NYS Music 2024

Author: Zak Radick

  • Kiss of Death: In This Moment and Ice Nine Kills Shock Saratoga Springs

    It was an evening of shock and awe in Saratoga Springs on Tuesday, August 6th, when extreme metal made it’s return to SPAC for the opening night of the “Kiss of Death Part 2” tour. Featuring co-headliners In This Moment and Ice Nine Kills, along with Avatar and TX2, the heaviest bill of the summer was an unrelenting assault of the senses and a spectacle unlike any other. Pummeling the audience with dark themes, blood curdling riffs, demonic costumes and otherworldly images, the show made you feel like you were at the center of a crime scene. Surrounded by thousands of witnesses, only here there was no such thing as survivors’ guilt.

    Kiss of Death: Avatar performing in Saratoga Springs, NY on 8/6/2024.

    Setting the tone early with a brief set was TX2. Spearheaded by Even Thomas, the emo-leaning punk screamers largely focused on songs about mental health issues and using heavy music to work through them. Genuinely appreciative of the early bird fans who came to hear them, it was the perfect appetizer for what was to come. Next up was the melodic death metal band from Sweden called Avatar. Known for their over-the-top theatrical presentation, frontman Johannes Eckerström emerged on stage by popping out of a “gift” that was unwrapped by a leather-clad gimp! Wearing a top-hat with his face painted in sinister clown makeup like The Crow-era Sting, Eckerström’s charisma and powerful screams commanded your attention from the start.

    Joined by dreadlocked guitarists Jonas “Kungen” Jarlsby and Tim Öhrström, Henrik Sandelin (bass), and John Alfredsson (drums), Avatar may not have been a headliner, but they sure played like it.  Working their way through songs like “Dance Devil Dance,” “The Eagle Has Landed,” “The Dirt I’m Buried In, and “Smells Like a Freakshow,” if you’ve never seen this band, think Alice Cooper meets Marilyn Manson, but with a futuristic twist. Combining death metal riffs with menacing grooves for dramatic flair, fans of classic shock rock were not disappointed. Urging the crowd to stand up and headbang along to their final song, “Hail the Apocalypse,” Eckerström told them they “came all the way from Sweden to watch you die.”

    Avatar’s Johannes Eckerström performing at SPAC on 8/6/2024.

    After a quick intermission that included songs by White Zombie, Deftones and Rage Against the Machine, suddenly the sound of Nick Cave and the Bad Seeds “Red Right Hand” signified the horror juggernaut known as Ice Nine Kills was lying in wait.  With intro narration by none other than the Crypt Keeper (Tales from the Crypt), the curtain dropped and the metal-core band from Boston came out slashing. Despite the rainy forecast, the audience’s spirits were undampened as INK kicked into high gear with a fitting combo of “Rainy Day” and “Meat & Greet.” With their clothes covered in blood and celebrating pop-culture’s darkest edges, the stage was full of elaborate props, including skulls, chainsaws, zombies, various monster masks and the ever-present knife-wielding hooded figure looming high above all.  

    Kiss of Death: Ice Nine Kills performing in Saratoga Springs on 8/6/2024.

    Consisting of frontman Spencer Charnas, Ricky Armellino and Dan Sugarman on guitars, Joe Occhiuti on bass and Patrick Galante on drums, each song took on themes and soundbites from different iconic horror films.  One of the early highlights was “Ex-Mørtis,” which depicted elements of the Evil Dead franchise.  Complete with Spencer clutching his own Necronomicon and wielding a chainsaw, Charnas had no choice but to take down a wayward zombie that ventured on stage in the middle of it.

    Klaatu, Barada, Nikto: Ice Nine Kills fought off the Evil Dead in Saratoga Springs on 8/6/2024.

    Later, during “Wurst Vacation,” the body count continued to pile up as Charnas mimicked Eli Roth’s Hostile by throwing on a butcher’s apron before dismembering another victim, pulling the pseudo-intestines out above his head to great applause of the blood-thirsty audience.  After killer versions of the American Pycho-inspired “Walking on Sunshine” and “Hip to be Scared,” Ice Nine Kills would bust out “The Nature of the Beast” for the first time since 2019. Following “Funeral Derangements” and a reenactment of IT, INK would bust out another one for the old school fans in attendance, playing “The Greatest Story Ever Told” for the first time since 2017. After the Freddy Krueger inspired “American Nightmare” and a memorable stab at cinemas most famous “Shower Scene” via Alfred Hitchcock, by this point the band had everyone up on their feet and dying for more. With time for just one more song, INK closed their set with the title track to their breakthrough album Welcome to Horrorwood. Creative, fun, and definitely disturbing, it’s no surprise this type of band comes with a warning label. Hell, they’ve been outright banned by Disney for being too evil! Steadily killing the scene with their decadent, devious and fiercely insane live shows, Ice Nine Kills have also launched their own hugely successful horror convention known as the Silver Scream Con.

    I’ve Got to Return Some Videotapes: INK frontman Spencer Chamas channeled his inner Patrick Bateman at SPAC on 8/6/2024.

    During the final intermission of the show, music by metal god Maynard James Keenan permeated through the pavilion as songs by Tool and A Perfect Circle piped in over the PA system. Oddly transitioning into Journey’s “Don’t Stop Belivin” as heavy fog began billowing out from behind the stage, a giant spider covered curtain suddenly dropped to reveal In This Moment.  Met with hero’s welcome and a massive applause, it was a special performance for band’s charismatic frontwoman and lead vocalist, Maria Brink. An Albany native and the scream queen of modern metal, it was the type of homecoming usually reserved for a king. Growing up about 30 minutes away and now playing the area’s biggest stage, on this night, Brink gracefully conquered all.

    Kiss of Death: In This Moment headlined the tour kick off in Saratoga Springs on 8/6/2024.

    Wearing an ornate headdress and taking to her throne atop the SPAC stage, In This Moment was truly a spectacle to behold.  Clad in costumes that were both beautiful and frightening, much like their music, the band has a certain aura that’s intoxicating.  Opening with “The Purge” and their Grammy nominated single “The In-Between,” the visually stunning theatrical presentation the band is known for was on full display right out of the gate. Under the watch of “mother” figure Maria Brink, the band is far from a one woman show.  Also consisting of co-founder Chris Howorth and Randy Weitzel on guitars, Travis Johnson on bass and Kent Diimmelis, ITM sent shivers up your spine with a rendition of 2012’s “Blood” from the album of the same name. Followed up by a pairing of “Sacrifice” and “Sanctify Me,” the evening would spotlight many of the songs from the band’s 2023 Kane Churko produced album Godmode.

    Hometown Throwdown: Albany native Maria Brink holding court with In This Moment at SPAC on 8/6/2024.

    Flanked by a pair of masked acolytes and singing from an elaborate alter for most of the show, Brinks’ amazing voice control mesmerized fans. Reaching intense emotional depth, powerful and pretty and with plenty of edge, it’s easy to see why she’s become such a role model for ‘against the grain’ teens and goth-girls everywhere. Frequently changing outfits and telling a story within each song, even if you couldn’t get into the music, you had to appreciate the artistry, creativity and overall effort of everyone on stage.  Pushing boundaries with themes of witchcraft and mysticism, it’s no surprise In This Moment’s ritualistic approach has its share of detractors, mostly parents and people over 50. Still, as the band worked their way through signature staples like “Sex Metal Barbie” and the Black Sabbath-inspired “Big Bad Wolf,” over1.3 billion cumulative streams tell you it’s clear there’s still an audience hungry for heavy music. Towering over the Broadview Stage at SPAC, In This Moment sent fans home happy with their biggest song to date, closing the epic homecoming performance with “Whore.”  Cathartic and surreal, the level of pageantry and attention to detail made for an unforgettable set of music from one of today’s most influential metal attractions. 

    Sex Metal Barbie: Maria Brink performing with In This Moment at SPAC on 8/6/2024.

    A resounding triumph for shock rock and horror metal, the Kiss of Death Part 2 tour in Saratoga Springs was some of the most fun I’ve had all summer.  After playing to Buffalo’s Outer Harbor the following night, the electrifying tour heads west for the next month and promises to deliver musical carnage and visual splendor at every stop along the way. Ice Nine Kills third annual horror convention, The Silver Scream Con, is set to take place in Worcester, MA from September 13-15.

    In This Moment | August 6, 2024 | SPAC | Saratoga Springs, NY

    Setlist: Salvation Intro, The Purge, The In-Between, Blood, Sacrifice, Sanctify Me, Sex Metal Barbie, The Fighter, Big Bad Wolf

    Encore: Whore

    Ice Nine Kills | August 6, 2024 | SPAC | Saratoga Springs, NY

    Setlist: Red Right Hand Intro, Rainy Day, Meat & Greet, Ex-Mortis, Thank God It’s Friday, Walking on Sunshine*, The Nature of the Beast**, Wurst Vacation, Funeral Derangements, IT Is the End, Hip to Be Scared, The Greatest Story Ever Told***, The American Nightmare, The Shower Scene, Welcome to Horrorwood.  ,

    Avatar | August 6, 2024 | SPAC | Saratoga Springs, NY

    Setlist: Beware of the Clown Intro, Dance Devil Dance, The Eagle Has Landed, Valley of Disease, Bloody Angel, The Dirt I’m Buried In, Smells Like a Freakshow, Hail the Apocalypse.

  • Limp Bizkit Brings Bethel to Loserville

    Bethel, New York, once the iconic site of the original 1969 Woodstock Festival, was transformed into a haven of nu-metal nostalgia on Friday, July 26th when Limp Bizkit brought their Loserville Tour to Bethel Woods.

    bethel woods limp bizkit

    Notorious for their unforgettable set at Woodstock ’99, where their intense energy contributed to the festival’s infamous chaos, it took 25 years for Limp Bizkit to successfully rewrite the script. Now older and wiser and out for redemption, the band delivered a high-octane, testosterone-fueled performance that both honored and deviated from their controversial past.

