Author: Michael Erkan

  • The Rise and Fall of the Borscht Belt

    While Sullivan and Ulster counties today are known for their countless miles of Catskills trails, quaint hippie towns and world-class climbing spots, they were once known for housing one of the grandest collections of summer resorts in all of America: the Borscht Belt.

    For over 50 years, more than 500 hotels and thousands of bungalows catered to countless guests annually, creating a bubbling cultural scene like no other. Though the Borscht Belt era is now long-gone, the impact that it had on Jewish and American culture is undeniable and one that won’t be forgotten any time soon.

    Borscht Belt

    Early Years

    Initially created in reaction to the increases in anti-Semitism in the New York City area during the early 1920s, the Borscht Belt was a safe haven for Jewish people who had been excluded and banned from other resorts and hotels in New York and surrounding states. Due to the massive demand and lack of alternative vacation destinations, Borscht Belt resorts quickly became a popular holiday spot for Jewish people in the region. Only 100 miles from New York City, the Catskills Borscht Belt resorts were extremely close and traveling there was simple. Frequent train service even gave those without cars a simple way to get north.

    Once the Borscht Belt gained a reputation through word of mouth, Jewish families began flocking to the Catskills in droves. Many of them would even spend multiple months in the resorts, which led to the region becoming extremely special for much of the New York Jewish population. And why wouldn’t it be? Borscht Belt accommodations not only provided a nondiscriminatory vacation destination for Jewish people but also boasted luxurious hotels, top-tier music and entertainment and stunning natural beauty.

    In addition to resorts for the more well-off patrons, the Catskills also had thousands of bungalows, which usually had a kitchen/living room/dinette, one bedroom, and a screened porch, which less well-off people were usually able to afford. Regardless of class and creed, there was a place for everyone to visit in the Borscht Belt.

    Borscht Belt

    Prime

    In the Borscht Belt’s prime, over 500 resorts and 50,000 bungalows dotted the scenic hills of the Catskills. From Memorial Day to Labor Day every year, thousands of people would flood to the region, enjoying the virtually unlimited lavish amenities. Despite the resorts catering largely to their Jewish clientele, the food, music and entertainment were all top-notch, not just for the region or religion but for all of America.

    Walking into one of the high-end resorts was an experience like no other. One would be met with hundreds of workers hurriedly walking around, buffets lined with more food than anyone could eat and happy guests walking to the pool or golf course. There was no shortage of entertainment in the Borscht Belt. Even busboys would have little acts they would do while serving patrons, just to get a better tip. And with all the people in such close quarters having grand times, resorts also gained the reputation of being the place to go to find your future partner.

    For a few decades, the Borscht Belt looked unstoppable. Business was consistent, the resorts and bungalows kept filling up and food kept flying off the plates.

    Borscht Belt

    The Stars

    With the Borscht Belt being so successful for many decades, naturally, the money was there to bring in the finest talent. With Vaudeville dying out 1930s with the arrival of moving pictures, comedians had to go somewhere else, which, in combination with the Borscht Belt’s rise, gave way to the perfect storm. Some of the country’s best all-time comedians, like Milton Berle, Rodney Dangerfield, Woody Allen and Jackie Mason, all got their start or regularly performed in Borscht Belt venues. Audiences were used to seeing the best of the best and would not shy away from giving vocal criticism, so the Borscht Belt became known as a comedy bootcamp for comedians looking to rise to the next level.

    During the few decades of the Borscht Belt’s prime, already established comedy legends like Norm Crosby, Jack Carter and Shecky Greene butted heads with rising talents and future stars like David Brenner, Bill Dana and Robert Klein. A young Jerry Seinfeld even used to sneak into watch shows, which greatly influenced his future career as a comedy megastar. The high-pressure environments that comedians had to endure, just like how pressure makes diamonds, led to some of the greatest comedy shows of all time going down in the Catskills.

    Comedy was massive in the Borscht Belt, but it wasn’t everything. While the music scene in the region lacked the star power that the comedy scene had, the quality was far from lacking. Hundreds of musicians were employed by the resorts to provide constant performances for guests, which heavily contributed to the festive reputation of the Borscht Belt era. No matter where you went, whether it be a small bungalow colony or the Concord Resort Hotel, music was everywhere, and that’s how people liked it.

    Borscht Belt

    The Fall

    In the late 1950s and ’60s when air travel became more simple and affordable, people’s options for where they could vacation widely increased. The trains that used to frequently run up to the Catskills from New York City also decreased in frequency. These changes in travel, alongside the decrease in anti-Semitism in the decades following World War II, gave Jewish people more places to go to which were also more accepting of their faith. Another major development in the 1950s was television’s replacement of the radio as America’s most dominant broadcast medium. Now, people didn’t have to go up to the Catskills to catch a comedy or music show, they just had to turn on the TV.

