Returning to the vibrant heart of New York City, Stephen Sanchez brought his magnetic presence back to the city that never sleeps, echoing his last unforgettable performance at Irving Plaza in February. The anticipation hung in the air as fans, eagerly awaiting this reunion, gathered at Terminal 5.
Sanchez’s return was not just a concert; it was a homecoming, a testament to the enduring connection between the artist and the city that has played witness to his musical evolution. As the first notes reverberated through the venue, it was evident that this wasn’t merely a performance; it was a celebration of the artist’s journey, marked by growth, passion, and a profound connection with the diverse tapestry of New York’s music-loving community.
Stephen Sanchez’s concert at Terminal 5 unfolded as a captivating saga, weaving together the artist’s soulful melodies and a profound connection with his dedicated fanbase. Earlier in the day, Sanchez set the tone with a fan meetup and popup in Brooklyn, creating an intimate space for admirers to engage with the artist whose music had become the soundtrack to their lives.
As the night descended, Terminal 5 pulsed with anticipation. The setlist, featuring gems like “Something About Her” and “I Need You Most of All,” became a tapestry of emotions, each note echoing the artist’s journey. Sanchez’s stage presence was magnetic, drawing the audience into his world, especially the adoring fangirls who swooned with every nuanced movement. The unexpected covers of “Oh, Pretty Woman” and “Unchained Melody” showcased Sanchez’s ability to infuse timeless classics with his unique, soul-stirring style.
The concert reached its zenith during the spirited performance of “Shake,” where the venue echoed with the energy of both the artist and his ardent fans. The soulful ballad “Death of the Troubadour” revealed the depth of Sanchez’s songwriting, creating a poignant contrast in the midst of energetic numbers. The night concluded on an emotional crescendo with “Until I Found You,” leaving an indelible mark on the hearts of those who witnessed Sanchez’s musical brilliance. This wasn’t just a concert; it was an immersive experience, a testament to the profound connection between an artist and the community that cherishes his every note.
Setlist: Something About Her, Evangeline, I Need You Most of All, Only Girl, No One Knows, Doesn’t Do Me Any Good, Be More, [Oh, Pretty Woman (Roy Orbison cover)], High, Shake, Death of the Troubadour, Send My Heart With a Kiss, Howlin’ At Wolves, Unchained Melody (Hy Zaret & Alex North cover), The Pool, Until I Found You
The last time I saw LP – Laura Pergolizzi – was in 2014, at Carnegie Hall, part of City Winery’s The Music Of Paul Simon. I happened to do a video session with her and was treated to a version of “Slip Slidin’ Away.”
Pergolizzi left quite a mark at the time and every time she came back through it seemed there was always a conflict and I never crossed paths again. That all finally changed last week at New York’s Terminal 5.
Love Lines was released earlier this year by BMG with the first single and video off it being “Golden”. A North American tour was announced starting late October running into November, followed by a few Mexico dates, playing to her sizeable Central and South American followings, then a few dates in Europe that go well into 2024.
LP’s live show is quite mesmerizing, especially for a club show, with a great deal of production, walking out to Frank Sinatra’s “My Way,” quite fitting as from the moment she hits the stage, she commands your attention and comes off as a powerhouse of sound. LP packs some pretty impressive whistling skills, big sing-along moments, and a crowd that seems to adore her every move. For this photographer, the highlight of LP at Terminal 5 was “Lost On You.”
Termial 5, NYC November 9th, 2023 SETLIST:
Golden, Love Song, Burn It Down, Girls Go Wild, One Like You, The One That You Love, Big Time, Dayglow, Wild, Love Lines, Too Much, Hold The Light, Lost on You, Everybody’s Falling in Love, Blow, No Witness, Special, Long Goodbye, Hola, When We’re High, One Last Time
Acclaimed instrumental progressive rock band, Polyphia, played a sold-out show at Terminal 5 in New York City last week (October 26, 2023) with support from Domi and JD Beck.
