The Waterhole Music Lounge in Saranac Lake has filled their calendar with live music offering top touring acts starting this September all the way through to New Year’s Eve this fall season.
Music enthusiasts can expect a wide range of genres from folk music Fridays, a collection of tribute acts and a handful of side projects from big name acts including String Cheese Incident, EOTO, and Turkuaz The Brazilian Girls. Waterhole Lounge indulges attendees to parties on the patio a venue bar and an incredible scene perfect for live music.
To kick off the start to the fall music season, The Seapods and Raisinhead plan to perform September 9th following will feature triple header Mal Maiz on Thursday for Party on the Patio. The fall lineup also includes many talented tribute acts including The Dave Matthews Tribute Band a 5 member ensemble who match the excitement, intimacy and intensity of a live DMB show. Another highlight during the season is the annual Halloween Bash with funky music and costume contest where hip-hop jam band Sophistafunk from Syracuse plan to shake things up with opening act Chestnut Grove known for their rock n’ roll.
To close out the season The New Year’s Eve Bash will be headlined by The Mallet Brothers Band, a well admired alternative rock country band from the woods of Maine. New York looks forward to what Waterhole Lounge has in store this season that will bring audiences talented acts nationwide that they won’t get enough of. For more information visit The Waterhole Website.
Two Rochester based ensembles, showcasing Sephardic music will perform back to back performances of “Sephardic Reflections,” taking place in Syracuse on October 21 and at Rochester’s Temple Beth El Synagogue on October 22.
The production ‘Old & New: Sephardic Reflections’ brings a taste of medieval flute and electric guitar, offering a contrast of contemporary music with versions of old and new songs. This medieval mix is interpreted by members of fivebyfive and Pegasus Early Music/NYS Baroque. The clash of ensembles explore the sounds of flute and electric guitar to present a new experience for the audience.
Pegasus Early Music/NYS Baroque
Pegasus Early Music/NYS Baroque will perform using recorders, lute, duduk, shawm, harp and percussion which stay true to the early music of Sephardic traditions in Spain, Portugal and Morocco. Members of the chamber music ensemble will us flute, clarinet, bass, piano and electric guitar which heavily influence the new tradition.
This is an exciting journey for both ensembles, to focus on music from a certain period but in our own styles. All of our musicians are world-class artists, experts in their chosen instruments, and we look forward to collaborating on this kaleidoscopic musical event.
Pegasus/NYS Baroque Director Deborah Fox.
“We are thrilled by the variety of sounds that will be shared in this concert,” said Artistic Director, Laura Lantz of fivebyfive.
fivebyfive
Tickets can be purchased online at pegasusearlymusic.org and fivebyfivemusic.com or purchased at the door. Upstate New York looks forward to see what they have in store for the double ensemble collaboration “Old & New: Sephardic Reflections”.
Travis Scott has announced his upcoming tour ‘Circus Maximus’ for recent release UTOPIA, featuring three shows in New York, two at New York’s Barclays Center on December 18 and 19, and at Madison Square Garden on December 21.
UTOPIA has been recorded as one of the biggest hip-hop releases in 2023, as Travis Scott proved himself once again as a songwriter, producer and performer and continues to create a seamless production throughout his music. The album has become number one on Billboard Top 200, with over 1.5 billion streams globally.
Travis has had a huge influence on the hip-hop and rap community, creating huge commercial success for himself and often characterized as “ambient”. He redefines the modern music boundaries, while indulging an immersive experience for his listeners. UTOPIA is recognized to be a game changer for Scott’s career while seamlessly creating a narrative throughout his songs that bring the fans wanting more.
In addition to the tour, Travis plans to donate $2 per ticket sold towards the Cactus Jack Foundation, which supports scholarship programs and fulfills college education expenses. Tickets will be available on Thursday August 31 at 10am ET. New York looks forward to Scott’s return as listeners await what’s in store for the ‘Circus Maximus’ 2023 Tour.
TRAVIS SCOTT UTOPIA – CIRCUS MAXIMUS TOUR 2023 DATES
Wed Oct 11 – Charlotte, NC – Spectrum Center
Fri Oct 13, 14 – Raleigh, NC – PNC Arena
Tue Oct 17, 18 – Dallas, TX – American Airlines Center
Fri Oct 20 – Kansas City, MO – T-Mobile Center
Sun Oct 22 – Denver, CO – Ball Arena
Wed Oct 25, 26 – Phoenix, AZ – Footprint Center
Sun Oct 29 – Las Vegas, NV – MGM Grand Garden Arena
Tue Oct 31, Nov 01 – Oakland, CA – Oakland Arena
Sun Nov 05 – Los Angeles, CA – SoFi Stadium
Wed Nov 08 – Seattle, WA – Climate Pledge Arena
Fri Nov 10 – Vancouver, BC – Rogers Arena
Sun Nov 12, 13 – Portland, OR – Moda Center
Wed Nov 15 – Salt Lake City, UT – Delta Center
Sat Nov 18 – Tulsa, OK – BOK Center
Tue Nov 21, 22 – Austin, TX – Moody Center
Sat Nov 25 – Atlanta, GA – State Farm Arena
Mon Nov 27, 29 – Miami, FL – Kaseya Center
Fri Dec 01 – Atlanta, GA – State Farm Arena
Mon Dec 04 – Nashville, TN – Bridgestone Arena
Wed Dec 06 – Baltimore, MD – CFG Bank Arena
Fri Dec 08 – Pittsburgh, PA – PPG Paints Arena
Sun Dec 10 – Philadelphia, PA – Wells Fargo Center
Tue Dec 12 – Detroit, MI – Little Caesars Arena
Fri Dec 15 – Chicago, IL – United Center
Mon Dec 18 – Brooklyn, NY – Barclays Center
Tues Dec 19 – Brooklyn, NY – Barclays Center
Thu Dec 21 – New York City, NY – Madison Square Garden
New York City is the epicenter of music-making and recording studios in the Empire State, and the Big Apple has over 200 studios spread across the five boroughs. In doing so, New York City surpasses the rest of the state by having the most recording studios in a single region.
Numerous prominent names in the music business have recorded in New York City, including New York natives Jay-Z, Alicia Keys, Lana Del Ray, Christina Aguilera, Lady Gaga, Q-Tip, A Tribe Called Quest, Mariah Carey, and Jennifer Lopez, as well as non-natives like Britney Spears, Beyonce, Destiny’s Child, Kanye West, Rihanna, Whitney Houston, Sia, Taylor Swift, and Gwen Stefani. For the first time, we are doing what no major outlet has done before, listing all the recording studios in New York State and the prominent singers who have made music there.
Radio City Music Hall is one of the top music and entertainment venues in New York State, where several of the industry’s top performers have had shows.
