Rock and Roll Hall of Famer Ricky Byrd pays tribute to his guitar hero Jeff Beck in a new single “Rhapsody In Blues (One for Jeff)”
Guitarist and Singer-songwriter Ricky Byrd who was inducted into Rock and Roll Hall of Fame in inducted in 2015 with Joan Jett and The Blackhearts has released a new single instrumental single “Rhapsody In Blues (One for Jeff)” to pay a tribute to his guitar hero Jeff Beck who passed away in 2023 due to illness.
Byrd’s new single “Rhapsody In Blues (One for Jeff)” follows the release of his recent digital/7″ singles “Louanne”, “Alien” and “Glamdemic Blues”, which featured a B-side cover of the Four Tops’ classic “Reach Out (I’ll Be There).
The only way I felt I could properly pay tribute to Jeff Beck, whose playing has inspired me my whole life, was to record this track dedicated to him. This is a track I felt I needed to write. I did it as a thank you to Jeff. He was such an important part of the process for me as a guitar player.
First as a teenager discovering all this cool new music I was soaking up, trying to learn a riff here and there (the easy ones), to all these many years later where I’m still in awe of where he took guitar playing. And yes I’m still trying (mostly unsuccessfully) to nick one of his riffs. Thanks again Guv’nor.
Ricky Byrd
The song honors the legendary guitarist Jeff Beck, who played with the Yardbirds and was once named one of the top 5 guitarists of all-time by Rolling Stone. Jeff was a two-time Rock and Roll Hall of Fame inductee – first with The Yardbirds in 1992 and later as a solo artist in 2009, before he passed he had with Johnny Depp in the Fall off 2022 and made a stop at UPAC in Kingston. Revisit the performance here.
Wonderland Forest is more than just a forest: it has hiking trails, campgrounds, a wedding venue, and more recently, an outdoor music venue with various bands, food vendors, and other activities from across the United States.
Wonderland Forest exists because of a big team that focuses on the business side of managing grounds such as Wonderland Forest, as well as a focus on the environmentalism needed to run such a place ethically. One of these hard-workers is 2023 SUNY ESF graduate student, Shelby Martin.
Shelby Martin describes the atmosphere of Wonderland to be peaceful. In fact, their motto is “A Forest Peaceful Adventures.” All these peaceful adventures – from camping, hiking, all the way to concerts and tattoo trucks – are what makes this venue unlike any other in Upstate New York.
Another aspect of Wonderland that makes it stand out is that most attendees treat the concerts more like a festival, and dress up in costume for their events. “For TumbleDown and Biscoland there were a lot more extravagant outfits. From my experience, people love to go all-out and feel like themselves, when they can’t be themselves in the real world,” Martin explains.
Martin also encourages everyone to listen to music outdoors – one aspect of Wonderland that many venues can’t offer. “I love listening to music in any venue whatsoever … but there’s just something different about listening to music outside, sitting on the grass, dancing with your friends.”
Biscoland at Wonderland Forest – photo by Tara Gracer
As a Science and Forestry major, Shelby Martin paid close attention to a lot of the sustainability that goes into running a venue. She is happy with the outcome of the forest and how it has transformed into what it is today– a repurposing of a place that was already set up for human use, with the intention to enjoy the outdoors. She’s a big advocate for integrating humans into nature– so much of our time is spent indoors staring at screens, so any excuse to get outside is a good one. Martin says that she and her team worked to make sure that trails were safe for humans while taking special precautions to preserve the natural wildlife that already lived in the forest.
While environmentalism being integrated into music is a somewhat new idea, Martin and her team are doing their best to keep sustainability in mind as they move forward with the venue. Wonderland already has stonewater mitigation, which is used to guide water where to go, in order to lessen negative effects of hard rains on the already compact soil. Even with this and other sustainability measures, she already has plans in the works to make her venue more sustainable, such as composting, and adding detailed descriptions of what can and cannot be recycled. She also hopes to incorporate an educational aspect of the forest with signs to identify types of flora and fauna that make Wonderland unique.
Shelby Martin is part of a team of six to seven people, which branches out to an even larger team that makes the wheels turn. But she makes it clear that Wonderland is so much more than her and her coworkers: “But really, Wonderland relies on our locals and our fans that come see the music…” She emphasizes that while Wonderland is a beautiful adventure – the people that visit are what really makes it shine, as well as all the work she and her coworkers put in to make Wonderland what it is.
During the fall semester, Shelby Martin was taking nine class credits and six research credits– one must wonder how a full-time student can balance both academics and a job such as this one. Over the summer of 2023, she worked 60-80-hour work weeks, since that’s the best time to get “knit-picky” problems taken care of. Though she no longer works that same schedule – she cut her work to about 20 hours per week – she admits that it’s certainly difficult to be a student and balance that work with her job. Luckily, her team is very understanding of what it means to be a student, and the key to her balance was simply communication. “I told the whole team that [I had midterms that week] and everyone took something off of my plate for things that needed to be done around Wonderland…to make my plate a little lighter.”
When asked about vendors – they come from across the country with various food truck niches and other activities – Martin says that vendors actually contact Wonderland directly. In fact, there’s been so many that want to be involved, they’ve unfortunately had to refuse some due to the amount of applications. They particularly look for “a commitment to music as well as a commitment to their business.” They’ve had local vendors, but also vendors all the way from Pennsylvania, New Jersey, and even Vermont.
Wonderland is so much more than a music venue. “We’re a campground, we’re an event center, we are a wedding venue. We are a multi-faceted space with 500 acres to work with and lots of trees and great space to do whatever, and be yourself.”
