NYC-based indie-pop artist Olivia Reid has just released her newest single “Runner’s High,” on March 3rd. This new eclectic single serves as a self-reflection of Olivia’s dedication to her path to success, above all of the challenges.
Olivia grabs the attention of her listeners with potent lyrics and a pumping beat. “Runners High” carries you through a musical journey perfect for a windows-down drive or an outdoor festival. She states, “’Runner’s High’ describes the way I’ve conditioned myself to be a workhorse. A product of growing up in America, I guess.”
Based in NYC, Reid’s production style blends indie acoustics with exploratory electronic pop soundscapes, landing listeners in a visceral sonic world. Reid’s interests are diversified, exploring areas such as screenwriting, neuroscience, digesting current events, advocating for nature.
Currently, Olivia is involved with Brian Eno’s charity EarthPercent, she also formerly hosted Spotify For Artists and Notable’s Song Start podcast. Thus, where she interviewed artists like Sam Smith, Victoria Monet, Hayley Williams of Paramore.
As a self-proclaimed “chronic collaborator,” Olivia Reid has connected with audiences around the world via collaborations such as “Time is Mine” with Kidswaste, “What You Came Here For” with Jae Luna, and “Above the Clouds” with SŸDE. Her music has been featured in Flaunt Magazine, Brooklyn Vegan, The New Yorker, and American Songwriter and has been added to several official Spotify playlists like Happy Pop, Metropolis, Chill Tracks, Sunday Session, Dance Hits, and Golden Hour, garnering her over 40 million streams.
Olivia Reid’s debut EP Earth Water hit streaming platforms in 2021, with new songs on the way in 2023. Fueled by deeply personal lyrics and boundary-pushing production, the new project conceptually details an artist’s slow descent into madness.
To listen to “Runner’s High,” click the Spotify link here.
For more about Olivia Reid, click the link to her website here.
Brooklyn’s Jake Pinto announces the release of his upcoming album Sad Songs for Happy People, on March 31st. The album was set for release right when the pandemic hit, and then further delayed when Jake’s talents were sought out by Miami psych-funksters Magic City Hippies and Brooklyn’s afrobeat Antibalas, leading to months of global touring.
Pinto’s eclectic musical story has shaped a charmingly honest solo debut rich in instinctive melodicism and cultured arrangements. Being a jazz musician since his early teens, Jake attended NYU for jazz piano and was soon booking gigs and festivals worldwide, including the Blue Note in New York City and Milan.
While still in college, Jake Pinto found himself already playing alongside genre luminaries like François Mouton, Ralph Lalama, and the late Lew Soloff. He went on to play prestigious engagements, including the Montreal and Rochester International jazz festivals.
Getting back to writing on piano, Jake found fresh excitement and energy. He began working with a diverse variety of artists at Silverman’s Future Sounds studio in Brooklyn, and on off days, he would bring in his own band and record what would become Sad Songs for Happy People, much of it tracked live on vintage, analog equipment.
“The Beatles are still my favorite band, but I was also obsessed with D’Angelo for so long,” Pinto says. “And I love the crooners like Tony Bennett and Frank Sinatra; the directness of how they sing and tell stories. It’s a hard thing to do, to tell show-tune stories in a way that doesn’t feel corny.”
The result of this album is 11 ultra-accomplished tracks of eclectic, Americana, and blues-flecked indie rock delivered straight from the source. These are songs emotional and quality rather than adherence to genre or style.
“There’s something beautiful about taking a sad song and putting it to a bright beat and bright instrumental,” Jake continued. “Just an interesting combination of melancholy, nostalgia, love, and happiness.”
To pre-save Sad Songs for Happy People, click the link here.
For more music by Jack Pinto, click the link here.
Equal parts British and American, The Backfires returned from a show across the pond to play at Brooklyn’s very own Baby’s All Right on Februrary 22. With support from indie rock band Secondhand Sound, The Backfires fully entranced the fans at the sold-out show.
Frontman Alex Gomez (Photographed by Chinaza Ajuonuma)
Rock group The Backfires hails from both sides of the Atlantic. When Alex Gomez, the frontman, went to London to study abroad in 2018, he met Harry Ruprecht (lead guitarist) and Max Wanduragala (drums). Right before the production of their debut EP “Consider the Backfires” in 2019, bassist Matt Walter joined the group. The band completed recording the EP in London in January 2020. In 2021, the band released the EP and later that year, remotely recorded and published “Song 55.” The British members of the Backfires have secured their visas for 2023, ready for many more live shows in the upcoming year.
