{"id":1469,"date":"2023-08-24T16:00:00","date_gmt":"2023-08-24T16:00:00","guid":{"rendered":"https:\/\/dev.nysmusic.com\/2023\/2023\/08\/24\/john-cale-brings-new-energy-to-classics-at-celebrate-brooklyn\/"},"modified":"2023-08-24T16:00:00","modified_gmt":"2023-08-24T16:00:00","slug":"john-cale-brings-new-energy-to-classics-at-celebrate-brooklyn","status":"publish","type":"post","link":"https:\/\/dev.nysmusic.com\/2023\/2023\/08\/24\/john-cale-brings-new-energy-to-classics-at-celebrate-brooklyn\/","title":{"rendered":"John Cale Brings New Energy to Classics at Celebrate Brooklyn!"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">John Cale, one of the true OGs of the international art rock underground, gave a masterclass in performance and reinvention before a packed house at <a href=\"https:\/\/www.bricartsmedia.org\/bric-celebrate-brooklyn-festival\">BRIC Celebrate Brooklyn! Festival <\/a>in Prospect Park on August 19.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-5-768x1010.jpg\" alt=\"\" class=\"wp-image-476346\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">At 81, Cale is still a striking and potent musical force, a true creator who is forever seeking new artistic horizons. He\u2019s a man whose catalog has spanned everything from the proto-punk of the Velvet Underground to classical minimalism, gorgeous orch-pop balladry, the fiercest (and drunkenly deranged) hard rock rants to, on his first new studio album in a decade&nbsp;<em>Mercy<\/em>, shades of beat-driven hallucinatory electronica and experimental pop.&nbsp; This new collection finds the adventurous Welshman in the company of youthful collaborators like Weyes Blood, Laurel Halo, Sylvan Esso and Actress.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Belying his age, Cale was a most commanding force on stage \u2013 in fine voice, a sharp black Italian suit and dramatically spikey white hair, playing both keys and guitar for a 14-song, career-spanning set.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-13-768x576.jpg\" alt=\"\" class=\"wp-image-476354\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In a nod to his new album, many of the songs were kicked off with a rhythm machine like \u201cMoonstruck (Nico\u2019s Song),\u201d his tribute to the Velvet Underground chanteuse whose best solo albums, like 1968\u2019s&nbsp;<em>The Marble Ind<\/em>ex, Cale produced.&nbsp; Another standout from the new album is \u201cNight Crawling,\u201d the first single which recalls his adventures with pal David Bowie in the New York City downtown of the 1970s.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Two of the most interesting and atmospheric numbers were \u201cRose Garden of Future Sores\u201d and \u201cHalf Past France.\u201d\u00a0 Both featured orchestral backgrounds, disorienting chords and spacey electronic effects.\u00a0 The latter was a 180-degree spins on one of the serene ballads from Cale\u2019s acclaimed 1973 orch-pop masterpiece,\u00a0<em>Paris 1919<\/em>.\u00a0 Its calm was transformed into a sinister ambient Krautrock noise nightmare.\u00a0 Its queasy string drone foundation was punctuated with bowed electric bass and an eerily harmonizer-effected vocal on the outro line: \u201cWe\u2019re so far away, floating into space.\u201d\u00a0 The same sonics were present for his funereal take on Elvis\u2019 \u201cHeartbreak Hotel,\u201d a highlight from his 1975 album,\u00a0<em>Slow Dazzle<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-10-768x1024.jpg\" alt=\"\" class=\"wp-image-476351\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Sonic dread never sounded so good.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cale picked up the guitar and rocked strong and hard on old favorites like \u201cGuts,\u201d \u201cHelen of Troy\u201d and \u201cCable Hogue.\u201d&nbsp; He returned to the keys to revisit a Velvet Underground staple to the delight of the crowd,&nbsp; Lou Reed\u2019s junkie opus, \u201cI\u2019m Waiting for the Man.\u201d&nbsp; Here, he perhaps deferred to the P.C. police by injecting the line \u201cHey buddy\u201d for Lou\u2019s \u201cHey White Boy.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Another fantastic rearrangement was in store with another\u00a0<em>Paris 1919<\/em>\u00a0ballad, \u201cHanky Panky Nohow.\u201d\u00a0 Cale and his wonderfully tasty three-piece backing band made this already gorgeous song even more beautiful and relaxed \u2013 with a rhythm machine underpinning, a glacial pacing and an added sample of an operatic soprano female soloing on the song\u2019s long coda.\u00a0 This and all tracks performed were complemented with video projections that made their atmospheric sounds even more so.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-14-768x576.jpg\" alt=\"\" class=\"wp-image-476355\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Cale\u2019s set concluded with a raucous version of \u201cBarracuda,\u201d another punchy rocker from his album&nbsp;<em>Fear<\/em>&nbsp;featuring some very fine psychobilly guitar soloing.