Neighbor will make their way to Saratoga Springs for the first time on Friday, January 19, having grown a sizeable following in the Northeast over the past five years. They’ll also be at Levon Helm Studios the next night, January 20, for an intimate show, sure to be packed with diehard fans on what looks to be a frosty night.
Speaking with singer and keyboardist Richard James, one had to know – how did it take so long to come to Saratoga Springs?
“Every time we come to Putnam Place with Pink Talking Fish is a blast, and I wanted to make sure the first time we played there with Neighbor, it was a packed house and the date made sense. Having not played Saratoga Springs definitely has driven up interest in the show, and could be the start of something.”
Neighbor is the creation of childhood neighbors Richard James (vocals, keys) and Lyle Brewer (guitar), plus Dan Kelly (bass) and Dean “The Dux” Johnston (drums), together combining ambitious composition, soulful balladry, and a fearless approach to improvisations with intent, creating Neighbor’s “down home” sound.
While James was touring with Pink Talking Fish, Brewer went on to teach guitar at Berklee College of Music, and in 2018 they revisited playing music together. With no barriers, it was like they were back in middle school, writing songs and performing together. The two are now finding balance after five years, between songwriting and jamming on (mostly) original material each night.
photo by Chris Capaci
Having just celebrated their 5 year anniversary as a band earlier this month, but four years ago in early 2020, Neighbor was just getting warmed up when COVID hit, shutting down the live music industry. Thus, in the years that have followed, they have been strategic with their touring schedule.
“All members of the band have families and kids. Lyle is an instructor at Berklee College of Music, and Dean is drum chair at Milton Academy outside of Boston, so routing needs to work out among balanced schedules and family obligations”
This, while also trying to push as hard as they can without burning out or taking away from instruction at these music schools, maneuvering the the band’s direction deftly. The band, collectively, wants to make sure they are not overwhelmed by how much is going on – the number of shows, the time on the road and away from home.
As a band, Neighbor wants longevity, and they’ll defer to taking the slow road instead of rushing.
photo by Chris Capaci
Neighbor saw its genesis well before 2018, going back to when James was on the road with Pink Talking Fish. “I’ve been writing since I ever got into music. Once I got started with Pink Talking Fish, I toured for six or seven years straight, compiled all this original music, and it was eventually time to do something different,” said James. After spending a day in New Orleans with piano legend Jon Cleary and gaining clarity towards a vision for his music, he began a Tuesday night residency at Thunder Road in Somerville, recruiting childhood neighbor Lyle Brewer, hence the band name, Neighbor.
For Neighbor’s five year anniversary, they decided to go back to their roots and recently announced a five week residency, one week for each year as a band, to pay tribute to how things came to be what they are now. James recalls those early Neighbor shows. “There are so many weird, crazy antics we would do at Tuesday night residencies in the past, special guests, switching up instruments, keeping fans on their toes and coming back for more the next week.” They look to bring back this magic with their upcoming residency at Soundcheck Studios, starting February 20 through March 19, every Tuesday night. “A lot of people travel to see us, and although we play the songs differently each night to keep it fresh, to give it that extra factor (horns), keeping it interesting where fans won’t want to miss a show” said James.
There is also the Neighbor rock opera, Silver, which was recently performed with the “Neighbor Nine,” where five additional horns and back up singers join the Neighbor quartet for a surprise factor on any given night. The Neighbor Nine come together with the full band, plus Matt Wayne (saxophone), James Cronin (trumpet), Rob Krahn (trombone), with Renee DuPuis and Joanne Cassidy as backup vocalists. The band has custom baseball jerseys, and if four members are wearing them, you might see the three horns and two singers come out and join Neighbor for some or all of the show.
Performing Silver was hands down the show of the year. I was blown away by the musicianship of the other band members, and even with limited opportunities to practice in advance, we ran a bunch of music during soundcheck and it was all there, no one skipped a beat. To have that trust and perform at the level we did – including songs played that night for the first time – it was magical. Adding in the show was rescheduled from October when the shooting in Lewiston postponed many events, in this case until January – which meant practice during the holiday season, a tough call for family-centric band members, but they pulled it off.
Richard James
That rock opera is based on the whole idea behind Neighbor – “let’s go out and have fun,” as James puts it. “The moment this stops being fun, it’s time we should stop doing it. We thought it would be fun to write a rock odyssey. Lyle and Richard grew up on rock operas, and we gave it a go during COVID, escaping the division in the country while settling on a story: two guys plan to leave the planet, stumble upon a guy who has the answers, and take off on an interstellar adventure, spread out over 10 songs, ” “Magic Marble Crew,” “Magna Zero” and “We Need You” among them. The story unfolds as the pair discover different civilizations, steal a spaceship, all in the pursuit of finding a home where everyone looks out for each other – neighbors helping neighbors, if you will.”
Having just released 30 shows on Nugs.Net and a thorough collection of music on the Neighbor Bandcamp page, Neighbor’s diverse catalog of hundreds of songs makes them one of the most exciting and unpredictable live bands in the music scene today. Don’t miss them at Putnam Place on Friday, January 19, and Saturday, January 20 at Levon Helm Studios.
Long Island’s comedy enthusiasts are in for a treat as legendary comedian Jackie Martling is set to make a memorable appearance at the LIMEHOF later this month. The event will feature Martling’s new documentary titled “Joke Man.”
Scheduled to take place at the prestigious LIMEHOF on January 27th, this event promises an evening filled with laughter, insights into Martling’s comedic journey, and a unique opportunity to engage with the comedian himself. The highlight of the evening will undoubtedly be the screening of “Joke Man,” a documentary that delves into Martling’s life, career, and the art of making people laugh.
