Rochester’s Conomor duo has just released their first ever EP One Step (At A Time) on January 6th. The album is heavily influenced by sounds like Daft Punk, Outkast, Damon Albarn, Kendrick Lamar, and many others.
Overall, the songs on the album are solid, have defined identity, and are led by a creative and unique perspective that the duo provides. Songs like “One Step (At A Time)” sound so familiar to Gorillaz/Damon Albarn’s vocals.
Conomor is a duo based in USA and France, made up of Kevin (Vocals/music) and Paul (Music). While going to the same high school, they in the neighborhood hip-hop studio named TCA. Through producing beats and creating their first band Drozophyl, the duo forged a friendship as well as an artistic collaboration that still lasts today.
Conomor is a boundless project made by both Kevin and Paul, venturing between electronic music, trip hop, pop with hints of hip-hop and rock. Both have collaborated on different projects in the past, and have been active in multiple musical experiences in both countries.
“I had thought of a wrecked life
Rifles screaming into darkness
A bunch of dope and a blunt knife
It’s as weak as I am
I could go lifeless”
As life separates the duo geographically, Paul works on many different projects, and so does Kévin after having moved to Rochester.
The duo stated, “With this first EP, we demonstrate that, from the complexity of our musical world results a truly universal sensitivity. One Step (at a Time) seeks to be resolutely modern and contemporary without abandoning its traditional musical heritage. Kévin’s instrumental melodies often rely on Paul’s electronic rhythms. The use of machines enriches and sublimates each musical phrase: early, the minimalist One Step (at a Time), alternates between hot and cold, and ends up delivering a rhythmic groove. With Arms, guitars mix with Trap beats, before a harmonica strikes a heady blow. Materialize resonates as a dark electro/club anthem, with its captivating vocal layering. Flower City Groove holds a lively rhythm, evolving into a chanted chorus, an ode to the city of Rochester, NY. Finally, lyrical piano chords accompany elements of a cold ambiance, with synthetic Notes.”
To listen to the album “One Step (At A Time),” click the link here.
Rochester’s It’s Just Al has just dropped “First Impressions,” a catchy tune for his first ever Spotify release. The song emphasizes a rap about a love that makes you constantly want to be with your significant other because of how real it is. Alex raps about how his love is like a drug, specifically cocaine.
When Alex was just twelve years old, his mother fell ill with a disease called vasculitis. This is when your immune system hurts your blood vessels by mistake. Over the next few months since diagnosis, Alex watched his mother grow weaker until her passing on Friday June 15th, 2018. For the next four years of his life Alex would deal with his grief in silence, only for it to be washed away when he heard his first ever rap song, mockingbird by Eminem.
From that day on, Alex fell in love with the emotional side of rap music. He became heavily inspired to make others feel happy inside, just as he felt when he listened to Eminem for the first time. To form his rap identity, he took this inspiration from popular rap artists such as Eminem, Kanye West, D-12, G-Eazy, Yelawolf, and more. From now on, Alex goes by It’s Just Al.
It’s Just Al’s single “First Impressions” is a pop song infused with rap, combining inspiration from his favorite artists. The vocals and lyrics of the song are very catchy, making it an irresistible hit.
Check out It’s just Al on Instagram by clicking the link here.
Two regional powerhouses, Rochester’s Giant Panda Guerilla Dub Squad and Buffalo’s Aqueous, descended on Water Street Music Hall, historically the area’s most prominent venue, which has come back in a big way this past year after being absent from the scene for some time. In two nights, Panda on the 30th and Aqueous on the 31st, they helped Water Street and the music fans of the area celebrate 2022 and welcome in 2023. It was the first time Rochester had live music as a New Year’s Eve option in three years. Panda returned to the venue for the umpteenth time, many of those for their year end shows, while Aqueous was there for the first time, and their first time bringing in the new year in Rochester. Though they’ve long found themselves a second home in the Flour City, having played many a special show here, including Halloween and an all-improv set.