Electric Lady Studios in Greenwich Village has been the go-to studio for several recording artists and originally came to be in 1968 after Jimi Hendrix and his manager Michael Jeffery bought a newly defunct nightclub called The Generation. On August 26, 1970, Hendrix hosted the grand opening of his psychedelic studio lair to fellow musicians and friends. Guests included Steve Winwood, Eric Clapton, Ron Wood, and Patti Smith. Today, Electric Lady Studios is made famous by Jimi Hendrix and classic 70s sessions with The Rolling Stones, Led Zeppelin, Stevie Wonder, David Bowie, and Patti Smith, among others, and maintains its reputation as the most hallowed grounds for recorded music. It is the oldest working and thriving recording studio in New York City.
“I put on my straw hat and walked downtown, but when I got there, I couldn’t bring myself to go in,” recalls Patti Smith in her award-winning memoir, Just Kids. “By chance, Jimi Hendrix came up the stairs and found me sitting there like some hick wallflower and grinned.”
Electric Lady has four studios available for artists’ use, A, B, C, and D.
Studio “A” is home to a fully restored Neve 8078 – a hand-wired analog console that as recently as 2011 absorbed 2500 hours of highly skilled labor, utilizing only the highest-end components. The console was later outfitted with Martin Sound Flying Faders II. The studio’s 35′ x 38′ live room boasts an impressive collection of vintage microphones, instruments, and amps, as well as an almost palpable history. It is Electric Lady’s largest and most versatile space.
Studio A of Electric Lady Studios in New York City.Studio B of Electric Lady Studios in New York City.
For ten years, Studio C has been home to mix engineer Tom Elmhirst. Elmhirst has worked with artists like Adele, Frank Ocean, David Bowie, Amy Winehouse, and more, including 16 Grammy wins. He currently holds the record for most Grammys won by an engineer in a single year. Recent projects at Electric Lady include Adele’s “30,” James Blake’s “Friends That Break Your Heart,” and YEBBA’s “Dawn.”
Tom Elmhirst, mix engineer at Electric Lady Studios in New York City. Studio D at Electric Lady Studios in New York City.
Significant Artists who have recorded at Electric Lady include Beyonce (I am… Sasha Fierce,) Britney Spears (Oops I Did It Again,) Carly Rae Jepsen (Dedicated Side B,) Christina Aguilera (Stripped,) Destiny’s Child (The Writing’s on the Wall,) Gwen Stefani (The Sweet Escape,) J. Cole (For Your Eyez Only,) Kanye West (My Beautiful Dark Twisted Fantasy,) Kid Cudi (Man on the Moon II: The Legend of Mr. Rager and Satellite Flight: The Journey to Mother Moon,) Lady Gaga (Joanne, A Star is Born, and Chromatica,) Lady Gaga and Tony Bennett (Love for Sale,) Lorde, (Melodrama and Solar Power) Lana Del Rey, (Born to Die, Ultraviolence, Honeymoon, Lust for Life, Norman Fucking Rockwell, and Chemtrails over the Country Club)Mariah Carey, (Caution,) Maroon 5, (Red Pill Blues,) Sia, (Music – Songs from and Inspired by the Motion Picture,) and Taylor Swift, (Lover, Folklore, Fearless (Taylor’s version) Red (Taylor’s version) and Midnighs.)
Premier Recording Studio has been graced by musicians such as Beyonce, Ne-Yo, Wiz Khalifa, Aaliyah, Usher, Justin Bieber, and DMX. J. Cole recorded his second studio album, Born Sinner (2013); Nicki Minaj recorded her fourth studio album, Queen (2018); and Travis Scott recorded his debut studio album, Rodeo (2015) at Premier. The facility has four studios at artists’ disposal, A, B, E, and F.
Studio A is made up of a 9′ x 15′ Lounge, an 18′ x 21′ Control Room, a 21′ 24′ Live Room, and a 9′ x 14′ Iso Booth. Studio B is made up of a 15′ x 18′ Lounge, a 20′ x 20′ Control Room, a 9′ x 14′ Iso Booth, and a 20′ x 21′ live room. Studio E comprises a 10 x 13′ Lounge, an 8 x 16′ Iso Booth, and a 16′ x 23′ Control Room. Studio F comprises a 10′ x 13′ Lounge, an 8′ x 13′ Iso Booth, and an 11 x 23 Control Room.
The Control Room in Studio A of Premier Recording Studio in New York City.The Live Room in Studio A of Premier Recording Studio in New York City.The Iso Booth in Studio A of Premier Recording Studios in New York City. The Control Room in Studio B of Premier Recording Studios.The Lounge in Studio B of Premier Recording Studios in New York City.The Iso Booth in Studio B of Premier Recording Studios in New York City. The Control Room in Studio E of Premier Recording Studios in New York City.The Vocal Booth in Studio E of Premier Recording Studio in New York City.The Lounge in Studio E of Premier Recording Studios in New York City.
Random Chance Records in New York City was built by Farida Sheralam, and the studio’s website was created with NationBuilder. Sheralam was working on a book about the life of blues mandolinist James “Yank” Rachell (Blues Mandolin Man, University Press of Mississippi, 2001.) She thought about all of Rachell’s LPs that were out of date by that point, and in the process of obtaining the rights to Rachell’s music, Sheralam inadvertently created a record label. Sheralam obtained a bar code, website, advertising in blues magazines, etc. Then she started getting sent demos from artists, and the rest is history. Since then, Sheralam has kept the label going and has released some really good blues, jazz, Latin, world, and whatever CDs.
The Hit Factory Recording Studio on Broadway in New York City, owned and operated by Troy Germano and also known as Germano Studios, first opened in 1969. In 1975, when Troy was first beginning his career in the music industry, his father, singer, and record producer Ed Germano purchased The Hit Factory, incorporated it into a business, redesigned its studios, and created the logo it uses today, bringing his son along for the journey. Troy experienced the company from the ground up, starting in the tape library and eventually becoming Executive Vice President in 1984. Before opening its current location in the Noho District in 2008 and becoming known as Germano Studios | The Hit Factory, the studio moved around multiple times throughout New York City. Additionally, The Hit Factory has locations in other big cities like Los Angeles and Miami.
The Hit Factory/Germano Studios has produced music for Q-Tip (Amplified) Alicia Keys (Songs in a Mirror, Diary of Alicia Keys, and The Elements of Freedom) Beyonce (Dangerously in Love,) Britney Spears (Britney,) Celine Dion (The Color of My Love, Falling into You, and Let’s Talk About Love,) Christina Aguilera (Stripped,) Coldplay (X&Y,) Destiny’s Child (The Writing’s on the Wall and Survivor,) Jay-Z (The Life and Times of St. Carter,) Mariah Carey (Merry Christmas, and Butterfly,) TLC (Crazysexycool,) Ariana Grande (Sweetener,) Christina Aguilera (Liberation,) Nicki Minaj (Queen,) Kanye West (Yeezus and The Life of Pablo, Kid Cudi, (Man on the Moon II: The Legend of Mr. Rager) Lady Gaga (Born This Way) Lil Uzi Vert (Luv is Rage 2,) Mariah Carey (Merry Christmas II You,) Meghan Trainor (Title,) One Republic (Native,) Post Malone (Stoney, Hollywood’s Bleeding, and Twelve Carat Toothache,) andRihanna, Rated R.)
