NYS Music 2023

Tag: indie pop

  • Wallice Returns to Rock Bowery Ballroom

    Wallice, the rising indie-pop sensation, graced the stage at Bowery Ballroom in Manhattan on June 27th, captivating the crowd with her infectious melodies and magnetic presence. This performance marked her triumphant return to NYC (and Bowery Ballroom) after her opening act with JAWNY last March.

    With her irresistible charm and undeniable talent, Wallice delivered a performance that was nothing short of electric. Sharing the spotlight was the indie rock boy band Nitefire, whose infectious energy and captivating melodies set the perfect tone for the evening.

    As the lights dimmed and the first chords resonated through the venue, it was evident that this would be a night to remember. The atmosphere was charged with anticipation as fans eagerly embraced the fusion of Wallice’s honest lyrics, vulnerability, and witty storytelling. With each song, she effortlessly transported the audience into her world, exploring themes of love, self-discovery, and the rollercoaster of emotions that come with growing up. The synergy between Wallice and Nitefire created a dynamic and unforgettable concert experience, leaving the crowd craving for more.

    Nitefire,the dynamic musical project of Nico Geyer and Luke White, boldly defines themselves as the “budget Wallows.” Blending the pop sensibilities of turn-of-the-century indie rock with the vibrant sonics and youthful spirit of Brit-pop, Nitefire fearlessly carves out a lane that is uniquely their own, leaving nostalgia behind. With their roots embedded in the thriving Los Angeles music scene, the band has gained recognition for their DIY approach, hosting their own events and shows that embrace an “if you build it, they will come” mentality, diverging from the digital-dominated landscape of today. Nitefire’s sound and attitude are entirely their own as they carve out a distinct lane. With their debut single “Up 2 U” released, the band has already amassed an impressive following and garnered over 40K monthly listeners on Spotify. Nitefire’s journey has only just begun, and their upcoming releases and live performances promise an exciting and vibrant future for the band.

    Nitefire’s opening performance was an electrifying display of energy and connection. Despite a minor setback earlier in the day, with Luke breaking his pinky, the band turned it into a playful guessing game during their set. Nico, the charismatic frontman, challenged the crowd to speculate on the cause of Luke’s injury, teasing them with the statement, “You’ll literally never guess.” Hilarious suggestions of door-related incidents were quickly debunked, fueling the curiosity of the fans. To their surprise, it was revealed that the pinky was actually broken in a Frisbee accident, leaving many scratching their heads and engaging in animated discussions.

    Nico’s crowd interaction was a highlight, as he jumped into the crowd multiple times with guitar and mic in hand, creating a central pit of excitement. One fan attempted to converse with Nico in French, only to be misheard, prompting Nico to ask if she was speaking Spanish instead. The lighthearted exchange drew laughter and further showcased the band’s down-to-earth and approachable nature. The finale saw Nico leaning back into the crowd, crowd surfing during the last song, “Saturday.” Nitefire’s performance was a thrilling and engaging experience, leaving fans captivated by their boundless energy and genuine connection.

    Nitefire Setlist: Daisies, Here We Go, La La, LA’s Got Gorgeous, Love Gets Ug, Uptight, Lovekiss, Life Gets Funny, Worth It, Saturday

    Wallice, the rising indie-pop sensation hailing from Los Angeles, is making waves with her captivating blend of honesty, vulnerability, and wit. With a musical upbringing that exposed her to a diverse range of influences, from classic rock to 90s R&B, Wallice has developed a unique sound that sets her apart in the industry. Her breakout hits, including “23” and “Off The Rails,” have garnered attention for their raw and authentic approach to songwriting, tackling themes of love, loss, and self-discovery with remarkable vulnerability. Her newest EP, “Mr Big Shot,” released June 23rd, further showcases her exceptional songwriting prowess, offering a masterclass in Gen Z’s hopes, dreams, and failures. 

    Following a successful run of North American shows with JAWNY and Australian dates with The 1975, Wallice is now embarking on her own headline tour across the US, captivating audiences with her infectious energy and tongue-in-cheek, self-effacing anthems. With each release, Wallice reaffirms her status as an artist to watch, captivating listeners with her authentic storytelling and undeniable talent.

