NYS Music 2024

Category: Media

  • Levitation Room Lifts Off in Troy

    A night after receiving a warm welcome at Baby’s All Right in Brooklyn, genre-bending psych rockers Levitation Room brought their cosmic vibes up the Thruway to Troy’s No Fun on Tuesday, May 14. Delivering a captivating performance that took listeners to the other side and carefully back, the gravity-defying band showcased exactly why they’ve emerged as one of the leaders of their genre. Playing mostly songs from the recently released album Strange Weather, the cool cats from California made a colorful impression that first-time listeners won’t soon forget.  

    Kicking off the evening with Bob Forget of Schenectady’s The Abyssmals playing his first solo set, followed by a short, high energy set by the local rock trio Stroma, Levitation Room casually took the stage around 10pm. Getting their fingers loose with the technical and shifting rhythms of the opening instrumental “Pintura,” Levitation Room quickly found their groove with back-to-back bangers from their 2019 breakout album Headspace, “Warmth of the Sun” and “2025.”

    “I wonder if I’ll be living
    In the year 2025
    You know my futures uncertain
    I’m losing grip all the time”

    Lyrics from 2025

    Led by front man Julian Porte on vocals and guitar, alongside Gabriel Fernandez on guitar, Johnathan Martin on drums and Kevin Perez on bass, one look at this band and you could just tell they “weren’t from around here.” Casually dressed in retro threads, the music itself also sounded like a bit of a throwback. Blurring the lines of psych-rock, garage and surreal pop, every song felt catchy, like it could be a radio single, and it made you wonder why these guys aren’t more well known.

    Levitation Room performing in Troy, NY 5-14-24.

    Far from a “new band”, the East Lost Angeles quartet has been around for nearly a decade now. Carving out a niche in the psychedelic-rock realm and releasing three full length studio albums, it’s perhaps their harrowing experiences from the road that have earned Levitation Room the most publicity. Whether that be coming face-to-face with an alleged U.F.O. while passing through Arizona, or a terrifying incident in 2022 when members of the band were allegedly kidnapped at gunpoint, dosed with unknown hallucinogens, and robbed of all their equipment, Levitation Room has somehow soldiered on and continued making great music. Making their Troy debut on this Tuesday night, the band briefly paused to introduce themselves and invite the crowd of mostly twenty-somethings to come closer to the stage.

    Levitation Room’s Julian Porte performing in Troy, NY 5-14-24.

    After taking “Mr. Polydactyl Cat” for a walk around the block, Kevin Perez’s infectious bass lines on “Cool It, Baby,” were so mesmerizing and playful that it nearly overshadowed the songs’ more serious lyrical themes.  Such was also the case on the follow-up song “Grand Illusion (Expectations), where the far-out pop sound seemed to mask the existential questioning of Porte’s words.

    Raise your glass, move your feet
    Are you dead or asleep?
    Talking heads on the screen
    Keeps you stuck in the dream
    Where the rat race is rigged
    And the presidents picked
    By the bankers who lend
    All that money you spend

    And I said cool it, baby

    Lyrics from Cool It, Baby

    Further captivating the audience by switching gears and showing off their tender side with a pair of love songs “Heaven,” and the well-received “Ooh Child,”  the waves of emotion swelled up like an ocean when Levitation Room uncorked what was perhaps the highlight of the set, an extended take on “Revelations,” a song about living in the moment, that saw the band firing on all cylinders and jumping around the stage, while guitarist Gabriel Fernandez navigated through a bevy of effects pedals during the song’s incendiary solo. It was refreshing to see the guys cutting loose, having fun and believing in what they were doing. 

    Levitation Room performing in Troy, NY 5-14-24.

    After reminding the audience to be weary of the CIA, FBI, and NSA keeping tabs on YOU during “The Other Side,” Levitation Room casually eased into their most well-known single, “Friends,” from their debut 2015 EP Minds of Our Own before the equally hypnotic and dreamy vibe of “Immoral Love” sent the entire room into a blissed-out trance.  Bathed in abstract visual projections and peering through a pair of old school 3-D glasses, the cool and steady hands of drummer Johnathan Martin mesmerized all evening long. Shifting tempos and playing up their strengths, “Loved” snapped the crowd out of it before the title track of “Strange Weather” brought the main portion of our sonic odyssey to a close. 

