Coming to Bushwick on January 11, Grateful Dead/Jerry Garcia Band cover band, Busyâs Dead Collective, hosts their annual Dead Night at The Sultan Room.
The earliest Grateful Dead/Garcia show in NYC of 2025, this Dead Collective is determined to make this an unforgettable night of music.
Featuring two sets from Busy’s Dead Collective, the band performs high-energy and experimental Grateful Dead and Jerry Garcia Band cuts, creating a night of psychedelic winter magic at one of Brooklyn’s most exciting venues.
The show starts promptly at 7pm, with a hard curfew of 11pm. In between these two sets, Eat Records NYC and NYC Dead Club will be spinning to keep the music flow going.
The Annual Tibet House US Benefit Concert, among the longest-running and renowned live cultural events in New York City, returns to The Stern Auditorium/Perelman Stage at Carnegie Hall on March 3, 2025.
Artistic Directors, Philip Glass and Laurie Anderson, take the helm of for an evening full of extraordinary performances, camaraderie, and one-night-only collaborations. Included in the evening are special performances by Anderson, Arooj Aftab, Angélique Kidjo, Gogol Bordello, The Philip Glass Ensemble, Tenzin Choegyal, The Scorchio Quartet and more.
Few events have withstood the test of time, and for more than three-and-a-half decades, this annual event has been a standout. The consistently sold-out concert has assembled some of the most legendary and exciting names in music and art, dazzling concertgoers with its unique mix of surprising and mesmerizing performances.
(Photo Credits L to R: Philip Glass – Danny Clinch; Laurie Anderson – Stephanie Diani; Arooj Aftab – Pooneh Ghana; Angélique Kidjo – Erwan Blaszka; Tenzin Choegyal – Courtesy of the Artist; Gogol Bordello – Ben Wong; The Philip Glass Ensemble – Ravi Sterman; The Scorchio Quartet – Jordan Strauss)
Serving as the evening’s honorary chairs are actors Uma Thurman, Maggie Gyllenhaal and Peter Sarsgaard, writer Arden Wohl and artist Jonah Freeman.
Laurie Anderson will be joined by GRAMMY Award winningalternative jazz artist Arooj Aftab, five-time GRAMMY Award winning African music icon Angélique Kidjo, international punk band Gogol Bordello, The Philip Glass Ensemble (PGE) whosemembers remain inimitable interpreters of Glass’s work, Tibetan artist, composer, activist, musical director, and cultural ambassador Tenzin Choegyal, GRAMMY Award winning cutting edge electro-acoustic string quartet the The Scorchio Quartet, among many more artists to be announced in the new year.
Tickets for the concert are on sale now ($49-$220) – visit www.carnegiehall.org to purchase, call CarnegieCharge at 212.247.7800, or visit the Carnegie Hall Box Office (57th Street and Seventh Avenue). Also available now are special gala packages starting at $500 that include prime concert tickets, an elegant dinner reception with the performers and a who’s who of New York City society. To purchase these packages, visit thus.org/ or call Tibet House US at 212.807.0563.
All proceeds support the work of Tibet House US, a non-profit educational institution and cultural embassy founded in 1987 at the request of His Holiness the Dalai Lama to ensure the survival of the unique Tibetan civilization.
Throughout its rich history, the one-of-a-kind Tibet House US Benefit Concert has had hundreds of world-class artists participate, including Alabama Shakes, boygenius, Maggie Rogers, Carly Simon, David Bowie, Stephen Colbert, Lou Reed, Phoebe Bridgers, Sharon Jones, FKA twigs, The Roots, Jim James, Vampire Weekend, St. Paul and the Broken Bones, Bowen Yang, Joan Baez, Blood Orange, Sigur Ros, R.E.M, Emmylou Harris, Jon Batiste, Nathaniel Rateliff, Jason Isbell, Iggy Pop, The Flaming Lips, Keanu Reeves, Eddie Vedder, Annie Lennox, Brittany Howard, Black Pumas, Cage The Elephant, Cyndi Lauper, Trey Anastasio and many, many more. The event has garnered praise from many, including New York Times, Rolling Stone, Hollywood Reporter, Wall Street Journal, Entertainment Weekly, Associated Press, Billboard, Vogue,and more.
This week, the Federal Trade Commission (FTC) announced a final Junk Fees Rule to prohibit bait-and-switch pricing and other tactics used by live-event ticketing and short-term lodging industries (hotels).
photo by Steve Malinski
Efforts by these corporations to hide the total price of a concert or hotel room bury junk fees have long been seen as unfair, and these deceptive pricing practices harm consumers and undercut honest businesses practices.
