Category: Features

  • Biscuits and Eggs: The Brownstein Family Band Serve up the Jams in Albany

    It was fun for the whole family as members of The Disco Biscuits and Eggy, along with up-and-coming jammers Dysfunktone, converged at in Albany to bring the party to the people on Friday, June 28. Playing the third gig of the Brownstein Family Band’s first multi-show run, it didn’t take long before the bona fide family reunion escalated into an all-out dance party.

    Featuring familiar tunes, choice covers and a whole lot of smiles and sweat, it was the kind of night that made you feel lucky to be alive and that you were in the right place at the right time.

    Marc, Jake and Zach Brownstein performing as The Brownstein Family Band in Albany on 6/28/24.

    Conceived almost by accident when someone backstage at Biscoland 2023 suggested the idea of getting everyone named ‘Brownstein’ together to form a supergroup, less than a year later, that pipe dream has become a full-fledged reality. Consisting of the Disco Biscuits bassist Marc Brownstein and his son Zach Brownstein on drums, the band also features Eggy bandmates Jake Brownstein on guitar and Dani Battat on keyboards. 

    Now collectively known as The Brownstein Family Band, the high-profile side project blazed a trail over the Northeast with four shows that will have people talking for years to come.

    Dysfunktone kicked things off at Lark Hall on 6/28/24.

    Opening the night at Lark Hall with an energetic set full of groove-based improv was Long Island rockers Dysfunktone. Commanding your attention from the opening riffs, the impressive young quartet dazzled with proficiency and technicality.  Made up of Rob Meza on guitar and keys, Alex Gallina on bass, Brandon Hanna on guitar, and Dakota Henry on drums, the band wasted no time going dank and deep.

    After kicking off with a 14-minute rendition of “Strawberry Cough,” Dysfunktone easily won the crowd over with stellar versions of “Medusa’s Myth,” “Circadian Rhythms,” and an epic 18 minute ride through “Feelin’ Time” that contained clear Aqueous teases throughout. A band that is destined to become a force in the Northeast jam scene for years to come, be sure to keep an eye out for them and thank us later. After a brief intermission, the Brownstein Family Band soon assembled on stage around 9:30pm.

    The Brownstein Family Band performing at Lark Hall on 6/28/24.

    Properly paying homage to a mutual musical hero, Jerry Garcia, the Brownstein Family Band opened their set with colorful cover of “Let It Rock.”  Setting the tone for the exciting evening to come, Steve Miller Band’s “Take the Money and Run” would give way to the first original song of the set in Eggy’s “One Stop Shop.” Pausing for a moment to address the audience, Marc Brownstein (AKA Brownie) would claim the Lark Hall crowd was the most welcoming and energetic so far on this run. Peering at them through a pair of gnarly green shades, he’d go on to say that because “they were having so much fun, they’re going to ditch the set break and keep the jams flowing.”

    Marc Brownstein of The Disco Biscuits performing with The Brownstein Family Band on 6/28/24.

    Dropping back into the music with the beloved Disco Biscuits original “M.E.M.P.H.I.S.” the band seamlessly dithered into the psychedelic territory of the Beatles classic “Tomorrow Never Know” with vocals courtesy of keyboardist Dani (pronounced Donny) Battat. The crowd got extra excited for its follow up, another cherished Jerry Garcia tune, “Cats Under the Stars.”

    Providing a perfect platform for Eggy’s axe-man Jake to show off his incredible chops, the song effortlessly segued into the timeless “Tangled Up in Blue” which had everyone singing along in unison.

    Eggy’s Jake Brownstein performing with The Brownstein Family Band on 6/28/24.

    Another Eggy original tune was up next in the form of “All Wheel’s Turnin’,” before the Brownstein Family Band surprised us all with a cover of Donovan’s “Barabajagal.”  Pausing once again for a few words, Brownie would speak from the heart, commenting how great it was to be playing with these young and hungry lions, while also acknowledging just how great of songwriters Jake and Dani really are.

    Like any proud dad, he would also give major props to his son, Zach, for holding it down on the drum kit, watching him not only grow into a great drummer, but a professional one and noting that it’s “a true joy to be sharing the stage with him.” The sappy sentiment continued next with an emotional rendition of the Grateful Dead’s “They Love Each Other” that had all the feels and was perhaps the overall highlight of the night.  After “Confrontation” left Lark Hall begging for more, the band would return to the stage for one final tune.

    Zach Brownstein performing with The Brownstein Family Band on 6/28/24.

    With things going so well, Dani would joke about how their still trying to figure out a way to have some Brownstein family drama. Marc would quickly interject and say, “We’re only 4 show in. It’s coming.  Believe me, I’ve been around for a long time. The drama is coming and this song is our redemption.”  The Brownstein Family Band would then close the show with an emphatic and euphoric rendition of the Eggy original “Golden Gate Dancer,” bringing another stellar night of music at Lark Hall to a memorable close.

