National Black Theatre (NBT) recently announced that it would be joining the production team for the revival of Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch. The venture marks the second consecutive season that NBT will be on Broadway, following its acclaimed production of Fat Ham. Previews will begin on Sept. 7 and opening is set for Sept. 27 at The Music Box Theatre.
Jonathan McCrory, Leslie Odom Jr., Sade Lythcott (Credit: Jennifer Broski/Broadway World)
Artist Dr. Barbara Ann Teer founded National Black Theater in 1968. Recognized as the longest-running Black theatre in New York City, NBT has received Tony and Emmy nominations. The organization aims to produce powerful works of theatre that “shift the inaccuracies around African Americans’ cultural identity by telling authentic stories of Black lives.” NBT also serves as a space for learning, using arts to educate and empower those in the community. Based in Harlem, the Theatre is set to undergo a capital redevelopment project that will transform the space “into a 21st-century destination for Black culture.”
We are delighted to welcome the venerated National Black Theatre, under the leadership of Sade Lythcott and Jonathan McCrory, to the producing team of Purlie Victorious. Their participation and input into the production seems especially appropriate, since both the play and National Black Theatre… emerged in the 1960’s, during a period of intense social upheaval and cultural reexamination.
Producers Jeffrey Richards and Irene Gandy
Legendary playwright, actor, and activist Ossie Davis originally penned Purlie Victorious. The comedy details the story of a Black preacher returning to his small hometown in Georgia. Based in the era of Jim Crow, the preacher looks to save the community’s church and free the cotton pickers working on a nearby plantation. The play premiered on Broadway in 1961 and initally featured actors Alan Alda, Godfrey Cambridge, Sorrell Booke and Beah Richards. For its 100th performance, Dr. Martin Luther King, Jr. visited the company and celebrated the milestone with them.
Kenny Leon will direct the latest rendition of the iconic play. Actors Leslie Odom Jr, Vanessa Bell Calloway, Billy Eugene Jones, Noah Pyzik, Noah Robbins, and many more set to star Purlie Victorious. The performance will also feature contributions from Tony Award winner Derek McLane who will be responsible for scenic design.
United in vision and intention, it is a privilege to partner with National Black Theatre on the revival of Purlie Victorious. Creativity, ingenuity, resources, and a touch of class—our room is better for having them in it!
Leslie Odom Jr.
NBT is led by CEO Sade Lythcott and Executive Artistic Director Jonathan McCrory. The group hosts more than 90,000 visitors annually and has produced over 300 original works.
Tickets are on sale here. Call 212-239-6200 or in person at The Music Theatre box office. Here for more details and information.
Sohil, a singer/songwriter, guitarist, and producer, released his new single, “Movie Star.” Accompanied by a music video shot in New York City, the song is a love letter to Manhattan and New York City as a whole. It blends futuristic sounds, horns, Sohil’s vocals, and self-aware lyrics to paint a true picture of the Big Apple.
Sohil began releasing music to streaming platforms in 2018. Since then, he has released numerous singles and an EP consisting of acoustic versions of several of his songs.
“My songs all give off a feeling of longing and hopefulness,” Sohil previously said in an interview. “I love lyrics that tell a story and paint a picture for the listener so they feel like they are sitting next to me on my couch while I tell them about a moment in my life.”
Sohil’s music combines a blend of sounds all across the map, including hip-hop, electronic, and soul. “Movie Star” in particular combines UK drum & bass inspirations with pop belting and a little saxophone thrown in for good measure.
The music video also acts as a companion art piece to the song. In the video, Sohil sings each line in a different part of the city and truly captures what it feels like to be in New York.
In the heart of a sweltering summer weekend, the iconic MetLife Stadium in East Rutherford, New Jersey, became the epicenter of a rock ‘n’ roll frenzy. Metallica, one of the most legendary bands in the history of metal, took the stage for their second night as part of a “no repeat weekend” â a concept that had fans buzzing with anticipation for an entirely new setlist. Night 2 featured electrifying opening acts, Ice Nine Kills and Five Finger Death Punch, setting the stage for an unforgettable experience.