The Hit Factory has two studios available for use by musicians. Studio 1 is the ideal recording studio for cutting basic tracks as well as mixing for your latest album or single. The live room recently added a C. Bechstein Concert L167 baby grand acoustic piano. The control room has the deepest array of analog outboard gear paired with an endless list of plugins unrivaled by any other U.S. music studio. This studio has become one of the top vocal recording environments in New York City, and what separates Studio 1 from any other recording environment is the complete privacy matched with the constant updating of its equipment and plugins.
Studio 2 is perfectly situated for those mixing projects that are geared toward the mix engineer and producer. The live room recently added a Bechstein A2 upright acoustic piano. The live room is predominantly utilized for lead & background vocals, key drum or guitar overdubs, or any writing session required. A 5-piece group of background vocalists, a string quartet, or a 6-piece horn section can be accommodated by the live recording space. The selection of analog outboard gear and near-field/mid-field monitoring is extensive and the main monitoring is the same Exigy S412G system with custom dual 18” subwoofers featured in Studio 1.
The C. Bechstein Concert L167 baby grand acoustic piano in Studio A of The Hit Factory in New York City.Studio 2 of The Hit Factory in New York City.
Battery Studios is Sony Music Entertainment’s New York City-based music production facility. Battery houses the technology to playback almost all existing audio formats and is capable of stereo and surround mastering, audio restoration and digitization, file verification, and immersive audio mixing. The studio has produced music for A Tribe Called Quest (People’s Instinctive Travels and the Paths of Rhythm, The Low End Theory, Midnight Marauders, Beats, Rhymes, and Life, and The Love Movement) Alicia Keys, Britney Spears (Baby One More Time, Oops I Did It Again, Britney, In The Zone, and Greatest Hits: My Peragotive,) JoJo (JoJo and The High Road,) and Nysnc (No Strings Attached and Celebrity.)
Some of the equipment at Battery Studios in New York City.
Threshold Recording Studio in Manhattan’s Midtown Westneighborhood of Hell’s Kitchen has been in operation since 1997, offering award-winning recording studios, music production, artist development, and commercial project management. Threshold Studios is a hands-on, owner-operated facility with an unparalleled client list from the best and brightest of Broadway to some of the biggest pop stars of the 20th century- and every major broadcast media outlet in between. The studio features top-of-the-line vintage analog and digital gear including Protools HD, logic pro x, and more.
Threshold Recording Studios NYC Vocal Booth Mic Facing Piano.Piano in Live room rear perspective Threshold Recording Studios NYC.The Console at Threshold Recording Studio in New York City.The live room at Threshold Recording Studio in New York City.The Baldwin 7′ Acoustic Grand Piano at Threshold Recording Studio in New York City.The vocal booth at Threshold Recording Studio in New York City.
Quad Recording Studios in New York City has produced music for Alicia Keys (Diary of Alicia Keys,) Chris Brown (Heartbreak on a Full Moon,)Goo Goo Dolls, (Magnetic,)Jay-Z, Volume 2…Hard Knock Life and Vol. 3…The Life and Times of St. Carter,) Jessie J (Who You Are,) Kanye West (The College Dropout,) Mariah Carey (Rainbow and Charmbracelet,)Pop Smoke (Shoot for the Stars, Aim for the Moon,) Post Malone (Beerbongs and Bentleys, and Hollywood’s Bleeding,) Selena Gomez and the Scene, (When the Sun Goes Down,)and Taylor Swift, (Taylor Swift, and Fearless.) Quad is equipped with five studios for use by artists, Q1-5, and the event space Club Quad.
Q1, known as the best-sounding room in the city, can handle all your recording needs. Q1 offers an array of outboard gear and a 64 Channel Neve Genesys Black. The room uses the latest Augspurger technology making it one of the loudest and cleanest sounding rooms in the city. When not in the studio you can relax in the only private studio lounge with panoramic views of Times Square. Studio Q1 also offers a large live room capable of handling extensive tracking sessions.
The Control Room in Studio Q1 at Quad Recording Studios in New York City.The Live Room in Studio Q1 at Quad Recording Studios in New York City.The Lounge at Quad Recording Studios in New York City.
Q2 is known as the medium format studio, with a built-in vocal booth making it ideal for vocal tracking and all sorts of production. Q2 uses a Dual 12” Augspurger system with 18” subs. Numerous hits such as Trains “Soul Sister“ have been recorded in Q2. The room comes with a private lounge and a small balcony overlooking Times Square.
Studio Q2 at Quad Recording Studios in New York City.
Q3 is our most affordable room and uses one of Augspurgers newest products, the Duo 8 system. Equipped with a 35 sq/ft isolation booth, Q3 is perfect for in-the-box production and vocal tracking.
Studio Q3 at Quad Recording Studios in New York City.
Q4is Quad’s latest room and is located on the 12th floor. Built on the success of Quad’s infamous Studio Q1, Studio Q4 offers the same technology and vibe experience found throughout our legendary facility. With a dual 15’“ Augspurgers system accompanied by dual 18” subs, this system will shake you to the core.
Studio Q4 at Quad Recording Studios in New York City.
Q5 is Quad’s largest room and houses the largest Augspurger sound system in the city. Frequented by mainly major labels, Q5 is also available for bookings by an independent artist. With a large live room and high-end preamps like Neve, SSL, and API, this room is ideal for large tracking sessions.
The Control Room in Studio Q5 of Quad Recording Studios in New York City.The Live Room in Studio Q5 of Quad Recording Studios in New York City.The Private Lounge in Studio Q5 of Quad Recording Studios in New York City.
The Cutting Room Studios has two locations in New York City, located in the heart of Manhattan in Greenwich Village and Chelsea. The studio offers a variety of recording/mixing, music production, mastering, and more services. The Cutting Room has produced music for Cardi B (An Invasion of Privacy,) Lana Del Ray (Born to Die,) and Post Malone (Stoney.)
The Cutting Room offers two studios, A and B, and a control room for use by clients. Studio A is the main tracking and mixing room and features a 48 Channel Solid State Logic Duality Console, as well as a Yamaha C5 grand piano. Additionally, a large selection of vintage outboard gear is available in Studio A. The bright and spacious room with urban views along Lafayette and 4th Street provides clients with a relaxed creative environment while remaining in the heart of the city. For late-night sessions, rooms are equipped with Philips Hue lighting, so you can get the color and vibe just right.
Jungle City Studios in Chelsea, the art capital of New York, strives to bring back the golden age of New York City recording studios with an awe-inspiring artistic space never seen before. Founded by Rocco Berardi, Rosemary Spallina, Ann Mincieli, and Robert Baccigalupi and managed by Phil Spallina this three-room creative space fosters an intimate atmosphere while providing inspiring wide skyline views. Mincieli, longtime engineer and studio coordinator for Alicia Keys, has channeled her talents into making Jungle a technical prowess featuring the very best in vintage and modern technology. With over twenty years of experience in the music business, Mincieli has traveled the world engineering for some of the industry’s most renowned artists: Alicia Keys, Jay-Z, Drake, Mariah Carey, Usher, Jennifer Hudson, and Whitney Houston, to name a few. Jungle City has been designed to please the most demanding and diversified lover of sound and music.
