Category: Regions

  • Afropunk: Circus of Soul touches down in Brooklyn

    Afropunk returned to Brooklyn for 2 days of music on August 26th & 27th. The festival took place at Brooklyn’s Greenpoint Terminal Market for 2023.

    As on brand for Afropunk, the lineup for the festival was all black artists from various genres. Some notable names included Tobe Nwigwe, Baby Tate, and Vince Staples. The lineup also included New York’s own Joey Bada$$, and day 2 headliner, Teyana Taylor.

    Unlike last year, this year had a theme, which was Circus of Soul. Motifs of this theme could be seen throughout the event. Both on stage and in the crowd, fans and artists dressed as though they were part of a circus. R&B artist Cleo Reed really leaned into the theme by dressing them selves and other stage performers in clown attire during their set. There were performers on stilts wearing kente cloth patterns walking throughout the crowd. There were also Aerial Ring performers periodically doing stunts throughout the weekend.

    This year was truly one to be at, as there were many performances and attractions that festival goers could really interact with all day.

    A festival of the Arts

    Afropunk is a festival that is bigger than music. Though music may be the highlight, it also features art and artists from all over the globe that center their creativity around the African diaspora. Inside the Spin Thrift Market, there were vendors selling things like clothes, jewelry, books, and weed products. Outside the Market, there were spaces for health and beauty. Festival goers were able to get their hair and makeup done, henna tattoos, and facials. Most of the vendors were also African American owned and operated.

    In addition to vendors that were selling merchandise, there were also areas for festival goers to interact. In the center between the two stages, there were tents set up for festival goers to play games and run through a bubble pit. It seems as though they learned from last year as most activities and vendors were set up under large tents to protect against any potential rain.

    Nonetheless, as much as there was to do off stage, there was much to watch on stage. There was a two stage setup to accommodate for about 30 performances. In between performances on both stages were DJ SNS and DJ Mohogany. They helped to keep the party going as people awaited some of their favorite artists to take the stage.

    Day 1 Highlights

    Day 1 had strong performances from Cleo Reed and a collaboration from the Soapbox presents on the 3 Ring Stage. The Soapbox brought together vocalists and musicians to bring a rock, R&B, and gospel like performance. This was one of the many perfect displays of how African American music is has roots in so many different genres that tend to overlap one another. The performance had fans feeling cool in the end of summer heat.

    One of day 1’s most notable and electric performances was from Tobe Nwigwe. Originally from Houston, TX, Tobe holds on to his Nigerian roots well as they could be seen in his performances. He is always recognizable with his seafoam green outfits and sets. He brought out his wife, Martica Nwigwe, for a few songs from his set. He also had Olu from Earthgang come out for a song. Olu came out on brand, wearing seafoam green wings to sing “WILDLINGS” with Tobe. The performance was full of energy and surprises that keep the audience screaming for an hour.

    Tobe’s performance was evened out by a more mellow from Vince Staples. Vince stared as “Maurice” earlier this year in the Emmy award winning show, Abbott Elementary. His Long Beach, CA vibes really brought the crowd down from their state of choas from before. Though his set did not features as many theatrics like Tobe’s, he still had the attention of the crowd. Vince had the crowd singing along to his hit song, “Norf Norf,” before there was a mass exodus from the event.

    An uneventful end to the hype

    The first night was headlined by Flying Lotus. He is a producer and DJ who has worked on many projects on TV shows and film. One of the most notable projects was Netflix’s Yasuke, an anime centered around the story of Japan’s first black samurai. He makes a lot of EDM and electronic rap songs primarily.

    Flying Lotus did not receive much of an introduction which left many fans confused. Though his fans would be familiar with his music and style, this may have been many’s first exposure to him. He could barely be seen from behind his DJ booth and did not say a word for at least the first 20 minutes of his set. About halfway through, he was joined by rapper Smoke DZA, who he is working on a collaborative album with. Smoke DZA did bring some excitement and energy to his performance.

    After Smoke DZA’s exit, Flying Lotus played a few more songs and was about to leave. He did not realize that his set was not over and played for about another 15 minutes. Flying Lotus had a pretty anti-climatic exit, as it was a pretty bleak end to day 1 of Afropunk 2023.

    A stark turn around from Day 1’s mishaps

    Day 2 still featured a full lineup that had Greenpoint full. What was nice about this year’s festival was the scheduling of performances. With the stage schedules pretty staggered, fans were able to see all their artists without really having to miss a performance. This really set Afropunk apart from other festivals as many usually have fans contemplating which artists they wanted to see more. If they wanted to, fans could see just about every artist and take in the full Afropunk experience.