    Limp Bizkit performing at Bethel Woods on 7/26/24.

    From the moment Fred Durst strutted onto the stage, sporting a backwards Yankees cap and a pinstriped Shohei Ohtani Japanese jersey, the audience—an eclectic mix of die-hard fans from the late ’90s and early 2000s and curious new listeners—erupted in a frenzy. The setlist, a deliberate nod to their greatest hits, had the crowd singing and headbanging along to former chart-toppers like “Nookie,” “Rollin’,” and “My Way.”  Along with frontman Durst, all the OG members of Limp Bizkit were present and accounted for in Bethel.

    Limp Bizkit’s Sam Rivers performing in Bethel, NY 7/26/24.

    Bassist Sam Rivers was looking particularly dapper performing in all white suit and shades, while DJ Lethal and drummer John Otto confidently held things down from the risers in the back. Guitarist Wes Borland, the band’s enigmatic and theatrically dressed master of disguise, was truly a sight to behold.  Wearing a gold battle helmet and a pseudo samurai gi, he resembled something of a cross between the Predator and a character straight out of the Warhammer games. 

    His dark black eyes barley visible as the iconic axman thrashed circles around the stage to songs like “Eat You Alive” and “Hot Dog.” After showing off some tasty Pantera and Metallica licks between songs, Borland would then break into a signature riff almost anyone can play, having a field day on an extended version of “Break Stuff,” the same song that became the scapegoat for the way things spiraled out of control at Woodstock ’99. This time, however, when the song kicked in, the people didn’t kick in nearly as hard. There were no fires set or crowd surfing on plywood the entire night.

    Master of Disguise: Wes Borland shows off his latest look on 7/26/24.

    The audience itself was a fascinating mix. There were those who had been at Woodstock ’99, now older but still wearing their vintage band tees and reliving the glory days. Alongside them were younger high school-aged fans, some experiencing the raw energy of Limp Bizkit live for the first time. Eavesdropping on a stranger’s conversation, I almost spit my drink out when a guy asked his friend if they’d ever seen Limp Bizkit before and she responded, “No, but I’ve heard a lot about him.” This blend of generations created a unique atmosphere, one where nostalgia met the present day in a powerful collision of sound, emotion and hormones.

    Limp Bizkit’s in the house, yall. 7/26/24.

    The history of Woodstock 1969 loomed large over the performance. Bethel, the birthplace of the peace and love movement, juxtaposed sharply with the aggressive, rebellious energy that Limp Bizkit embodied. Yet, this contrast seemed to be exactly what the crowd craved—a raw, unfiltered experience that tapped into the cathartic power of music.  The resurgence of nu-metal, a genre that blends heavy metal with elements of rap and hip-hop, continues to captivate audiences. Fred Durst, as always, remained a polarizing figure and central to it all. Now in his 50’s and rocking a full silver beard, some see him as the quintessential anti-hero of the nu-metal era, a symbol of defiance and non-conformity.

    Others, however, view him as a relic of a dark time in music history, often citing his vulgar and childish lyrics as the bands biggest handicap. Regardless, there is no denying Durst’s ability to command a stage and connect with an audience, even decades into his career. His provocative personality and off-the-cuff remarks kept the crowd at Bethel Woods on their toes all evening long as he clearly still resonates with a massive amount of fans. During the song “Livin’ it Up,” Durst would become one with the people by leaving the stage and performing while walking through the crowd. Later during “Full Nelson,” Durst would invite a bunch of kids up to sing with him and take selfies, a tender moment they will likely never forget.

    Fred Durst performing with Limp Bizkit in Bethel, NY 7/26/24.

    On the wheels of steel, DJ Lethal had his hands full all night playing samples of songs between songs. Touching on everything from Bon Jovi’s “Livin on a Prayer,” and Creedence Clearwater Revivals’ “Proud Mary” to the Beastie Boys “Fight For Your Right” and Cypress Hill’s “Insane in the Brain,” perhaps his most surprising selections were snippets from Britney Spears “Baby One More Time,” and George Michael’s song “Careless Whisper,” which Fred encouraged everyone to slow dance to.

    DJ Lethal had his hands full in Loserville on 7/26/24.

    After working their way through “Boiler.” Fred wound pander to the crowd some more, asking “How many people have been in a shitty relationship before and how many are in a shitty one right now? You can’t say it, because you’re with them tonight and your fucking miserable because you had to come to the Limp Bizkit concert with them, I understand.” Without missing a beat, the band would then drop into the song that started it all for the LB, their cover of George Michaels “Faith.” It was the only song played from the band’s 1997 debut album, Three Dollar Bill, Y’all$.  

    Limp Bizkit performing in Bethel 25 years after their infamous Woodstock ’99 performance 7/26/24.

    Introducing its follow-up by saying, “This next song seriously chaps my nads,” the familiar riff of Mission Impossible had the crowd roar with delight when the band kicked into “Take a Look Around.”  Getting a bit introspective in the middle of it, Durst would talk to the crowd once again.  Using the opportunity to express his opinions on the current political climate, he would go on to suggest that politicians are using technology, cell phones in particular, to turn people against each other.

    Declaring that it should always be “us against them” and that he will always be on the side of the people, he thanked everyone for coming out and rocking to some heavy music peacefully. Encouraging people to take a look around and hug their neighbors, Durst seemed genuinely appreciative for the strong turnout and that people still remember who they are. It was a clear sign of maturity for a group who, at one time, were considered the biggest and most juvenile band on the planet. 

    Limp Bizkit keeps rollin’ in Bethel, NY 7/26/24.

    Prior to Limb Bizkit’s headlining set, Loserville kicked off with a diverse bill of opening acts that had a little something for everyone. Highlighted by underground rappers Bones featuring Eddy Baker and Xavier Wulf, their set had some of hardest rhymes and loudest bass I’ve ever heard in person.  Before them was a dynamic synthpunk set from the one-man-band known as N8NOFACE. Mesmerizing the early attendees with his bizarre stage presence, guttural screams, and by slamming the microphone into his head to create drum beats, he openly discussed his struggles with crystal meth addiction, saying that for “anyone else who might be struggling, it doesn’t get easier, but it does gets better.”

    Thanking Fred Durst from the bottom of his heart for taking him out on this tour, “Already Hate Your Next Boyfriend” was perhaps the song that stuck out most. Adding even more nostalgia to the festivities, actor Corey Feldman (yes that Corey Feldman) kicked off Loserville with a brief set of original music and over the top dance moves. A long-time friend of Durst, the two most recently collaborated on the music video for Feldman’s latest single “The Joke.”

    Man of the People: Fred Durst reads the crowd in Bethel, NY 7/26/24.

    As the night drew to a close, it was clear that Limp Bizkit’s performance in Bethel was more than just a concert. It was a testament to the enduring legacy of both the band and the historic site. It reminded everyone in attendance of the transformative power of music, capable of bridging gaps between eras, generations, and even differing personal tastes. For one night, Bethel and Limp Bizkit were once again at the center of a musical revolution, proving that while times change, the spirit of rock and rebellion is eternal.

    Watch fan footage of Limp Bizkit performing “Faith” on 7/26/24.

    Limp Bizkit | July, 26, 2024 | Bethel Woods | Bethel, NY

    Setlist: Out of Style, Rollin’ (Air Raid Vehicle), Break Stuff, Hot Dog, Trust? My Generation, Livin’ It Up, My Way, Eat You Alive, Nookie, Full Nelson, Boiler, Faith, Take A Look Around, Break Stuff (Reprise).

    N8NOFACE

    Bones featuring Eddy Baker and Xavier Wulf

  • Langhorne Slim Gets Help From Friends in Sold-Out Woodstock Performance

    Armed with an acoustic guitar, a natural gift for telling stories, and a charismatic way of connecting with people, Langhorne Slim’s sold-out performance at Levon Helm Studios on July 18th, 2024 was nothing short of superb. Drenched in emotion and musical authenticity, it was the type of show that’s both intimidating to write about and impossible to forget.

    One that made you feel like you were having a brief brush with greatness and that you were witnessing one of the best performers of our time.  Interactive and spontaneous, vulnerable yet hilarious and thought-provoking, anyone who was there will tell you this was about as good as a night of live folk music gets. Complete with a surprise sit-in from Sawyer Fredericks, an impromptu fan-led duet and a veritable reunion with the extended Siegal family, you could simply feel the love inside the cozy confines of Levon’s barn – and it was pure magic.

    Langhorne Slim had them hanging from the rafters at Levon Helm Studios on 7/18/24.

    Before things officially got started, the house announcer took a moment to reflect on the recent passing of Woodstock folk icon Happy Traum.  Noting his longtime connection with the area, both as a frequent participant in the venue’s legendary Midnight Ramble series, as well as collaborations with his famous friends Bob Dylan and Pete Seeger, the entire evening was dedicated to him.

    From there we were treated to a short-but-lovely set by the husband-and-wife folk duo of Zach Schmidt and Jackie Berkley, collectively known as Golden Everything. Built on the interplay between Jackie’s uplifting voice and Zach’s seasoned pipes, songs like “No One But You,” and “Remedy” captivated the crowd.  Making the most of their allotted time, the couple was also happy to announce they are soon-to-be-parents, while also making a point of thanking their friend, Langhorne Slim, for including them on this run of shows.

    Golden Everything opened the show for Langhorne Slim in Woodstock, NY 7/18/24.