“People deserve to know up-front what they’re being asked to pay—without worrying that they’ll later be saddled with mysterious fees that they haven’t budgeted for and can’t avoid,” said FTC Chair Lina M. Khan. “The FTC’s rule will put an end to junk fees around live event tickets, hotels, and vacation rentals, saving Americans billions of dollars and millions of hours in wasted time. I urge enforcers to continue cracking down on these unlawful fees and encourage state and federal policymakers to build on this success with legislation that bans unfair and deceptive junk fees across the economy.”
The Junk Fees Rule will ensure that pricing information is presented in a timely, transparent, and truthful way to consumers of live-event tickets and short-term lodging, two industries whose pricing practices the Commission has studied in particular. Consumers searching for hotels or vacation rentals or seats at a show or sporting event will no longer be surprised by a pile of “resort,” “convenience,” or “service” fees inflating the advertised price. By requiring up-front disclosure of total price including fees, the rule will make comparison shopping easier, resulting in savings for consumers and leveling the competitive playing field.
The Commission launched this rulemaking in 2022 by requesting public input on whether a rule could help eliminate unfair and deceptive pricing tactics. After receiving more than 12,000 comments on how hidden and misleading fees affected personal spending and competition, the FTC announced a proposed rule in October 2023 and invited a second round of comments. The Commission received more than 60,000 additional comments which it considered in developing the final rule announced today.
The Federal Trade Commission estimates that the Junk Fees Rule will save consumers up to 53 million hours per year of wasted time spent searching for the total price for live-event tickets and short-term lodging. This time savings is equivalent to more than $11 billion over the next decade.
The Final Rule
The final rule targets specific and widespread unfair and deceptive pricing practices in the sale of live-event tickets and short-term lodging, while preserving flexibility for businesses. It does not prohibit any type or amount of fee, nor does it prohibit any specific pricing strategies. Rather, it simply requires that businesses that advertise their pricing tell consumers the whole truth up-front about prices and fees.
To accomplish this, the Junk Fees Rule requires that businesses clearly and conspicuously disclose the true total price inclusive of all mandatory fees whenever they offer, display, or advertise any price of live-event tickets or short-term lodging. Businesses cannot misrepresent any fee or charge in any offer, display, or ad for live-event tickets or short-term lodging.
In addition, the rule requires businesses to display the total price more prominently than most other pricing information. This means that the most prominent price in an ad needs to be the all-in total price—truthful itemization and breakdowns are fine but should not overshadow what consumers want to know: the real total.
Finally, the rule requires businesses that exclude allowable fees up front to clearly and conspicuously disclose the nature, purpose, identity, and amount of those fees before consumers consent to pay. For instance, businesses that exclude shipping or taxes from the advertised price must clearly and conspicuously disclose those fees before the consumer enters their payment information.
Industries beyond live-event ticketing and short-term lodging are prohibited from deceiving consumers about fees and pricing per longstanding law. The FTC will use its law enforcement authority to continue to rigorously pursue bait-and-switch pricing tactics, such as drip pricing and misleading fees, in other industries through case-by-case enforcement.
Up and coming jam band Dogs In A Pile have announced their plans for a 2025 Spring Tour which includes an opening two-night stand at Brooklyn Bowl in New York City. The spring tour also includes a number of return trips to cities with shifts up in venue sizes as well.
The two tour opening shows at Brooklyn Bowl will mark the band’s headlining debut there and first visit back since October 2021. The band will then make stops in Bethlehem, PA (April 3) and Buffalo, NY (April 5). In between those dates, they’ll play their largest indoor space in Western PA yet at Mr. Smalls in Pittsburgh (April 4).
The spring tour then sees Dogs In A Pile playing exclusively Midwest gigs with shows in Ferndale, MI (April 8), Cleveland, OH (April 9), and Columbus, OH (April 11), before heading further west to Kalamazoo, MI (April 12), Madison, WI (April 13), and Indianapolis, IN (April 15). The spring run also includes several Southern shows, including Charlottesville, VA (April 18) – where a massive October 2023 performance at The Southern Café and Music Hall has earned them a headlining slot at the Jefferson Theater.
The tour later wraps up with two shows in New Orleans, LA during Jazz Fest at Chickie Wah Wah on April 29 and May 3, before the band heads to Mexico for Viva El Gonzo in San José Del Cabo on May 8, 9, and 10. See below for all newly added dates.