    Wallice’s performance at the iconic Bowery Ballroom was an extraordinary display of her artistry, accompanied by heartwarming moments and genuine interactions with the audience. The show kicked off with a sweet gesture as she gave her guitarist a peck, setting a playful and affectionate tone for the evening. A fan’s gift of a black gemstone studded cowboy hat became a striking accessory as Wallice embraced it during her soulful rendition of “John Wayne,” captivating the crowd with her magnetic presence. After the song, she graciously returned the hat from whence it came.

    Throughout the set, Wallice’s affection for New York was evident as she expressed her love for the city, instantly establishing a connection with the enthusiastic crowd. The audience reciprocated with adoration, elevating the energy in the venue. A touching moment occurred when a fan handed her a crochet bandana and a heartfelt letter accompanied by personal photos. Wallice graciously accepted the gift and wore the crochet bandana while performing the introspective and introspective song “Quarterlife,” adding an intimate touch to the performance.

    In a playful exchange, Wallice humorously reprimanded her bassist for removing his goggles after the spirited performance of “Why Do You Love Me?“. This lighthearted banter showcased the camaraderie and dynamic chemistry within the band, further enhancing the overall experience for the audience. Following the energetic performance of “Prepaid Wireless,” Wallice took a moment to introduce her talented band members by name, highlighting their contributions to the music.

    Although faced with a technical glitch during “Japan,” Wallice’s professionalism shone through as she gracefully restarted the song, seamlessly carrying the audience along with her. Her ability to handle unexpected situations with poise and maintain a strong connection with the crowd was a testament to her artistry and stage presence.

    Wallice’s set at Bowery Ballroom was a memorable and captivating experience, filled with genuine moments of connection. Her ability to embrace fan gifts, engage in playful interactions, and overcome technical challenges showcased her authenticity as an artist. With each song, Wallice’s honesty and vulnerability resonated deeply, leaving the audience with a lasting impression of her talent and charisma.

    Wallice Setlist: Disappear, Little League, Loser At Best, Punching Bag, 90s American Superstar, Wisdom Tooth, Rich Wallice, John Wayne, Headache, Quarterlife, Dramamine, Hey Michael, Why Do You Love Me?, Prepaid Wireless, Off The Rails, Japan, 23, Best Friend, Funeral

    In terms of upcoming shows, Wallice and Nitefire will be on the road with plenty of chances to catch them on tour until they wrap up on July 20th in San Francisco.

    Updates for any future Wallice shows can be found on her socials, and her linktree. The same goes for Nitefire, and you can find their socials and linktree here.

  • New York Based Singer KAZIMI Shares Heartfelt Single “Fever Dream”

    NYC’s indie-pop and folk-rock artist KAZIMI shares the single “Fever Dream,” the second track from her debut album River Run out later this year. The layered percussion is the heartbeat of this single, with drums that are both slinky and sexy, a groove comes across your hips effortlessly.

    The singer-songwriter wrote, “’This is a song about pleasure and craving. About wanting something (someone) so bad that the desire seeps into your every moment, coloring everything you see. That obsession, that need, that want. Bodies seeking bodies.” 

    “I never sat down to make a record. I don’t think I would’ve started if I had.” 

    -KAZIMI

    For most of her life, KAZIMI played music alone and in secret. She crafted songs as a way to work through life’s peaks and valleys but they were never meant to be shared. When the world stopped, something in her changed and that change led to the writing and recording of her debut album, River Run. 

    The New York-based singer-songwriter offers up her personal brand of indie-folk with tracks that explore the trials of being a living, breathing human: betrayal and heartbreak, pleasure and resilience, the death of loved ones, and the rebirth of self. With a soundscape that drifts effortlessly between dreamy, seductive, cinematic, and folky, River Run is as evocative in its style as it is in its storytelling. 

    The indie-folk (although very different it’s also somewhat reminiscent of John Grant, don’t you think?) artist deals with the myriad layers of the human condition as a way of wrestling with difficulties. 

    – Americana UK

    For KAZIMI, the project was an opportunity to dethrone the internal demons that lurked in the shadows of her mind. “Part of making music is letting go so there can be space for magic to enter the room, but giving up control is not something that comes easily to me. I had to constantly recenter the importance of making something true over the temptation to chase perfection.”

