of photographs and artwork that celebrates Rita Marley’s enduring legacy.

Sharon Marley’s performance was not just a musical journey but a celebration of her family’s influence on reggae music and culture. The preview of The Garden That Rita Grew: My Grandma Rita added a profound layer to the evening, reminding attendees of the powerful legacy of the Marley family, not only in music but in the arts as well.

City Winery proved to be the perfect setting for this heartfelt tribute, where music and art intertwined to honor the past while inspiring future generations. The event left attendees eagerly anticipating the full unveiling of the exhibit, which promises to be a poignant homage to one of reggaeâs most influential matriarchs.

August 10, 2024