Presale ticketing is already underway and tickets will go on sale to the general public this Friday, December 20 at 10 am ET. To view all tour dates and learn more, visit dogs-tour.com.
Dogs In A Pile Spring Tour 2025
3/8 – Chicago, IL – Salt Shed (indoors)*
3/28 – Brooklyn, NY – Brooklyn Bowl
3/29 – Brooklyn, NY – Brooklyn Bowl 4/3 – Bethlehem, PA – Musikfest Cafe 4/4 – Pittsburgh, PA – Mr. Smalls 4/5 – Buffalo, NY – Buffalo Iron Works 4/8 – Ferndale, MI – Magic Bag
Opera Saratoga has announced the establishment of a new executive leadership position, with Amanda Robie, formerly the company’s Managing Director, appointed to the role,
Robie will collaborate closely with the General and Artistic Director, as well as the Board of Directors, to shape and advance the strategic direction of the company.
Amanda Robie at Opera Saratoga / RPI/Empac’s workshop of The Other Side of Silence (Nua Photography Co.)
Opera Saratoga, formerly known as Lake George Opera, began with a production of DieFledermaus at the Diamond Point Theatre on July 5, 1962, playing to an audience of 230. The Company now calls Saratoga Springs home and performs for more than 25,000 people annually, celebratings its 60th anniversary this season.
Serving the communities of Saratoga Springs, the Lower Adirondack and New York State Capital Region, Opera Saratoga provided access to world-class opera through the production of an annual Summer Festival, as well as year-round activities including extensive educational programs, mentorship of emerging operatic artists, and unique opportunities for the public to experience opera in both our home theater and non-traditional venues that leverage and embrace the unique cultural, historic, and natural resources of the area.
A resident of Saratoga Springs, Ms. Robie began her career in opera as a mezzo-soprano, having studied voice at Bucknell University and The Boston Conservatory. A notable highlight of her performing career was her role as Cousin Hebe in Opera Saratoga’s 2013 production of H.M.S. Pinafore. Driven by a desire to influence the operatic world beyond the stage, she transitioned into arts administration, holding positions at the Boston Opera Collaborative, Fort Worth Opera, and Boston Lyric Opera. In 2019, she joined Opera Saratoga as Managing Director, where she played a pivotal role in navigating the company through the challenges of the COVID-19 pandemic, overseeing its return to live performances, and leading the search for a new General Director.
“I am honored to step into the role of Executive Director at Opera Saratoga,” said Ms. Robie. “I look forward to continuing my work with this extraordinary company and vibrant community to ensure the continued vitality and success of opera in the region.”
“Amanda is an invaluable asset to Opera Saratoga, and both the Board and I are deeply appreciative that she has accepted this new leadership role,” said Mary Birnbaum, General and Artistic Director. “Her warmth, leadership, and in-depth knowledge of the art form make her a central figure at Opera Saratoga. Artists, technicians, and administrators alike consistently cite her as a major reason they choose to return to the company. I am excited to continue our partnership and to work alongside her in shaping the future of Opera Saratoga, beginning with the 2025 Summer Festival, which will run from May 20 to June 29.”
For more information about Amanda Robie or to buy subscriptions to the Summer Season, please visit our website at operasaratoga.org
Additionally, Opera Saratoga has announced the creative teams for its Summer Festival 2025. The musical She Loves Me, with music by Jerry Bock, lyrics by Sheldon Harnick, and a book by Joe Masteroff, will be directed by John Matsumoto Giampietro. Jacques Offenbach’s La Vie Parisienne will be directed by Mary Birnbaum and conducted by Juliane Gallant, making her U.S. debut. Both productions feature scenic design by Krit Robinson and lighting design by Anshuman Bhatia.
The cast of She Loves Me includes Festival Artists Christine Taylor Price (Amalia Balash), Kate Morton (Ilona Ritter), Shavon Lloyd (StevenKodaly), Michael Segura (Ladislav Sipos), Jack O’Leary (Arpad Lazlo), Wagner Pastor (Head Waiter), and Guest Artist Peter Kazaras (Mr. Maraczek). Nathan Cicero will serve as assistant conductor, with Festival Artist Paige Dirks-Jacks as assistant director. June 21, 25, 27 at 7:30 pm and June 28 & 29 at 2:00 pm at Universal Preservation Hall.