    The title track was written in an empty hotel lobby in Nashville at the height of quarantine in 2020, “I was driving from Texas to New York. Passing through Memphis, I crossed the Wolf River and something about the name stuck in my mind. That evening I went downstairs and sat at the keys. I hadn’t had a piano to play in 4 months. Over the course of the time I wrote the song, I never saw another person. No other guests, no staff. Just me alone in a hotel, singing to the walls,” she says.

    Swimming in the depths and then soaring through the clouds, the record traces the journey of a path unknown. The very act of making it, says KAZIMI, is a victory. “I am following what makes me feel most alive, even though I don’t know where it will lead. I found an ember and I held it close. I blew on it until a fire burst forth.” 

    For more music by KAZIMI, click here. 

  • Karina Rykman Releases “Joyride” Single and Video, debut Album due in August

    Standout singer, songwriter, and bassist Karina Rykman dropped her first single and title track from her upcoming debut album JOYRIDE. The project is set to be released on August 18 and marks Rykman’s first collection of songs since she’s put out a slew of acclaimed singles dating back to 2019. 

    Karina Rykman was born and raised in New York City. She found music at an early age, making her way around the city performing at and attending live music venues. By the end of her time at NYU she had appeared on America’s Got Talent and the TODAY show. As part of Marco Benevento’s band, Rykman performed dates with Vulfpeck, Dispatch, and The Claypool Lennon Delirium. 

    Photo Credit: Brantley Gutierrez

    Rykman’s own band is made up of Adam November (guitar, loopers, effects) and Chris Corsico (drums). Together the group has made a name for themselves due to their strong instrumentation, funky groove, layered production, and often genreless sound. 

    All these elements help to make “Joyride” such an interesting and fun listen. The track features a strong vocal performance from Rkyman, whose breathy voice and wistful lyrics could compete with any indie-pop record. The song’s tasteful synths and syrupy bass drive the beat toward an almost psychedelic sound. Joyride also features a guitar performance from JOYRIDE co-producer Trey Anastasio. 

    ’Joyride’ is about being driven insane as you’re kept awake by music in your head all night – so much so that eventually, you give up and ask your partner to take you on a joyride instead of tossing and turning

    Karina Rykman

    The connection between Rkyman and Anastasio goes back to childhood. Rykman went to middle school with the Phish star’s daughters and became family friends because of it. However, the two had no musical relationship until they both performed at Peach Music Festival in Scranton. Anastasio became interested in being a part of Rykman’s first album, offering the use of his iconic Vermont studio “The Barn.”

    When I first heard the early demos, the first thing I said was more Karina… Turn up the bass, sing more, and step out. What makes me most happy about the finished album now is that to my ears, it sounds like Karina unapologetically. It has her nature. It has her incredible joyous outlook that I know is real because I saw it in her when she was a kid.

    Trey Anastasio
    Photo Credit: Jesse Faatz

    JOYRIDE was written and recorded with Rykyman’s childhood friend, producer Gabe Monro. Trey Anastasio’s guitar appears on five of the album’s nine tracks. Legendary mixer Bryce Goggin (Pavement, Swans, Ramones) also helped to create the project. 

    “You only get to make your first album once,” she adds, “and I couldn’t be prouder of what we created with this one. It’s a moment in time – the first of what I hope to be a lifetime of making records and touring behind them.

    JOYRIDE pre-order can be found here.

  • “For the Music!” Fundraiser Scheduled To Help Brooklyn Organization on June 10

    “For the Music!” is a live music event created to help raise funds for Brooklyn non-profit Spoke The Hub. The fundraiser features performances from seven different musicians, many of whom are Brooklyn locals. The event gets underway on Saturday, June 10 at 6 p.m.

    Spoke The Hub is an arts organization that offers classes, performance spaces, and community events for the Brooklyn community. Originally created in 1979, Spoke The Hub has helped to foster and nourish the arts scene in New York City throughout the years. The organization has contributed to the work of thousands of artists through their multiple different series. 

