Author: Pete Mason

  • Chick Corea & Bela Fleck “Remembrance” – Duo’s Final Album, due in May

    Béla Fleck reflects highly on his years-long collaboration with late pianist Chick Corea, sounding like a bashful student musician, still in awe of the jazz legend whose impact transformed him as a teenager in the ’70s. The duo’s album, Remembrance – out May 10 via Thirty Tigers – serves as a moving final document of the profound creative and personal rapport Fleck and Corea have showcased previously on 2007’s Latin Grammy-winning The Enchantment.

    Released just over three years after Corea’s passing, Remembrance serves as an addendum to Corea’s legacy, highlighted by three previously unreleased Corea compositions as well as five short free improvisations, or impromptus, that Fleck has infused with written music. 

    Chick Corea & Bela Fleck

    Recorded both live in concert, over the duo’s final tour dates in 2019, Remembrance was crafted by trading sound files amid the Covid pandemic. Running a stylistic gamut, the album features Corea’s unreleased tunes “Enut Nital” (“Latin Tune,” spelled backwards), and “Continuance,” an older work that resurfaced in the duo’s setlist, as well as new Fleck compositions, including “The Otter Creek Incident” and “Juno,” a winsome tribute to his son, the channeling Thelonious Monk and Scarlatti, and challenging exercises such as “Small Potatoes,” which evokes Corea’s work in the jazz avant-garde. 

    When the 18-time Grammy Award-winning banjoist reflected on his time collaborating with Corea, Fleck said, “I just feel so lucky to have played with him in such an intimate way, and to have gotten to know him so well.”

    The title track, a Corea composition “Remembrance,” is one of the last pieces of music Chick ever recorded. “It’s just one of those perfect Chick Corea tunes,” Fleck says. “It sounds to me like a New Orleans funeral march, even though it has a Latin component, like everything he did tended to.”

    Corea’s death in 2021 devastated the jazz community, who saw the pianist as a constant international presence, a vibrant musician who never ceased touring and recording. “It was a deep shock,” says Fleck, who also released an inspired live project with Corea, Two, in 2015. “It was one of the special relationships in my life. He was just so kind to me, and so helpful, and I learned so much from him.” 

    “We pushed this duo to a new place before we ran out of time,” says Fleck, who produced Remembrance. “We have here another cool look at Chick Corea, at the different ways that he can play that we wouldn’t have had. There’s a lot of great Chick Corea out there, and this is different.”

    “I know it sounds unlikely. But it really happened. Once upon a time, I played banjo in a duo with Chick Corea.”

    “He found the good in everything. I’m just so glad to be a part of this — glad I could be with him, and glad there’s more to share.” 

    Béla Fleck

    The album is available now for preorder. 

    Chick Corea & Bela Fleck "Remembrance"
    photo by C. Taylor Crothers

    Chick Corea & Béla Fleck Remembrance track listing 

    1. The Otter Creek Incident (Béla Fleck)

    2. impromptu III: march hare

    3. Enut Nital (Chick Corea)

    4. impromptu II: mock turtle

    5. Bemsha Swing (Thelonious Monk, Denzil Best)

    6. Lucky Bounce

    7. impromptu I: cheshire

    8. Remembrance (Chick Corea) 

    9. Juno (Béla Fleck)

    10. Scarlatti Sonatas (Domenico Scarlatti, arr.. By Corea, Fleck)

    11. impromptu V: jabberwocky

    12. Small Potatoes

    13. Continuance (Chick Corea)

    14. impromptu IV: gentleman fish

    “With Béla, our duet has become so simpatico, and comfortable–comfortable spiritually. And not meaning that we’re not adventuring musically, but I know that whatever we’re going to do is going to be musical.” 

    Chick Corea, speaking about Bela Fleck, in 2015

    Béla Fleck Tour Dates

    April 3  Buffalo, NY  Kleinhans Music Hall ^

    April 4 Oakville, Ontario Oakville Centre for the Performing Arts ^

    April 5  Kingston, Ontario Kingston Grand Theatre ^

    April 6  Stowe, VT Spruce Peak PAC ^

    April 9  Ottawa, Ontario Centrepointe ^

    April 10  St. Catharines, Ontario Partridge Hall ^

    April 12  State College, PA  The State Theatre ^

    April 13  Goshen, IN Goshen College ^

    April 14  Lexington, KY Lexington Opera House ^

    April 24  Skokie, IL North Shore PAC *

    April 25  Kohler, WI Kohler Memorial Theatre *

    April 26  Royal Oak, MI Royal Oak Music Theatre *

    April 27  Wilkesboro, NC  MerleFest *

    April 28  New Orleans, LA  New Orleans Jazz Festival *

    May 4  New York, NY Carnegie Hall (Béla Fleck:  Rhythm, Raga & Rhapsody)