    Watch fan shoot footage of Levitation Room performing “Reasons Why” in Troy, NY 5-14-24.

    After walking off stage to an enthusiastic ovation, the band decided to treat the crowd to one more song, choosing “Reasons Why” as the lone encore of the evening, bringing the colorfully cathartic, rewarding and fun performance to a close.  Afterwards, the band could be found at the merch table taking selfies and signing records for the dozens of new fans they’d just won over.  No rest for the weary, Levitation Room would find themselves playing gigs in Canada less than 24 hours later. 

    Taking place at No Fun in Troy, it’s easy to be fooled by the venue’s tongue-in-cheek name.  A beacon for Capital Region counterculture since opening their doors in December 2021, the heady, 200 person capacity club known for its DIY punk-rock atmosphere and excellent craft beer selection, No Fun has proven to consistently contradict itself.  Booking bands you won’t find anywhere else and holding events nearly every night of the week, it’s shows like Levitation Room on a Tuesday night that stand out as making the place truly special. That’s why when the venue suddenly announced it’s looking for a new owner and operator this week it, it sent shockwaves through the local music community. Claiming a “work life balance thing” as the reason with a listing of $149,000,  the current owner wants it to be clear, No Fun is NOT closing, but rather opening the doors of opportunity for someone with the same spirit and passion to take over.  Stay tuned to NYS Music as we will be sure to keep you up to date on this developing story.

    Levitation Room | May 14th, 2024 | Troy, NY | No Fun

    Setlist: Pintura, Warmth of the Sun, 2025, Mr. Polydactyl Cat, Cool It, Baby, Grand Illusion (Expectations), Heaven, Ooh Child, Revelations, The Other Side, Friends, Immortal Love, Loved, Strange Weather

    Encore: Reasons Why

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    Bob Forget (of Abyssmals) | May 14th, 2024 | Troy, NY | No Fun | First Solo Set

    Stroma | May 14th, 2024 | Troy, NY | No Fun

  • Phish Releases Another Track From New Album, “Oblivion”

    Phish has officially unleashed “Oblivion,” the second song released from their forthcoming new album Evolve. The band’s first album in over four years, Evolve, is set to arrive via JEMP Records/ATO on Friday, July 12. But now two tracks from it have been unveiled before its official release next month. First, the album’s title track “Evolve” premiered last month. And now “Oblivion” has been made available to the public – with both studio cuts able to be heard below.

    oblivion phish

    Evolve, Phish’s 16th studio album, is produced by Vance Powell and Bryce Goggin. It was recorded in the fall of 2023 at the band’s now famous Vermont recording studio, The Barn. True to Phish’s unique creative process, the album’s 12 tracks were selected from arrangements shaped by the band’s dynamic live performances. Some, like the fan-favorite “A Wave Of Hope,” have become springboards for Phish’s most soaring improvisation.

    Phish seems to be giving “Oblivion” the same treatment. The song first debuted last summer and has already been played ten times, with a few serious jams attached to the back end. This includes a standout performance in Syracuse just a few weeks after its debut. And a huge arena rock version as only Madison Square Garden can supply.

    This new album seems to have a fitting title as Phish’s distinct musical language is on vivid display; still pushing boundaries, still very much continuing to evolve. The cover of Evolve and gatefold feature paintings by Mehdi Ghadyanloo. The track “The Well” is only available on the vinyl version of the album.

    Phish Dry Goods has three different exclusive pressings of Evolve available for pre-order, including a “Crimson Robed Edition” (neon-pink/maroon colored wax), “Pillow Jets Edition” (transparent/blue colored wax), and an “Eco-Onyx Gates” 180g Audiophile Edition pressed on recycled eco-black wax. T-shirts, CDs, and hats are also available.