    Posting on social media prior to kicking off his ‘Politics of Love Summertime Shows,” Langhorne Slim would boldly declare “Take a stand, f*ck the man, explode yer television and go see yer favorite bands.” With his intentions clear, Levon Helm Studios was sold out weeks in advance. Taking the carpeted portion of the floor to a rousing ovation, Langhorne Slim would take a second to adjust to his surroundings. Somehow appearing to make eye contact with just about everyone in the barn before playing a single note, you were drawn to him almost instantly.

    Noticing a couple empty seats in the front row, he would joke with the crowd and ask “if we should wait for them?” before starting off with his song “Better Now.”  Born Sean Scolnick in Langhorne, Pennsylvania in 1980, he adopted the stage name of Langhorne Slim to keep close to his roots, despite now living in Nashville.  Now with seven full-length albums under his belt, Slim would take a moment between songs to talk about his writing process. Mentioning how he typically tries not to use foul language on the records for various reasons, it was a little funny that the last two songs he’s written are laced with “F” bombs. One that particularly struck a chord was called “WTF Is Going On.”

    Tell me someone what the fuck is going on,
    because were living in some fucked up times.
    We all know we’ve been had and I mean really bad
    and we all keep coming back for more. 
    Everyone seems sure, but I ain’t sure
    and I don’t know what the hell is going on anymore.
    Tell me someone what the fuck is going on,
    because were living in some fucked up times.

    -Langhorne Slim

    While it was likely the first time hearing this song for many in the sold-out crowd, nearly everyone knew the next one, “Changes.”  Settled in and feeling relaxed, Langhorne Slim would continue peeling back the layers of his life, sharing personal anecdotes and reflections, creating a space that felt less like a concert and more like a gathering of friends. This level of engagement transformed the performance into a shared experience, making every person in the room feel seen and heard.

    Speaking off-the-cuff and recounting tales of life on the road and a series of paranormal occurrences at one particular Airbnb, Slim would have the crowd in stiches just by being himself and talking about his journey to get to this moment.  After “House of My Soul (You Light the Rooms), Slim would invite his old friend Sawyer Fredericks to the stage for help on the next song, “On the Attack.” A familiar face for many, Fredericks first made a name for himself on the popular NBC hit show The Voice by covering this same song. Coming full circle and performing it together in this Woodstock atmosphere felt special, while Slim would exude after that “the boy still has it!”

    Surprise Sit-In: Langhorne Slim (left) was joined by Sawyer Fredericks (right) at Levon Helm Studios on 7/18.

    Throughout the set, Langhorne Slim laid bare his soul. In a performance full of tender moments, a pair of tunes that stuck out as particularly moving were “Song For Silver,” a new one describing how the clichés of becoming a Dad are actually real and “Song for Sid,” about his own beloved father. Noting that “I will play this one any chance I get,” the room felt particularly gripped as Slim’s gravelly and heartfelt voice reverberated through the storied barn with gusto and passion. The perfect acoustics even allowing him to step away from the microphone and still be heard while dancing about the stage.

    I called a healthcare professional
    Wanna speak to someone confidentially
    Don’t know just how I’m feelin’
    But I’m feelin’ feelings exponentially

    Calm voice started asking questions
    Said, “Ma’am I was hoping for advice
    I’m feelin’ lots of feelings
    Not a single one of ’em feels nice”

    She said, “Do you ever think about dying”
    Said, “No but sometimes I lie”

    -Lyrics from ‘Panic Attack’

    Another moment that stuck out was Slim’s introduction to the song “Panic Attack.” Written during a bleak time when he found himself alone at age 40 with only his cat, Mr. Beautiful, by his side, Slim talked openly about seeking professional counseling, getting sober, relapsing and the gift of getting sober for a second time. Captured brilliantly on his 2021 album Strawberry Mansion, Slim would also play the albums opening track, “Mighty Soul” before telling a story about meeting a lovely couple in the parking lot earlier that day who claimed they were about to walk the aisle to one of his songs, “Sea of Love.” 

    Langhorne Slim performing at Levon Helm Studios in Woodstock, NY 7/18/24.

    So touched by this, and knowing how expensive weddings can be these days, Slim suggested we use this occasion to be the ‘real’ celebration.  Then inviting Becca, the bride to be, up to the stage, the two would duet on a beautiful rendition of “Sea of Love.” The shock and smile on her face saying it all, it was surely a moment the young lady will never forget.  Slim would joke, “When you invite a stranger up to the stage, you never know if they can actually sing.” Luckily for us, Becca nailed it. Afterwards another couple would speak up and say “Sea of Love” was also their wedding song.

    Sea of Love: Langhorne Slim invited super-fan Becca up to sing her ‘soon-to-be’ wedding song with him on 7/18/24.

    It was around this time Langhorne Slim took the pulse of the room once again and asked if there was anything people were hoping to hear that he hadn’t played yet.  With seven records of material to choose from, there was still plenty on the table and the requests instantly started raining down from the balcony in waves.  A bit overwhelmed by the response, Slim would do his best to please everyone. Working his way through staples like “Wolves,” “Never Break,” and “Past Lives,” Slim would teach the audience the call and response chorus to “Cinderella,” from 2009’s Be Set Free album which had the whole barn howling with delight to the lyrics of “Do you feel good (I feel alight) / That makes me feel good (outta sight).

    Langhorne Slim performing at Levon Helm Studios in Woodstock, NY 7/18/24.

    After commenting on how silly it would be to walk off stage just to come right back for an obligatory encore, Slim had one more surprise up his sleeve. Inviting some very special guests up to join him instead, Slim welcomed local Grammy nominated record producer and multi-instrumentalist Kenny Siegal, along with his extended family, to the stage.

    The history here running deep, as Langhorne Slim’s breakthrough album, 2012’s The Way We Move was recorded just down the road at Siegal’s Old Soul Studio in Catskill, a 100-year-old Greek Revival house retooled for recording. Co-produced by Siegal, an astonishing 26 songs were completed in just four days.  With the album now considered by many to be a modern masterpiece, it was another magical, full-circle moment when the Siegal’s joined Slim for the cathartic show closer and title track from that album, “The Way We Move.” 

    All in the Family: The family of producer Kenny Siegal joins Langhorne Slim on stage for “The Way We Move” in Woodstock, NY 7/18/24.

    So caught up in the moment, Slim would unplug his guitar and dance around with the youngest member of the Siegal family before wandering all the way up into the balcony to sing along with the ‘standing room only’ crowd.  Going out of his way to make sure everyone had a special moment of connection with him, there wasn’t a person there who didn’t walk away from the concert smiling about their brush with greatness.

    Langhorne Slim performing at Levon Helm Studios in Woodstock, NY 7/18/24.

    The evening at Levon Helm Studios was more than just a musical performance; it was an intimate exchange of stories and emotions. Delivering both classic hits and new tracks with a fervor that revealed his deep commitment to his craft along with the personal struggles and triumphs that fuel it, when he told the crowd that “he didn’t come all this way to lie to them,” you believed it. Slim’s ability to connect so deeply with people, coupled with his passionate delivery, powerful and distinct voice and thought-provoking lyrics created the perfect recipe for an unforgettable night of music and soul-searching.

    Made even more special by the surprise sit-ins and the venue’s rich history, it’s easy to see why Langhorne Slim considers Woodstock one of his favorite places to play. Standing at the door on the way out, I wasn’t quite sure what to say to the man. After shaking hands and sheepishly thanking him for all the great music over the years, I think he knew where I was coming from and he went in for a big ‘ol bear hug. Trading compliments and sweat on a hot summer night at Levon’s barn; the perfect ending to a night I won’t soon forget.      

    Langhorne Slim | July 18, 2024 | Levon Helm Studios | Woodstock, NY

    Setlist: (partial) Better Now, WTF Is Going On, Stealin’ Time, Changes, House of My Soul (You Light the Rooms), On The Attack , Sugar Plum, Song for Silver, Wolves, Panic Attack, Song for Sidney, Long Live Time,  Never Break, Mighty Soul, Sea of Love, Get My Kicks, Cinderella, Past Lives.

    Encore: The Way We Move (featuring the Siegal Family).

    Golden Everything

  • Rain Bring Beatlemania to Saratoga Springs

    Despite at least five confirmed tornadoes and a microburst of nasty weather, the show went on as planned Wednesday night, July 17th at SPAC in Saratoga Springs. Making good on their name, Rain: A Tribute to the Beatles, not only weathered the storms, but delivered a surreal night of nostalgia and note-for-note precision that had fans both young and old twisting and shouting for more.

    Hitting the mark with spot on impersonations of the Fab Four – from the iconic haircuts and replica outfits, to the playful mannerisms and distinct personalities, the career retrospective performance encapsulated everything music fans know and love about The Beatles, arguably the most important and influential rock n’ roll band of all time.    

    Rain performing in Saratoga Springs on 7/17/24.

    Transporting fans back to the heyday of Beatlemania as Rain, the acclaimed tribute band took the Broadview Stage at SPAC by storm shortly after 7:30pm.  Dividing up the show into distinct eras of The Beatles, the throwback party kicked of with “Please Please Me” from the 1963 debut album of the same name.  After working their way through “ I Want To Hold Your Hand” and a pair of love songs that included “This Boy” and “P.S. I Love You,” Rain transitioned into the A Hard Day’s Night portion of the show.

    After an exciting rendition of “Can’t Buy Me Love,” fans were treated to some lesser-known cuts like the surf-rock inspired “Roll Over Beethoven,” “Tell Me Why” and “I Should Have Known Better.”  Briefly pausing to welcome the audience to the show and inviting them to sing along with the next song, a poignant version of “Yesterday” had the entire pavilion on the cusp of tears.