Additionally, Jungle City has recorded music for Alicia Keys (Girl on Fire, Here, and Alicia, Keys,) Ariana Grande (Sweetener, Thank u next and Positions,)Beyonce (4, Beyonce, and Lemonade,)Chris Brown (Heartbreak on a Full Moon,) Demi Lovato (Tell Me You Love Me,) Drake (Nothing Was the Same,) J. Cole (2014 Forest Hills Drive,) Jay-Z (Magna Carta Holy Grail,)Nicki Minaj, (Queen,)Justin Timberlake (The 20/20 Experience 1 & 2 and Man of the Woods,) Kanye West (The Life of Pablo,)Katy Perry (Prism)Lorde (Melodrama) Post Malone(Twelve Carat Toothache,) Rihanna (Anti,) Taylor Swift (1989,) The Weekend (Beauty Behind the Madness and After Hours,) and Zendaya, (Zendaya.)
Jungle City is equipped with four studios, East, West, North, and South, and Rooftop Lounge for recording artists. Jungle City Studios Penthouse Studio East features a retro-futuristic design which includes a cutting-edge 48-input SSL Duality Console and a vintage EMI TGI12345 Mark III Console. With the perfect blend of analog and digital gear, Jungle City’s Penthouse Studio East can accommodate any project. Whether it’s recording or mixing an album project, 5.1 surround mixing, video shoots, hosting a listening session or just having an event, the 2400 sq foot space is completely private and is well-fitted with all the latest technologies. The Dual 15″ Augspurger monitors were explicitly built for the dimensions of the room and are beautifully set in the control room glass.
The Penthouse East Studio at Jungle City Studios in New York City.
The Penthouse West Studio is one of Jungle City’s two larger studio accommodations. Mirroring Penthouse East, it features a retro-futuristic design that includes a cutting-edge 48-input SSL Duality Console and a vintage EMI TGI12345 Mark III Console. With the perfect blend of analog and digital gear, Jungle City’s Penthouse can accommodate any project, whether it’s recording or mixing an album project, 5.1 surround mixing, video shoots, hosting a listening session or just having an event, the 2400 sq foot space is completely private and is well fitted with all the latest technologies.
The Penthouse West Studio at Jungle City Studios in New York City.
One of two mix/overdub/production suites on Jungle City’s 10th floor, the North Studio is outfitted with a 32-input Avid D-Control and Pro Tools HD4 with Expansion Chassis. Centered around Digidesign’s Icon D-Control, Studio North is the perfect room for working in the box. The 32-input Icon is the ideal control surface for both Stereo and 5.1 Surround mix sessions. The room is perfectly complemented by a 16-channel EMI Chandler Limited Mini Rack Mixer for summing as well a 2-Channel Lavry Blue converter. Studio North also is equipped with the Antelope Isochrone OCX-V and Isochrone 10M Rubidium Atomic Clock for a tighter, more focused sound that will translate flawlessly in your final mix through our custom 15″ Augspurger Main Monitors and 18″ Pioneer Subwoofers.
The Penthouse North Studio at Jungle City Studios in New York City.
The Penthouse South Studio, lushly appointed with custom work counters, innovative, perforated absorbing diffusers, and acoustically-tuned walls, is one the most versatile rooms in New York City. At the core of the room is the dual-functional Euphonix S5 Fusion console with the ability to become a 64-channel digital desk at the touch of a button. The Euphonix S5 Fusion is one of the most cutting-edge digital consoles using Avid’s latest Madi Converters which allows you to mix utilizing Euphonix’s 40-bit floating point processing.
The Penthouse South Studio at Jungle City Studios in New York City.The Rooftop Lounge at Jungle City Studios in New York City.The VIew of the Manhattan skyline from the Rooftop Lounge at Jungle City Studios in New York City.
The Smooth Spot Recording Studio in Midtown Manhattan is owned by Michael Kevin Walsh, offers a wide array of video and editing services, and is the ideal place for opera, jazz, R&B, rock, pop, voice-over, and musical theater artists in New York City. At the heart of this New York City studio is a whisper-quiet isolation booth where artists can record vocals using the highest-quality microphones available. Whether this is your first time in a recording studio or you are an accomplished professional, The Smooth Spot Recording Studio is the perfect place to record any track.
Flux Studios is a six-room, 10,000 sq. ft. cutting-edge recording, mixing, and mastering music studio located in the East Village of New York City.
Featuring acoustics by Fran Manzella, the Dangerous Room offers a 36-channel 1974 custom Neve console, a Pro Tools HDX system with 32 channels of Avid HD I/O, Focal and ProAc monitors, and the best selection of vintage and modern outboard gear as well as full assortment of up to date plugins, including the complete UAD collection, Waves Horizon bundle and all Avid, Sonnox, Soundtoys, and Flux plugins among others. The Dangerous room, like all Flux Studios’ rooms, is 100% Thunderbolt compatible, allowing visiting producers and engineers to use their personal computers to drive the room’s infrastructure if they desire to do so. It’s the fastest and easiest way to convert a home studio project into a professional project without export and plugin hassles.
The Dangerous Room at Flux Studios in New York City.
Dangerous’ 486 sq ft live room has two separate isolation rooms and a vocal booth with a full line of sight into the live room and the control room. The live room is modular and can be separated into two sonically isolated 200 sq ft rooms with a line of sight. The live room also features a collection of high-end instruments and amps, including a Yamaha C6 Grand Piano with Disklavier system, late 70s Yamaha Recording Custom drums, a 70s Fender Rhodes, a 70s Wurlitzer electric piano, and a 60s Hammond C3 organ with matching Leslie.
The Dungeon room, acoustically tuned by Vicoustics and powered by Focal Trio11 Be + dual Sub6 speaker system, provides an impeccable listening environment for modern music production. Outfitted with a 9.1.4 DOLBY ATMOS setup powered by Focal speakers and managed by a Trinnov room correction system, this room is ideal for mixing in both stereo and spacial audio formats, as well as providing an inviting atmosphere for producing, writing, and recording. The full Pro Tools HDX system, featuring 24 I/O via an Avid HD IO along with a Universal Audio Apollo x8, is readily accessible via Thunderbolt for producers who want to work on their computer and still have access to the room’s gear. The built-in computer features Pro Tools, Logic Pro X, and Ableton Live 9, as well as an up-to-date series of UAD Complete, Sonnox, Soundtoys, FabFilter, NI Komplete plugins, and the Waves Horizon Bundle.