Polyphia at Terminal 5. Photograph by David Reichmann (@davidpresspass)
Jazz duo Domi and JD Beck opened the show, with keyboardist Domi Louna and drummer JD Beck delivering a very impressive and lengthy set. Their songs featured highly technical drum patterns and keys. They joked between songs about the quality of their performance, taking jabs at their own skills, which the audience rewarded with big laughs and applause. They played in a fully packed venue and thanked the crowd for showing up early for the set. They left the stage with big applause and a heightened anticipation of the headlining act.
Domi and JD Beck opening for Polyphia. Photograph by David Reichmann (@davidpresspass)
After some brief intro music, Terminal 5 erupted in applause as blinding lights flashed, welcoming Polyphia to the stage. Guitarists and founders Tim Henson and Scott LePage are widely considered to be two of the most influential rock guitarists of today, and they are both Ibanez-endorsed artists with several signature guitars of their own. One of their biggest singles, “Playing God,” has garnered over 30 million views on YouTube. The platform was their initial proving ground when one of their earliest singles, “Impassion,” launched them into fame.
Their set at Terminal 5 included tracks from throughout their four-album catalog. For their encore, they played fan favorites, “Playing God” and “G.O.A.T.” They didn’t speak directly to the crowd at any point in the show, as they didn’t have microphones. But they held their guitars aloft in thanks at the end of the show and walked off with wide smiles on their faces. The crowd cheered them out and left more than satisfied.
You can listen to their latest album here and you can see their upcoming tour dates here. Check out Domi and JD Beck’s music here.
Yves Tumor and it’s band are having quite a busy year, starting off with releasing their stellar fifth LP back in March via Warp Records. Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) is a wildly experimental creative expression from an artist who has been pushing the boundaries of modern pop music ever since their debut. On Wednesday, October 4th, Yves Tumor took over Terminal 5 to kick off the fall leg of the tour which started in back in early spring.
Yves Tumor first broke onto the scene in 2015 with their enigmatic debut record, When Man Fails You. Featuring swirling ambient loops, the record immerses the listener into a haunting yet meditative experience. Yves evolved their musical approach in 2018 with the vibrant Safe In The Hands Of Love. The album starts off with a bit of ambient soundscapes but flourishes of hip hop, house, industrial, and glam rock rotate in and out as the record progresses. The LP is loaded with musical twists and turns but seamlessly blends with a rich sound palate and vintage production style.
Safe In The Hands Of Love catapulted Yves Tumor into a new realm of artistry and fanbase. In a modern world where music is saturated with artists trying to stand out, Yves truly crafted a brand new approach using elements from all over the musical spectrum. Glam rock ballads fade into pulsing ambient sections before raging darkwave grooves take over on the next track. Funky bass lines flutter all over the background while swirling synths fluctuate between Radiohead-like psychedelia and heavy industrial noise reminiscent of Nine Inch Nails. Neatly wrapped together with Yves deeply creative poetic verse, the music defies logic in the best way possible and remains surprisingly original.
Yves Tumor’s success with the goth and glam rock revival continued with a few more releases leading up to 2023. Heaven To A Tortured Mind in 2020 picked up right where Safe In The Hands Of Love left off while a shorter EP, The Asymptotical World in 2021, dove deeper into glam rock with a more forward guitar presence.
Fast forward to Wednesday night at Terminal 5; New York City was about to get their first taste of Yves Tumor’s latest record, which is a masterful culmination of the artist’s career to date. Fans flooded Terminal 5 with goth style, creating a palpable buzz in the room leading up to showtime. Once the houselights dropped, the pent up room erupted with a thunderous ovation to welcome the band on stage.
Chris Greatti of Yves Tumor at Terminal 5, 10/4/2023. Photo by Joseph Buscarello
Yves Tumor and it’s band wasted no time, playing three songs from Praise A Lord… to open things up. The album shines with the insatiable Chris Greatti’s guitar rock vibe but still surprises the listener with inventive experimental passages throughout. “God Is a Circle” got things started with a thick bass line as Yves’ chanted vocals bounced around the room, “Sometimes, it feels like/There’s places in my mind that I can’t go/There’s people in my life I still don’t know, yeah/Wander ‘round, I just feel like a ghost in a well.”