    Some notable performances from Day 2 were from Baby Tate and Joey Bada$$. Baby Tate brought a fun energy out of the crowd. With a lot of positive sexual messages infused in her lyrics, her music and performance made Greenpoint a safe space for women to express themselves. In the middle of her set, Baby Tate took a break and her DJ Sky Jetta tapped into a different side of her fans. Though Baby Tate makes rap music, Sky Jetta played alternative rock hits, including “I write sins not tragedies” that absolutely killed.

    Baby Tate came back and continued to kill. She played unreleased song “Wig” and ended on her hit “I am” to leave things on a high. Joey Bad$$ proceeded her and continues to bring smiles.

    New York showing out for New York artists

    Joey Bad$$ was happy to be back in his hometown as he expressed his love for Brooklyn all through out his performance. The theme around his performance was love as he turned the camera toward the audience to celebrate black love. He had a kiss cam going on for a bit before singing “Love is only a feeling.” He dedicated a few songs to fallen black artists including, XXXTentacion, Nipsey Hustle, Pop Smoke, Young Dolph, and more.

    Before he left, he expressed his happiness to be playing at an event where he could see so many black faces. He also threw a jab at Afropunk for being a bit unprofessional behind the scenes. He still left things on a high with “Devasated” before handing the stage over to Teyana Taylor.

    The energy from day 2 was drastically different than from the previous day. Day 2’s lineup featured so many artist that people knew and loved. They had performances that people wanted to be a part of and sing along with. Day 2 was originally supposed to end with Grammy award winner Jazmine Sullivan. Due to some personal reasons, she could not perform, but Teyana Taylor was passed the torch to close out the weekend.

    Rose of Harlem feeling the love

    Nicked named the “Rose of Harlem”, Teyana Taylor closed out to packed audience in her city. Teyana had mentioned during her performance that she was nervous to headline a show as she felt as though no one would stay for her. Though some mic issues may have fueled those nerves early on, New York showed her so much love that it brought her to tears.

    The sound was getting too much for Teyana as she asked for just the keys to play during one of her songs. She was able to get real close and emotional with the crowd before turning things back up. The crowd screamed “Issues” and ” Gonna Love Me” with Teyana.

    She was joined on stage by her daughter ,”Junnie,” and husband Iman Shumphert, for a few songs. Her daughter helped her throw out free t-shirts to the audience. Teyana also had 3 outfit changes that synced up with the many different vibes of her performance.

    She exited the stage, but quickly came back for an encore. Teyana ran into the middle column of the pit to slap the hands of her fans before closing out the night. She thanked New York for showing her so much love and making this performance one worth leaving retirement for.

    Afropunk continued to bring peace, love, and education about African American culture to one of the biggest melting pots of the world. With Afropunk’s voice continuing to reach millions, it’s only a matter of time before it starts to expand to other cities across the globe.

  • Saratoga Performing Arts Center Announces Return of Caffè Lena @ SPAC Festival

    In partnership with Caffè Lena, the Saratoga Performing Arts Center announced that the popular Caffè Lena @ SPAC Festival will return for a free 1-day concert on Saturday, October 7 from 12-5:30pm. Taking place at SPAC’s Charles R. Wood stage, the festival will feature five bands, exploring genres including rock, bluegrass, jazz, reggae and more. 

    Saratoga Performing Arts Center

    The featured performers will include Upstate, Los Sugar Kings, Soggy Po’ Boys, Amythyst Kiah, and The Clements Brothers. The Caffè Lena @ SPAC Festival highlights an ongoing collaboration between the arts center and the folk music venue in Saratoga Springs. 

    Upstate will close out the night with their signature blend of folk, bluegrass, jazz, and soul. The Woodstock-based collective is known throughout the state for their passionate songwriting, vulnerability, and stellar instrumentation.

    This event combines the intimacy and style of Caffè Lena with the expansive outdoor setting of SPAC. Our organizations have had a great time collaborating on this project and the crowd has gotten bigger every year. This year’s line-up is really exciting featuring five inspiring artists, including our first GRAMMY nominee.

    Sarah Craig, executive director of Caffè Lena.

    The collaboration between SPAC and Caffè Lena first launched in 2017, resulting in jointly curated programs at both venues. Guests are welcome to bring food, drink, blankets, and lawn chairs for the concerts. Food concessions will be available. The concert will take place rain or shine. 

