Category: Media

  • CGI Rochester International Jazz Festival celebrates 21 years

    Starting back in 2002 with a lineup that included Aretha Franklin, Norah Jones, and Sonny Rollins, the CGI Rochester International Jazz Festival continued in 2024 for it’s 21st edition with acts that included Taj Mahal, Sheila E., John Oates, and Christone “Kingfish” Ingram.

    CGI Rochester International Jazz Festival
    John Oates

    Hosting over 1,700 artists from 15 countries at 20 venues, Rochester was transformed into a music mecca from June 21-29, as the annual music festival took to the streets surrounding Eastman School of Music.

    With The famed music school in the heart of the festival, they provided three stages for use during for incoming acts. Kodak Hall at Eastman Theatre, Hatch Recital Hall, and Kilbourn Hall, all of which are housed in the same building along the makeshift Jazz St.

    Kodak Hall is the largest of the venues, and played host this year to Taj Mahal, John Oates, Lee Ritenour, Laufey, and Samara Joy as headliners. While Mahal and Ritenour each garnered a respectable crowd the first weekend it was Laufey and Joy who each packed Kodak Hall, with fans lining up shoulder to shoulder to get their seats.

    CGI Rochester International Jazz Festival
    Rochester Regional Big Tent

    Laufey, who hails from Reykjavík, Iceland, has risen to stardom in recent years after playing with Iceland Symphony Orchestra at 15 and competing on regional variations of The Voice and Got Talent. Winner of 2024 Grammy for Best Traditional Pop Vocal Album for Bewitched, she amazed the sellout crowd with her classic and smooth jazzy voice. A sound that transports the listener back in time where you had to adjust the AM dial manually. Bringing the classic jazz sounds to Gen Z fans, Laufey mixes in some pop music layers that keeps her audience on their toes, regardless of age. In the days after the show, I could still hear fans talking about her and how they can’t wait to see her again, or how it was one of the highlights of their week.

    Samara Joy made her third trip to Rochester for the festival, this time as a headlining act. The Brooklyn native has played the previous two years on smaller stages and packed the house each time, so it only seemed fit that she played the Kodak Hall. Fans were packing the theatre for nearly 45 minutes prior to showtime, as they eagerly awaited the three-time Grammy winner to grace the stage.

    With refined vocals and strong comparisons to the likes of Ella Fitzgerald and Billie Holiday, Joy has delivered top tier performances three years in a row for the Rochester crowd, and she shows no signs of letting off the gas as she continues her current tour.

    Playing to a much smaller crowd than other headliners, John Oates came into Rochester, and delivered an outstanding performance to the group of lucky fans who dedicated their time. Half of the 70s and 80s powerhouse Hall and Oates, the latter played a simple set of Americana/Roots, sounding like a rustic Mark Knopfler. With each song, came a story. A story of how a song became what it is, or a personal story like showing up to a meeting with a bucket list recording artist, while still recovering from a night in the Big Easy. A relic of a bygone era, John Oates needs to be on your concert wish list in 2024. Tour Dates

    In addition to Kodak Hall, Hatch Recital Hall and Kilbourn Hall both hosted a series of shows with nothing less than excellence during each performance. Hatch Recital Hall is a classic hall with a handful of balcony seats available. The smallest of three theatres, Hatch offers incredible acoustics throughout and played host to some great piano pieces and woodwind sounds. Featured acts here included Franck Amsallem, Bill Charlap, and Connie Han.

    Eastman Theatre

    Kilbourn has more of an old world feel to it, and lends itself to little more diverse acts. ARTEMIS, Edmar Castaneda, and Django Festival All Stars were just a few of the amazing acts to serenade patrons of the hall.

    Castaneda is a Columbian born harpist, who plays the piece flawlessly while laughing and having the time of his life. Not something you see or hear every day, the harp delivers majestic sounds with every strum that left the crowd in awe. Accompanying Castaneda on stage were a drummer who offered simple background beats, and a flutist who matched sounds perfectly as the show moved on.

    Django All Stars (Samson Schmitt on lead guitar, Pierre Blanchard on violin, Ludovic Beier on accordion and accordion, Antonio Licusati on bass, Franko Mehrstein on rhythm guitar) played both Kilbourn Hall and Rochester Regional Big Tent across the street. For the smaller venues, each of these performances were nothing less than amazing and easily one of my favorites to watch. With duals that rivaled the banjos in Deliverance, this stellar group of artists bring the music of Django Reinhardt into the modern era and put their own spin on it in the process.