La Vie Parisienne features Festival Artists Sungyeun Kim (Gabrielle), Fantine Douilly (Pauline), Chase Sanders (Baroness), Sadie Spivey (Clara), Tivoli Treloar (Metella), Kate Morton (Mme. de Folle-Verdure), Brennan Martinez (Léonie), Chuanyuan Liu (Mme. de Quimper-Karadec), Randy Ho (Gardefeu), Wagner Pastor (Gontran/Prosper), Geoffrey Schmelzer (Le Baron), Michael Segura (Urbain), Jack O’Leary (Joseph), as well as guest artists Michael Hawk (Bobinet) and César Andrés Parreño (Frick/Bresélien). Gloria Yin will serve as assistant conductor, and Zoe Lesser will be the assistant director. The book for La Vie Parisienne will be translated and updated by Tim Drucker (director of Trixie and Katya Live!) June 20, 26 & 28 at 7:30 pm and June 22 at 2:00 pm at Universal Preservation Hall.
A Mass for Women in Bathrooms, the work-in-progress presentation from composer Emma O’Halloran and librettist Naomi O’Connell will feature singers Brennan Martinez, Sadie Spivey and Chase Sanders, as well as electronics by Alex Dowling and music preparation by Laurie Rogers. June 22 at 7:30 pm and June 27 at 2:00 pm at Universal Preservation Hall.
In a Grove composed by Chris Cerrone with libretto by Stephanie Fleischmann will feature Chase Sanders (Leona), Chuanyuan Liu (Priest/Medium), Sadie Spivey (Leona’s Mother), Shavon Lloyd (Luther), Randy Ho (Ambrose), Wagner Pastor (Policeman), Geoffrey Shmelzer (Woodcutter). This site specific installation will feature sound design by Sam Torres and will be conducted by Luke Poeppel. May 28 at 5:00 pm, 7:00 pm, and May 29 at 5:00 pm, 7:00 pm (Rain date: May 31 at 5:00 pm and 7:00 pm) at the Ferndell Pavilion in Saratoga Spa State Park.
Subscriptions to Opera Saratoga are on sale through February 1 at www.operasaratoga.org or by calling Proctors Box Office at 518-346-6204. Other special events include concerts, free family performances and a gala.
The newest episode of Troy Story: A Podcast for the Collar City revisits the first and only time Metallica performed at the RPI Field House, on Wednesday, March 15, 1989, with opening band Queensryche.
Joining host John Salka is world-renowned drummer and lifelong Capital Region resident, Jason Bittner (Shadows Fall, Category 7), who – a 19-year-old college student at the time – attended the show on a holiday break from Berklee School of Music.
Troy Story: A Podcast for the Collar City is a monthly oral history podcast produced and hosted by John Salka, former Communications Director for the city of Troy and advisor for two mayors, bringing a firsthand perspective to recent Troy history.
Rampaging across America on their “Damaged Justice Tour”, Metallica was in support of their latest studio album (and eventually selling more than 9 million albums) …and Justice for All. The show was also the band’s second-ever performance in the Capital Region.
During the episode, Jason discusses with John, thoughts on the audio production for the “… and Justice for All” LP; speculation on how someone managed to bring a camcorder into the Field House to record the Metallica and Queensryche sets; performing with some of his favorite bands touring the world, including Overkill and Anthrax; the reunion of Shadows Fall, his new band Category 7, and previous work with local Capital Region hardcore band Stigmata; attending Metallica’s 1986 show at the Glens Falls Civic Center with Cliff Burton on bass guitar, and meeting drummer Lars Ulrich for the first time, and seeing other legendary metal bands like Ozzy Osbourne, Megadeth, Slayer, Anthrax, and Metal Church at various Capital Region venues.
Live bootleg audio from Metallica and opening act Queensryche at the RPI Field House in Troy is featured throughout the episode to immerse the listener in the story. Additional photos, video and archive materials is available on the Troy Story website.
Future episodes will feature RPI alumni and WRPI DJ Toast Eric Haskins who was part of concert security staff that night, and then-high school student and Metallica fan Kevin O’Connell – both attended the show that night in 1989 and will share their recollections of the gig.
Prog Metal legends System Of A Down have announced three stadium events for Summer 2025.
The first will take place at MetLife Stadium in East Rutherford, NJ, on August 27 and 28 with Korn; the second show to be held atSoldier Field in Chicago, IL, on August 31 with Avenged Sevenfold, and the final show at Rogers Stadium in Toronto, ON, on September 3 with Deftones. Special guests Polyphia and Wisp will open for all three shows.