    For more information, visit spac.org and caffelena.org for details.

  • The Blues Project to Perform at Caffe Lena This October

    The Blues Project, a band first formed in the mid 60s, will be performing in Saratoga Springs on Oct 8 at Caffe Lena. With the eclectic experiences of each band member, all with different backgrounds and history, it’s sure to be an experience audience members won’t forget.

    The Blues Project poster

    The Blues Project was formed in the mid-’60s in Greenwich Village by guitarists Danny Kalb and Steve Katz, flutist/bassist Andy Kulberg, drummer Roy Blumenfeld, and singer Tommy Flanders. Al Kooper joined later in his early twenties after sitting in on the band’s Columbia Records audition (though they ended up signing to Verve).

    The eclectic résumés of the musicians– folk, jazz, blues, and rock backgrounds– reflected their choice of material. While they did sing covers, they also sang the group’s own originals. These original songs were typically penned by Kooper, who had already built songwriting credentials as the co-writer of Gary Lewis’ huge smash hit “The Diamond Ring,” as well as his contributions to Bob Dylan‘s mid-’60s records.

    After the release of their debut live album, they recorded their second album Projections in the fall of 1966. Projections is a good reflection of their eclectic group, as the album combines blues, R&B, jazz, psychedelia, and folk-rock.

    …we’re not reviving the blues, we’re looking to interpret what’s happening today.

    Danny Kalb (guitarist), 1966

    Soon after Projections‘ release, Kooper and Katz left the band, and in 1968 they joined forces to form their own: Blood, Sweat & Tears. Kooper led the band on its first album Child Is Father to the Man, but he did not take part in any releases after that. Later, Kooper– then a producer for Columbia Records– recorded with Blumenfield, Stephen Stills, and Harvey Brooks for the album entitled Super Session. Katz remained with Blood, Sweat & Tears until the 1970s, and went on to produce Lou Reed’s best-selling and still-influential live LP Rock ‘n’ Roll Animal.

    The Blues Project reformed briefly in the early ’70s with a modified lineup, releasing three further albums: Lazarus, Blues Project, The Original Blues Project Reunion in Central Park. Once they were again disbanded, Blumenfeld formed Seatrain and in the 2000s performed with former Country Joe & the FIsh member, Barry Melton.

    The original Blues Project disbanded one final time in the 90s, but realizing they still had a passionate fan base who cared about the band and its music, Katz and Blumenfeld decided to give it another go in 2021.

    Fast forward to 2023, and The Blues Project is alive and well, with Blumenfeld leading a powerful new lineup including three new talented members: Chris Morrison (lead guitar), Scott Petito (bass), and Ken Clark (keyboards/vocals).

    Catch them at Caffè Lena on October 8, from 7-9PM. Doors open promptly at 6:30pm.

    For more information on The Blues Project, visit their website and follow their FaceBook.

  • Broadway Musicians Equity Partnership Launched Its Pilot Program

    Broadway Musicians Equity Partnership (BMEP) announced the launch of its pilot program. BMEP’s innovative program aims to provide access and learning opportunities for musicians who have historically been underrepresented on Broadway to learn about being in the musical theater industry.

    BMEP’s program kicked off September 13 at the inaugural meet & greet of Local 802’s DECIBAL (Diversity, Equity, Community, Inclusion, Belonging, Access, Leadership) Collective, Local 802’s diversity collective that counts BMEP as one of its members.

    We set out to create a program that would respectfully and responsibly open doors to the Broadway scene for multiple communities that have been historically underrepresented and excluded, including people of color, people with disabilities, and transgender or nonbinary individuals.

    Anja Wood, co-chair of the BMEP committee

    The inaugural cohort of BMEP includes 19 visiting partner musicians matched with current Broadway chair holders.

    BMEP is funded via a grant from the New York City Mayor’s Office of Media and Entertainment. The Mayor’s Office of Media and Entertainment says they are proud to support this innovative program and is committed to supporting NYC’s workers.

    BMEP was developed in August 2021 by a group of Broadway musicians, music directors, and former Local 802 Executive members, with the specific goal of fostering collaboration, growth, inclusion, and equity within the Broadway community.

    Every musician in a Broadway orchestra pit got their start thanks to someone who gave them a change and gave them a hand to work their way up. This program aims to provide that same opportunity to talented musicians who might not otherwise have a chance.