The energy in the room was immense, growing stronger as the night went on. Yves loves to engage with the crowd, spending several songs in the pit letting fans sing along on the mic, signing autographs, and posing for photos all while the show rages on.
The chemistry between Yves and the rest of the band is unmatched. At one point, Yves tossed an umbrella he was posing with over to Greatti who held it in his mouth while shredding the outro to “Secrecy Is Incredibly Important To The Both Of Them.” The two frequently embraced mid song, both clearly not wanting the show to end.
All shows however, must come to an end, and Yves Tumor closed Wednesday night at Terminal 5 with Praise A Lord… closing track “Ebony Eye”. The lush song builds to a climactic finish that left the entire crowd begging for more. If it was not for house security pushing fans towards the exits, I truly do not think this show would have ever ended.
The tour does continue, and the show does not have to end if you can catch any of the dates left on their busy schedule. Head over to the band’s website for the full list of tour dates and if you have not seen Yves Tumor live, do not miss an opportunity to catch one of the most creative artists and invigorating live bands out there today.
LCD Soundsystem will once again hold a residency (of sorts) this holiday season in New York City, but instead of sticking to just one venue, the group will hit three separate venues across three boroughs on a Tri Boro Tour.
The Tri Boro tour will find LCD Soundsystem first returning to the familiar haunts of Brooklyn Steel over the course of November 16-19. Then, heading into Manhattan, the group will find themselves at Terminal 5 from November 28 through December 1, surely making excellent use of the room’s disco ball during each show.
Then the group will perform December 7-10 at the Knockdown Center in Queens to close out the Tri Boro Tour. As for shows in the Bronx and Staten Island, fans will have to be patient or make the trek to any of the other 12 shows lined up.
General public onsale for all 12 shows starts Thursday, Oct. 12 at 10AM ET, but you can check here for presale details. One show at each location will be for Amex cardholders only.
LCD Soundsystem Tri Boro Tour Dates: 11/16 — Brooklyn NY @ Brooklyn Steel 11/17 — Brooklyn NY @ Brooklyn Steel 11/18 — Brooklyn NY @ Brooklyn Steel 11/19 — Brooklyn NY @ Brooklyn Steel * 11/28 — New York NY @ Terminal 5 11/29 — New York NY @ Terminal 5 11/30 — New York NY @ Terminal 5 * 12/01 — New York NY @ Terminal 5 12/07 — Queens NY @ Knockdown Center * 12/08 — Queens NY @ Knockdown Center 12/09 — Queens NY @ Knockdown Center 12/10 — Queens NY @ Knockdown Center
JPEGMAFIA and Danny Brown continued their “Scaring the Hoes Tour” with a stop at Terminal 5 in New York City on Friday, Aug. 11. They played several tracks off their newly released collaboration album, Scaring the Hoes, and took turns playing songs their own solo catalogs throughout the set. They brought Redveil onstage to play “Kingdom Hearts Key” from the album. DJ Dave opened up the show with her signature style of using code to create music.
You can see our full gallery from the show below. Check out JPEGMAFIA and Danny Brown’s Music here. Their North American Tour continues, and you can view upcoming dates here.
Redveil joins JPEGMAFIA and Danny Brown on stage at Terminal 5, NYCDJ Dave plays Terminal 5, NYCPhotography by David Reichmann (@davidpresspass)
Ruel, the prodigious Australian singer-songwriter, took the stage by storm at New York City’s renowned Terminal 5, captivating the crowd with his soulful melodies and undeniable talent. This highly anticipated show marked a milestone in Ruel’s career as he embarked on the East Coast leg of the tour. From the moment the lights dimmed and the first notes filled the air, it was clear that this night would be one for the books. The energy in the venue was palpable as fans eagerly awaited Ruel’s remarkable performance, ready to be swept away by his mesmerizing voice and magnetic stage presence.
Sam MacPherson, the incredibly talented singer-songwriter, mesmerized the crowd with his captivating opening performance at Terminal 5 in Manhattan. As he stood in the center of the stage belting out soulful vocals and heartfelt lyrics, he effortlessly commanded the stage, leaving a lasting impression on the audience. MacPherson’s infectious energy and authentic musicality created an intimate and introspective atmosphere, solidifying the connection between performer and listener. Blending elements of folk, pop, and soul, he showcased his versatility as an artist, setting the perfect tone for the night ahead and leaving the crowd hungry for more incredible music. It was a true testament to his talent and a memorable start to an unforgettable evening of live music.