    Moving on the smaller venues, The Wilder Room has become a go to spot for festival goers in recent years. A former club for affluent locals, the Wilder Room offers a beautiful space for music. Great acoustics with the open floorplan and high ceilings, Levin Brothers, Twisted Pine, and CMD were among the acts that graced the stage. CMD made their presense know on the last night of the festival and did not disappoint. I spoke with a couple fans who stayed late on this night just to see the band for second time. A trio of local musicians, CMD (Casey Filliaci, Mark Terranova, and Dave Cohen) delivers a jazzy spin on 80s pop and rock hits from artists like Peter Gabriel, Sting, and Lou Gramm that make the listeners hear an old favorite in a new way. All three musicians have other projects in the mix, but seem to have the right connection here and will have an album coming out in December.

    “Jazz isn’t a style…it’s a feeling.”

    C. Filiaci

    Christ Church, tucked right inside the festival perimeter, is a hidden gem of venues. Darker in mood, the acoustics are truly amazing, as Alex Hitchcock, Andy Milne & Unison, and Kaisa’s Machine were able to create sounds that resonated all around the church walls and left patrons yearning for more.

    With Milne on the piano, Clarence Penn on drums and John Hébert on bass, the trio jammed together perfectly, as they have for nearly 15 years. The audience was quiet as a mouse during each number, Milne showing why they won the 2021 Juno Award for Best Jazz Album by a group. Subtle, soothing, and mellow in classic jazz fashion.

    While this nine-day affair was focused on music, you can’t have a festival without food. Enter food trucks. Grilled cheese, poutine, mac and cheese, and meatballs were just a sampling of the culinary delights you had to choose from. Local staples like Macarollin and The Meatball Truck Co were on site and always had a line. Newer trucks like Roc Dilla Food Truck and MelttruckROC came in this week and put Macarollin and The Meatball Truck on notice. Roc Dilla was the run-away winner for me, with quite possibly the best quesadilla I have ever had. Perfectly crisped shell with cheese blend and pork carnitas on the inside and then drizzled with homemade ‘dilla’ sauce and fried tortilla strips. Classically served with pico de gallo and sour cream, this quesadilla will give you the jazz hands as you head to your next destination.

    As the festival hits day five, a new stage is erected on the grounds known as Parcel 5. The site of a former shopping center, Parcel 5 is now an empty lot that politicians and local developers fight over almost on monthly basis about what to do with it. Currently, there is nothing permanent there for activities, and it has been used for the Jazz Festival for the past seven or eight years, always drawing large crowds. Sponsored by mega grocery store, Wegmans Food Markets, these shows are all free, all the time. Surrounded by more food and beer trucks, the grounds become a gathering place for music fans and anyone who just wants to let loose. Artimus Pyle, Trombone Shorty, Bruce Hornsby, and Robin Thicke have drawn huge crowds in recent years. 2024 brought an amazing lineup that included Sheila E., Miller and The Other Sinners, Cimafunk, and Jon Cleary.

    Shiela E. is no stranger to Rochester, as she has played this festival on multiple occasions, and still amazes anyone who shows up. Miller and The Other Sinners have made themselves known in Western NY in recent years and played to an amped up crowd. Bluesy, jazzy, and folky, David Miller heads the band with authority and everyone on stage plays up to the energy level set forth.

    CGI Rochester International Jazz Festival

    The best act from this stage has to be Cimafunk, where Afro-Cuban Rock is the name of the game and Erik Alejandro Iglesias Rodríguez knocked it out of the park with ease. Backed by an energetic group of eight fellow Cubans, Cimafunk’s music forces fans to get up and get moving before they can even think about it. Drawing inspiration from George Clinton, James Brown, and Prince, Cimafunk is more than just street beats, its a vibe like you have never heard before. A couple fans I encountered from Syracuse have taken road trips and even cruises to experience the shows. Look for them near you, and if you like to dance, you need to go see them.

    For 21 years, the CGI Rochester International Jazz Festival has graced downtown with a wide variety of musical talent from all over the world. Free shows, ticketed shows, workshops, fun, and food are all a part of what has made this event grow tremendously over the years. All this is thanks to producers and founder John Nugent and Marc Iacona who have worked tirelessly to build the festival to what it is today. 2025 will be here before you know it, so make plans now for June 20-28.

  • Buffalo Welcomes the Savannah Bananas the Firefighters, for Exciting Banana Ball Series

    In Buffalo, from July 5-7, the Savannah Bananas‘ made their latest stop as part of their 2024 world tour. Moreover fans eagerly anticipated the arrival of Banana Ball’s newest team, the Firefighters. This series marked three games out of 19 on the Bananas’ tour schedule.

    The previous series saw the Bananas and the Party Animals clash in Savannah and Las Vegas, with the Bananas also having faced off against the Firefighters in Nashville and Savannah.

