Rising country music star Warren Zeiders performed on the Suburban Park Stage at the New York State Fair in Syracuse on Thursday, August 22. The Hershey, Pennsylvania native was celebrating the release of his second full length album, Relapse (released on August 23).
Anticipation built as the minutes clicked down to Zeiders’ arrival. The barricaded area around the stage was filled to capacity well in advance of showtime, and a sprawling crowd stretched back into the fields which separated the Suburban Park stage from the hustle and bustle of the fair’s midway.
At promptly 8pm, Zeiders burst on to stage and wasted no time getting the party started. Zeiders opened with the unreleased track “Take it to the Grave” which showcased his gritty vocals and high energy stage presence. Zeiders worked each side of the stage, often pausing to wave and greet the fans up front. Early in the set, Zeiders pushed his new material, performing several tracks off the Relapse album.
At just 24 years old, Warren Zeiders is proving to be a master in his craft. New tracks like “Intoxicated” and “Betrayal” proved to hold just strong as the rest of his growing catalog. Those in attendance were already familiar with the lyrics to the new tracks and sang along to every word. However, the biggest sing along this evening was when Zeiders performed “Pretty Little Poison”, a track which spent several weeks at the top of Billboard’s Country Music Airplay chart earlier this year. The crowed belted back the song’s anthemic chorus and waved lighters and cellphone lights in the air, illuminating the area and giving perspective to the sea of fans that had gathered.
After a sixty minute set and a brief break, Zeiders and his band returned to the stage for an encore, which saw the band cover the Alice in Chains classic, “Man in the Box”. The song may sound like a surprising choice to hear at a country concert, but it fit in well with Zeiders’ sound.
The New York State Fair continues through September 2. See a list of upcoming concerts here.
Dead & Co’s residency at the Sphere in Vegas may be over for now, but the music of the Grateful Dead most certainly hasn’t faded away from concert stages across the country as myriad tribute, cover, and legacy acts continue to perform in the final weeks of summer.
Dark Star Orchestra may well be the best Dead-music band that is currently touring, and the 1,500-plus dancing heads at Schenectady’s Frog Alley on Thursday, August 22 seemed to be in agreement that DSO are venerable interpreters of the genre.
DSO’s faithful and sequential recreations of notable Grateful Dead setlists and their dedication to performing with period-authentic instruments and equipment set them far apart from typical tribute acts. This is as close as you’re going to get to a late-70s Dead set, short of a time machine.
Thursday’s DSO show featured The Grateful Dead’s 5-5-78 setlist, originally performed in Thompson Arena at Dartmouth College. The two sets were relatively typical of the era, as the Dead balanced Chuck Berry rock with pastoral psychedelia, Americana, jazz-rock, balladry, and an occasional disco groove in the rhythm section.
DSO also played a 1978 show at the Adirondack Independence Music Festival last year up in Lake George. I was hip to the fact that Thursday’s show was going to mine late-70s territory as soon as Jeff Mattson (who plays the Jerry Garcia role in DSO) strapped on his Travis Bean guitar – the same model Jerry played in 1976 and 1977 (he was playing Wolf by ‘78). Mattson was in fine form all night, faithfully modeling his tone and soloing techniques on Garcia’s.
The show opened with “Promised Land”, which featured the outstanding vocals of Rob Eaton, who just embodies the bandleader and rhythm guitar rocker Bob Weir became in the later 70s and throughout the 80s for the Dead. It’s also delightful to hear that vintage Ibanez rhythm guitar tone. I love Ace, but I’m not crazy about the wild trebly, metallic guitar tone he uses in Dead & Co.
“Dire Wolf” may have been the biggest singalong number of the night and “Cassidy” was the first where the band’s slinky contrapuntal interplay was on full display. DSO, much like the original Dead is a true ensemble, and the collective improvisation of Mattson, Eaton, and keyboardist Rob Barraco stood out on this Weir/Barlow classic.
Other highlights of the first set included “Candyman” from American Beauty, and a top-notch “They Love Each Other” that featured solos by both Mattson and Barraco. And while this reviewer might prefer “Brown-Eyed Women” to “Lazy Lightnin’/Supplication” it was this latter medley that ended the first set with one of the best jams of the entire night.
The second set kicked off with a duo of good-time rockers (“Bertha” and “Good Lovin’”) and then the first of two second-set Jerry ballads, a faithful rendition of “Ship of Fools”.
It was the Estimated > Eyes, though, that was the hightlight of the entire show. Eaton nailed the Weir vocals on “Estimated Prophet” while Mattson dialed up the Mu-Tron to great effect. “Eyes of the World” remains one of the superlative Dead vehicles in terms of the song’s jam possibilities and also in the way that the elegantly jazz-leaning chord progression matches the beauty of the lyrics. Mattson seems to be at his best when he really leans into the jazzy elements of Garcia’s playing. Bassist Skip Vangelas (who was excellent, clear, and loud all night in his Phil-role) was also featured in “Eyes” and took a melodic solo.
I’ll admit that these days I’m all-in on the Dead & Co “Drums/Space” in large part because of Mickey Hart’s beam and use of electronics. For me, it’s never a bathroom break opportunity. DSO drummers Dino English and Rob Koritz reminded me that a more analog version of drums isn’t necessarily a bad thing. Koritz’s use of steel drum and a crew of roadies on various percussion instruments coupled nicely with English’s kit playing. Mattson and Barraco then took the stage for a very short “Space” that left me wanting more. While John Meyer certainly might have more “chops” than Mattson, I’ll take the ole Zen Trickster Mattson over Meyer on “Space” any day of the week. Mattson wore a rad purple John Coltrane t-shirt at the show, and his otherworldly “Close-Encounters”-tease into “space-jazz-rock” certainly paid homage to Coltrane’s later free era. Give me 10 more minutes of that next time, Jeff!
“Not Fade Away” was a great reminder that bands like DSO are carrying the torch so that new generations will hear this very vital and living music, and “Stella Blue” featured some of Mattson’s finest vocals of the evening on one of the Dead’s most sensitive ballads. The set closed with a rockin’ “Around and Around” which put Eaton back in the role of showman extraordinaire.
The encores were particularly fun covers. Warren Zevon’s “Werewolves of London” had what remained of the weeknight crowd howling at the moon. The Dead set was complete, but DSO had a few more minutes until curfew, so the band went off-script and launched into The Jefferson Airplane’s “White Rabbit” finally giving backing vocalist Lisa Mackey a chance to take the lead. Mackey is in many ways the heart and soul of DSO. Her dancing, energy, and excellent harmony vocals are always a pleasure to watch, so it was particularly uplifting to hear her crush the Grace Slick part. Let Lisa sing!
