Hailing from the UK, Wasia Project has quickly become one of the most exciting indie bands on the rise. The sibling duo Olivia Hardy and William Gao (along with drummer Luca Wade and bassist Tom Pacitti), fuse together jazz, classical, and indie pop, creating a sound that is as soothing as it is emotionally charged. With heartfelt lyrics and lush arrangements, the band has won over a dedicated fanbase both in the UK and overseas.
The Show
On Monday, Sept 30, night one in NYC of the “Isotope Tour” kicked offâ and it did not disappoint. The show began with an atmospheric interlude, “Isotope,” which set the mood for an introspective and emotional night. Wasia Project then launched into “My Lover Is Sleeping”, immediately captivating the crowd with Olivia’s dreamy, tender vocals. The audience was buzzing, absorbing every word, as the band poured their hearts out on stage.
A key standout moment was “Petals on the Moon,” which had the entire venue jamming to William’s piano solo. The duo’s chemistry on stage is undeniable, and their shared musical bond radiated through every track, but especially on “Burning Eyes Are Calling” and “How Can I Pretend,” where Olivia’s emotive voice soared over William’s intricate piano melodies.
“U R So Pretty” was an emotional high point in the set, with its delicate lyrics and vulnerability. The song had the crowd cheering, resonating deeply with everyone in the room. The night’s energy took a shift with “My Vine” and “Cover,” with Olivia’s vocals floating effortlessly over lush instrumentals.
The band’s raw emotion, combined with their experimental soundscapes, made for a captivating debut performance in New York City. If you missed them this time, be sure to catch Wasia Project soon âthey’re just getting started, and their future looks incredibly bright.
Setlist: Isotope (Interlude Intro), Is This What Love Is, My Lover Is Sleeping, U Deserve, Petals on the Moon, How can I pretend, Burning Eyes Are Calling, Takes Me Back Home, Remember When, U R So Pretty, My Vine, Cover, To Get Better, Somebody Come Through, Tell Me Lies
New Hope Club, the British trio comprised of George Smith, Blake Richardson, and Reece Bibby, have been charming fans worldwide since 2015. Their infectious guitar-driven pop and catchy choruses quickly made them standouts in the pop music scene. Their 2020 self-titled debut album solidified their status, with hits that have defined their sound and energized audiences everywhere.
Now, they’re back with new music, including their latest single “Trouble in Paradise,” which is out now, with more music on the horizon.
New Hope Club at Baby’s All Right by: Yisroel Teitelbaum (@thebigpic.inc)
Beyond music, Richardson is gearing up to play a young Paul McCartney in the highly anticipated Beatles biopic, Midas Man.
Richardson’s casting has fans buzzing with excitement, eager to see how he continues expanding his creative reach.
The Show
On a warm night, New Hope Club took the stage at Baby’s All Right, turning the intimate venue into a buzzing cauldron of energy. This show gave NY fans an intimate, up-close experience with the trio in one of the city’s coziest venues.
As soon as the band hit the stage, the atmosphere was electric. They opened the night with the crowd favorite “Worse,” instantly igniting the room. The trio’s tight harmonies and infectious energy had the crowd dancing, singing, and smiling from the first note.
Throughout the night, the band treated fans to a mix of their biggest hits and some sneak peeks of what’s to come. They performed their newest track “Trouble in Paradise,” and the crowd responded with in an excited frenzy. The song, packed with their upbeat rhythms and smooth vocals, was an instant hit and gave a taste of the new, New Hope Club.
Richardson, with his effortless charisma, led the crowd through the set. The crowd interaction made the show feel intimate and personal, the boys exuding a chemistry that can only come from years of friendship and performing together.
A highlight was “Who Do You Think You Are?” where their vocal harmonies captivated the crowd, swaying together. The boys performed “Let Me Down Slow,” prompting the crowd to join in a massive singalong that echoed throughout the room.
Closing the night with the explosive “Permission,” New Hope Club left Baby’s All Right on a high note. As the band waved goodbye, the crowd chanted for an encore, not quite ready for the night to end.
New Hope Club proved from start to finish why they’re one of the most exciting young bands today. Their blend of charm, talent, and crowd interaction created a memorable night for everyone in attendance.
Looking to the Future
For those who missed the magic at Baby’s, make sure to catch them next time they’re in NYC. With new music and a movie debut ahead, the band’s future success promises to be even bigger. Don’t miss out!