The 208sq ft control room is designed to accommodate writing sessions with easy access to keyboards and instruments. It boasts an assortment of preamps and compressors by brands such as Avalon, dbx, Shadow Hills, Universal Audio, and CAPI among others. The center of the studio is a 24-channel Digidesign D-Command digital console. The accompanying 250sq ft live room has concrete floors and a 12ft ceiling height with a separate vocal booth and an amp iso. Flux Studios has a long list of instruments including a collection of analog synths perfect for writing and tracking sessions.
The Dungeon Room at Flux Studios in New York City.
The Transporter Room is Flux Studios’ all-in-one creative room, designed to allow producers and musicians to quickly go from writing to recording instruments and vocals, and from creating beats to mixing. Powered by Barefoot Master Stack speakers, an SSL Matrix board, and a selection of vintage Neve preamps and various analog compressors, Transporter is the premier writing room in the building. Over the years it has been the launching pad for major artists like The Strokes, The Rapture, Mark Ronson, John Hill, ASAP Ferg, and many others. The large 282 sq ft control room has a vocal tracking area surrounded by TubeTrap treatment, a customized upright piano, analog synths, Fender electric guitar and bass guitar, and midi keyboards.
The Transporter Room at Flux Studios in New York City.
The Fabulous Room is a mixing and mastering studio featuring the highest quality analog and digital gear for a super clean signal flow. It boasts a full assortment of outboards by Dangerous, Neumann, GML, Mercury, API, and many others. Ample space and a flawless listening environment via Focal monitors make it a premier mixing and mastering facility. The Fabulous room also houses an arsenal of vintage analog and hard-to-find synths making it a perfect space for writing and producing. Inspiration comes rapidly when sitting in front of a real CS80 or a perfect Prophet V, Octave Cat, or MS20 among others.
The Fabulous Room at Flux Studios in New York City.
The inspiration room is a writing and production room with perfect integration of a range of digital and analog instruments via a Universal Audio Apollo extended system. The real-time processing power of the UAD hardware and software enables the producer to focus on writing music rather than patching cables.
The Inspiration Room at Flux Studios in New York City.
Home to legendary producer David Kahne, the Revolution room is an ideal production room with a 205 sq ft control room and an adjacent vocal booth that enables tracking of vocals and instruments. The 12ft ceilings make it a pleasant listening environment while two large windows provide natural light during the day.
The Revolution Room at Flux Studios in New York City.Flux Studios in New York City.
Mirrortone Studios is one of the premier recording studios in New York City, with over a decade of producing music for Grammy-winning artists, major labels, and indie musicians alike. In addition to being one of the most sought-after artist-run recording studios, Mirrortone has composed music and provided audio-post services for agencies, brands, commercials, television, feature films, apps, branded content, and videos of all types. Mirrortone offers several services including mixing/mastering, artist/album recording, original music production, track production, professional score recording, and more.
Mirrortone Studios was founded by Jay Rothman and Roman Molino Dunn, who also serve as composers and producers. Rothman is an award-winning New York-based Composer, Producer, and Sound Designer scoring films, and commercials, producing bands, and creating sound design for people and companies of all sizes around the globe. Dunn is an award-winning composer, Billboard-charting music producer (a.k.a Electropoint), and co-owner of Mirrortone Studios in New York City. He has composed and produced music for advertising agencies, corporations, television commercials, TV shows, feature films, radio, and internet campaigns, and his productions have climbed the top 20 Billboard and iTunes charts.
James Quesada serves as a recording and mixing engineer at Mirrortone Studios. Quesada’s engineering style is equal parts industry polish and indie grit. He’s known for being easy to work with, creating an artistic environment, and having fun while getting the important work done. Having worked on countless albums, EPs, singles, and post-productions, he finds inspiration in every genre from garage rock to future trap, radio drama to film score. More than working in any genre, Quesade loves working with people.
New York-based artist The Bones of J.R. Jones have released the single and music video for their newest song “The Good Life,” the third leading song for his October 13 album Slow Lightning.
Photo Credit – Chloe Horseman
Preparing for his first project in five years, Jonathon Linaberry’s (best known by his stage name The Bones of J.R. Jones) “The Good Life” arrives alongside a music video featuring actress Maggie McDowell who encompasses many of the song’s free-thinking themes in the visual form.
Across the music video, McDowell ditches the past and thrives on her own, flees the chaos of a day job, explores the open fields of life, and overall indulges in moments of pure joy, the song’s central message.
Prior to “The Good Life,” Jones dropped “The Flood” on July 17 and the lead single “Heaven Help Me” on June 20, further setting the stage for the 12-track Slow Lightning coming this October.
When it comes to the creative process for “The Good Life” music video, Linaberry discusses how he “wanted this video to walk the line of joy and heaviness of life,” utilizing McDowell’s acting skills to create the additionally help build the song’s storyline.
“’The Good Life’ was definitely a product of me trying to break through and learn to enjoy the moment I am in. Even if that moment is hard. Even if it is frustrating. Even if it feels like treading water, which in my mind is a synonym for death. I suppose I wrote ‘The Good Life’ to help remind myself of that. That we can always find a way out.”
– Jonathon Linaberry (The Bones of J.R. Jones)
Serving as his first album in five years and the artist’s first collective release since the 2021 EP ACelebration, Slow Lightning expects to display The Bones of J.R. Jones’ folk talent and evolution over the years.
On top of the upcoming project are his U.S. and European tour from September 2 to November 18 (including four stops in New York) and an album release show at Mercury Lounge in New York City on October 13.
The Bones of J.R. Jones Tour Dates
United States –
9/2 – Fairmont, WV – Palatine Park
9/7 – Buffalo, NY – Ninth Ward
9/8 – Pittsburgh, PA – Club Cafe
9/9 – Cleveland, OH – Grog Shop
9/10 – Ann Arbor, MI – The Ark
9/12 – Indianapolis, IN – Hi-Fi
9/13 – Chicago, IL – Schubas
9/14 – Columbus, OH – Basement
9/15 – Syracuse, NY – Funk N’ Waffles
10/12 – Washington, DC – DC9
10/13 – New York, NY – Mercury Lounge
10/14 – Woodstock, NY – Levon Helm Studios
10/16 – Richmond, VA – Camel
10/17 – Charlottesville, VA – The Southern Cafe and Music Hall
10/18 – Raleigh, NC – The Pour House Music Hall & Record Shop
Karina Rykman has just released her debut album JOYRIDE for all to stream and enjoy. The nine-track project comes just ahead of her 2023 tour, beginning September 20 with multiple festival appearances before hand.
In light, Rykman’s debut album has been highly anticipated since its announcement, due to the singer’s uniqueness and ability to captivate an audience. Moreover, she brings an original style to fans as the album thoroughly captures Rykman’s jubilant brand of sonic exploration. Additionally bridging an array of genres to arrive at her own take on psychedelic indie rock. With this intention, the album includes the artist’s newest single “All That You Wanted” which features vocal accompaniment from Veronica Stewart-Frommer of Melt, as well as guitars from Melt guitarist Marlo Shankweiler and Phish’s Trey Anastasio.
