World Music Institute recently announced that Arooj Aftab, Vijay Iyer, and Shahzad Ismaily will be stopping at The Town Hall in Manhattan on September 14. The event will be a performance of the group’s self-titled 2023 album titled Love In Exile. Together, the trio concoct mesmerizing music by incorporating sonic elements from around the world.
Brooklyn-based vocalist Arooj Aftab burst onto the scene with her captivating debut project Bird Under Water in 2015. Since then, the Pakistan-born artist has been making waves for her alluring voice and varied musical range. With Love In Exile, Aftab partnered with esteemed pianist Vijay Iyer and instrumentalist Shahzad Ismaily to create a project unlike many others.
Jazz and South Asian traditions help to influence the sound of Love In Exile. Despite the album’s footing, it is a swirling and genreless piece of music. The project is as eerie as it is entrancing, and is truly a unique listening experience. As a group Love In Exile aims to deliver a spellbinding live show. The trio dips into the improvisatory soul of jazz and the Urdu poetic tradition to create a performance full of “timeless beauty and sudden surprise”.
What Is World Music Institute?
World Music Institute was founded in 1985 and has long stood as one of the pillars of American music and dance. The non-profit looks to bring the best music from around the world to venues throughout New York City. WMI attempts to foster awareness and appreciation for the cultural traditions of people across the globe through performances and conversations. The New York State Council on the Arts and the New York City Department of Cultural Affairs partially support the program.
Kalia Vandever, a Brooklyn trombonist and composer, will open the show. Vanderver’s nuanced approach to the trombone is distinctive and defined by her resounding tone and lyrical improvisational voice. We Fell In Turn, her debut solo album, released back in March and featured works for trombone, voice, and electronics.
Here for tickets and more information about Love in Exile.
Here Lies Love, the groundbreaking new musical from David Byrne and Fatboy Slim, is pleased to announce a one-night-only post-show DJ set from Fatboy Slim immediately following the Thursday, August 31st performance at the Broadway Theatre (1681 Broadway at 53rd Street). Every audience member who purchases a ticket to that evening’s performance of Here Lies Love can remain for the post-show set; seated and standing patrons will remain in their ticketed locations, but everyone is invited to stand up and dance.
David Byrne said, “Working with Norm on Here Lies Love was a joy. This night will be something I can’t even imagine. If you’ve never seen his videos, watch them, the best ever.”
Here Lies Love co-producer DJ CherishTheLuv said, “This rare night on Broadway with Fatboy Slim is for the true party rockers and tastemakers. Whether I’m DJing for MTV or Fashion Week, it is the savviest folks in the crowd who tear up the floor when I drop Fatboy’s “Right Here, Right Now” and then request “that Christopher Walken song.” I’m excited to be transported back to some good times, REALLY good times, and make amazing new memories on a special night at Here Lies Love!”
Here Lies Love began previews Saturday, June 17 and opened to rave reviews on Thursday, July 20, 2023.
From David Byrne Academy Award®, Grammy® Award, and Tony Award® winner) and Fatboy Slim (Grammy Award winner), Here Lies Love is “a truly fabulous piece of visual theater with a soundscape more beautiful, more exciting and more surprising than any score on Broadway” (Chicago Tribune). This revolutionary new musical about former Filipina First Lady Imelda Marcos’ astonishing rise to power and subsequent fall at the hands of the Philippine People Power Revolution, has been hailed as “a political chiller that’s also a red-hot adrenaline rush” (Ben Brantley) “that makes you believe you could dance all night” (The Washington Post).
From its world premiere at The Public Theater in 2013, Here Lies Love has enjoyed popular and critical acclaim. The show returned to The Public in 2014-2015, debuted at London’s Royal National Theatre in 2014, and most recently opened at Seattle Repertory Theatre in 2017.