    As the ’60s gave way into the ’70s and ’80s, more and more of the once-thriving Borscht Belt resorts closed their doors for good. The closings acted as a domino effect: some resorts would close, which would lead to fewer overall guests vacationing in the Borscht belt. The lack of customers would cause more disrepair, which would lead to more closures, and the cycle would continue. First, the bungalow colonies fell, then the small hotels, then the large resorts. By the time 2000 rolled around, the Borscht Belt was a shell of its former self. In 2013, Kutsher’s Hotel, the last of the staple resorts, fell, signifying the official end to the already long-gone Borscht Belt era.

    Photography by Marisa Scheinfeld

    Today

    Although the Borscht Belt’s prime is long gone, the region’s rich history has lived on. Documentaries including “When Comedy Went to School” have done excellent jobs at painting the picture of what the golden era of the Borscht Belt was like to experience, highlighting the comedic superstars that ruled over the Catskills.

    The Borscht Belt Museum, a museum documenting the golden age of the Catskills resort era, also opened in 2023 and has already done a lot to document and spread Borscht Belt culture, frequently updating their historical exhibits that are open to all visitors. The museum also recently hosted their second annual Borscht Belt Festival, which, in their words, is “a project which is dedicated to preserving the legacy of the Borscht Belt resort era, and celebrating its history as a refuge from bigotry, the cradle of stand-up comedy and a cultural catalyst that left deep imprints on America.”

    The Borscht Belt Museum in Ellenville, NY

    Many people have also been paying homage to the traditional Jewish music that rang through the Catskills decades ago, creating and sharing music honoring times past. The Jews Brothers Band is a modern Klezmer band that makes music inspired by their director’s grandfather’s old Jewish music. One of their top songs, “Up in the Borscht Belt,” harkens back to the Borscht Belt’s prime and all of the wonderful qualities that made it such a special destination.

    Aaron Bendich is a 30-year-old New Yorker who, inspired by memories with his grandfather in New York City, has created and hosted two Jewish music radio shows, with the more recent one being named “Borscht Beat.” Although The Borscht Belt’s prime lasted for nearly a half-century, the impact on not just Jewish culture but American comedy and music culture is everlasting. Indeed, the Borscht Belt is alive and well. L’Chaim!

  • NYC Indie Soul Artist JOSCH Releases “Dark Tower” Inspired Single “Detta”

    Miami-based indie soul artist JOSCH, also known as Josh Schwartz, just released his highly anticipated fourth single, “Detta,” with a music video to follow next week. Inspired by the cult-classic Dark Tower fantasy series from Stephen King, the song explores themes of abuse, vengeance, redemption, and escape.

    JOSCH Detta

    JOSCH, pronounced like “Josh,” draws from a wide pool of inspirations for his music. From funk, R&B, electronic, soul, pop and lyrically-based folk music, no single genre can claim JOSCH. Already an extremely accomplished musician, he spent the last few years of his career touring North America with Zac Brown Band on their 2022 “Out In The Middle” stadium tour and rock and roll legends Jerry Harrison and Adrian Belew on their 2023-24 “Remain In Light” tour. The previous ten-plus years saw him touring internationally with indie funk band Turkuaz. As a baritone sax player and featured vocalist in these settings, he has been at home on the sidelines of the stage. Now, with the birth of his solo project, JOSCH is ready to take center stage and share with the world even more of his creative contributions.

    “Detta” tells the poignant story of its titular character, a “diamond in a patch of dirt, born beneath a neon light” into a world of darkness and pain in the backwoods of Arkansas. Lines like “Mama was a goner with a taste for dope and Daddy didn’t like to talk, but she knew what he was thinking when he got to drinking and his fists flew like a hawk” detail the depths of the despair surrounding Detta in her early life. The song captures her journey from suffering to defiance as she fights back against her abuser, leading to a dramatic escape from her troubled past into an unknown future. After hitching her way to the California coast, the law catches up with her; “though she heard the sirens coming and she knew her running days were done, she thanked God for that perfect moment in the California sun.” It’s up to the listener to decide if she surrenders peacefully, goes out in a hail of bullets, or escapes across the border into Mexico. Whichever they decide, they may be surprised to learn the inspiration for this dark tale.

    “I read the Dark Tower series from Stephen King years ago and absolutely fell in love with it. One of the main characters is Odetta, a lovely, well-off young woman with a split personality. Her alter ego is Detta, a cutthroat, streetwise rebel who does whatever she must to survive. I was really drawn to that dichotomy of light and dark existing in the same person,” JOSCH explained. He wanted to make the story of the song accessible to people who didn’t read the book series but with a subtle nod to the literary inspiration, hence the chorus lyrics, ‘Detta, Odetta.’ “It may sound like I’m singing ‘Detta, oh Detta” but if you read the lyrics and are a Dark Tower nerd like me, I’m hoping you’ll get a kick out of the little easter egg.”