    June 13  Groton, MA  Groton Hill Music Center #

    June 14   Kingston, NY Ulster PAC #

    June 15   Hartford, CT The Bushnell #

    June 16  Kennett Square, PA  Longwood Gardens #

    June 18   Boulder, CO Chautauqua Amphitheater #

    June 20  Telluride, CO  Telluride Bluegrass Festival (house band)

    June 21  Telluride, CO  Telluride Bluegrass Festival #

    July 12  Vancouver Island Musicfest #

    July 16  Breckenridge, CO Riverwalk Center #

    July 17  Aspen, CO  Aspen Music Festival #

    July 18  Santa Fe, NM  The Lensic PAC #

    July 27  Lyons, CO RockyGrass ^

    Oct 13  Pelham, TN  CaveFest ^

    Ticket information 

    *My Bluegrass Heart
    ^Béla Fleck & Abigail Washburn
    ~Béla Fleck w/ Symphony

    # Béla Fleck, Edgar Meyer, Zakir Hussain featuring Rakesh Chaurasia

  • Happy 315 Day!

    Today is March 15, or, 315 Day. The “315” in Central New York State is so named for an area code established in 1947 covering 18 counties.

    Stretching from the Canadian border west of the Adirondacks, the “315” follows the shores of Lake Ontario southwest towards Rochester, and south to the Allegheny Plateau. The “315” includes the cities of Syracuse, Utica, Rome, Cortland, Oswego, Saint Lawrence, Canton, Massena, Watertown and most of the Finger Lakes, as far west as Keuka Lake.

    315 day

    This significant portion of New York State is home to Syracuse University, an institution at the center of music in Central New York in terms of venues, students and alumni. Across the “315” are an immense number of artists and bands who have called the region home, dozens of music venues, classic music festivals, promoters and events that make the “315” a diverse median of a state rich in music history around every corner.

    So to celebrate 315 Day (March 15), we begin a series of Three Hundred Fifteen things that make the “315” a great place for music.

    315 day
    graphic by Emily DePietro

    Since we only had a week to work on this, instead of all Three Hundred Fifteen at once, we figured to start with 16, or about 5% of 315. Check out our 518 Day list and stay tuned for an annual update to each list (with 716 Day coming this summer!)

    315 day

    1. Empower FCU Amphitheater At Lakeview

    Originally the site of a toxic waste dump, courtesy of Solvay Process Company that dumped soda ash on the site for decades, the venue sits on the shore of Onondaga Lake and if you didn’t read the first part of this sentence, you may never know what once lay beneath.

    Lakeview Amphitheater (now named Empower FCU Amphitheater at Lakeview) is a success story for bringing a large scale venue to Syracuse, including acts like Phish, Pantera, Shania Twain, Zac Brown Band, Breaking Benjamin, Luke Bryan and other national artists. Once a Super Fund site, the venue has unparalleled sunsets and views, with a capacity of just over 17,000.

    syracuse amphitheater empower

    2. Sophistafunk

    An exhilarating live music experience, Sophistafunk blends intoxicating beats, heavy synth basslines and funky vocals for a one of a kind performance. The group was selected by Guy Fieri to be house band on Guy’s Grocery Games and again on Guy’s Ultimate Game Night. Sophistafunk has performed across the country at venues, underground shows and music festivals, and continues to be the premier funk band from Central New York.

    3. The SAMMYs

    The Syracuse Area Music Awards were founded in 1993 by Frank Malfitano and have soldiered on every year since, having recently handed out the 31st annual awards on March 2, 2024. With People’s Choice Awards, live music from artists living in the greater Syracuse area, and a wealth of music history coming together on stage each year, the SAMMYs are at the core of the “315.”

    sammy awards 2022

    4. Crane School of Music

    Located at SUNY Potsdam, the Crane School of Music offers undergraduate and graduate programs, emphasizing performance and practice. The school’s symphony and chorus have performed at Carnegie Hall and Lincoln Center, traveling internationally to Germany, Spain and even Cuba. With a legacy dating back to 1886, more than 300 concerts, recitals and lectures each year make the Crane School a hallmark music institution.

    5. Earlville Opera House

    Originally constructed back in 1892, the Earlville Opera House was destroyed twice by fire in its early years, with the current building standing strong for more than 125 years. Listed on the National Register of Historic Places, this landmark in a village of 800, Earlville Opera House is a Madison County gem, and founded as as not-for-profit, volunteer-based community organization in 1972.

    6. Los Blancos

    Blending blues, funk, R&B, zydeco and rock, Los Blancos have gained acclaim in Central New York, as well as sharing the stage with Little Feat, Los Lobos, Gov’t Mule, Merl Saunders, Hubert Sumlin. The group, consisting of Colin Aberdeen (electric guitar/vocals), Mark Nanni (keyboard/accordion/vocals), Steve Winston (bass/vocals) and Mark Tiffault (drums), can be found playing frequently at Shifty’s and 443 Social Club and Lounge.

