In a festive celebration of Italian musical heritage, the American Classical Orchestra (ACO), under the guidance of Founder and Artistic Director Thomas Crawford, is set to enchant audiences with a holiday concert program on Thursday, December 14 at 7 PM at Corpus Christi Church, located at W. 121 St. between Broadway & Amsterdam in Manhattan.
This concert marks the second of four Manhattan performances by the ACO this season, featuring a captivating selection of Italian works, including the rediscovery of Antonio Bencini’s long-lost Christmas oratorio “Gesù Nato” and Antonio Gianettini’s “Magnificat,” in collaboration with the Academy of Sacred Drama.
The heart of the program lies in the resurrection of Antonio Bencini’s forgotten masterpiece, “Gesù Nato,” rescued from the depths of the Vatican archives. This Christmas oratorio, composed in 1742, offers a glimpse into the enchanting world of the Nativity, featuring vocal soloists, a choir, and a vibrant orchestra of trumpets, oboes, and strings. Antonio Gianettini’s “Magnificat” and five psalm settings, written for four-part chorus with string accompaniment, further enrich the program, providing a sonic tapestry rooted in the Roman Catholic tradition.
The evening will be graced by the talents of renowned soloists:
Linda Tsatsanis (Soprano): Praised by The New York Times for her “ravishing” performance at the Boston Early Music Festival. Kate Maroney (Mezzo-Soprano): A CBC and Naxos recording artist, also recognized for her expertise as a voice and vocal pedagogy teacher at Mannes School of Music and Yale University. Alex Guerrero (Tenor): Applauded by The New York Times for his “apt comic timing,” Guerrero has been a featured singer in numerous ACO performances.
The members of the American Classical Orchestra Chorus will join forces with the soloists to deliver a mesmerizing performance under the baton of Thomas Crawford.
Antonio Gianettini, a 17th-century Italian organist, singer, and composer, will take center stage with his Psalms and the majestic Magnificat. Having served as maestro di cappella to Francesco II d’Este, Duke of Modena, Gianettini’s compositions were cherished in both Italy and Germany during his lifetime.
The rediscovery of Antonio Bencini’s “Gesù Nato” is a significant musical event, offering what is likely the modern premiere of this hidden gem. Composed in 1742, the oratorio captures the spirit of the Nativity and was tucked away in the Vatican Library for three centuries before resurfacing.
This performance is a collaborative effort between ACO and the Academy of Sacred Drama, founded by ACO violinist and scholar Jeremy Rhizor in 2013. The Academy is dedicated to Baroque oratorio that draws inspiration from biblical tales and the lives of saints, enriching the cultural and spiritual experience.
Tickets for this musical extravaganza are priced at $75, $55, and $35, and can be purchased at ACO’s website or by calling ACO at (212) 362-2727, ext. 4.
The New York Philharmonic started off summer with a bang on Tuesday, June 13th in the Bronx.
For years, the New York Philharmonic Orchestra has had a yearly summer concert in Van Cortlandt park, and last night continued the tradition. This summer, music director Jaap van Zweden conducts iconic classical pieces Beethoven’s Fifth Symphony and Johan Strauss’ On the Beautiful Blue Danube. The orchestra also plays Copland’s Fanfare for the Common Man, the William Tell overture, and Strauss’ overture to The Bat.
Audience members got to the Van Cortlandt Parade Grounds in the afternoon early before the concert. Hundreds of people were out on the grass before the sun set. With the orchestra playing such famous pieces, everyone was excited. Plus, audiences this summer get to hear recent pieces composed by two graduates of the New York Philharmonic’s Very Young Composers program.
Founded by John Deak, the very Young Composers Program (VYC) mentors kids and gives them the “tools they need to transform their musical ideas into finished compositions.” The kids also get to hear professional New York Philharmonic musicians—and sometimes the full orchestra—playing their work. The 12-week program works to empower children ages 8-15 and help them reach their full creative potential. Then, they can create art to express themselves and the world around them. The New York Philharmonic was founded in 1842, and it’s the oldest symphony orchestra in the country. Educational programs like the VYC ensure the future of music by making sure the next generation is given opportunities to learn. The two pieces that the orchestra are performing this summer were written when the students were in VYC.