    As with JOSCH’s first three singles, “Detta” masterfully blends analog and digital sounds and textures to create a blend all its own. The track features a haunting blend of gritty Rhodes electric piano played by Steve Swatkins (Scary Pockets, Allen Stone) and drumming by Nashville’s Mike Blong. Rob O’Block, musical renaissance man of Nashville and co-producer of the track, brought the track to life with bass, synthesizers, percussion, drum programming, and soaring, ominous electric guitar riffs that perfectly complement JOSCH’s quick-flowing, swamp-bluesy vocals.

    In conjunction with the single’s release, JOSCH will also unveil a visually striking music video on September 5. The video artfully depicts the chaos and beauty of Detta’s life and her tumultuous escape, combining vintage found footage with shots of Detta, played by jewelry designer and vintage clothing seller Lauren Hayes, to create a surreal and darkly humorous narrative that’s the perfect visual companion to the song.

    Visit here to stream “Detta” on your preferred streaming platform, and stay tuned for the upcoming music video from JOSCH.

  • The Dirty Pennies Release Expansive Psych-Rock Single “Bee Sting”

    Psychedelic blues and garage rock band The Dirty Pennies just released their first single in almost a year, “Bee Sting.” The nearly seven-minute track sees the group furthering their newer psychedelic sound, one that can be experienced live at one of their upcoming shows in Rochester and Rome, NY.

    Dirty pennies single

    Initially formed as a gritty psych-influenced blues rock duo by Ryan Klem and Lucas Howe, The Dirty Pennies have evolved over the years, adding on Sean Doohan on bass and Doug Kelley on keys/synth to form the complete package they are today. Uniquely described by fans in many ways, like “a stoner rock project of The Beach Boys” or “early King Gizzard,” The Dirty Pennies have clearly succeeded in forming a unique sound that can’t be simply defined. As of recent, the band has leaned more heavily into their psychedelic influences, highlighted on their 2023 track, “Head Open,” and their newest single, “Bee Sting.”

    “Bee Sting” sees The Dirty Pennies leaning more than ever into their psychedelic edge. Clocking in at about seven minutes, the track is a meandering journey—one that takes its time but doesn’t overstay its welcome. The song covers the feelings of living in the modern world and how things can sometimes seem fine, despite them often not being. After a lengthy intro, the track kicks into full swing when the lyrics “four, three, two, one, and it’s going back” boldly enter, leading into the two short but sweet verses of the song. Around the halfway mark, the track opens up to a groovy guitar solo before eventually picking up to an even more intense solo and cutting off with an abrupt finish.

    Although The Dirty Pennies only have one album to date, which was released in 2017, their recent singles have teased the progressive sound that they could potentially use in an evolutionary follow-up. But regardless of whether they put out a full album or keep releasing singles, The Dirty Pennies is certainly a band to keep an eye on.

    The Dirty Pennies have a few upcoming shows across the state, one show in Rome, NY, and the other two in Rochester. See below for their dates and locations, and visit here for tickets and more information.

    Upcoming The Dirty Pennies Shows

    Aug 30th – Rock that River – Rome, NY
    Sept 6th – Radio Social w/ Continental Drifft – Rochester
    Oct 21st – Bug Jar (opening for Meatbodies) – Rochester

  • Orleans To Perform Back to Back Nights in Cohoes and Clayton

    Woodstock-formed pop-rock band Orleans has announced two back-to-back upcoming shows across the state.

    The first show, in Cohoes, will happen at the Cohoes Music Hall on September 13, and the second show, in Clayton, NY, takes place at the Clayton Opera House on September 14.

    Cohoes Music Hall orleans show

    Created in 1972 by John Hall (guitar), Larry Hoppen (guitar/keyboard) and Wells Kelly (drums), Orleans has passed the test of time, still remaining intact in 2024. They released their first album in 1973 and have subsequently had numerous best-selling albums over the years, including Let There Be Music, Waking and Dreaming and Forever.

    Over the years, Orleans has amassed a catalog of 17 albums and multiple DVDs. Now, celebrating more than 50 years of live shows, Orleans has continued their consistency to this day, already performing 10 times across the country just this year.

    Orleans’ smooth blend of melodic pop-rock is a timeless sound. Their classic tight ensemble playing, gorgeous harmony vocals and inspired and well-crafted songwriting always create the perfect storm to dance to, something that visitors to Cohoes and Clayton will be able to experience.

    For Orleans’ first show at the Cohoes Music Hall in Cohoes on September 13, the band will play as part of a double bill with folk/rock band Aztec Two-Step. The show will run between 7:30 and 10:30 p.m. For their second show at the Clayton Opera House in Clayton on September 14, Orleans will take on the stage solo, performing at the historic venue between 7:30 and 9:00 p.m.