    Eggy’s Dani Battat performing with The Brownstein Family Band in Albany on 6/28/24.

    After wrapping up this brief run of shows the following night in Bridgeport, CT, it’s unknown when the Brownstein Family Band will perform their next gig.

    With The Disco Biscuits set to host their second annual Biscoland in LaFayette’s Wonderland Forest over the 4th of July holiday and Eggy heading west to make their Red Rocks debut and play a handful of high profile festivals through the month of July, it’s shaping up to be a busy summer ahead for both of these talented and charismatic bands. What we do know for certain is that when this fun loving collaboration happens again, you don’t want to miss it.

    Brownstein Family Band | June 6, 2024 | Lark Hall | Albany, NY

    Setlist: Let It Rock, Take the Money and Run, One Stop Shop, M.E,M.P.H.I.S.  > Tomorrow Never Knows, Cats Under The Stars > Tangled Up In Blue, All Wheels Turning, Barabajagal, They Love Each Other, Confrontation

    Encore: Golden Gate Dancer Redemption

    Dysfunktone | June 6, 2024 | Lark Hall | Albany, NY

    Setlist: Strawberry Cough, Siren’s Song > Medusa’s Myth, Circadian Rhythms, Feelin’ Time.

  • Electric Forest 2024: A Magical Recap

    Electric Forest 2024 friends and family all gathered from thousands of miles away to experience the magic that resides in the middle of the woods in Rothbury Michigan. The festival ran from June 20 to June 23 but people gathered days before this to set up camp and embrace the full forest experience. 

    Electric Forest 2024
    DRAMA, Photo Credit: Maddie McCafferty

    Early arrivers got treated to pre-party sets at the Evolve Afters stage where performances by Super Future and Tripp St. wooed the crowd. Their experimental bass music gave people the perfect hype to kick off this festival weekend. 

    Day 1 – Welcome to the Forest

    First time Forest attendees and vets quickly entered the grounds the first day in a heavy anticipation of what the festival had in store for them this year. Art installations encompassed the scene including beautiful murals, interactive games, light installments, huge statues, and more. So many people are seen embracing their creative spirit from checking out vendor shops, to watching live painting, and exploring the art spread across the trees.

    The heat was booming which made The Observatory stage set in the middle of the trees the place to be. It also helped that international electronic producer CloZee’s Odyzey label was doing a stage takeover. This featured performances from Dixon’s Violin, Redrum, Zen Selekta, Super Future, Tripp St., Zingara, and Marsh. 

    Zen Selekta’s energy at the Observatory was insane. She knows exactly how to handle a crowd and leave them wanting more. Her music intertwines dark vibes with ethereal melodies and ethnic influences. 

    Electric Forest 2024
    Zen Selekta, Photo Credit: Maddie McCafferty

    Over on the Ranch main stage though DRAMA had a soulful performance. This multicultural collaboration is between producer Na’el Shehade’s chic house-infused production style and vocalist Via Rosa’s inspirational delivery. Their dynamic is so complementary it plays on patterns of hip-hop and bossa nova. 

    Back at the Observatory Zingara made her return to Electric Forest, but this time with a night time set. Fresh off of her Code of Dreamz tour, she gave the crowd tons of new music and remixes to listen to. She performed her tracks, “Unlock Your Keys,” and “Up is Down.” Seeing a Zingara set transports music through the mind and body in a unique way. 

    Zingara, Photo Credit: Maddie McCafferty

    The Observatory stage had a round of insane performances from some of the most talented producers. After countless artists played, the electronic rhythmic figure CloZee came on stage for a secret set. She shared she always wanted to play at this specific stage but with her status now it became difficult with the available capacity around that area. This made her secret performance even that much more special and intimate for the lucky fans who got to experience it. 

    Electric Forest 2024
    CloZee, Photo Credit: Maddie McCafferty

    Day 2 – Bass Rush 

    It’s a Forest tradition that on the second day bass-heads camp out at the Tripolee stage for the numerous dubstep artists that throw-down hard one after the other. People brought out their chill-bos and flow toys for the hard-hitting tunes. 

    Up and coming artist Canabliss kicked off this day with her pink visuals. She plays on funky beats and is constantly remixing booming tracks. Canabliss even remixed the latest Irish hit “The Spark” making people go crazy. She did mix in some of her own tunes including “Saudade.”

    Electric Forest 2024
    Canabliss, Photo Credit: Maddie McCafferty

    More talented women steam-rolled the crowd with their high energy. The bass that day was flourishing to say the least. Dubstep producers Level Up and ALLEYCVT each had a set that was unbelievable. Level Up brought Subtronics out for their latest collab they’ve been working on together. 

    ALLEYCVT’s visuals and pyro took her performance to the next level. This was her debut at Electric Forest and it did not disappoint. Headbangers were going wild during her set and moshing at any chance they got. Many people left her performance immediately wanting to see more.