    7. moe.down

    Starting in 2000, moe. began holding their own festival – moe.down – in Turin, NY at Snow Ridge Ski Area. The Labor Day Weekend festival brought together moe.’s peers in the jam community, rising artists from across the Northeast, as well as artists who influence moe.’s sound. After moving for two years to Gelston Castle in Mohawk, NY, the festival returned to Turin in 2012 and was held annually until 2014, since returning in 2017 and 2019. Read our history of moe.downs 1-15 here.

    8. Stanley Theatre

    Utica’s original movie palace, the Stanley Theatre opened in 1928 with capacity of nearly 3,000 and was designed by famed architect Thomas Lamb, who also designed the Capitol Theatre in Port Chester, Proctor’s in Schenectady and Landmark Theatre in Syracuse. The Stanley Theatre currently hosts concerts as well as a number of musicals, courtesy of Broadway Utica.

    9. NYS Fair

    The Great New York State Fair isn’t just rides, exhibits, a competitions for Best Milk in New York State, live music takes center stage at Chevy Court as well as the Grandstand (now Suburban Park). The original grandstand was demolished in 2016 to make way for an updated area that could continue to attract national artists during the annual state fair – the oldest of its kind, having been founded in 1832 by local farmers for agriculture and local fairs. Only in the 1950s did The Great New York State Fair begin to have a greater focus on music and entertainment to attract a new generation, appealing to families and the rise of pop culture. Check out last year’s lineup here.

    10. Mike Powell

    Hailing from West Carthage, NY in Jefferson County near Fort Drum, Mike Powell is not only a musician, but one of the greatest lacrosse players of all time. His jersey, #22, was retired in 2023 by Syracuse University, where he was a four-time All-American and holds the record for most career points.

    Since graduating from Syracuse, Powell has released six albums and written more than 200 original songs, drawing on influences including Bob Dylan, John Prine and Woody Guthrie. Powell has performed with his group The Black River and, most recently, The Echo Sound, which is gaining acclaim across Central New York. An indie folk rock singer, Mike Powell’s sound and evolution from athlete to musician is among the greats to come from the “315” with many years of music yet to come.

    11. Homer Center for the Arts

    Located in a former Baptist church, Homer Center for the Arts was created as a way to save the building and provide something for the Homer community, just north of Cortland. And create a community they do – artists, musicians, workshops, galleries, community theater and film screenings make Homer Center for the Arts an institution supporting not just the Village of Homer, but the greater Central New York region as a whole.

    12. Syracuse Stage

    Syracuse Stage, a professional theatre company that has produced plays since 1974, the Stage celebrates their 50th anniversary in the 2023-24 season, now underway. Connected to Syracuse University with the Drama Department, students are cast in plays and musicals, as well as hold Black Box shows, all under the direction and guidance of professors and professionals who make Syracuse Stage a connection between the city and university, with events open to the public.

    courtesy of Syracuse University

    13. The Birdseed Bandits

    Comprised of Adam Ludemann, Seth Becker, and Nash Robb, The Birdseed Bandits released their eponymous debut album in 2013, a collection of “greatest hits” from the band’s first two years together. Forming a unique style that has catchy, foot-stomping, mug-waving folk/rock songs through the use of banjo, mandolin, guitar and upright bass, Birdseed Bandits stopped performing in 2014, but left a mark on the Central New York music scene in their time together.

    14. The Yard Amphitheater

    An outdoor music venue at Ray Brothers BBQ in Bouckville, NY, The Yard Amphitheatre has become a rural destination for live music acts including Ryan Montbleau, Martin Sexton, Yonder Mountain String Band, Keller Williams and many more. With a capacity of 1,500 and great barbeque right next door, The Yard is a must-visit destination venue. Check out their 2024 shows here.

    15. Crouse Chimemasters

    For anyone having lived close to the west side of Syracuse University’s campus, or been a student walking the SU campus around 8am, 11:45am or 6pm, you will have heard the bells of Crouse College ringing, and inside is a tradition that dates back in 1889. The Syracuse Chimemasters create daily melodies thrice daily working with a system of levers and pulleys that ring the 14 bells in the belfry of Crouse College. You might hear anything from “Mamma Mia” to Star Wars selections, as well as solemn and classical music, from these seasoned veterans who rock the bells for 135 years and counting.

    16. Smith Opera House

    Located in the heart of the Finger Lakes, Smith Opera House has offered performing arts and cultural events since 1894. The interior was restored in the early 1990s, playing host to numerous artists including Phish, Frank Zappa, Bruce Springsteen and Billy Joel, as well as live events from Hobart and William Smith Colleges, Geneva Music Festival and much more.

