Buffalo jazz band, Spyro Gyra, have released a new single “50/50” commemorating their 50th anniversary.
The group have also announced an upcoming anthology album out Nov. 8 that covers their first decade of recorded music. They hit three cities in NY on their upcoming tour, Patchogue, Peekskill and Manhattan in 2025.
Since 1974 when Spyro Gyra first came together in Buffalo, they began experimenting with a fusion of jazz with R&B, Latin, and world music that has lead to great success and many achievements such as 13 Grammy nominations along with multiple Gold & Platinum albums. Their newest album, Jubilee, is an anthology compilation album that commemorates the 50th anniversary of Spyro Gyra’s formation. The album will contain classic songs and fan favorites from the years 1977-1987, including the Billboard hits, “Shaker Song” and “Morning Dance.”
This year the band, whose current line up consists of, Jay Beckenstein (saxophone), Julio Fernandez (guitar), Chris Fischer (keyboards), Scott Ambush (bass), and Lionel Cordew (drums) will embark on a world headline tour, which will land them in New York for three dates in Patchogue, Peekskill, and Manhattan.
Their new single, “50/50,” is out now through Amherst Records/Reservoir Recordings. The song is a precursor to the upcoming album Jubilee, which will be released on Friday, Nov. 8 on 2CD and 2LP gold and purple colored vinyl which you can preorder from their websire. These editions will include never-before-seen photos from the band and exclusive liner notes from veteran music journalist Jonathan Widran.
Indie rock fans flocked to the State Theatre in Ithaca on Tuesday, September 17 as Band of Horses wrapped up their summer tour with a performance in the picturesque town.
This show was a long time coming for fans of the Seattle rockers, as illness forced postponement of the originally scheduled show in February. The delay did not deter a strong contingent of fans from turning out, as the show was nearly sold-out.
The evening kicked off with a passionate performance from singer-songwriter Nolan Taylor. The Ohio native performed forty minutes of what he called “sad songs”. Taylor strummed an acoustic guitar and was flanked by friend and bandmate Clarke Sexton, also on guitar.
Taylor’s vocals soared through the theater, as he performed heartfelt tracks such as “Wicked Ways” and “68” the later of which oozed with emotion and previously served as the introduction to Taylor for many, when a video of him performing the track in the woods went viral last year.
After a brief set change over, the audience took their seats for Band of Horses. Singer Ben Bridwell took his place behind a pedal steel while his four band members gathered round. Bridwell began the opening strums of “Monsters”, a stand out track from the band’s 2006 debut release. The band would follow with “The First Song” and “The Great Salt Lake” all from their debut album, and serving as an impressive 1-2-3 punch to open the evening.
Bridwell and his band mates performed a set spanning the band’s 20 year career. Ballads like “Is There a Ghost” and No One’s Gonna Love You” brought the audience to their feet and illuminated the lower portion of the theater in cell phone lights, while “The Funeral” had the audience shouting the song’s anthemic chorus.
After a 17 song main set, the band returned to the stage for one final number; the rollicking, foot stomping “The General Specific”. The track saw the band calling members of their crew to the stage to join in on the fun, grabbing a hold of tambourines, cowbells, and what ever else could be used as a percussion instrument. It was a fun end to the evening in Ithaca, and a celebratory way to end a long tour for Band of Horses.
In the fall of 2022, Timothy Waldron, lead vocalist of the emerging band Monobloc, found himself captivated by a live performance of Eric Burdon and War’s “Spill The Wine” while navigating life in a new city.
Photo Credit: Julia Tarantino
This moment of inspiration sparked the creation of their latest single, “Irish Goodbye,” which premieres a post-punk sound, explaining the pressures of being young in a new city, a topic many can relate to as it can be challenging adapting in a new place. Not to mention a situation the band has experienced, giving credibility to their point of view. Storytelling prowess and minimalist instrumentation position them as a band to watch as they carve out their own lane in NYCâs vibrant DIY landscape.
Helmed by vocalist Timothy Waldron and bassist Michael Silverglade are alongside Zach Pockrose on drums and guitarists Ben Scofield and Nina Luders, each contributing their emotionally charged sounds. The band merges pop with a gritty post-punk attitude therefore, drawing inspiration from their come up in New York’s underground scene.
Monobloc gained notable attention for creating the viral Minecraft music festival, Block by Blockwest. This innovative virtual event combined their passion for music with the popular gaming platform, allowing fans to experience live performances in a unique, immersive environment.