    Evolve Tracklist

    1. Hey Stranger 4:47
    2. Oblivion 6:03
    3. Evolve 4:12
    4. A Wave Of Hope 5:04
    5. Pillow Jets 5:57
    6. Lonely Trip 6:00
    7. Life Saving Gun 4:25
    8. Monsters 5:15
    9. Ether Edge 4:06
    10. Human Nature 2:54
    11. Valdese 3:36
    12. The Well 4:30*
    13. Mercy 4:11

    *track available only on the vinyl version

    Pre-orders for Evolve are available now in all formats – including digital, CD, and double LP vinyl – via the Phish Dry Goods store: https://dry.gd/evolve.

  • Summer Showcase for BMI Jazz Composers Workshop Set For June 5

    The BMI Jazz Composers Workshop has announced that its 35th annual summer showcase will be held on June 5 this year.

    The event, which is free and open to the public, is scheduled for 7:30 pm at The Marjorie S. Deane Little Theater in Manhattan at 10 W 64th St. It aims to showcase the best big band and jazz orchestra compositions that have been produced in the workshop throughout the year.

    The performances will feature the BMI/New York Jazz Orchestra, a 17-piece modern repertory ensemble made up of leading New York musicians, performing eight new compositions that have been developed this season. The annual Charlie Parker Jazz Composition Prize and Manny Album Commission will be awarded to one of these new works. Additionally, the BMI Jazz Composers Workshop will also feature a new commission from last year’s prize winner, Joseph Herbst. 

    The orchestra will be led by Musical Director Andy Farber, who returns for his eighth year, alongside Assistant Musical Director and three-time GRAMMY-nominee Alan Ferber. Farber teaches jazz composition and arranging at The Juilliard School in New York and has written arrangements for legendary artists including Shirley Horn and Jon Hendricks, as well as symphony orchestras including the Boston Pops Orchestra. 

    Ferber currently teaches composition and arranging at NYU and Montclair State University and directs the NYU Jazz Orchestra. He’s an award-winning trombonist, a multi GRAMMY-nominated composer/arranger and a band leader with nine recordings under his name. As a recording artist, he’s played on over 150 albums, and has collaborated with a broad range of artists that includes Esperanza Spalding, Miguel Zenon, Paul Simon, Sufjan Stevens, and Dr. Dre.

    BMI is delighted to announce the return of the Jazz Composers Workshop Summer Showcase, partnering once more with our exceptional directors Andy and Alan. Each year, we eagerly anticipate gathering to enjoy the extraordinary compositions crafted throughout the year and to honor another deserving recipient of the Charlie Parker Prize.

    ~ Patrick Cook, BMI Senior Director of Jazz & Musical Theatre

    The 25th Annual Charlie Parker Jazz Composition Prize will be awarded to the writer of the best new work composed in this year’s BMI Jazz Composers Workshop, determined by three judges: David Berger, Don Braden and John Fedchock. This year’s winning composer will also receive the Manny Albam Commission, named in memory of the Workshop’s co-founder and longtime musical director, to compose a new piece for the 2025 showcase.

  • Trey Anastasio and Classic TAB at Wonderland Forest: Debuts, Phish Classics and More

    Trey Anastasio and Classic TAB pulled their tour into Wonderland Forest in Lafayette on Friday, May 17 and delivered a rousing night of debut songs, Phish favorites and rarities. 

    Trey treated an appreciative audience to a mix of electric and acoustic music that delivered both high energy and subtle thrills. The setlist was a testament to the band’s versatility and musical prowess, spanning both familiar classics and experimental improvisations. From the infectious groove of “Gotta Jibboo” to the introspective “Water in the Sky,” each song pulled the crowd in and sent them on satisfied.

    Wonderland Forest is a newer venue in the Syracuse area and a great place to see a show.  It’s ten miles south of the city near Lafayette, sitting on 400 acres of forests and fields.  When you initially enter the venue you walk down a gravel path through trees until entering a pristine clearing with a lovely pond.  Vendors are clustered around the water, with a small stage for an opening act to use in the back.  Walking further into a forest lit by brightly colored lights once the sun sets, you come to a beautiful amphitheater nestled in a grove.  