    Ed note: a new area code – 680 – is popping up in the 315 – as the population of the region expands. While we welcome a challenge to find Six Hundred Eighty things that make this region the best for music, we’re focusing on the classic 315 area code, for brevity’s sake.

  • Billy Strings Announces Summer 2024 Tour Dates

    Billy Strings has announced additional tour dates for 2024 that find he and his band playing back-to-back nights in Bridgeport, CT, State College, PA, Worcester, MA, Inglewood, CA and Berkeley, CA.

    billy strings tour dates

    The summer dates are just the latest added to Strings’ extensive 2024 run, which also includes upcoming stops at Tampa’s Yuengling Center (two nights), St. Augustine’s St. Augustine Amphitheatre (three nights, all sold out), Lexington’s Rupp Arena (two nights, one sold out), Greenwood Village’s Fiddler’s Green Amphitheatre (two nights, both sold out), Minneapolis’ The Armory (sold out) and Rosemont, IL’s Allstate Arena (two nights) among others.

    Raised in Michigan and now based in Nashville, Strings is known as one of music’s most compelling artists. Most recently, he released “Meet Me At The Creek > Pyramid Country > Must Be Seven > Meet Me At The Creek (Live at Lawrence Joel Veterans Memorial Coliseum, Winston-Salem, NC 3/4/23),” a 38-minute live performance that showcases the energy of Strings’ electric concerts. Watch below.

    The track follows “California Sober,” his GRAMMY-nominated collaboration with legendary artist Willie Nelson and Strings’ first project since partnering with Reprise Records, as well as his latest full-length album, Me/And/Dad, which features Strings alongside his dad, Terry Barber, and was nominated for Best Bluegrass Album at this year’s GRAMMY Awards.  

    Since his 2017 debut, Strings has been awarded Best Bluegrass Album at the 63rd GRAMMY Awards, Artist of the Year at the 2023 and 2022 Americana Music Awards, Entertainer of the Year at the 2023, 2022 and 2021 International Bluegrass Music Awards, Best New Headliner at the 2022 Pollstar Awards and Breakthrough Artist of the Pandemic at the 2021 Pollstar Awards among several other accolades. He has also performed on “The Late Show with Stephen Colbert,” “Jimmy Kimmel Live!,” PBS’ “Austin City Limits” and “Bluegrass Underground.” 

    Tickets for the new shows will be available for pre-sale starting March 13 at 10am local time with general on-sale following Friday, March 15 at 10am local time. Full details can be found here.

    BILLY STRINGS 2024 TOUR DATES

    April 12—Tampa, FL—Yuengling Center

    April 13—Tampa, FL—Yuengling Center

    April 17—Savannah, GA—Enmarket Arena

    April 19—St. Augustine, FL—St. Augustine Amphitheatre (SOLD OUT)

    April 20—St. Augustine, FL—St. Augustine Amphitheatre (SOLD OUT)

    April 21—St. Augustine, FL—St. Augustine Amphitheatre (SOLD OUT)

    April 26—Lexington, KY—Rupp Arena

    April 27—Lexington, KY—Rupp Arena (SOLD OUT)

    May 11—Conroe, TX—Big As Texas Festival

    May 17—Greenwood Village, CO—Fiddler’s Green Amphitheatre (SOLD OUT)

    May 18—Greenwood Village, CO—Fiddler’s Green Amphitheatre (SOLD OUT)

    May 21—Minneapolis, MN—The Armory (SOLD OUT)

    May 24—Rosemont, IL—Allstate Arena

    May 25—Rosemont, IL—Allstate Arena

    June 22-23—Columbus, OH—Buckeye Country Superfest

    July 14—Whitefish, MT—Under The Big Sky Festival

    July 19—Redmond, OR—FairWell Festival

    July 26—Bridgeport, CT—Hartford Healthcare Amphitheater

    July 27—Bridgeport, CT—Hartford Healthcare Amphitheater

    July 30—Worcester, MA—DCU Center

    July 31—Worcester, MA—DCU Center

    August 2—State College, PA—Bryce Jordan Center

    August 3—State College, PA—Bryce Jordan Center

    August 10—Quincy, WA—Outlaw Music Festival

    August 17—Berkeley, CA—Greek Theatre at U.C. Berkeley

    August 18—Berkeley, CA—Greek Theatre at U.C. Berkeley

    August 23—Inglewood, CA—Kia Forum

    August 24—Inglewood, CA—Kia Forum

  • Disco Dead in Albany with Circles Around the Sun and Mikaela Davis

    Circles Around the Sun returned to Albany for a sold out show at Lark Hall on Saturday, March 9, with Mikaela Davis and Southern Star opening the night. With five disco balls on stage for the two bands, the audience was presented to an incredible evening of Discofied Grateful Dead-inspired dance music.