    Proceeds from “For the Music!” will go toward finding an upright piano to better serve musicians, vocalists and musical theater artists who want to rehearse and teach at Spoke the Hub.

    Tickets and more information can be found here.

    Performing Artists

    Victor V. Gurbo and his band are known for their unique and multi-faceted folk music. While Gurbo’s sound is reminiscent of traditional American folk, there are unmistakable flavors of blues, jazz, rock and even ragtime. High in tempo and energy, Gurbo’s music is made for dancing. 

    Petra Jasmiina a Finnish singer-songwriter who has crafted her own lane and sound in New York City. Jasmiina’s music has the catchy and bubbly nature of modern indie-pop with the soulful features of folk. Cinema and storytelling are however the most pervasive influences through her work, helping to create songs that are perfect to sing along to. 

    Kathryn “Kat” Lewis enjoys playing mostly classic country songs but is also a fan of reggae and pop. She often performs with The Sheriff of Goodtimes at the Thompson Street Medicine Show, Billygoat, and her band Country City. 

    Guitarist and composer Carlos Pavan has been creating intricate and delicate music for over a decade. Despite the classical nature of his music, the sounds of guitars and strings help to bring a liveliness to each one of Pavan’s songs. He is currently the composer/artistic director of Trio Concertante & Park Slope Chamber Players. 

    Buffalo native Don Militello is a jazz pianist and educator who has done just about everything in his musical career. Besides going on an international tour, Militello has shared the stage with Etta Jones and performed at the Charlie Parker Jazz Festival. Alongside Militello, bassist Charles Ruble will also be performing. Ruble is currently a member of the High School Jazz Academy at Lincoln Center.

    A longtime friend of Spoke, David Goddy will also be performing as part of the fundraiser.

  • A Sold Out Show at Irving Plaza for Valley on “Lost in Translation Tour”

    On Friday, April 28th, the line of eager Valley fans spilled from the doors of Irving Plaza to wrap around the block. Despite the misting rain, the energy pulsing in the camped-out line was warm.

    Photograph by Emma Dowd

    On their “Lost In Translation Tour,” Valley sold out their New York City show. As the venue filled, it became increasingly undeniable that Valley deserved to be at a larger venue. They had performed at the lovely Irving Plaza a year prior, and since then it was clear they’ve collected a larger fanbase.

    Photograph by Emma Dowd

    The opener for Valley , Aidan Bisset, kicked off the night with his pop-grunge music. The crowd immediately received Bisset’s stage presence and relatable lyrics. He sang of toxic romances, new love, and break-ups. With two electric guitars and a drum set, he commanded a fast rhythm and infectious persona of youthful fun and passionate intensity. Bisset performed some of his hits, three unreleased songs, and even took on the vocally renowned cover, Kings of Leon’s, “Sex On Fire.” Bisset engaged with the crowd, taking their BeReals, getting level to level with them to chat, and wooing over new fans. Before leaving the stage, he graciously thanked Valley for having him on their tour.

    Photograph by Emma Dowd

    The set change was fascinating. Usually, microphones are changed and some of the instruments are shifted around. Valley’s upcoming set brought on multiple box-screen televisions to be stacked on top of each other, an ambiguous rectangular frame of notable size with drapes hanging over it, and countless additional lights. Valley’s pre-show setlist had the crowd belting familiar songs in each other’s embrace. Fog began to roll down from the balcony level and off the stage. This grabbed hold of the crowd’s attention. When the lights suddenly shut off and Irving was pitch black, the curious murmur rolled into an uproar of excitement.

    Photograph by Emma Dowd

    The TVs stacked on top of each other switched on. Their screens matched the static sound emanating overhead. Flashes of the band members’ faces and old television clips emerged sporadically through the static. The lights slowly faded from a hint of color to a bright broadcast of a Valley inspired color palette. Bass vibrated the floor, and the crowd stood in awe.

    Eventually the band ran onto the stage. Drummer, Karah James, took her throne behind the drums. Guitarist, Michael Brandolino, and bassist, Alex Dimauro ran to their instruments. They played an adrenaline inducing intro for their lead singer, Rob Laska. Laska ran onto the stage, with an electric guitar slung around his shoulders. The crowd’s response was deafening.