    Rain performing in Saratoga Springs on 7/17/24.

    After an entertaining video package chronicled The Beatles rise to international superstardom, the show then entered the iconic “Shea Stadium” era of Beetlemania. Featuring a distinctly harder edge than earlier in the night, songs like “I Feel Fine,” “Day Tripper,” and “Drive My Car” sounded just as good today as they did nearly sixty years ago. While I personally found it hard to sit during this part of the show, fans needed reassurance that it was “OK” to get up on their feet for the next number, “Twist and Shout.”  

    Rain would break character a bit after “Eleanor Rigby,” by introducing the mysterious “5th Beatle” lurking in the back of the stage, their version of legendary record producer George Martin, who played all the string and horn parts via keyboard.  Prominently featured on the potent “In My Life,” the first half of the show came to a close with “Got to Get You into My Life.”

    Rain performing in Saratoga Springs on 7/17/24.

    After a brief intermission, things were about to get a little weird in Saratoga.  Entering the experimental/psychedelic era of The Beatles, from the moment the opening chords of “Sgt. Pepper’s Lonely Hearts Club Band” filled the air, the audience was spellbound. Now dressed in vibrant Edwardian military officer outfits, Rain both looked the part and sounded it.  Flowing directly into “With a Little Help From My Friends,” the lysergic loving anthem “Lucy in the Sky With Diamonds,” and “Lovely Rita,” the transitions between the early mop-top era, the psychedelic phase, and the mature later years were seamless, showcasing the band’s versatility and deep understanding of the Beatles’ evolution.  

    Rain’s meticulous attention to detail was evident in every aspect of the show, from the authentic period costumes to the spot-on Liverpudlian accents. Each band member perfectly embodied their respective Beatle, not just in appearance but in musical prowess and stage presence.

    Rain performing in Saratoga Springs on 7/17/24.

    One of the standout moments was their performance of “A Day In The Life.” Featuring all the complicated bells and whistles of the original, Rain pulled it off flawlessly.  The chilled out “Flying” instrumental went largely unappreciated, but fans got back into it for the remainder of the Magical Mystery Tour portion of the show that included stellar renditions of “Penny Lane” and “Strawberry Fields Forever.” Complete with vibrant visuals throughout, the multimedia aspects of the show added an extra layer of immersion, with historical footage and colorful animations enhancing the live performances.

    While not necessarily a “pavilion only” show, the somewhat relaxed security allowed most fans inside, leaving only a handful of people to linger on the lawn. Perhaps that’s why I felt so seen when Rain played “Fool on the Hill” and “Come Together” as I made my way across the notorious slope. “Get Back” was the lone song played from the Let It Be album, while “Revolution” and “The End” closed out the second set to a bittersweet ovation of gratitude.

    The Fool on the Hill: Rain performing in Saratoga Springs on 7/17/24.

    The setlist was a well-curated journey through the Beatles’ illustrious career, featuring beloved hits and deep cuts alike. Rain’s musicianship was impeccable. The harmonies were tight, the instrumentation was faithful to the original recordings, and the energy was palpable.  When the band returned to the stage for the obligatory encore, the crowd couldn’t resist singing along to the ever appropriate “Give Peace a Chance” and finally the show closer “Hey Jude,” creating a communal experience that felt both nostalgic and celebratory. A vivid and heartfelt homage to the Beatles, it was a night of pure musical joy and a chance to relive the magic of one of the greatest bands in history.

    Rain performing in Saratoga Springs on 7/17/24.

    Rain (Beatles Tribute) | July 17,2024 | SPAC | Saratoga Springs, NY

    Set I: Please Please Me, I Want to Hold Your Hand, This Boy, P.S. I Love You, Roll Over Beethoven, A Hard Day’s Night, I Should Have Known Better, Can’t Buy Me Love, Tell Me Why, Yesterday, I Feel Fine, Day Tripper, Drive My Car, The Word, Eleanor Rigby, In My Life, Got to Get You Into My Life

    Set II: Sgt. Pepper’s Loney Hearts Club Band, With a Little Help From My Friends, Lucy in the Sky With Diamonds, Sgt. Pepper’s (Reprise), A Day in the Life, Flying, Magical Mystery Tour, Strawberry Fields Forever, Penny Lane, I Am the Walrus, The Fool on the Hill, Tomorrow Never Knows, Come Together, Get Back, Revolution, The End

    Encore: Give Peace a Chance, Hey Jude

  • Tyler Childers Scintillates in Sold Out SPAC Performance

    Crossover country music sensation Tyler Childers showed his hand in Saratoga Springs Wednesday night, July 3, selling out SPAC to the tune of an estimated 25,000 concert goers. 

    tyler childers SPAC
    Tyler Childers performing in Saratoga Springs on 7/3/24.

    Armed with a distinct voice, thought-provoking lyrics, an unassuming confidence and maturity beyond his years, the Grammy nominated Childers delivered the type of well-rounded performance that turned skeptics into believers and left long-time fans wishing the night could last forever. Singing through his career spanning catalog of hits, the complex Kentucky-based crooner left it all on the stage, creating a unique atmosphere of optimism and excitement despite the melancholy nature behind much of the music. The concert, part of his “Mule Pull ‘24” tour, was a testament to Childers meteoric rise in popularity and his deep connection to the audience.

    With the Broadview stage at SPAC elegantly decorated in old furniture, plants, odd antiques, and a vintage television set, the show started with a surreal countdown that featured various clips of Childers formative years. Accented by the roar of the sold-out crowd as he finally walked out, it was enough to give you goosebumps before anyone played a single note. From the opening tune “Her and the Banks” and the foot stomping “Percheron Mules,” the 33-year-old Childers captivated the audience from the start. Bolstered by the power of his incredibly tight backing band, The Food Stamps, his signature raw and unique voice was strong and mesmerizing.

    Tyler Childers plays to a sold-out Saratoga Performing Arts Center 7/3/24.

    Bringing a gritty yet soulful and authentic Kentucky touch to each number, Childers would play a total of 23 songs on the night, including six from his massive 2017 breakthrough album, Purgatory. After working their way through “Born Again,” fans were treated to a pair of sing-alongs from the 2019’s Country Squire, including the title track and the grade school confessional “Bus Route.”  Following that up with “I Swear (To God) and the beautifully subdued “Shake the Frost,” the crowd was soon throwing their fists in the air in unison for the rollicking “Rustlin’ In the Rain,” before one of Childers most popular songs, “All Your’n” had them howling with delight. Busting out a Kris Kristofferson cover next, “Help Me Make It Through the Night” gave way to a far more traditional country burner in “Cluck Ol Hen.”

    The Food Stamps performing with Tyler Childers at SPAC on 7/3/24.

    At this point of the show, The Food Stamps would disappear into the shadows leaving Tyler alone in the spotlight for some of his most heartfelt lyrics and soulful melodies of the night, delivering  powerful performances of “Lady May,” “Nose on the Grindstone,” and “Follow You to Virgie,” with each delivering poignant messages about love, perseverance, and life’s hardships. When the Food Stamps reemerged, the full band was in all their glory on the massive “In Your Love” that saw fans waving their cell phones in the sky to create a spectacle similar to swimming in a sea of fireflies.

    Tyler Childers performing in Saratoga Springs on 7/3/24.

    Entering the Can I Take My Hounds to Heaven portion of the show, Childers would pay homage to one of his biggest influences, Hank Williams, with a stellar cover of “Old Country Church” that made SPAC feel like exactly that. Following fan favorites “Whitehouse Road” and “Honkey Tonk Flame,” opening act S.G. Goodman was then invited to the stage for a scintillating duet on “Way of the Triune God.” Building up the momentum, “House Fire” would have fans stomping their feet and set us up for one final singalong, the anthemic “Universal Sound,” bringing the epic and cathartic evening to a close.

    Tyler Childers performing in Saratoga Springs on 7/3/24.

    The Broadview Stage at SPAC proved to be an excellent venue for the concert, offering great acoustics and a spacious setting that enhanced the overall experience. The crowd’s enthusiastic response throughout the night highlighted the deep connection Childers has with his fans, making it clear why he continues to sell out shows across the country. Blurring the lines of what it means to be a country music superstar, this was a night to remember – filled with powerful music, heartfelt moments, and an undeniable sense of community.

    Tyler Childers | 7-3-2024 | Saratoga Springs, NY | SPAC

    Setlist: Her and the Banks, Percheron Mules, Born Again, Country Squire, Bus Route, I Swear (To God), Shake the Frost, Rustin’ in the Rain, All Your’n, Help Me Make It Through the Night, Cluck Ol Hen, Lady May, Nose on the Grindstone, Follow You to Virgie, In Your Love, old Country Church, Can I Take My Hounds to Heaven, Whitehouse Road, Two Coats, Honky Tonk Flame, Way of the Triune God, House Fire, Universal Sound.

  • Biscuits and Eggs: The Brownstein Family Band Serve up the Jams in Albany

    It was fun for the whole family as members of The Disco Biscuits and Eggy, along with up-and-coming jammers Dysfunktone, converged at in Albany to bring the party to the people on Friday, June 28. Playing the third gig of the Brownstein Family Band’s first multi-show run, it didn’t take long before the bona fide family reunion escalated into an all-out dance party.

    Featuring familiar tunes, choice covers and a whole lot of smiles and sweat, it was the kind of night that made you feel lucky to be alive and that you were in the right place at the right time.

    Marc, Jake and Zach Brownstein performing as The Brownstein Family Band in Albany on 6/28/24.