    As dusk descended upon this verdant expanse, eager concertgoers gathered under the canopies, their whispers mingling with the rustle of leaves, anticipating a night of transcendental music.  They weren’t disappointed. Trey took the stage a little after 8 pm, opening with a driving, pulsating “Sand,” followed by some nice soloing on “Back on the Train.”  He continued with “Stealing Time From the Faulty Plan” and then “Steam” before pulling out the acoustic guitar for “Heavy Things.”  The crowd was then treated to the debut of a never before played song called “It’s Happening Again,” followed by the first performance of “Windora Bug” in three years.

    Set Two featured a few songs off of Phish’s upcoming album Evolve like “Oblivion” and “Pillow Jets” as well as Phish classics like “Ghost” and “Blaze On,” and Trey Anastasio originals.  After finishing, the band took the stage for a two-song encore, with Trey pulling out the acoustic guitar for “Water in the Sky” and then finishing with an electric “Prince Caspian.”

    As the final notes of the encore faded, the crowd walked away happy – many no doubt on their way to catch the next stop in the tour. It was a high-energy night of music, only marred by a little rain, and a satisfying experience. Trey and Classic TAB’s playing was imbued with a sense of purpose and passion that resonated with every note. They are bringing their A-game on this tour and it is not to be missed.

    Trey Anastasio and Classic TAB – Wonderland Forest, Lafayette, NY – Saturday, May 18, 2024

    Set 1: Sand, Back on the Train, Stealing Time From the Faulty Plan, Steam, Heavy Things, It’s Happening Again, Windora Bug, I Never Left Home, Gotta Jibboo, I Never Needed You Like This Before

    Set 2: Drifting, Oblivion, Ghost, Outside the Lines, Broken Into Pieces, Pillow Jets, Liquidate the Moon, Blaze On, A Wave of Hope, 46 Days

    Encore: Water in the Sky, Prince Caspian

  • In Focus: Albany’s 2024 Tulip Festival

    Saturday, May 11 and Sunday, May 12, 2024 in Albany, Washington Park was alive with families, tulips, and great music from bands on two stages at the 76th Annual Tulip Festival. 

    With weather that held out to provide a nearly dry weekend, Washington Park was alive with Catskill group Of The Atlas, Prince Daddy and The Hyena, and The Front Bottoms on the main stage, while over on WEXT’S 518 Stage, local bands Side B, Sofia Corts, Camtron5000 and The Insolent Willies entertained masses of crowds throughout the day.

  • Holly Humberstone Brings Unmatched Energy to the Brooklyn Steel

    This past Saturday, May 11, English singer-songwriter Holly Humberstone did not disappoint as she graciously took the stage at the Brooklyn Steel for one of two NY shows.

    She is scheduled to tour until the end of May as part of “The Holly Humberstone (This Feels Like the Truman) Show” North American leg. Her tour, which makes lyrical reference to her song, “Ghost Me,” included many tracks off of her latest album, Paint My Bedroom Black.

    Holly Humberstone, photographed by Sarah Hyun

    The pop-rock artist gained popularity after releasing her debut EP, Falling Asleep at the Wheel. Fans resonated deeply with her heartfelt lyrics, as she sang candidly about the difficulties of navigating familial and romantic relationships, addiction, breakups, and growing up. “Falling Asleep at the Wheel,” one of her most popular songs, includes lyrics like “Oh, you never smoked this much before we / Light up, light up another cigarette / I can tell you’re drinking only to forget / Don’t know how I got you in such a mess.” Holly never fails to cut right to the heart with her words. 

    Holly Humberstone, photographed by Sarah Hyun

    Currently, Humberstone has eighteen tour dates left. She previously played at Webster Hall in 2022, and also toured during Girl in Red’s “Make It Go Quiet” tour and Olivia Rodrigo’s “Sour” tour.