Their storytelling abilities shines along with their patterned instrumentals, making them stand out as an innovative force. Additionally, their distinctive talent and the success of their first two singles, “Where is My Garden,” and “I’m Just Trying To Love You,” it shows that with their irresistible catchy melodic rock sound, they are just getting into the groove of things.
Accompanied by their thoughtful narrative point of view, paired with raw, minimalist instrumentation, makes them a standout act. On the other hand, making a splash in sold-out residency at Pianos and performances at major festivals like Rock En Seine and All Points East has given them a chance to propel onto the global stage.
Live Tour Dates:
OCTOBER, 26 at United Sounds NYC Festival – Brooklyn, NY
NOVEMBER, 7 at Iceland Airways – ReykjavÃk, IS
NOVEMBER, 8 at Deaf Institute – Manchester, UK (Debut Manchester headline)
NOVEMBER, 9 at Third Man – London, UK (Debut London headline)
NOVEMBER, 19 at Corona Capital Fest – Mexico city, MX
Acclaimed Brooklyn based musician and composer Sandra Kluge has released her third single, “Beholden to No One”.
Brooklyn based tap percussionist, performer, educator, and musician Sandra Kluge channels the deepest parts of her heart and soul in every piece and performance. Wrought with self reflection, honesty, and contemplation, her works channel what she wants to put out into the world using the full breadth of her skills across music and dance.
Kluge began dancing at the age of 10, spending the following years learning under the greats and endless hours of self-study that would later lead her to stages at the legendary Tap Ahead Festival, tap club Cologne, and Soundspace Philadelphia. In addition to performances of her own, Kluge shares the results of her years of practice and routine with her students at the American Tap Dance Foundation and Mark Morris Dance Center, in addition to teaching students from around the world virtually.
Just as reflecting the self is a through line in her lyricism, Kluge reflects all aspects of her life in her production. Utilizing her life-long passion in tap, Kluge channels the sounds of the dance into her percussion- the tap shoes themselves transcending the role of dance equipment to become instruments as she performs.
Her newest release “Beholden to No One” centers this unique and deeply personal form of percussion, a steady constant under the lyrics and mantra of “I am my best friend, beholden to no one”. The sounds of dance intertwine with ethereal synth textures, multidimensional guitar arrangements, and serene vocals above an odd time signature and intricate polyrhythmic structures that all culminate in a stirring experience of emotional self-determination.
A piece entirely its own, “Beholden to No One” originated from a therapy session in which Kluge realized that her existence is not tied to the permission or approval of anyone else. Empowered by the realization of all that she is capable of when no other voice is given the time of day, she is “beholden to no one”.
In addition to the track’s release, Kluge has published the official music video for “Beholden to No One” in which she walks through countless city settings in flowing bright clothing and an effortless yet quiet confidence, truly embodying the self-sufficient and self-loving attitude reflected in the song’s lyrics.
Only the third song of Kluge’s musical career, “Beholden to No One” marks her as an artist carving her own path- and an artist that needs no one’s permission but her own to do so.
To learn more about “Beholden to No One,” her other releases, and her story, please visit Sandra Kluge’s website here.
Consider the Source has released their eighth studio album, The Stare, along with a pro-shot video for the track “Mouthbreather.”
Formed in 2004 after a particularly successful jam session, Consider the Source has been releasing music and touring the globe for two decades now. Influenced by Turkish, Bulgarian, North and South Indian styles filtered through jazz, rock, and psychedelic sounds, the band’s sound can only be encompassed as “Consider the Source”.
The group’s newest release, The Stare, is the product of a story from years prior to Consider the Source’s conception. In 1992 David Prater, the producer of The Stare, worked on the up and coming progressive rock band Dream Theater’s breakthrough album- a work each of the founding members of Consider the Source absolutely fell in love with. Years later the members had found themselves in a band of their own, and in a full circle moment as the new album became a culmination of both the band and Prater’s talents.
Tour cut short due to the Covid-19 pandemic and spread across the country remotely, Consider the Source reached out to Prater after a chance encounter at a small local venue a few years prior that had formed the connection. Excited to return to a semblance of normalcy and routine, the band and Prater collaborated initially over Zoom before eventually road tripping to a house in which the only things to do were eat, sleep, and talk music.
The Stare captures the rare energy of the pandemic and the live artist’s experience- all of the creative energy that had been bottlenecked is on full display, and it’s beyond evident in each second of the tracks. It’s a creative feat that defies the emotional limits of isolation, leaving everything out on the metaphorical stage- a product of the pandemic, yes, but also a work that showcases how music is inherently a magnetic force for community and togetherness in the face of uncertainty.