    The band also has a third show scheduled for October at the Northwest Missouri Moon Festival. Visit here for tickets and more information.

  • Adirondack Independence Music Festival Releases Full Weekend Schedule Including Headliners moe. and Melvin Seals & JGB

    The Adirondack Independent Music Festival has just released the full schedule of performances set for their Lake George extravaganza Friday, August 30 through Sunday, September 1. The stacked lineup features headliners moe. and Melvin Seals & JGB, alongside many other local and nationally touring bands.

    For those looking to see some great music this upcoming Labor Day weekend, Adirondack Independent Music Festival (‘ADK Fest’) is the place to be. Returning for its ninth year, the festival will once again take place at the beautiful Charles R. Wood Festival Commons in Lake George.

    Headlining this year’s festival will be Upstate New York jam band moe., who will perform two sets each night on Saturday and Sunday. Hailed by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft. For three decades, the band has corralled myriad musical forms on a truly original journey rich with crafty, clever songwriting and astonishing resourcefulness. Fueled by an impassioned fan base, moe. has spent much of those thirty years on the road, encompassing countless live performances marked by eclectic wit, deep friendship, and exploratory invention.

    The other festival headliner, Melvin Seals & JGB, will be performing two sets on the opening night of Friday. Melvin Seals has been a powerful presence in the music industry for over 30 years, with a long-established reputation as a performer, recording artist and producer. Melvin is most revered for his powerful, high-spirited Hammond B-3 organ and keyboards in the Jerry Garcia Band. Melvin spun his B-3 magic with the Jerry Garcia Band for 18 years and, in doing so, helped pioneer and define what has now become “Jam Band Music.” From blues to funk to rock to jazz, Melvin Seals serves up a tasty mix with a little R&B and gospel thrown in to spice things up. Continuously on the road with his band JGB, featuring John Kadlecik, John-Paul McLean and Jeremy Hoenig, Melvin Seals continues to spread the music of Jerry Garcia Band and more.

    The stacked lineup will also feature performances by GRAMMY-nominated progressive bluegrass act Yonder Mountain String Band, Twiddle frontman Mihali, whose band also features Twiddle members Zdenek Gubb and Adrian Tramontano, and Badfish: A Tribute to Sublime.

    Food and craft vendors will be available on the grounds, with the beautiful Lake George sitting as a backdrop to everything. All ages are welcome to attend, and children 12 and under are free for general admission. Visit here for tickets and more information. See below for the show schedule graphic and a full written lineup with times.

    Full Adirondack Independent Music Festival Schedule

    Friday

    One Time Weekend – 1-2 PM

    Bella’s Bartok – 2-3 PM

    Lucid – 3-4:15 PM

    Cool Cool Cool – 4:15-5:15

    Lespecial – 5:15-6:30 PM

    Mihali (Live Band) – 6:30-8 PM

    Melvin Seals & JGB – 8-11 PM

    Saturday

    Crooked Coast – 12-1 PM

    Strange Machines – 1-2 PM

    The Frank White Experience: A Tribute to the Notorious B.I.G. – 2-3 PM

    RAQ – 3-4 PM

    Moon Hooch – 4-5 PM

    Pink Talking Fish – 5-6:15 PM

    Badfish: A Tribute to Sublime – 6:15-7:30 PM

    moe. – 7:30-11 PM

    Sunday

    Kendall Street Company – 12-1 PM

    Yam Yam – 1-2 PM

    Wild Adriatic – 2-3 PM

    Hayley Jane Band – 3-4 PM

    Daniel Donato’s Cosmic Country – 4-5 PM

    Spafford – 5-6:15 PM

    Yonder Mountain String Band – 6:15-7:30 PM

    moe. – 7:30-11 PM

  • Boston Band Neighbor Announce Fall Tour Kicking Off in Buffalo

    Boston-based rocking quartet Neighbor have announced a fall US tour, with the first show kicking off in Buffalo. To close out the tour, the band will be doing an epic three-night Halloween run in New England alongside powerhouse trio LaMP. 

    Neighbor Tour

    Although Neighbor formed in the last half-decade, the band members’ roots began over 35 years ago. Childhood neighbors Richard James (vocals, keys) and Lyle Brewer (guitar) shared fence lines and melodies as they both grew and explored their own musical paths. Decades later, the quartet became complete with the addition of Dan Kelly (bass) and Dean Johnston (drums) in 2019. Their creative incubation began with a weekly residency that grew in large part by the passion of their fans, the “Neighbors,” who continue to inspire the band as the fan base has expanded across the country.

    With a diverse catalog of hundreds of songs, Neighbor combines ambitious composition, soulful balladry, and a fearless approach to their lengthy improvisations. Not boxed in by a single genre, their songwriting brings elements of Americana, funk, rock, jazz, soul and more. The band is putting pen to paper once again as they head back into the studio to begin work on their second album.