    Disco Dead: Circles Around the Sun and Mikaela Davis in Albany

    Mikaela Davis performed an hour long opening set, beginning with the mesmerizing “Cinderella”, Davis at center stage and flanked by Alex Coté (drums), Cian McCarthy (guitars/vocals), Shane McCarthy (bass/vocals) and Kurt Johnson (steel guitar), with “Cinderella” segueing seamlessly into “In My Groove.”

    “Home in the Country” from her 2023 release And Southern Star led to a bit of improv, then shifted to “The Pearl,” which had a subtle Grateful Dead-esque intro. Towards the end of “Leave it Alone,” Davis encouraged the crowd to engage in ‘wooing’ – to which they eagerly participated – before smoothly moving into Alice Coltrane‘s “Journey in Satchidananda.” Davis then gave a shout out to her and the band’s collective Upstate roots, hailing from the Catskills, Syracuse and Rochester, before wrapping up her set with “Other Lover.”

    Setlist: Cinderella> In My Groove, Home in the Country, The Pearl, Get Gone, Leave It Alone > Journey in Satchidananda> Promise, Other Lover

    Disco Dead: Circles Around the Sun and Mikaela Davis in Albany

    Circles Around the Sun took the stage for what would be a nearly two-hour performance, with John Lee Shannon (guitars), Adam MacDougall (keys), Dan Horne (bass), and Mark Levy (drums) channeling the spirit – but not the songs outright – of the Grateful Dead. What transpired was the full crowd grooving along, dancing outright but never standing still as Circles went full Disco on the Dead.

    Whether it was the “Language“-adjacent “Away Team,” the slow funk disco of “Landline Memories,” or mellow 1970s mall music churning into a nightclub fever pitch in “Immoveable Object,” the performance led the crowd jive relentlessly.

    Early Circles songs – “Babyman” and “One for Chuck” – put the focus on bassist Dan Horne, who held the beat all night, and effortlessly drove the tempo towards a swinging disco of “Money’s No Option.” A standing encore brought Mikaela Davis and her harp back out to the stage for a trio of songs – “After Sunrise” (originally a Sergio Mendes and Brazil 77 song, reworked by the artists), Gloaming Away (a late 70’s synth strut) and the hypnotic grooves of “Language.” The encore alone could have extended another hour and none of the sell out crowd would have complained.

    Disco Dead: Circles Around the Sun and Mikaela Davis in Albany

    Circles Around the Sun – Lark Hall, Albany – Saturday, March 9, 2024

    Setlist: Away Team, Landline Memories, Immovable Object, Babyman, One for Chuck, Money’s No Option
    Encore: After Sunrise, Gloaming Away, Language (all with Mikaela Davis on harp and Alex Coté on percussion)

    Photos by Zak Radick and Conor McMahon

  • De La Soul Cook Up a Legendary “Eye Know” on the Late Show with Stephen Colbert

    Celebrating the 35th anniversary of one of the most impactful debut Hip-Hop albums of all-time, De La Soul performed “Eye Know” live on Thursday, March 7 on Late Show with Stephen Colbert.

    eye know de la soul

    Mixing it up with two pots in place of turntables, Maseo (Vincent “Maseo” Mason), Kelvin “Posdnuos” Mercer (Plug One) were joined by producer of 3 Feet High and Rising, Prince Paul, in place of the late David “Trugoy the Dove” Jolicoeur.

    The trio proceeded to cook up a 35-year-old dish, introduced as the iconic “Eye Know” off 1989’s 3 Feet High and Rising.

    eye know de la soul

    Starting off with a whistle (“(Sittin on) the Dock of the Bay” by Otis Redding) and some beats (“Get Out of My Life, Woman” by Lee Dorsey, “Sing a Simple Song” by Sly Stone), Posnudos continued to cook, adding in some pegs (Steely Dan’s “Peg”), saxophone (from Kenny G), guitar and horns (from “Make This Young Lady Mine” by The Mad Lads), and finally, Donald Fagen (vocals on “Peg”).

    Craftily taking a moment as Fagen sang “Smile for the camera” to take a group photo with the audience, Posnudos walked out in front of the table to rap the lyrics that put De La Soul at the forefront of late 80s Hip Hop, providing influence to more than a generation of aspiring musicians.

    The performance, an instant classic for Late Show, was also a subtle nod to the legal issues that prevented much of De La Soul’s catalog from being released on streaming services. In detailing every sample that went into making “Eye Know,” the group made light of the struggle that was faced in today’s music industry, as well as a look behind the curtain as to how how a true classic was first formed.

    Watch De La Soul perform “Eye Know” below.