Wallows, the Los Angeles-based indie rock trio, has been captivating audiences since their formation in 2017. Made of Braeden Lemasters, Dylan Minnette, and Cole Preston, Wallows boasts a signature blend of nostalgic 90s alt-rock and modern indie-pop. Over time, they’ve consistently delivered infectious hits that have earned them both critical acclaim and a dedicated fanbase.
Their live performances are where Wallows truly shine. Known for their electric energy and dynamic stage presence, each member of the band brings something unique to the table. Their individual contributions combine to create a show that is both sonically and visually captivating. Their shows are more than just concerts—they are experiences that leave fans with lasting memories.
The Show
Wallows’ show at The Mann in Philadelphia was spectacular, showcasing the band’s growth and their connection with their audience. They created memorable moments throughout the evening, making it a night that Philly fans won’t forget.
As the show kicked off, Wallows took to the main stage with “Do Not Wait,” immediately drawing the crowd in. Braeden kept the crowd engaged throughout the night, seamlessly transitioning from talking about Philly’s national treasures to introducing “Quarterback” by joking, “If Benjamin Franklin was alive right now, I think he’d be into football. Speaking of football…” Cole then took over on vocals, and the crowd was loving every minute.
The Mann, with its expansive and almost boat-like feel (as noted by Cole), provided the perfect backdrop for Wallows’ dynamic setlist. From fan favorites like “Scrawny” and “These Days” to deeper cuts like “Drunk on Halloween,” the band delivered a performance that had the audience singing along and dancing throughout the night. One of the standout moments of the night was when Dylan made his way through the crowd during “She’s an Actress,” holding hands with fans and bringing an extra layer of intimacy to the show.
The guys surprised the crowd on the B-Stage by performing “Ground,” a song they hadn’t played on the Model Tour until now. They followed this with a haunting rendition of “Drunk on Halloween,” which further cemented the band’s ability to captivate their audience with both their sound and their presence.
As the band transitioned back to the main stage, they brought the night to a close with a powerful sequence of songs, including “Worlds Apart,” during which Braeden made his way back through the crowd, and the crowd-favorite “Are You Bored Yet?” The energy in the venue was palpable, with fans singing every word and savoring every moment.
Looking Forward
If you missed Wallows on this tour , don’t worry—you can catch them when they’re in New York. Their live shows are an unforgettable experience, and this band is only getting better with time. Catch them live, and be prepared for a night full of incredible music, memorable interactions, and an atmosphere that will stay with you long after the last note has been played.
Setlist:
Main Stage Do Not Wait, Your Apartment, [Anytime, Always], Scrawny, Don’t You Think It’s Strange, Quarterback, Bad Dream, These Days, You (Show Me Where My Days Went), At the End of the Day, Just Like a Movie, A Warning, Uncomfortable, She’s an Actress
B Stage Pictures of Girls, Ground (Tour debut), Drunk on Halloween Main Stage Worlds Apart, Pleaser, Calling After Me, Remember When, I Don’t Want to Talk, Are You Bored Yet?
Article photos by Emma Wannie, Gallery photos by Chloe Dugord
DIIV, a beloved band from Brooklyn, has once again captured the hearts of fans with their latest album, Frog in Boiling Water. This record showcases a band that has truly evolved while staying true to their atmospheric roots. The album and its singles—such as “Brown Paper Bag,”—have been met with widespread fan acclaim.
Frog in Boiling Water is more than just a collection of songs; it’s a testament to DIIV’s perseverance and growth. The album’s creation was a four-year odyssey that nearly pushed the band to its limits. With a desire to push their sound to new frontiers, DIIV embarked on an ambitious journey, navigating their own relationships and the pressures of the music industry. Fraying friendships, financial strains, and creative differences marked the process, but the band emerged from this chaos with an album that dives deep into new lyrical and musical territories.
The result is a record that is as gorgeous as it is haunted. Frog in Boiling Water balances powerful rhythms inspired by post-industrial sounds, creating a sound that is both mighty and ethereal. It’s a mesmeric reflection on endurance, capturing the essence of existing.
If you missed DIIV at their most recent homecoming show at Brooklyn Paramount, make sure to catch them live the next time they’re in New York. With each performance, DIIV not only solidifies their place in the indie music scene but also redefines what it means to create immersive, emotional art.