    But before their follow-up project hits streaming services, the quartet has decided to keep busy, announcing a fall tour with 12 stops in 11 cities, the first being Buffalo. Beginning on October 10, Neighbor will hit all 12 shows across the country in just 23 days, with the final three shows being a self-contained Halloween run alongside Burlington, Vermont band, LaMP. The final show in the tour will see Neighbor returning to their home crowd in Boston.

    Visit here for tickets and more information. See below for a full written list of Neighbor tour dates.

    Neighbor Fall Tour Dates

    Thu, Oct 10 – Buffalo Iron Works – Buffalo, NY

    Fri, Oct 11 – Woodlands Tavern – Columbus, OH

    Sat, Oct 12 – HI-FI Indianapolis – Indianapolis, IN

    Sun, Oct 13 – Stache at The Intersection – Grand Rapids, MI

    Tue, Oct 15 – High Noon Saloon – Madison, WI

    Wed, Oct 16 – Vivarium – Milwaukee, WI

    Thu, Oct 17 – The Taft Theater Ballroom – Cincinnati, OH

    Fri, Oct 18 – Martyrs – Chicago, IL

    Sat, Oct 19 – Martyrs – Chicago, IL

    Thu, Oct 31 – Neighbor with LaMP – South Burlington, VT

    Fri, Nov 1 – State Theatre – Portland, ME

    Sat, Nov 2 – The Wilbur – Boston, MA

  • The Black Crowes Announce Port Chester Dates on ‘Happiness Bastards Tour (The Reprise)’

    Due to the cancellation of Aerosmith’s ‘Peace Out’ tour, legendary rock band The Black Crowes have extended their ‘Happiness Bastards Tour (The Reprise)’ with 14 new shows across North America, ending with back-to-back nights in Port Chester, NY.

    The Black Crowes Tour

    2024 marks 40 years since the inception of The Black Crowes, and the Robinson Brothers are claiming this momentous year as their own. Following decades marked by sex, drugs, fights, breakups, and divorce, they are leaving their bullshit behind and coming together to celebrate their mutual love for rock n’ roll.

    Since The Black Crowes reunited in 2019, they’ve made a triumphant return to form with over 150 shows spanning 20 countries worldwide, celebrating the 30th anniversary of Shake Your Money Maker, the album that put them on the map. And following their return to shows, the group came back to put out their first record of original music in 15 years and their 10th studio album, Happiness Bastards. Some may say the project has been several tumultuous years in the making, but The Black Crowes argue it’s arriving at just the right time. The band’s mentality toward their return has been simple: no gloss, no glitter, just rhythm and blues at its very best—gritty, loud, and in your face.

    Named after their newest record, ‘The Black Crowes: Happiness Bastards Tour (The Reprise)’ kicks off in Northfield, OH, on September 27 and concludes with two nights in Port Chester, NY, on December 22. The upcoming run follows the band’s highly successful 35-date ‘Happiness Bastards Tour,’ which ran through North America and Europe this past spring.

    Previously announced show dates have been rescheduled, and tickets for all rescheduled dates will be honored at the new shows.

    Tickets are on sale now. Visit here for tickets and more information. See below for a full written lineup of The Black Crowes’ tour.

    The Black Crowes Tour Dates

    9/27/24 – Northfield, OH – MGM Northfield Park – Center Stage +

    9/28/24 – Cincinnati, OH – Hard Rock Cincinnati Outdoor Arena

    10/1/24 – Pikeville, KY – Appalachian Wireless Arena +

    10/3/24 – Simpsonville, SC – CCNB Amphitheatre at Heritage Park

    10/4/24 – St. Augustine, FL – The St. Augustine Amphitheatre *

    10/6/24 – St. Petersburg, FL – Duke Energy Center for the Arts – Mahaffey Theater *