  • In Focus: Taj Mahal and Sona Jobarteh at The Egg

    Blues legend Taj Mahal and Gambian legend-in-the-making Sona Jobarteh graced the stage of the Hart Theater at The Egg on Thursday, March 7 for an immaculate night of globe-spanning music.

    taj mahal the egg
    Taj Mahal – photo by Conor McMahon

    Sona Jobarteh is the first female griot kora master, hailing from one of the five principal kora-playing families in West Africa. With a history spanning 1,000 years, Sona continues a legacy handed down for generations, for the first time to a woman who makes her presence known on the stage and in her home of The Gambia. Jobarteh’s humanitarian activism has led to her founding The Gambia Academy, an institution dedicated educational reform for Africans on the continent of Africa.

    Pairing her virtuosity on the kora and the guitar with ethereal vocals, Sona and her band blended traditional West African music with blues and pop from the Mother Continent, and in doing so created an original sound that is at times hypnotic. Walking out one at a time – first the percussion and bass, then guitar and finally Jobarteh – the audience was led immediately to engage in a call and response song, “Jarabi,” with an outset intention to engage all for this very full evening of music.

    For an hour, Jobarteh demonstrated with precision the kora while her band crafted beats unlike any other. Each song was given an introduction, with meaning and spirituality invoked throughout, making the connection to the music deeper as the performance progressed. Jobarteh is a beacon of light from West Africa, shining farther west than her ancestors could have ever imagined.

    sona jobarteh the egg
    Sona Jobarteh and her band at The Egg – photo by Pete Mason

    Harlem-born Taj Mahal took the stage a short while later, strutting out to center stage in his signature Panama hat, surrounded by at least seven guitars of varying sound and size. Opening with “Wild About My Lovin’,” his vocals were tinged with age and rasp, perfect for a gritty blues love song. “Fishing Blues” and the classic “Corrina” followed, after Taj Mahal noted that he had a lack of radio hits over his career.

    “Queen Bee” was dedicated to the guys in the audience, with a suggestion that they play this song for their girl the next chance they get. A hint of the Caribbean could be heard in the steel drums of Robert Greenidge (formerly of Jimmy Buffett’s Coral Reefers Band) throughout the evening, while the Hawaiian steel guitar of Bobby Ingano on a cover Santo and Johnny’s “Sleepwalk” creating a creole stew of blues from across the hemisphere.

    taj mahal
    Taj Mahal and his band with Sona Jobarteh and her band

    For an encore, Sona Jobarteh and her band were welcomed back to the stage to perform, “Giant Step.” Watch the song below and photos by Conor McMahon.

    Taj Mahal Setlist: Wild About My Lovin’, Fishing Blues, Corrina, Bettye and Dupree, Cakewalk into Town, Queen Bee, Slow Drag, Roscoe’s Mule, Lovin’ in my Baby’s Eye, Sleepwalk, Blackjack Davey, Giant Step (with Sona Jobarte and her band)

    taj mahal
    Taj Mahal – photo by Conor McMahon
  • Kamasi Washington to Play Beacon Theatre Upon Release of New Album “Fearless Movement” – Listen to “Prologue” now

    Legendary west coast jazz saxophonist Kamasi Washington has announced a new album – Fearless Movement – along with a tour that kicks off on May 4 at the Beacon Theatre.

    Along with the tour announcement, Washington has released the first track from Fearless Movement, “Prologue,” alongside a mesmerizing video directed by longtime collaborator AG Rojas and choreographed by Samantha Blake Goodman.

    Kamasi Washington beacon theatre

    Kamasi Washington is a multi-instrumentalist, composer and bandleader born and raised in Los Angeles, who has released three albums, all acclaimed – The EpicHarmony of Difference, and Heaven and Earth. In 2020, Washington scored the Michelle Obama documentary Becoming, earning Emmy and GRAMMY nominations for his work.

    Washington views Fearless Movement his dance album: “It’s not literal. Dance is movement and expression, and in a way it’s the same thing as music—expressing your spirit through your body. That’s what this album is pushing.”

    With his previous albums dealing with cosmic ideas and existential concepts, Fearless Movement focuses on the everyday, an exploration of life on earth. This change in scope is due in large part to the birth of Washington’s first child a few years ago. A dance album as an embodied form of expression signals a shift in focus for Washington.

    “Being a father means the horizon of your life all of a sudden shows up. My mortality became more apparent to me, but also my immortality—realizing that my daughter is going to live on and see things that I’m never going to see. I had to become comfortable with this, and that affected the music that I was making.”

    Kamasi Washington, on Fearless Movement

    The album also features Washington’s daughter, who wrote the melody to “Asha The First” during some of her first experimentations on the piano, as well as a host of collaborators. Among them, André 3000 appears on flute, George Clinton lends his voice, as do BJ The Chicago Kid, Inglewood rapper D-Smoke and Taj and Ras Austin of Coast Contra, the twin sons of West Coast legend Ras Kass. Washington has also enlisted lifelong friends and collaborators Thundercat, Terrace Martin, Patrice Quinn, Brandon  Coleman, DJ Battlecat and more.