Secondhand Sound (Photographed by Chinaza Ajuonuma)
Nashville-based alt-rock quartet Secondhand Sound was originally formed in Urbana, Maryland after Sawyer John Estok (lead vocalist/guitarist) and Collin Plank (drummer) began writing songs in their parent’s basements. Eventually, Estok and Plank headed to Nashville, making friends with Teagan Proctor (bassist) and Cam Schmidt (guitarist/keyboard player). Through anthemic hooks, fuzzy garage-rock riffs, and irresistible youthful energy, Secondhand Sound craft songs that have granted them vast success, with more to come as the band self-proclaims that they “Will Be The Biggest Band In The World”.
Bassist Matt Walter (Photographed by Chinaza Ajuonuma)
During the show, Estok’s voice carried a windful southern howl that carries a weight of melancholy with a feisty rock n’ roll punch throughout the performance, while the band danced around and moshed in the pit. After playing stand-out songs “Dominoes” and “Pocket Change”, Estok left the stage to join the crowd in moshing. The remainder of the show kept the vibe energetic and fun. As their set closed out, the impression of their performance introduced an array of new followers to their rich Nashville sound.
Secondhand Sound Setlist: Heavy Metal Parking Lot Kind Of Cool, Darby, Stone’s Throw, Rorschach, Dominoes, Colm’s, Veritas, Pocket Change
Guitarist Harry Ruprecht (Photographed by Chinaza Ajuonuma)
When The Backfires finally started playing, the crowd immediately went wild as Gomez launched straight into singing “Matador”. Throughout the show, their enthusiasm and stage presence shone through as they played such hits as “Song 55” and “City Queen”. Before the end of the show, after much anticipation, The Backfires played their new single “Joyride” live for the first time. The atmosphere in the room was absolutely unmatched as they rocked the house down. As their first show back in the US in 2023, The Backfires showed that they’re up to incredibly exciting things and new sounds.
The Backfires Setlist: Matador, Preoccupied, Never Seen You Before, Figure It Out, Anything, R U Mine, City Queen, Turn off The Lights, Reflection On My TV, I am the Walrus, Brighter Lights, Song 55, Joyride, Blindsided
Bassist Teagan Proctor (Photographed by Chinaza Ajuonuma)
In terms of upcoming shows, Secondhand Sound doesn’t have any performances set up but be sure to check their Instagram for any updates. The Backfires also don’t currently have any upcoming tours, but any announcements can be monitored on their website or their social media accounts.
Photographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza AjuonumaPhotographed by Chinaza Ajuonuma
NY-based indie pop bandDaisy the Great have just released the music video for “I Don’t Wanna Fall” from their new album All You Need Is Time. To celebrate the album release, the band will embark on another nationwide tour as headliners. Daisy the Great’s All You Need Is Time Tour begins April 12th at Brighton Music Hall in Allston, MA, making their final destination at Brooklyn’s Music Hall of Williamsburg.
Daisy the Great is an American indie pop band from Brooklyn led by Kelley Nicole Dugan and Mina Walker. The song “Record Player” from their debut album was released in August 2021, with additional verses and production performed by AJR. It went to number 6 on the Billboard Alternative Airplay chart.
The band stated, “The “I Don’t Wanna Fall” music video is a compilation of footage from our most recent tour. It follows us on the road, backstage and on stage at the shows. We chose to pair “I Don’t Wanna Fall” with this very sweet docu-style footage because it felt really heartwarming and also heartbreaking to watch us so happy and in our element, tied up with this song about the temporary nature of good things. It feels important to remember to really live in the joyful moment when you’re in it, because everything comes and goes. The song was initially about a romantic relationship, but it brought new importance to the music to recontextualize it using our relationship with our audience and with live music in general. We love touring and we are very lucky to have our first headline tour EVER coming up this spring!!! We’re so excited to play all over the US. We hope you love the video and can’t wait to see you on the road.”