    Alvin Hough Jr., co-chair of BMEP committee

    The BMEP is a program that’s stretched over three months of one-on-one partnerships, offering:

    • Shadowing and Pit Visits: visiting partners get the chance to learn by shadowing their chairholder partner in the Broadway orchestra pit.
    • Facilitated Workshops: visiting partners get access to in-person workshops with various guest speakers ranging from Broadway music directors to chairholders. These workshops provide a greater context to the complex working environment on Broadway and also offer critical networking opportunities.
    • Final Project: a hands-on playing experience between Broadway chair holders and visiting musicians to demonstrate their playing skills after learning a Broadway book.

    The program is open to all professional musicians in the New York City area from groups which have been historically underrepresented in musical theater. For more information about BMEP, visit their website.

  • Binghamton University’s Anderson Center To Host Step Afrika!

    Binghamton University’s Anderson Center for the Performing Arts announced a performance by Washington, DC’s Step Afrika!, as part of its upcoming 2023-24 Center Series. Step Afrika! is a professional dance company dedicated to the tradition of stepping, scheduled to perform at the Anderson Center on September 30 at 7:30 p.m.

    Step Afrika!

    Ranked as one of the top ten African-American dance companies in the country, Step Afrika! combines percussive dance styles historically practiced by African American fraternities and sororities, traditional Western and South African dances, as well as an array of contemporary dance and art forms. Together, they create a cohesive, compelling artistic experience for audiences. Step Afrika!’s performances blend songs, storytelling, humor, and audience participation to create a unique act.

    Step Afrika! promotes stepping as an educational tool for young people, with a focus on teamwork, academic achievement, and cross-cultural understanding. The company reaches tens of thousands of Americans each year through tours and its unique position as Washington, DC’s only Cultural Ambassador. Their accolades include the Mayor’s Arts Awards for Outstanding Contribution to Arts Education (2005), among others, as well as performances for former President Barack Obama and First Lady Michelle Obama.

    Step Afrika!

    The company is featured at the Smithsonian’s National Museum of African-American History & Culture with the world’s first interactive stepping exhibit. In 2017, Step Afrika! made its Off-Broadway debut with the critically acclaimed production, The Migration: Reflections on Jacob Lawrence.

    Tickets for the general public range from $25-60, with a 10% discount on premium seats for seniors, veterans, and Binghamton University faculty/staff and alumni. Student and child tickets cost just $10 for any seat in the house. 

    Tickets are on sale now through the Anderson Center Box Office, online at Anderson.binghamton.edu, or by calling 607-777-ARTS. 

    For more information, visit stepafrika.org.

  • In Focus: An Evening with John Legend in the Berkshires

    John Legend, the 12-time Grammy award-winning artist performed at Tanglewood at the Koussevitzky Music Shed in Lenox, MA on Sunday, Sept. 3. This was a highly anticipated and long-awaited performance for local fans as well as those who traveled to the Berkshires during Labor Day weekend.

    Fans arrived right on time to find their seats in the covered area of the Shed, while the lawn was filling up fast, finding their perfect spots to enjoy the evening. Everyone was bustling about with preconcert energy. Families gathering, friends visiting, and people exploring the beautiful grounds of Tanglewood.

    The show began at 7 pm. Taking the stage, John appeared in a light-colored suit smiling as he made his way to the piano ready to share his story and music.

    He started his story from the beginning. Formally introducing himself with his birth name, where he was from, his childhood, and through the years. He played well-known songs such as “All of Me,” “Stay with You,” “Wonder Woman,” and many others during the evening. His stories give an inspiring insight into his life and music.

    “An Evening with John Legend” is exactly what this concert experience is – a wonderful evening indeed.

    John Legend Tour dates

    September 21 – Woodinville, WA

    September 23 – Los Angeles, CA

    October 28 – Hollywood, FL

    October 29 – Tampa, FL

    November 7 – New York, NY

    November 8 – New York,, NY

    November 10 – Mashantucket, CT

    November 11 – Brookville, NY

  • Blues Traveler Fall Tour Includes Upcoming Show in Port Chester

    Grammy Award-Winning Rock Band, Blues Traveler has announced their upcoming Fall 2023 Tour and plans on stopping at the Capitol Theatre in Port Chester on October 26.