The documentary offers fans an intimate look into the mind of the man behind the jokes, exploring his early days in comedy, the challenges he faced, and the triumphs that shaped his remarkable career. From his time on the Howard Stern Show to his stand-up performances, “Joke Man” provides a comprehensive view of Martling’s contribution to the world of comedy.
Tom Needham, the esteemed Host of the Sounds of Film, will take the reins during the Q&A session. This dynamic setup ensures a thought-provoking and engaging dialogue as Needham delves into the intricacies of Jackie Martling’s comedic journey and the making of the “Joke Man” documentary.
To add an extra layer of excitement to the event, there will also be a meet and greet session, giving attendees the chance to meet Jackie Martling face-to-face, get autographs, and capture memories with the legendary comedian. This exclusive opportunity allows fans to express their appreciation for Martling’s work and share their favorite comedic moments.
The LIMEHOF serves as a fitting venue for this special occasion, blending music and comedy in a celebration of Long Island’s rich cultural heritage. Martling’s contribution to the world of comedy has undoubtedly earned him a place among Long Island’s esteemed artists.
For more information on this event and to stay updated on all upcoming happenings at the Long Island Music Hall of Fame, visit this link. Explore a calendar of exciting events featuring the best in music, comedy, and more, ensuring that there’s always something extraordinary on the horizon for entertainment enthusiasts.
Multi-faceted Rochester alternative rock/indie band Public Water Supply has announced the release of their groovy new single “Leila” from their upcoming album General Strike which is set to be released in March 29.
Public Water Supplyconsists of five members blending and combining stunning vocals, remarkable instrumentalists, and distinctive songwriting. The band include Iggy Marino, Karis Gregory, Jr., Alex Brophy, Spencer Kornrich, and Tanner Kates.
“Leila” features catchy and eccentric guitars and continuous drumming that give it a sentimental and nostalgic vibe. While the song tells the story of two lovers on a cross-country crime spree, burning rubber, and living an intense but exhilarating life, it still manages to capture all the thrilling and anxious emotions that go along with it.
“We’ve been re-defining our music and experimenting with our sound all year long. I think our babies are really going to notice more of a rock n’ roll feel in these songs and basically, we take no prisoners,” declared frontman Iggy Marino stated, who also coined the affectionate term “babies” for their fans, which some find it odd yet unique.
With the announcement of a new track, the band has also announced the release of their new album General Strike to premier atalbum will premiere at sun festival in March.29 Tickets are on sale now.
“Leila” from Public Water Supply is available to stream everywhere. For more information about the band, visit here.
In the midst of his sixth decade in the music industry, Albert Lee is halfway through yet another month-long tour, with a stop scheduled at the Strand Theatrein Hudson Falls on Jan. 20. The guitar virtuoso, whose accolades and bonafides continue to grow, is showing no signs of slowing down, celebrating his 80th birthday not that long ago.
I had the humbling opportunity to chat with Mr. Lee in the week leading up to his scheduled Jan. 20 appearance at Strand Theatre in Hudson Falls. In a conversation that dances through and around his storied career, one thing is undeniable: the sheer passion he has for his craft. What follows is our conversation.
Lucas Garrett: How’re you doing today, sir?
Albert Lee: Pretty good, pretty good. Thanks. Relaxing.
LG: Great to talk with you today. You’re going to be in the area at The Strand Theatre in Hudson Falls on Jan. 20th.
AL: Yeah, that’s right. Looking forward to it.
LG: It’s awesome that someone such as yourself is coming to a hometown theatre. You’ve been involved in the music industry for a while.
AL: Yeah.
LG: What started all of it for you? What made you say, “This is what I want to do with my life?”
AL: I started playing when I was 13 or 14, and you know, it was exciting. I wasn’t really interested in school; I left school at 15, which you could do at that time in England. I did a couple of day jobs, you know… my main interest was playing the guitar, and pretty soon, I was able to pretty much do it for a living.
photo by Lucas Garrett
LG: How many years did it take for you to do it full-time for a living?
AL: Oh, pretty soon, really. I wasn’t trained to do anything else. I was on the road at 16 – I did a couple of day jobs when I got back from those tours. What I was able to earn in a week was more than I could earn as a 17-year-old… I could earn more playing guitar, and went on from there.
I went off to Germany, and been in a number of bands over the years. Very fortunate to go from one to another.
LG: Anyone with access to the internet is able to quickly lookup all that you’ve done in your impressive career, but are there any moments that really stand out for you?
AL: Oh, yeah! I felt very fortunate with my heroes, The Everly Brothers, for many years. I was friendly with Don Everly, in the 1970’s, when he and his brother weren’t talking to one another. I was also working with Joe Cocker and Emmylou Harris in the 1970’s – I was busy. Then, The Everly Brothers got back together in the early 1980’s… I thought, “This is great! At last, I get to play with The Everly Brothers, even if it’s for a couple of nights.” They decided to go back on the road for albums, and that went on for 25 years or more.
LG: Were you with them that whole time?
AL: Oh yeah! I was with them from 1983 until they finished in the early 2000’s.
LG: Now, you’re going on tour, and playing all these theaters. What other shows are you doing on this tour? Are you in bigger theaters? Smaller theaters?
AL: This tour finishes on Feb. 3rd, and in fact, we finish up in Clear Lake, Iowa, in a big dance hall where Buddy Holly did his last gig. They always celebrate Buddy Holly, and Richie Valens, and the Big Bopper around that time each year. I’ve done that half a dozen times now.
photo by Lucas Garrett
LG: How does it feel to still be on the road? Do you have the same appreciation for it that you’ve had?