Developed and directed by Alex Timbers (Tony Award winner) and choreographed by Annie-B Parson (Olivier Award nominee), Here Lies Love is a “roof-raising, disco-infused extravaganza that turns the theatre into a dance floor with thrilling results” (The Guardian). Following sold-out, critically acclaimed runs at The Public Theater, London’s National Theatre, and Seattle Rep, “Here Lies love is the most entertaining new show on Broadway right now” (ABC7). Ticket buyers can experience this “undeniably enjoyable show” (New York Post) in two ways: seated or standing immersed within the action.
The show features the first all-Filipino cast to perform on Broadway: Arielle Jacobs (In The Heights, Aladdin, Between The Lines) as “Imelda Marcos,” Jose Llana (The King and I, The 25th Annual Putnam Country Spelling Bee) as “Ferdinand Marcos,” Conrad Ricamora (“How to Get Away with Murder,” The King and I, Soft Power – Grammy nominations) as “Ninoy Aquino,” Melody Butiu, Moses Villarama, Jasmine Forsberg, Reanne Acasio, Jaygee Macapugay, Julia Abueva, Renée Albulario, Aaron Alcaraz, Carol Angeli, Nathan Angelo, Kristina Doucette, Roy Flores, Timothy Matthew Flores, Sarah Kay, Jeigh Madjus, Aaron “AJ” Mercado, Geena Quintos, Shea Renne, and Angelo Soriano.
Tony and Olivier Award winner Lea Salonga, a global Filipina legend, will also join the cast for a special guest engagement this summer, performing for five weeks from Tuesday, July 11 through Sunday, August 13.
Creative Team
Here Lies Love is produced by Hal Luftig/Kevin Connor, Patrick Catullo, Clint Ramos, Jose Antonio Vargas, and Diana DiMenna and Plate Spinner Productions, with Aaron Lustbader serving as Executive Producer.
The creative team for Here Lies Love on Broadway includes three-time Tony Award® nominee David Korins (scenic design), Tony Award® winner Clint Ramos (costume design), Tony Award® winner Justin Townsend (lighting design), M.L. Dogg & Cody Spencer (sound design), and three-time Tony Award® nominee Peter Nigrini (projection design), with casting by Tara Rubin CSA, Xavier Rubiano CSA, Gail Quintos and general management by Foresight Theatrical. Additional creative team members include ATW Jonathan Larson Grant recipient J. Oconer Navarro (music director), Billy Bustamante (assistant director), Renée Albulario (assistant choreographer), Bobby Garcia (casting consultant/Philippines), Gregory T. Livoti (production stage manager), and Ryan Gohsman and Sheryl Polancos (assistant stage managers). Giselle “G” Töngi is the show’s Cultural and Community Liaison.
They are joined by Lea Salonga, H.E.R., Jo Koy, Apl.de.Ap/Tala Creative Live, Rob Laqui, Giselle “G” Töngi, Adam Hyndman, Eva LaBadie, Georgina Pazcoguin, Marikit Ventures/Miranda Gohh, DJ CherishTheLuv/Garcia At Rodis, Don Michael H. Mendoza/Lora Nicholas Olaes, Celia Kaleialoha Kenney/Jeremiah Abraham, No Guarantees, Yasuhiro Kawana, Elise K. Haas, Len Blavatnik, Warner Music Entertainment, Shira Friedman, James L. Nederlander/Independent Presenters Network, LaChanze, Wendy Federman/Suzanne Niedland, Katler-Solomon/Charlotte Cohn, Cathy Dantchik, Elizabeth Armstrong, John Gore Organization, The Shubert Organization, Hunter Arnold, Creative Partners Productions, Eastern Standard Time, Global Creatures, The Public Theater, Triptyk Studios, Iris Smith, Michael Robin Productions/Anastasia Muravyeva, Alexi Melvin/Beesham A. Seecharan, Andrew Diamond/Patrick Trettenero, Buzzy Geduld/Gilad Rogowsky, Craig Balsam/David Brendel, Sok Sabai Productions/Ride or Die Productions, Marco Santarelli/Das Ellman & Howe, Linden Delaney/Smigelrutter Fitviavi, and Laura Ivey/Janet Brenner.