    Electric Forest 2024
    ALLEYCVT, Photo Credit: Maddie McCafferty

    Later into the night Pretty Lights had their comeback performance at Ranch Arena. After 10 years Pretty Lights came back to the fields in Michigan and they left zero crumbs. They brought their own fusion of electronic beats, poetic samples, and modular synthesizers. This musical project is transformative and definitely leaned into more of a jam experience in the Forest. 

    Back at the Tripolee stage though the late-night dubstep DJs were still giving hard-hitting performances. Boogie T, ATLiens, Wooli, and BTSM finished the round up. BTSM closed out the stage with their mesh of heavy bass and techno. Lately they have been performing with their new anime visuals from Attack on Titan and watching that from the crowd is insane to see. 

    Electric Forest 2024
    Boogie T, Photo Credit: Maddie McCafferty

    Day 3 – Rain Rain Go Away 

    Okay maybe it’s not the rain so much as the storms that Forest goers had to undergo this day that needed to go. Many started off their day at the Brainery getting in their daily dose of positive affirmations and good vibes. All week different classes were held there including meditation, yoga sessions, and shuffling courses. 

    Others who entered the festival grounds early attended a party at the Chapel where people got to celebrate their freaky unique selves. And if some attendees got there at the right time special wedding ceremonies would take place.

    Electric Forest 2024
    Super Future, Photo Credit: Maddie McCafferty

    Unfortunately though this day ended quite early as everyone inside the festival grounds was told to evacuate to their campsites due to severe storms coming in. The intense thunder storms lasted for hours flooding campsites with heavy rain and creating so many mud pits. Many artists didn’t get to perform their set due to this.

    They didn’t open the festival back up until after midnight pushing so many artists to now overlap with one another. When the gates opened back up fans ran to the stages to get a good spot for the few late night producers who didn’t lose their set. Subtronics got to throw down at Ranch. His tesseract visuals are stunning and his mixing is top of the EDM game by a landslide. He got to play his flip of Hozier’s song “Too Sweet” and his latest single “Sploinky Dub.”

    Tripp St., Photo Credit: Maddie McCafferty

    LSZEE, also known as the project by LSDREAM and CloZee, made their first ever debut as a duo this night. They performed so many unreleased songs and fun remixes. The euphoric energy these two artists brought is unmatched. The two know how valuable certain sound wave frequencies play on mood and they utilize this to take their audience on a journey. These renowned producers got to perform their songs “FRENCH DREAM” and “CHRYSALIS” for the first time as well. A night that people thought might not happen throughout the day was finished with an absolute breathtaking experience. 

    Day 4 – The Forest Family 

    Despite the third day having quite the unexpected journey, so many people were ready to fully embrace what the final day of Forest had to offer. Many who missed out on the scavenger hunt the days before went to the “Time Travel Agency” to receive their quest and start their excursion. Others went inside the Dream Emporium to watch a wrestling match, roller-skate, and even go kayaking. 

    An absolute highlight of the final day, if not the entire weekend, was the return of Lightcode by LSDREAM. In the afternoon at Sherwood Court, LSDREAM presented his sound healing and ambient bliss-inspired project. This meditative experience is one that no words can do justice. It truly is so transformative that it left so many people in tears. The exercise is unlike no other that sets to reopen peoples’ hearts and minds to what not only the festival, but the human experience should consist of.

    Level Up, Photo Credit: Maddie McCafferty

    Later in the day, the up and coming trio Levity performed a set at the Observatory. This group first started taking off last year at Electric Forest when the festival needed someone to cover a slot at the Honeycomb stage and one member just so happened to bring his USB. Their 2023 last minute set ended up popping off online and caused this group to get so much commotion behind their name. It truly is a full circle moment watching Levity grow from a last minute fill-in to a night time set at forest. This group encompasses what Electric Forest is all about and their performance was nothing short of eccentric. 

    Levity, Photo Credit: Maddie McCafferty

    Experimental bass artist INZO also had a performance that was exceptionally moving. He played on Sherwood Court and of course utilized his signature Alan Watts verbiage. Some tracks fans got to hear were “Overthinker” and “Drift Like a Cloud, Float Like Water.” 

    Into the night, fans gathered at Ranch Arena for GIGANTIC NGHTMRE. This is a project by Big Gigantic and NGHTMRE that has such heavy hitting beats. The layered sound from the drums, saxophone, and mixing on stage blends effortlessly. The trio definitely know how to pump up a crowd and provide that much needed energy boost. The pyro matched with the fun visuals and fireworks were captivating. The group also performed a good amount of riddim which is exactly what the Forest family needed. 