Both Kelley Nicole Dugan and Mina Walker make folk-inflected indie rock together that spans a multitude of moods, capable of being clever, devastating, simultaneous pop to powerhouse balladry. The pair first met as acting majors at NYU’s Tisch School of the Arts where they began co-writing a musical about a fictional band before realizing they could make it happen in real life and set out as Daisy the Great.
“Our music is generally pretty introspective, and we are often interested in the complexities or ironies we see within ourselves,” Dugan says. “That’s something we love about writing—you can say something small and delicate and true that maybe feels scary to say, but once you put it out there, it can turn into a comfort for anyone that might also be feeling that way.”
ALL YOU NEED IS TIME Tour Dates:
April 12 – Allston, MA – Brighton Music Hall
April 14 – Columbus, OH – The Basement
April 15 – Chicago, IL – Beat Kitchen
April 17 – Minneapolis, MN – 7th St. Entry
April 18 – Denver, CO – Marquis Theater
April 19 – Salt Lake City, UT – Kilby Court
April 21 – Portland, OR – Holocene
April 22 – Seattle, WA – Barboza
April 25 – San Francisco, CA – Café Du Nord
April 28 – Los Angeles, CA – The Echo
April 29 – San Diego, CA – House of Blues San Diego
May 2 – Dallas, TX – Dada Dallas
May 3 – Austin, TX – Antone’s
May 5 – New Orleans, LA – Gasa Gasa
May 6 – Atlanta, GA – Shaky Knees Festival
May 7 – Nashville, TN – The End
May 10 – Philadelphia, PA – The Fillmore Philadelphia
May 11 – Washington, DC – Songbyrd Music House
May 12 – Brooklyn, NY – Music Hall of Williamsburg
For details about the Daisy the Great, the upcoming tour, and ticket availability, please visit the link here.
Brooklyn’s Hello Mary have just dropped a new single “Special Treat,” right before the release of their self-titled debut album on March 3rd. The song opens with disarming harmonies that might recall a schoolyard taunt, or something more sinister, like the summoning of a coven.
The band explains that, “‘Special Treat’ is pretty much about indulgence of any kind, and doing things for pure momentary pleasure. For the music video, we just wanted to be crazy, eat dope food, and take out our deep resentment towards each other through a food fight.”
Hello Mary will also play a record-release party at Brooklyn’s Elsewhere Zone One on March 24. Their first ever tour kicks off on March 23rd in Hamden, CT and concludes in Providence, RI on April 6th. Tickets for all shows are on-sale now and all dates are listed below.
Hello Mary is made up of Helena Straight (guitar, vox), Mikaela Oppenheimer (bass), and Stella Wave (drums, vox). Mikaela started Hello Mary with Helena as freshmen in high school. When they met Stella by happenstance the three became an inseparable unit, as good of friends as they are bandmates.
The album Hello Mary references alternative rock of the nineties alongside Elliott Smith and Jeff Buckley as influences. For sound, the band tends to meld elements of 90s shoegaze with indie rock and grunge, making a unique sound of their own.
The album’s song “Looking Right Into the Sun,” is most honestly described as “delightful,” driven by a tight and dynamic rhythm section that gives way to Straight’s crystalline and confident falsetto.
Hello Mary Tour Dates:
3/23 – Space Ballroom – Hamden, CT
3/24 – Elsewhere Zone One – Brooklyn, NY
3/25 – Songbyrd – Washington, DC
4/5 – Underground Arts – Philadelphia, PA*
4/6 – Columbus Theatre – Providence, RI*
*Denotes Dates with Deerhoof
Pre-order Hello Mary by clicking the link here. Listen/share “Special Treat” by clicking the link here.
Burlington‘s indie rock duo Fever Dolls have just released “Hate Myself (For Loving You)” on February 17th. The single is an infectious heartache anthem for fans of Kevin Morby and Lord Huron.
Active since 2018, Fever Dolls is comprised of songwriter Evan Allis and singer Renn Mulloy. Formed 2018, Fever Dolls was born out of a desire to forego the self-seriousness of modern rock in favor of big hooks, clever lyrics, and broad musical range. The duo have over 10 million streams on Spotify, over 150,000 views on YouTube, and have Best Music Video Award from Gorilla River Music Video Festival 2019 (Adeline).