Summer may be coming to a close, but that just means that it’s time to start planning for fall and winter indoor shows. Dark Star Orchestra has many shows planned around the state this fall and just announced that they are returning to the legendary Capitol Theatre in Port Chester for a New Year’s run on December 30 and December 31. They’re sure to keep the Dead alive in 2025 too.
A word or two about the Frog Alley venue, since this is still a relatively new Capital Region venue. The place has great beer (I tried a Kolsch that paired nicely with a cool summer night), they have a wealth of food truck options, and the raised stage means most vantage points are good ones. There’s also a VIP option which gives you deluxe bathroom access, tent access, and balcony options, which looked particularly nice if you got there early to grab seating. The sound was also stellar (and I give some of the credit to DSO’s own board operator because the mix was superb). My only gripe at all is that GA concertgoers had to wait in relatively long lines for the porta potties and hopefully more can be added to future events of this capacity. Parking wasn’t bad if you got there early enough and I was on the road and out of town in a jiffy. Definitely looking forward to getting back to Frog Alley for Band of Horses/City + Colour on Friday, September 13.
Finally, I have to give an honorable mention to the dude in front of me who had the best shirt of the night. His maroon and white “Stealie’s Shops” shirt in Stewart’s Shop typography has to be about the best Capital Region-specific Shakedown shirts I’ve ever seen. I want one!
Dark Star Orchestra | August 22, 2024 | Frog Alley Summer Stage | Schenectady, NY
Set I: Promised Land, Dire Wolf, Cassidy, Candyman, El Paso, They Love Each Other, Passenger, Brown Eyed Women, Lazy Lightnin’, Supplication.
Set II: Bertha, Good Lovin’, Ship of Fools, Estimated Prophet, Eyes of the World, Drums > Space, Not Fade Away, Stella Blue, Around and Around.
Encore: Werewolves of London, White Rabbit *
* Not part of the original Grateful Dead show on 5-5-78.
Avril Lavigne and opening acts girlfriends and Simple Plan put on an electrifying show at Darien Lake Amphitheater this past Tuesday, August 20 for old and new fans showing that the emo genre is here to stay wasn’t just a phase.
Kicking off the night were girlfriends who brought an intense and energetic performance with Travis, Nick, and the rest of the band maintaining a high level of energy from start to finish.
Performing hits such as “Shut Up and Kiss Me,” “I Thought About You While I Was Taking a Shower,” and ” California” from their recent albums (e)motion sickness (2022) as well as self-titled debut album girlfriends (2020), the band was in true warm up form, channeling the headliner in their angst.
Following girlfriends was the pop-punk legend Simple Plan. They continued the high energy set by girlfriends and took it to the next level. Pierre Bouvier’s crowd interaction was outstanding, and the band’s attention to detail in engaging the crowd was truly remarkable.
Throughout their set, the audience enthusiastically sang along with the band, creating an unforgettable atmosphere. The night was filled with iconic songs such as “I’d Do Anything,” “Welcome to My Life,” “Summer Paradise.” They also sang favorites like the Scooby-Doo theme song, during which they invited fans dressed as Scooby-Doo to join them on stage, and the timeless anthem “I’m Just a Kid.”
At last the iconic princess, or rather the queen of the early 2000s pop-punk era, Avril Lavigne, took the stage. Her entrance featured her past album covers, early interviews, and clips from her early career, all leading up to her grand appearance on stage. When she emerged, the crowd went wild, and she kicked off with the song “Girlfriend.”
Throughout the night, Avril had the audience in the palm of her hand, taking them on the ride of their lives. Her audience was one of the loudest of my concert season, and you could truly feel the love that her fans have for her, as well as her gratitude for every single one of them that night.
She followed up with the songs “What the Hell” and “Complicated.” During her set, she brought out Simple Plan, and they sang Simple Plan’s “Addicted” together. Avril ended the night with the iconic song “I’m With You,” and she had everyone singing along with her. She’ll be back in New York on August 27 in Wantagh at Jones Beach Theater.
Avril Lavigne Setlist: Girlfriend, What the Hell, Complicated, Here’s to Never Growing Up, Smile, My Happy Ending, Addicted (with Simple Plan), Losing Grip, Hot, Bite Me, Love It When You Hate Me, When You’re Gone, Don’t Tell Me, He Wasn’t, Sk8er Boi
On Friday, August 16 Emanuel Casablanca took to the Park Theater stage and offered the crowd a night of classic blues. Park Theater, located in Hudson, consistently offers a place for musicians to share their work in an intimate setting.
Emanuel Casablanca is a Brooklyn based guitarist, singer, and songwriter. Casablanca so far has two albums including Blood on My Hands and Strung Out on Thrills. He shared songs from both albums and even some unreleased songs dedicated to his wife. Casablanca wore a hat which stated, “I breathe the blues”; he is also nicknamed “Badboyoftheblues.”
After seeing him perform live you are able to see that these statements ring true Casablanca uses his vocal and guitar skills to create traditional blues music with his own twist you can also feel his passion for what he creates as he performs.
Park Theater is the perfect place when you’re in search for a night of music. Upcoming shows at Park Theater include Dual Record Release Party Anterra & Peter Stone on Thursday, August 22, Beccs, Glenn Echo, and Slow Packer on Friday August 23 and PORCHFEST Presents: Tommy Stinson’s Cowboys in the Campfire on Saturday, August 24.
After celebrating the release of his 2023 Album A Great Chaos at SILO Brooklyn last October, Ken Carson has returned to the city that never sleeps for three sold-out nights at Terminal 5—upgrading his New York City crowd from five hundred people in a silo to three sold-out, 3,000 people, shows.
Ken Carson performing at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.
Before a single performer hit the stage, the crowd was already active. But when 2hollis came out for his opening performance, the crowd hit new heights. Jumping, screaming, and using their phone flashlights to light the stage, the fans gave the Chicago artist what he needed to provide an intense warm-up for the headliner.
2hollis performing at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.
After 2hollis’ set, the curtain over Ken Carson’s multi-level scaffolding-like stage dropped, the lights went into a bright flickering sensation, and smoke flooded the stage as Ken Carson’s “Hardcore” started to play. Ken performed most songs from his recent album, A Great Chaos, his recent hit single “overseas,” and other hits from his discography. Ken had his fans yelling the lyrics for every song, jumping together, and opening countless moshpits. The rage stretched from the front of the house to the back staircase that led to the upper balconies. Ken mostly stayed on the upper level of his structure, acting as the conductor for his orchestra of supporters down below. The show lived up to its chaotic hype, with every fan leaving in a pool of sweat and carrying the memory of a show like no other.