    Photograph by Emma Dowd
    Photograph by Emma Dowd

    Valley opened with one of their most popular songs, “There’s Still A Light In The House.” The song is a tribute to love and the endless possibilities of finding one’s self in New York City. The lyric on the bridge that goes Is it New York? Or Heaven? I can’t think twice now, was sung proudly by the New York City crowd. Laska, infatuated with the crowd’s energy, encouraged their singing. The audience sang back to the band with one collective voice that shared an affinity for their conversational lyrics.

    As the show went on, the performance became more personal. Laska jumped into the pit that separated him from the crowd to sing with some fans. In between songs, he conversed and told stories about band memories in New York City. Laska reminisced, “New York City is special to us, we wrote our first record in this damn city! We’ll be coming back forever.” This led to Valley announcement of their new record Lost In Translation, set to release on June 23rd.

    Photograph by Emma Dowd

    The draped frame that was brought onto the stage during set transitions became a crucial filament of the show. Over half way through the concert, the TVs turned back on and the lights dimmed. Laska approached the frame and tore the drape off to reveal a reflective mirror surface with strobe lights hanging from it. A phone began to ring, and Laska tugged a landline phone from the structure. He sang one of their hits, “A Phone Call In Amsterdam,” into the phone. The entire show was an artistic performance, rather than a band just performing on stage. The appreciation for the theatrics and the attention to detail resembled The 1975’s “At Their Very Best Tour.”

    As Valley trailed towards the end of their setlist, Laska emphasized his gratitude for everyone choosing to be at their show. “There’s a lot of cool shit going on in New York City on a Friday night, so I’m happy we all found each other in this vortex.” Underneath the twirling Irving disco ball, the fans really unified in their fandom. He invited everyone to join them in a state of appreciative awareness for the last couple of songs. Without a clear goodbye, Valley left the stage. The crowd was not going to leave without an encore.

    Photograph by Emma Dowd

    Heads turned in a whiplash from the front of the stage to the back of the venue. A murmur of eager confusion echoed throughout the venue. Suddenly, a spotlight shone on the back of the crowd. Laska began to make his way through the crowd towards the stage, singing “Paper Cup (sorry for myself).” The audience parted like the red sea for him to make his way towards the front of the crowd, where he sang for the remainder of the song. The rest of the band took to the stage, and Laska joined them to finish out their set with their popular song, “hiccup.”

    Photograph by Emma Dowd

    The encore applause was impressive. The sounds of cheers and screams took over Laska’s volume as he thanked the crowd. All the band members joined him at center stage to take their hard-earned bow. Karah James tossed her drumsticks, kisses were blown, and hands clasped in praise for New York City. Laska closed out the night with a sweet send off,  “Take care of each  other, love one another, and we’ll see you very soon!”

    Photo gallery by Emma Dowd

  • The Parlor Announce 4th Dream-Pop LP “You Are Love And I Am You” 

    Upstate NY’s The Parlor have just announced their newest LP You Are Love And I Am You, a psychedelic dream-pop record about ecstatic realizations associated with what some call the mystical experience, unitive consciousness, or loving presence.

    In celebration to the release on May 19th, they will also be hosting an album release show May 20th at Indian Ladder Cidery & Brewery’s Upper Biergarten. 

    You Are Love And I Am You is like a dream-pop relief compared to their more recent release in 2018 titled Kiku which chronicled the experience of grief and loss. It is meant to be listened to as an album, front to back. There were many that influenced the making of this album, such as The Mamas and the Papas, Tame Impala, Broadcast, Warpaint, Mazzy Star, George Harrison, Velvet Underground, Khruangbin, The Brian Jonestown Massacre, Len, Cults, and Fleetwood Mac. 

    The Parlor Announce 4th Dream-Pop LP “You Are Love And I Am You” 

    As a neo-psychedelic dream-pop project made by husband and wife Eric Krans and Jen O’Connor, The Parlor was named after a room in the 19th century farmhouse where they live, farm, and create. The multi-instrumentalist, producer-composers express some of the most powerful aspects of the human experience. Immersive sound scaping and aural synesthetic composition is the vessel through which they share their existence. 