The night began with a burst of energy as Ice Nine Kills took the stage. The Boston-based metalcore band, known for their theatrical and energetic performances, kicked off their set with the powerful “SAVAGES.” Fans were immediately drawn into their world of horror-themed storytelling, as they unleashed a setlist that included hits like “Rainy Day,” “Hip to be Scared,” and the hauntingly atmospheric “Welcome to Horrorwood.” The band left the audience in awe as they concluded their set with the fan-favorite “Stabbing in the Dark,” a track that perfectly encapsulated their signature blend of melodic hooks and heavy breakdowns.
Following in the footsteps of Ice Nine Kills, Five Finger Death Punch erupted onto the stage with undeniable force. Starting their set with the anthemic “Lift Me Up,” the band ignited the crowd’s energy to new heights. Their setlist featured a mix of hits and surprises, including songs like “Trouble,” “Jekyll and Hyde,” a powerful rendition of the classic “Bad Company” cover, and the adrenaline-fueled “Welcome to the Circus.” Five Finger Death Punch closed their performance with the emotional and intense “The Bleeding,” leaving the audience craving more.
At 9 PM sharp, the earth-shaking roar of the crowd welcomed Metallica to the stage. With an opening that shook the ground beneath them, the band exploded into “Whiplash,” sending a shockwave of energy through the stadium.
The “no repeat weekend” promise held true, and fans were treated to a setlist that spanned Metallica’s storied career. Classic hits like “For Whom the Bell Tolls” and “Ride the Lightning” resonated with fans who had journeyed far and wide to witness the metal legends in action. The haunting melodies of “The Unforgiven” tugged at heartstrings, while the explosive “Wherever I May Roam” carried the audience on a journey through the band’s diverse soundscapes.
Metallica’s setlist also held surprises of its own, featuring three tracks from their latest album, 72 Seasons. The crowd was treated to the live debut of “Too Far Gone?” and the blistering “You Must Burn!” However, it was the epic “Lux Ãterna” that truly captivated the stadium, showcasing the band’s evolving musical prowess.
The grand finale of the night came with a thunderous rendition of “Enter Sandman.” The iconic riff that has echoed through countless arenas over the years reverberated throughout MetLife Stadium, bringing the night to a triumphant close.
As the final notes of “Enter Sandman” hung in the air, the members of Metallica stepped forward to address the audience. Each band member took a moment to express their gratitude for the unwavering support of their fans. The stadium was filled with cheers and applause as Lars Ulrich, James Hetfield, Kirk Hammett, and Robert Trujillo shared their heartfelt sentiments.
Setlist: Whiplash, For Whom The Bell Tolls, Ride the Lightning, The Memory Remains, Lux Ãterna, Too Far Gone?, Welcome Home (Sanitarium), You Must Burn, The Call of Ktulu, The Unforgiven, Wherever I May Roam, Moth Into Flame, Blackened, Whiskey in the Jar, One, Enter Sandman
The co-led, cooperative NY music project, Elysium Furnace Works is set to welcome the legendary creative forces Eugene Chadbourne and Jim McHugh in the Fall. The duo will perform at the VBI Theatre of Cunneen-Hackett Arts Center in Poughkeepsie on Sept. 14 at 8:00 PM.
Although this performance will not be the first time that the artists have performed as a dynamic duo, the musicians are both stars in their own right. Chadbourne is a multi-instrumentalist, vocalist, composer, author, and all-around creative artist having performed on over 358 albums with artists ranging from John Zorn and Jello Biafra to the Violent Femmes and Camper Van Beethoven. His genre knows no bounds, originally exploring the conventions of rock and pop and later switching over to the bottleneck blues. On the other hand, McHugh took to rock music and stuck there, being an essential part of the New York City-based ensemble The Sunwatchers. The artist himself is an incredibly talented guitarist and vocalist whose contributions have shaped the band’s sound.
Together, the pair is unmatched, from their intimate live performances to their nine-track record Bad Scene released back in 2021. Eugene Chadbourne and Jim McHugh’s performance scheduled for Sept. 14 will see the duo perform original music, covers, and so much more. Interested parties can get their tickets here.
Rock’s finest were on display on Aug. 5 at Artpark in Lewiston, as Jason Isbell and the 400 Unit took the stage, with S.G. Goodman opening. The band was touring in support of their recent release, Weathervanes.