Ken Carson performing at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.
The crowd at Ken Carson’s performance at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.
Setlist: Hardcore, Lose It, It’s Over, Freestyle 3, leather jacker, i need u, Succubus, Green Room, mewtwo, Vampire Hour, Rockstar Lifestyle, Overtime, Nightcore, toxic, Me N My Kup, Rock N Roll, Yale, ss, Jennifer’s Body, Freestyle 2, overseas, Fighting My Demons.
Ken Carson performing at Terminal 5 on August 20th, 2024. Photo By: Lucas Kurzweil.
Rolling into SPAC for the Neon Pill tour, Grammy award winning rockers Cage the Elephant put on a performance for the ages on Sunday night, August 18th. With a broken foot and a heart full of the rock n’ roll spirit, lead singer Matt Shultz powered through the entire show in unforgettable fashion, rolling around the stage on a modified medical scooter.
Weaving through blasts of pyro and popping the occasional wheelie, he showed more charisma and showmanship on one leg than most mortals have in their whole body. Even if you couldn’t get into the music, you had to respect the max effort behind it. Alongside an eclectic lineup that featured Young the Giant, Bakar, and rising star Willow Avalon, the evening was a celebration of musical diversity, perseverance and raw emotion, drawing thousands of fans to experience a show that will be remembered for many years to come.
Burning Down the House: Cage the Elephant lit it up in Saratoga Springs on 8/18/24.
The buzz around SPAC before the show was all about Cage the Elephant’s previous gigs in the Capital Region. Long time fans were quick to remember their 2016 show with Portugal. The Man at the Palace Theatre in Albany where hundreds of fans jumped up on stage and hoisted Schultz into the air during the encore. From there, their legend only grew when Cage the Elephant moved up the road to SPAC in 2019 and stole the show from then headliner Beck (“Loser,” “Where It’s At”) with Shultz stripping down to his lifeguard shorts and completing a most epic crowd surf from the very front of the stage to the very top of the SPAC lawn to the tune of Queen’s “We Are the Champions.” So when the temporally handicapped Shultz rolled out in Saratoga Springs sitting on scooter, no one was really sure what to expect from the man who often spends more time running through the crowd than on stage.
Matt Schultz of Cage the Elephant completing an epic crowd surf at SPAC in 2019.
Sustaining a serious foot injury while performing in Atlanta earlier this August, this isn’t the first time members of Cage the Elephant have been hurt by their high-octane performance style. With a history of jumping off balconies and stage diving, things like cracked ribs, bruised sternums, bite marks and deep scratches that require stiches have all been par for the course with these guys. A few years ago, the band needed to cancel an entire UK and European tour when guitarist Nick Bockrath required immediate surgery after suffering a ruptured PCL, torn ACL, and fractured tibia while performing. But if pain is temporary and glory lasts forever, as they say in show business, the show must go on and this one did in a most grandiose way.
Neon Pill Tour: Matt Shultz performing with Cage the Elephant in Saratoga Springs on 8/18/24.
Formed as a six piece in 2006, the Kentucky bred Cage the Elephant has been a force in the music industry for nearly two decades. With six studio albums under their belt, including the newly released Neon Pill, the band has solidified their place as one of the most beloved and enduring bands in modern rock. Along with their unpredictable frontman Matt Shultz and his brother, Brad, on guitar, Cage the Elephant is also made up of Nick Bockrath (guitar), Daniel Tichenor (bass), Jared Champion (drums), and Matthan Minster (keyboards/guitar).
Rising to prominence with their gritty blend of alternative garage rock and punk blues combined with an elaborate and explosive live performance, their popularity can be attributed to their relentless energy, genre-defying sound, and the emotional depth of their lyrics. Despite his recent injury, Shultz’s indomitable spirit was on full display at SPAC, where he performed most of the set on a scooter, adding an unexpected yet fitting touch of rebellion to the evening. Opening up with the ever-appropriate “Broken Boy,” the band wasted no time playing with fire, dazzling the crowd pyrotechnics early and often.
Wheelie Time: Despite an injured foot, nothing could stop the showmanship of Cage the Elephant’s rockstar frontman on 8/18/24.
“Cry Baby,” the opening track from 2015’s Tell Me I’m Pretty, had the crowd singing along to every word, a recurring theme that was consistent throughout the night. Rocking renditions of “Mess Around” and “Cold Cold Cold” from the same album were also played, while “Spiderhead,” “Halo,” and “Telescope” represented the Melophobia portion of the show.
Fan favorite “Trouble” would receive the full “cell phone waving/sea of fireflies” treatment, which is a special moment at any show, no matter who is playing. Suddenly dropping into the hit single that put them on the map (and the only song played from their debut album), the crowd all but lost their minds singing along to “Ain’t No Rest for the Wicked.” With the audience firmly in the palm of their hands at this point, the sense of love and admiration for Cage the Elephant was palpable and through the roof. However, the journey to get to this moment hasn’t been without its challenges.
Watch fan shot footage of Cage the Elephant performing “Ain’t No Rest for the Wicked” in Saratoga Springs 8/18/24.
Supporting their first new album in 5 years, behind the scenes has been a little rough for the band. After Matt and Brad Shultz sadly lost their father in 2020, Matt made headlines when he was arrested for criminal possession of illegal firearms in Manhattan. Avoiding jail time by accepting a plea deal, he was placed in treatment for a medically induced psychosis in 2023. Now with legal troubles behind him and using the unfortunate setback as fuel for the new record, the phrase “neon pill” is a reference to the brightly colored medication that kicked off his mental breakdown. Delving into themes of self-discovery, inner turmoil, and the search for meaning in an increasingly chaotic world, when it came time to hype up the new stuff, Matt would casually ask if it was cool for them to play a few songs from Neon Pill.
After a resounding approval, “Rainbow” stuck out for its colorful laser light show, while “Good Time” had everyone from the front, back to the balcony getting lit. Including its title track, Cage the Elephant would only play three songs from the new album, instead putting much of the focus on 2019’s Social Cues. Treating the audience to tunes like “Ready to Let Go,” “Skin and Bones,” “Tokyo Smoke” and “House of Glass,” perhaps the most punk rock inspired song of the night was a fiery and emphatic stab at 2011’s “Sabertooth Tiger,” which saw even more pyro going off as the band exited the stage to a deafening loop of distorted guitar feedback.