    10/9/24 – Wilmington, NC – Live Oak Bank Pavilion

    10/10/24 – Durham, NC – Durham Performing Arts Center +

    10/12/24 – Macon, GA – Atrium Health Amphitheater

    10/13/24 – New Orleans, LA – Saenger Theatre +

    10/15/24 – Southaven, MS – BankPlus Amphitheater at Snowden Grove

    10/18/24 – Gary, IN – Hard Rock Live Northern Indiana

    10/19/24 – Milwaukee, WI – Miller High Life Theatre *

    10/23/24 – Waukee, IA – Vibrant Music Hall *

    10/25/24 – Rockford, IL – Hard Rock Live Rockford *

    10/26/24 – St. Louis, MO – The Factory +

    10/29/24 – Moon Township, PA – UPMC Events Center +

    10/31/24 – Uncasville, CT – Mohegan Sun Arena *

    11/2/24 – Rama, ON – Casino Rama Resort *

    11/7/24 – Tulsa, OK – Paradise Cove at River Spirit Casino Resort +

    11/8/24 – San Antonio, TX – Tobin Center for the Performing Arts +

    11/10/24 – Austin, TX – ACL Live at The Moody Theater +

    11/11/24 – Austin, TX – ACL Live at The Moody Theater +

    11/14/24 – Durant, OK – Choctaw Grand Theater

    11/16/24 – Albuquerque, NM – Legends Theater at Route 66 Casino Hotel *

    11/19/24 – Salt Lake City, UT – Eccles Theater +

    11/30/24 – Wheatland, CA – Hard Rock Live Sacramento *

    12/3/24 – Stateline, NV – Tahoe Blue Event Center

    12/5/24 – Las Vegas, NV – The Cosmopolitan of Las Vegas +

    12/6/24 – Indio, CA – Fantasy Springs Resort Casino Special Events Center

    12/19/24 – Oxon Hill, MD – The Theater at MGM National Harbor *

    12/21/24 – Port Chester, NY – The Capitol Theatre +

    12/22/24 – Port Chester, NY – The Capitol Theatre +

    + New Date
    * Rescheduled Date

  • Hearing Aide: GIFT ‘Illuminator’

    New York City indie rock band Gift released their record label debut, Illuminator, on August 23, following the announcement of their first world tour. The 11-track LP sees the band blending electronic elements with widescreen pop production techniques to create their most fully-comprehensive body of work to date. 

    GIFT, formed in 2020, is made up of vocalist/guitarist TJ Frida, multi-instrumentalist Justin Hrabovsky, drummer Gabe Camarano and bassist Kallan Campbell. The four originally came together when Freda cherry-picked members of some of his favorite other bands, forming somewhat of an indie supergroup. With roots all over the world—Salt Lake City, San Francisco, Boston and Brazil, to be exact—it only makes sense that GIFT’s musical style would be diverse as well. The musicians have often leaned on their collective deep experiences and have set a bold new sound—a dizzying blend of early shoegaze, classic ‘90s alternative rock and even modern pop.

    GIFT emerged somewhat fully formed on their 2022 debut album, Momentary Presence. The LP was a testament to the untapped creative potential lying deep within, and it wasn’t long before the band was pricking up the ears of adventurous listeners both at home and across the Atlantic Ocean. Ahead of their newest album, GIFT have shared the singles “Wish Me Away” and “Going In Circles,” which have drawn critical acclaim from the likes of, among many others, Pitchfork, Billboard, Paste, Uproxx, Consequence, Paper, Flood Magazine, Brooklyn Vegan, and Stereogum, which recently labeled GIFT as a band to watch.

    Illuminator is the long-awaited payoff of GIFT’s ever-growing musical and human chemistry, blending a dynamic fusion of electronic and pop production techniques. One of the album’s singles, “Later,” perfectly exemplifies the new sound. “While writing Illuminator, I found myself clinging to intense emotions, reluctant to release them. ‘Later’ stands out as one of the darkest songs I’ve made,” Freda said. “Making it was cathartic, diving into darker themes. The song explores surrendering to the overwhelming sensation of life slipping away before my eyes.”

    Freda was an integral part of the record, but Illuminator was a collaborative effort through and through. Gurewitz, a relative newcomer to making music herself, contributed a host of lyrics and vocal melodies, and Camarano’s drumming provided the crucial rhythmic underpinning to the album’s 11 tracks. Hrabovsky, who previously engineered at Asheville, N.C. studios Drop of Sun and Echo Mountain Recording, shared production duties with Freda for the first time as well.

    Lyrically, the record covers many of those oh-so-common issues that everybody faces but nobody really knows how to deal with, like falling in love, heartbreak, watching events and moments go by like cars on the highway and grieving the loss of different phases of life. Somehow, GIFT is able to do this, while simultaneously packaging the songs inside sleek and danceable instrumentals. As a result, Illuminator is the perfect album to soundtrack your life to, since it has the perfect answer in song form to almost any situation life can throw at you.

    Key Tracks: Light Runner, Later, Milestones

    In support of Illuminator, GIFT will embark on an international tour, including a hometown album release party at New York City’s Bowery Ballroom on September 20. Visit here to purchase tickets. See below for a full written list of GIFT’s tour dates.