In addition to the album’s release, Consider the Source has released a pro-shot video for the final track, “Mouthbreather.” A stunning seven and a half minute performance, the band’s showmanship is on full display.
To see Consider the Source on tour and learn more about their supporting acts as well as acts they’re supporting, visit their website here. The full list of upcoming dates is below.
On September 19, the West Side Tennis Club welcomed Kings Of Leon to the borough of Queens with open arms on a picturesque Wednesday evening.
The 18th stop on their ”Can We Please Have Fun” summer tour, the indie rock quartet from Mount Juliet, Tennessee are touring in support of their ninth studio album of the same name, released on May 10.
Kings Of Leon | Photo Credit: Michael Dinger Photography
One of New York City’s best concert venues, indoors or out, Forest Hills Stadium is truly a gem with a rich, storied history that is now one year removed from its centennial anniversary. Originally designed in the early-1920s as the original home of the U.S. Open tennis tournament, the Romanesque stadium and its grounds hosted 60 editions of the major tournament before it moved to its current home in Flushing Meadows in 1978. Beginning in the 1960s, the tennis club began booking concerts and quickly attracted some of the most culturally significant artists of our generation, including The Beatles, Jimi Hendrix, The Rolling Stones and Bob Dylan.
In August 2013, after decades of neglect and narrowly escaping demolition, the 14,000-capacity facility re-opened with Mumford & Sons performing the inaugural concert (my wife and I were there!). Not yet satisfied with their face lift, over the next few years, Forest Hills Stadium underwent multi-million dollar state-of-the-art renovations including optimized acoustics, the installation of a permanent stage and redesigning and expanding the concourse to twice its original size.
Forest Hills Stadium | Photo Credit: Michael Dinger Photography
Providing opening support for Kings Of Leon on this 28-date tour of North America, which launched in Austin, Texas on August 14, was Phantogram. Formed in 2007 and hailing from Saratoga Springs, just a few hours’ drive up the NY State Thruway, the electronic dream pop duo are comprised of multi-instrumentalists and vocalists Sarah Barthel and Josh Carter. Friends since their preschool days, Barthel and Carter were joined by a touring drummer and keyboardist as they mesmerized the steadily growing audience filling up the stadium with their swirling guitars, spacey keyboards and airy vocals.
Over the course of 40 minutes, Phantogram presented a 10–song set spread evenly across their soon-to-be five album discography, including their opening song “Don’t Move” from Nightlife, an EP released in 2011. Their fifth studio album, Memory of a Day, is scheduled to drop on October 18 via Neon Gold. The 12-track LP is preceded by lead singles “All A Mystery” and “Happy Again,” both of which were performed live onstage as if they were already classics in their storied repertoire.
Phantogram | Photo Credit: Michael Dinger Photography
Barthel and her hypnotically engaging lyrics were perfectly complimented by Carter’s atmospheric guitar work (who was sporting another one of his signature baseball hats, this time with “NY” fittingly represented) and mastery of his beat sequencing machinery, for a captivating, dreamy set. Stand-out numbers from Phantogram’s trip hop setlist were “Fall in Love” and “Black Out Days,” released more than a decade ago on their sophomore studio album Voices.
As the night’s festivities continued to move briskly along to comply with the strict 10:00 pm curfew (an effort implemented in April by the State Supreme Court order to appease residents in the surrounding neighborhood), I secured my position back in front of the mixing soundboard and readied my camera. The sun having completely set, Kings Of Leon took the stage at 7:45 pm, led by frontman Caleb Followill. As “Ballerina Radio” got underway, the lead track from Can We Please Have Fun, brothers Nathan (drums) and Jared (bass), along with cousin Matthew (lead guitar), suddenly appeared from the dark shadows. Accompanied by touring musicians Liam O’Neil (keyboards, percussion) – who was also celebrating his birthday – and Timothy Deaux (rhythm guitar, keyboards), it was ‘Game On!’
Kings Of Leon | Photo Credit: Michael Dinger Photography
Formed in 1999, the gritty, garage rock sound that Kings Of Leon embodies has been compared to that of Manhattan’s very own The Strokes, intermixed with blues boogie vibes reminiscent of Lynyrd Skynyrd for good measure. The entirety of Kings of Leon’s impressive catalog, now going on more than two decades, was represented in Queens this hump day by at least one track, with Can We Please Have Fun getting the strongest representation (six numbers in total), an album reminiscent of their innovative, early career recordings.
Having never seen Kings Of Leon perform live, the song I wanted to witness firsthand, above any other, was “Sex on Fire” (Only by the Night, 2008). Well, I did not have to wait very long, because my wish was granted one-third of the way into their set! After that, everything else was gravy.