Ticketing Information
Tickets are on sale now at Telecharge.com, by phone at 212-239-6200, or at the Broadway Theatre box office (1681 Broadway at 53rd Street).
For information on groups of 10+, contact Broadway Inbound at broadwayinbound.com or call 866-302-0995.
Rush tickets are available in-person at the Broadway Theatre box office on the day of the performance for $35 each. Tickets are limited to a maximum of 2 per person and are subject to availability.
Digital lottery entrants can register for the chance to purchase up to 2 tickets at $39 each. Entries for the Here Lies Love digital lottery start at 12 AM, one day before the performance, and winners are drawn the same day at 10 AM and 3 PM. Visit rush.telecharge.com for more information and to register. Drawings only appear when they are open for entries.
Brooklyn band Big Bliss is set to drop their latest album Vital Return on August 18. Created by brothers Cory and Tim Race, and joined by Wallace May, Big Bliss has fostered an impressive and unique sound since 2015. Vital Return showcases the group’s ability to seamlessly incorporate elements of alt-rock, post-punk, indie-pop, and more into a cohesive body of work.
Big Bliss by Kevin Condon
The album is a profound and bold exploration into themes of sobriety, death, trauma, and recovery. Produced by Jonathan Schenke, Vital Return harnesses these difficult and unsettling ideas into a web of interconnected songs. While each track stands alone, there is an aura of anxiety and confusion that permeates each title on the project. Despite the intense nature of the topics, Big Bliss is still able to construct an enjoyable and hopeful album.
As a band, and also as individuals, were thrust into some massive changes starting around 2019… Many of which felt too heavy to surmount – the tumult of addiction/early sobriety and familial grief being at the top of the heap. We did make it though. Ultimately the record is about that: reemergence, about coming out the other side.
Tim Race
The Album
Marked by atmospheric layered sounds along with pounding drums, “A Seat at the Table” lays the foundation for what is to come in Vital Return. The opening track manages to be up-tempo and hypnotic, while also featuring tense and sincere lyrics. The song flows perfectly into the second track on the album “Sleep Paralysis.” Big Bliss expertly balances noisy instrumentation with melancholic and compelling vocals on the song. In “Sleep Paralysis,” the group details a decidedly confusing yet meaningful relationship. Poignant lyrics like “Am I falling or not? Hope I wake before landing” cut through the song’s catchy indie-rock soundscape.
While Big Bliss certainly doesn’t break down any walls with their vocal performances, the album is full of powerful and raw lyrics. Each song on Vital Return has a level of emotionality that can be heard with almost every breath. “Solace” is one of the band’s most moving songs and helps to show how versatile and varied the band can be. The track has an alt-rock sound but even features influences of contemporary folk-rock. “Solace” is laced with a frantic and inescapable feeling of being unable to escape from the past. The group is constantly searching for some reprieve from their trauma, singing “Nothing is just as it seems, some invisible violence arriving.” The song is haunting yet hopeful, a perfect representation of the album as a whole.
Big Bliss by Kevin Condon
Big Bliss is at their post-punk best with “Tell Me When You’re Ready” and “Off Guard.” Both offerings include fast-paced driving instrumentation which injects a sense of positivity into the project. While the songs are by no means free of the distress and discomfort that is standard with Vital Return, they mark a steady shift in the album. Both tracks are keenly self-aware and acknowledge the issues that Big Bliss struggle with. Although much of the album’s lyrics are abstract and symbolic, the writing starts to become more specific as the project progresses. “Tell Me When You’re Ready” is almost a call to action as the lyrics “I’ll figure out what I’m missing, I’ll draw it out of the ground, draw it out of my mouth” ring out as some of the first signs of recovery in the album.