    GIGANTIC NGHTMRE, Photo Credit: Maddie McCafferty

    After GIGANTIC NGHTMRE ended many gathered up for a performance from the dubstep king himself, Excision. However, this was shortly met with an evacuation announcement due to another wave of severe storms that were coming in. Unfortunately there was no re-entry after the evacuation notice and this sudden goodbye left many upset. 

    As much as the storms were such an inconvenience to people it didn’t ruin the Forest family’s time. You can’t control the weather, but you can control how you respond to the weather. And how people responded to it was by dancing in the rain, creating parties at campsites, and enjoying this time everyone got to spend together in the middle of the woods in Michigan. 

    ALLEYCVT, Photo Credit: Maddie McCafferty

    That is exactly what Electric Forest is all about. As much as you can play out how your weekend is going to go and schedule what artists you’re going to see, you truly can’t plan for everything. Surrendering to those moments of disarray and wonder can lead you to some of the best times. “While timing is everything, the present is where true discovery lies.” Electric Forest has always provided those moments of discovering what is really important and serves as a reminder of why we’re all here on this Earth: to let go and enjoy our time together. Maybe we didn’t get to see an Excision Electric Forest set, but at least we got to dance in the rain with our friends.

  • Orville Peck Stampede into Artpark

    A night of country music at Artpark amphitheater, Orville Peck, accompanied by the Goldie Boutilier and The War And Treaty, graced the stage on July 1. Where everyone felt like an outlaw cowboy for the night.

    Orville Peck
    Orville Peck

    Goldie Boutilier, a Canadian singer-songwriter, started the evening as one of the two opening acts for the night. Goldie has a unique sound blends country and a hint of Americana with alternative music. Although this may not seem like a good combination, Goldie can pull it off and stand out from the rest of the genre. She sang all her hits on her set, from Body Heat and The Actress to her most famous song, Cowboy Gangster Politician. From the moment she took the stage, She had the crowd on her side.

    Goldie Boutilier

    The second opener of the night was The War And Treaty, a husband-and-wife duo of Michael Trotter Jr. and Tanya Blount. Michael and Tanya were so much fun to watch perform. Seeing them be silly with each other while performing was refreshing and cute. The duo brought so much soul into their set that you felt every lyric they sang. They performed Hey Driver, a Zach Bryan song that they are featured on. After these amazing openers, the crowd was ready for the main act.

    Orville Peck took the stage as the sun set, bringing a contagious energy from when he appeared. He had a fantastic stage presence and kept the crowd entertained from start to finish. One thing that stood out was his gesture of giving roses to people in the crowd who caught his attention, whether it was for their outfits or for singing and dancing during the set. It was a friendly reminder that he was genuinely engaged with the crowd and noticed everything.

    Orville Peck
    The War And Treaty, Michael Trotter Jr. and Tanya Blount

    Peck performed songs from his previous albums, Pony and Bronco, as well as his latest album Stampede. A highlight of his performance was covering “Cowboys Are Frequently, Secretly Fond of Each Other,” a song he had previously recorded with Willie Nelson.

    By the end of the night, I truly felt like an outlaw cowboy with the amount of country music I’d listened to. I’m not a huge country fan, but truthfully, by the end of the night, all three of these artists may have turned a new leaf for me. I’m starting to like country music just a little bit more than before.

    Orville Peck setlist: Big Sky, Turn to Hate, Roses Are Falling, The Hurtin’ Kind, C’mon Baby, Cry, No Glory in the West, Hexie Mountains, How Far Will We Take It?, Conquer the Heart, Drive Me, Crazy, Blush, The Curse of the Blackened Eye, Lafayette, Any Turn, Cowboys Are Frequently Secretly Fond of Each Other (Willie Nelson cover), Outta Time, Kalahari Down, Dead of Night, Daytona Sand
    Encore: Bronco

    Orville Peck
    Orville Peck
  • 2024 Caramoor American Roots Festival 

    The 2024 Caramoor American Roots Festival was held on Saturday, June 29, 2024. The festival featured blues, Americana, folk, and bluegrass music with a stellar lineup featuring Lizzie No, Solomon Hicks, Fantastic Cat, Poor Monroe, Hopalong Andrew, and headliner Madison Cunningham.  Attendees were treated to a day of entertainment in a distinctive setting.

    Milton opening the festival
    Milton opening the festival

    Nestled in a secluded part of northern Westchester County, the Caramoor Center for Music and the Arts welcomes its visitors as they pass through a gate which reveals the sprawling 90-acre property. This  welcoming gesture sets the tone for the immersive Caramoor experience.

    Hopalong Andrew entertaining children in the Sunken Garden

    The festival was divided into two sessions: daytime and nighttime.  During the day, performances were spread across multiple locations within the center, while the evening session culminated with Madison Cunningham’s performance in the Venetian Theater.

    Friends Field

    Daytime performers had the chance to showcase their talents twice by performing in two of the four distinct show spaces throughout the day.  This two-set format allowed attendees to catch every act without having to choose who to listen to.  A map is provided to guide you through the vast expanse of the Caramoor Center.  Each show location is sufficiently distant from the other and offers a unique listening experience.