Kings Of Leon | Photo Credit: Michael Dinger Photography
Since I am not someone who checks out setlist.fm or does extensive research ahead of a band’s gig, because I like the element of surprise, I did not know that on this tour Kings Of Leon have been setting aside ‘one-off’ numbers not performed at other shows on the same tour, affectionately known as “song for the city.”
This is the point of the evening where we play a special song just for you. No one else gets to hear it on the tour. In fact, not many other people have ever heard it. So, uh, we’re gonna give it to you tonight for your song for the city. This song was written in New York, and it’s about New York. This is “The Face” [second ever performance and first since 2014].
Caleb Followill
Being only my fifth show at Forest Hills Stadium . . . in addition to Mumford and Sons in 2013, I saw them again in 2016, along with Beck and Cage the Elephant (2019) and Weezer (2023), like the others, tonight’s show was just about fun, enjoying yourself and/or who you were with, and forgetting about life for at least a little while. Aside from stellar musical offerings from both Phantogram and Kings Of Leon, the stage design was visually stunning and the balloon rainstorm during the encore was the cherry on top to a glorious night.
Watch Kings Of Leon conclude their epic, 26-song set with the anthemic “Use Somebody,” from Only by the Night, here:
With just 10 more shows to go on the tour over the next couple of weeks, what lies next for these Southern gentlemen – outside of a much needed break from the road – is still a mystery. Regardless of future plan announcements or details about their next project, eager anticipation by their legion of fans is sure to ensue.
Phantogram Setlist: Don’t Move > Fall in Love > Pedestal > All a Mystery > Cruel World > Mr Impossible > Happy Again > Answer > Black Out Days > When I’m Small
Kings Of Leon Setlist: Ballerina Radio > The Bucket > The Bandit > On Call > Nowhere to Run > Manhattan > Razz > My Party > Sex on Fire > Revelry > Beautiful War > The Face > Supersoaker > M Television > Back Down South > WALLS > Pyro > Mustang > Molly’s Chambers > Waste a Moment > Find Me > Seen > Closer > Encore: Rainbow Ball > Knocked Up > Use Somebody
UPCOMING TOUR DATES
September 20 – Washington, DC @ The Anthem
September 22 – Washington, DC @ The Anthem
September 23 – Philadelphia, PA @ Mann Center for the Performing Arts
September 25 – Atlanta, GA @ State Farm Arena
September 26 – Nashville, TN @ Bridgestone Arena
September 28 – Chicago, IL @ Huntington Bank Pavilion at Northerly Island
October 1 – Toronto, ON @ Budweiser Stage
October 2 – Laval, QC @ Place Bell
October 5 – Bridgeport, CT @ Hartford HealthCare Amphitheater
Under the Saturday night stars on September 14, Austin Richard Post – a.k.a. Post Malone – delivered an unforgettable barefoot performance, a hometown show in Syracuse.
The sold-out crowd filled the Empower Federal Credit Union at Lakeview Amphitheatre with energy, creating an electric atmosphere for Post fans. Dan Spencer and Muscadine Bloodline opened the Syracuse F-1 Trillion tour stop.
Post is just a few dates in to his much-anticipated F-1 Trillion tour in support of his new crossover country album. Captivating the hometown fans with a setlist that balanced his chart-topping hits and brand new sound. Songs like âCirclesâ and âRockstarâ resonated through the air, while his new material like his duet with Luke Combs, “Guy For That” showcased his artistic evolution and versatility.
Until the age of 10 Post was living in Baldwinsville with his family until his dad was offered a position with the Dallas Cowboys. Residing in Utah now, currently the family does still have a home in Baldwinsville.
A standout feature of the night was a Post wearing an Otto the Orange shirt performing barefoot. Opening the show with the song “Wrong Ones” from his new F-1 Trillion album. Impressive stage production, highlighted with striking pyro effects ignited certain songs with explosive energy. Bringing the stage to life from his older rap hits to his newer country twang – Post really proved he truly is a Rockstar.
The new Post Era includes songs like “Yours” which is about being a girl dad and how it has changed his life.
Adding to the experience was the display of the iconic truck from his music video, Throughout the night, Post Malone took the time to connect with the audience, expressing genuine appreciation for their support.
Syracuse fans echoed the energy and showed Post he always has a place here at home. As he thanked the crowd multiple times for their energy and support, it was clear that this night would be cherished by all who were lucky enough to attend. After the final notes faded, Post jumped into the pit, taking the time to sign autographs and hug fans, further solidifying his reputation as a good guy. Those lucky enough to meet him remarked on his kindness and authenticity, a testament to his character beyond the stage.