    The Firefighters made their much-anticipated debut on May 30, shaking up the tour dynamics. Traditionally, the Bananas exclusively faced the Party Animals in each World Tour game until now. With the introduction of the Firefighters, both the Bananas and the Party Animals will compete against this new team. Notably, the Party Animals are set for their own 12-game headline leg of the Tour.

    Over the course of this three-game series at Sahlen Field, more than 49,000 fans were entertained. The Bananas currently lead the 2024 Tour with a record of 31-22, having recently clinched a series victory in Indianapolis. The Bananas have now won all three of their games played in Buffalo.

    Who are the Savannah Bananas?

    For local interest, pitcher Ryan Kellogg of the Bananas hails from Whitby, Ontario, Canada. The Bananas’ journey began in 2015 in Savannah, where they revitalized baseball with a focus on fun and fan engagement. Despite early challenges, including financial strain that led owners Jesse and Emily Cole to sell their home, the team gained national attention upon adopting the name Savannah Bananas in 2016. Initially controversial, the name brought significant media coverage and packed stadiums, setting a precedent for their success.

    After seven seasons in the Coastal Plain League, during which they won three Petitt Cup Championships and saw over 35 players drafted, the Bananas transitioned to year-round Banana Ball, a faster-paced and more entertaining version of baseball. Now fielding three independent professional teams—the Savannah Bananas, the Party Animals, and the Firefighters—the organization continues to innovate and expand its impact on the sport.

    07062024_Savannah Bananas Buffalo Salen Field_Mike Miller

    Banana Ball is defined by its unique set of 11 rules aimed at keeping the game exciting and competitive. This year, a new rule called the GOLDEN BATTER has been introduced, allowing each team one opportunity per game to send any hitter to the plate, regardless of their position in the lineup or the game situation. This rule is designed to intensify close games and offer a strategic advantage to either team.

    07062024_Savannah Bananas Buffalo Salen Field_Mike Miller
    07062024_Savannah Bananas Buffalo Salen Field_Mike Miller
  • In Focus: Neal Francis at Ridgefield Playhouse

    On July 6, funk keyboardist Neal Francis brought a mixture of blues and rock-laced syncopation to Ridgefield Playhouse. The Saturday show brought folks together from across the tri-state area, treating concert-goers to a thrilling show in the small town of Ridgefield, CT. 

    With shaggy hair and striped pants, Neal Francis graced the stage. Accompanied by bassist Mike Starr, drummer Collin O’Brien, and guitarist Kellen Boersma, the band approached the audience. The show in Ridgefield marked their third day of back-to-back shows. Nevertheless, it was hard to tell based on their electrifying performance.

    Francis and his band are currently in the middle of a U.S. tour, with a mix of headline shows and opening sets. Most recently he opened for Trombone Shorty & Orleans Avenue as well as KALEO and My Morning Jacket. The Connecticut show, however, was one of a select few without an opener, making the show extremely personal and to the point. Next, they’re off to Winnipeg, Canada on June 13th, after which they take a short break until their return to the east coast in August.

    The show immediately started with dynamically composed arrangements, however staying true to the nature of live music, Francis had to fix some technical issues from his pedals. Despite any malfunctions, he commanded the band to give a beat, making sure the music never stopped while he got to work on his rig. The dedication that the band displayed to keep the audience grooving exhibited true showmanship.

    Being that Ridgefield Playhouse is a smaller room in the middle of a small town, the energy was more like that of a party, rather than a concert. Francis was able to communicate with the audience giving the environment such strong personableness. Everyone was excited to be there, whether they traveled for it or were just checking out a cool show nearby. Regardless, the crowd was brought together by their excitement and love for the music.

    The versatility of the show also made for an outstanding experience. Francis of course gracefully tackled his hits, but not without playing some unfamiliar tunes. Everyone in the auditorium got to witness songs that only those with the honor of seeing Francis live receive. This emphasized the importance of live music and the role it plays in bringing fans and artists together. The songs all included rhythmic breakdowns. The expansion of the music continued to produce unique renditions special to the live show.

  • Tyler Childers Scintillates in Sold Out SPAC Performance

    Crossover country music sensation Tyler Childers showed his hand in Saratoga Springs Wednesday night, July 3, selling out SPAC to the tune of an estimated 25,000 concert goers. 

    tyler childers SPAC
    Tyler Childers performing in Saratoga Springs on 7/3/24.

    Armed with a distinct voice, thought-provoking lyrics, an unassuming confidence and maturity beyond his years, the Grammy nominated Childers delivered the type of well-rounded performance that turned skeptics into believers and left long-time fans wishing the night could last forever. Singing through his career spanning catalog of hits, the complex Kentucky-based crooner left it all on the stage, creating a unique atmosphere of optimism and excitement despite the melancholy nature behind much of the music. The concert, part of his “Mule Pull ‘24” tour, was a testament to Childers meteoric rise in popularity and his deep connection to the audience.