Neon Pill Tour: Cage the Elephant brought the heat in Saratoga Springs on 8/18/24.
With the crowd howling for more, the band would return for a three-song encore of hit singles. First up from Thank You Happy Birthday was “Shake Me Down.” Met with thunderous cheers, the connection between the band and their fans was palpable, with the audience singing along to every word, creating a communal atmosphere that is rarely seen in live music today. “Cigarette Daydreams,” a song that’s rapidly approaching 1 billon streams on Spotify, felt absolutely huge in this setting. Finally, Cage the Elephant would unleash one last sing along in “Come A Little Closer” resulting in a euphoric eruption that truly made you feel alive and the hairs on your neck stand up. Watching Shultz push his body to the brink and scoot off the stage one final time, you simply knew you had just been a part of something special.
Cage the Elephant performing in Saratoga Springs on 8/18/24.
Prior to Cage the Elephant, the ever-evolving indie rock band Young the Giant played a set of fan favorites. Formed in Irvine, California, in 2004, the band has become a staple in the alternative music scene, known for their melodic soundscapes and introspective lyrics. The band’s current lineup includes Sameer Gadhia (vocals), Jacob Tilley (guitar), Eric Cannata (guitar), Payam Doostzadeh (bass), and Francois Comtois (drums). After opening up with “Jungle Youth, “ and “The Walk Home,” the band would then unleash their biggest hit to date with “Cough Syrup,” a song that’s amassed over 340 million streams on Spotify alone. Afterwards, singer Sameer Gadhia noted the band had no plans of touring this summer, but when an opportunity from Caged the Elephant knocked, they were glad to answer.
Mind Over Matter: Young the Giant celebrated the 10th anniversary of the their 2nd album at SPAC on 8/18/24.
Speaking candidly to the audience, Gadhia talked about how it’s kind of crazy he’s feeling comfortable enough to banter with crowd since he’s usually a reserved person off stage. Through the enabling power of music and art, when he’s in the grips of performing, somehow it all that goes away and he feels like he can do anything. Living in the moment and trying not to be afraid of taking chances, he said Young the Giant was going to try some songs they haven’t played in a while, as well as something from every album they’ve released so far. Continuing on with “Waves” and “Dollar $tore,” the band would go back to 2016’s Home of the Brave for “Titus Was Born,” before going all the way back to the beginning on “Apartment.”
Young the Giant’s Sameer Gadhia speaking candidly to the crowd in Saratoga Springs on 8/18/24.
Pausing once again to have another moment with the receptive crowd, Gadhia would talk about how this year marks the 10th anniversary of their second album Mind Over Matter. Reflecting back, he said “When it first came out everyone was so confused by it, because it was so drastically different than [their] previous work.” “But if you put all of yourself and all of your heart into something and truly believe in it, eventually someone will hear it and connect with it.” Ten years later, the album has gone from being an initial flop to their most streamed overall. Reminding everyone to “never apologize for your art,” Young the Giant would launch into the title track of “Mind Over Matter” then “Tightrope” from the same album. Finishing up strong with a pair of their biggest hits, setlist staples “Silvertongue” and the closer, “My Body,” had everyone up on their feet and waving their arms from side to side, fully primed for the main event yet to come.
Bakar performing in Saratoga Springs on 8/18/24.
Perhaps the most unique voice on the diverse bill was genre-blending English artist Bakar. Hailing from Camden, London, his distinct style fuses elements of hip-hop, indie rock, and pop. Wearing a red cap and a shirt reading “Cage the Bakar/Neon Pill Tour Forever,” Bakar’s inclusion on the tour was a bold choice, but one that paid off immensely. Performing solo and singing over backing tracks, “1st Time” would feature samples of “Dancing in the Moonlight,” while “Right Here, for Now” and “Stop Selling Her Drugs” would showcase his versatility and unique perspective on societal issues. After working his way through “Alive!” and “Small Town Girl,” Baker would sing his biggest song, “Hell N Back” last to close out the set. Bringing a refreshing and unexpected twist to the evening, Bakar’s music talked issues of race, identity, and the struggles of youth, making him a voice for a generation that is often overlooked in mainstream music. The audience, initially unsure of what to expect, quickly warmed to his dynamic performance and were up on their feet with cheers by the end of it.
Willow Avalon kicked off the Neon Pill tour in Saratoga Springs on 8/18/24.
Kicking off the long evening of music with sophistication and grace was a star-making performance by the Willow Avalon band. A so-called “southern belle raising hell,” Avalon’s presence was magnetic from the start. Originally from Asheville, North Carolina, she’s quickly made waves in the indie music scene with her infectious country-pop twang, stunning vibrato and carefree spirit. It wasn’t just Willow having all the fun either, her whole band appeared to be having a blast playing for Saratoga. Performing most of the tracks from her 2024 debut album Stranger, songs like “Honey Ain’t No Sweeter,” and “Getting’ Rich, Goin’ Broke” were met with smiles and applause, as her happy-go-lucky attitude and genuine passion for her craft was obvious.
Willow Avalon and her band performing at SPAC on 8/18/24.
Backed by a talented group of musicians, Avalon even worked in a brand-new foot stomper the band just wrote called “Raise Some Hell.” Joyful and radiant, Willow often touched on themes of love, nature, and self-empowerment. Rapidly becoming known for her vibrant stage presence and beauty, her microphones were adorned with flowers, reflecting her connection to the natural world and her upbeat personality. Her “friend not food” tattoo, featuring a pig, further emphasized her advocacy for animal rights, endearing her even more to the crowd. After working their way though Willow’s latest single, “Yodelayheewho” and her biggest song so far, “Tequila or Whiskey,” the band would ask for a little help from the crowd on the final song of the set. Quickly teaching them the lyrics to “Homewrecker,” it’s easy to see why Avalon’s rise to popularity has been so swift—her beauty, authenticity and warmth are qualities that resonate deeply and surely will continue to do so with audiences everywhere.
Willow Avalon performing in Saratoga Springs on 8/18/24.
The Neon Pill Tour at SPAC was a resounding success, showcasing the diversity and talent of some of today’s most exciting artists. From the hard-hitting rock of Cage the Elephant to the introspective melodies of Young the Giant, the genre-defying sounds of Bakar, and the uplifting country-pop of Willow Avalon, the night offered something for everyone. If you missed out in Saratoga Springs, don’t worry. With upcoming dates in Mansfield, MA, Holmdel, NJ, the Artpark in Lewiston, NY and a massive show at Madison Square Garden on September 5th, there’s still plenty more chances to get in on the action. If you’ve never seen Cage the Elephant before, and you’re a fan of live music, you simply owe it to yourself to check it out.