Bronx resident Mio Mićić wrote their piece, Raft Dino Spies, in 2013 when they was just 9. “The title reflects the fact that I was 9,” they said to the audience last night. The piece depicts the experience of riding a rollercoaster that they went on as a kid. Mićić tried to compose it “as audibly realistic as possible” to make audiences feel the same experience. They even asks the musicians to do something unusual: to scream as loudly and long “as they’re willingly able.” Even though the music is memorable on its own, the screaming orchestra makes it stand out in audience’s minds.
Rodriguez wrote his piece in 2019. At the age of 12, he was inspired by the moon landing to write Trip to the Moon. He saw the moon landing footage and compared it to musical concepts. As the orchestra counts down from ten, they “[take] you for a ride and [give] you a perspective of such an amazing feat.” (Michael Rodriguez) Lately, Rodriguez has been inspired recently by Latin music, and how to compose for orchestras based in the style.
Just like always, the performance ended with a fireworks show. The New York Philharmonic is still performing free Concerts in the Parks this summer. On the 16th, they’ll be in Queens’ Cunningham Park, then Friday the orchestra plays at Prospect Park in Brooklyn. Both of these outdoor shows start at 8PM. Although sold out, the Philharmonic wraps up their concerts in the parks on the 18th with an indoor concert in Staten Island’s St. George Theatre. Still, concerts in Brooklyn and Queens are open for all! If you can’t make it this summer, you can still listen to some of the NY Philharmonic’s great work online.
The American Classical Orchestra (ACO), New York City’s leading period instrument orchestra, announced its 2023-24 season of four orchestral concerts led by Founder and Artistic Director Thomas Crawford. The season opens November 16, 2023 and will conclude May 8, 2024. Additionally, there will be an exclusive preseason performance for its subscribers only.
Three out of the four performances will take place at Alice Tully Hall and one will be held at the Corpus Christi Church.
Featured soloists include award-winning violinist Augusta McKay Lodge; soprano Nola Richardson; Grammy-nominated Reginald Mobley; active Bach interpreter tenor; First Prize winner in the Oratorio Society of New York’s Lyndon Woodside Oratorio-Solo Competition, bass Steven Eddy; oboist, noted historical instrument expert, ASCAP Award-winner, and Juilliard faculty member Gonzalo Ruiz; and early music artist Adam Cockerham, a specialist in theorbo, lute and Baroque guitar.
“This season, the ACO programs three pillars of classical repertoire: Beethoven’s Pastoral Symphony, Mozart’s Jupiter, and the Bach B Minor Mass featuring our acclaimed ACO Chorus,” said Founder and Artistic Director Thomas Crawford. “Hearing 18th-century masterpieces played with passion, live in New York and on period instruments, is our greatest joy.”
Pre-season performance:La musica notturna di Madrid
Thursday, September 28, 2023, 7 pm at the Salmagundi Club, 47 Fifth Avenue
Adam Cockerham, Baroque guitar
Luigi Boccherini: Guitar Quintet in C Major, Op. 30, No. 6, G. 324, “La musica notturna delle strade di Madrid”
Antonio Vivaldi: Concerto for Strings in G Major, RV 151
Antonio Vivaldi: Concerto for Strings in G Minor, RV 157
This special pre-season chamber music performance for subscribers only presents an ACO string ensemble at the Salmagundi Club, a historic arts center on the National Register of Historic Places. The musicians are joined by Baroque guitar virtuoso Adam Cockerham,Associate Music Director of the Academy of SacredDrama. The program opens with Boccherini’s Guitar Quintet, initially written for strings, a work quite popular in Spain during the composer’s lifetime.