AL: Yeah. I’m out here most of the year. It gets hard, you know? This tour is a month, then I’ve got two or three weeks off, and then I go to England for about two or three weeks, and back home again for a month or two, then back out again. I’ve just turned 80 a couple weeks ago.
LG: Well, happy birthday, belated!
AL: Thanks. I never thought this would be happening, but here we are! I’m glad the gigs are there and that I feel well enough – fit enough – to do it.
LG: What inspires you to keep this relentless touring schedule? Where do you find the energy to keep going like that?
AL: Well, we enjoy the work, you know? Sometimes the long trips… we have some long drives some days – couple hundred miles; three hundred miles – I don’t enjoy sitting in the van that long, but it’s what we have to endure to be able to do the gigs. We get there, and the people are happy to see us, and we can relax, have a nice meal, and do the gig. Hopefully get a good night’s sleep, and do it all again the next day.
LG: It’s all part of the deal, right?
AL: Yeah.
LG: What do you to pass the time in between shows?
AL: Well, when I’m home, there’s lots to do. Things fall behind at the house, and I’ve got cars to fix. That takes time, hahaha. The day I left the gig, the window mechanism broke in our car. I’ve got three days to fix it before I have to drive somewhere with a car full of equipment. I’ll manage it.
LG: Listening to you play is always a pleasure. I’m curious if you have any kind of routine that you practice by?
AL: I have to say, after all these years, I don’t pick the guitar up very often, you know? I’m lucky that the licks are still there – they’re always there. When you get to my age, the skin gets thin and you lose the calluses on your fingers. That’s a real pain.
LG: Who are some of your influences as a guitarist?
AL: I don’t listen to a lot of new music. I do know there are a lot of great guitar players out there – a lot more than when I started playing. There’s a lot more competition now. Hahaha. I was inspired by all the early rock and roll guitar players like Scotty Moore with Elvis Presley, and James Burton who played with Ricky Nelson and Elvis. Hank Garland. There were so many great players. I learned to play by learning their solos, you know? That showed me the way around the guitar so I was able to play it with ease.
LG: This show at Hudson Falls on Jan. 20th, what can people expect from this show? Do you have anything special planned?
AL: I’m pretty lazy, really. I think they’ve heard a lot of these songs before, you know, but I’ll be adding some new twists to them. I play differently every night, you know?
LG: Mhm.
AL: I try to keep it fresh for myself. The musicians I play with, it’s the same way. We’re improvising… there’s a set way of doing the songs, but we’re improvising our way through each night.
LG: Who’ll be with you that night?
AL: JT Thomas on keyboards. He also works with Bruce Hornsby. David Chamberlain is on bass; I’ve known him a long time. Jason Smith on drums. We’re all good friends and we like to work together. They’re not always available, so I’m glad that I’m able to get these three guys on tour. These guys have been with me for quite a few years, now, and I’m glad they can do it.
LG: I want to thank you, very much, for taking time out of your day. It was great talking with you.
AL: Oh yeah, you’re welcome. Thank you.
LG: Have a great show, and keep rocking on.
AL: Alright. Well, thank you so much for your interest, I appreciate it.
Nestled in Manhattan’s West Side since 1968, the cathedral of rock and roll, Madison Square Garden, opened its doors at 6:00 pm Friday night (January 12), welcoming into its friendly confines loyal card-carrying members of The Tool Army.
The last time Tool visited the hallowed grounds of Madison Square Garden (MSG) – more than 20 years ago – the city, and The Garden itself, were quite different. But one thing has endured the test of time, and that is Tool remains a thinking person’s band. One that is an amalgamation of analytical, primeval, uncompromising, bellicose, and melodic forces.
Madison Square Garden and the Empire State Building | Photo Credit: Michael Dinger
Following an autumn trek of North America and a subsequent two month hiatus, Tool’s Winter Tour 2024 features the latest support from psychedelic metal warriors Elder. Formed in the mid-aughts and hailing from a small seaside town in Massachusetts, frontman and guitarist Nick DiSalvo, bassist Jack Donovan, guitarist Michael Risberg and drummer Georg Edert currently call Berlin, Germany home.
Undoubtedly a momentous occasion to open for Tool, no less while gracing The World’s Most Famous Arena’s hallowed stage, Elder performed like the seasoned veterans they are, delivering on all fronts. Appearing onstage shortly after 7:30 pm, the foursome offered a 30-minute set that showcased exceptional musical craftmanship, taking the steadily growing audience on an evocative, sonic journey.
Known for long-scale compositions, DiSalvo and company presented a trio of stoner rock, mind-altering numbers collected from three of the six studio albums in their discography, including “Sanctuary” (Reflections of a Floating World, 2017), “Merged in Dreams – Ne Plus Ultra” (Innate Passage,2022), and “Halycon” (Omens, 2020).
Elder | Photo Credit: Michael Dinger
Promptly at 8:30 pm, as the heartbeat introduction to “Third Eye” (Ænima, 1996) began to play on tape over the house PA system, the 20,000-capacity venue went dark, and the crowd erupted with a collective, loud roar. One by one, members of the beloved Los Angeles outfit took to the stage, beginning with drummer Danny Carey, who as usual, was rocking NBA hoops gear. His jersey of choice Friday night was Quentin Grimes’ #6 of the hometown Knicks.