    With the Broadview stage at SPAC elegantly decorated in old furniture, plants, odd antiques, and a vintage television set, the show started with a surreal countdown that featured various clips of Childers formative years. Accented by the roar of the sold-out crowd as he finally walked out, it was enough to give you goosebumps before anyone played a single note. From the opening tune “Her and the Banks” and the foot stomping “Percheron Mules,” the 33-year-old Childers captivated the audience from the start. Bolstered by the power of his incredibly tight backing band, The Food Stamps, his signature raw and unique voice was strong and mesmerizing.

    Tyler Childers plays to a sold-out Saratoga Performing Arts Center 7/3/24.

    Bringing a gritty yet soulful and authentic Kentucky touch to each number, Childers would play a total of 23 songs on the night, including six from his massive 2017 breakthrough album, Purgatory. After working their way through “Born Again,” fans were treated to a pair of sing-alongs from the 2019’s Country Squire, including the title track and the grade school confessional “Bus Route.”  Following that up with “I Swear (To God) and the beautifully subdued “Shake the Frost,” the crowd was soon throwing their fists in the air in unison for the rollicking “Rustlin’ In the Rain,” before one of Childers most popular songs, “All Your’n” had them howling with delight. Busting out a Kris Kristofferson cover next, “Help Me Make It Through the Night” gave way to a far more traditional country burner in “Cluck Ol Hen.”

    The Food Stamps performing with Tyler Childers at SPAC on 7/3/24.

    At this point of the show, The Food Stamps would disappear into the shadows leaving Tyler alone in the spotlight for some of his most heartfelt lyrics and soulful melodies of the night, delivering  powerful performances of “Lady May,” “Nose on the Grindstone,” and “Follow You to Virgie,” with each delivering poignant messages about love, perseverance, and life’s hardships. When the Food Stamps reemerged, the full band was in all their glory on the massive “In Your Love” that saw fans waving their cell phones in the sky to create a spectacle similar to swimming in a sea of fireflies.

    Tyler Childers performing in Saratoga Springs on 7/3/24.

    Entering the Can I Take My Hounds to Heaven portion of the show, Childers would pay homage to one of his biggest influences, Hank Williams, with a stellar cover of “Old Country Church” that made SPAC feel like exactly that. Following fan favorites “Whitehouse Road” and “Honkey Tonk Flame,” opening act S.G. Goodman was then invited to the stage for a scintillating duet on “Way of the Triune God.” Building up the momentum, “House Fire” would have fans stomping their feet and set us up for one final singalong, the anthemic “Universal Sound,” bringing the epic and cathartic evening to a close.

    Tyler Childers performing in Saratoga Springs on 7/3/24.

    The Broadview Stage at SPAC proved to be an excellent venue for the concert, offering great acoustics and a spacious setting that enhanced the overall experience. The crowd’s enthusiastic response throughout the night highlighted the deep connection Childers has with his fans, making it clear why he continues to sell out shows across the country. Blurring the lines of what it means to be a country music superstar, this was a night to remember – filled with powerful music, heartfelt moments, and an undeniable sense of community.

    Tyler Childers | 7-3-2024 | Saratoga Springs, NY | SPAC

    Setlist: Her and the Banks, Percheron Mules, Born Again, Country Squire, Bus Route, I Swear (To God), Shake the Frost, Rustin’ in the Rain, All Your’n, Help Me Make It Through the Night, Cluck Ol Hen, Lady May, Nose on the Grindstone, Follow You to Virgie, In Your Love, old Country Church, Can I Take My Hounds to Heaven, Whitehouse Road, Two Coats, Honky Tonk Flame, Way of the Triune God, House Fire, Universal Sound.

  • Biscuits and Eggs: The Brownstein Family Band Serve up the Jams in Albany

    It was fun for the whole family as members of The Disco Biscuits and Eggy, along with up-and-coming jammers Dysfunktone, converged at in Albany to bring the party to the people on Friday, June 28. Playing the third gig of the Brownstein Family Band’s first multi-show run, it didn’t take long before the bona fide family reunion escalated into an all-out dance party.

    Featuring familiar tunes, choice covers and a whole lot of smiles and sweat, it was the kind of night that made you feel lucky to be alive and that you were in the right place at the right time.

    Marc, Jake and Zach Brownstein performing as The Brownstein Family Band in Albany on 6/28/24.