    Conceived almost by accident when someone backstage at Biscoland 2023 suggested the idea of getting everyone named ‘Brownstein’ together to form a supergroup, less than a year later, that pipe dream has become a full-fledged reality. Consisting of the Disco Biscuits bassist Marc Brownstein and his son Zach Brownstein on drums, the band also features Eggy bandmates Jake Brownstein on guitar and Dani Battat on keyboards. 

    Now collectively known as The Brownstein Family Band, the high-profile side project blazed a trail over the Northeast with four shows that will have people talking for years to come.

    Dysfunktone kicked things off at Lark Hall on 6/28/24.

    Opening the night at Lark Hall with an energetic set full of groove-based improv was Long Island rockers Dysfunktone. Commanding your attention from the opening riffs, the impressive young quartet dazzled with proficiency and technicality.  Made up of Rob Meza on guitar and keys, Alex Gallina on bass, Brandon Hanna on guitar, and Dakota Henry on drums, the band wasted no time going dank and deep.

    After kicking off with a 14-minute rendition of “Strawberry Cough,” Dysfunktone easily won the crowd over with stellar versions of “Medusa’s Myth,” “Circadian Rhythms,” and an epic 18 minute ride through “Feelin’ Time” that contained clear Aqueous teases throughout. A band that is destined to become a force in the Northeast jam scene for years to come, be sure to keep an eye out for them and thank us later. After a brief intermission, the Brownstein Family Band soon assembled on stage around 9:30pm.

    The Brownstein Family Band performing at Lark Hall on 6/28/24.

    Properly paying homage to a mutual musical hero, Jerry Garcia, the Brownstein Family Band opened their set with colorful cover of “Let It Rock.”  Setting the tone for the exciting evening to come, Steve Miller Band’s “Take the Money and Run” would give way to the first original song of the set in Eggy’s “One Stop Shop.” Pausing for a moment to address the audience, Marc Brownstein (AKA Brownie) would claim the Lark Hall crowd was the most welcoming and energetic so far on this run. Peering at them through a pair of gnarly green shades, he’d go on to say that because “they were having so much fun, they’re going to ditch the set break and keep the jams flowing.”

    Marc Brownstein of The Disco Biscuits performing with The Brownstein Family Band on 6/28/24.

    Dropping back into the music with the beloved Disco Biscuits original “M.E.M.P.H.I.S.” the band seamlessly dithered into the psychedelic territory of the Beatles classic “Tomorrow Never Know” with vocals courtesy of keyboardist Dani (pronounced Donny) Battat. The crowd got extra excited for its follow up, another cherished Jerry Garcia tune, “Cats Under the Stars.”

    Providing a perfect platform for Eggy’s axe-man Jake to show off his incredible chops, the song effortlessly segued into the timeless “Tangled Up in Blue” which had everyone singing along in unison.

    Eggy’s Jake Brownstein performing with The Brownstein Family Band on 6/28/24.

    Another Eggy original tune was up next in the form of “All Wheel’s Turnin’,” before the Brownstein Family Band surprised us all with a cover of Donovan’s “Barabajagal.”  Pausing once again for a few words, Brownie would speak from the heart, commenting how great it was to be playing with these young and hungry lions, while also acknowledging just how great of songwriters Jake and Dani really are.

    Like any proud dad, he would also give major props to his son, Zach, for holding it down on the drum kit, watching him not only grow into a great drummer, but a professional one and noting that it’s “a true joy to be sharing the stage with him.” The sappy sentiment continued next with an emotional rendition of the Grateful Dead’s “They Love Each Other” that had all the feels and was perhaps the overall highlight of the night.  After “Confrontation” left Lark Hall begging for more, the band would return to the stage for one final tune.

    Zach Brownstein performing with The Brownstein Family Band on 6/28/24.

    With things going so well, Dani would joke about how their still trying to figure out a way to have some Brownstein family drama. Marc would quickly interject and say, “We’re only 4 show in. It’s coming.  Believe me, I’ve been around for a long time. The drama is coming and this song is our redemption.”  The Brownstein Family Band would then close the show with an emphatic and euphoric rendition of the Eggy original “Golden Gate Dancer,” bringing another stellar night of music at Lark Hall to a memorable close.

    Eggy’s Dani Battat performing with The Brownstein Family Band in Albany on 6/28/24.

    After wrapping up this brief run of shows the following night in Bridgeport, CT, it’s unknown when the Brownstein Family Band will perform their next gig.

    With The Disco Biscuits set to host their second annual Biscoland in LaFayette’s Wonderland Forest over the 4th of July holiday and Eggy heading west to make their Red Rocks debut and play a handful of high profile festivals through the month of July, it’s shaping up to be a busy summer ahead for both of these talented and charismatic bands. What we do know for certain is that when this fun loving collaboration happens again, you don’t want to miss it.

    Brownstein Family Band | June 6, 2024 | Lark Hall | Albany, NY

    Setlist: Let It Rock, Take the Money and Run, One Stop Shop, M.E,M.P.H.I.S.  > Tomorrow Never Knows, Cats Under The Stars > Tangled Up In Blue, All Wheels Turning, Barabajagal, They Love Each Other, Confrontation

    Encore: Golden Gate Dancer Redemption

    Dysfunktone | June 6, 2024 | Lark Hall | Albany, NY

    Setlist: Strawberry Cough, Siren’s Song > Medusa’s Myth, Circadian Rhythms, Feelin’ Time.

  • Spafford and Mike Gantzer Find Their Way Home in Woodstock

    It was a hometown throwdown with an added twist for Spafford Saturday night. Playing the third show of their summer tour at The Colony in Woodstock on June 15, it notably featured Mike Gantzer of Aqueous filling in for Spafford guitarist Brian Moss as he continues dealing with the effects of a brutal crash the band was involved in earlier this spring. More than the sum of its parts, the show must go on and it did, yielding a most memorable and unique night of improvisational jams.

    Spafford Woodstock
    Mike Gantzer of Aqueous filled in for Spafford guitarist Brian Moss during the Woodstock performance on 6/15/24.

    The quaint counterculture community of Woodstock was bustling with activity in the hours leading up to the show. Colorful, vibrant and welcoming, the main drag was covered in pride flags and business was booming at the numerous mom-and-pop gift shops, galleries, and gastropubs around town. The energy in the air felt like a throwback in time, reminding me of the neighborhood block parties when I was young and everything felt safe. Prior to showtime, early attendees at The Colony were treated to the delightful Americana sounds of The Jack Grace Band on the back patio stage.  It was inside on the Ballroom stage, however, where the real magic was about to take place.

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    Spafford performing at The Colony in Woodstock, NY 6/15/24.

    Fresh off their first gigs together in Rochester and the Northlands Music Festival, this incarnation of Spafford hit the ground running hard.  With a schedule that includes 10 shows in 11 days, don’t let anyone tell you touring life is easy. Consisting of bassist Jordan Fairless, drummer Nick Tkachyk and keyboardist Cory Schechtman, the Spafford members humbly welcomed and thanked guitarist Mike Gantzer for joining them on this run of shows.  Easing into things with an opening improvisational groove, it was around 17 minutes in when the band landed on the first actual Spafford song of the night, the explosive fan favorite “It’s a Bunch.”

    Performing with man down, Spafford looked to Mike Ganzter to man up on 6/15/24.

    Playing with a man down, it was here when Gantzer really stepped up and cut loose first the time, announcing his presence with swagger and authority, showcasing his undeniable ability as a player. Emoting with passion and simultaneously shredding his sparkling blue Gibson axe with the best of them, let’s be clear, no one can “replace” Brian Moss, but it was around this part of the show when you realized this was an unprecedented kind of Spafford experience. That we were witnessing something special and not only were things going to be just fine, they were going to be absolute fire.  

    Leaning heavily on bassist Jordan Fairless to handle the majority of vocal duties on this run, Saturday night at The Colony took on extra special significance for him.  After celebrating his wedding anniversary two days prior, it was not only a homecoming for Jordan, but a full-on family reunion as well.  With his beautiful wife and daughter in attendance, every time the local Woodstock resident stepped up to the mic you could see the sparkle in his eyes as he sang out to them. Touching and beautiful, the first time we’d hear it was on “Lonely,” a song written years ago and has emerged as one of the bands biggest jam vehicles.

    Spafford Woodstock
    It was a hometown throwdown for Spafford’s bassist Jordan Fairless who lives in Woodstock.

    Clocking in just shy of the 20-minute mark, it was the clear standout of the first set and just seemed to hit a little harder given the circumstances of this particular night.  Jordan’s soothing vocals carried over into the bluesy come down of “Shake You Loose” from 2022’s Simple Mysteries and would send the audience burning straight through intermission.    

    Met a man in New York and he had no time for me.

    His New York minutes, they were ticking away.

    But I’m not gonna give up, no I’ll just keep on standing here.

    Waiting for that day…when we all say.

    You don’t have to be lonely. Look no further, you can hold me.

    And I will hold you till you’re not lonely.

    We’ve got each other, and I’ll be on your side till the morning comes.

    -Lyrics from “Lonely”

    Prior to the start of the second set, the unofficial fifth member and band namesake, Chuck “Spafford” Johnson who would treat the audience to a reading of his poem “Would Etal.” A privilege to hear one of “Chuck’s Dreams” in person, his purpose with the band cannot be overstated.  Aside from being a published poet, Johnson has also penned the lyrics for several of the bands most beloved songs, including “My Road, My Road,” “The Postman,” and “Slip and Squander.” He’s also the man primarily responsible for running the free Spafford live streams on YouTube and doing what some might call “God’s work.” Fans can’t thank him enough.

    Chuck’s Dream: Lyricist Chuck “Spafford” Johnson read his poem “Would Etal” during set break on 6/15/2024.