About the Album
Equally important is that JOYRIDE features Trey Anastasio as co-producer and featured musician, contributing guitar on five of the album’s nine tracks. In turn, Anastasio has taken a profound interest in being a part of Rykman’s debut album, since encountering each other at 2021’s Peach Music Festival in Scranton, PA. As well as the Phish frontman offering the use of his storied Vermont studio, The Barn, along with the suggestion to work with renowned mixer Bryce Goggin, the collaboration was set right from the start.
Moreover, in celebration of the release, Rykman will finish up her summer schedule and head out on her largest headlined tour yet, visiting New York nooks with a sold out show in Brooklyn and a performance in Lake George.
Although her headline tour truly begins September 20th, the artist will perform in select music festivals all over the states including Thornville, OH’s Secret Dreams Music & Arts Festival, Cockeysville, MD’s Hot August Music Festival, Lake George, NY’s Adirondack Independence Music Festival, and many more. Meanwhile fans can catch the artist at the shows shown below or can simply meander to any streaming service to listen to JOYRIDE.
JOYRIDE TOUR 2023
August 18th – Thornville, OH – Secret Dreams Music & Arts Festival *
August 19th – Cockeysville, MD – Hot August Music Festival *
September 1st -3rd – Lake George, NY – Adirondack Independence Music Festival *
September 9th – Indianapolis, IN – All In Music & Arts Festival *
September 10th – Mundelein, IL – The Miracle In Mundelein *
September 15th – Fredericton, NB – Harvest Jazz & Blues Festival *
September 16th – Greenfield, MA – Wormtown Music Festival
September 17th – East Aurora, NY – Borderland Music Festival *
September 20th – Brooklyn, NY – Baby’s All Right (SOLD OUT)
September 21st – Asbury Park, NJ – Wonder Bar †
September 22nd – Baltimore, MD – The 8×10 †
September 23rd – Richmond, VA – The Camel †
September 25th – Raleigh, NC – The Pour House Music Hall †
September 26th – Asheville, NC – Asheville Music Hall †
September 28th – Charleston, SC – The Charleston Pour House †
September 29th – Atlanta, GA – Aisle 5 †
September 30th – Nashville, TN – The Blue Room at Third Man Records †
October 27th – San Diego, CA – Winstons Beach Club †
October 28th – Los Angeles, CA – Venice West †
October 29th – San Francisco, CA – The Chapel †
November 1st – Cave Junction, OR – Bruno’s Cavern †
November 2nd – Bend, OR – Volcanic Theatre Pub †
November 3rd – Portland, OR – Polaris Hall †
November 4th – Seattle, WA – High Dive †
December 1st – Burlington, VT – Nectar’s
December 2nd – Burlington, VT – Nectar’s
December 3rd – Portland, ME – Portland House of Music and Events
The iconic hip-hop group The Fat Boys was recently inducted into the Long Island Music and Entertainment Hall of Fame (LIMEHOF) at its newly opened museum in Stony Brook. Kool Rock-Ski (Damon Wimbley), the last surviving member of The Fat Boys, accepted the induction in person from hip-hop legend and LIMEHOF inductee Erick Sermon of EPMD. Public Enemy’s DJ Johnny Juice (also a LIMEHOF inductee) was also on hand to show support and speak about the group.
“It’s definitely an honor on behalf of the group, two members who are no longer here,” Kool Rock-Ski said. “To accept this on their behalf is huge because they brought so much to the culture. Their legacy lives on with an award like this. We got to the pinnacle of our success—and we got there the hard way, by doing a lot of hard work. We did a lot of hard work.”
The Fat Boys rose to fame in the 1980s, when they pioneered their influential beatbox style of hip-hop music. The group was from East New York in Brooklyn and included “Prince Markie Dee” (Mark Morales), “Kool Rock-Ski” (Damon Wimbley), and “Buff Love” (Darin Robinson). They would heavily influence hip-hop culture through beatbox, comedic charisma, and rhymes. The trio released seven studio albums, four of which went gold by RIAA. In addition to their music, they went on to star in three feature films: Krush Groove, Knights of the City, and Disorderlies.
The Fat Boys had several successful singles which included “Stick ‘Em,” “Can You Feel It,” “The Fat Boys Are Back,” “Wipe Out,” “Fat Boys,” and “Jail House Rap,” to name a few. Throughout their career, they participated in several tours, one of which was Fresh Fest. Despite having eventually broken up as a group, each of the three members maintained a strong brotherhood. The Fat Boys is credited as having had a strong influence on the development and growing popularity of hip-hop.
“The Fat Boys introduced the beatbox, to the world and the song they made was funky to me,” said EPMD’s Erick Sermon, himself a LIMEHOF inductee, when he officially inducted The Fat Boys on stage. “I’m honored to do this because my memories of my kitchen on that ledge were playing The Fat Boys album.”
Kurtis Blow, another LIMEHOF inductee, has a personal connection to The Fat Boys, as he produced their first two albums.
“The Fat Boys being inducted into the Long Island Music and Entertainment Hall of Fame is so well deserved,” Blow said in a written statement that congratulated the group on this honor.
“These young men were talented and passionate about their craft at a very young age. Producing The Fat Boys was one of the highlights of my career. Rest in peace, Buffy (the Human Beatbox Master) and Prince Markie Dee (Mark Morales). I will never forget you, and you are greatly missed. Continue to carry the torch, Kool Rock-Ski!”
LIMEHOF has long recognized the unique talent and contributions that Long Island artists brought to the hip-hop genre. Notable hip-hop inductees include LL Cool J, Run-DMC, Public Enemy, Eric B. & Rakim, Big Daddy Kane, Kurtis Blow, Whodini, Salt-N-Pepa, and EPMD. Earlier this year, LIMEHOF held an event to honor the 50th anniversary of hip-hop which had a strong participation and turnout from Long Island artists.
“This historic induction—coupled with our recent 50thAnniversary of Hip-Hop Concert—cements Long Island’s legacy as one of the most important regions in the country for contributing to hip-hop’s long-term success,” said Ernie Canadeo, LIMEHOF Chairman.
“Inducting The Fat Boys into the Long Island Music and Entertainment Hall of Fame is a tribute to their enduring influence—recognizing their role in shaping the genre and inspiring generations,” said Tom Needham, LIMEHOF Vice Chairman and longtime host of the “Sounds of Film” radio show, and who organized the induction event.
At the induction ceremony, Kool Rock-Ski announced that he is working on a documentary film about The Fat Boys and intends to hold the premiere at LIMEHOF when it’s released.
For more information about events and future inductions, please visit the LIMEHOF website.
About LIMEHOF
Founded in 2004, the Long Island Music Hall of Fame is a 501(c)(3) organization dedicated to the idea that Long Island’s musical and entertainment heritage is an important resource to be celebrated and preserved for future generations. The organization, which encompasses New York State’s Nassau, Suffolk, Queens, and Kings (Brooklyn) Counties, was created as a place of community that inspires and explores Long Island music and entertainment in all its forms.