It has been quite the journey for Jason Isbell. The former Drive By Truckers guitarist left the band in 2007 to pursue a solo career. He writes often about his sobriety journey that he started in 2012 in hopes of serving as an inspiration for others. He is often lauded as one of this generation’s best songwriters. While performing with the 400 Unit, he is backed by Sadler Vaden (guitars), Derry DeBorja (keyboards, accordion), Chad Gamble (drums) and Will Johnson (guitar, percussion). Longtime 400 Unit bass-player Jimbo Hart sat this tour out due to personal reasons.
Jason Isbell performs at the Artpark in Lewiston.
The evening would open with a set by S.G. Goodman. Promptly at 8 pm Goodman’s bandmates took to the stage and jumped right in to the groovy “Work Until I Die.” After a lengthy instrumental introduction, Goodman took to the stage and the song’s indie garage-rock sound took off. Goodman, from Hickman, Kentucky, joked with the crowd between songs. “I’m sure by the sound of my voice, you can tell I’m not from around here,” she said with a laugh and a heavy southern accent. Goodman’s songwriting really shined, as she performed tracks like “Space and Time,” a song recently covered by Tyler Childers. As the set came to a close, Goodman paid tribute to Waylon Jennings, with a cover of “Waymore’s Blues.”
S.G. Goodman performs at the Artpark in Lewiston.
At promptly 9:10 the house lights dimmed and Isbell’s familiar anchor-dove logo illuminated above the stage. Moments later Isbell and his bandmates took the stage and immediately launched into the crunchy guitar riff of “When We Were Close,” a track chronicling Isbell’s friendship with the late Justin Townes Earle. The crowd quickly stood to their feet and their energy began to build like a pot of water coming to a boil, coming to a complete boil by the third song, “King of Oklahoma.” The powerful, anthemic song saw the audience sing back the song’s chorus in near deafening fashion.
Jason Isbell performs at the Artpark in Lewiston.
As the evening moved on, Isbell’s strength as a song writer became more and more apparent. He has the ability to place the listener directly into the scene of the song, while singing songs dealing with not only his own personal struggles, but issues plaguing society as a whole. The song “Save the World” touches on the need for gun law reform, while “King of Oklahoma” tells the tale of the protagonist struggling with a painkiller addiction. Then, there are more personal songs to Isbell like “Cover Me Up” which addresses coming to sobriety, and Isbell grappling with his own mortality in “If We Were Vampires.”
Sadler Vaden performs at the Artpark in Lewiston
Isbell and his bandmates shined musically through out the evening as well, with Isbell and Vaden often trading guitar solos. Derry DeBorja added unique layers of sound with his keyboard and accordion playing. Perhaps the pinnacle moment of the evening was the band’s performance of “Miles.” The song, reminiscent of a Crosby, Stills, Nash and Young track, saw layers of sound build upon each other and featured dual percussion, with Gamble and Johnson both taking seats behind a kit. This only further drove the song’s intensity, which peaked with the crash of a gong.
Jason Isbell performs at the Artpark in Lewiston
Like all good things, this evening had to come to a close. The band closed with “This Ain’t It,” which saw Isbell and Vaden partaking in one last guitar solo dual, much to the crowd’s delight. It was a fitting way to close an evening of classic rock sounds.
Symphony Space announced its 2023-2024 season, bringing artists, writers, and myriad communities together for one-night-only, only-at-Symphony Space events that celebrate the magic and sanctuary found only in the arts.
Musicians will explore new sides of their work and their influences, and many will also pay tribute to other legendary performers. Additionally, other events will bridge the worlds of literature and performance with artists and authors propelling words from the page onto the stage. In this new season, Symphony Space gives audiences opportunities to experience bespoke events with leading artists in an intimate, one-of-a-kind venue.
Symphony Space
Symphony Space is a multi-disciplinary performing arts center where bold programming, presented in a uniquely warm and welcoming environment, forges indelible relationships between artists and audiences.
Their fundamental mission is to connect art, ideas, and community through their performances and their commitment to literacy and education through the arts. Known for an array of ground-breaking programs, including Selected Shorts, their immersive Wall to Wall concerts, and their innovative Global Arts education initiative, Symphony Space presents a full slate of original, affordable (and free) programming within New York City and in communities throughout the country through tours, public radio broadcasts, podcasts, and virtual events.