Lunar Vacation is the musical embodiment of a summer daydream. Hailing from Georgia, this indie rock quintet is made up of five lifelong friends. Their debut album, Inside Every Fig Is a Dead Wasp, was a gentle introduction to their hazy, feel-good vibe. But now, with their upcoming sophomore album Everything Matters, Everything’s Fire, they’re ready to turn up the volume and the feels.
The Show
When Lunar Vacation hit the stage at Brooklyn Steel on August 1, they weren’t just there to warm up the crowd—they were there to make sure everyone was floating on cloud nine before Vacations started their set. Starting with “Set the Stage,” they did just that. The track was like the musical equivalent of opening a window on a perfect summer day, inviting everyone to lean in and soak up the goodness.
As they transitioned into “Cutting Corners,” you could feel the energy in the room amp up. The sharp guitar riffs sliced through the Brooklyn air, locking the band into a groove that had the crowd swaying and grinning. “Unlucky” blended sadness and hope, captivating the audience with its lyrical contrast.
By the time they hit the final notes of “Tom,” the crowd was fully under their spell. The song ended the set with a burst of energy, leaving everyone feeling like they’d shared something truly special.
Lunar Vacation, with sunny tunes and deep lyrics, navigated the stage with confidence. And with Everything Matters, Everything’s Fire on the horizon, it’s clear this band is only just beginning to light up the indie music scene.
Setlist: Set the Stage, Cutting Corners, Unlucky, Monterey, Tom
San Diego’s very own almost monday is an electrifying trio making waves in the alt pop scene. Comprised of the ever-charismatic lead vocalist Dawson Daugherty, guitarist Cole Clisby, and bassist Luke Fabry, the guys have perfected the art of blending surf rock, indie pop, and 80s new wave into a sound that’s as catchy as it is unique.
Since dropping their debut EP don’t say you’re ordinary, almost monday has been on an unstoppable ascent. Their music captures the essence of youthful exuberance, heartbreak, and the rollercoaster of life, all wrapped in upbeat, danceable tunes.
almost monday rocked Madison Square Garden on July 27th as they opened for AJR. Dawson, wearing an “I ❤️ NY” shirt, set a high-energy tone for the night.
The set started off with “is it too late?”, immediately grabbing the crowd’s attention with an upbeat rhythm. Dawson’s boundless energy was on full display as he bounded across the stage, throwing in some impressive martial arts kicks and slices at the climax of each song. The fans couldn’t get enough, cheering louder with each jump.
Following up with “cough drops” and “can’t slow down,” the band kept the momentum going, and the energy in the room only grew. The highlight came during “tidal wave,” when the anthemic chorus had the entire audience singing along, their voices echoing through the legendary arena.
With “sunburn” and “only wanna dance,” the band showcased their talent for crafting feel-good tunes that make you move. The chemistry between Dawson, Cole, and Luke was undeniable. Their playful stage interactions added extra charm to their performance. “sun keeps on shining” had a perfect summer vibe, bringing a touch of their sunny Californian roots to New York City.
Closing with “life goes by,” almost monday left everyone on a high note. The crowd’s response was nothing short of enthusiastic, with cheers and applause ringing out long after the final chord. It was clear that almost monday had won over many new fans that night.
Their dynamic performance, featuring Dawson’s karate kicks and infectious tunes, left everyone smiling and with a new favorite band.
almost monday isn’t just a band to watch; they’re a band you can’t afford to miss.
Setlist: is it too late?, cough drops, can’t slow down, tidal wave, sunburn, only wanna dance, sun keeps on shining, life goes by
Meet Little Stranger: an eclectic musical duo hailing from Charleston, South Carolina, originally rooted in the vibrant city of Philadelphia. The band is known for their unique blend of indie rap pop, infusing funky distorted guitar riffs with soulful trumpet and saxophone melodies. Their dynamic sound and playful stage presence have captivated audiences across the country, establishing them as a notable act in the contemporary music scene.
When it comes to genre-blending and innovative soundscapes, Little Stranger stands out as a trailblazer in the indie music world. The Charleston-based duo, originally from Philadelphia, has carved a niche for themselves with their eclectic mix of indie rap pop, a fusion that combines the raw energy of hip-hop with the melodic charm of indie pop and the vibrancy of live instruments.