“If you were to ask me to name the qualities that unite my favorite bands, I would say, “a great bar band that sounds like it would write an amazing Broadway musical.” Fever Dolls meets and far surpasses that standard”
– Vox
By blending indie rock and Americana influences, “Hate Myself” showcases the lyrical storytelling that Vox’s Emily St. James praised as sounding like “a great bar band that would write an amazing Broadway musical,” and features collaborators Willoughby Morse (Cavetown), Riley Geare (Caroline Rose), and Dan Rome (Noah Kahan).
Evan Allis says that, “Hate Myself” was one of those songs that I kept coming back to when I really struggled with questions about the “sound of the band,” because it seemed to capture what I thought was special about Fever Dolls: anthemic choruses, hypnotic guitar riffs, and close vocal harmonies that sound descended from both classic country and Motown.”
“Lyrically, “Hate Myself (for Loving You)” strikes a balance between self-deprecation and self-delusion. There’s plenty of confessional songwriting that captures the initial disorientation, but not much that speaks to the mixture of emotions that lingers after the hurt has worn off. The narrator of “Hate Myself” is saying “good riddance,” even while acknowledging their own contribution to a toxic relationship. There are a lot of “kiss-off” songs and “please take me back” songs, but “Hate Myself” lives in that murky middle-ground where most people I know reside after a split. It’s our anthem for the anger/acceptance stage of the break-up grief cycle.”
To listen to “Hate Myself (For Loving You),” click the link here.
For more information on Fever Dolls, click the link here.
On Friday, January 27th, Penelope Scott played a one-off show at the iconic venue Baby’s All Right in Brooklyn. With support from openers Hank and Yot Club, there was a dynamic and vivacious energy as the performances spoke for themselves and the audience participated in their own way.
Photographed by Chinaza Ajuonuma
Penelope Scott is an American singer-songwriter who has produced all of her own music. Scott’s debut album, Public Void, was released on Bandcamp on August 29, 2020, then on streaming services on September 25, 2020. In November 2020, her music found a larger audience on Tik Tok. Her song “Rät” went viral with tens of thousands of videos made with the song. The song expresses disappointment with Silicon Valley and technology billionaires, particularly Elon Musk “Rät” peaked at 29 on Billboard’s Hot Rock & Alternative Songs Chart.
A week after playing at the first annual This is Home benefit show at Racket on Jan 11th, Penelope announced the Jan 27th one-off show on Instagram. Her companions were Yot Club, aka Ryan Kaiser (who also played at the benefit show), and Hank, both of whom played their first ever Baby’s All Right show on the 27th.
Photographed by Chinaza Ajuonuma
Hank performed first, letting the audience know that despite being an NYC local, they had never played at Baby’s All Right. Hank’s music is self-described as “music for truck drivers who wear short jorts and rip juuls” which was evident in their setlist. With a sound that can be described as pop indie tunes with a southern twang, their set kicked the show off with an animated and captivating vibe.
After his last appearance alongside Penelope and friends at the This is Home Benefit show on Jan 11th, Yot Club (Ryan Kaiser) took the stage again right after Hank. Although it was also his first time ever playing a show at Baby’s, he has toured with Penelope before, revealing he loves opening for her fans due to their open and energetic demeanor.
During his set, Kaiser played his signature lo-fi bedroom pop beats with songs like “YKWIM?”, “Japan”, and a Mountain Goats cover of “No Children” for what turned out to be an electric performance with the crowd screaming back lyrics.
Photographed by Chinaza Ajuonuma
By the time Penelope Scott came on stage, the crowd was thoroughly warmed up and buzzing with excitement. She showcased her musical prowess by jumping from her borrowed guitar (courtesy of Kaiser) to the keyboard, to her prerecorded electronic tracks. Throughout the show, her moxie and vivacious spirit infected the crowd as she busted out some dance moves, accepted a fan-made bracelet, and did a bottle flip challenge during an instrumental break. By the time the show came to a close, Scott debuted a couple of half-baked bangers that she affectionately referred to as “campfire time”. After closing her eyes and throwing her setlist into the crowd, she left the crowd with a liveliness that defines a Penelope Scott show.
Photographed by Chinaza Ajuonuma
Be sure to keep up with all these artists on socials, especially since there are some shows that just can’t be missed!
Yot Club can be found opening for Skegss during their US tour dates, and you can catch Hank next month on February 12th. They’ll be performing at The Sultan Room in Brooklyn with friends as part of Cumulonimbus, a collaborative music playlist that Hank is featured on.