One of the most beautiful things about Symphony Space is we offer performance, literature, and music and embrace our identity as an organization of broad communities. That has been the DNA of who we are since the very beginning, when we were founded on marathon, day-long programming: ‘throw open the doors and invite the community in.’ This season, we’re excited for so many captivating artists in so many disciplines to bring their worlds into Symphony Space.
Executive Director Kathy Landau
Events held at Symphony Space typically fall under one of three main categories: music, literature onstage, and film.
Music
This season’s musical offerings traverse a spectrum of genres in thrilling and unique live performances. One example in the upcoming season is Black Opry, a home for Black artists working in country, Americana, blues, and folk music. The groundbreaking collective will be in residence from Nov. 9-11. Spring 2024’s resident musician is the legendary Nona Hendryx, whose performances span genres and disciplines, mirroring her multifaceted and ever-evolving six-decade career. Her residency concludes with a special celebration of Betty Davis on May 16, initially explored by Nona at Symphony Space’s Wall to Wall Women of Soul in April 2023.
The season also features two major events celebrating vibrant, world-changing musical legacies. Symphony Space will host a special celebration of the 85th Anniversary of the influential, music history-making record label Blue Note Records, featuring The Blue Note Quintet, led by six-time GRAMMY Award-nominee Gerald Clayton, with Joel Ross, Immanuel Wilkins, Kendrick Scott, and Matt Brewer. Later in the season, Prince gets Symphony Space’s Wall-to-Wall treatment in a free all-day marathon celebration of his electrifying artistry.
In numerous concerts throughout the season, audiences can witness both rip-roaring and intimate live acts. They will also have the opportunity to see multiple Grammy Award winners, including Sam Bush and the band Cha Wa. Additionally, Symphony Space’s dynamic concert series Revelry returns after a pandemic hiatus. The Revelry series features local, national, and international artists across musical genres in an intimate venue where interactions between artists and audiences are part of the fun.
Literature Onstage
Selected Shorts is Symphony Space’s best-known series. It was conceived over 35 years ago with a simple premise: take great stories by well-known and emerging writers and have exceptional actors perform them live. It continues in Fall 2023, beginning with a sesquicentennial celebration of Willa Cather, hosted by influential documentarian Ken Burns, a longtime Cather fan. Another event includes acclaimed author Min Jin Lee, editor of The Best American Short Stories 2023, hosting a Selected Shorts event curated from the much-anticipated anthology. One of the most groundbreaking and beloved contemporary genre-crossing authors, Neil Gaiman, will also host an evening celebrating Ray Bradbury.
While Selected Shorts brings literature into the sphere of performance, special literary events this season celebrate beloved performers who have turned to the page to tell their stories. This programming features evenings with five accomplished performers introducing their new memoirs, including Leslie Jones and Seth Meyers discussing Leslie F*cking Jones and icon of the stage and screen Sir Patrick Stewart on Making It So: a Memoir.
Another exciting event is comedy legend Keegan-Michael Key and writer and producer Elle Key discussing their book The History of Sketch Comedy, which stems from their Webby Award-winning podcast.
Film
Symphony Space transports theater and art lovers to some of the most talked-about plays and exhibitions from around the world through its film programming. The NT Live presentations feature exquisitely recorded performances from London’s prestigious National Theatre. NT Live productions scheduled to screen this season include the Chichester Festival Theatre’s production of King Lear starring Sir Ian McKellen.
The Exhibition on Screen film series takes audiences behind the scenes at the most acclaimed museums and galleries to see how the blockbuster exhibitions come together, with curator interviews, close-ups, and context that goes far beyond the wall text of a typical art gallery. Exhibitions on Screen will include Leonardo: The Works, which details every single attributed painting from the 500th anniversary of his death.
Additionally, other films at Symphony Space further reflect the institution’s passion for Broadway, music, and literature. During the fall, Symphony Space invites audiences to join the fun for sing-along screenings of 2018’s Bohemian Rhapsody, 1982’s Annie, and 1954’s White Christmas. As part of the Thalia Film series, Symphony Space will screen François Truffaut’s adaptation of Ray Bradbury’s classic Fahrenheit 451, a complement to the Selected Shorts event dedicated to the author earlier in the fall.