    Returning to the stage for round two, Spafford wasted no time putting the pedal to the metal by opening with “Diesel Driver,” a song that many fans have now come to associate with the aforementioned crash in March that still lingers over the band. It’s exploratory jam would segue nicely into the new and highly danceable Corey Schectman space-funk instrumental “Machine Elves” that had the entire room moving and grooving.  Another sentimental moment came next as Fairless sang the blues based “Home (One Place I’ll Never Be). Dedicating the song to his wife two days prior, here he was able to sing it to her in person and just down the street from where they now live.

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    Spafford performing at The Colony in Woodstock, NY 6/15/24.

    Playing up the novelty of Jordan’s homecoming, the undisputed jam of the night evolved next in the form of a near 30 minute version of “Leave the Light On,” a song first played by the band in 2012. This time, however, it seemed to take on a whole new level of maturity. Listening intently to each other and exchanging glances, the creativity flowed between the four musicians on stage. Largely anchored by the handiwork of drummer Nick Tkachyk, you would never know this lineup has only played a few shows together. 

    Mike Gantzer performing with Spafford at The Colony on 6/15/24.

    Finding some limits and pushing through them, the playing was relentless and the improv was intense.  With Gantzer pouring every ounce his of passion and spirit into the performance, you know somewhere out there Brian Moss is smiling knowing he made the right call. Feeling more comfortable with each passing show, you can see the healthy respect these guys have for each other and the budding friendship that’s blooming.

    It’s so cold at night, and I pretend that it’s all right.

    But I keep your candle burning in the window.

    Leave the light on for me lady.

    So in the darkness I can find my way home.

    Leave the light on for me lady.

    Let me know that I’m not alone

    -Lyrics from “Leave the Light On”

    Holding court near the merch stand with a small group of people listening intently, Gantzer opened up about the challenges of learning such intricate material in such a short time. While comparisons to Moss are inevitable and both players are among the scene’s elite, it’s not quite as turn-key when it comes to the type of improvisation Spafford is known for.  Making it clear that he was honored to get the call and that he’s feeling a bit of pressure to deliver the goods, he humbly noted he “can’t play the songs like Brian does, that he can only play like himself.”  Feeding off the crowd’s energy and hoping to send it all the way back to his friend, it’s fair to say Uncle Mike met all expectations and exceeded them in Woodstock.

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    Mike Gantzer performing with Spafford at The Colony on 6/15/24.

    Returning to the stage for a brief encore, Jordan would address the crowd once again, thanking them for coming out to the show and thanking Gantzer for his incredible job filling in. After planting the homecoming seeds all night long, Spafford would finally spit them out with the lone cover and final song of the evening, a tasty take on Herbe Hancock’s “Watermelon Man.”

    Mike Gantzer will remain with the Spafford through the remainder of the month before the band reevaluates. Following a scheduled run through Colorado and an appearance at the 4848 Festival in July, East Coast fans won’t need to wait long to see Spafford again.  They’ve just announced a number of new tour dates in August that includes a stop at Lincoln Hill Farms in Canandaigua, linking up with red-hot New York jammers Annie in the Water. As for the future of guitarist Brian Moss, no one seems quite sure when he’ll return to the fold.  Requesting privacy at this time, we here at NYS Music wish him all the best and hope the healing power of music starts working its magic soon. 

    Spafford | June 15, 2024 | The Colony | Woodstock, NY

    Set1: Jam > It’s a Bunch > Lonely, Shake You Loose.

    Set 2: Diesel Driver > Machine Elves, Home (One Place I’ll Never Be) < Leave the Light On.

    Encore: Watermelon Man (Herbie Hancock).

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    Spafford Woodstock
    Spafford Woodstock

  • Belmont on Broadway: Blues Traveler Brings Huge Crowds to Saratoga Springs

    The first ever Belmont Festival in Saratoga Springs kicked off in grand fashion on Wednesday night, June 5th.  Ahead of the historic weekend, concert goers turned out by the thousands for the official opening, a block party dubbed ‘Belmont on Broadway’ headlined by the Grammy Award winning rock band Blues Traveler. 

    Often referred to as “the Summer place to be,” the enthusiastic atmosphere could be felt all over the city. Propelled by the distinct voice of the legendary John Popper and his scorching array of harmonicas and harmonies, the good-time vibes were off the charts, contagious and perhaps a little rowdy.

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    Belmont on Broadway: Fans flocked to Saratoga Springs for a free Blues Traveler performance on 6/5/2024.

    With the six-day festival expected to bring the Spa City more than $50 million in revenue, the massive crowds also meant massive business for the local shops and restaurants downtown.  People of all ages lined every inch and stoop of Broadway, arriving early to catch the opening set from eight-piece local rock and soul ensemble Tops of Trees. With a steady influx of concertgoers packing in like sardines by the time the charismatic Pat McGee Band took the stage, it was Grade A entertainment all around as friends, families, and strangers stood shoulder-to-shoulder, sweaty and smiling on this humid summer night in early June. 

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    And They’re Off: The Pat McGee Band got the party started early in Saratoga on 6/5/2024.

    With stellar production services provided by the fine folks at High Peaks Production, the overall program ran incredibly smooth and both looked and sounded great from the start. After a brief word from organizers, the winners of the Belmont on Broadway window decoration contest were announced as Heidi Owen West and Stacey D’Andrea-Goodman of the Lifestyles of Saratoga boutique. Clearing the stage shortly after 8pm, it was finally time for the band everybody came out to see.

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    Dancing in the Streets: Concert fans lined the streets of Saratoga ahead of the Blues Traveler performance on 6/5/2024.

    Once ruling the radio with chart toppers from their massive, multi-platinum selling album Hook, the beloved improv-heavy rockers from Princeton, New Jersey, Blues Traveler proved they still know how to party like it’s 1994.  No stranger to headlining festivals, the band is credited as the driving force behind the original H.O.R.D.E. (Horizons of Rock Developing Everywhere) festival that successfully toured the country from 1992 to 1998, including memorable stops at SPAC just up the road. Once again playing up to a massive crowd all these years later, Blues Traveler hit them with hits early and often.

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    Hey babe, let’s keep in touch: John Popper sings “Run-Around” with Blues Traveler in Saratoga Springs 6/5/2024.

    Consisting of harmonica wizard and band leader John Popper, along with guitarist Chan Kinchla, bassist Tad Kinchla, keyboard player Ben Wilson and drummer Brandon Hill, Blues Traveler opened with perhaps their most popular song, “Run-Around” resulting in city-wide sing-along that’s still reverberating somewhere down Caroline Street.  Demonstrating their propensity to jam, Popper would catch fire early, utilizing his signature array of custom harmonicas to blow the audience away on a “Dropping Some NYC” > “Moby Dick” > “NY Prophesie” sandwich.

    Dressed in a familiar floppy-brimmed hat and looking as healthy as he has in years, the band would find it’s lengthiest groove on the psychedelic Kingpin rocker “But Anyway,” while fans then took the opportunity to spark up during a cover of Tom Petty’s “Mary Janes’s Last Dance.” The heartfelt “Mountains Win Again” was perhaps the most emotional song of the evening, followed up by perhaps the funkiest in a cover of the Son Seals classic, “Funky Bitch,” which many fans often confuse as a Phish original.

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    Blues Traveler performing in Saratoga Springs on 6/5/2024.

    Segueing nicely into an equally funky “War Pigs” keyboard jam before alligator-ing at breakneck speed into a ferocious, foot stomping rendition of “The Devil Went Down to Georgia” (which the band humorously changed to “The Devil Went Down to Saratoga”), the melodic interplay between Popper and Chad Kinchla’s colorful guitar solos would shine bright all night long, but especially on 1997’s “Carolina Blues.”

    Tasty Licks: Guitarist Chan Kinchla preforming with Blues Traveler on 6/5/2024.

    Gracefully dipping off stage while each member of the band was given the chance to solo in the spotlights, Popper would lead Blues Traveler through the remainder of the set that combined an easy melodic flow crossed with a plethora of choice cover songs and sophisticated soul-funk boogie. With highlights that also included teases of Van Halen’s “Hot for Teacher” and Aerosmith’s “Eat the Rich,” Blues Traveler would bring the main portion of the set to a close with a massive sing along to their smash hit “Hook.”

    With the curfew rapidly approaching and the enthusiastic Spa City crowd still eating it up and begging for more, the band would insight the famous “Toga” chant from the Animal House film, before encoring with one final cover, ZZ Top’s “La Grange.” A great evening of music powered by a band that’s stood the test of time, the atmosphere in downtown Saratoga Springs was downright electric and made you hope ‘the powers that be’ will take notice and introduce more events like this one in the future. For now, you can re-live this entire performance via tapper audio at the link below courtesy of Archive.org.

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    “The newsman said not to sit on strange toilet seats / It’s my life he’s trying to save, but anyway
    I found out that I got eye cancer / Too many television waves, but anyway” – Lyrics to Blues Traveler’s “But Anyway”

    Up next for the band, Blue Traveler will take the rest month off before returning to the legendary Red Rocks in Morrison, CO for their annual 4th of July throwdown. Later this August, you can catch them back in New York with a pair of dates at Lewiston Artpark and the Perinton Center Park Amphitheater in Fairport.

    Blues Traveler | June 5,2024 | Belmont on Broadway | Saratoga Springs, NY

    Setlist: Run-Around > Things Are Looking Up, Dropping Some NYC > Moby Dick > Bass Solo > NY Prophesie > Dropping Some NYC, But Anyway, Mary Jane’s Last Dance, Mountains Win Again, Funky Bitch >  War Pigs Jam > Devil Went Down to Georgia, Carolina Blues > Drums > Hook.

    Encore: La Grange.