    Holly Humberstone, photographed by Sarah Hyun

    Holly started the night off strong with her song, “Paint My Bedroom Back,” of which her latest album is named after. Each band member took the stage one at a time, triggering a round of screams from fans who had been camping out hours ahead to make it to the front of the barricade. The energy swelled in the room as Holly’s guitarist, bassist, and drummer built up the opening track seamlessly. 

    Holly Humberstone, photographed by Sarah Hyun

    Upon Holly’s entrance, the crowd made a deafening sound, and she scaled the stage freely, singing her heart out while swishing her hair to the beat. During “Elvis Impersonators,” she recounted her experience in Tokyo, and how she was surrounded by people “dressing up like Michael Jackson.” In the song, she sang lyrics like, “And the Elvis impersonators / Crowding at the elevators / Reminds you of a private joke we had.” The crowd stayed silent during this song, soaking in Humberstone’s beautifully raspy vocals.

    Holly Humberstone, photographed by Sarah Hyun

    Holly ended the night with “Ghost Me,” before singing “Friendly Fire” and “Scarlett” during the encore. Fans, feeling bittersweet that the show was over, exited the venue with satisfied smiles on their faces. 

    Setlist: Paint My Bedroom Black, Into Your Room, The Walls Are Way Too Thin, Overkill, Kissing In Swimming Pools, Cocoon, Dive, Deep End, Can You Afford To Lose Me?, Antichrist, Down Swinging, Lauren, Falling Asleep at the Wheel, Elvis Impersonators, Flatlining, Girl, Sleep Tight, Ghost Me

    Encore: Friendly Fire, Scarlett

  • Blake Rose Delivers Electrifying Performance at Bowery Ballroom

    On a crisp April 24 evening at Bowery Ballroom, music enthusiasts gathered to witness Australian singer-songwriter Blake Rose grace the stage on his headline tour for his latest album, Suddenly Okay.

    Nashville’s own Max McNown’s stripped-down set, featuring just two guitars and a harmonica, captivated the audience. While McNown’s genre is notably more country than Rose’s sound, this did not stop fans from swaying to the beat – his set quite literally set the perfect tone for the night. 

    Blake Rose opened his electrifying set with the energetic “Rollerblades”. An electric guitar hung around his neck as Rose went back and forth from the strings to the keys and back to the microphone. Rose’s infectious energy filled the venue, igniting an excitement among fans. The setlist was a blend of old and new, showcasing Rose’s evolution as an artist. “Dizzy”, a track familiar to many from its appearance on The Late Late Show, enraptured the audience and even involved them in clapping along to the kick drum. Transitioning seamlessly between songs, Rose treated fans to a selection of older, well-loved tracks from his 2021 project, A World Gone By, each one eliciting cheers of appreciation from the crowd.

    Rose revisited older favorites as well, delighting original fans with a nostalgic trip down memory lane. It was during the latter part of the set that Rose truly connected with his audience, venturing into the heart of the crowd for an unplugged rendition of “Ordinary People”. The crowd parted as the musician adorned in just his acoustic stood on a platform to sing along with only his strings. 

    As the night at Bowery Ballroom reached its crescendo, Rose performed his up tempo tracks including “Suddenly Okay”, “Never Let Go” and of course the anthemic “Lost”, arguably his most beloved song. Blake Rose’s magnetic stage presence and dynamic energy was enjoyable and authentic. New York would be happy to have him again. 

  • Avant-Garde Electro Salsa Quintet Meridian Brothers Provide A Rollicking Season Opener at Opus 40

    The 2024 concert season at the sublime Opus 40 Sculpture Park in Saugerties opened May 9th with something that delighted ass-shakers and intellectuals alike– a high-energy performance by one of Colombia’s most renowned musical exports – Meridian Brothers.

    photo by William A. Loeb

    The five-piece is the brainchild of Bogota-based singer-songwriter/multi-instrumentalist Elbis Álvarez. Meridian Brothers is a moniker Álvarez has used on many albums and collaborations, on most of which he plays all the instruments.  Friday’s performance was the kick-off of the band’s latest tour, on which Álvarez is supported by a quartet of equally adept and captivating musicians.