    Lizzie No with a young fan enjoying her performance

    The Sunken Garden presented the most intimate setting, as it is nestled in a clearing among the trees.  This charming location allowed the music to resonate in its purest form.  Many at the festival brought their children.  The garden proved to be an ideal spot for Hopalong Andrew’s family-oriented set, which encouraged interaction with the children in a tranquil setting.  Poor Monroe, a bluegrass band that followed Andrew, equated the location to the origins of their musical genre and the natural materials of their instruments.

    Fantastic Cat performing in the Spanish Courtyard
    Fantastic Cat performing in the Spanish Courtyard

    The Spanish Courtyard is situated inside the Rosen House, a Mediterranean-style stucco villa built in the 1930s.  Originally the summer home of the Rosen family, the property was donated and converted into a center for the arts and music after the death of their son in World War II.

    The Spanish Courtyard is described by Caramoor as “Spanish under the influence of the Italian Renaissance.”  The picturesque courtyard with its arched walkways and central fountain, provided an unusual yet enchanting setting for a rock show.  Fantastic Cat embraced this unique space with, as they dubbed it, a “spayed and neutered” acoustic set, before delivering a full-on electric performance later in the day at the Venetian Theater.

    John  Platt WFUV introducing performers
    WFUV’s John Platt introducing performers

    The third location, Friends Field, offered a spacious environment.  Visitors could relax on blankets or chairs and enjoy great sightlines to the large stage.  The grassy field also served as a soft dance floor for those so inclined.  Singer-songwriter Milton opened this stage, and was followed by Lizzie No and Poor Monroe, with Harlem blues aficionado Solomon Hicks closing out the daytime session.

    After the conclusion of the day session, Grammy Award winner Madison Cunningham and her band closed out the evening with a heartfelt performance in the open-air Venetian Theater, leaving the audience thoroughly appreciative. 

    Bluesman Solomon Hicks closing the day session

    Festivals bring to mind crowds, long lines, and tight spaces.  Caramoor Center for Music and the Arts started presenting music in 1945. They have learned the best use of the 90 acres offering space for the attendees, performances that do not compete against each other, as well as providing a special place for everyone to enjoy the arts.

    Headliner Madison Cunningham / Photo : Gabe Palacio

    The American Roots Music Festival is just one of the many curated musical events that take place at Caramoor.  Caramoor has a full lineup of musical happenings throughout the year.  Check their website for more details.

    Milton

    Hopalong Andrew

    Lizzie No

    Fantastic Cat

    Poor Monroe

    Solomon Hicks

    Madison Cunningham

  • Watch Trey Anastasio and the Boston Pops Unite at Tanglewood

    On a long anticipated day for musicians and fans alike, Trey Anastasio performed for the first time at Tanglewood Music Center, joined by the Boston Pops, conducted by Edwin Outwater.

    photo by Hilary Scott

    Initially scheduled to perform in June 2020, Anastasio beamed with joy as he took the stage following the orchestra for this long-awaited evening of music.

    For the June 29 crowd, the day was full of gray skies and rain that was tolerable, but not terrible, as fans were well prepared for the misty weather of the Berkshires that accompanies any passing storm system. Newcomers to Tanglewood were amazed by the sprawling grounds, the ability to bring in everything from food and drink to portable chairs and tables, all making for a relaxing pre-show that led into an evening of unforgettable music.

    photo by Hilary Scott

    Opening up the night with “First Tube”, this more staid by comparison, yet intricate, version of the classic Phish arena rocker elicited early erupts of cheers from fans, especially the uninitiated to Anastasio’s body of orchestral work. Following Thank You’s to the crowd, Anastasio shifted into the appropriate “Water in Sky” donning his acoustic guitar for the relaxing string-led number that evoked the orchestration of Disney’s early Silly Symphony cartoon series.

    Following was “Evolve,” which saw its orchestral debut a few nights earlier in Vienna, VA. The pandemic-era song, turned Phish single, now sits prominently in Anastasio’s arsenal of compositions for orchestras.

    photo by Hilary Scott

    A 17-minute “Divided Sky” was the closest to a Phish performance this evening, as the composition itself has been ideally suited for orchestra performance since it was written, and allows Anastasio to shine on guitar more than any other song this evening. The ‘open space’ was divinely orchestrated in the lead up to the ‘moment’, with cheers welcomed by the Bad Lieutenant, and the second half textbook early Phish orchestration, with a tremendous ending lead to roars of cheers from the crowd spread across the lawn and inside the Koussevitzky Music Shed.