    Blues Traveler is an American rock band that originally formed in 1987 in Princeton, New Jersey. Best known for blues alternative rock music they have become an influence to the reemerging jam band scene since the 1990’s. Members include singer John Popper, guitarist Chan Kinchla, bassist Bobby Sheehan, drummer Brendan Hill and keyboardist Ben Wilson. The band experienced commercial success in the modern rock community after releasing the top hit “Run-Around” and hit the Billboard Top Ten in 1995 later going platinum six times while also receiving The Best Traditional Blues Album Grammy Award for album “Traveler Blues” in 2022.

    Blues Traveler is proud to announce the upcoming Fall Tour, the band plans to perform a variety of hit singles over the span of three decades of music release. As well as new songs from the forthcoming album “Travelers Soul” which marks their 15th album drop. Accompanying Blues is special guest, American songwriter and singer Jono Manson

    For more information Blues Traveler Fall Tour 2023

    Oct 19              Rocktoberfest at MCAS Cherry Point                              Cherry Point, NC

    Oct 20              Sweetland Amphitheatre                                                LeGrange, GA

    Oct 21              Deep Roots Festival                                                      Milledgeville, GA

    Oct 23              West Virginia University-Creative Arts Center                  Morgantown, WV

    Oct 25              Santander Performing Arts Center                                  Reading, PA

    Oct 26              The Capitol Theatre                                                      Port Chester, NY

    Oct 27              Grunin Center For The Arts                                            Toms River, NJ

    Nov 3                Crystal Grand Music Theatre                                         Wisconsin Dells, WI

    Nov 9                Manchester Music Hall                                                  Lexington, KY

    Nov 11              Brown County Event Center                                          Nashville, IN 

    Nov 12              SKYPAC                                                                      Bowling Green, KY

    Nov 14              Tannahill’s Tavern & Music Hall                                      Fort Worth, TX

    Nov 16              Downstream Casino Resort                                           Quapaw, OK 

    Nov 17              Oaklawn Racing Casino Resort                                      Hot Springs, AR

    Nov 18              IP Casino Resort & Spa                                                 Biloxi, MS

    Nov 20              Montgomery Performing Arts Center                              Montgomery, AL 

    Nov 21              Ryman Auditorium                                                        Nashville, TN 

  • Tedeschi Trucks Band Announces Garden Parties Special Guests

    The Tedeschi Trucks Band has announced the special guests joining them on their “Garden Parties” short run at TD Garden in Boston and Madison Square Garden.

    Tedeschi Trucks Band is a Grammy Award-winning 12-piece rock and soul powerhouse, led by the husband/wife duo of guitarist Derek Trucks and singer/guitarist Susan Tedeschi. They are known for their world-class musicianship and contemporary blend of a wide range of American musical influences. The band continues to tour in support of I Am The Moon, their acclaimed fifth studio project which “explodes with joyful, powerful and positive music” (Guitar Player). The album was made off the road during the pandemic and includes four albums released over the summer of 2022.

    Since forming in 2010, the band has traveled countless miles to bring their music to fans all over the world, from sold-out multi-night residencies across America to tours through Europe and Japan, and their flagship annual summer amphitheater tours. Their extensive catalog isn’t geared towards one genre, spanning rock, blues, jazz, and even country, and no setlist is ever the same.

    Credit: David McClister.

    The band announced that joining the show at TD Garden in Boston, MA on Sept. 27 is Warren Haynes, and Trey Anastasio & Norah Jones at Madison Square Garden on Sept. 29. The opener for these performances will be fellow Grammy Award-winner, Lukas Nelson & Promise of the Real. Derek Trucks said “We’re excited and honored to throw these Garden Parties with our good friends. Both venues are hallowed ground, so collaborating with great artists that we have a shared history with makes it that much sweeter. It’s going to be a blast!”

    To purchase tickets, visit here.

    2023 Tour Dates

    9/22 – Reading, PA – Santander Arena

    9/27 – Boston, MA – TG Garden^ 

    9/29 – New York, NY – Madison Square Garden^

    11/6 – New Orleans, LA – The Big Easy Cruise

    ^Lukas Nelson + POTR

  • Mondo.NYC Announces Inaugural AI Track at Williamsburg Hotel

    Mondo.NYC, the annual global business summit and showcase music festival held in New York from Oct. 10-13, announced the agenda for its new AI track, consisting of ten-panel sessions at the Williamsburg Hotel.

    A highlight of this track will be Mondo.NYC’s first-ever AI Hub, hosted by SingularityNET, a day-long immersive experience held in the hotel’s iconic Water Tower on Tuesday, October 10. SingularityNET was founded by Dr. Ben Goertzel with the mission of creating a decentralized, democratic, inclusive, and beneficial Artificial General Intelligence.