In 2022, LIMEHOF opened its first Hall of Fame building location in Stony Brook Village. To date, the organization has inducted more than 120 musicians and music industry executives and also offers education programs and scholarships, and awards to Long Island students and educators.
Irving Plaza was set ablaze on Aug. 11 as the vibrant indie-pop sensation, Tessa Violet, took the stage, with the equally captivating Frances Forever opening the night. The air was charged with excitement as fans streamed into the venue, anticipating a musical experience that promised to be nothing short of unforgettable.
With Tessa Violet’s reputation for infectious energy and Frances Forever’s rising popularity, the anticipation was palpable. As the lights dimmed and the first chords reverberated through the air, it was clear that this concert would be a convergence of artistic talent and a celebration of the profound connection between musicians and their devoted followers.
Frances Forever (photograph by Chinaza Ajuonuma)
Frances Forever, the burgeoning indie-pop sensation, is carving a unique path with their music that resonates deeply with audiences across the globe. Born from a rich tapestry of influences spanning from folk to lo-fi bedroom pop, Frances Forever delivers an unmistakable sound that stands out in today’s music landscape. With introspective lyrics and melodies that effortlessly navigate themes of love, identity, and the rollercoaster of emotions that come with growing up, Frances Forever has captured the hearts of listeners seeking authenticity and reliability.
Their breakout hit “space girl” and the subsequent releases have showcased a rare combination of vulnerability and catchy hooks, solidifying their place as a rising star in the indie scene. With an ever-growing fan base and a distinctive musical style, Frances Forever is undoubtedly an artist to watch as they continue to craft music that leaves an indelible mark on listeners and charts a fresh course in the world of indie-pop.
Frances Forever (photograph by Chinaza Ajuonuma)
Frances Forever’s opening performance was an absolute whirlwind of emotions and musical prowess. Kicking off with a powerful mashup of “depression” and “cry inside my car,” they immediately set the tone for an intimate and emotionally charged set. The audience was captivated by the seamless transitions between songs and the raw authenticity that Frances Forever brought to the stage. Tracks like “Mr. Man” and “Frankenstein Wannabe” showcased their ability to blend introspective lyrics with energetic melodies, creating a dynamic and engaging atmosphere.
The standout moment of the night was the live performance of “Monica Gives Me Lockjaw,” an unreleased gem that resonated deeply with the crowd. The unrestrained emotion and vulnerability in their delivery left an indelible mark, reaffirming their status as a rising indie sensation. The juxtaposition of heartfelt tracks like “my condolences to myself” with the infectious energy of “paranoia party” demonstrated Frances Forever’s versatility and the range of emotions they can evoke through their music.
“Space Girl” served as a fitting conclusion to their set, leaving the audience with an anthemic chorus echoing in their minds. Frances Forever’s performance was a journey through introspection, heartache, and catharsis, all expertly woven into a mosaic of indie pop brilliance. Their ability to connect with the audience on such a personal level while delivering a polished and energetic performance is a testament to their burgeoning talent. As they left the stage, the crowd was left buzzing with excitement, fully immersed in the emotional rollercoaster that Frances Forever had taken them on.
Frances Forever Setlist: depression / cry inside my car (Mashup), Mr. Man, fuck u, Frankenstein Wannabe, treehouse, Stuck, my condolences to myself, Monica Gives Me Lockjaw (Unreleased), paranoia party, space girl
Tessa Violet (photograph by Chinaza Ajuonuma)
Tessa Violet, an emerging luminary in the indie-pop realm, is captivating audiences with her distinctive blend of introspection, vulnerability, and clever lyricism. From an eclectic musical background that spans genres, Tessa Violet has cultivated a sound that effortlessly weaves together catchy melodies and deeply relatable narratives. Her breakout tracks, such as “Crush” and “Bad Ideas,” have resonated deeply with listeners for their unfiltered portrayal of emotions and self-discovery.
With an innate ability to craft songs that explore the highs and lows of relationships and personal growth, Violet has firmly established herself as a rising star in the music scene. Beyond her music, her engaging presence and relatable charm have endeared her to fans around the world. As she continues to evolve as an artist and explore new musical territories, Tessa Violet’s journey promises to be a captivating one, leaving an indelible mark on the indie-pop landscape.
Tessa Violet (photograph by Chinaza Ajuonuma)
Tessa Violet’s electrifying performance was a showcase of her artistry, vulnerability, and boundless energy. The night held a series of delightful surprises, starting with Frances Forever joining Tessa on stage during “Play with Fire,” adding an extra layer of charm to an already captivating song. Violet’s interaction with the crowd brought a personal touch to the show, prompting them to share their gratitude, leading to a delightful chant about dopamine. As she ventured into deeper conversations, she hopped off the stage to engage with fans, leading to a heartfelt exchange of dreams and desires.
A poignant moment followed as Tessa introduced “I Don’t Know Who I Am Without You,” drawing from personal loss and connecting with the audience through a powerful and heartfelt performance. Throughout the show, her dynamic outfit changes, from the golden goddess dress to the iconic pink armor, added to the visual spectacle of the night.
Her connection with her band members was evident, particularly with her fiancé Dante Cimadamore on guitar and Mike McKerracher on drums, who joined her on stage for an intimate dance during “I Don’t Know Who I Am Without You.” The live rendition of “When the Curtain Falls” was introduced with Tessa’s characteristic witty banter, giving a glimpse into the theme of her introspective and multi-dimensional album MY GOD!
The set design, featuring a painting depicting Violet’s different personas, was a visually striking representation of her evolving artistry. Her acoustic take on “Bad Ideas,” with the crowd enthusiastically contributing to the ad-libs, showcased her effortless ability to engage and uplift the audience. Her candid speech on confidence, positive affirmations, and self-love resonated deeply, and the collective affirmation exercise led seamlessly into her empowering anthem “Bad Bitch.”
Tessa Violet (photograph by Chinaza Ajuonuma)
The show’s high-energy climax during “Crush” saw her stepping off the stage, mingling with the crowd, and sharing the microphone, creating an unforgettable moment of connection. The evening wrapped up with an encore featuring Frances Forever and their band, dancing, celebrating, and line dancing along with her during a spirited rendition of “Born This Way.” Tessa Violet’s performance was more than just a concert; it was an immersive journey through her music, emotions, and empowering spirit, leaving the audience inspired and invigorated.
Tessa Violet Setlist: YES MOM, Breakdown, Play With Fire, Again Again, Good Things Go Bad, Haze / Wishful Drinking (entitled on the setlist, Hazeful Drinking), I Like (the Idea of) You, I Don’t Know Who I Am Without You, When The Curtain Falls, song without a title, Games, Bad Ideas + Liability by Lorde (Mashup), Honest, BAD BITCH, Kitchen Song (voice memo), Kitchen Song, MY GOD!, You Are Not My Friend, Crush
Encore: Born This Way (Lady Gaga Cover)
Tessa Violet (photograph by Chinaza Ajuonuma)
In terms of upcoming shows, “MY GOD! The Tour” will be wrapping up on Sept. 7 in San Diego. If you find yourself in the UK later in September, you can also catch Tessa at Bittersweet Daze!