Watch fan shot footage of Cage the Elephant’s encore, “Come A Little Closer”at SPAC on 8/18/24.
Cage the Elephant | August 18, 2024 | SPAC | Saratoga Springs, NY
Setlist: Broken Boy, Cry Baby, Spiderhead, Too Late to Say Goodbye, Good Time, Cold Cold Cold, Ready to Let Go, Neon Pill, Social Cues, Halo, Mess Around, Trouble, Ain’t No Rest for the Wicked, Skin and Bones, Rainbow, Telescope, Tokyo Smoke, House of Glass, Sabretooth Tiger
Encore: Shake Me Down, Cigarette Daydreams, Come a Little Closer
Young the Giant | August 18m 2024 | SPAC | Saratoga Springs, NY
Setlist: Jungle Youth, The Walk Home, Cough Syrup, Waves, Dollar $tore, It’s About Time, Titus Was Born, Apartment, Superposition, Mind Over Matter, Tightrope, Silvertongue, My Body.
Bakar | August 18m 2024 | SPAC | Saratoga Springs, NY
Setlist: All In, 1st Time (with Dancing in the Moonlight tease), Right Here, for Now, Stop Selling Her Drugs, NW3, Alive!, Small Town Girl, Hell N Back.
Willow Avalon | August 18m 2024 | SPAC | Saratoga Springs, NY
Setlist: Stranger, Honey Ain’t No Sweeter, Getting’ Rich, Goin’ Broke, Raise Some Hell (new song), Yodelayheewho, Tequila or Whiskey, Homewrecker.
Australian band King Gizzard & The Lizard Wizard formed in 2010, mashing up a combination of prospective band names into their now iconic name. The name tells you almost everything you need to know about this band of Australian goofs and their ability to turn any concept and sound into a piece of complex and intriguing art. In the past 14 years, they have released 26 studio albums covering many genres, from psychedelic rock to metal to indie and everything in-between. That’s almost one full album every six months for over a decade. King Gizzard gave us a taste of all of it Friday, August 16th at Forest Hills Stadium.
Opening for King Gizzard was Geese, coming off of their well-received second studio album, 3D Country and 4D Country EP. Geese’s sound fits well within Gizzard’s world, with more of an american blues lean meets Pearl Jam feeling to their sound. With these shows, Gizzard took a page out of the Grateful Dead’s book, playing three-hour sets with a changing setlist. Comparing the setlists from their Friday and Saturday shows at Forest Hills Stadium, they didn’t repeat a single song across the two shows. Their discography is so deep that they could repeat that feat across almost a dozen of these three-hour marathon sets without ever repeating a song.
If you are a fan of a more niche Gizzard song, now may be your opportunity to see it live as they trawl through their discography over the coming months. The setlist for this first Forest Hills show was a perfect welcome to fans who may not have had a chance to see the band before. The band played a majority of their most popular tracks, with an overall metal lean and a healthy serving of Gizzard’s home base psychadelic funk/rock to round out the 25 song setlist.
With the lack of breaks and varied repertoire, Gizzard amazingly suffered very few hiccups during their set, playing an almost seamless blend of tracks with some especially unique transitions between songs that made the audience’s ears perk up. All of the band’s members are multi-instrumentalists, adding to the complexity and giving King Gizzard their unique layered sound. They invited a fan named Gabby who was holding a sign in the audience on stage to sing the intro to “Nuclear Fusion.” The intro is probably best described as throat singing with some heavy effects layered ontop and Gabby killed it.
Another notable aspect of King Gizzard’s live performances is the audience, a unique combination of deadheads, metal heads, and monster heads, people dressed in a smattering of medieval clothing and monster costumes harkening to King Gizzard’s ever growing lore. Many of these costumes touch on themes inherent to Gizzard’s visual media and lyricism such as the eponymous awareness around the earths climate and the eponymous King Gizzard and Lizard Wizard. King Gizzard’s media presence is heavily based in fantasy and sci fi and has given way to fans concocting a unique world out of an amalgamation of lyrics and imagery. The looseness of this world is what makes their crowds so unique, as fans craft outfits that fit into a world created of their own creation, serving as a true reflection of the wearer in a way that typical fan regalia can’t.
The show stopped exactly at 10pm due to a hard curfew implemented by Forest Hills Stadium last year in an effort to cut down on noise complaints. Following their shows in Queens, King Gizzard & The Lizard Wizard continue on with their North America tour, which is a marathon itself, with 36 more shows through November of this year. Then in May of 2025 they make their way to Lisbon, Portugal for the European leg, which extends through June.
Setlist: Field of Vision, Daily Blues, Cut Throat Boogie, Gamma Knife, People-Vultures, Mr. Beat, Boogieman Sam, Work This Time, Iâm In Your Mind, Iâm Not In Your Mind, Cellophane, Iâm In Your Mind Fuzz, This Thing, Self-Immolate, Organ Farmer, Venusian 2, Gila Monster, Flamethrower, Straws In The Wind, Pleura, All Is Known, Doom City, Rattlesnake, K.G.L.W. (Outro)
King Gizzard & The Lizard Wizard – Forest Hills Stadium – August 16, 2024
It was a night of sonic exploration and psychedelic virtuosity on Monday, August 12, when Les Claypool and the mighty Primus made their return to the Saratoga Performing Arts Center. In a concert experience that definitely did not suck, the music was as eclectic as it was electrifying. Along with the ageless and genre-defying Primus, the stacked bill also included the progressive rock grandeur of Coheed and Cambria, and the surreal cabaret experience of Puddles Pity Party. This unlikely combination of acts came together to create a night that was both surreal and unforgettable.
Here Come The Bastards: Primus frontman Les Claypool performing in Saratoga Springs on 8/12/24.
Primus has always been a band that defies categorization. Fronted by the inimitable Les Claypool, Primus burst onto the scene in the late 1980s, blending elements of funk, metal, punk, and experimental rock into a sound that is uniquely their own. Their music is characterized by complex rhythms, bizarre lyrical narratives, and, most notably, Claypool’s virtuoso bass playing. Over the years, Primus has cultivated a devoted following, attracting fans of both hard rock and improvised jams, their live shows are known for their deeply hypnotic grooves and intense, energetic peaks. At SPAC, Primus delivered a set that was both nostalgic and forward-looking. After taking the stage to their customary Danny Elfman / Pee Wee’s Big Adventure walkup theme known as “Clown Dream,” the band would immediately surprise fans with an unexpected sit-in from Puddles Pity Party, the 6’8” sad clown with the golden voice. Delighting fans with a powerful cover of the Dio classic “Holy Diver,” Primus and friends made it clear they weren’t clowning around in Saratoga, and to strap in for a rollercoaster ride of the unexpected.