Comedy fans will also delight in the return of Symphony Space’s comedy series that promises to incite heated debate among A-list performers, Uptown Showdown.
See the list of Fall 2023-Spring 2024 programming to date below. Many programs offer livestreaming options, and discounted tickets for those under 30. Visit here for further details on tickets, programs, and accessibility options, and stay tuned for additional program announcements as the season unfolds.
Symphony Space Fall 2023-2024 Programming
September 2023
NT Live – The Best of Enemies | Tuesday, September 5, 1 pm
Maria Bamford, Sure, I’ll Join Your Cult | Tuesday, September 5, 7pm
Sing Along – Bohemian Rhapsody | Tuesday, September 12, 7pm
Exhibition On Screen – Degas: Passion for Perfection | Wednesday, September 13, 1pm
Siddhartha Mukherjee, The Song of the Cell | Thursday, September 14, 7pm
Leslie Jones, Leslie F*cking Jones | Tuesday, September 19, 7pm
NT Live – Life of Pi | Wednesday, September 20, 7pm
Thalia Book Club – Ann Patchett, Tom Lake | Thursday, September 21, 7pm
Amanda Gorman, Something Someday | Tuesday, September 26, 5pm
Selected Shorts – Ken Burns Presents Willa Cather’s America | Wednesday, September 27, 7pm
October 2023
Patrick Stewart, Making It So | Monday, October 2, 8pm
Keegan-Michael Key & Elle Key, The History of Sketch Comedy | Tuesday, October 3, 8pm
Exhibition On Screen – Leonardo: The Works | Thursday, October 5, 1pm
Sarah Cooper, Foolish: Tales of Assimilation, Determination, and Humiliation | Thursday, October 5, 7pm
Roxane Gay, Opinions | Tuesday, October 10, 7pm
Uptown Showdown – A Comedy Debate Series: Humans vs. AI | Thursday, October 12, 7pm
Selected Shorts – The Best American Short Stories 2023 with Host Min Jin Lee | Wednesday, October 18, 7pm
Sing-Along – Annie | Saturday, October 21, 11am
Sam Bush | Friday, October 27, 8pm
NT Live – King Lear | Tuesday, October 31, 1pm
NT Live – Frankenstein | Tuesday, October 31, 7pm
November 2023
Selected Shorts – A Celebration of Ray Bradbury with Host Neil Gaiman | Wednesday, November 1, 7pm
Thalia Book Club – James McBride, The Heaven & Earth Grocery Store | Thursday, November 2, 7pm
Andrew Rannells, Uncle of the Year | Monday, November 6, 8pm
Black Opry in Residence
Chris Pierce | Thursday, November 9, 7:30pm
Kaia Kater | Friday, November 10, 7:30pm
Elizabeth Lubin | Saturday, November 11, 7:30pm
Exhibition On Screen – Munch | Tuesday, November 14, 1pm
Thalia Book Club – Sigrid Nunez, The Vulnerables | Tuesday, November 14, 7pm
Revelry – Jerron ‘Blind Boy’ Paxton & Dennis Lichtman | Friday, November 17, 7:30pm
Thalia Film – Fahrenheit 451 | Tuesday, November 21, 7pm
Uptown Showdown – A Comedy Debate Series: Brains vs. Brawn | Thursday, November 30, 7pm
December 2023
Revelry – Soule Monde | Friday, December 1, 7:30pm
Selected Shorts – Roz Chast, While You Were Sleeping | Wednesday, December 6, 7pm
Revelry – Mile Twelve | Friday, December 8, 7:30pm
Exhibition On Screen – Manet | Tuesday, December 12, 1pm
Sing-Along – White Christmas | Tuesday, December 12, 7pm
Revelry – Stephane Wrembel | Thursday, December 14, 7:30pm
2024 Schedule
Thalia Book Club – E.M. Forster’s A Passage to India 100th Anniversary | Tuesday, January 16, 7pm
Revelry – Cillian Vallely & Kevin Crawford | Friday, January 19, 7:30pm
Revelry – Queen Esther | Thursday, January 25, 7:30pm
Revelry – Hazmat Modine | Friday, January 26, 7:30pm
Blue Note 85th Anniversary Celebration | Friday, February 23, 8pm
Revelry – JigJam | Thursday, March 21, 7:30pm
Wall to Wall Prince | Saturday, May 4, 3-11pm
Nona Hendryx in Residence
A Celebration of Betty Davis Music | Thursday, May 16, 8pm
Newly-minted trap producer Michael Vincent Waller has found his latest muse, teaming up with Atlanta-based Anycia for his latest single “Makin’ em’ Dance.” The Staten Island bred producer continues to broaden his musical horizons dropping this slowed-down thumper with the up-and-coming rapper.