Season Opening: Premier coup d’archet
Thursday, November 16, 2023, 7:30 pm at Alice Tully Hall
Thomas Crawford, conductor
Augusta McKay Lodge, violin
Wolfgang Amadeus Mozart: Symphony No. 31 in D Major, K. 297/300a “Paris”
Ludwig van Beethoven: Symphony No. 6 in F Major, Op. 68 “Pastorale”
Ludwig van Beethoven: Romance for Violin and Orchestra No. 1 in G Major, Op. 40
The title of this program, premier coup d’archet (first stroke of the bow), refers to a device whereby all the instruments play together at the start of a symphony—a practice popular at the time and one that Mozart used to great success in his Symphony No. 31. The work, written while the 22-year-old composer was looking for work in Paris, received hearty applause at its 1778 premiere. Beethoven’s elegant Romance in G Major for Violin and Orchestra features young virtuoso Augusta McKay Lodge. The evening concludes with Beethoven’sPastoral Symphony, loved for its portrayals of sounds of nature, including birds, a brook, and a thunderstorm. The ACO offers an authentic look at Beethoven’s vision by the use of natural hunting horns, leather timpani, and 18th century Austrian woodwind instruments.
Gesù Nato
Thursday, December 14, 2023, 7 pm at Corpus Christi Church, W. 121 St. between Broadway & Amsterdam
Thomas Crawford, conductor
Antonio Bencini: Gesù Nato
Antonio Gianettini: Magnificat
Antonio Bencini’s Gesù Nato marks what is likely the modern premiere of the full work ofthis lost 1742 Christmas oratorio manuscript by the little-known composer who premiered it in Bologna before it was shelved at the Vatican Library for three centuries. The work features vocal soloists, a choir, and an orchestra of trumpets, oboes, and strings. Antonio Gianettini’s version of the Magnificat, also known as the Canticle of Mary, is a prayer of praise to God found in the Gospel of Luke. It has been used in the daily prayers of the Catholic Church, and set to music by many composers. Gianettini—an Italian organist, concertmaster and composer—was considered to be one of the most talented composers of his era.
This performance is a co-production of the ACO and The Academy of Sacred Drama, founded in 2013 by ACO violinist and scholar Jeremy Rhizor. The Organization is dedicated to Baroque oratorio that draws its stories from biblical tales and the lives of saints.
American Classical Orchestra 2023-24 season
B Minor Mass
Thursday, March 7, 2024, 7:30 pm at Alice Tully Hall
Thomas Crawford, conductor
Nola Richardson, soprano
Reginald Mobley, countertenor
Steven Soph, tenor
Steven Eddy, bass
ACO Chorus
Johann Sebastian Bach: Mass in B Minor, BWV 232
Bach’s Mass in B Minor was one of the composer’s last achievements, completed a year before his death in 1749. A musical setting of the complete Latin Mass, this monumental work presents nine arias and duets, 14 ensemble sections for vocal groups of various sizes, and a range of instrumental solos in numerous styles. Based largely on Bach’s earlier pieces, this mass is one of his best-loved vocal works. The orchestra is joined by the renowned ACO Chorus, comprised of professional vocalists from the New York metro area. Featured soloists will be soprano Nola Richardson, countertenor Reginald Mobley, tenor Steven Soph, and bass Steven Eddy.
Astronomical
Wednesday, May 8, 2024, 7:30 pm at Alice Tully Hall
Thomas Crawford, conductor
Wolfgang Amadeus Mozart: Symphony No. 41 in C Major, K. 551 “Jupiter”
William Herschel: Oboe Concerto No. 1 in E-flat Major
Johan Daniel Berlin: Concerto á 5 in A Major
C.P.E. Bach: Symphony in B Minor, H661 Wq182/5
Gonzalo Ruiz, oboe
The “astronomical” theme of this program is inspired by Mozart’s ”Jupiter” Symphony, Herschel’s telescopes, and Berlin’s meteorological observations/alias composer roles. The concert begins with Mozart’s “Jupiter” Symphony, his longest and final symphony. Widely considered to be his strongest work and perhaps his most popular symphony, it is notable for its deft weaving of Classical and Baroque musical forms. Before the 18th century composer William Herschel played oboe and violin, he was an accomplished astronomer who built his own telescope and discovered the planet Uranus in 1781.