As the most inspired, impactful, and inimitable rock band of the 21st century, System of a Down has sold over 40 million records worldwide, earned a GRAMMY® Award, and headlined arenas, festivals, and stadiums on multiple continents, worldwide. Formed in Los Angeles, the group have soundtracked personal, political, sonic, and spiritual revolution since the 1998 release of their multi-platinum self-titled debut. The quartet have consistently sold out shows worldwide and regularly register over 23.4 million monthly listeners on Spotify, making them one of the most-listened to rock/alternative bands in the world. System of a Down is Daron Malakian [guitars, vocals], Serj Tankian [vocals, keys], Shavo Odadjian [bass], and John Dolmayan [drums].
Korn changed the world with the release of their self-titled debut album. It was a record that would pioneer a genre, while the band’s enduring success points to a larger timeless, cultural moment. Since forming, Korn has sold more than 40 million albums worldwide, collected two GRAMMY®s, toured the world countless times, and set many records in the process that will likely never be surpassed. Korn has continued to push the limits of the rock, alternative and metal genres, while remaining a pillar of influence for legions of fans and generations of artists around the globe.
Korn – Albany, March 2022 – photo by Zak Radick
Avenged Sevenfold have sold millions of albums worldwide, earned two consecutive No. 1 albums on Billboard’s Top 200 Albums chart (2010’s Nightmare and 2013’s Hail To The King), have over a billion video views and a billion-plus Spotify streams, as well as multiple No. 1 singles on rock radio. The band (comprising M. Shadows, Synyster Gates, Zacky Vengeance, Johnny Christ and Brooks Wackerman) is equally known for their spectacular live shows, selling out arenas and headlining the world’s most prestigious rock festivals as well as always being at the forefront of rapidly changing technology, cultural mile markers, and new ways for communities to engage.
Formed in Sacramento, CA in 1988, Deftones are one of the most influential alternative bands in the world. The band, comprised of Chino Moreno, Frank Delgado, Stephen Carpenter, and Abe Cunningham, has released nine studio albums, with the most recent release being GRAMMY®-nominated Ohms. Deftones’ culture is revered as one of the most fervent that exists.
Tickets will be available starting with an artist presale beginning on Wednesday, December 11. Additional presales will run throughout the week ahead of the general on-sale beginning on Friday, December 13 at 12 pm at LiveNation.com
Legendary singer/songwriter James Taylor has announced his 2025 summer tour with his All-Star Band, covering 24 shows across the US and Canada.
The show’s penultimate performance will take place at Constellation Brands-Marvin Sands Performing Arts Center, colloquially known as CMAC.
The tour will see Taylor & His All-Star Band perform at a number of iconic venues and will kick off on May 5th in Phoenix, AZ and will conclude on July 1st in Gilford, NH.
As a recording and touring artist, James Taylor has touched people with his warm baritone voice and distinctive style of guitar-playing for more than 50 years, while setting a precedent to which countless young musicians have aspired. Over the course of his celebrated songwriting and performing career, Taylor has sold more than 100 million albums, earning gold, platinum and multi-platinum awards since the release of his self-titled debut album in 1968. In 2015, Taylor released Before This World, the first-ever #1 album of his illustrious career.
photo by James Sullivan, SPAC August 2021
Taylor has won multiple GRAMMY Awards, has been inducted into both the Rock and Roll and the prestigious Songwriters Halls of Fame and in February 2006, The National Academy of Recording Arts and Sciences selected him its MUSICARES Person of the Year. Taylor was also awarded the distinguished Chevalier of the Order of Arts and Letters by the French government and the National Medal of Arts by President Barack Obama in 2012.
In November of 2015, Taylor was presented with the Presidential Medal of Freedom, the Nation’s highest civilian honor and in December of 2016 he received the Kennedy Center Honors, which are presented annually to individuals who have enriched American culture by distinguished achievement in the performing arts. In early 2020 Taylor released Break Shot, a deeply personal and authentic audio-only memoir detailing his first 21 years. He also released his newest album, American Standard, his 19th studio album, which earned Taylor the 2021 GRAMMY Award for Best Traditional Pop Vocal Album and gave him the honor of being the first artist to have a Billboard Top 10 album in each of the past six decades.
photo by James Sullivan – SPAC August, 2021
Supporting Taylor will be Tiny Habits, a Boston-bred band that has been praised by the likes of NPR and The New Yorker. Last year, the group opened for Gracie Abrams on her North American and Australian tour dates, and also opened for Noah Kahan on his European tour. They have performed with Lizzy McAlpine on her Tiny Desk appearance, harmonized with Kacey Musgraves and Laufey among many others. The Habits released their debut album All For Something via Mom+Pop records in May of 2024. The band hit the road supporting Vance Joy and Lake Street Dive while finishing 2024 with a headline tour of Australia. Their latest single, ‘For Sale Sign’ with Lizzy McAlpine is out now.