Holy Diver: Primus opened the show with a little help from from Puddles Pity Party on 8/12/2024.
Following things up with the heavy-hitting 1993 Pork Soda favorite, “Nature Boy,” Claypool’s basslines were as thunderous as ever, and his off-kilter vocals added an extra layer of strangeness to the proceedings. “Golden Boy” would be lone song played from The Brown Album before “My Friend Fats” took the honors as first extended jam of night, giving guitarist Larry “Ler” LaLonde ample time to showcase his dizzying effects pallet and technical chops, while Claypool’s frantic finger work on the high notes echoed through the pavilion in the most surreal and satisfying way.
C’mon kiddies, gather round: Primus performing at Space on 8/12/2024.
As the lights dimmed between songs and the fog machine continued working overtime, a hooded figure emerged from the side of the stage. Clutching a glowing skull and presenting it to the crowd as if it processed mystical powers, the identity of the druid was soon revealed as Claudio Sanchez of Coheed and Cambria! Teaming up with Primus for the second surprise sit-in of the night, Sanchez’ distinct voice was perfectly suited for the cover of Rush’s “Cygnus X-1.” Bouncing back with the standout song of the night, a deep dive into “Professor Nutbutter’s House of Treats” had all the old school Primates savoring every second. The crowd, a mix of dedicated followers and curious newcomers, were fully engaged, swaying and headbanging to the complex grooves. The visual experience was equally impressive, with trippy, surrealist animations projected behind the band, adding to the sense of being on a musical journey through the weird and wonderful.
Claypool for President: Bassist Les Claypool performing at SPAC on 8/12/24. Would you vote for this man?
Taking a moment to acknowledge the audience, Claypool would remark that it’s been quite a long time since they last played this historic venue. Nostalgic fans were quick to remember the bands appearance at SPAC during the H.O.R.D.E. days in the late 90’s and their many appearances at the Palace Theatre in Albany in the years since, but indeed, it had been awhile since they’ve played a venue of this capacity. Interrupted by a fan requesting “Tommy the Cat,” Claypool would immediately shoot them down by saying, “Did you just say Tommy the Cat? That’s funny because that’s exactly what we’re not going to play.” Instead going with the crunchy punch of “Hamburger Train” anchored by the powerful hands of drummer Tim “Herb” Alexander. Leaving the stage and returning in a horse mask, Claypool would take to his electric standup bass for the particularly poignant cautionary tale of “Jilly’s on Smack.” Ending the tune on a repeating loop, the band created a dark ambience that felt like it could take you in any direction. Choosing once again to return to the Pork Soda era, “The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles, Pt 3)” seamlessly picked up where Jilly left off. Sensing a bit of a shift in momentum, Primus would strike back next with one of their most iconic songs, “Jerry Was a Racecar Driver,” which was famously featured over and over on the original Tony Hawk’s Pro Skateboarder game. Sending fans into a frenzy every time he shouted “go!” the bolted down seats in the amphitheater where the only thing stopping a full-scale mosh pit from breaking out. Jerry would bring the main portin of the show to close and leave fans screaming for more.
House of Treats: Primus pleased the SPAC crowd with a tasty Professor Nutbutter on 8/12/24.
Returning for an encore and with lots of fan favorites still left on the table, Primus would select the title track of their latest EP, 2022’s “Conspiranoia,” which they also played their last time in town at the Palace Theatre. Going all in on the near twelve-minute jam, Claypool would march circles around the stage, stomping his feet to the songs monstrous bass lick while humorous soundbite samples of random conspiracy theories pipped over the PA. Segueing directly into the relentless rhythm of “Here Come the Bastards,” Primus would ultimately send fans home happy with one of their biggest hits, “Wynona’s Big Brown Beaver.” A well-curated mix of classic tracks and deeper cuts, satisfying both long-time fans and newer listeners, Primus never disappoints.
Watch fan shot footage of Primus performing “Wynona’s Big Brown Beaver” in Saratoga Springs 8/12/24.
If Primus represents the quirky and experimental side of rock, Coheed and Cambria bring a sense of epic grandeur to the table. Formed in 1995, Coheed and Cambria are known for their sprawling, concept-driven albums that weave together elements of progressive rock, metal, and emo. Their music often tells the story of *The Amory Wars*, a science fiction narrative that spans multiple albums and has even been adapted into comic books.
Claudio Sanchez of Coheed and Cambria performing in Saratoga Springs on 8/12/24.
At SPAC, Coheed and Cambria delivered a performance that was nothing short of cinematic. Frontman Claudio Sanchez’s soaring vocals and intricate guitar work were the perfect match for the band’s complex compositions. The set was a rollercoaster of emotions, with moments of quiet introspection giving way to explosive, arena-sized choruses. Tracks like “Welcome Home” and “The Suffering” were particular highlights, with the audience singing along passionately.
Coheed and Cambria opening for Primus on 8/12/24.
At one point, the band would pause to reflect on their history in the area, with multiple mentions of their early gigs at the since burned down Saratoga Winners venue, even dedicating one of their new songs to the man who booked them way back then. With a sound that still resonates all these years later, there was a noticeable contingent in the audience decked out in sci-fi and comic book-inspired attire, clearly long-time fans of the band and their intricate storylines. Coheed’s set was full of high energy, hair whips and bombastic solos, that at one point even saw Sanchez playing his double-neck guitar behind his head for added showmanship. For the beers drinkers in attendance, the band also brought along their limited edition IPA collaboration with Six Point Brewery called The Liars Club, inspired by the bands album Vaxis II: Window Of The Waking Mind.
Watch fan shot footage of Coheed and Cambria peforming “Welcome Home” at SPAC on 8/12/24.
Puddles Pity Party, the opening act of the evening, was perhaps the most surprising element of the night. For the uninitiated, Puddles Pity Party is the alter ego of Mike Geier, a 6’8” tall clown with a melancholy demeanor and a voice that can only be described as stunning. Puddles rose to fame through viral videos and appearances on America’s Got Talent, where his deep, emotive voice and unique takes on popular songs won him a legion of fans.
Puddles Pity Party performing in Saratoga Springs on 8/12/24.