    After introductions of conductor Edwin Outwater and the Boston Pops, “Mercy,” also a Vienna debut, followed for a soft breather that paired well with “Divided Sky.”

    photo by Hilary Scott

    Closing the set was “Stash,” a more complicated song for the orchestra, but offered a samba beat thanks to the horn section, the percussion and clave driving the mellow tempo forward with a ‘cha cha cha’ beat.

    Following a short setbreak (and an appreciated heads up given to the audience five minutes prior to showtime), “Harry Hood” saw its second ever performance (following Vienna), with the orchestra joining in to say “Thank You, Mister Minor” and featuring a unique ending compared to the Phish standard.

    “Petrichor” was a perfect fit following the excitement prompted by “Hood,” as well as with light sprinkles coming down as the song started.

    A short acoustic version of “More” followed, with “What’s The Use?” surprising the audience as it is wont to do at many a Phish show.

    Harpist Jessica Zhou was the MVP in the ‘quiet spot’ of “WTU?,” building the strings in gentle, rising to the occasion and giving this meditative song deeper resonance with the audience.

    In September 2009, “You Enjoy Myself” saw its debut at Carnegie Hall, and the moment saw the audience sitting in silent awe, with occasional laughs during the ‘vocals.’ On this evening at Tanglewood, for the unenlightened, “You Enjoy Myself” would draw out more than laughs and silence, but also dancers in the aisles of the lawn (yes, there are aisles on the lawn, sort of) and back of the shed.

    Trombonists Toby Oft and Stephen Lange, along with the percussion section combined for a memorable ‘vocal jam’ that led into the boisterous ending that Trey Anastasio and Phish have been performing since 1986.

    After a performance like this, Anastasio kept the new orchestrations flowing with acoustic guitar in hand for “The Inlaw Josie Wales.” Now a Phish rarity (last played in 2000), “Inlaw” is welcome at any performance from Anastasio and an orchestra moving forward.

    And to cap off an incredible day at Tanglewood and evening of music, fan favorite “The Lizards” closed the show, the tale of Rutherford the Brave as seen through the eyes of Colonel Forbin bringing fans to their feet once again.

    Trey Anastasio and the Boston Pops – Koussevitzky Music Shed at Tanglewood – Saturday, June 29, 2024 – setlist via Phish.net

    Set 1: First Tube, Water in the Sky*, Evolve, Divided Sky, Mercy, Stash
    Set 2: Harry Hood, Petrichor, More*, What’s the Use, You Enjoy Myself
    Encore: The Inlaw Josie Wales*, The Lizards
    * Trey on acoustic guitar

    Trey Anastasio at Tanglewood photos by Hilary Scott

  • Schola Cantorum Brings European Classical to Syracuse

    Schola Cantorum, an early music vocal ensemble, has been performing European classical music since 1975. Catering to a unique niche of classical music, the cantorum performs compositions from the Medieval, Renaissance, and early Baroque eras.

    Schola brings traditional technique and style straight from the Middle Ages to the Syracuse area. Barry Torres, Schola’s founding and present Music Director, formed the cantorum as the community based successor to an early music collegium at Syracuse University.

    Schola

    Barry Torres pursued his love of traditional music at Syracuse University, where he studied composition and music theory. Torres served 25 years as Director of Music Ensembles at St. Lawrence University in Canton, New York. At St. Lawrence, he taught singing and 16th Century performance practice in addition to directing the Laurentian Singers (St. Lawrence’s 28-member select choir), the University Chorus, and the Gospel Choir and Band. Torres has showcased his passion for music in the Orchestra of Northern New York, with NYS Baroque, and Sonare.

    Every season, Schola presents three or more vocal ensemble concerts, as well as smaller early music ensembles.

    Schola performing in 2009

    Since 1983, Schola Cantorum has hosted their Summer Workshop for Singers, where singers have the opportunity to expand their repertoire and develop skills specific to early music ensemble singing. In 2024, Dr. Kristina Boerger will be the director of the singers workshop. From July 25 to the 28, participants will practice the mutual attentiveness that allows singing without a conductor. Dr. Boerger specializes in elements of quality vocal production: loose and relaxed onset of sound, well-defined, resonant vowel formation, crisp consonants, and precise, speech-oriented declamation.

    The workshop is held primarily for amateurs aged 16 and up. Participants must be able to learn music and to sing in time, and in tune, from a score to attend the workshop. More information is available at the following link. For more information on classical events in your area, a link to the NYS Music classical section is available here.

    A video of a previous year’s workshop performance is available below.

  • In Focus: Jason Isbell and the 400 Unit at Beak & Skiff

    Day long winds and heavy rain, along with a gloomy evening forecast did not deter the strong contingent of Jason Isbell fans from turning out to Beak & Skiff in LaFayette on Saturday June 29, as Jason Isbell and the 400 Unit made their return to Central New York

    Isbell, the critically acclaimed singer, songwriter, and guitarist has been touring endlessly in support of 2023’s acclaimed release, Weathervanes.  The album showcases Isbell at his finest, with a package of songs focused on heavy topics like love and loss, addiction, and nostalgia, backed by powerful guitars and haunting melodies.  Isbell, an Alabama native, formed with the 400 Unit in 2009 after he departed the Drive By Truckers.  The 400 Unit, which consists of Sadler Vaden (guitars), Chad Gamble (drums), Anna Butterss (bass guitar), Derry deBorja (keyboards), and Will Johnson (percussion), have become an integral piece to both Isbell’s studio albums and live tours.  