After long stretches of no music at all, and too many continued COVID-19 cancellations to count, stretching to the present day, surprises have grown a bit tired. Surprises have mostly consisted of cancellations, so it is enough joy to just have show without a hitch, period. Each of these shows was billed as an “and Friends” affair. Who would be the friends? The opening acts would leave little guesswork as to who these bands would invite to join them on stage. Most everything proceeded as was expected, but there was nothing lost, maybe even something gained, without that element of surprise in the mix.
photo by Washington Torin
On the 30th, GPGDS opened up both sides of the Water Street venue, both the Club and Hall, maxing out it’s potential. The audience could move freely between both, utilizing both bars, and the ample space in the balconies, while two stages left minimal time with no live music to enjoy. The evening got going with party funk outfit The Sideways on the main stage. Hm, wonder if we’ll see that tight three-piece horn section a little later? Immediately following on the Club stage was The Frank White Experience, a full eight-member band paying tribute to the Notorious B.I.G. to incredible effect. There was a hip-hop party going on and the “raparazzi” were in full force capturing it from all angles. Hey, their lead man, Grant, he’s played with Panda before, guessing we’ll see him with them again tonight? Then even after Panda’s main stage set, Roots Collider took over on the Club side to keep the party going into the early hours of the 31st, not letting the joint cool down too much before Aqueous’ New Year’s Eve throwdown.
photo by Washington Torin
On the main stage, Giant Panda Guerilla Dub Squad did not disappoint. The dub was grooving, and the legal weed was permeating the air. The band strung together a set of oldies, newer tunes, and as-yet released ones, with an announcement of a new album coming April 7. The songs flowed together, stitched by pitch-perfect instrumental breaks or blasted into each other with abrupt but chill needle jumps.
photo by Eli Stein
As was foretold by the obvious booking and later, staging, those horns from The Sideways did make it back on stage. Horns and reggae are like peanut butter and jelly. A glorious combination, and on this night, for these songs, they hit just right. A “Cool It” > “Stop Fighting” combo with the horns may have been the highlight of the night. A deep bass pocket, punched up organ, swirling echoed effects, those infectious reggae rhythms and then tasty horn blasts cutting through it all. Pretty much perfect, and a perfect vibe to either forget and/or enjoy the year that was quickly coming to a close.
As the horns departed, the good vibes continued as Grant entered and the band kicked into “Mr. Cop.” He added some quality rapping while throwing joints out into the crowd, as the band sang “We been all day workin’, Just a little herb that we smokin’, They calling up the cops, Cause it smell like ganja.” There was no stopping the party at Water Street on stage or off on this night, nor the next.
Hours later another friendly party would get started. New day, same place, similar vibe. For their New Year’s Eve show, Aqueous invited local jazz-forward trio The Pickle Mafia to kick off the night. Drummer Marco Cirigliano’s kit remained on stage for The Funky Dawgz set and even after theirs as well. Hm, wonder if he’ll be playing with Aqueous some? The Funky Dawgz, a brass band out of Connecticut, revved up the crowd with their upbeat and familiar set, mixing in Gnarls Barkley and Snoop Dogg in with similarly fun originals. You had to wonder though, think we’ll see some of those horns again?
Aqueous themselves were unsurprisingly ready to jump head first into lengthy improvisations. An hour-long first set featured only four songs. Each one built and existed within it’s own universe. “Second Sight” and “Kitty Chaser (Explosions)” built up layer by layer, the musicians patiently developing soundscapes, finally realizing their final destinations which they then explored even further, funky for the former, spacey for the latter. The two saxophones from the Dawgz and Cirigliano came out for the first set closer, a cover of LCD Soundsystem’s “Daft Punk is Playing at My House,” which brought more of the funk, on a tighter scale, that had the floor positively bouncing.
photo by Eli Stein
The slinky funk continued with the start of the second set a few ticks before midnight, the last few minutes of the year. With some heavy “2001” teases, a la Phish via Eumir Deodato via Richard Strauss, the groovy jam wound its way to the traditional “Auld Lang Syne.” With little to no bombast Aqueous did what Aqueous does best, just kept playing. A monster “Don’t Do It” followed, featuring some of guitarist Mike Gantzer’s best playing of the night.