MVW and Anycia are “Makin em’ Dance”
In similar fashion, MVW tabs Anycia as the latest to rhyme over his unique production. “Makin em’ Dance” is a slow-pace thumper. Backed by poignant piano and violin chop and thumping 808 drums that offers a spaced-out ambiance, the Atlanta-based rhymer delivers the type of easy-going and mellow flow that meshes so well with MVW’s minimalist style.
Altogether, MVW is ramping up and diversifying his releases in anticipation of another album. The California-based producer has raised his profile with two unique projects in his first two years as a hip hop producer. As of late MVW has teamed with TiaCorine and Lil Cherry for the global trap record “Tru Tru.” Not to mention a pair of summer releases with the Chicago-bred Valee as they tease their upcoming joint-album.
Rock and roll group Hairball is getting ready to take the New York State Fair Suburban Park Stage alongside 20 other acts. Performing on the fair’s final day, the six-member band hits Syracuse on Sept. 4, 2023, at 1:00 pm.
Highlighted by vocalists Kris Vox, Dave Moody, and Drew Hart, and the additional help of HBK, Billy, and Happy on instrumentals, the group will cover hits from Van Halen, KISS, Motley Crue, Queen, Journey, Aerosmith, and more.
Interim Fair Director Sean Hennessey anticipates Hairball’s performance to be one of the best of the Summer, stating that they aren’t your ordinary 80’s rock band and are ready to deliver “20 concerts in one.”
These guys bring it and they play every show as if it’s their last. While they’re known for recreating iconic songs and moments in Rock history, they’re also constantly innovating and evolving, introducing their own style and flair.
– Sean Hennessey
Celebrating their 23rd year as a group, Hairball guarantees to bring the energy, props, and flair for a one-of-a-kind experience at the New York State Fair, unlike any performer from past years.
The band rounds out Labor Day weekend and the end of the New York State Fair in a Sept. 4 lineup that also includes Foghat and Skid Row, with Foghat at 4:00 pm on the Chevy Court and Skid Row following Hairball’s show at 6:00 pm on the Suburban Park Stage.
Additionally, over the 13-day fair, 20 other acts will hit the Suburban Park Stage ranging from hip-hop to country to Hairball’s rock and roll showcase. The full lineup for the New York State Fair is available now.
Suburban Park Stage Lineup & Ticket Information
All performances are free and are a part of the admission ticket price. Fair admission tickets are on sale now at NYSFair.NY.Gov and are $6 for adults. Those 12 years old and younger, and 65 years old and older, get in for free.
Syracuse-born, Nashville-based artist Mick Fury dropped his latest project earlier this summer titled 1981-1996. In a popular music landscape congested with hollow lyrics, cheap sentiments, and reused sounds, the album stands out for its conceptuality and thematic elements. Focused on the trials and tribulations of millennials across the United States, the album touches on topics and ideas usually avoided by mainstream stars.
We’re the most open-minded, hard-working-for-beans, thoughtful generation yet, and we’ve watched the American Dream be snatched away from us like bullies taking a kid’s lunch money
Mick Fury
Takeaways
The album’s Nashville influence is inescapable: from Fury’s country-rock tone, to the up-tempo and twangy guitar patterns, and even to the country references of dirt, whiskey, roads, and rust. Despite 1981-1996’s country leanings, Fury, along with Max McKee (bass, guitar) and Nate Felty (drums, percussion), also incorporates elements of rock, alt-rock, and even post-grunge into the project. While the instrumentation and arrangement on the album is not the centerpiece, the trio do a good job at giving space for Fury’s lyricism to shine.