As the ten-track project comes to a close, the group sonically and emotionally seem to turn a corner. “Vital Return,” the album’s title-track, caps off the project with a cathartic and dreamy sound. Big Bliss depart slightly from their often noisy production and opt for smoother, more stripped-back instrumentation. The writing on “Vital Return” indicates signs of stability and empowerment. The lyrics, “I have built a city and burned it down, now I know my grief is somewhere under the wreckage, for the first time I will dig it up” testify to how far Big Bliss has come. The song is not meant to represent complete closure but rather a sign that things are heading in the right direction.
Big Bliss by A.F. Cortés
Conclusion
Vital Return is a beautiful and authentic project that ultimately looks to tell the story of progress. Big Bliss don’t try to bite off more than they can chew and instead stick to the sounds, melodies, and lyrics that organically fit their performance range. While the instrumentation on certain songs can overpower the writing, each track still has a sense of emotion and purpose. The band’s varied musical influences spiral together to create a distinctive sound that resonates with each note. Vital Return is a truly cohesive and unified album that somehow manages to maintain the same earnest atmosphere throughout.
Brooklyn-based indie-rock duo hunter & wolfe released their new full-length album, I deserve this. The group, made up of Michael Maffei and Sundeep Kapur, previously released singles in anticipation of the album release, such as “Last Time,” “Famous Friends,” and “When I Wake Up,” each of which has a sound reminiscent of indie-rockers like Elliot Smith and St. Vincent.
To further celebrate the release of their new album, hunter & wolfe have also shared a lyric video for the album’s focus track, “Go For It.” As Maffei wrote on the track: “‘Go For It’ is a song about the phase of denial and loneliness that can come from loss. I’d recently lost a friend and wrote about the thread between those feelings and those I’d experienced from previous losses in my life.”
About hunter & wolfe
The Brooklyn-based indie duo has a unique way of conveying complicated emotions, often pairing them with sarcasm and loud indie-rock stylings. The group draws inspiration from notable artists of the indie genre, including Elliot Smith, St. Vincent, Phoebe Bridgers, and more.
Hunter & wolfe released their first album back in 2011, a self-titled EP, and a full-length album, Days and Works. Their most recent album, Late Then Never, has been recognized on several platforms, and featured in Spotify’s Fresh Finds, Impose Magazine, and The Deli Magazine among others.
The group’s most recent album, I deserve this., was written through sleepless nights about sleepless nights. The album is truly about the self-importance to think you deserve something, paired with the self-loathing to think that what you deserve is nothing good. Vocalist Michael Maffei and guitarist Sundeep Kapur’s message of ennui, lost love, and the paradox of choice in the modern era reflect both seriousness and the self-awareness to not take themselves too seriously.
The songs were written by Michael Maffei, and the record was co-produced by Asher Kurtz, Sundeep Kapur, and Michael Maffei. The record features Michael Maffei (vocals, guitar, piano), Sundeep Kapur (lead guitar), Anders Kapur (bass), Sean Mullins (drums, percussion), Chris Baum (violin), and Asher Kurtz (guitar). It also features vocals from Asher Kurtz (Anyone) and Gabbi Coenen of RVBY MY DEAR (Laugh Lines).
Listen to I deserve this. here, and view the lyric video to “Go For It” below.
Syracuse-born, Nashville-based artist Mick Fury dropped his latest project earlier this summer titled 1981-1996. In a popular music landscape congested with hollow lyrics, cheap sentiments, and reused sounds, the album stands out for its conceptuality and thematic elements. Focused on the trials and tribulations of millennials across the United States, the album touches on topics and ideas usually avoided by mainstream stars.
We’re the most open-minded, hard-working-for-beans, thoughtful generation yet, and we’ve watched the American Dream be snatched away from us like bullies taking a kid’s lunch money
Mick Fury
Takeaways
The album’s Nashville influence is inescapable: from Fury’s country-rock tone, to the up-tempo and twangy guitar patterns, and even to the country references of dirt, whiskey, roads, and rust. Despite 1981-1996’s country leanings, Fury, along with Max McKee (bass, guitar) and Nate Felty (drums, percussion), also incorporates elements of rock, alt-rock, and even post-grunge into the project. While the instrumentation and arrangement on the album is not the centerpiece, the trio do a good job at giving space for Fury’s lyricism to shine.