Following close behind Carey were bassist Justin Chancellor and guitarist Adam Jones, each of whom have already left an indelible mark in the annals of rock history with their individual technique and instrumental experimentation. As the title track from 2019’s Fear Inoculum got underway, vocalist Maynard James Keenan emerged from the dark shadows and came into view stage left. Wearing a white button down dress shirt and a dapper black suit vest, he clutched the microphone with both hands, revealing black fingerless gloves. Donning a blonde mohawk, Keenan prowled from side to side, high atop two risers constructed at opposite ends of the stage, and on which he would reside for the show’s duration.
Maynard James Keenan of Tool | Photo Credit: Michael Dinger
Before “The Pot” (10,000 Days, 2006) commenced, Keenan addressed us all regarding Tool’s well-known policy regarding cell phones:
So, here’s the deal. We’re gonna go for a little ride. We’re gonna connect. Take a little journey, together. Stay present. Stay in your body. Join us. Stay connected. Put your fucking phone away. [At the] end of the show, last song, you can pull your stupid phone out. Until then, stay with us. Are you ready?
Yes, we were all ready! With Tool’s seven pointed heptagram symbol dangling high above the stage, ‘open’ to signify an invitation into the collective unconscious, Tool’s entire set design was a remarkable sight to behold. Stunning visuals projected on the massive LED backdrop, which ranged from the depiction of skeletal zombie bodies with beaming alien eyes to a man trapped inside his own body, were supplemented by a spectacular laser light show that cut through the MSG atmosphere.
Danny Carey of Tool | Photo Credit: Michael Dinger
Following a 12-minute intermission and a goliath smack of the gong with his mallet, the second portion of the show embarked with Carey seated once again behind his massive kit. Another track from Fear Inoculum ensued, the futuristic interlude known as “Chocolate Chip Trip,” an electronic drum solo that saw the wizard Carey masterfully execute his Toolbox’s modular synthesizer.
Justin Chancellor of Tool | Photo Credit: Michael Dinger
Chancellor, bathed in a white spotlight, beastly strumming during a distortion and reverb filled bass exhibition, was rejoined by Jones, and eventually Keenan, for the night’s first big surprise – a live performance of “Flood” (Undertow, 1993), unearthed after 13 years! And if that were not enough for the diehard fan, following the evening’s fifth and final offering from Fear Inoculum, “Invincible,” Tool played an extended version of “Schism” (Lateralus, 2001) for the first time as a show closer.
Adam Jones of Tool | Photo Credit: Michael Dinger
Following their two gigs in Gotham, Tool will spend the better part of the next two months bringing their Winter Tour to the masses, culminating in Las Vegas on February 18. Tool, who at present are unsigned to a record label, are reportedly flirting with the idea of releasing an EP rather than a sixth studio album, which would mark their first new material since 2019. Nonetheless, it looks promising that The Tool Army will finally get to hear new music from their art rock heroes later in 2024.
Elder Setlist: Sanctuary, Merged in Dreams – Ne Plus Ultra, Halcyon
Tool Setlist: Fear Inoculum, The Pot, Rosetta Stoned (with “Lost Keys” intro), Pneuma, Intolerance, Descending, The Grudge (intermission), Chocolate Chip Trip, Flood, Invincible, Schism
UPCOMING TOUR DATES
January 18 – Hollywood, FL @ Hard Rock Live January 19 – Hollywood, FL @ Hard Rock Live January 21 – Charlotte, NC @ Spectrum Center January 23 – Nashville, TN @ Bridgestone Arena January 24 – Atlanta, GA @ State Farm Arena January 26 – Birmingham, AL @ Legacy Arena January 27 – Biloxi, MS @ Mississippi Coast Coliseum January 31 – Austin, TX @ Moody Center February 2 – Dallas, TX @ American Airlines Center February 3 – Oklahoma City, OK @ Paycom Center February 5 – Denver, CO @ Ball Arena February 9 – Phoenix, AZ @ Footprint Center February 12 – Fresno, CA @ Save Mart Center February 14 – Los Angeles, CA @ Crypto.com Arena February 15 – Los Angeles, CA @ Crypto.com Arena February 17 – Ontario, CA @ Toyota Arena February 18 – Las Vegas, NV @ T-Mobile Arena
The team at Jazz Lives recently shared a throwback that caught our eye – Jazz at Charley O’s? The legendary Penn Station libation station for in between trains or before games at The Garden?
Well, close – this is the Charley O’s that was once located at 713 8th Avenue, and was not only a sports bar and grill but also a Jazz Bar and Comedy Club in the evening, as well as a popular spot to go before a night out on the town.
Jazz Lives shares the following recollection of one night at Charley O’s. Once upon a time, I lived in Great Neck, New York, a suburb forty minutes from midtown Manhattan. When in 2005 I found out that my hero Marty Grosz was appearing in the city, probably for a Saturday afternoon session, I checked the Long Island Railroad schedule, packed my cassette recorder, and went there. ”There” was not a jazz club but a hamburger / steak restaurant catering to tourists, where, wonderfully and atypically, hot jazz was on the menu. That place was Charley O’s.
MARTY GROSZ, guitar, vocal; JOHN BUCHER, cornet; JOHN BEAL, double bass, were the band, for the cavernous room. I had met Marty in September 2004 Jazz at Chautauqua, so I may have said a brief hello. I would come to know John Bucher from his appearances at the Cajun. I knew Beal only from recordings, but he was gracious. I asked for a table near the music but none were offered for a single mortal, so I went to the balcony, where I could see the band as well as hear them, admittedly from above and from a distance. (Now, I would know better and would have told the waiter that my three friends were arriving soon, thus earning a table closer to the music. I hope to be forgiven my falsehoods.)
I ordered food — something banal — then set up my recorder to capture the sounds, which were wonderful. I saved the cassette. (A year later, I would have purchased a video camera and a digital recorder, but in 2005 I was still living in a technological past. However,, it DID work.)