Updates for any future Tessa Violet shows can be found on socials, and her website. The same goes for Frances Forever, and you can find their socials and website linked here.
Newly-minted trap producer Michael Vincent Waller has found his latest muse, teaming up with Atlanta-based Anycia for his latest single “Makin’ em’ Dance.” The Staten Island bred producer continues to broaden his musical horizons dropping this slowed-down thumper with the up-and-coming rapper.
MVW and Anycia are “Makin em’ Dance”
In similar fashion, MVW tabs Anycia as the latest to rhyme over his unique production. “Makin em’ Dance” is a slow-pace thumper. Backed by poignant piano and violin chop and thumping 808 drums that offers a spaced-out ambiance, the Atlanta-based rhymer delivers the type of easy-going and mellow flow that meshes so well with MVW’s minimalist style.
Altogether, MVW is ramping up and diversifying his releases in anticipation of another album. The California-based producer has raised his profile with two unique projects in his first two years as a hip hop producer. As of late MVW has teamed with TiaCorine and Lil Cherry for the global trap record “Tru Tru.” Not to mention a pair of summer releases with the Chicago-bred Valee as they tease their upcoming joint-album.
Bobby Weir & Wolf Bros have recently confirmed that they will be performing select shows in Charlottesville, South Burlington, Columbus, Philadelphia and Baltimore this September. The group, led by Weir alongside Don Was, Jay Lane and Jeff Chimenti, will also be joining Willie Nelson’s Outlaw Music Festival 2023, making stops at venues throughout New York State, including Queens and Saratoga Springs.
The band will once again be joined by The Wolfpack, a string and brass quintet featuring Alex Kelly, Brian Switzer, Adam Theis, Mads Tolling and Sheldon Brown, along with Barry Sless on pedal steel performing the expansive catalogue of Grateful Dead, Bobby’s solo albums and more.
They will be joining Willie Nelson’s Outlaw Music Festival 2023 for seven shows this September, including Forest Hills Stadium in Queens, NY, Saratoga Performing Arts Center in Saratoga Springs and more. They’ll also make their debut performance at the legendary Farm Aid in Noblesville, IN at Ruoff Music Center on September 23.
About Bobby Weir & Wold Bros
Bobby Weir & Wolf Bros have released two notable live albums, Bobby Weir & Wolf Bros: Live in Colorado followed by Bobby Weir & Wolf Bros: Live in Colorado Vol. 2. Both volumes feature songs recorded live at Colorado’s Red Rocks Amphitheatre and Gerald R. Ford Amphitheater in June 2021.
Notably, the second volume received praise from Pitchfork who raved, “he stages some of the most beloved material in the Grateful Dead’s catalog with the passion and reverence of a couple spending their 50th anniversary looking back on their wedding day,” while American Songwriter said, “Weir and the Wolfs manage to stay true to the template while also taking the music beyond any original incarnation by reinventing them in ways that find imagination and intrigue well stirred in a contemporary context.”
Weir also released Ace: 50th Anniversary Deluxe Edition, an album which features one of the band’s most notable performances, a show at Radio City Music Hall in celebration of his debut solo album, Ace. The band played the entire album live and welcomed a number of special guests, including Tyler Childers and Brittney Spencer.
The band debuted orchestral performances alongside the National Symphony Orchestra at the Kennedy Center, as well as three nights with the Atlanta Symphony Orchestra at the Atlanta Symphony Hall. Each night the ensemble performed a completely unique set featuring hits from the expansive Grateful Dead catalogue, Bobby’s solo albums and more. Stanford professor and composer Dr. Giancarlo Aquilanti provided original orchestration.
The Members
Bobby Weir, one of the original members of the iconic Grateful Dead, honored with a GRAMMY Lifetime Achievement Award in 2007, stands out as one of the rock genre’s most exceptional and unique rhythm guitarists. The Grateful Dead is still one of the highest-grossing concert attractions in the U.S. and their final tally of 2,318 total concerts remains a world record.
Weir has been honored with the Americana Music Association’s Lifetime Achievement Award and the Les Paul Spirit Award, as well as a Goodwill Ambassadorship for the United Nations Development Program. His first solo album in more than ten years, Blue Mountain (2016), was critically praised upon release. Weir has been member of Dead & Company since its formation in 2015. Dead & Company has completed 10 tours and has performed to more than 4 million fans across 235 shows since the band’s debut. Weir is also a member of Bobby Weir & Wolf Bros, who were formed in 2018. The band set out performing the expansive catalogue of Grateful Dead, Bobby’s solo albums and more and has toured extensively throughout the U.S.
Don Was is a GRAMMY-winning producer and founder of the ’80s funk-rock band Was (Not Was), known for hits such as “Walk The Dinosaur” and “Spy In The House Of Love.” As an in-demand, highly acclaimed producer, Was has been honored with four GRAMMY Awards for his production work in each of the past three decades, including Best Album honors for work with the Rolling Stones and Bonnie Raitt. Production credits include the Rolling Stones, Willie Nelson, Roy Orbison, Gregg Allman, John Mayer and Neil Young.
Albums produced by Was have achieved dozens of multi-Platinum, Platinum and Gold certifications and have sold more than 90 million copies worldwide. As one of music’s top bass players, Was has collaborated with countless musicians throughout his storied career, spanning a multitude of genres.
Jay Lane is a longtime Weir collaborator and drummer who played with Weir’s RatDog for more than 16 years. He was also one of Primus’ first drummers and has recently performed with Phil Lesh and Friends as well as Dead & Company.
Acclaimed keyboardist Jeff Chimenti has a long history of working with former members of the Grateful Dead having performed with Bob Weir & RatDog, The Dead and Furthur. He has been a member of Dead & Company since the band’s formation in 2015. In 2020, Jeff Chimenti joined the Wolf Bros.
Tour Dates
September 8—Park City Song Summit Festival—Park City, UT September 10—FirstBank Amphitheater—Franklin, TN* September 12—CCNB Amphitheatre at Heritage Park—Simpsonville, SC* September 13—Ting Pavilion—Charlottesville, VA September 15—Saratoga Performing Arts Center—Saratoga Springs, NY* September 16—Xfinity Center—Mansfield, MA* September 17—Forest Hills—Queens, NY* September 19—The Green At Shelburne Museum—South Burlington, VT September 20—Hartford HealthCare Amphitheater—Bridgeport, CT* September 22—Pine Knob Music Theatre—Clarkston, MI* September 23—Farm Aid—Noblesville, IN September 26—Mershon Auditorium—Columbus, OH September 27—The Met Philadelphia—Philadelphia, PA September 28—Pier Six Pavilion—Baltimore, MD
*Willie Nelson’s Outlaw Music Festival 2023
Tickets and More Information
Ticket sales began on July 21, and are currently available for purchase here. VIP packages will be available for the headline dates as well.