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The surprise of the evening was the set by the show opener Tomberlin, the nom de sound of contemporary folk artist\/singer-songwriter Sarah Beth Tomberlin.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Now living and working out of Brooklyn, this Kentucky-born performer played a well-paced set of gentle tunes from her two Saddle Creek Records\u2019 albums, the most recent of which, 2022\u2019s\u00a0<em>I Don\u2019t Know Who Needs to Hear This\u2026,<\/em>\u00a0was recorded a few blocks away from Prospect Park at Figure 8 Studios.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-7-768x1024.jpg\" alt=\"\" class=\"wp-image-476348\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Tomberlin is a confident performer with the kind of droll between song banter that easily won over the crowd, one that was surely there, in very large part, to catch a glimpse of Cale.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The most striking element is her voice.&nbsp; It has both a breathy quality that reminds me of another buzzworthy young performer, Snail Mail, and all power and range needed to bring across one of her dramatic lyrical twists. Her three-piece backing band provided sensitive accompaniment to all her songs, many that we\u2019re mere whisps.&nbsp; Airy Frisell-like guitaring, lots of shimmering brush work on the drums and lush yet minimalist keys perfectly adorned her intimate story songs and their poetic lyrical turns.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Standout tracks in her set were the evocative \u201cSunstruck,\u201d \u201cStoned,\u201d \u201cMemory\u201d and the set closer, the sprawling psychedelic \u201cHappy Accident.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-13-scaled.jpg\"><img decoding=\"async\" data-id=\"476354\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-13-768x576.jpg\" alt=\"\" class=\"wp-image-476354\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-12-scaled.jpg\"><img decoding=\"async\" data-id=\"476353\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-12-768x1024.jpg\" alt=\"\" class=\"wp-image-476353\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-9-scaled.jpg\"><img decoding=\"async\" data-id=\"476350\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-9-768x1024.jpg\" alt=\"\" class=\"wp-image-476350\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-8-scaled.jpg\"><img decoding=\"async\" data-id=\"476349\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-8-768x1024.jpg\" alt=\"\" class=\"wp-image-476349\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-6-scaled.jpg\"><img decoding=\"async\" data-id=\"476347\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-6-768x576.jpg\" alt=\"\" class=\"wp-image-476347\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-4-scaled.jpg\"><img decoding=\"async\" data-id=\"476345\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-4-768x818.jpg\" alt=\"\" class=\"wp-image-476345\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-3-scaled.jpg\"><img decoding=\"async\" data-id=\"476344\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-3-768x558.jpg\" alt=\"\" class=\"wp-image-476344\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-2-scaled.jpg\"><img decoding=\"async\" data-id=\"476343\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-2-768x1024.jpg\" alt=\"\" class=\"wp-image-476343\"\/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-1-scaled.jpg\"><img decoding=\"async\" data-id=\"476342\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2023\/08\/john-cale-1-768x1003.jpg\" alt=\"\" class=\"wp-image-476342\"\/><\/a><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>John Cale, one of the true OGs of the international art rock underground, gave a masterclass in performance and reinvention before a packed house at BRIC Celebrate Brooklyn! Festival in Prospect Park on August 19. At 81, Cale is still a striking and potent musical force, a true creator who is forever seeking new artistic [&hellip;]<\/p>\n","protected":false},"author":402,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[129,2,12,14,6,3,39,4],"tags":[2746],"class_list":["post-1469","post","type-post","status-publish","format-standard","hentry","category-brooklyn","category-features","category-genres","category-nyc-metro","category-regions","category-reviews","category-rock","category-show-reviews","tag-john-cale"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>John Cale Brings New Energy to Classics at Celebrate Brooklyn! - NYS Music 2023<\/title>\n<meta name=\"description\" content=\"John Cale, one of the true OGs of the international art rock underground, gave a masterclass in performance\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dev.nysmusic.com\/2023\/2023\/08\/24\/john-cale-brings-new-energy-to-classics-at-celebrate-brooklyn\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"John Cale Brings New Energy to Classics at Celebrate Brooklyn! 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