With ten songs and a 33-minute runtime, 1981-1996 wastes no time getting into the topic of the project. The album opens with a 42-second recording of sensationalized claims about millennials in the style of a cable news broadcast titled “The Perception.” Angry voices yell out phrases like “snowflakes” and argue that “they want to demand respect that they don’t deserve” or that “they have traded achievement for victimhood”. The track helps tune the listener in for what Fury wants to address in the ensuing songs.
Fury begins the music by inspecting his childhood and the innocence of youth with the song “Bright Eyed Dumb Kid.” The tune is reflective in nature and touches on a topic that many listeners can relate to. Its palatable drums and calm country guitar strums make the song an easy listen. Despite the track’s clear focus, its lyrics differ from the harsh and poignant sentiments espoused on “The Perception.”
Highlights
As the album continues, Fury finds his groove with “Can’t Let Go” and “State of the Union.” The former perfectly demonstrates the singer’s smooth and comfortable delivery, helping to lull the listener into a foot-tapping trance. Fury’s lyrics about being lost and stuck without a purpose match perfectly with the songs’ alt-rock rhythm. “State of the Union” on the other hand is a fast paced track filled with attitude and frustration. The song is arguably where Fury is his most critical and thoughtful on the album. The artist highlights many of the flaws in American society with lyrics like, “Go to school for years to get your degree, get out and get a job then hopefully, we’ll get you out of debt and get you out of this town, you’ll be paying that off until you’re in the ground.”
“We go looking for hope, some kind of savior, pills, presidents, conspiracies, creators, trying to find the way through the dark but it keeps getting later”
Mick Fury on “State of the Union”
“Broken Highway” is most likely Fury’s most ambitious song on 1981-1996. The track features a blend of rock, country, psych-rock, and alt-rock to create a sound that channels the atmosphere of early 2000s radio anthems. The song is ripe with layered production and features some of the best instrumentation on the project.
Following up “Broken Highway” is “Burnin’ It Down,” which is a pleasant return to Fury’s country-rock sound. The track showcases the artist’s creativity as Fury plays with the idea of a traditional country song. Positioned as a classic “America-first” hit, the track takes aim at many of the problematic elements associated with the nation. Mick Fury sings, “Everyday there’s another threat, from some enemy I ain’t never met, we got money for missiles and fuck-all for the vets.” The artist goes on to critique the narrow-minded view that many Americans have. He writes “nothing’s wrong and nothing’s right, you ain’t looking past your own life.”
1981-1996 is conceptually profound and highlights the ingenuity and creativity of Mick Fury. While the album doesn’t reinvent the wheel sonically, Fury sounds right at home on just about all the tracks. The singer’s lyricism and writing is ultimately what drives the project. What the album lacks in nuance and specificity, it makes up for in digestibility and familiarity. In all, the album is a breath of fresh air as it looks to address a topic often untouched by others in the same lane.
Joe Russo’s Almost Dead (JRAD) played a sold out show at the Pier 17 Rooftop. Packed with Deadheads and Phish phans eager for the upcoming MSG run, the band’s backdrop was the Brooklyn Bridge & Empire State Building. The venue featured a beautiful, panoramic view of Manhattan, quite the site to behold.
The night started off with a bang “Playing in the Band” followed by “Mississippi Half Step”. The set included fan favorites like “Bertha” & “Scarlet Begonias”. They closed the set with “Touch of Grey”.
The second set started off with Scott Metzger shining on “Hard to Handle” followed by a rocking “Here Comes Sunshine”. The second set was incredible and featured songs like “Truckin” & “St. Stephen”.
The band played “Shine on You Crazy Diamond” >”Not Fade Away” but was cut short as the band was instructed to stop playing. This was not due to the amount of faces being melted, but due to lightning in the area. “Shine on” also featured a saxophonist Stuart Bogie.