    Conceived almost by accident when someone backstage at Biscoland 2023 suggested the idea of getting everyone named ‘Brownstein’ together to form a supergroup, less than a year later, that pipe dream has become a full-fledged reality. Consisting of the Disco Biscuits bassist Marc Brownstein and his son Zach Brownstein on drums, the band also features Eggy bandmates Jake Brownstein on guitar and Dani Battat on keyboards. 

    Now collectively known as The Brownstein Family Band, the high-profile side project blazed a trail over the Northeast with four shows that will have people talking for years to come.

    Dysfunktone kicked things off at Lark Hall on 6/28/24.

    Opening the night at Lark Hall with an energetic set full of groove-based improv was Long Island rockers Dysfunktone. Commanding your attention from the opening riffs, the impressive young quartet dazzled with proficiency and technicality.  Made up of Rob Meza on guitar and keys, Alex Gallina on bass, Brandon Hanna on guitar, and Dakota Henry on drums, the band wasted no time going dank and deep.

    After kicking off with a 14-minute rendition of “Strawberry Cough,” Dysfunktone easily won the crowd over with stellar versions of “Medusa’s Myth,” “Circadian Rhythms,” and an epic 18 minute ride through “Feelin’ Time” that contained clear Aqueous teases throughout. A band that is destined to become a force in the Northeast jam scene for years to come, be sure to keep an eye out for them and thank us later. After a brief intermission, the Brownstein Family Band soon assembled on stage around 9:30pm.

    The Brownstein Family Band performing at Lark Hall on 6/28/24.

    Properly paying homage to a mutual musical hero, Jerry Garcia, the Brownstein Family Band opened their set with colorful cover of “Let It Rock.”  Setting the tone for the exciting evening to come, Steve Miller Band’s “Take the Money and Run” would give way to the first original song of the set in Eggy’s “One Stop Shop.” Pausing for a moment to address the audience, Marc Brownstein (AKA Brownie) would claim the Lark Hall crowd was the most welcoming and energetic so far on this run. Peering at them through a pair of gnarly green shades, he’d go on to say that because “they were having so much fun, they’re going to ditch the set break and keep the jams flowing.”

    Marc Brownstein of The Disco Biscuits performing with The Brownstein Family Band on 6/28/24.

    Dropping back into the music with the beloved Disco Biscuits original “M.E.M.P.H.I.S.” the band seamlessly dithered into the psychedelic territory of the Beatles classic “Tomorrow Never Know” with vocals courtesy of keyboardist Dani (pronounced Donny) Battat. The crowd got extra excited for its follow up, another cherished Jerry Garcia tune, “Cats Under the Stars.”

    Providing a perfect platform for Eggy’s axe-man Jake to show off his incredible chops, the song effortlessly segued into the timeless “Tangled Up in Blue” which had everyone singing along in unison.

    Eggy’s Jake Brownstein performing with The Brownstein Family Band on 6/28/24.

    Another Eggy original tune was up next in the form of “All Wheel’s Turnin’,” before the Brownstein Family Band surprised us all with a cover of Donovan’s “Barabajagal.”  Pausing once again for a few words, Brownie would speak from the heart, commenting how great it was to be playing with these young and hungry lions, while also acknowledging just how great of songwriters Jake and Dani really are.

    Like any proud dad, he would also give major props to his son, Zach, for holding it down on the drum kit, watching him not only grow into a great drummer, but a professional one and noting that it’s “a true joy to be sharing the stage with him.” The sappy sentiment continued next with an emotional rendition of the Grateful Dead’s “They Love Each Other” that had all the feels and was perhaps the overall highlight of the night.  After “Confrontation” left Lark Hall begging for more, the band would return to the stage for one final tune.

    Zach Brownstein performing with The Brownstein Family Band on 6/28/24.

    With things going so well, Dani would joke about how their still trying to figure out a way to have some Brownstein family drama. Marc would quickly interject and say, “We’re only 4 show in. It’s coming.  Believe me, I’ve been around for a long time. The drama is coming and this song is our redemption.”  The Brownstein Family Band would then close the show with an emphatic and euphoric rendition of the Eggy original “Golden Gate Dancer,” bringing another stellar night of music at Lark Hall to a memorable close.

    Eggy’s Dani Battat performing with The Brownstein Family Band in Albany on 6/28/24.

    After wrapping up this brief run of shows the following night in Bridgeport, CT, it’s unknown when the Brownstein Family Band will perform their next gig.

    With The Disco Biscuits set to host their second annual Biscoland in LaFayette’s Wonderland Forest over the 4th of July holiday and Eggy heading west to make their Red Rocks debut and play a handful of high profile festivals through the month of July, it’s shaping up to be a busy summer ahead for both of these talented and charismatic bands. What we do know for certain is that when this fun loving collaboration happens again, you don’t want to miss it.