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    The Pat McGee Band | June 5,2024 | Belmont on Broadway | Saratoga Springs, NY

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  • Master of Muppets: The Avett Brothers Come Alive in Albany

    They say blood is thicker, but when it comes to musical siblings, being related can often be the kiss of death. Historically speaking, the list of dysfunctional “brother bands” is long and distinguished. From acts like the Everlys, The Kinks, and Duane and Greg Allman, to modern rockers like Chris and Rich Robinson of The Black Crows and Noel and Liam Gallagher of Oasis, tales of in-fighting, lawsuits and bad break-ups are the stuff of legend. Hell, the last thing in the world I can imagine is writing songs with my older brother. Not because I don’t love the guy, but simply because I just wouldn’t feel comfortable sharing my most personal feelings with him that way. But this article isn’t about me, it’s about The Avett Brothers and the shared bond that makes them so special and unique. 

    The Avett Brothers performing at MVP Arena in Albany, NY 5/23/24

    For Scott and Seth Avett, trust is a must and their unwavering belief in each other is largely what’s responsible for carrying the genre-bending folk rockers from Concord, North Carolina all the way to the top. If you’ve never heard them play before, imagine three Bob Dylan’s rolled into one, or a cross between Tom T. Hall and Faith No More, or John Prine meets Nirvana.  Hard-working and relatable, above all, the Avett’s are a family band with an uncanny ability to keep it real, no matter how tough times get.

    No strangers to the area, The Avett Brothers formed in 2001 and have been making regular stops around the Capital Region for over two decades now.  First playing for only a handful of people at a since-closed Italian restaurant in Albany, the Avett’s have also played memorable gigs at Troy’s Revolution Hall as far back as 2007, were regular fixtures during the early years of Mountain Jam Festival, and in recent times, have gone on to headline multi-night runs at Brewery Ommegang and Beak & Skiff Orchards. Their stop at MVP Arena on Thursday, May 23th, was the group’s first Albany date since performing at the Palace Theatre in 2012. Tapping red-hot Americana/roots artist Sierra Ferrell to open the show, fans old and new were all but guaranteed a magical evening of music. It’s just a shame more people didn’t get the memo in time.     

    Sierra Ferrell performing ahead of Avett Brothers at MVP Arena in Albany, NY 5/23/24

    Kicking off the evening with a blistering, but brief set, West Virginia-born songwriter and multi-instrumentalist Sierra Ferrell was stunning from the start. Seen as one of the brightest young luminaries in roots music today, Ferrell’s soulful voice was powerful and confident and instantly won the crowd over on songs like “In Dreams,” “Why’d Ya Do It” and “Jeremiah” from her 2021 debut album Long Time Coming.  Along with her dapper and distinguished backing band, Ferrell’s wide rang of styles on songs like “Money Train,”  “I Could Drive You Crazy,” and “Dollar Bill Bar” offered a taste of everything from country and ragtime, to foot-stomping folk to straight up rock n’ roll. 

    Pausing to ask the audience if anyone was looking forward to Del Fest as much as she was, the meager response was broken up by one man who screamed out “Del Yeah!” which elicited widespread laughter. After paying homage to a couple of her heroes by covering Arthur Smith Trio’s “Chittlin’ Cookin’ Time in Cheatham County” and “Years” by John Anderson, the remainder of the set featured material from Sierra’s excellent new album, Trail of Flowers including “American Dreaming,” and the arena-ready, Celtic-like stomper “Fox Hunt” to close out the truly unique set. Proving the hype is real on this one, Sierra Ferrell stood tall in Albany and made instant fans out of many of the first-time listeners.

    Sierra Ferrell performing ahead of Avett Brothers at MVP Arena in Albany, NY 5/23/24

    After a brief intermission that included songs from local underground folk heroes, the Felice Brothers, the stage was set and I knew I was exactly where I needed to be. It was finally time for The Avett Brothers to take us to church. The rare kind of band that have always been honest with the audience and true to themselves, I may not be a smart man, but even I know that’s hard to find these days. For me, their show at the MVP Arena on May 23th was personal and it hit me over the head like a ton of bricks. Timeless harmonies with lyrics that have helped shape my life in a way few other bands have, I think that’s a big part of the Avett’s secret recipe. An ability to put feelings into words in a way that the common man can understand and relate to. It’s a gift the Avett’s have been sharing with us since deciding to make music a career more than 20 years ago.

    Avett Brothers Albany
    The Avett Brothers performing at MVP Arena in Albany, NY 5/23/24

    Opening their performance with the beautifully sung vocal prelude of “Never Apart” that featured both Scott and Seth sharing the same microphone, it was the first of six songs that would be played from the band’s recently released self-titled album. Along with older brother Scott on banjo and Seth on acoustic guitar, the group also consists of longtime members Bob Crawford on standup and electric bass, Joe Kwon on electric cello, Tania Elizabeth on fiddle, Mike Marsh on drums and Bonnie Avett-Rini on piano.

    “I wonder which brother is better
    Which one our parents loved the most

    I wondered what my dad would say
    He said, “I love you and I’m proud of you both
    In so many different ways

    Always remember there was nothing worth sharing
    Like the love that let us share our name”

    Lyrics from “Murder in the City”

    The genre-bending folk rockers would show off their experimental side next on the digitally enhanced “Satan Pulls the Strings” before landing on the lone song played from 2012’s The Carpenter, the foot stomping singalong, “Live and Die.”  From there the band would play a powerful rendition of their introspective hit, “Morning Song”, which received the biggest cheers of the night thus far.  Bouncing back with the upbeat lead single from the new album, “Love of a Girl” set the stage for an early highlight of the show, the sentimental fan favorite “Murder in the City.” A song that embodies what The Avett Brothers are all about – a brilliant combination of lyrics, melody and chord progression – its mantra about family and love was stunning and poignant. 

    Avett Brothers Albany
    Seth and Scott Avett performing at MVP Arena in Albany, NY 5/23/24

    Pausing for a moment to let the song resonate, fiddle player Tania Elizabeth, battling through some minor feedback, had her turn in the spotlight with an extended solo on “Le reel du pendu / Les bars de la prison,” shredding the hairs of her bow to a rabid applause as the rest of the band rejoined the stage behind her. After working their way through another new one “Country Kid,”  the band would tug at the heart strings on “Living of Love”, our first song from The Avett’s breakthrough 2007 album, Emotionalism, before another well-penned Scott song, “Vanity,” forced the audience to take a critical look inside themselves. 

    Picking up the pace now, the momentum of the show took a major turn when The Avett’s launched into 2009’s high octane “Kick Drum Heart,” getting the entire crowd up on their feet and clapping in unison when suddenly, Seth Avett jumped off the stage with his wireless guitar, ran the length of the floor while high-fiving  fans and soloing all the way into the upper deck of section 123 of the MVP Arena before making his way back to the stage for the songs epic conclusion. Completely connected with the crowd, the band easily could have stopped the show here and no one would have complained, but luckily for everyone in attendance, the magic was only just beginning. 

    Avett Brothers Albany
    Feeding off the crowds energy, Seth Avett runs wild at MVP Arena in Albany, NY 5/23/24

    Transporting listeners to a contemplative space on “Cheap Coffee,” a song that features heartwarming audio samples and feels radically different from most of their other work, the tone was set for another beloved staple and perhaps most well-known song, “I and Love and You.” With the crowd taking over and singing those same words back in unison, it was a moment that truly gave you goosebumps.  With the audience firmly in their grip, the placement of the sentimental love letter “I Wish I Was” flowed perfectly. 

    Watch fan shot footage of The Avett Brothers performing “I and Love and You” in Albany, NY 5/23/24

    Until this point in the night the band had let their songs do most of the talking, so when older brother Scott took to the microphone and starting speaking from the heart, you knew he had something significant to say.  Reflecting on the moment, he mentioned how he “looks out there and sees people that I connect to, how grateful [he] is and that those people are the reason they are here tonight.” Saying, “The opportunity to do that is amazing, it’s our life’s work, and we are so blessed to do it.” Reminiscing about what it was like getting reviews in the early days, Scott commented how “It was an interesting part of our journey, reading what people said about us. Eventually we had to stop reading until we could get to a point where we could do it without being crushed.

    We would get things written about us like, “The Avett Brothers show potential, but write small songs,” to which the Albany crowd loudly started booing. “We booed them too, but later we realized writing small songs is kind of an awesome thing.” Seth would playfully stop him there and say, “What is this old man with a banjo talking about?” before continuing with similar sentiments. “In any event, we were always very excited to be written about no matter what they said. I do recall we had hoped to be compared to our heroes. We didn’t get that so much, but we did get comparisons to The Muppets. Those were very good days, very exciting days. We thought it might be fun to give you a glimpse of what those early shows were like. Instead of talking about it, we’re gonna try and illustrate it and there’s only one group in the whole world that can help us do that and luckily, here in Albany they are here tonight! So without further ado, would you please help us welcome to the stage… The Avetts.” Erupting in a massive applause, the spotlights then revealed three Muppet-like alter egos of the band – Seth Monster, Scott Monster and Bob Monster – who would go on to ‘perform’ “Hard Worker” and “I Would Be Sad.” You can watch fan shot footage of that in the clip below.

    Master of Muppets: Watch fan shot footage of The Avett’s performing “Hard Worker” live in Albany, NY 5/23/24

    Smiles for miles all around, the real-life Avetts would get serious once again, performing a flawless version of the song “Shame.” A true emotional journey of “ups and downs,” the band would bounce back with an upbeat rocker from the new album, “Orion’s Belt” before going all the way back to 2006’s “Left on Laura, Left on Lisa.”  After a cathartic rendition of “Head Full of Doubt/Road Full of Promise,” the Muppet version of the band would return for a set closing singalong of the funky hit single “Ain’t No Man” resulting in a veritable party-like atmosphere on and off stage.