You’ll hear I DON’T WANT TO SET THE WORLD ON FIRE / WRAP YOUR TROUBLES IN DREAMS / THREE LITTLE WORDS / A HUNDRED YEARS FROM TODAY / Marty half-heartedly hawking CDs / SUNDAY (incomplete) //
I’ve left in the long intervals between songs because you can hear Marty providing the chordal roadmap for his two colleagues. Impatient listeners can scroll forward; imaginative listeners imagine themselves on the scene.
The room got much more noisy; perhaps my waiter, seeing my empty plate, hovered and said, “Will there be anything else?” and I took the check. On the way out, I thanked the trio and lamented the noise level.
There ends my saga of Charley O’s, sometime in 2005. But the music! Better than the hamburger deluxe and much fresher, even eighteen or so years later.
Photograph by Lynn Redmile
Charley O’s closed some time ago. John Bucher, that gentle man, has left us. Messrs. Beal and Grosz are still laying it down, although slightly less frequently.
Benny The Butcher continues to ramp things up for his debut Def Jam release. Following the success of the Stove God Cooks assisted “One Foot In” and “Big Dog” featuring Lil Wayne, Benny goes iso in the basketball-themed single and video aptly titled “Bron.”
Benny The Butcher
The grainy, flickering visuals finds Benny in a Hapeville, GA school gymnasium along with local basketball players working on their game. Moreover, as the track’s soulful keyboard loop wraps around the orchestral sounding beat, Benny muscles his way into the spotlight with his emphatic delivery, letting off his customary warning shot, “The Butcher coming!”
In essence, the music video conveys that the BSF head-honcho’s claim for hip hop supremacy is a result of him outworking his adversaries. After all, the Buffalo native claimed on X (formerly known as twitter) that he would have the best Def Jam release since DMX’s debut-album. While a strong take, he stands as one of the few street rappers breaking into the mainstream. Ultimately landing a gold single with the J. Cole assisted “Johnny P’s Caddy.”
On “Bron,” Benny leans into his confident, charismatic and clever cadence while maintaining his role as a street general. He affirms, “In my city, I’m King Kong,” and cleverly confides this the songs hook, “I’m Bron. After my chip I told my folks back home so long. I moved my family and my bricks somewhere it’s warm.”
Everybody Can’t Go is set for release on January 26.
In the heart of the Capital Region, you’ll find more than just streets and buildings â you’ll discover a lively melody that reverberates through Albany, Saratoga Springs, Schenectady, and Troy. These cities collectively host a variety of venues, each adding its unique flavor to the local music scene.
From lively stages to cozy spots, every venue contributes to the dynamic soundtrack of the region stretching from Lake George to the tip of the Hudson Valley.
The Arthur Zankel Music Center at Skidmore College has a capacity of 600. Offering a highbrow lineup featuring classical and jazz artists, the center also occasionally hosts mainstream heavyweights. The venue, with upgraded facilities, provides a unique experience for both students and the wider community.
Address: 815 N Broadway, Saratoga Springs, NY 12866
Situated in the heart of historic Saratoga Springs in the Capital Region The Brook Tavern is a beloved neighborhood gathering spot at the crossroads of Union and Nelson Ave. Only a short walk from the Saratoga Race Course and within walking distance of Congress Park, it offers a convenient and welcoming locale for locals and visitors alike. Don’t miss the live music every Tuesday, adding a delightful rhythm to the vibrant atmosphere.
Address: 139 Union Ave, Saratoga Springs, NY 12866
Bye-i ⢠Brewing is dedicated to delivering the Capital Region the beer they deserve, prioritizing quality over profit. As they aspire to become a symbol of American culture, their commitment extends to community involvement and giving back to those who support their growth. The brewery also features live music as a focal point of its offerings.
Caffè Lena is the oldest continuously operating folk venue in the US. With a capacity of 110, it has hosted iconic artists like Bob Dylan and Emmylou Harris. The venue’s intimate setting underwent a $2 million renovation in 2016, offering a cozy space for folk enthusiasts to enjoy live performances.
Nestled in downtown Albany, Capital Repertory Theatre (theREP) stands as an acclaimed professional theater, recognized for its diverse range of productions. From contemporary and classic drama to off-Broadway musicals, cutting-edge comedy, and world premieres, theREP’s year-round season draws theater enthusiasts of all ages. Beyond providing opportunities for seasoned professionals and rising stars, theREP extends its impact by offering unique educational programs to students in the Capital Region.
Centre Street Public House and Beer Garden (Schenectady)
Centre Street Public House and Garden offers a distinctive and inviting atmosphere, featuring top-notch craft brews, a gastropub menu, and exquisite banquet facilities. Additionally, the venue hosts weekly live music, adding a vibrant and entertaining element to its appeal.
Opening in 1976, the Cock n Bull celebrates a near half-century of great food and more recently, Music in the Barn. As notes by the business, the custom of playing music in a barn has been a lively part of American rural life since the 19th century, with the acoustics of the Cock n Bull’s post-and-beam barn continuing this regional tradition.
Established in 1874, Cohoes Music Hall in Cohoes is the fourth oldest operating music hall in the US. It hosts solo artists, theater troupes, jazz acts, and tribute bands. The venue actively supports up-and-coming acts, contributing to the local arts community.
A distinctive landmark in Albany’s skyline, The Egg offers two theaters with capacities of 982 and 450. Completed in 1978, it hosts a range of events, from jazz-rock acts to ballet performances. The Egg stands out not only for its unique architecture but also for its diverse programming, including roots, rock, jazz, and comedy.