    The Parlor Announce 4th Dream-Pop LP “You Are Love And I Am You” 

    The song that has been released as a tease for the album, “Underneath the Universe,” is an absolute hit. It is very reminiscent of Tame Impala, with pretty indie visuals in the video to accommodate the dreamy-like melodies in the song itself.

    The Parlor Announce 4th Dream-Pop LP “You Are Love And I Am You” 

    The band stated, “Things got gloomy for us while touring on the Kiku record. Playing songs about trauma on a nightly basis, and the grueling nature of touring just sort of wore us down. (Jenn Pelly wrote an incredible piece for Pitchfork that relays a lot of what we experienced). Together these experiences ushered us deeper down a dark tapering claustrophobic tunnel with only a pinhole exit. We squeezed through somehow, thanks to meditative practice and sharing our deepest vulnerabilities with each other.”

    During the pandemic, additional darkness ensued, but there was only one way out and it was through. We found a deepened sense of presence that felt sacred. By accepting the seemingly unacceptable we were paradoxically filled with awe and wonder. Living was imbued again with light, love and gratitude. That’s the experience this album captures. Us finding ourselves again. The heart of this album is the enigmatic realization that we are and always have been the universe experiencing itself. We exist as manifestations of the universe just as everything else. And when we allow ourselves to be whole and unique, we express the universe in hi-fidelity authenticity. Something about holding that in imagination produces a sense of reverence and a desire to sing and share.

    “We got into Carl Jung, archetypal symbolism, alchemy, medieval Christian mysticism, Taoism, Sufism and found hundreds of esoteric philosophical characters that seem to be sharing similar mystical experiences of their own. This album is for them. Our new long dead friends. And everyone we ever met or wished upon. You shaped us. And to anyone out there who has had, or who hopes to have, a mystical experience in their lives that orients them toward abiding presence, awe and wonder, and gratitude for all existence. We celebrate you as us. Everything and nothing is one shining-forth ineffable non-dual eminence. Like dust in the light // Both the dark and bright.” 

    To pre-order You Are Love And I Am You, click the link here. 

    For more by The Parlor, click the link here. 

  • Olivia Reid Drops Introspective Single “Wounds (Healing)”  

    NYC indie-pop artist Olivia Reid is getting ready to release her newest single “Wounds (Healing)” on Friday, April 14th. The track is an introspective, ethereal reflection that sees the budding singer-songwriter questioning the layered, complex healing process. 

    Olivia Reid Drops Introspective Single "Wounds (Healing)"  

    Olivia Reid stated about the single, “I recognized how much I had to heal from, but simultaneously feared that truly healing it would leave an absence or a blankness in me. When I’m in fight or flight mode long enough, wounds in the form of anxiety or sadness can mistakenly feel like a crucial part of who I am. The wounds feel familiar, so starting the healing process made me feel so much weaker at first.”  

    Based in NYC, Olivia Reid’s production style blends indie acoustics with exploratory electronic pop soundscapes, landing listeners in a visceral sonic world. Reid’s interests are diversified, exploring areas such as screenwriting, neuroscience, digesting current events, advocating for nature. 

    Currently, Olivia is involved with Brian Eno’s charity EarthPercent, and listening to podcasts, she formerly hosted Spotify For Artists and Notable’s Song Start podcast where she interviewed artists like Sam Smith, Victoria Monet, Hayley Williams of Paramore.  

    As a self-proclaimed “chronic collaborator,” Reid has connected with audiences around the world via collaborations such as “Time is Mine” with Kidswaste, “What You Came Here For” with Jae Luna, and “Above the Clouds” with SŸDE.

    Olivia Reid Drops Introspective Single "Wounds (Healing)"  

    As stated in a previous article by NYS Music, Reid’s music serves as a self-reflection and dedication to her path to success, above all of the challenges. Olivia Reid’s debut EP Earth Water hit streaming platforms in 2021, with new songs on the way in 2023.  Fueled by deeply personal lyrics and boundary-pushing production, the new project conceptually details an artist’s slow descent into madness.  

    https://soundcloud.com/oliviareidmusic/02-wounds-healing/s-uLiqVENWlEY

    To listen to “Wounds (Healing)” click the link here and for more by Olivia Reid, click the link here. 

