{"id":343,"date":"2023-02-23T14:34:00","date_gmt":"2023-02-23T14:34:00","guid":{"rendered":"https:\/\/dev.nysmusic.com\/2023\/2023\/02\/23\/hearing-aide-tomer-cohen-showcases-original-approach-to-jazz-guitar-with-debut-not-the-same-river\/"},"modified":"2023-02-23T14:34:00","modified_gmt":"2023-02-23T14:34:00","slug":"hearing-aide-tomer-cohen-showcases-original-approach-to-jazz-guitar-with-debut-not-the-same-river","status":"publish","type":"post","link":"https:\/\/dev.nysmusic.com\/2023\/2023\/02\/23\/hearing-aide-tomer-cohen-showcases-original-approach-to-jazz-guitar-with-debut-not-the-same-river\/","title":{"rendered":"Hearing Aide:\u00a0Tomer Cohen Showcases Original Approach to Jazz Guitar with Debut\u00a0&#8220;Not the Same River&#8221;"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">A recent import to New York\u2019s forever evolving jazz scene, 25-year-old guitarist-composer\u00a0<a href=\"https:\/\/www.tomercohenmusic.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Tomer Cohen\u00a0<\/a>notches a notable debut with his album,\u00a0<em>Not the Same River<\/em>\u00a0(Hypnote Records).\u00a0 It\u2019s a collection that showcases not only an originality of compositional approach, but a distinctive, fingerstyle and folk shaded playing technique that could one day launch him into the upper reaches of the jazz guitar strata.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/02\/Tomer_Cohen_cover_sm-768x768.jpg\" alt=\"cohen tomer not the same river\" class=\"wp-image-449494\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The album title, Cohen explains in the press release, relates to an expression by the Greek philosopher Heraclitus:&nbsp;<em>No man ever steps in the same river twice, for it<\/em>\u2019<em>s not the same river and he<\/em>\u2019<em>s not the same man.<\/em>&nbsp;\u201cThat\u2019s the sentence that encompasses all the compositions on the album,\u201d Cohen said. \u201cWe are constantly in motion, we\u2019re always changing, and we just need to accept that.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cohen demonstrates his unique fingerstyle-and-pick technique on eight thoughtful compositions reflecting his pastoral upbringing, from age 4 to 21, on a kibbutz in Israel. \u201cThe kibbutz is located in the countryside and has a strong sense of community,\u201d he recalled. \u201cI used to play outside with my guitar, watching the fields and the blue sky. I believe some of that vibe is reflected in some of the tunes on this record.\u201d\u00a0 The guitarist is expertly accompanied on this varied collection by the fluid drumming of\u00a0Obed Calvaire\u00a0(a current member of the <a href=\"https:\/\/nysmusic.com\/site\/2023\/01\/18\/new-and-veteran-world-music-stars-light-up-globalfest-2023-at-lincoln-center\/\">Jazz at Lincoln Center Orchestra<\/a> with <a href=\"https:\/\/nysmusic.com\/site\/2022\/02\/17\/45th-annual-freihofers-jazz-festival-returns-to-spac-june-25th-and-26th-with-wynton-marsalis-booker-t-and-many-more\/\">Wynton Marsalis<\/a>) and the rootsy grooves and frequent soloing of bassist\u00a0Matt Penman\u00a0(formerly with the SFJAZZ Collective).<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tomer Cohen - Probably More than Two\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/jjiHEhYdL64?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Critics have made smart comparisons of Cohen to players like Pat Metheny and Bill Frisell, influences acknowledged by the guitarist, but I may hear even more of the late, great&nbsp;<a href=\"https:\/\/jazztimes.com\/features\/tributes-and-obituaries\/mick-goodrick-1945-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\">Mick Goodrick<\/a>&nbsp;in his style.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For those not in the know, though Goodrick recorded with the likes of Gary Burton, Jim Hall, Charlie Haden and many more, he may be better known as the Berklee School of Music educator who nurtured Frisell, John Scofield, Mike Stern, Julian Lage and many more of today\u2019s leading jazz guitarists.\u00a0 Goodrick also authored a key educational primer for practicing guitarists, jazz and otherwise,\u00a0<a href=\"https:\/\/www.amazon.com\/Advancing-Guitarist-Mick-Goodrick\/dp\/0881885894\" target=\"_blank\" rel=\"noreferrer noopener\">The Advancing Guitarist<\/a>. Like Goodrick, young Cohen is quickly becoming a master of subtly weaving chords and melody, and in serving up expected harmonic turns in his solos and compositions.\u00a0 Collectively, his trio are musicians who are doing some serious listening as they play, err more appropriately interplay. There\u2019s nothing rote or cliched to be found in these grooves, which are expertly recorded and mastered.\u00a0 It\u2019s a music of the mind that never sacrifices the passion and soulfulness.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/02\/Tomer-New-York-4-by-Liri-Agami-768x511.jpeg\" alt=\"cohen tomer not the same river\" class=\"wp-image-449496\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Cohen\u2019s unique technique is apparent right from the album opener, the title track, \u201cNot the Same River.\u201d There\u2019s a boatload of Metheny\u2019s \u201cAs Wichita Falls\u201d to be found in this pastoral composition and in the appropriately titled \u201cPastures.\u201d The latter is a more energetic number fueled by some knotty single note soloing from the guitarist and one of bassist Penman\u2019s many solos of the album. Penman also stands out on \u201cFirst Lap.\u201d He kicks this off with an unaccompanied solo before its moves into a chill melody and chordal workout from Cohen. Drummer Calvaire steals the show with a thundering solo on both the opening and the outro of \u201cConnecting the Dots.\u201d&nbsp; Calvaire again gets the chance to show his range and power, and Cohen his remarkable chops as a technician and composer, on my favorite track on the album, the time-shifting, melodically tricky \u201cProbably More Than Two.\u201d&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">With his fingerpicked chord and melody stylings, it would be interesting to hear Cohen record an unaccompanied solo disc.\u00a0 We get a taste of what that might sound like when his rhythm section drops out for a time in the middle of \u201cEmpty?\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Not the Same River\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1NRUEMGnuWHmlhZrQQpt0W?utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>A recent import to New York\u2019s forever evolving jazz scene, 25-year-old guitarist-composer\u00a0Tomer Cohen\u00a0notches a notable debut with his album,\u00a0Not the Same River\u00a0(Hypnote Records).\u00a0 It\u2019s a collection that showcases not only an originality of compositional approach, but a distinctive, fingerstyle and folk shaded playing technique that could one day launch him into the upper reaches of [&hellip;]<\/p>\n","protected":false},"author":402,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[152,52,2,12,14,6,3],"tags":[893],"class_list":["post-343","post","type-post","status-publish","format-standard","hentry","category-album-reviews","category-blues-jazz","category-features","category-genres","category-nyc-metro","category-regions","category-reviews","tag-tomer-cohen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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