At SPAC, Puddles Pity Party delivered a set that was both hilarious and deeply moving. Dressed in his trademark white clown costume, Puddles performed a mix of covers and original songs, each delivered with a combination of deadpan humor and genuine emotion. Highlights included his renditions of “Ring of Fire,” The Who’s “Pinball Wizard” and a version of Ozzy’s Osbourne’s “Crazy Train” mashed up with Adele’s “Let It Go.” After a transformative “Space Oddity” homage to David Bowie was met with resounding approval, things would get downright whacky as Puddles then professed his love for actor Kevin Costner in bizarre hybrid of “Stairway to Heaven” meets Celine Dion’s “My Heart Will Go On,” while images of the Costner 1995 Hollywood flop Waterworld projected onto the big screens. Suddenly, the music would bust into Metallica’s “One” for the high-intensity outro to a very fun set. The audience, initially unsure of what to expect, quickly warmed to the sad clown’s unique brand of entertainment. By the end of his set, there wasn’t a frown to be found.
Puddles Pity Party performing in Saratoga Springs on 8/12/24.
From die-hard Primus fans wearing vintage tour shirts to Coheed and Cambria followers letting their sci-fi geek flags fly, the audience was a melting pot of music lovers. The diversity in the crowd reflected the broad appeal of the evening’s acts, with each band bringing their own unique following to the venue. Despite the differences in musical taste and style, the atmosphere was one of mutual respect and shared enjoyment, with everyone there to appreciate the artistry on display. Whether you were there to witness Les Claypool’s bass wizardry, Claudio Sanchez’s epic storytelling, or Puddles’ deranged humor, there was something for everyone. Complete with surprise collaborations and stunning visuals, it was another spectacular night a SPAC and one that is sure to leave a lasting impression on anyone who attended.
Primus | August 12, 2024 | SPAC | Saratoga Springs, NY
Setlist: Clown Dream Intro, Holy Diver *, Nature Boy, Golden Boy, My Friend Fats, Cygnus X-1**, Professor Nutbutter’s House of Treats, Hamburger Train, Jilly’s on Smack, The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles, Pt 3), Jerry Was a Racecar Driver.
Encore: Conspiranoia, Here Come the Bastards, Wynona’s Big Brown Beaver.
*Dio cover featuring Puddles Pity Party
**Rush cover featuring Claudio Sanchez of Coheed and Cambria.
Coheed and Cambria | August 12, 2024 | SPAC | Saratoga Springs, NY
Setlist: In Keeping Secrets of Silent Easrth:3. Ten Speed (Of God’s Blood and Burial), The Willing Well I: Fuel for the Feeding End, Key Entity Extraction V: Sentry the Defiant, A Favor House Atlantic, Blindside Sunny, The Crowing, The Liars Club, Shoulders, Welcome Home.
Puddles Pity Party | August 12, 2024 | SPAC | Saratoga Springs, NY
Setlist: Ring of Fire, Pinball Wizard, Crazy Train > Let It Go, Space Oddity, Stairway to Heaven> My Heart Will Go On, One Outro.
On a picture-perfect summer evening in Schenectady, the vibrant atmosphere of Frog Alley Brewing was electrified by a magnificent performance from Andrew Bird. An artist whose unique blend of folk, indie rock, and classical music has earned him a devoted following over the years, this stop marked his first time playing in the Electric City. Packing the place from the ground on up to the balcony, it was a testament to Bird’s enduring artistry and widespread appeal. Playing a diverse setlist that spanned his rich discography and showcased his eclectic musical talents, his dynamic and colorful debut was nothing short of delightful.
Andrew Bird performing in Schenectady, NY on 8/13/2024.
Opening for Andrew Bird was the legendary Malian duo Amadou & Mariam. The Grammy nominated couple, both of whom are legally blind, have been making music together since the 1970s, blending traditional Malian sounds with rock, blues, and pop influences. Their music is joyful and rhythmic, often addressing social and political themes with a fun touch. Amadou & Mariam’s performance was a perfect complement to Bird’s, offering a lively, soulful, and fun introduction to the evening. Despite obvious cultural barriers, the Frog Alley crowd was fully engaged from the start, and by the end of the hour long set, the entire audience was up on their feet and dancing like they were having the time of their lives, further proof that music truly is a universal language. After a brief intermission, it was finally time to take flight with Andrew Bird.
Amadou & Mariam, known as “the blind couple from Mali,” opened for Andrew Bird at Frog Alley Brewing on 8/13/24.
Andrew Bird’s musical journey has been nothing short of fascinating. A classically trained violinist, Bird has released 16 studio albums, with his music evolving from swing jazz and traditional folk to more intricate and experimental sounds. What sets Bird apart is not just his prolific output but also his innovative approach to music-making. His violin often serves as a multifaceted instrument—strummed like a guitar, plucked like a mandolin, and bowed in traditional and unorthodox ways. Bird’s performances are also characterized by his whistling, which is as nuanced and expressive as any instrument. Fans are also quick to notice his specially-designed spinning speaker known as the Janus Horn that sits center stage during every show. Featuring a two-mouthed horn that spins at various speeds during operation, it gives music played through it a whirling Doppler effect that is truly original and unquestionably psychedelic.
Andrew Bird performing in Schenectady, NY on 8/13/2024.
Opening the show with a pair of songs from his brand new album Sunday Morning Put-On, the easy lounge swing of “Softly, as in a Morning Sunrise” set the mood, while Bird’s buttery smooth voice had the crowd hanging on every delicate word in “I Fall in Love Too Easily.” Performing one of his oldest Bowl of Fire-era numbers next, Bird’s spoken word delivery and theatrical gestures during “Why?” simultaneously had the crowd amused and impressed, just as it has since being released in 2001.
It’s not a spell or a curse you put on me Or the way you make me smile so tenderly But how I wish it was your temper you were throwing Damn you for being so easygoing
Lyrics from “Why?”
A longtime fan of Andrew Bird’s music, I’ve seen him perform many times over the years. A unique thing about him though, is every single time has been with a different cast of supporting players. Opting to play this summer tour as a trio, Bird aligned himself with a pair of ultra-talented and distinguished musicians in New York-born drummer Ted Pool, and playing both standup bass, electric bass and acoustic guitars, was Alan Hampton. Each member bringing their unique flair, creating a dynamic interplay that amplified Bird’s intricate compositions, the chemistry between them was magnetic and hearing all three voices sing harmonies together was simply beautiful.
Andrew Bird, Alan Hampton and Ted Pool performing together in Schenectady on 8/13/24.