Ruel, the prodigious 20-year-old singer-songwriter hailing from Australia, has taken the music industry by storm with his undeniable talent and soulful artistry. At a remarkably young age, Ruel’s journey embarked on a meteoric rise when he captured the world’s attention with his debut single “Golden Years” in 2017. This captivating release not only showcased his remarkable vocal prowess but also showcased his ability to connect with listeners on a profound level.
As he continued to ascend, Ruel’s magnetic presence and introspective songwriting captivated audiences around the globe. With each subsequent release, including his EP Ready in 2018, Ruel solidified his position as a musical prodigy, effortlessly blending genres and delivering poignant lyrics that resonate deeply with fans.
Drawing inspiration from his own experiences, Ruel fearlessly explores themes of love, growth, and self-discovery, forging a deeply personal and relatable connection with his audience. With a maturity beyond his years and an unwavering commitment to his craft, Ruel stands poised to leave an indelible mark on the music world, captivating hearts, and minds with his extraordinary talent and unwavering authenticity.
Ruel’s “4th Wall Tour” reached its pinnacle at Terminal 5 in New York City, delivering an awe-inspiring performance that left the audience in a state of pure musical euphoria. As the anticipation built, the crowd erupted with excitement, ready to embark on a sonic journey led by the prodigious Australian singer-songwriter.
From the moment Ruel took the stage, the energy was palpable. Opening with the powerful anthem “GROWING UP IS ____,” he immediately captured everyone’s attention with his soulful vocals and magnetic stage presence. The audience was fully immersed in his world as he flawlessly transitioned into the introspective “YOU AGAINST YOURSELF,” where his heartfelt lyrics resonated deeply with fans.
Throughout the night, Ruel showcased his versatility and artistry, effortlessly weaving between his own captivating tracks and surprising covers. The crowd erupted with joy as he delved into unexpected renditions of the Black Eyed Peas’ “I Gotta Feeling” and One Direction’s “Night Changes,” infusing them with his own unique style and charm.
As the show progressed, Ruel’s connection with his fans became undeniable. The venue transformed into a collective sea of voices singing along to every word, creating a powerful sense of unity and shared experience. The atmosphere reached its peak during the poignant performance of “Younger,” a heartfelt song that resonates with audiences of all ages.
The highlight of the evening came with the spine-tingling rendition of “Painkiller,” where Ruel’s soulful voice soared effortlessly, eliciting a wave of emotions from the crowd. The synergy between Ruel and his band was evident, as they flawlessly executed each song, transporting the audience into a world of musical bliss.
As the final notes reverberated through the venue, Ruel took a moment to acknowledge the incredible team behind the “4th Wall Tour.” With a list of credits displayed on the screens, from the tour crew to the guitar and PR companies involved, it was a testament to the collaborative effort and dedication that made the tour possible.
Ruel’s show at Terminal 5 was a tour de force, a testament to his undeniable talent, and a testament to the unwavering support of his fans. It was an unforgettable night filled with electrifying performances, heartfelt moments, and an undeniable connection between the artist and the audience. As the lights dimmed and the crowd dispersed, the echoes of Ruel’s unforgettable performance lingered in the hearts and minds of everyone fortunate enough to be part of this musical journey.
Ruel Setlist: GROWING UP IS ____, YOU AGAINST YOURSELF, SOMEONE ELSE’S PROBLEM, IF AND/OR WHEN, MUST BE NICE, I Gotta Feeling (Black Eyed Peas cover), Night Changes (One Direction cover), WISH I HAD YOU, golden hour – Ruel Remix (JVKE cover), Flames (SG Lewis cover), SET YOURSELF ON FIRE, SITTING IN TRAFFIC, Dazed & Confused, Younger, Painkiller, I DON’T WANNA BE LIKE YOU
In terms of upcoming shows, “The 4th Wall World Tour” will be finishing up the North America portion in Los Angeles on July 7th, but the rest of the tour picks back up in August down in Santiago, Chile.