    Brownstein Family Band | June 6, 2024 | Lark Hall | Albany, NY

    Setlist: Let It Rock, Take the Money and Run, One Stop Shop, M.E,M.P.H.I.S.  > Tomorrow Never Knows, Cats Under The Stars > Tangled Up In Blue, All Wheels Turning, Barabajagal, They Love Each Other, Confrontation

    Encore: Golden Gate Dancer Redemption

    Dysfunktone | June 6, 2024 | Lark Hall | Albany, NY

    Setlist: Strawberry Cough, Siren’s Song > Medusa’s Myth, Circadian Rhythms, Feelin’ Time.

  • Orville Peck Stampede into Artpark

    A night of country music at Artpark amphitheater, Orville Peck, accompanied by the Goldie Boutilier and The War And Treaty, graced the stage on July 1. Where everyone felt like an outlaw cowboy for the night.

    Orville Peck
    Orville Peck

    Goldie Boutilier, a Canadian singer-songwriter, started the evening as one of the two opening acts for the night. Goldie has a unique sound blends country and a hint of Americana with alternative music. Although this may not seem like a good combination, Goldie can pull it off and stand out from the rest of the genre. She sang all her hits on her set, from Body Heat and The Actress to her most famous song, Cowboy Gangster Politician. From the moment she took the stage, She had the crowd on her side.

    Goldie Boutilier

    The second opener of the night was The War And Treaty, a husband-and-wife duo of Michael Trotter Jr. and Tanya Blount. Michael and Tanya were so much fun to watch perform. Seeing them be silly with each other while performing was refreshing and cute. The duo brought so much soul into their set that you felt every lyric they sang. They performed Hey Driver, a Zach Bryan song that they are featured on. After these amazing openers, the crowd was ready for the main act.

    Orville Peck took the stage as the sun set, bringing a contagious energy from when he appeared. He had a fantastic stage presence and kept the crowd entertained from start to finish. One thing that stood out was his gesture of giving roses to people in the crowd who caught his attention, whether it was for their outfits or for singing and dancing during the set. It was a friendly reminder that he was genuinely engaged with the crowd and noticed everything.

    Orville Peck
    The War And Treaty, Michael Trotter Jr. and Tanya Blount

    Peck performed songs from his previous albums, Pony and Bronco, as well as his latest album Stampede. A highlight of his performance was covering “Cowboys Are Frequently, Secretly Fond of Each Other,” a song he had previously recorded with Willie Nelson.

    By the end of the night, I truly felt like an outlaw cowboy with the amount of country music I’d listened to. I’m not a huge country fan, but truthfully, by the end of the night, all three of these artists may have turned a new leaf for me. I’m starting to like country music just a little bit more than before.

    Orville Peck setlist: Big Sky, Turn to Hate, Roses Are Falling, The Hurtin’ Kind, C’mon Baby, Cry, No Glory in the West, Hexie Mountains, How Far Will We Take It?, Conquer the Heart, Drive Me, Crazy, Blush, The Curse of the Blackened Eye, Lafayette, Any Turn, Cowboys Are Frequently Secretly Fond of Each Other (Willie Nelson cover), Outta Time, Kalahari Down, Dead of Night, Daytona Sand
    Encore: Bronco

    Orville Peck
    Orville Peck
  • Watch Trey Anastasio and the Boston Pops Unite at Tanglewood

    On a long anticipated day for musicians and fans alike, Trey Anastasio performed for the first time at Tanglewood Music Center, joined by the Boston Pops, conducted by Edwin Outwater.

    photo by Hilary Scott

    Initially scheduled to perform in June 2020, Anastasio beamed with joy as he took the stage following the orchestra for this long-awaited evening of music.

    For the June 29 crowd, the day was full of gray skies and rain that was tolerable, but not terrible, as fans were well prepared for the misty weather of the Berkshires that accompanies any passing storm system. Newcomers to Tanglewood were amazed by the sprawling grounds, the ability to bring in everything from food and drink to portable chairs and tables, all making for a relaxing pre-show that led into an evening of unforgettable music.

    photo by Hilary Scott

    Opening up the night with “First Tube”, this more staid by comparison, yet intricate, version of the classic Phish arena rocker elicited early erupts of cheers from fans, especially the uninitiated to Anastasio’s body of orchestral work. Following Thank You’s to the crowd, Anastasio shifted into the appropriate “Water in Sky” donning his acoustic guitar for the relaxing string-led number that evoked the orchestration of Disney’s early Silly Symphony cartoon series.