    Heavy winds and rains started early and often on Saturday and continued until one final rain shower blew through the outdoor concert field shortly before 6pm. The tumultuous weather forced the cancelling of opener Courtney Marie Andrews’ set and led to a restructured timeline for the music events on this evening.  That did not deter music fans from turning out in near capacity, and shortly before 7pm they were rewarded with a sun which had finally broke free of the heavy cloud cover that had dressed the fields through out the day.  

    Just after 7pm Isbell stepped on stage with his bandmates, flashing a smile and delivering praise to those in attendance for riding out the weather.   The band launched into the gritty rocker “When We Were Close” which immediately had fans out of their chairs and making way close to the stage.  Isbell wasted no time showing off tracks from his 2023 release, opening the concert with four consecutive tracks off the album.  The third song this evening, “King of Oklahoma” which features a powerful, stadium-anthem like chorus, saw the first of several epic guitar-solo duals between Isbell and Vaden.  

    Through out the evening it became abundantly clear why Isbell has received such high praises as a songwriter.  Few artists have the ability to place the listener into the scene with their lyrics quite like Isbell can.  Vivid imagery, like on “Strawberry Woman” place the listener next to the song’s narrator, while addressing heavy topics all too familiar to many.  

    Over the course of the 110 minute set, Jason Isbell and the 400 Unit treated those in attendance to a set spanning their entire catalog, performing favorites like “Alabama Pines”, “If We Were Vampires”, “24 Frames”, “Flying Over Water” and “Cover Me Up”. They even paid tribute to The Cure, by playing “Just Like Heaven” late in the set. It was a simple gesture to pay homage to the band’s classic rock roots, and one that was well received by all in attendance.

    The Beak & Skiff Summer Concert Series continues on Sunday, July 7, with a performance by Lake Street Dive.

  • In Focus: Vanessa Carlton at Alive at 5

    On Thursday, June 27, Vanessa Carlton performed at Albany’s Alive at 5, located at Jennings Landing, on the waterfront of Albany.

    Vanessa Carlton, originally from Milford, Pennsylvania and quickly moved to fame after her first single “A Thousand Miles” moved into the Billboards Top Ten. She was recently on tour with Stevie Nicks and is now making a few stops for summer concerts.

    Carlton brought a large crowd to Jennings Landing on Thursday night to share songs from her first to her most recent album. Along with her songs “White Houses” and “Ordinary Day” she sang a few covers such as “Dreams” by Stevie Nicks. Carlton’s music had the whole crowd old and young dancing and singing along. The Alive at 5 stage created a beautiful back drop of the Hudson River and the golden hour light lit up the stage.

    Carlton’s performance left us all signing ” A Thousand Miles” on the way to our cars. Be sure to see the perfect summer concert series at Jennings Landing before the series ends.

    Remaining Alive at 5 2024 Concert Schedule

    July 11 KRS-ONE
    July 18 Third World
    July 25 The Record Company
    August 1 Galactic (presented by WEQX and NYS Music)

  • Tracey Yarad Brings Her Musical Memoir of Heartbreak to NYC Stage in July

    What do you do when your husband and musical partner of many years runs off with your teenage goddaughter? You write a boatload of wonderful songs, dye your wedding dress black and make it into a dynamic, emotional rollercoaster of a musical stage show. That’s how the soulful Australian-born, New York-based singer-songwriter-pianist Tracey Yarad coped with heartbreak by crafting an emotionally raw and sometimes even humorous blend of memoir and song entitled All These Pretty Things

    New Yorkers will get a chance to experience this unique fusion of song and monologue when it comes to the 59E59 Theater in New York City, July 13, 14 and 16.  Yarad’s Big Apple run is a part of 59E59’s East to Edinburgh 2024, a showcase of 16 shows, including Yarad’s, which will be heading to the famed Edinburgh Fringe Fest in August 2024.

    This confessional and cathartic one-woman show is a classic illustration of when life gives you lemons, you make lemonade.  A phoenix rising from the ashes story, it takes the audience from the fallout of a devastating divorce in Australia, following her husband’s affair with their goddaughter, to an inspiring new life and musical career in New York City. Tracey Yarad plays both the damsel in distress and the heroine who saves the day in this dramatic sound play.

    “I started writing these songs to keep myself from going insane,” explains Yarad. “I didn’t realize that it would ever be recorded or performed. It was just my healing process. But the audience reactions so far have shown me it’s something that touches and helps other people to move through their struggles and challenges too.”