    The Meridian Brothers sound is an intriguing amalgam of styles and influences.  The songs are anchored on danceable Latin rhythms – salsa, boogaloo and cumbia – accented with eerie, experimental keyboard sounds reminiscent of ‘50s sci-fi classics like Forbidden Planet and echoed guitaring that brings to mind Syd Barrett’s work on Pink Floyd’s debut, Piper at Gates of Dawn. In performance, Álvarez’s vocals are often treated with a harmonizer, digital delay and phasing as are some of the ever-present percussive accents. It brings to mind the short-lived era of early Roxy Music when Brian Eno slathered a boatload of sonic treatments on the live sound to ramp up the otherworldly vibe.

    photo by William A. Loeb

    But make no mistake. As heady and refined as this may sound, this is music for ass-shakers, first and foremost. And that was proved by the multitude that boogied down on the lawn at Opus 40 for all of The Meridian Brothers’ 90-minute plus set.

    Álvarez and his cohorts – María Valencia (wind instruments, percussion and keyboards), Mauricio Ramírez (drums), Alejandro Forero (keyboards) and César Quevedo (bass) – ran through a 12-song set of their neo-tropicalista classics from their 10-album discography. 

    The band commenced with its 2020 single, “Cumbia de la Fuente.”  Like many of the tunes, it’s anchored by a sub-harmonic bass riff and thump groove over which float cloud fronts of spacey keyboard effects and samples, triggered by Álvarez and Forero’s midi-keyboards.  This track winds down with arpeggiated bells samples that sound like a drunken ice cream truck.  Things moved more uptempo with the next number, “Bomba Atomica.”  This is an almost traditional salsa groove belied by the slightly dissonant harmonizer vocals.  Percussionist Valencia truly shined on this one, unleashing a heady dose of cowbell and delay-treated splash cymbals, something she would do all night with a bright smile delivered with each bash.

    photo by William A. Loeb

    Álvarez introduced the next number, “Salsa Caliente,” as a salsa boogaloo. This was Plan 9 from Outer Space meets Tito Puente, with some groovy, new wave-y keys and sax accents from Ms. Valencia.  The band’s 2022 album, Meridian Brothers & El Grupo Renacimiento, was the source for several of the best tunes performed including “Metamorfosis,” “Hipnosis” and “La Policia.”  The next song in the set, “La Policia, provided the space for an extended echo-y guitar solo from Álvarez.  The band initially closed their set with the high-energy dance jam instrumental, “Guaracha U.F.O.,” from their 2012 album, “Desesperanza.”  After a brief pause, they returned for an encore, their tropicalia take on the Dusty Springfield classic, “Son of a Preacherman.” 

    The Meridian Brothers’ wonderful show was the first concert of what promised to be a watermark one for Opus 40, which over the years has hosted many legendary performances, mostly notably the one by sax great Sonny Rollins chronicled in Robert Mugge’s documentary, Saxophone Colossus.  Read our remembrance of it here.

    Opus 40’s headlining events will include two nights with the legendary Sun Ra Arkestra led by 100-year-old Marshall Allen (July 5 and 6), London post-punk with Dry Cleaning (June 27), alternative R&B with Nick Hakim (May 29), reggae with Sundub & Upstate Reggae Posse (August 13), the Afro-Pop of Zimbabwe’s Mokoomba (August 2) and more. Opus 40 will also host Sunday afternoon shows highlighting homegrown Hudson Valley talent including Larry Locust, Biryani Boys, Blueberry, Mac $ Cheeze Balkan Trio and Spaghetti Eastern Music.

    photo by William A. Loeb

    “At Opus 40, I try to honor the musical legacy here with a curated selection of acts local and international, experimental and accessible, with a focus on spiritual jazz, ambient and singer-songwriters,” adds Mike Amari, Program Manager at Opus 40 and founder of local concert promoter, Chosen Family Presents. “Harvey Fite, who built Opus 40 by himself over 37 years, wanted his sculpture park to host events that uplifted the human spirit – just like his monumental earth art. So, this is why Opus 40 has committed so much effort and taken so much pride in bringing these incredible acts and many more community events to the site.” 