Updates for any future Ruel shows can be found on socials and his website. The same goes for Sam MacPherson, and you can find his socials and website linked here.
NYC native and Grammy-nominated singer-songwriter Emily King has just released her newest album Special Occasion. The album is the follow-up to King’s critically-acclaimed Scenery LP and is her first full release in four years.
“I’ve called this a breakup-to-makeup-to-breakup-again album, but really, it’s about trying to find joy in trying times—trying to celebrate who you are in your quietest moments, rather than in relation to someone else,” King explains. “For me that’s still very much a work-in-progress, but I hope these songs will help people to find some hope and relief.”
The album’s title track highlights King’s songwriting prowess and her ability to dig into life’s deepest sorrows and uncover unexpected beauty, shifting her focus on the little things that make life fun and worth celebrating. Across eleven dynamic tracks, including “This Year,” “Medal,” “False Start” (a collaboration with Nick Hakim), “Bad Memory” (featuring Lukas Nelson)”, and “The Way That You Love Me” (in collaboration with Rob Moose).
Coinciding with the album release, King kicks off her North American headlining tour tonight in South Orange, NJ. Over the next few weeks, King, supported by Joseph Solomon, will visit esteemed venues across the country including Nashville’s Ryman Auditorium, Los Angeles’ Wiltern, New York’s Terminal 5, and more. The tour will conclude on June 1st in Boston.
King shows off her “smart, catchy songs that blend soul, R&B and pop” throughout the new album release (WNYC Soundcheck). Earlier this week she performed “Special Occasion” on Live with Kelly and Mark. Next Tuesday, fans across the country can catch King on CBS Mornings as she sits down with Anthony Mason for a conversation about the new album.
2023 North American Tour Dates
Fri, May 5 – South Orange, NJ – South Orange Performing Arts Center
On Tuesday, May 2nd Lizzy McAlpine returned to New York City and sold out the west side’s beloved Terminal 5. Only a week prior, Lizzy sold out Brooklyn Steel. One night in the big city just wasn’t enough for McAlpine on her “The End of The Movie Tour.” Her debut in the past couple of years has been one to witness. She has accumulated superfans who worship her relatable lyrics and sweet sound-blend of it-girl pop with classic grunge. The success of this tour has been a testament to her talent.
Photograph by Caroline Zeeman
Opener, Olivia Barton, kicked off the night and made the warehouse stage her own. Emanating a similar sound to artists like Lizzy McAlpine, HAIM, Lucy Dacus, and so on – Barton culminated her own stage presence with her innocently raw lyrics. Her own sound. The crowd volleyed Olivia’s lyrics back to her from the pit and the balconies, and her excitement became a tangible energy. The set flew by, and when it came time for Barton to say her goodbyes, it was bittersweet.
In between Olivia Barton’s opening set and Lizzy’s second show-face in New York City, the crowd hummed in a unified frenzy. The speakers were blasting popular Y2K pop-hits and nostalgic Disney songs by artists like Hannah Montana and Demi Lovato. Friends, couples, fathers and daughters, and solo-fans were conviving to belt the universally appreciated lyrics. Later in Lizzy’s set, she praised Olivia: “She really gets it. Her writing is so human. She’s so special, and I’m so grateful to have her on tour. I listen to her backstage, and I’m in tears!”
Photograph by Caroline Zeeman
Fifteen past nine o’clock, the lights cut and the bass rose to a body-shaking intensity. The infrastructure of Terminal 5 holds sound so impressively, but the deafening screams echoed riotously. Blue and purple lights slowly expanded their coverage across the stage to reveal a bedroom set-up. Framed posters and window panes clung to the back of the stage. The setting felt familiar, like the space that held so much of one’s life. The love, the heartbreak, the friendships, the sleepovers, the daydreams.