    Following was “Evolve,” which saw its orchestral debut a few nights earlier in Vienna, VA. The pandemic-era song, turned Phish single, now sits prominently in Anastasio’s arsenal of compositions for orchestras.

    photo by Hilary Scott

    A 17-minute “Divided Sky” was the closest to a Phish performance this evening, as the composition itself has been ideally suited for orchestra performance since it was written, and allows Anastasio to shine on guitar more than any other song this evening. The ‘open space’ was divinely orchestrated in the lead up to the ‘moment’, with cheers welcomed by the Bad Lieutenant, and the second half textbook early Phish orchestration, with a tremendous ending lead to roars of cheers from the crowd spread across the lawn and inside the Koussevitzky Music Shed.

    After introductions of conductor Edwin Outwater and the Boston Pops, “Mercy,” also a Vienna debut, followed for a soft breather that paired well with “Divided Sky.”

    photo by Hilary Scott

    Closing the set was “Stash,” a more complicated song for the orchestra, but offered a samba beat thanks to the horn section, the percussion and clave driving the mellow tempo forward with a ‘cha cha cha’ beat.

    Following a short setbreak (and an appreciated heads up given to the audience five minutes prior to showtime), “Harry Hood” saw its second ever performance (following Vienna), with the orchestra joining in to say “Thank You, Mister Minor” and featuring a unique ending compared to the Phish standard.

    “Petrichor” was a perfect fit following the excitement prompted by “Hood,” as well as with light sprinkles coming down as the song started.

    A short acoustic version of “More” followed, with “What’s The Use?” surprising the audience as it is wont to do at many a Phish show.

    Harpist Jessica Zhou was the MVP in the ‘quiet spot’ of “WTU?,” building the strings in gentle, rising to the occasion and giving this meditative song deeper resonance with the audience.

    In September 2009, “You Enjoy Myself” saw its debut at Carnegie Hall, and the moment saw the audience sitting in silent awe, with occasional laughs during the ‘vocals.’ On this evening at Tanglewood, for the unenlightened, “You Enjoy Myself” would draw out more than laughs and silence, but also dancers in the aisles of the lawn (yes, there are aisles on the lawn, sort of) and back of the shed.

    Trombonists Toby Oft and Stephen Lange, along with the percussion section combined for a memorable ‘vocal jam’ that led into the boisterous ending that Trey Anastasio and Phish have been performing since 1986.

    After a performance like this, Anastasio kept the new orchestrations flowing with acoustic guitar in hand for “The Inlaw Josie Wales.” Now a Phish rarity (last played in 2000), “Inlaw” is welcome at any performance from Anastasio and an orchestra moving forward.

    And to cap off an incredible day at Tanglewood and evening of music, fan favorite “The Lizards” closed the show, the tale of Rutherford the Brave as seen through the eyes of Colonel Forbin bringing fans to their feet once again.

    Trey Anastasio and the Boston Pops – Koussevitzky Music Shed at Tanglewood – Saturday, June 29, 2024 – setlist via Phish.net

    Set 1: First Tube, Water in the Sky*, Evolve, Divided Sky, Mercy, Stash
    Set 2: Harry Hood, Petrichor, More*, What’s the Use, You Enjoy Myself
    Encore: The Inlaw Josie Wales*, The Lizards
    * Trey on acoustic guitar

    Trey Anastasio at Tanglewood photos by Hilary Scott

  • In Focus: Jason Isbell and the 400 Unit at Beak & Skiff

    Day long winds and heavy rain, along with a gloomy evening forecast did not deter the strong contingent of Jason Isbell fans from turning out to Beak & Skiff in LaFayette on Saturday June 29, as Jason Isbell and the 400 Unit made their return to Central New York

    Isbell, the critically acclaimed singer, songwriter, and guitarist has been touring endlessly in support of 2023’s acclaimed release, Weathervanes.  The album showcases Isbell at his finest, with a package of songs focused on heavy topics like love and loss, addiction, and nostalgia, backed by powerful guitars and haunting melodies.  Isbell, an Alabama native, formed with the 400 Unit in 2009 after he departed the Drive By Truckers.  The 400 Unit, which consists of Sadler Vaden (guitars), Chad Gamble (drums), Anna Butterss (bass guitar), Derry deBorja (keyboards), and Will Johnson (percussion), have become an integral piece to both Isbell’s studio albums and live tours.  

    Heavy winds and rains started early and often on Saturday and continued until one final rain shower blew through the outdoor concert field shortly before 6pm. The tumultuous weather forced the cancelling of opener Courtney Marie Andrews’ set and led to a restructured timeline for the music events on this evening.  That did not deter music fans from turning out in near capacity, and shortly before 7pm they were rewarded with a sun which had finally broke free of the heavy cloud cover that had dressed the fields through out the day.  