Address: Agency Building 1, S Mall Arterial, Albany
ââOwned by Michell Ramsey, who also owns Jay St. Pub in Schenectady, The Electric Grinch derives its name from a Schenectady bar of the 1970s and 1980s. Situated at 116 Jay Street, the venue offers live music and a full bar, with operating hours on Wednesday and Thursday from 4 p.m. to midnight, Friday from 4 p.m. to 1 a.m., and Saturday from 11 a.m. to 1 a.m.
Empire Live in downtown Albany, a top music venue in the Capital Region, features two stages: Empire Live and Empire Underground. With a 1,000-person capacity, Empire Live offers a spacious setting and excellent stage views. In contrast, Empire Underground, located in the basement, provides a more intimate experience with a 350-person capacity.
The Step stands as America’s oldest continuously running non-profit coffeehouse and concert stage, showcasing the finest independent acoustic music in Upstate New York, Western Massachusetts, and lower Vermont. Featuring a diverse range of genres, including contemporary and traditional folk, blues, jazz, bluegrass, Celtic, and more, our five-decade performer roster reads like a folk Who’s Who. From Pete Seeger and Janette Carter to The Chicks and Jeff Daniels, The Step continues to bring exceptional acoustic performances to its audience.
The Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) is a multi-venue arts center at Rensselaer Polytechnic Institute in Troy, opening in 2008. A variety of adventurous programming in music, performance, media, theater, and much more can be found at EMPAC, including a state-of the-art concert hall, leading the New York Times to call EMPAC a âtechnological pleasure dome for the mind.”
Since 1985, The Fuze Box has been a historically diverse live performance venue, consistently at the forefront of championing the next generation of alternative misfits and miscreants.
The Glove Theatre opened in 1914 and hosted movies, music, vaudeville, and civic events, and in 1920 it became the flagship theatre and home office of Schine Enterprises until 1965. In 1971 the venue officially closed, though it did have a few civic engagements during that decade, and reopened in Oct. of 1997 with the âThe Phantom of the Glove.â The Glove Theatre is a non-profit organization dedicated to establishing an accessible expression platform for the arts that engages, entertains, and educates the regional community, giving economic opportunities to the Southern Adirondack and Mohawk Valley regions.
The Hangar is a concert venue and event space showcasing both local and national acts, with most shows occurring on Friday through Sunday nights. Nestled by the Hudson River in Troy, it offers an intimate, roadhouse-style experience for music enthusiasts. Known for its vibrant atmosphere, The Hangar consistently features entertaining bands, providing a great setting for friends and fellow music fans. The attentive, friendly, and professional bar staff enhance the overall experience.
Established in 2013, The Hollow Bar + Kitchen stands as a celebrated and distinctive downtown Albany establishment. It holds the distinction of being the sole 4-star restaurant in the Capital Region. Under the guidance of Anna Weisheit, the 2016 Albany Chef’s Food & Wine Festival Rising Star Chef Winner, The Hollow offers a remarkable combination of a craft beer bar and a recognized live music venue, making it a unique and acclaimed destination.
The Inn at Saratoga (Saratoga Springs) The Inn, adorned with live music, becomes a haven for relaxation and entertainment.. The monthly-updated music calendar ensures a delightful experience for patrons seeking a harmonious blend of ambiance and talent.
In the evening, The Kings Inn hosts live music performances, enhancing its hospitality-driven atmosphere. The staff, known for their patience, plays a pivotal role in ensuring a welcoming environment. For those seeking prompt service, The Kings Inn stands out. Visitors have praised the bar for its exotic ambiance, making it a notable venue where bands regularly perform.
Lark Hall, a historic music venue was originally constructed in 1916 by the Daughters of the Eastern Star. Meticulously restored and equipped with state-of-the-art facilities, it provides a unique and unmatched experience for both performers and audiences alike.
Situated in the heart of the Lark Street district, Lark Tavern, an iconic establishment in the Capital District since 1933, serves as a cherished watering hole and gathering spot for locals. With a rich tradition centered around food, drink, and entertainment, the revamped Lark Tavern adds a retro vintage flair to the Tavern experience, featuring live music for an added vibrancy.
The Linda â WAMCâs Performing Arts Studio (Albany)
Founded in 2002, The Linda â WAMCâs Performing Arts Studio, is a meticulously restored 1926 bank situated in the heart of Albany’s Central Avenues Business District. This versatile venue serves as a multi-purpose auditorium and recording studio, welcoming a diverse array of events such as concerts, debates, lectures, films, celebrations, and more, many of which are broadcasted across WAMC’s seven-state listening area and online at wamc.org.
The Arena hosts a variety of events including concerts, family shows, sporting contests and trade shows. Home to the AFL Albany Empire, and the Siena Saints MAAC basketball team, the MVP Arena is a regular host to premier NCAA events.
No Fun, presented by Pint Sized, serves as the primary hub for experimental music aficionados in the Capital Region. Recognized as a live music venue, it is celebrated for providing a platform for avant-garde and cutting-edge musical performances.
Opening its doors in 1931, it has hosted iconic acts like The Rolling Stones and Bruce Springsteen. The Palace Theatre continues to feature Broadway plays, dance concerts, and movies, providing a stunning setting for diverse performances.
Originally a vaudeville venue, it has evolved into a multi-genre event space hosting Broadway musicals, dance concerts, and movies. Proctors continues to adapt its mission to the contemporary environment while maintaining its historical charm.
Formerly known as Putnam Den in Saratoga Springs, Putnam Place underwent a major transformation into a classy music venue, nightclub, and event space. With a capacity of 500, it has become a year-round destination, hosting diverse acts and contributing to Saratoga’s vibrant nightlife.