    Fearless Movement also features “The Garden Path,” a song Washington performed for the first time ever, making his late-night television debut, on “The Tonight Show Starring Jimmy Fallon.”

    Washington has announced an extensive North American tour kicking off May 4 at Manhattan’s Beacon Theatre with dates in Chicago, Houston, San Francisco and the Hollywood Bowl Jazz Festival, which he will co-curate with Herbie Hancock for the second year in a row, on June 16.

    Pre-order/Pre-save Fearless Movement here. Tickets for Kamasi Washington at the Beacon Theatre, and all shows, are on sale March 8 at 10am, here.

    KAMASI WASHINGTON 2024 TOUR

    May 4—New York, NY—Beacon Theatre

    May 5—Philadelphia, PA—Union Transfer

    May 7—Toronto, QC—History

    May 8—Cincinnati, OH—Ludlow Garage

    May 9—Detroit, MI—St. Andrews Hall

    May 10—Chicago, IL—Thalia Hall

    May 11—St. Paul, MN—Fitzgerald Theater

    May 12—Omaha, NB—Slowdown

    May 14—Houston, TX—House of Blues Houston

    May 15—Dallas, TX—House of Blues Dallas

    May 16—San Antonio, TX—Empire Theater

    May 17—Austin, TX—Empire Garage

    May 30—Vancouver, BC—The Vogue Theatre

    May 31—Seattle, WA—The Showbox

    June 1—Eugene, OR—McDonald Theatre

    June 2—Portland, OR—Crystal Ballroom

    June 5—Sacramento, CA—Crest Theatre

    June 6—Monterey, CA—Golden State Theatre

    June 7—San Francisco, CA—Warfield

    June 8—Santa Cruz, CA—The Catalyst

    June 9—Solana Beach, CA—Belly Up

    June 11—Mesa, AZ—Mesa Arts Center

    June 16—Los Angeles, CA—Hollywood Bowl Jazz Fest

    July 31—Alexandria, VA—The Birchmere

  • Ben Silver, SM INK and CAUZEE Putnam Place

    DJ and producer Ben Silver – best known for his work with Orchard Lounge, will play a solo set at Putnam Place this Friday, March 8, with B2B special guests SM INK and CAUZEE.

    Presented by BRZY Studios and Putnam Place, the evening promises to immerse attendees in the deepest realms of house, techno, and downtempo sounds.

    ben silver putnam place

    Supporting acts include SM INK, a rising talent from New York’s capital, and Cauzee, Albany’s own late night sound manipulator. Together, the pair will deliver back-to-back sets that blend minimal, deep tech, and house, guaranteed to keep the dancefloor energized.

    Organizers of the show are also using the evening as a platform to help raise funds for Music Education. Working with the Ian McGuire Music Scholarship Fund (IMMSF), a raffle will be held, where participants have the chance to win a VIP package, which includes two passes for the event, two more for any future show at Putnam Place, plus a special “Spring Garden” vinyl record from IMMSF.

    Proceeds will support music education, continuing the legacy of Philadelphia musician Ian McGuire. The Ian McGuire Music Scholarship Fund is dedicated to advancing music education for aspiring musicians. Established in memory of Ian McGuire, it aims to nurture the next generation of talent, reflecting Ian’s passion and dedication to music.

    Doors open at 9:30 PM with the show starting at 10 PM. The 21+ event at Putnam Place showcases not only rising talent from Albany’s electronic scene, but also Ben Silver’s distinguished style, sets aiming to blend ethereal cosmic synths and refined rhythms, a craft perfected through years of national touring and club residencies.

    For tickets and more information, visit theticketing.co/e/bensilver.

    Find out more about Ian McGuire Music Scholarship Fund and contribute directly at ianmcguiremusic.org.

  • Madison and Spectrum Theaters in Albany Announce Closure

    Two independent movie theaters in Albany have announced their closing. Landmark Spectrum 8 Theaters on Delaware Ave., and Madison Theatre on Madison Ave. announced the news last week on back to back days.

    Spectrum Theatres will hold its final screening on February 22, while Madison Theatre will close its doors on February 25.

    Photo by Chuck Miller

    Madison Theater owner Kevin Parisi said to the Times Union, “It’s just good timing for us, for our other businesses and where we’re heading. We think it’s ready for someone to take over and take it to the next level, and the busy season is coming in, so it’s the right time for a transition.”

    The June 2024 closing of The College of Saint Rose will not help the new owners of Madison Theatre, whoever they may be. The college is within walking distance of Madison Theatre and ‘The Point’ with many bars and restaurants, all which will be taking a financial loss due to lack of college students’ patronage.