After a lengthy instrumental introduction, followed behind her band, Lizzy skipped out onto the stage. Her outfits on tour have been widely complimented, and on Tuesday she did not disappoint. Adorned in a denim corset and casual blue jeans, she stood in pure happiness as she grinned out towards the crowd. “I’m gonna play some songs for you, and it’s going to be great! We’re gonna have a great time!”
As Lizzy progressed through her setlist, she took intentional time to explain the story behind each song. The crowd bent their ears to listen to every detail she shared. “This song is about slurpees!” A roaring applause. “This song is about ignoring red-flags.” Friends grabbed onto their neighbor’s shoulder to shake in emotional duress. The entire show was a story-telling narrative, full of personal details of precious moments of muse.
Photograph by Caroline Zeeman
Her lyrics were something to hold onto and sit with. Such a fast-paced show left the crowd wanting more time with her music. All of Lizzy’s songs held a cruel casualness to them. I have no choice in the matter // Why would I, it’s only the death of me. It was jarring, quite surreal, to hear such a youthful and kind crowd shouting such intense lyrics. And the funny thing is I would have married you if you had stuck around. Nearby in the crowd, a father watched as his thirteen year old daughter belted the lyrics, clutching her chest as if she’d been wounded.
There is an archetype on the rise in the realm of female artists. Singer/song-writers fanning out under the music industry umbrella of artists like Taylor Swift are leaning into the superpower that is vulnerability. Honesty is celebratory, and young women are writing about having their hearts ripped out, leaving their hometown, stepping into their strength, growing up, and existing as more than empathetic vessels but as a beacon of feminine independence. Barton and McAlpine have branded their names into this visionary artist-type. The influence the music produced by these experimental and brave artists has is unignorable and unifying.
Photograph by Caroline Zeeman
Half way through the set, the Terminal 5 stage setting changed from day to night, and the New York City sun casting through the windows on stage, turning to raindrops streaking down the panes. The familiar chords of Lizzy’s hit “Ceilings” strummed across the venue, and something shifted. The collective crowd voice overpowered Lizzy’s as she sang the notorious lyrics. Fans jumped and wept and sang with their hearts. Tears streamed into wide smiles, as the live performance of “Ceilings” seemed to change lives.
Terminal 5 was blessed with Lizzy’s generosity, for she played two unreleased songs for the Manhattan crowd. The first song was titled “Broken Glass,” which Lizzy explained was about only ever being able to see someone when they’re at the bar. The other song was “I Guess.” Lizzy informed the crowd, “this one is one of my favorites!” While the unreleased songs were showcased, it was the only moment the crowd was silent. The audience wanted to hear every lyric, every note-change, every melody.
The rest of the show rolled out with the same energy. The crowd savored every moment they shared with Lizzy, and when it came time to part, fans had a difficult time leaving. Hands waved goodbye from the packed balconies, and cheers overpowered Lizzy’s own departure. Manhattan seemed to have an impact on her as she left the stage. It was the end of the “The End of The Movie” show in New York City.
2x-Grammy-nominated DJ and producer Steve Aoki brought the heat to the stage during his electrifying performance on the HiROQUEST: Genesis Tour at Terminal 5 on March 17. With an explosive mix of EDM bangers, stunning visual effects, and his signature cake-throwing antics, Aoki had the crowd jumping and dancing non-stop all night long. Fans left the show with unforgettable memories and eagerly anticipating his next performance.
Steve Aoki is a world-renowned DJ, producer, and entrepreneur, known for his energetic live shows and collaborations with top musicians such as BTS, Kid Cudi, and Linkin Park. Born in Miami and raised in California, Aoki began his music career in 1996 in college by producing DIY records and running underground concerts out of his room at UC Santa Barbra, and has since released multiple studio albums and produced countless chart-topping tracks. He is also the founder of the record label Dim Mak Records and has expanded his brand into fashion, food, and philanthropy. Aoki’s most recent release is fiery new single “New York” with multi-platinum DJ and producer Regard, and featuring alt-pop artist mazie. Together on “New York,” the upbeat dance club jam joins mazie’s dreamlike, twisted musical tendencies through a seamless combination of Regard’s unmistakable production and Aoki’s high-powered creativity for a song that arrives just in time to become the pop anthem to kick off the new year.