Renowned as Troy NY’s premier live music venue, The Rustic Barn Pub consistently delivers high-quality live entertainment, emphasizing the importance of exceptional performances. Committed to creating memorable experiences, they invite audiences to join them on Thursday, Friday, and Saturday nights for live music spanning a diverse range of genres.
Saratoga Performing Arts Center (Saratoga Springs)
Located in Saratoga Springs, SPAC is a versatile venue with a capacity of 25,000. It hosts a diverse range of events, from performances by The Philadelphia Orchestra and New York City Ballet to Live Nation’s pop, country, hip-hop, and classic rock acts. Surrounded by natural beauty and historic architecture, SPAC provides a unique experience, attracting top artists across genres.
Address: 108 Avenue of the Pines, Saratoga Springs
Nestled in the heart of downtown Saratoga Springs, NY, Saratoga City Tavern is a vibrant establishment offering a selection of over 110 draughts, delectable cuisine, and entertainment seven days a week. With five floors, this Saratoga, NY bar and tavern ensures there’s something to delight every visitor.
Nestled in the heart of downtown Saratoga Springs, Spa City Tap & Barrel stands as the city’s newest hangout. With a rustic charm and a modern touch, this cozy pub offers 32 beers on tap, signature cocktails, and a pub-style menu perfect for pairing with any sporting event. Patrons can enjoy live music on weekends, along with game nights and themed events throughout the week, making Spa City Tap & Barrel a vibrant destination for entertainment. Open seven days a week, it’s the ideal spot to experience Saratoga’s lively atmosphere.
Built in 1875, Troy Savings Bank Music Hall in Troy is celebrated for its exceptional acoustics. With a capacity of 1,253, the venue attracts classical, folk, and Americana performers. The Music Hall preserves its 19th-century charm, providing an intimate connection between performers and the audience.
For over 50 years, the UAlbany Performing Arts Center has stood as a prominent cultural asset for the University at Albany and the wider Capital Region community. Hosting the Prime Performance Series annually, the center brings a diverse array of national and international artists in music, dance, and theatre. With five distinctive performance theatres, a dance studio, rehearsal spaces, and dedicated libraries, the UAlbany PAC serves as a vibrant hub for artistic endeavors.
Additionally, A Place for Jazz shares a few dozen or so venues in the Capital Region that offer Jazz occasionally, or regularly.
Just north of the Capital District are a few venues that may fall outside of the typical ‘Capital Region’ geographic definition, but are still under an hour drive to see great live music.
Charles R Wood Theater (Glens Falls)
The Charles R. Wood Theater is a year-round performing arts facility in downtown Glens Falls, offering cultural events and productions with three spaces in the building for events – a 300-seat theater, a 3,000 square foot rehearsal hall, and over 2,600 square feet of lobby space.
The Festival Commons at Charles R. Wood Park, located at the southern end of Lake George, is home to many events during the summer, most notably Memorial Meltdown and Adirondack Independence Festival, and much more in between. The grounds also include a skatepark and have public restrooms, all within walking distance of “The Queen of American Lakes,â Lake George.
Cool Insuring Arena is a multi-purpose sports and music arena located in downtown Glens Falls. When they are not home to the Adirondack Thunder of the ECHL, the former Glens Falls Civic Center has hosted a great number of classic concerts – The Who’s first comeback show in 1989, Phish performing The White Album in its entirety (and playing past 3am), among many others – and has many great years left as the Glens Falls region sees a renaissance in their downtown over the past decade.
DJ’s Niteclub is a seasonal club in Lake George, New York that offers a view of the village strip. They offer a variety of music and night life in Lake George for locals and tourists alike.
The building structure of Fort Salem Theater dates back to 1774, and after fires and rebuildings, by 1882, a chapel made this future theatre and arts venue, complete. Improvements in the 1970s made Fort Salem the premiere summer stock theater in the Northeast, with family-oriented musicals, comedies and dramas. Renovations from 2006-7 brought Fort Salem into the 21st century, with seats donated from Broadwayâs Helen Hayes Theater. The theater is under new ownership and reopened in June 2021.
Since 1878, Hubbard Hall has developed, produced, and presented theater, music, opera, dance, and the visual arts and in recent years has become a world-class development center for new work. A non-profit since 1977, Hubbard Hall attracts artists, students, and audience members as a fertile training ground for both young and seasoned artists, Offering classes in dance, theater, music, movement, visual arts, puppetry, creative writing, martial arts, yoga, and even gardening, this multi-purpose venue gives students of all ages an opportunity to train, collaborate, and thrive.
Built in 1911, The Park Theater is the premier entertainment venue located in the heart of downtown Glens Falls. The theater holds a rich history within the community and has been revitalized as a destination for performing arts, weddings, and events.
A former lakeside teaching studio of internationally renowned soprano Marcella Sembrich (1858-1935), The Sembrich has a distinguished operatic career and musical legacy, offering a variety of programs, articles, and multi-media presentations online and in person.
The Strand Theatre opened its doors on January 17, 1923, and after being closed for a period of time, was reopened on October 7, 2016 through the nonprofit Hudson River Music Hall Productions, which came together in 2010 with the goal of helping to rehabilitate old buildings in Hudson Falls. Having a huge calendar each month (see below) with a wide variety of genres, shows and experiences, the Strand Theatre holds the distinction as the only major music venue in Washington and Warren Counties that is open year-round. Part of a chain of Strand Theatres built in the early 20th century, other venues under the name Strand can be found in Plattsburgh and Schroon Lake, as well as others that have closed over time.