    “We love Albany and all of its untapped potential. We are so thankful for all of our customers and supporters. You made us what we are. Thank you to our Pine Hills neighborhood for caring and loving our beautiful theatre.”

    from a statement posted on Madison Theatre’s Facebook page

    The closings come just two months after Pauly’s Hotel, Albany’s oldest bar and a rite of passage for bands of all genres, was closed and put up for sale by the owner. Common among all three, Covid-19 took a toll on customer bases, with fewer people packing into venues of all sizes since March 2020, opting for streaming entertainment at home.

    In the same Facebook post, Madison Theatre mentioned Spectrum Theaters closure, saying in solidarity, “The Madison Theatre wants to express our sympathy for the recent news of the Spectrum Theatre closing. Small business owners everywhere can truly understand how hard of a decision it was to make. We know just how much The Spectrum means to the Delaware Avenue neighborhood, and Albany in general. We are extremely confident that they will be back up and running in no time at all. We want to wish all involved an easy transition and look forward to the reopening in what will hopefully be the near future.”

    theaters albany spectrum madison

    Spectrum 8 has been in operation for more than 30 years, beginning as a single screen theater before expanding to eight screens, offering a wide number of independent movies, Oscar nominated films that are hard to find in theaters, including foreign language films and live and animated short films, in addition to Hollywood blockbusters.

    Landmark Theaters took over Spectrum 8 in 2015, and in announcing the closure, said in a statement, “Landmark Theatres is constantly evaluating its business strategy and has decided to close the Landmark Spectrum Theatre. We are proud to have served the community over its many years of operation. We look forward to adding new Landmark Theatres soon.”

    While Landmark stepped in nine years ago to take over Spectrum and keep the Delaware Avenue staple running at full speed, attendance has dwindled since the pandemic, and the decision to close its doors was rapid, leaving employees blindsided, with seven or eight current workers having to look for new employment with less than two weeks notice. With ownership and management changing in the course of those nine years, the focus drifted away from cinema, and thus towards closure.

    Albany Mayor Kathy Sheehan said in a statement regarding the sudden closing of Spectrum: “I am confident the closure of the Spectrum Theatre will be temporary. I have been in contact with representatives from one of the prospective parties interested in operating the Theatre and look forward to there being a new operator so the shows on Delaware Avenue can go on.”

    While these two closures are back to back punches in the gut for Albany, there are still a great deal of movie theaters in the area, including Bowtie Cinemas and Rotterdam Square Mall, as well as Regal Cinemas at Colonie Center, Crossgates Mall and Clifton Park. Still, independent films are hard to come by at these national chain theaters.

    Despite the closures, recent openings of venues in the Capital District should be noted. Electric Grinch has opened in Schenectady, and Ophelia’s on Broadway will open its doors soon in the former Parish Public House (née Red Square). Add to this a revitalized downtowns in Albany, Schenectady and Troy, and these theater closures should be seen as exceptions, not the rule, when it comes to entertainment in Albany.

  • Groovesafe Launches Fan Experience Survey on Harassment and Sexual Assault at Concerts and Festivals

    On February 6, GrooveSafe released a Fan Experience Survey, in an effort to obtain a broader view of harassment and sexual assault at live entertainment spaces.

    NYS Music is proud to support Groovesafe since its inception.

    Groovesafe was founded in 2017, with a mission to stop unwanted touching and sexual assault at concerts. The non-profit Groovesafe seeks to create a no-tolerance environment at concerts, with an emphasis on building a consent culture. The effort to be present in the live music scene across all genres helps to bring awareness to sexual misconduct, in the process teaching that a change in behavior starts with a recognition of the problem. 

    As part of Groovesafe’s mission, this survey will provide the most current, data-driven practices to ensure safety at live events. Part of a broader research study, the survey is designed to assess the prevalence and perceptions of sexual misconduct in live music settings, as well as the response to these types of incidents. GrooveSafe will use the results from this survey to identify strategies for more effectively preventing and addressing sexual misconduct at live music events. 

    The survey was designed and reviewed by trained academic researchers and has been given Institutional Review Board (IRB) approval. Institutional Review Boards, or IRBs, review research studies to ensure they comply with applicable regulations, meet commonly accepted ethical standards, follow institutional policies, and adequately protect research participants.

    Survey takers can be confident that this survey meets these standards. All individual answers will be kept confidential and the results of this survey will be analyzed and then shared in a report based on valid and relevant research methods.

    Completing the survey is a quick and free way to positively impact the live music experience, by becoming a part of the solution and ensuring that survey results are representative of the true fan experience. Take the survey and share with a friend.

    Keep an eye out for updates from GrooveSafe about the survey and other ways to support safer live music environments.

    Follow GrooveSafe on TwitterFacebook, and Instagram,