     “When nothing is owed or deserved or expected
    And your life doesn’t change by the man that’s elected
    If you’re loved by someone, you’re never rejected
    Decide what to be and go be it”

    -Lyrics from “Head Full of Doubt/Road Full of Promise”

    After exiting the stage to a standing ovation, the band would take a little extra time soaking it in before returning. “Ya know it’s funny how in some rooms three thousand people can sound like twenty thousand, so thank you for that.”  Choosing to play the closer from the new self-titled album, “We Are Loved,” the vocal harmonies were about as beautiful as it gets.

    Avett Brothers Albany
    Seth Avett performing at MVP Arena in Albany, NY 5/23/24

    After paying homage to David Childers & The Modern Don Juans by covering “The Prettiest Thing,” the career-spanning show came to a proper close with Seth saying “Albany, thank you so much for letting us play for you. This is our last one and we are honored to do it with you,” as the band strummed the opening chords of perhaps the most emotional song in the Avett catalog, “No Hard Feelings.” Fading out with the repeating lyrics of “I have no enemies” sending chills up your spine, you knew you had just witnessed something special.

    Avett Brothers Albany
    Scott Avett performing at MVP Arena in Albany, NY 5/23/24

    With polished harmonies and heartfelt melodies, a charismatic stage presence and a wealth of wisdom contained within the lyrics, these songs feel timeless and should be heard by everyone. Rich with “repeat customer” appeal, the brothers Avett are veritable song-writing machines and put every ounce of energy and life experience they have into their craft. Even after a two-plus hour performance, there were still so many “favorites” left on the table in Albany. It’s no wonder people are so willing to travel from all over to see this band again and again.  

    With 3 Grammy nominations so far and over 2 million monthly listeners on Spotify alone, it’s easy to see the broad appeal and why the Avett Brothers continue to connect. From their first time in Albany playing at an Italian restaurant where people were more interested in pasta than what they were doing, to now playing the city’s biggest Arena two decades later, it’s fair to say this family band finally has Albany’s undivided attention now. At least they do mine. Salute.

    No Enemies: Watch fan shot footage of The Avett Brothers performing “No Hard Feelings” in Albany, NY 5/23/24

    The Avett Brothers | 5-23-2024 | MVP Arena | Albany, NY
    Setlist: Never Apart (w/ Vocal Prelude), Satan Pulls the Strings, Live and Die, Morning Song, Love of a Girl, Murder in the City, Le reel du pendu / Les bars de la prison, Country Kid, Living of Love, Vanity, Kick Drum Heart, Cheap Coffee, I and Love and You, I Wish I Was, Hard Worker, I Would Be Sad, Shame, Orion’s Belt,  Left on Laura, Left on Lisa, Head Full of Doubt/Road Full of Promise, Ain’t No Man.
    Encore: We Are Loved, The Prettiest Thing (David Childers & The Modern Don Juans cover) No Hard Feelings.

    Avett Brothers Albany
    Avett Brothers Albany
    Avett Brothers Albany
    Avett Brothers Albany
    Avett Brothers Albany
    Avett Brothers Albany
    Avett Brothers Albany
    Avett Brothers Albany

    Sierra Ferrell | 5-23-2024 | MVP Arena | Albany, NY

    Setlist: In Dreams, Money Train, Why’d Ya Do It, Chittlin Cookin’ Time in Cheatham County (Arthur Smith Trio cover), Jeremiah, I Could Drive You Crazy, Years (John Anderson), Amierican Dreaming, Dollar Bill Bar, Fox Hunt.

  • Levitation Room Lifts Off in Troy

    A night after receiving a warm welcome at Baby’s All Right in Brooklyn, genre-bending psych rockers Levitation Room brought their cosmic vibes up the Thruway to Troy’s No Fun on Tuesday, May 14. Delivering a captivating performance that took listeners to the other side and carefully back, the gravity-defying band showcased exactly why they’ve emerged as one of the leaders of their genre. Playing mostly songs from the recently released album Strange Weather, the cool cats from California made a colorful impression that first-time listeners won’t soon forget.  

    Kicking off the evening with Bob Forget of Schenectady’s The Abyssmals playing his first solo set, followed by a short, high energy set by the local rock trio Stroma, Levitation Room casually took the stage around 10pm. Getting their fingers loose with the technical and shifting rhythms of the opening instrumental “Pintura,” Levitation Room quickly found their groove with back-to-back bangers from their 2019 breakout album Headspace, “Warmth of the Sun” and “2025.”

    “I wonder if I’ll be living
    In the year 2025
    You know my futures uncertain
    I’m losing grip all the time”

    Lyrics from 2025

    Led by front man Julian Porte on vocals and guitar, alongside Gabriel Fernandez on guitar, Johnathan Martin on drums and Kevin Perez on bass, one look at this band and you could just tell they “weren’t from around here.” Casually dressed in retro threads, the music itself also sounded like a bit of a throwback. Blurring the lines of psych-rock, garage and surreal pop, every song felt catchy, like it could be a radio single, and it made you wonder why these guys aren’t more well known.

    Levitation Room performing in Troy, NY 5-14-24.

    Far from a “new band”, the East Lost Angeles quartet has been around for nearly a decade now. Carving out a niche in the psychedelic-rock realm and releasing three full length studio albums, it’s perhaps their harrowing experiences from the road that have earned Levitation Room the most publicity. Whether that be coming face-to-face with an alleged U.F.O. while passing through Arizona, or a terrifying incident in 2022 when members of the band were allegedly kidnapped at gunpoint, dosed with unknown hallucinogens, and robbed of all their equipment, Levitation Room has somehow soldiered on and continued making great music. Making their Troy debut on this Tuesday night, the band briefly paused to introduce themselves and invite the crowd of mostly twenty-somethings to come closer to the stage.

    Levitation Room’s Julian Porte performing in Troy, NY 5-14-24.

    After taking “Mr. Polydactyl Cat” for a walk around the block, Kevin Perez’s infectious bass lines on “Cool It, Baby,” were so mesmerizing and playful that it nearly overshadowed the songs’ more serious lyrical themes.  Such was also the case on the follow-up song “Grand Illusion (Expectations), where the far-out pop sound seemed to mask the existential questioning of Porte’s words.

    Raise your glass, move your feet
    Are you dead or asleep?
    Talking heads on the screen
    Keeps you stuck in the dream
    Where the rat race is rigged
    And the presidents picked
    By the bankers who lend
    All that money you spend

    And I said cool it, baby

    Lyrics from Cool It, Baby

    Further captivating the audience by switching gears and showing off their tender side with a pair of love songs “Heaven,” and the well-received “Ooh Child,”  the waves of emotion swelled up like an ocean when Levitation Room uncorked what was perhaps the highlight of the set, an extended take on “Revelations,” a song about living in the moment, that saw the band firing on all cylinders and jumping around the stage, while guitarist Gabriel Fernandez navigated through a bevy of effects pedals during the song’s incendiary solo. It was refreshing to see the guys cutting loose, having fun and believing in what they were doing. 

    Levitation Room performing in Troy, NY 5-14-24.

    After reminding the audience to be weary of the CIA, FBI, and NSA keeping tabs on YOU during “The Other Side,” Levitation Room casually eased into their most well-known single, “Friends,” from their debut 2015 EP Minds of Our Own before the equally hypnotic and dreamy vibe of “Immoral Love” sent the entire room into a blissed-out trance.  Bathed in abstract visual projections and peering through a pair of old school 3-D glasses, the cool and steady hands of drummer Johnathan Martin mesmerized all evening long. Shifting tempos and playing up their strengths, “Loved” snapped the crowd out of it before the title track of “Strange Weather” brought the main portion of our sonic odyssey to a close. 

    Watch fan shoot footage of Levitation Room performing “Reasons Why” in Troy, NY 5-14-24.

    After walking off stage to an enthusiastic ovation, the band decided to treat the crowd to one more song, choosing “Reasons Why” as the lone encore of the evening, bringing the colorfully cathartic, rewarding and fun performance to a close.  Afterwards, the band could be found at the merch table taking selfies and signing records for the dozens of new fans they’d just won over.  No rest for the weary, Levitation Room would find themselves playing gigs in Canada less than 24 hours later. 

    Taking place at No Fun in Troy, it’s easy to be fooled by the venue’s tongue-in-cheek name.  A beacon for Capital Region counterculture since opening their doors in December 2021, the heady, 200 person capacity club known for its DIY punk-rock atmosphere and excellent craft beer selection, No Fun has proven to consistently contradict itself.  Booking bands you won’t find anywhere else and holding events nearly every night of the week, it’s shows like Levitation Room on a Tuesday night that stand out as making the place truly special. That’s why when the venue suddenly announced it’s looking for a new owner and operator this week it, it sent shockwaves through the local music community. Claiming a “work life balance thing” as the reason with a listing of $149,000,  the current owner wants it to be clear, No Fun is NOT closing, but rather opening the doors of opportunity for someone with the same spirit and passion to take over.  Stay tuned to NYS Music as we will be sure to keep you up to date on this developing story.

    Levitation Room | May 14th, 2024 | Troy, NY | No Fun

    Setlist: Pintura, Warmth of the Sun, 2025, Mr. Polydactyl Cat, Cool It, Baby, Grand Illusion (Expectations), Heaven, Ooh Child, Revelations, The Other Side, Friends, Immortal Love, Loved, Strange Weather

    Encore: Reasons Why

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    Bob Forget (of Abyssmals) | May 14th, 2024 | Troy, NY | No Fun | First Solo Set

    Stroma | May 14th, 2024 | Troy, NY | No Fun