His 1780 three-movement Oboe Concerto No. 1, written in the style of Corelli or Handel concerti grossi, features soloist Gonzalo Ruiz, a Juilliard faculty member and expert in historical reedmaking techniques, of which more than two dozen are on permanent display at the Metropolitan Museum of Art. Carl Philipp Emanuel (C.P.E.) Bach’s Symphony in B Minor follows next. Johann Sebastian Bach’s 5th child and one of the foremost clavier players in Europe, C.P.E. wrote the work during the German literature period of Sturm und Drang, when he created short pieces inspired by individualism.
Finally, the evening closes with German-born Rococo composer Johan Daniel Berlin’s Concerto á 5 in A Major. In 1737 Berlin became the town musician of Trondheim, Norway. In addition, he was a fire brigade captain, land surveyor, founding member of the Royal Norwegian Society of Sciences and Letters, and made a series of meteorological and astronomical observations. Today he is regarded as one of Norway’s first known composers, although few of his works remain.
For details and tickets for American Classical Orchestra 2023-24 season, click here.
The Cayuga Chamber Orchestra, based in Ithaca, will welcome spring with their bright “Eastern Bloc” program on April 23. The orchestra promises a “musical potpourri” of strings, piano and wind instruments, played by members and friends of the Cayuga Chamber Orchestra.
“Eastern Bloc” will kick off with the Arensky Piano Trio No.1 performed by Christina Bouey, Rosemary Elliott and Charis Dimaras. The Ligeti Six Bagatelles for Wind Quintet will follow, played by Wendy Mehne, Paige Morgan, Sarah Chandler, Cathryn Gaylord and Madison Warren. Finally, instrumentalists from both previous performances will join with Diego Vásquez, Michael Sinicropi and Vadim Serebryany for Martinů’s La revue de cuisine.
Also known as “Ithaca’s Orchestra,” the CCO has been running since 1976. The orchestra runs multiple programs for students, including their Youth Orchestra and Diversity Career Fellowship program which provides opportunities in classical music for historically underrepresented students.
Tickets for the show on April 23 are $38.50 for adults and $12 for students with college ID. They can be purchased here, or at the door.
Conductor and music director Leon Botstein leads The Orchestra Now (TŌN) for their upcoming presentation of Haydn, Brahms & The Manufactured Classical Ideal on Sunday, February 19th at 2 PM. This will be the second installment of the Orchestra’s popular Sight & Sound series performed at The Metropolitan Museum of Art.
The program compares theories of classical music structure and 18th-century sculpture, featuring Brahms’ Variations on a Theme of Haydn and Haydn’s Symphony No. 38. Alongside the performance, there will be projected images from the Museum’s concurrent Chroma: Ancient Sculpture in Color exhibition.
The Orchestra Now (TŌN) currently comprises 58 vibrant young musicians from 12 different countries across the globe: Brazil, China, Colombia, France, Hong Kong, Hungary, Japan, Korea, Mongolia, Singapore, Taiwan, and the United States. All share a mission to make orchestral music relevant to 21st-century audiences by sharing their unique personal insights in a welcoming environment.
Conductor, educator, and music historian Leon Botstein, whom The New York Times said “draws rich, expressive playing from the orchestra,” founded TŌN in 2015 as a graduate program at Bard College, where he is also president. HuffPost, who has called TŌN’s performances “dramatic and intense,” praises these concerts as “an opportunity to see talented musicians early in their careers.”
Photo by Matt Dine
Leon Botstein is founder Leon Botstein and music director of The Orchestra Now (TŌN), music director and principal conductor of the American Symphony Orchestra (ASO), artistic codirector of Bard SummerScape and the Bard Music Festival. He has been guest conductor with the Los Angeles Philharmonic, Royal Philharmonic Orchestra, Aspen Music Festival, Buffalo Philharmonic Orchestra, Mariinsky Theatre, Russian National Orchestra in Moscow, Hessisches Staatstheater Wiesbaden, Taipei Symphony, Simón Bolivar Symphony Orchestra, and Sinfónica Juvenil de Caracas in Venezuela, among others.
Tickets are priced at $30, $40, and $50; all tickets include same-day museum admission. Tickets may be purchased online by clicking the link here.
For upcoming activities and more detailed information about the musicians, click the link here.