The band and fans got to enjoy most of the show and quickly scurried out before the rain. This band just keeps getting better and every show is an incredible show. These guys don’t miss!
Set 1: Playing in the Band, Mississippi Half Step, Music Never Stopped, Bertha, Tell Me Mama > Scarlet Begonias, Touch of Grey
Set 2: Hard to Handle, Here Comes Sunshine > Throwing Stones > Wharf Rat > Truckin’, St.Stephen > Shine on You Crazy Diamond
The Catamount Resort Summer Series is wrapping up a jam-packed season of programming with three shows in August. Taking place over multiple weeks, the series started back on July 7 and will run until August 18. Each concert takes place on Friday from 4:30pm to 8:00pm at Catamount Mountain Resort in Hillsdale.
Boasting a lineup of local and regional bands, the Catamount Resort Summer Series looks to bring quality music to the beautiful Taconic Mountains. Past performers from this year include Sister Funk, Hedtrip, and Eric Harpe and the Delta Swingers.
Along with music, the series will also have a variety of tasty food and drink options. Organizers encourage guests to bring their own lawn chair however there are picnic tables available at the venue. Multiple of the resort’s outdoors activities will also operate with extended hours during the series, including a Zip Tour, Aerial Adventure Park, and Scenic Chairlift Rides.
The Catamount Resort Summer Series is free and open to the public. Here for more details and information about the event.
August Schedule
Aug. 4- The Silver Chain Band
Based out of Albany, The Silver Chain Band has performed across the country. From playing gigs at local New York hotspots to rocking venues down in Memphis, the group delivers impassioned performances wherever they are. Silver Chain builds on a solid foundation of Blues Folk, with elements of electric blues, and a sprinkle of rock. Their music is influenced by ZZ Top, Sonny Boy Williamson, JR Wells, Paul Butterfield, Stevie Ray Vaughan, Freddy King, Albert King, and Bill Perry, just to name a few.
Aug. 11- Victrola
Led by vocalist Victoria Palagy, Victrola is known for their creative covers of pop, rock, and blues tracks. Victoria is joined onstage with Ray Palagy, Patti Richardson, John Keane and Leo Brennan Jr.
Aug. 18- The Saints
The Saints are an experienced band that has been together for 25 years. The group loves to get the crowd moving with feel-good dance music. Perfect for the summer months, enjoy the Saints as they close out The Catamount Resort Summer Series.
Specialists and Space Carnival, two New York-based bands, will perform at Brooklyn Bowl on August 9. The show will also feature funk fusion group ShwizZ. Since 2017, the venue has not hosted Space Carnival, while Specialists are scheduled to make their Brooklyn Bowl debut.
Specialists
Spanning 23,000 sq. ft. Brooklyn Bowl is one of the most unique and dynamic event spaces in New York. Boasting a bowling alley, music venue, conference space, and much more, the Williamsburg location offers something for everyone.
I saw my first show at the Bowl in 2014, when I was just 16… My 16 year old self cannot believe this.
Specialists’ guitarist Billy
Specialists are a Brooklyn outfit that expertly blend together elements of rock, dance, and funk to create a fun and playful sound. The group puts together high energy performances that showcase the band’s extraordinary songwriting and musicianship. Specialists have performed all over NYC, including shows at Brooklyn Made and Wonder Bar. The band’s style and groove is the perfect sonic addition to any summer day.
Space Carnival
Space Carnival is made up of Jeremy Kraus on guitar, Cameron Fitch on keys and vocals, Chris Meier on bass, and Josh West joining on drums. Originally created in 2013, the Oneonta band has amassed a following for its one-of-a-kind mixture of progressive rock, alternative rock, disco, and funk. 2023 has signaled the return of Space Carnival, as the group has plans to stop at festivals across the country as well as release new music.
Click here for tickets and information about the August 9 performances.