Craig Brodhead served incredibly filling in for David Loss who is on paternity leave. Brodhead sang lead on a cover of the Grateful Dead’s “West LA Fadeaway” that quickly left West LA for aural landscapes as yet undiscovered. Deep into the jam they were joined by a saxophone which re-centered the jam completely. Before long he was stepping off and Cirigliano was back behind the second kit. This double-drummer version of the band was really something, locked in and firing on dual engines. Eventually they found their way back to “West LA Fadeaway” and the dream of a two-drummer Aqueous was over.
But the dreams of a music-filled 2023 were just getting underway. Dates are already on the books for Giant Panda Guerilla Dub Squad and an album on the way. Road warriors Aqueous are sure to continue their rock and roll journey throughout the year, and Water Street Music Hall’s calendar is filling in nicely.
Aqueous – Water Street Music Hall 12/31/22
Set 1: Second Sight, Kitty Chaser > Weight of the Word, Daft Punk is Playing At My House¹²
Set 2: Also Sprach Zarathustra jam³ > Auld Lang Syne, Don’t Do It, West LA Fadeaway ⁴⁵, Strange Times > Mandela Effect, Everybody Wants To Rule the World⁶
Encore: One Headlight ⁷
1 LCD Soundsystem 2 Rob on vox, Marco Cirigliano on drums, Tommy Weeks and Colin Walters on sax 3 Countdown 4 Grateful Dead 5 Craig on vox 6 Tears For Fears 7 The Wallflowers
Check out more photos of Giant Panda Guerilla Dub Squad from Water Street Music Hall here and photos of Aqueous here.
Happy New Year! Hopefully you are all rested up and ready to kick off January 2023 with a bang Rochester! January brings a big slowdown in touring acts around these parts, and in most parts of the country. But luckily for us, Rochester has a broad and deep pool of fantastic local talent to sate our live music appetites and this January they are coming out in full force to get us out of our warm abodes and out into the bars, clubs, theaters and anywhere else live music can be squeezed into.
Here are five+ must-see shows happening around town this month, but it’s just the tip of the iceberg, so make sure to get out there and support the local music scene and treat your cabin-fevered brain to some much needed aural relief.
We’re recommending two different shows on the same night, but if you play your cards right you could do both. Herb Smith plays trumpet for the Rochester Philharmonic but with the Freedom Trio he expands his sound palette with plenty of effects and literally the freedom to explore the outer boundaries of jazz and beyond. With Peter Chwazik on a massive 9-string bass and Joe Parker flying free on drums, the possibilities are endless and the results are a joy to hear and be a part of.
One of Rochester’s many recent breakout bands, Mikaela Davis kicks off a three show residency at our favorite honky tonk, Abilene Bar and Lounge, that will warm January and creep into early February. Each night will feature two sets and as yet unannounced themes. We wouldn’t recommend missing any of these Thursday night throw downs but really, you absolutely have to get yourself to at least one. A favorite of Bob Weir’s and ours alike, this harpist and her band Southern Star are as can’t miss as they come, and Rochester gets three intimate opportunities to groove down with them in a cozy and intimate bar.
Shows January 19, 26 and February 2 will start at 8pm and tickets are $15/$20 dos.
Certainly you can get out to all of these awesome individual local shows, but there won’t be any better option for celebrating the local music scene than the annual (until Covid stopped it for 2 years) Homegrown Festival thrown by Lovin’ Cup. This year’s show will feature performances by Teagan and the Tweeds, A Girl Named Genny, The Mighty High & Dry, The Moho Collective, Friday In America, and The John Payton Project. That’s a full day of some of the best music you’ll here in Rochester, plus there’ll be tons of local food, beers and crafts to enjoy as well.
Fresh faced instrumental progressive rock quartet Vertices is putting on a festival of their own at Flour City Station. They’ll play a full set of their heavily improvised high energy jams and are a new band that you’ll want to keep a close eye in 2023. Painted Birds will also perform and everything will be stitched together with DJ sets from DDH PVH. There will be catered food, live painting, and art vendors making this another cant-miss celebration of the local art scene.
Everything gets going at 8pm and tickets are $10/$15 dos.