Roots and Formation
Little Stranger is the brainchild of John and Kevin Shields (no relation), two musicians whose artistic synergy has led to the creation of a distinctive sound that defies conventional genre boundaries. Their journey began in Philadelphia, where they honed their craft and developed a unique musical identity before moving to Charleston. The relocation infused their music with a fresh perspective, adding layers of Southern charm to their already dynamic style.
The hallmark of Little Stranger’s music is its infectious energy and playful spirit. Their songs often feature funky distorted guitar riffs, complemented by trumpet and saxophone backups that add a soulful touch to their sound. Tracks like “Coffee & a Joint” resonate deeply with their audience, offering relatable themes wrapped in catchy melodies. Their music is not only aural but also visual, with their live performances characterized by vibrant, playful antics and an engaging stage presence.
New Single and Upcoming Album
The duo recently released their new single “Sofia” off their upcoming album Sat Around Trippin, set to be released on June 28. “Sofia” is a groovy track that deals with a breakup in typical Little Stranger fashion, featuring quick-witted lyrics that poke fun at both their ex and themselves. The song’s playful yet introspective tone perfectly encapsulates the band’s unique approach to songwriting.
Little Stranger’s live shows are a testament to their reputation as performers who know how to entertain and connect with their audience. At events like the Governors Ball, they have wowed crowds with their high-energy sets and whimsical stage antics. Kevin’s humorous quips, such as “everything’s legal so you can do whatever you want today” and playful banter about the attractiveness of the crowd, create an atmosphere of inclusivity and fun.
Headline Tour
Adding to their excitement, Little Stranger is embarking on a headline tour that includes stops at Brooklyn Bowl in Williamsburg and Buffalo Iron Works in Buffalo. This tour promises to bring their energetic performances and distinctive sound to a wider audience, further solidifying their presence in the music scene.
Looking to the Future
With a growing fanbase and a string of successful performances, including their recent set at Governors Bal 2024, Little Stranger is poised to continue their ascent in the music world. Their commitment to innovation and their ability to blend genres seamlessly ensures that they remain at the forefront of the indie music scene.
In a musical landscape often dominated by mainstream sounds, Little Stranger brings a refreshing change with their indie rap pop fusion, proving that creativity and originality still have a significant place in the industry. As they continue to evolve and push the boundaries of their sound, fans can look forward to more exciting music and unforgettable live performances from this dynamic duo.
Dreamer Boy is the alter ego of Zach Taylor, a rising star in the indie pop scene known for his dreamy soundscapes and heartfelt lyrics. Hailing from Nashville, Tennessee, Dreamer Boy blends elements of lo-fi pop, bedroom pop, and indie rock to create a unique musical experience that resonates with listeners across various genres. His music often explores themes of love, self-discovery, and nostalgia, wrapped in lush, atmospheric production.
Dreamer Boy released his debut album Love, Nostalgia in 2018, receiving praise for its introspective lyrics and innovative sound. Following this, he released All the Ways We Are Together in 2021, further establishing his presence in the indie music world. Dreamer Boy’s ability to craft emotionally resonant songs with a laid-back vibe has earned him a dedicated fan base and critical acclaim.
Dreamer Boy’s performance at Baby’s All Right in Brooklyn on June 11th was nothing short of magical, marking his triumphant return to New York City with a late-night show that left the audience enchanted and wanting more.
Eager fans filled the intimate venue to capacity, creating an electric atmosphere that perfectly set the stage for Dreamer Boy’s unique blend of indie pop. As the lights dimmed and the first notes filled the room, Zach Taylor, adorned in a painted clown face with a giant star over his eye, cowboy hat, and cowboy boots, took the stage with an infectious energy.
A Cowboy’s Charm
One of the most endearing aspects of Dreamer Boy’s performance was his playful and carefree demeanor. Throughout the night, he delighted the crowd with goofy little dance moves, his cowboy boots adding a whimsical touch to his already charming stage presence. His lightheartedness was contagious, and the audience couldn’t help but smile and dance along with him.
Audience Participation
Dreamer Boy’s interaction with the audience was a highlight of the night. He exclaimed early in the set, “We made it to the big city!” which the crowd met with enthusiastic cheers. His genuine excitement and gratitude for being in New York City were palpable, adding a layer of authenticity to his performance.