Photographed by Chinaza Ajuonuma
Hank Setlist: Call Me Hank, All for You (Baby), Adore You [Miley Cyrus cover], Bugs, Good Guy Hard Life, One True Dear, Your Ex Man
Yot Club Setlist: u dont kno me, Comfort Zone, Dog Song, down bad, No Children [The Mountain Goats cover], YKWIM?, The Bay, Fly Out West, Mardi gras, anything, japan
Penelope Scott Setlist: Pseudophed, Sweet Hibiscus Tea, Feel Better, Bad Advice, Baxter 3rd Is Under Fucking Siege, 7’Oclock, Lavender, American Healthcare, Montreal, Runaway, Cool Girl Shuffle, Cigarette Ahegao, Gross, TOML, Rät, Lotta True Crime, Sineater, Cemetary Pigeons [unreleased], Something Blue [unreleased]
Photograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza Ajuonuma
Brooklyn‘s Oropendola has announced the release of her newest LP Waiting For The Sky To Speak out on March 17th. Along with this exciting news, she has just released the single track on the album “Knocking Down Flowers,” accompanied with a beautifully hazy and shimmering video to go with it.
When listening to “Knocking Down Flowers,” Schubert finds life in the least likely of places: a construction site. Here, she recognizes and illuminates the power of living at the intersection of contrasts.
Waiting For The Sky To Speak is Joanna Schubert’s debut album as Oropendola, a word that means “golden pendulum.” The album’s emotional core comes through on roiling ballad “Trust the Sun” and clear-eyed album closer “When You Carried Me,” which both look to the sun, another kind of golden pendulum, as a guiding force.
Set to release March 17th, these tracks shimmer with bursts of energy and emotion, swinging from playfulness to earnestness with deft, technicolor brushstrokes. The album is a celebration of choosing life even in the face of its ephemerality, and of finding motion even in the midst of stillness.
While much of the rest of Waiting for the Sky to Speak careens across black-ice patches of inner conflict, both these songs offer a tentative hand outward, towards love, friendship, and family. The fixed sun in a changeable sky as she coaxes herself back out into the world.
Joanna says of the track and its inspiration, “In January 2020, I started recording myself improvising every morning – “morning pages” inspired by The Artist’s Way, a creative self-help book. I recorded morning pages #1 soon after a pivotal, complicated, on-and-off relationship “reached its end. Round and round we went, addicted to one another, unable to break free of a sticky cycle that prevented us from fully blooming together. That song seed turned into Knocking Down Flowers within a few days.”
To listen to more of Oropendola, click the link here.
For more information about Oropendola and upcoming tour dates, click the link here.
Coming off the October release of his third full-length album, Cometa, Brooklyn-based artist, Nick Hakim, performed at Brooklyn Steel this past Saturday, Jan. 21.
Nick, joined by his incredibly smooth, regular musician accompaniment consisting of bassist Kyle Myles, guitarist Joe Harrison, and drummer Vishal Nayak, brought fresh sounds and layers to his already sonically rich vocal and backing melodies.
The night’s performance began with a few songs off the new record, blending in occasional songs from his second and debut album, also including, “I Don’t Know”, from his E.P. Where Will We Go, Pt. 2.
Midway through the gracefully blended set, show opener June McDoom joined the band on stage, providing harmonies fit for Nick’s soulfully gritty vocal style throughout the remainder of the show (not including the encore).
Later in the night, Nick’s brother Danny supplied guitar accompaniment to “Perfume”, which he wrote the chords for.
Nick and Danny Hakim & June McDoom, 2023 Photo by Parker Alexander
Some highlights of the night were a rousing performance of “Qadir”, named after his late friend, Qadir Imhotep West. Through repeated choruses, the band fully enveloped the audience, reaching out in the quiet and intimate moments, making the once industrial steel manufacturing plant feel like a personal performance in his living room, all whilst not forgetting to shy away from the crunchy, distorted guitar riffs and driving bass line.
Tomorrow night, the group heads to Philadelphia, continuing the tour through mid-February, before flying overseas in March.