With heartfelt gratitude and unforgettable moments, Post Malone once again proved why he is one of the most humble, iconic and loved artists of our time.
Catch Post again in New York at Saratoga Performing Arts Center on Monday, September 23 with Jelly Roll.
Post Malone – Empower Federal Credit Union at Lakeview Amphitheatre, Syracuse, NY – Saturday, September 14, 2024
Setlist: Wrong Ones, Finer Things, Circles, What Don’t Belong to Me, Guy For That, Chemical, California Sober, M-E-X-I-C-O, Candy Paint, Fallin In Love, Who Needs You, Two Hearts, Stay, I Fall Apart, Better Now, Psycho, Losers, Yours, White Iverson, Aint How It Ends, Go To Hell, Had Some Help, rockstar, Congratulations Encore: Sunflower
It was like 2007 all over again when we were introduced to Soulja Boy when he came into New York City for his SODMG Tour on September 17, 2024 at the acclaimed Gramercy Theatre. The New York crowd danced and sang the night away as if it were the Summer of 2007 all over again.
Atlanta, GA native, Soulja Boy found himself in the middle of what’s called the “Snap” era of Hip Hop with his 2007 hit debut, “Crank That (Soulja Boy)”. At 17, he became an instant Hip Hop star due to recording his daily life and posting it on YouTube, his hit single and a fun dance to match.
After SODMG’s various openers showcase, rather than treating the audience to silence between the build up—as is standard (and not necessarily frowned upon)—Soulja Boy began building the landing by allowing his DJ to play 2000s classics. Commanding the theatre illuminated by cellphone lights, he launched into one of his numerous classics “Turn My Swag On” to get the party started.
The Grammy-nominated artist went on to perform hits such as “Kiss Me Thru the Phone”, “Soulja Girl”, “Pretty Boy Swag”, “Gucci Bandana”, “Yahh” and most recently, “Rick & Morty.” Soulja commanded the whole room with hit after hit from his multi-decade spanning career. Although the set was just shy of 45 minutes, the crowd was served a heavy dose and reminder of why Soulja Boy, the musical legend that he is, is cemented in Hip-Hop and overall music history.
Outernational was on the Lower East Side under the Williamsburg Bridge at a makeshift staging area on Tuesday, September 17. Myles Solay, the band’s lead singer had reached out and asked if NYS Music could document their secret pop up show taking place on top of a flatbed truck, while driving around the Lower East side for a few hours.
Outernational pop up show in the Lower East Side September 17th, 2024
With no permit in sight and help from the folks of First Live who rigged up the truck in a true DIY fashion, everything was set for a 3pm departure. Chad Smith (of The Red Hot Chili Peppers) rolled in around 2:50pm, and with no soundcheck, took his place at the kit and drove off to the first location.
The route included stops at various staples like the Joe Strummer mural in front of Niagara on Avenue A, Union Square, Tompkins Square Park, McDougal Street, and a layover stop at Heaven Can Wait to say hello to Jesse Malin and his crew, dedicating a few songs to him. After a few rounds about Washington Square Park, the mobile pop up show ended on Bleeker Street at Village Revival Records.
After the final few songs in front of Revival the band hopped off the truck, vinyls in tow for a meet and greet and record signing with fans inside the store.
The new release Welcome To The Revolution was produced by Myles and Chad Smith, and was released on September 13 this year. The band is set to play two record release shows with special guest Chad Smith sitting in on drums at both.
On Thursday September 19, they play (le) poisson rouge in New York and the second show is in Los Angeles on September 28.
On Friday September 13th two Troybands – Lemon of Choice and Fantasy of the Broken – brought a large crowd to NO FUN in Troy.
Lemon of Choice is a rock band based in Albany. This band of friends makes every show more enjoyable by looping the crowd into their between song conversations. “I need my fancy drum sticks, or we won’t have any music” says Joe Taurone (Drummer and Lead Singer). They have a way of letting the crowd think every song is over then all of a sudden continues the song shocking the audience.
Fantasy of A Broken Heart promoted their debut album coming out on September 27. The band consists of two New York City friends who also play in the band Water from Your Eyes. This band has a Neo-Psychedelic feel to their music which sounds perfect in NO FUN’s intimate setting. They played all four songs from their most recent release Follow Your Captain EP.
They ended their set with title track “Follow Your Captain” which was the last song for them to finish on this project. The song follows the story of Al Nardo and Baliey Wollowitz’ childhoods. A song that they stated felt too personal to finish prior but when the opportunity arose, they decided to give it a try and added it to the EP.