At one point, he playfully asked the crowd, “Can I get a yeehaw?” The audience responded with a resounding “Yeehaw!” that echoed through the venue, solidifying the bond between the artist and his fans. Later in the night, he expressed his appreciation by saying, “Thanks for having us yâall, this is too fun, this is too fun,” capturing the joyous spirit of the evening.
Dreamer Boy’s setlist for the night included a mix of fan favorites and newer tracks, each performed with an emotional depth that drew the audience in. His vocals, layered over dreamy instrumentals, created a sonic landscape that transported listeners to a place of introspection and bliss. Songs like “Falling for the Wrong One” and “Crybaby” showcased his lyrical prowess and ability to connect with the audience on a personal level.
The intimate venue allowed a close connection between Dreamer Boy and his fans, making the performance feel shared. Dreamy visuals and ambient lighting enhanced the show’s ethereal vibe, creating a captivating atmosphere that perfectly complemented his music.
Dreamer Boy’s show at Baby’s All Right showcased his growth as an artist. His playful personality and engaging presence stood out. Heartfelt music and fun moments made the performance emotionally resonant. As he rises in indie music, Dreamer Boy’s unique sound and genuine audience connection shine. Fans left the venue smiling and with hearts full of his dreamy melodies. They eagerly anticipate his next visit to the big city.
Melanie Martinez’s return to New York City on June 5th for her Trilogy Tour at Madison Square Garden (Night One) marked a significant moment for the artist and her fans. Following her memorable performance at Radio City Music Hall last year, Melanie once again captivated her audience with a meticulously crafted show that highlighted her evolution as an artist.
As a native New Yorker, she played to a packed arena filled with passionate fans of all genders and ages; a true testament to her enduring appeal and artistic vision.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Melanie Martinez: An Album Retrospective
Martinez’s Trilogy Tour followed her journey as an artist through her 3 existing albums: Crybaby, K-12, and Portals. Her debut studio album, Cry Baby, was released in 2015. It was a concept album that told the story of a character named Cry Baby through whimsical yet dark songs.
Her sophomore album, K-12, released in 2019. This continued the story ofCry Babywith a corresponding feature film; showcasing Melanie’s talents not just as a musician but also as a filmmaker and storyteller.
In 2022, Portals explored themes of rebirth and transformation, marked by an ethereal and otherworldly aesthetic. Known for her theatrical live performances, Melanie’s concerts are immersive experiences that blend music, visual art, and storytelling.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Album 1: Crybaby
The concert began with a bang as Melanie appeared on an elevated platform for “Crybaby,” dressed in a pink cotton dress surrounded by dancers in bunny ears and “crybaby” costumes. The stage backdrop featured cradle imagery, setting the tone for the whimsical and dark narrative that defines the Crybaby album. Fans dressed in elf ears, dresses, and bows screamed in delight as the platform gradually lowered, seamlessly transitioning into “Doll House.” Here, Melanie and her dancers performed a doll-like choreography, with expressive movements that visually spelled out “d-o-l-l-h-o-u-s-e.”
The attention to detail continued with “Sippy Cup,” where her dress swayed to the beat as she reached the main stage. The show maintained its high energy with “Carousel,” featuring a two-headed rabbit carousel and pyrotechnics that mirrored the burning carousel imagery. For “Alphabet Boy,” Melanie rose on a platform stylized as alphabet blocks. During “Soap,” actual bubbles filled the stage, enchanting the audience.
“Pity Party” brought inflatable candles to the stage, with heart-shaped balloons falling from the ceiling during the song’s climax. Melanie’s playful use of a pink axe added a dramatic flair, much to the crowd’s delight. The first album segment concluded with “Play Date” and “Mad Hatter,” with Melanie disappearing in a cloud of smoke.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Album 2: K-12
Transitioning into the K-12 segment, the stage transformed into a school bus that landed in front of a school backdrop, revealing Melanie in her schoolgirl costume. The nostalgic “Wheels on the Bus” set the stage for the school-themed songs, including “Class Fight,” where Melanie and a dancer balanced on a seesaw.
“Show and Tell” saw Melanie as a marionette, complete with ribbons tied to her wrists, which she dramatically broke free from at the song’s end. The theatricality continued with “Nurses Office,” where Melanie was wheeled out on a gurney by dancers dressed as nurses. “Strawberry Shortcake” featured Melanie on a platform stylized as a strawberry shortcake, glowing ethereally.