Bird’s lyrics have always been one of the most compelling aspects of his music. They are poetic, often cryptic, and rich with metaphor, exploring themes of existential dread, love, and the complexities of modern life. “Bloodless,” a personal favorite from 2019’s My Finest Work Yet always stands out for its layered momentum, deep groove and even deeper lyrical content that critiques the current political climate with a subtlety that leaves space for the listener to interpret the meaning. This song becomes more and more relevant every time I hear it.
“I’m keeping mine with the altruists I’m putting my weight behind the dancer I know it’s hard to be an optimist When you trust least the ones who claim to have the answers
It’s an uncivil war, bloodless for now”
-Lyrics from “Bloodless”
Another new song, “You’d be So Nice to Come Home To” felt perfect, as if were written for this exact kind of night, with Bird crooning out “Under an August moon burning above, you’d be so nice, you’d be paradise to come home to and love.” Following his hit single “Sisyphus,” we would enter the Inside Problems portion of the show. Written and recorded during the pandemic, “Atomized,” and “Underlands” further transported the Electric City to a surreal state, before Bird would pause to banter with the crowd for a bit. Switching over from violin to his vintage Gibson electric guitar, he would claim the next song was written for a friend that happens to have a birthday tomorrow. Then launching into one of loudest and most rocking songs of the evening, the vibe during “The Night Before Your Birthday” felt more like a celebration than a concert.
“You’d be So Nice to Come Home To” had all the feels on 8/13/24.
Bird’s use of language is masterful; his lyrics often juxtapose archaic phrases with contemporary issues, creating a timeless quality. This linguistic dexterity is part of what draws a diverse crowd to his shows—fans who appreciate music that challenges as much as it entertains. Setlist staple, “A Nervous Tic Motion of the Head to the Left” was a perfect example of this, while the lush and layered textures of “3 White Horses” delves into themes of mortality, using vivid imagery to create an atmosphere of eerie calm. “Give It Away” and “Orpheo Looks Back,” a pair of songs from 2012’s Break It Yourself, would feature Alan Hampton switching from bass to acoustic guitar and sharing vocal duties on the main microphone with Bird. The two of them clearly having a blast together, singing with smiles and passion. Bird would then tell the crowd he’s been working on some old classical jazz tunes with these fellas, and they’d like to try one for us called “Caravan,” by the legendary Duke Ellington. Finally, bringing the main portion of the show to a close was another personal favorite, “Tables and Chairs.” Offering a glimpse into a post-apocalyptic world, the song still manages to find hope in the idea of human connection, and if you’re asking, yes, there will be snacks!
Andrew Bird and Alan Hampton performing together on 8/13/2024.
Returning to the stage to a prolonged standing ovation, Andrew Bird would humbly thank the crowd at Frog Alley Brewing. Saying it was his first time playing in Schenectady and he didn’t really know what to expect, he seemed genuinely appreciative that people showed up and packed out the place. Rewarding them with perhaps his biggest song to date, Bird would paint a picture of “Pulaski at Night,” before the punchy, bittersweet Are You Serious anthem “Capsized” would send them home feeling inspired, fulfilled and maybe a little froggy, too.
Andrew Bird, Alan Hampton and Ted Pool performing together in Schenectady on 8/13/24.
Andrew Bird’s concert at Schenectady’s Frog Alley Brewing Summer Stage was a showcase of his exceptional talents as a musician and lyricist. A journey through his extensive catalog, the setlist was carefully curated, blending newer tracks with fan favorites. Supported by a stellar band and with an unforgettable opening act in Amadou & Mariam, the evening was a celebration of diverse musical traditions and innovative artistry. Bird’s ability to captivate an audience with his intricate melodies and thought-provoking lyrics is a rare gift, making this concert a highlight of the summer music season and further cements Bird’s growing reputation as one of the most important songwriters of our time.
Andrew Bird | August 13, 2024 | Frog Alley Brewing | Schenectady, NY
Setlist: Softly as in a Morning Sunrise, I Fall in Love Too Easily, Why?, Bloodless, You’d Be So Nice to Come Home To, Atomized, Sisyphus, Underlands, The Night Before Your Birthday, A Nervous Tic Motion of the Head to the Left,3 White Horses, Give It Away, Orpheo, Manifest, Caravan*, Tables and Chairs.
Encore: Pulaski at Night, Capsized.
*Duke Ellington and His Orchestra cover
Amadou & Mariam | August 13, 2024 | Frog Alley Brewing | Schenectady, NY
South Korean soul singer, Saay, made her US debut at Elsewhere on Friday, August 9, her first show in the US after twelve years in the industry, seven of which have been as a soloist. The Korean artist recently came back with a new single, Domino, a bouncy track with digitally harmonized synth vocals, a la Imogen Heap’s hit song “Hide and Seek.” Her contract with Universal Music Korea also expired last month, but when asked about physical releases of her music during the show, she said she is planning to release a new EP next year.
Saay debuted in Korea twelve years ago as part of the group EvoL but began her solo career seven years ago with the release of her single “Circle” in July of 2017. This was a one-off show in Brooklyn, followed by another at The Moroccan Lounge in Los Angeles on August 15th. Before her Elsewhere show, she also sang “Domino” on Fox’s Good Day New York. Expect more great content from Saay this week on social media as she experiences LA and continues to share photos and videos from her show at Elsewhere.
Performance
Elsewhere Zone One provided the perfect venue for this kind of intimate, emotionally charged show full of fan interaction. As people started filtering into the venue, the room’s cumulative energy made for a shared cathartic moment. A small, low-set stage puts the artist up close with fans. The production at Elsewhere was low-key. Besides the LED panel covering the wall behind Saay, a contrasting pair of purple and blue lights lit the stage.
Korean artists are always skilled at creating meaningful interactions with their fans, but you could clearly tell how much this show meant to Saay, at times bringing her to tears. During the show, she wore a Lucky Dragon hat that a fan later recognized as one they had given Saay at a past concert. She ended her set with a song ironically titled “Encore,” which was then followed by the actual encore, her breakout hit (and a personal favorite) from 2019, “ZGZG.”
After the final song, she stayed on stage to speak candidly to the audience and to tell everyone to get home safely, stay healthy, and eat well. We look forward to seeing footage of Saay’s August 15th show at the Moroccan Lounge and wish her luck in her future endeavors. Keep an eye out for new music from Saay in the next year and, hopefully, a return to New York following her upcoming EP.
Saay – Elsewhere Zone One – August 9, 2024
Setlist: Talk 2 Me Nice, Overzone, Baad, Omega, Circle, Domino, Rocky, Sh*t Makerrrrrrrr, I’m Okay, Sweet as Hell, Encore