    “As for Meridian Brothers, I became obsessed with their brand of music via a compilation of ‘chicha’ music from Peru in the ‘60s/’70s called ‘Roots of ChiCha,’ continues Amari.  “A friend who knew I liked this music turned me on to Meridian Brothers.  They play some of the same ideas but chop them up and put them together in a Frankenstein-like, Krautrock-y way. It’s hypnotic, dissonant but somehow groovy and very danceable.  For these reasons, they were the perfect act to launch our new season.  It was the first night of their newest U.S. tour and they traveled for 24 hours to get here.  So, we commend them on giving us such an energetic performance.”

    Special props to the band’s sound engineer, Alejandro Araujo and the crew at Opus 40, for expertly balancing and EQing what could have easily descended into cacophony. This performance was more electric than the first I witnessed by the band at globalFEST 2023, an event co-programmed by another veteran Hudson Valley promoter, Isobel Soffer. 

    For a list at the Opus 40’s summer concert schedule, visit here.

    photos by William A. Loeb

  • In Focus: Pink Talking Fish & One Eyed Jack at The Wellmont Theater

    Jam band powerhouse Pink Talking Fish bring their variety filled show to the Wellmont Theater in Montclair, New Jersey on April 26. One Eyed Jack opened up the show with a funky set.

    The band brings together a really fun medley of different bands. They started off their set with a Talking Heads cover “Life During Wartime”. The first set was Talking Heads heavy including “This Must Be the Place” & “Cities,” but that could technically be considered a cover of a Phish cover given the tempo. The first set also featured a playful “McGrupp” and a booming “Have a Cigar.”

    Second set, what’s the band going to do? Play the whole instrumental part of “Reba”, yes! “Simple”? Yup! “Squirming Coil”!? Okay! The second set was Phish heavy with some Talking Heads covers like “Psycho Killer” and a memorable Floyd “Mother” cover. The band wrapped up the night with “La Grange”.

    Pink Talking Fish – The Wellmont Theater, Montclair, NJ – April 26, 2024

    Set 1: Life During Wartime, Cars Trucks Buses, Have a Cigar, Cities, Mcgrupp, Run Like Hell, This Must Be the Place

    Set 2: Once in a Lifetime, Reba, Mother, Psycho Killer, Simple, Astronomy Domine, What a Day That Was, The Squirming Coil, Nobody Home, La Grange

  • Dark Star Orchestra Announce More Summer Dates – Shows at Wonderland Forest, Pier 17, Frog Alley and Innovative Field in Rochester

    Dark Star Orchestra, one of the country’s premier Grateful Dead tribute bands, have finalized their U.S. summer touring schedule. The tour will span both coasts and everything in between, and the band’s August slate now contains shows all throughout New York State.

    Dark Star Orchestra summer

    Along the tour, Dark Star Orchestra is going to be performing some special this summer. For the July 21 show at the Stone Pony Summer Stage in Asbury Park, NJ the band announced today they will be recreating the Dead’s epic 9/3/77 show from nearby Englishtown, NJ. “Its proximity, only 25 miles from Asbury Park, and the fact that it was an epic outdoor show, made sense for us to choose,” notes DSO bassist Skip Vangelas.  “It’s a classic show in the GD world and one that New Jerseyans, whether Deadhead or not have never forgotten!”

    A few weeks later, the band is scheduled to play Wonderland Forest in Lafayette, NY on August 9 and 10. The newly established venue located just south of Syracuse will also play host to the Biscoland festival this summer. DSO will also play The Rooftop at Pier 17 on August 11, Innovative Field in Rochester on August 21 and the Frog Alley Summer Stage in Schenectady the following day on August 22.

    Special dates are dotted all throughout the summer tour, including the band’s debut at the Greek Theatre in Berkeley, CA on July 13. It marks a celebration of 40 years of the Rex Foundation and the benefit performance will see DSO offer a 40-years-to-the-day recreation of the Dead’s 7/13/84 performance from The Greek Theatre.

    More information and links to ticketing info can be found here.