The first opener, NYC based DJ Callie Reiff is a force to be reckoned with in the electronic dance music scene. A rising star since her early teens, she’s been smashing stages with her high-octane sets and bold beats. Armed with a fearless attitude and an infectious energy, Callie has been pushing boundaries and breaking down barriers, redefining what it means to be a woman in EDM. With an impressive list of collaborations under her belt, including Diplo, Sofi Tukker, and Borgore, Callie’s sound is a dynamic fusion of genres, blending elements of trap, bass, and techno to create a sound that is uniquely hers. From playing major festivals like Electric Daisy Carnival and Ultra Music Festival to headlining her own shows, Callie Reiff is on a meteoric rise and shows no signs of slowing down.
Following Callie Reiff was Juuku; a rising star in the world of electronic music, known for his genre-bending sound and emotionally charged productions. With a background in classical piano and guitar, this mysterious producer has been captivating audiences with his unique blend of future bass, trap, and indie-pop influences. Hailing from an undisclosed location, Juuku’s music is a reflection of his personal journey, infused with raw emotion and a deep sense of introspection. Since emerging on the scene in 2020, Juuku has quickly gained a loyal following, with tracks like “Gone” and “Leaving” racking up millions of streams on Spotify. With support from major tastemakers like Zeds Dead, Juuku is poised to take the music world by storm with his innovative sound and undeniable talent.
Amping up the show to a whole new level was Timmy Trumpet. Sporting his Pitbull-esque sunglasses, a trumpet, and copious amounts of alcohol, Timmy escalated the show tenfold. Timmy Trumpet is an Australian DJ, producer, and multi-instrumentalist who has been making waves in the electronic dance music scene since the early 2000s. With a background in jazz and classical music, Timmy brings a unique musicality to his high-energy performances, incorporating live trumpet playing into his sets. Known for his explosive live shows and infectious party anthems, Timmy has become a global sensation, headlining major festivals and clubs around the world. His chart-topping hits, including “Freaks” and “The Buzz,” have become instant classics, with millions of streams and views on platforms like Spotify and YouTube. With a tireless work ethic and an unwavering commitment to his craft, Timmy Trumpet is a true superstar in the world of EDM, constantly pushing the boundaries and delivering electrifying performances that leave audiences in awe.
During Timmy’s set, he climbed the stage and started boxing the air, doing pushups, and cheering as he downed shots of tequila on stage and set off gas canisters. Timmy pulled out all the stops, taking off his shirt, spraying champagne, handing out glasses and hats, throwing out “100 dollar” bills, and even humping a giant inflatable trumpet. He celebrated St. Patrick’s Day with Irish dancing and dumped an entire bottle of tequila on stage. Timmy also sang Happy Birthday to a fellow Aussie and held his trumpet high as a trophy or a guitar, cementing his place as a true showman and a legend of the EDM world.
Steve Aoki’s set was a visual and auditory feast for the senses. The videos playing in the background, featuring music videos and lyrics, added an extra dimension to the music. Images of funky aliens with vibrant colors and bored ape NFTs on blimps further enhanced the experience. A hyped-up entourage backed Steve up around the DJ booth, as he played fan-favorite “Hungry Heart” featuring Hayley Kiyoko and a new track set to release next month. The visuals during “My Heart Will Go On” were unforgettable, as Jack and Rose were replaced by Steve himself. He even took off his shirt and threw it into the crowd, followed by more champagne and his infamous cake-throwing tradition. Fans went wild as they caught CDs of his most recent album and fought to become bigger targets for the cake-throwing. Steve even filmed the crowd going crazy during a new song, turning it into a music video. The concert ended with a shower of streamers and confetti, and fans throwing phones onto the stage in excitement. Steve Aoki’s performance was truly a party that nobody wanted to leave.
Timmy Trumpet will be busy performing sets at multiple different shows and festivals, but will be back in NYC on Saturday May 6th at the Marquee.
Though the Genesis Tour has wrapped, you can find Steve Aoki still performing at many different miscellaneous shows, including May 6th at Bamboozle Festival in Atlantic City, NJ. Stay up to date on show/tour announcements here.