    Gift Tour Dates

    Sept 13 – Troy, NY – No Fun (w. Fantasy Of A Broken Heart)

    Sept 14 – Boston, MA – Rockwell (w. Fantasy Of A Broken Heart)

    Sept 15 – Portland, ME – Oxbow Brewing (w. Fantasy Of A Broken Heart)

    Sept 17 – Burlington, VT – Higher Ground Showcase (w. Fantasy Of A Broken Heart)

    Sept 20 – New York, NY – Bowery Ballroom (w. Catcher, Public Circuit) Record Release Show

    Sept 21 – Philadelphia, PA – Milkboy(w. Catcher)

    Sept 22 – Washington, DC – DC9 (w. Catcher)

    Sept 25 – Chicago, IL – Schubas (w. Catcher)

    Oct 10 – Brighton, UK – The Hope & Ruin

    Oct 11 – London, UK – Moth Club

    Oct 12 – Manchester, UK – YES (Basement)

    Oct 14 – Birmingham, UK – Hare & Hounds

    Oct 15 – Nottingham, UK – Rescue Rooms (w. BODEGA)

    Oct 16 – Leeds, UK – Brudenell Social Club (w. BODEGA)

    Oct 17 – Glasgow, UK – Room 2 (w. BODEGA)

    Oct 18 – Newcastle upon Tyne, UK – The Cluny (w. BODEGA)

    Oct 19 – Cardiff, UK – SWN FEST

    Oct 21 – Cambridge, UK – Junction 2 (w. BODEGA)

    Oct 22 – Sheffield, UK – Crookes Social Club (w. BODEGA)

    Oct 23 – Bristol, UK – Lantern Hall (w. BODEGA)

    Oct 24 – London, UK – Earth Hall (w. BODEGA)

    Oct 26 – Amsterdam, NL – London Calling @ Paradiso (w. Chanel Beads, STRKFR, English Teacher)

    Oct 27 – Appeldorn, NL – De Gigant

    Nov 1 – Utrecht, NL – DB’s

    Nov 4 – Paris, FR – SuperSonic

    Nov 5 – Dijon, FR – Club La Vapeur

    Nov 6 – Nantes, FR – La Lune Froide

    Nov 7 – Lorient, FR – Les Indisciplinées (L’Hydrophone) (w. Corridor & Cucamaras)

    Nov 8 – Saint, Lô, FR – Les RDV Soniques Festival (Ateliers Arts Plumes)

  • Life Is a Carnival: Last Waltz Tour ‘24 To Stop in New York Five Times this Fall

    Continuing the tradition of capturing the excitement of The Band’s historic 1976 Thanksgiving concert at the Winterland Ballroom in San Francisco, Blackbird Presents has announced Life is a Carnival: Last Waltz Tour ‘24. A celebration of what many have hailed as the greatest live concert event of all time, this year’s tour will also celebrate the legacy of The Band’s co-founder, Robbie Robertson.

    Over forty-five years ago, The Band performed their final concert to a sold-out crowd with a who’s-who of music royalty in attendance. The evening culminated with “Don’t Do It,” The Band’s cover of Marvin Gaye’s “Baby Don’t You Do It.” After the last note, Robbie Robertson, The Bands’ lead guitarist, songwriter, and founding member, said, “Goodnight. Goodbye,” walking off stage, forever immortalizing this epic event.

    To adequately pay homage to The Band’s legendary performance, Life is a Carnival: Last Waltz Tour ‘24 will feature a star-studded lineup led by Ryan Bingham, Jamey Johnson, Mike Campbell, Benmont Tench (Tom Petty & The Heartbreakers), Don Was, John Medeski, Dave Malone, Terence Higgins, Cyril Neville, Mark Mullins and The Levee Horns (featuring the original horn arrangements of Allen Toussaint). Additionally, Lukas Nelson will be joining the tour for three special shows in Colorado. The multi-city tour will make a stop at the Beacon Theatre in New York on November 6 and The Capitol Theatre in Port Chester on November 7 and 8.

    “This band, made up of these artists, playing these songs, is what Don and I dreamed of when we began planning this tour. Now the dream is a reality. Do not miss these shows!” said Keith Wortman, creator and producer of The Last Waltz Tour franchise.

    A portion of the proceeds from the tour will be donated to local charities.

    Tickets go on sale Friday, August 16 at 10 a.m. Eastern Standard Time. For more details, visit The Last Waltz Tour’s website here. See below for all tour dates.

    The Band’s 1976 Thanksgiving concert at the Winterland Ballroom in San Francisco

    The Last Waltz Tour 2024 Dates & Locations

    Saturday, October 19 – The Warfield, San Francisco, CA

    Tuesday, October 22 – Revolution Concert House and Event Center, Boise, ID

    Thursday, October 24 – Mission Ballroom, Denver, CO

    Friday, October 25 – Boulder Theater, Boulder, CO

    Saturday, October 26 – Vilar Performing Arts Center, Beaver Creek, CO

    Tuesday, October 29 – Orpheum Theater, Omaha, NE

    Wednesday, October 30 – Coronado Theatre, Rockford, IL

    Friday, November 1 – The Louisville Palace, Louisville, KY

    Saturday, November 2 – Brady Music Center, Cincinnati, OH

    Monday, November 4 – Count Basie Center for the Arts, Red Bank, NJ

    Wednesday, November 6 – Beacon Theatre, New York, NY

    Thursday, November 7 – The Capitol Theatre, Port Chester, NY

    Friday, November 8 – The Capitol Theatre, Port Chester, NY

    Saturday, November 9 – The Met Philadelphia, Philadelphia, PA

    Tuesday, November 12 – Orpheum Theatre, Boston, MA

    Thursday, November 14 – Proctors, Schenectady, NY

    Friday, November 15 – Kodak Center, Rochester, NY

    Saturday, November 16 -Meridian Hall, Toronto, ON

  • Alt-Rock Stars, Cowboy Junkies, Kick-off US Tour With Stops in Buffalo and Geneva