With ten songs and a 33-minute runtime, 1981-1996 wastes no time getting into the topic of the project. The album opens with a 42-second recording of sensationalized claims about millennials in the style of a cable news broadcast titled “The Perception.” Angry voices yell out phrases like “snowflakes” and argue that “they want to demand respect that they don’t deserve” or that “they have traded achievement for victimhood”. The track helps tune the listener in for what Fury wants to address in the ensuing songs.
Fury begins the music by inspecting his childhood and the innocence of youth with the song “Bright Eyed Dumb Kid.” The tune is reflective in nature and touches on a topic that many listeners can relate to. Its palatable drums and calm country guitar strums make the song an easy listen. Despite the track’s clear focus, its lyrics differ from the harsh and poignant sentiments espoused on “The Perception.”
Highlights
As the album continues, Fury finds his groove with “Can’t Let Go” and “State of the Union.” The former perfectly demonstrates the singer’s smooth and comfortable delivery, helping to lull the listener into a foot-tapping trance. Fury’s lyrics about being lost and stuck without a purpose match perfectly with the songs’ alt-rock rhythm. “State of the Union” on the other hand is a fast paced track filled with attitude and frustration. The song is arguably where Fury is his most critical and thoughtful on the album. The artist highlights many of the flaws in American society with lyrics like, “Go to school for years to get your degree, get out and get a job then hopefully, we’ll get you out of debt and get you out of this town, you’ll be paying that off until you’re in the ground.”
“We go looking for hope, some kind of savior, pills, presidents, conspiracies, creators, trying to find the way through the dark but it keeps getting later”
Mick Fury on “State of the Union”
“Broken Highway” is most likely Fury’s most ambitious song on 1981-1996. The track features a blend of rock, country, psych-rock, and alt-rock to create a sound that channels the atmosphere of early 2000s radio anthems. The song is ripe with layered production and features some of the best instrumentation on the project.
Following up “Broken Highway” is “Burnin’ It Down,” which is a pleasant return to Fury’s country-rock sound. The track showcases the artist’s creativity as Fury plays with the idea of a traditional country song. Positioned as a classic “America-first” hit, the track takes aim at many of the problematic elements associated with the nation. Mick Fury sings, “Everyday there’s another threat, from some enemy I ain’t never met, we got money for missiles and fuck-all for the vets.” The artist goes on to critique the narrow-minded view that many Americans have. He writes “nothing’s wrong and nothing’s right, you ain’t looking past your own life.”
1981-1996 is conceptually profound and highlights the ingenuity and creativity of Mick Fury. While the album doesn’t reinvent the wheel sonically, Fury sounds right at home on just about all the tracks. The singer’s lyricism and writing is ultimately what drives the project. What the album lacks in nuance and specificity, it makes up for in digestibility and familiarity. In all, the album is a breath of fresh air as it looks to address a topic often untouched by others in the same lane.
The Jonas Brothers’ “The Tour” has expanded with new dates internationally, bringing the total number of shows to 90. “The Tour” kicks off with two sold-out shows in Yankee Stadium this August, with future performances in Buffalo this November and Albany this December.
Visiting 20 countries, many of which for the first time, and 86 cities, “The Tour” is the largest tour the band has ever put together. Earlier this year, the Jonas Brothers released a new album, titled similarly to their tour as The Album. It was produced by Jon Bellion and released with Republic Records.
The Jonas Brothers themselves are one of the most successful groups of this century, with over 20 million sold albums, two Grammy Award nominations, and three consecutive #1 debuts on the Billboard 200. Nick Jonas, Joe Jonas, and Kevin Jonas have not only had successful careers in music, but also in TV, film, and other business ventures. 2019 saw the band’s comeback with the Platinum-certified album Happiness Begins.
For more information and for tickets, check out the Jonas Brothers’ website. For information on VIP packages, check out the link here.
Old Tour Dates
Aug. 12 – Yankee Stadium – Bronx, NY
Aug. 13 – Yankee Stadium – Bronx, NY
Aug. 15 – TD Garden – Boston, MA
Aug. 16 – TD Garden – Boston, MA
Aug. 17 – Mohegan Sun Arena – Uncasville, CT
Aug. 19 – Rogers Centre – Toronto, ON
Aug. 22 – Gainbridge Fieldhouse – Indianapolis, IN