    Just after 7pm Isbell stepped on stage with his bandmates, flashing a smile and delivering praise to those in attendance for riding out the weather.   The band launched into the gritty rocker “When We Were Close” which immediately had fans out of their chairs and making way close to the stage.  Isbell wasted no time showing off tracks from his 2023 release, opening the concert with four consecutive tracks off the album.  The third song this evening, “King of Oklahoma” which features a powerful, stadium-anthem like chorus, saw the first of several epic guitar-solo duals between Isbell and Vaden.  

    Through out the evening it became abundantly clear why Isbell has received such high praises as a songwriter.  Few artists have the ability to place the listener into the scene with their lyrics quite like Isbell can.  Vivid imagery, like on “Strawberry Woman” place the listener next to the song’s narrator, while addressing heavy topics all too familiar to many.  

    Over the course of the 110 minute set, Jason Isbell and the 400 Unit treated those in attendance to a set spanning their entire catalog, performing favorites like “Alabama Pines”, “If We Were Vampires”, “24 Frames”, “Flying Over Water” and “Cover Me Up”. They even paid tribute to The Cure, by playing “Just Like Heaven” late in the set. It was a simple gesture to pay homage to the band’s classic rock roots, and one that was well received by all in attendance.

    The Beak & Skiff Summer Concert Series continues on Sunday, July 7, with a performance by Lake Street Dive.

  • In Focus: Vanessa Carlton at Alive at 5

    On Thursday, June 27, Vanessa Carlton performed at Albany’s Alive at 5, located at Jennings Landing, on the waterfront of Albany.

    Vanessa Carlton, originally from Milford, Pennsylvania and quickly moved to fame after her first single “A Thousand Miles” moved into the Billboards Top Ten. She was recently on tour with Stevie Nicks and is now making a few stops for summer concerts.

    Carlton brought a large crowd to Jennings Landing on Thursday night to share songs from her first to her most recent album. Along with her songs “White Houses” and “Ordinary Day” she sang a few covers such as “Dreams” by Stevie Nicks. Carlton’s music had the whole crowd old and young dancing and singing along. The Alive at 5 stage created a beautiful back drop of the Hudson River and the golden hour light lit up the stage.

    Carlton’s performance left us all signing ” A Thousand Miles” on the way to our cars. Be sure to see the perfect summer concert series at Jennings Landing before the series ends.

    Remaining Alive at 5 2024 Concert Schedule

    July 11 KRS-ONE
    July 18 Third World
    July 25 The Record Company
    August 1 Galactic (presented by WEQX and NYS Music)

  • In Focus: Ratboys and Water From Your Eyes in Woodstock

    The Bearsville Theatre complex lit up with excitement and good vibes on Friday, June 28 for a double-headlined show from Ratboys and Water From Your Eyes. The event brought together fans of a multi-genre spectrum and vibrant performances to Woodstock. 

    Chicago indie-rock band Ratboys, are on a break from their tour opening for The Decemberists, which picks back up in July. After which the band, comprised of Julia Steiner, Dave Sagan, Marcus Nuccio, and Sean Neumann, will embark on a fall headline tour. For now, they’re playing a few headline shows including Friday night’s juncture with Water From Your Eyes, who then go to Europe and return to the States for a lineup of festivals.  

    The show served as a standalone experience with both bands, who are currently on their respective tour schedules, coming together for one special show. Fans got to witness the first time the two bands played a show together since 2016. Fans of both bands in the audience blended in with each other seamlessly in this union of rock music. 

    As the crowd shuffled into the venue, the first band of the night, alt-rock group Water From Your Eyes took the stage. Singer, Rachel Brown, began by declaring they had lost their voice, however, they along with bandmate, Nate Amos, proceeded to put on an electrifying performance. Each band member brought their own style to the set, making it an enjoyable watch. 

    Ratboy’s set presented music from old and new albums filling Bearsville Theater with their repertoire of musical approaches. Frontwoman, Steiner, rocked a flying V guitar throughout the show adding flare to their rhythmic indie music. Each tune sonically transitioned into another, with the occasional introduction, making the exhibition of their music look so natural.

    Because the room fostered such intimacy between the audience and the bands, the connection was radiant. Attendees were able to interact easily with the band, whether it was while they were on stage or walking around when they weren’t performing. Overall, the casual and welcoming nature of the concert left everyone in high spirits.

    Ratboys at Bearsville Theater, Woodstock
    Julia Steiner
    Water From Your Eyes at Bearsville Theater, Woodstock
    Rachel Brown
    Water From Your Eyes at Bearsville Theater, Woodstock
    Water From Your Eyes
    Ratboys at Bearsville Theater, Woodstock
    Sean Neumann
    Ratboys
    Julia Steiner
    Water From Your Eyes
    Rachel Brown