  • Oropendola Releases New Music Video & Album

    Brooklyn indie-pop artist Oropendola has just released a music video for her newest single “Rorschach Sky.” This is the third and final single off her upcoming album Waiting for the Sky to Speak which has just released today, Friday, March 17th. 

    Oropendola Releases New Music Video & Album Rorschach Sky

    Oropendola, who has played with singer/songwriters Half Waif, Barrie, and Samir Langus, stated, “Rorschach Sky” points to the missed opportunity of spending your life waiting for something when life is happening all around you. If you’re waiting for some kind of answer from the sky, you’re not seeing the beauty and the motion in every passing moment.” 

    “I paused Twin Peaks to watch the kitchen clock,” said Joanna when thinking back on writing Rorschach Sky. “It was moving backwards. A slow, disorienting, luxuriously surreal countdown. April 7th, 2020, which I only knew because I grabbed my phone to type a bunch of exclamation points in my notepad. I had barely changed out of my pajamas for three weeks. I was happy for Time: being able to veer off course. Stretch like silly putty until becoming shimmery and translucent, changing color and sequence like a kaleidoscope. Shifting identity like the clouds.” 

    Joanna Schubert’s debut album is titled Oropendola, which is a bird whose name translates to “golden pendulum.” These tracks shimmer with bursts of energy and emotion, swinging from playfulness to earnestness with deft, technicolor brushstrokes. The album is a celebration of choosing life even in the face of its ephemerality, and of finding motion even in the midst of stillness.  

    The album title, which comes from the album’s opening track “Rorschach Sky,” is a fitting one then: the phrase points to the missed opportunity of spending your life waiting for something when life is happening all around you. 

    Oropendola Releases New Music Video & Album

    On lead single “Knocking Down Flowers,” Schubert finds life in the least likely of places: a construction site. Here, she recognizes and illuminates the power of living at the intersection of contrasts. The album’s emotional core comes through on roiling ballad “Trust the Sun” and clear-eyed album closer “When You Carried Me.”  

    Oropendola Releases New Music Video & Album

    While much of the rest of Waiting for the Sky to Speak careens across black-ice patches of inner conflict, both these songs offer a tentative hand outward, towards love, friendship, and family. Overall, Waiting for the Sky to Speak is an imaginative and colorful chimera of a collection that marks Oropendola’s triumphant arrival. 

    To watch the video for “Rorschach Sky,” click the link here. 

    To listen to Waiting for the Sky to Speak, click the link here. 

    https://soundcloud.com/spirithouserecords/sets/oropendola-waiting-for-the-sky-to-speak/s-rdcO4z47DLW?si=52e629e7fbbd428b84506cbf82f166f9&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

  • Olivia Reid Releases Indie-Pop Single “Runner’s High”

    NYC-based indie-pop artist Olivia Reid has just released her newest single “Runner’s High,” on March 3rd. This new eclectic single serves as a self-reflection of Olivia’s dedication to her path to success, above all of the challenges.  

    Olivia Reid Releases Indie-Pop Single "Runner's High"

    Olivia grabs the attention of her listeners with potent lyrics and a pumping beat. “Runners High” carries you through a musical journey perfect for a windows-down drive or an outdoor festival. She states, “’Runner’s High’ describes the way I’ve conditioned myself to be a workhorse. A product of growing up in America, I guess.”  

    https://soundcloud.com/oliviareidmusic/01-runners-high/s-YYqgd8587s7

    Based in NYC, Reid’s production style blends indie acoustics with exploratory electronic pop soundscapes, landing listeners in a visceral sonic world. Reid’s interests are diversified, exploring areas such as screenwriting, neuroscience, digesting current events, advocating for nature. 

    Currently, Olivia is involved with Brian Eno’s charity EarthPercent, she also formerly hosted Spotify For Artists and Notable’s Song Start podcast. Thus, where she interviewed artists like Sam Smith, Victoria Monet, Hayley Williams of Paramore.  