    Country and folk rock band Cowboy Junkies has announced a new tour for the fall of 2024 that will begin with two stops in New York, one in Buffalo and the other in Geneva. The tour is in support of their most recent album, Such Ferocious Beauty, which is the band’s first release of new material in five years.

    Formed just over the border in Toronto, Cowboy Junkies have been actively making and performing music for almost 40 years. Comprised of bassist Alan Anton, songwriter/guitarist Michael Timmins, drummer Peter Timmins and vocalist Margo Timmins, the quartet has recorded a total of 16 live albums and five live albums. Moreover, with Michael, Peter and Margo all being siblings, the band’s many years of unwavering togetherness only makes sense.

    Cowboy Junkies’ first album, Whites Off Earth Now!!, in 1986, kicked off their careers and was then followed up in 1988 by the now-Platinum The Trinity Season. In a world where many bands chase whatever sounds are trending, the Junkies have stayed their course, maintaining the low-impact excavation of melody and evocative language that gave them so many fans in the first place.

    About Cowboy Junkies

    The band’s newest outing, Such Ferocious Beauty, is vintage Cowboy Junkies and another dimension from the lo-fi Canadian band comprised of, well, family. As a result the album is a tangle of sonic textures, ruminating on aging, losing parents, facing mortality and creating space for one’s life in the midst of the ruin that comes from merely living. “Mike has never shied away from the darker, harder and sometimes uglier realities of our human condition,” Margo Timmins explained of the band’s singular focus, “nor has he shied from its beauty. Thankfully, with one comes the other.”

    Michael Timmins, the oldest, is the chief architect, songwriter and guitarist, who works with Margo on sculpting the emotional planes and vocal performances before bringing in younger brother Peter on drums and lifelong friend Alan Anton on bass to create the soundscapes that have made Cowboy Junkies a band that defies categories. Alternative? Rock? Americana? Roots? Perhaps the answer is a simple “yes.” Hence, the churning beauty builds on all those things, evoking the best of a group that’s evolved over three and a half decades. Michael adds, “This record is connected to All That Reckoning. I see our recent work in a cycle: Reckoning, Ghosts and Such Ferocious Beauty. They were all done in very violent and tumultuous times. The violent side is so much a part of our society now—not just the physical, but the way we relate to each other. It’s hard to escape.”

    Photo Credit: Heather Pollock

    Inside The Band

    Whether drawing on a pop culture reference like a quote culled from Mike Tyson or mining Greek mythology, there’s an ease and fluidity to how Michael draws songs together. For the sinewy “Mike Tyson (Here It Comes),” he employs a high-plains spaghetti Western tension that marries a nervy acoustic strum and tympani rolls to a creeping bassline, while “Circe & Penelope” deploys a wheezy fiddle and an acoustic guitar with its strings more flicked than strummed.

    “I love the blunt reality of this song,” Margo offers. “I love the two women’s strength and realistic view of the situation. They have a great love for their men, but also this discontent. The image of these two women waiting for their men to return but getting on with the work that needs to be done and living their lives as strong women is truly empowering and reflects upon many of the women I know today.”

    “The expectations and responsibilities of what we all do—it’s a big part of this. We’re still amazed that we’re doing this, but the longer [we have], the more fun it’s become. We don’t take it for granted,” said Michael. “We do what we do,” Margo agrees, “and it feels right for all of us. After 30-plus years of playing together, the band and its music are more important to us than ever. The music we make brings each of us a great sense of contentment, a knowing of place and a sense of doing what we were meant to do.”

    To catch Cowboy Junkies on tour and watch them perform Such Ferocious Beauty, visit their website for tickets and information. Additionally, see below for a written list of the tour dates and locations.

    Tour Dates

    9/19/24 Buffalo, NY Asbury Hall

    9/20/24 Geneva, NY Smith Opera House

    9/22/24 Kent, OH The Kent Stage

    9/24/24 Detroit, MI Masonic Cathedral

    9/25/24 Kalamazoo, MI Kalamazoo State Theatre

    9/27/24 Madison, WI Barrymore Theatre

    9/28/24 Evanston, IL Cahn Auditorium

    9/30/24 & 10/1/24 Minneapolis, MN Dakota

    10/3/24 Des Moines, IA Hoyt Sherman Place

    10/4/24 Iowa City, IA Englert Theatre

    10/5/24 St. Louis, MO City Winery