“Lunchbox Friends” depicted a narrative acted out by dancers, while “Teacherâs Pet” was a solo performance with Melanie emerging from a desk, rolling on the ground, and utilizing fire pyrotechnics. “High School Sweethearts” featured dancers parading with lit-up sweetheart candies bearing cheeky messages, culminating with Melanie being “shot” by a cupid’s arrow on screen and lowered beneath the stage.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Album 3: Portals
The final segment, focusing on the Portals album, began with “DEATH,” aligning with the theme of rebirth. Melanie appeared in a floral, earthy dress with a fairy/alien mask, surrounded by dancers in minimalist forest nymph attire. The stage transformed into a cemetery, complete with giant headstones and a gate opening on the screen.
In “VOID,” Melanie danced with her mask on against a backdrop of a wispy black void. “TUNNEL VISION” featured a light ring that followed her, creating a mesmerizing effect. “FAERIE SOIREE” brought inflatable mushrooms to the stage, while “LIGHT SHOWER” had Melanie sitting on a giant slug prop, twirling gracefully.
“SPIDER WEB” saw Melanie donning wings on a platform, accompanied by a dancer in a fly costume, portraying a passionate young fan. “BATTLE OF THE LARYNX” was a dramatic solo performance where Melanie wielded a sword against a dragon on screen, complete with intense fire pyrotechnics.
Melanie Martinez 6/5/2024. Photo by Emma Goldschmidt
Night One of Melanie Martinezâs Madison Square Garden run was a spectacular blend of music, theatrics, and storytelling. Each song was a meticulously crafted experience, demonstrating Melanieâs unparalleled attention to detail and artistic integrity. From her set designs and elaborate costumes to her dynamic choreography and powerful vocals, Melanie proved why she remains a trailblazer in the music industry. Her return to New York was nothing short of triumphant, leaving fans eagerly anticipating what she will create next.
The All Things Go music festival is making its NYC debut in 2024, adding to its already impressive legacy with an inaugural event at Forest Hills Stadium. Taking place on September 28th – 29th, this marks the festival’s expansion beyond its DC-area roots, where it will celebrate its 10th anniversary.
Stellar Lineup for All Things Go NYC
Headlining this year’s New York lineup are powerhouse performers Reneé Rapp, Janelle Monáe, Chappell Roan, MUNA, Ethel Cain, and Julien Baker. The festival continues its tradition of showcasing a diverse and inclusive range of artists, with performances from Holly Humberstone, Del Water Gap, Towa Bird, and more. This female and non-binary-focused lineup underscores All Things Go’s commitment to fostering diverse and inclusive spaces within the music community.
boygenius 2023
A Festival for the Forward-Thinking
All Things Go has always been more than just a music festival. Since founding in 2011 in Washington, DC, it has dedicated itself to creating forward-thinking digital and live music experiences. The festival has collaborated with a slew of innovative artists, including Billie Eilish, boygenius, Lana Del Rey, Lorde, Mitski, HAIM, Janelle Monáe, Charli XCX, MUNA, Lizzy McAlpine, Carly Rae Jepsen, Bleachers, and Tove Lo, among others.
Lana Del Ray 2023
A Celebration of Inclusivity and Community
All Things Go has cultivated a renowned community of devoted fans who embrace inclusivity and diversity, embodying the festival’s ethos. This spirit of community and celebration of underrepresented voices has earned the festival accolades and recognition over its 10 year history.
Maggie Rogers 2023
Tickets and More
For eager fans looking to secure their spots, tickets for the New York edition of All Things Go will go on sale on Friday, June 14th, at 10 AM ET. Purchase tickets through the festival’s official website at allthingsgofestival.com. Given the festival’s history of rapid sell-outs and the stellar lineup, we highly recommend early ticket purchases.
Muna 2023
As All Things Go prepares to launch its first New York festival, anticipation is high for what promises to be an unforgettable weekend. With a lineup featuring both heavy-hitters and emerging talents, and a continued commitment to creating inclusive and forward-thinking music experiences, All Things Go NYC is set to become a staple in the city’s vibrant festival scene. Stay tuned to your favorite music news sources for more updates and get ready to be part of music history this September at Forest Hills Stadium.