Legendary comedian Dave Chappelle recently announced his fall tour which includes four stops in NYC. Dave Chappelle Live gets underway on August 22, 23, 25, and 26 from the world famous Madison Square Garden.
Chappelle is widely regarded as one of the greatest comedians of all time. His work includes multiple stand-up specials, his own sketch show, appearances on Saturday Night Live, and acting. In 2019 Chappelle was awarded the illustrious Mark Twain Prize for American Humor. All in all the comedian has racked up five Primetime Emmy Awards and four Grammys.
Attendees at the show will be prohibited from using cell phones, cameras, or other recording devices during the performances. Upon arrival, all phones and smart watches will be secured until the end of the show. Guests will still have possession of their phones however use is only permitted in designated areas. Anyone caught with a cellphone in the venue will be immediately ejected.
Dave Chappelle Live is presented by Pilot Boy Productions. Originally founded by Chappelle in 1992, Pilot Boy looks to deliver quality and thought-provoking concerts, films, television shows, and live events.
Pre-sale tickets start on July 26 with general on-sale tickets dropping on July 27. Here for tickets and more information.
Dave Chappelle Live Dates
Tue Aug 22 – New York, NY – Madison Square Garden
Wed Aug 23 – New York, NY – Madison Square Garden
Fri Aug 25 – New York, NY – Madison Square Garden – NEWLY ADDED SHOW
Sat Aug 26 – New York, NY – Madison Square Garden – NEWLY ADDED SHOW
The Schenectady County Historical Society is bringing live music to the Capital Region all summer with the Howlin’ at the Moon Concert Series. Hosted at the Mabee Farm Historic Site in Rotterdam Junction, the series runs June 1 to October 5. Shows are on Thursdays at 7:00 PM to 9:00 PM.
The Howlin’ at the Moon concert series looks to deliver an “authentic musical experience” for visitors and performers alike. The event showcases local and regional artists from a diverse set of genres including bluegrass, Americana, folk, indie, and more. Organizers hope that the series can act as a platform for people to discover and share new ideas and music.
One of the main features of Howlin’ at the Moon is the historic venue in which it takes place. Mabee Farm was originally built in 1705 and is widely regarded as the oldest farm in the Mohawk Valley. The property is now listed on the National Register of Historic Places. The site includes a 17th century house, brick building, Dutch barn, English, barn, and a cemetery. The Dutch barn hosts all concerts, or, in case of rain, the pavilion behind the George E. Franchere Education Center serves as the alternative venue.
Everesy Rising
Local band Everest Rising acts as the musical host for each performance. Helping to curate the concert lineup, the group also serves as the opening act all summer long. Bill Flanagan, Pete Gernert-Dott, Dale Wade-Keszey, Trevor Wood, and Mark Baptiste make up bluegrass and Americana outfit.
All Howlin’ at the Moon shows are $10 at the door (cash only). For more details and information click here.
Sara Milonovich has been a professional musician for over 25 years. She has experience with everything from folk and bluegrass to celtic music and symphony orchestra. Milonovich has performed on Broadway, and even toured Eastern Europe as a State Department musical ambassador. She received the “Americana Artist of the Year” award at the Capital District Thomas Edison Music Awards in 2022.
Big Fez & the Surfmatics are a four-man group specializing in classic surf and beach music from the early 1960’s and beyond. Their repertoire includes songs by The Ventures, Dick Dale and the Del-Tones, The Trashmen, The Chantays, The Surfaris, and Duane Eddy. Big Fez also performs many of the great vocal hits of the surf era as well, highlighting classic tunes from The Beach Boys, Jan and Dean, The Challengers, The Rivieras, and many more.
The Moon Shells are made up of Maggie Shar, Brian Slattery, Laura Murawski, Molly Merrett, and Charlie Shaw. The group’s sound is a pleasurable concoction of traditional music from Appalachia, Louisiana, West Africa and elsewhere. Whether performing as an acoustic stringband, a stripped-down trio, or a contemporary five-piece band, the Moon Shells are sure to move hearts and feet.