    As a self-proclaimed “chronic collaborator,” Olivia Reid has connected with audiences around the world via collaborations such as “Time is Mine” with Kidswaste, “What You Came Here For” with Jae Luna, and “Above the Clouds” with SŸDE. Her music has been featured in Flaunt Magazine, Brooklyn Vegan, The New Yorker, and American Songwriter and has been added to several official Spotify playlists like Happy Pop, Metropolis, Chill Tracks, Sunday Session, Dance Hits, and Golden Hour, garnering her over 40 million streams. 

    Olivia Reid’s debut EP Earth Water hit streaming platforms in 2021, with new songs on the way in 2023.  Fueled by deeply personal lyrics and boundary-pushing production, the new project conceptually details an artist’s slow descent into madness. 

    To listen to “Runner’s High,” click the Spotify link here. 

    For more about Olivia Reid, click the link to her website here. 

  • Daisy The Great Share Indie Pop Video For “I Don’t Wanna Fall” 

    NY-based indie pop band Daisy the Great have just released the music video for “I Don’t Wanna Fall” from their new album All You Need Is Time. To celebrate the album release, the band will embark on another nationwide tour as headliners. Daisy the Great’s All You Need Is Time Tour begins April 12th at Brighton Music Hall in Allston, MA, making their final destination at Brooklyn’s Music Hall of Williamsburg.

    Daisy the Great is an American indie pop band from Brooklyn led by Kelley Nicole Dugan and Mina Walker. The song “Record Player” from their debut album was released in August 2021, with additional verses and production performed by AJR. It went to number 6 on the Billboard Alternative Airplay chart.

    Daisy the Great

    The band stated, “The “I Don’t Wanna Fall” music video is a compilation of footage from our most recent tour. It follows us on the road, backstage and on stage at the shows. We chose to pair “I Don’t Wanna Fall” with this very sweet docu-style footage because it felt really heartwarming and also heartbreaking to watch us so happy and in our element, tied up with this song about the temporary nature of good things. It feels important to remember to really live in the joyful moment when you’re in it, because everything comes and goes. The song was initially about a romantic relationship, but it brought new importance to the music to recontextualize it using our relationship with our audience and with live music in general. We love touring and we are very lucky to have our first headline tour EVER coming up this spring!!! We’re so excited to play all over the US. We hope you love the video and can’t wait to see you on the road.” 

    Both Kelley Nicole Dugan and Mina Walker make folk-inflected indie rock together that spans a multitude of moods, capable of being clever, devastating, simultaneous pop to powerhouse balladry. The pair first met as acting majors at NYU’s Tisch School of the Arts where they began co-writing a musical about a fictional band before realizing they could make it happen in real life and set out as Daisy the Great. 

    Daisy The Great Share Music Video For “I Don’t Wanna Fall”

    “Our music is generally pretty introspective, and we are often interested in the complexities or ironies we see within ourselves,” Dugan says. “That’s something we love about writing—you can say something small and delicate and true that maybe feels scary to say, but once you put it out there, it can turn into a comfort for anyone that might also be feeling that way.” 

    ALL YOU NEED IS TIME Tour Dates:                                                            

    April 12 – Allston, MA – Brighton Music Hall 

    April 14 – Columbus, OH – The Basement 

    April 15 – Chicago, IL – Beat Kitchen 

    April 17 – Minneapolis, MN – 7th St. Entry 

    April 18 – Denver, CO – Marquis Theater 

    April 19 – Salt Lake City, UT – Kilby Court 

    April 21 – Portland, OR – Holocene 

    April 22 – Seattle, WA – Barboza 

    April 25 – San Francisco, CA – Café Du Nord 

    April 28 – Los Angeles, CA – The Echo 

    April 29 – San Diego, CA – House of Blues San Diego 

    May 2 – Dallas, TX – Dada Dallas 

    May 3 – Austin, TX – Antone’s 

    May 5 – New Orleans, LA – Gasa Gasa 

    May 6 – Atlanta, GA – Shaky Knees Festival 

    May 7 – Nashville, TN – The End 

    May 10 – Philadelphia, PA – The Fillmore Philadelphia 

    May 11 – Washington, DC – Songbyrd Music House 

    May 12 – Brooklyn, NY – Music Hall of Williamsburg 

    For details about the Daisy the Great, the upcoming tour, and ticket availability, please visit the link here.