On Wednesday, January 11th, Robin Skinner held his first annual This Is Home benefit show at the new NYC venue Racket that opened just a few days prior. Better known by his stage name Cavetown, the 24-year-old indie-pop artist played alongside artists like Mxmtoon, Chloe Moriondo, Penelope Scott, Yot Club, Cafuné, Spookyghostboy, and Sydney Rose. With doors opening at 7, hundreds of excited fans lined up hours in advance for a night of jamming, dancing, raffles, and an overall fantastic show. All proceeds from the show went directly to the New Alternatives resource for LGBTQ+ homeless youth.
Cavetown
The UK-based singer began his music career at age 13 by uploading videos of his original music to YouTube and sharing songs on the streaming service Bandcamp. He previously played in March of 2022 at the Terminal 5 venue with Spookyghostboy on the guitar. Being a part of the community himself, Skinner plans to host this fundraiser show yearly in support of LGBTQ+ charities.
Spookyghostboy took the stage at 7:30, playing a fifteen minute set for his first live performance in over three years. Also known as Austin Thomas, the indie-pop artist began his career in 2012 with the release of his first EP called The Forest Summer.
Spookyghostboy
Sydney Rose, a singer-songwriter from Georgia who gained popularity after her covers of “Turning Page” and “Home” went viral on TikTok, entered at 7:55. Also playing a fifteen minute set filled with beautiful vocals during songs, “Idk What I Did” and two unreleased ones, the rising artist put on a phenomenal performance.
Sydney Rose
Yot Club, the lo-fi bedroom pop artist from Mississippi also known as Ryan Kaiser, played many songs like “YKWIM” and “Fly Out West” during his set. His unique and distinguishable sound which he created through his masterful songwriting, producing, mixing, and mastering could be heard throughout his fifteen minute set. He is set to tour in North America between February and March of 2023.
Yot Club
Penelope Scott, evoking comedic, chaotic, and straightforward lyrics with her edgy guitar did not fail to put on an incredible performance with her unique songwriting and vocals. She played unreleased songs as well as some from her popular self-produced album Public Void, which gained massive popularity in 2020.
Penelope Scott
Next on the list was Cafuné, a native New York duo consisting of singer-songwriter Sedona Schat and producer Noah Yoo. The two, creating indie-pop tracks like “Tek It” and “Talk,” met at NYU in 2014 and have been making music ever since. Their song “Tek It” went viral just last year and the band is now signed to Elektra Records. Schat and Yoo are starting their North American tour in February 2023 and are set to have a New York show on March 28th at the Bowery Ballroom.
Cafuné
Chloe Moriondo entered shortly after as the second-to-last opening act. A close friend of Cavetown’s and featuring on many songs of his like “Snail” from his Sleepyhead album and “grey space” from his recent worm food release, Moriondo excitedly jumped and sang along to songs like “Plastic Purse” and “I Eat Boys.” Rocking her cyberpunk outfit, pink hair, and iconic eyelashes, the indie-rock singer amazed ecstatic fans with her powerful vocals. Beginning her music career as a teenager by posting song covers to her YouTube channel, she quickly got the attention of Skinner and has opened for him during past tours.
Chloe Moriondo
Mxmtoon played the last opening set at 10, performing songs like “prom dress” and “seasonal depression” from her the masquerade album—which Skinner helped produce. She also sang “mona lisa” from her recent album release, rising. The bedroom-pop artist from northern California played a captivating and electrifying set with her signature instrument—the ukulele—and encouraged the audience to sing along with her.
Mxmtoon
The intimate Racket venue, with a capacity of 650 and looking fresh and newly furbished, hosted a wonderful show. Being much smaller and more intimate than his last NYC concert, the chill and refreshing vibe was evident as Robin interacted with his young and delighted fans. The fully-acoustic set of each artist and the gift-giving of fans added to this happy mood. Mxmtoon accepted many fan gifts like hand-sketched art and an egg-shaped stuffed animal which she named upon arriving. A bouquet of flowers surprised Sydney Rose as she exited the stage, and Robin received a variety of pictures, flags, and letters. Spookyghostboy came out to announce the raffle winners, which included prizes like vinyl pressings and one signed custom Cavetown Fender guitar. Skinner showed the crowd his new “blue chrome ombre” nails and asked whether the New York water gave them “crazy good hair.”
Cavetown Setlist: Lemon Boy, 1994, Idea of Her, fall in love with a girl, Juliet, frog, wasabi, a kind thing to do, worm food, This Is Home