Tickets for the 2025 summer tour dates go on sale to the public on Friday, December 13th at 10AM local time. For all upcoming routing, please see dates listed below and visit https://tour.jamestaylor.com/ for more information.
JAMES TAYLOR SUMMER 2025 TOUR DATES
5/5/2025 – Phoenix, AZ – Footprint Center
5/7/2025 – Palm Desert, CA – Acrisure Arena
5/8/2025 – Highland, CA – Yaamava Theater
5/10/2025 – San Diego, CA – Rady Shell
5/11/2025 – San Diego, CA – Rady Shell
5/13/2025 – Santa Barbara, CA – Santa Barbara Bowl
5/14/2025 – Santa Barbara, CA – Santa Barbara Bowl
5/16/2025 – Stanford, CA – Frost Amphitheater
5/17/2025 – Lincoln, CA – The Venue at Thunder Valley
5/19/2025 – Bend, OR – Hayden Homes Amphitheatre
5/21/2025 – Nampa, ID – Ford Amphitheater
5/23/2025 – Ridgefield, WA – RV Inn Style Resorts Amphitheatre
5/25/2025 – Seattle, WA – Chateau St. Michelle Winery
5/26/2025 – Seattle, WA – Chateau St. Michelle Winery
6/13/2025 – Morrison, CO – Red Rocks
6/14/2025 – Morrison, CO – Red Rocks
6/17/2025 – St. Paul, MN – Xcel Center
6/19/2025 – Highland Park, IL – Ravinia
6/21/2025 – Milwaukee, WI – Summerfest*
6/23/2025 – Cincinnati, OH – Riverbend Music Center
6/24/2025 – Cuyahoga Falls, OH – Blossom Music Center
moe. is throwing a party to celebrate the release of their next album, Circle of Giants, at Bearsville Theater in Woodstock. The party is so big, they’re stretching it over two night – Friday, Jan. 17 and Saturday, Jan. 18.
The shows at Bearsville are part of the band’s 35th anniversary tour, which includes intimate concerts around the country. Check out full tour details here.
The upcoming Circle of Giants reiterates the dynamic, genre-defying sound that has contributed to the beloved ensemble’s longevity in the jam world. This album is also the first to feature keyboardist Nate Wilson, who joined the band in 2023–a testament to moe.’s spirit.
For hardcore moe.rons, VIP packages are available for Saturday, which features an intimate pre-show set and Q&A, early entry, first dibs at the merch table, a VIP laminate, and an exclusive merch item.
Circle of Giants is available for pre-order. Tickets for moe. at Bearsville Theater are on sale now – for more info, head to moe.org/tour.
Spafford has just announced the first details of their 2025 Spring Tour which comes on the heels of an extensive winter run set to start later this week. The much anticipated run includes stops at iconic venues throughout the Northeast and will feature special guest The Jauntee on select dates. Spafford Spring Tour includes two New York dates as well. The second stop of the tour will be in Saratoga Springs on March 14 with a show at Putnam Place. Four days later the meteoric jam band will visit Buffalo Iron Works on March 18.
The tour also features a first time visit to the ski-mecca town of Killington, VT with a show at the Pickle Barrel. It later wraps up with a three-night residency at Soundcheck Studios in Pembroke, MA, from April 3-5.
Tickets go on sale Friday, December 6 at 10 AM local time through spafford.net where additional information can also be found.
Spafford Spring 2025 Tour Dates:
March 12-13: Broad Brook Opera House – Broad Brook, CT
March 14: Putnam Place – Saratoga Springs, NY
March 15: Aura – Portland, ME
March 16: Pickle Barrel – Killington, VT
March 18: Buffalo Iron Works – Buffalo, NY
March 19: Beachland Ballroom – Cleveland, OH*
March 20: Mr. Smalls – Millvale, PA*
March 21: Moontown Brewing Company – Whitestown, IN