    Yarad’s sprawling All These Pretty Things began life as an album. It features contributions from some of New York’s finest jazz musicians including guitarist Luca Benedetti (Jim Campilongo), bassist Tony Scherr (Norah Jones, Bill Frisell), violinist Zach Brock (Snarky Puppy, Stanley Clarke), drummer Josh Dion (Chuck Loeb, Bob James) and organist Jon Cowherd (Brian Blade Fellowship, Joni Mitchell). An accompanying illustrated book will be available for purchase at the show and online at her Yarad’s website. Acclaimed jazz singer Madeleine Peyroux has called All These Pretty Things “an emotional roller coaster ride from thoughtful resignation to heartbreak, rage, acceptance and back again. I like it when I hear her roar!” BroadwayWorld.com labels it “a beautiful alchemy, breathtakingly honest and gorgeously sung songs on the themes of loss and abandonment and the restorative power of music and love.”

    Tracey developed this evocative portrayal of one woman’s capacity to come back stronger than ever with the help of her co-writer and director, the acclaimed jazz songstress Tessa Souter.  The work also serves as Souter’s directorial debut. Yarad names “heart-on-sleeve” songwriters like Laura Nyro, Rickie Lee Jones, Joni Mitchell and Bonnie Raitt as some of her primary influences for the piece. Her music reflects her diverse experience as a performer – from classical pianist to singing German lieder, from leading a jazz fusion trio to fronting funk bands. All these stylistic variants blend to create Yarad’s singular style.

    All These Pretty Things showcases Yarad’s strength as an instrumentalist and vocalist.  With only a piano and her powerful voice, she communicates a wide range of human emotions, ones that come with the burgeoning of new love through to its inevitable and uniquely tragic unraveling to her rebirth as both a woman and an artist.  Her musical and lyrical acumen are showcased in the spoken word passages which are the connective tissue to the musical pieces.  They are a testament to another of her unique talent as a dramatist.

    Yarad’s musical life has been varied and globe-trotting. A pianist and singer-songwriter with jazz sensibilities, her career has taken her from touring her native Australia with her original music and having a Top 40 single in the 1990s, to a seven-year residency singing in 5-star hotels in Japan, to running her own music school for 18 years in the Blue Mountains of Australia and, finally, to New York City.

    Since relocating to the Big Apple in 2017, she has added jazz photographer to her list of professional accomplishments, specializing in portraits of leading names in jazz. Her work has appeared in Downbeat, Guitar Player and Drum Scene magazines to name a few.

    New York serves as an inspiring backdrop that has greatly fueled Tracey’s creative musical spirit. In the relatively short time since moving here, Tracey has produced two original music projects—one with her all-female group featuring Claudia Acuña, Jennifer Vincent, Elsa Nilsson and Rosa Avila and this one-woman version of All These Pretty Things.  Another musical memoir, Lost in Translation, featured stories and songs from her days as a hotel singer in Japan and was performed with virtuoso jazz pianist Jim Ridl.

  • Catch Adirondack Band nubble this Summer in the North Country

    Saranac Lake-based band nubble is set to tour around the North Country this summer, bringing their Adirondack-themed folk music with them. Their imagery and subject matter are all distinct to the Adirondacks, featuring local references and atmospheric sound.

    nubble

    nubble was formed about a year ago by Gene Baritot (vocals, guitar, keyboard), Edek Falkowski (fiddle, banjo, vocals), Christian Eggleston (bass, vocals), and Chris Radey (drums, vocals). nubble’s tour will offer an excellent opportunity to support local musicians while enjoying their unique sound.

    Their experiences living in the Adirondacks come through in their songwriting. nubble expressed the excitement about sharing their love if the region with others, saying “we have the chance to share our songs which have been entirely inspired by the beauty of the area that we live.”

    One of the band’s tracks, “Ghosts,” is about the haunted cure cottage one band member lived in. The tuberculosis cottage in Saranac Lake was featured on Animal Planet’s “The Haunted,” while another track, “Buzz Away, Black Fly”, is about the bug of certain local renown.

    nubble expressed their gratitude for the ability to “express [themselves] in [their] small mountain communities”. nubble’s goal is to “share what feels good”, and they hope the ADK feels the same way. Their album, Live at Riverside Park, is available on Bandcamp, and tour dates are available below.

    Wednesday, July 3 @ Riverside Park in Saranac Lake, NY – 7 pm

    Thursday, July 4 @ Mids Park in Lake Placid, NY – 1 pm

    Tuesday, August 30 @ Hotel Saranac in Saranac Lake, NY – 8 pm

    Thursday, September 12 @ South Acres Park in Plattsburgh, NY- 4:30 pm

    Saturday, September 21 @ Ausable Brewing in Keeseville, NY – 12:30 pm