    Mondo.NYC’s inaugural AI track will cover the most important topics and trends in the AI and music space, including AI sourcing, ethics, AI artists, creator tools, using AI safely, and AI’s opportunities and challenges. In addition to the AI track, Mondo.NYC 2023 will also feature programming focusing on topics including the state of the industry, management, music tech, gaming, policy, finance, investment, creation and production, touring, and more.

    Amidst the ever-evolving issues facing the music business, AI has emerged like no other, roaring into our collective consciousness, capturing the attention of thought-leaders across the industry spectrum who are seemingly – and often simultaneously – cheering its potential for good and decrying its potential for disaster. We can’t wait for Mondo attendees to experience the latest in all things AI from the top minds in our industry and start conversations that will reverberate throughout the music business long after Mondo.NYC 2023 ends.

    Bobby Haber, Managing Director of Mondo.NYC

    See the complete agenda here. Mondo.NYC tickets are available here.

    Panel Agenda & Speakers – More to be announced

    Tuesday, October 10, 2023

    1:00 PM – AI: Opportunity or Apocalypse?

    Speakers:

    Moderator: Albhy Galuten, Senior Fellow, Intertrust Technologies

    David Hughes, Principal, Hughes Strategic

    Dr. Martin Clancy, PhD, Founder & CEO, AI:OK

    Albhy Galuten and others will discuss the opportunities and challenges associated with artificial intelligence in the music ecosystem. Is it just another invention like the synthesizer or electric guitar, or is it the end of life (and income) as we know it for musicians and writers?

    3:00 PM – Days of Future Passed: Disruptive Technologies and the Music Industry

    Speakers:

    Bill Rosenblatt, President, GiantSteps Media Technology Strategies

    Howie Singer, Adjunct Professor, NYU Music Business

    If you want to predict how new technologies such as AI and social video will change the music industry, one way is to analyze how previous innovations impacted the business. Howie Singer and Bill Rosenblatt, authors of the new book Key Changes: The Ten Times Technology Transformed the Music Industry, look at lessons from historical developments over more than a century to help us predict how the latest disruptive technologies will shake up the music business.

    4:00 PM – Sync Re:Defined – Re:Designed – Re:Imagined

    Speakers:

    Moderator: Justin Gray, CEO/President, Songistry Inc.

    Music supervisors, songwriters, labels, and publishers all have differing opinions about the benefits of AI and its long-term effect on creativity and job security. Come see how Songistry is using AI to completely reshape how music is managed, discovered, pitched, and licensed.

    5:00 PM A Whole New Ecosystem: Creating & Releasing New Music with AI

    Speakers:

    Moderator: Sean Glover, Director of Industry Engagement, SoundExchange

    The co-writer of your artist’s next big hit or the reason you debut on the charts could be AI. With endless ways artists can collaborate and access beats, samples, tracks, and more, we are living in an age of true musical exploration and innovation. The experts on this panel are one step ahead, leveraging these tools or building them, and will dig into how they create and how they release new music into the world.

    Wednesday, October 11, 2023

    12:00 PM – Beyond the AI Boogeyman: Trust & Safety in the Modern Music Industry

    Speakers:

    Christine Barnum, Chief Revenue Officer, CD Baby

    The critical conversation around trust and safety in music’s digital marketplaces has never been louder, but as each business lays out its own position, how can the industry align to formulate a collaborative approach to a nuanced issue? In this discussion, our panel will focus on the impact of streaming fraud, how a proactive approach to trust and safety is necessary, and why AI=Fraud isn’t the nuanced understanding the industry needs to progress.

    2:00 PM – AI Alchemy: The Future of Creator Tools

    Speakers:

    Moderator: Daniel Rowland, Head of Strategy and Partnerships, LANDR

    Matan Kollenscher, CEO, MyPart

    Rachel Lyske, CEO, DAACI

    Yotam Mann, Musician & Software Maker

    AI is becoming increasingly good at not just prompt-based generation of full songs, but one-shot samples, loops, and even presets for digital instruments, along with composition assistance, mixing, mastering, and other workflow enhancements. But most popular music production software has few – if any – AI features. Will the old guard adapt, or will we see a surge in the popularity of fresh, AI-native creator tools?

    3:00 PM – The Artist as API: The Next Level of Fan Engagement

    Speakers:

    Moderator: Daniel Rowland, Head of Strategy and Partnerships, LANDR

    Seth Goldstein, General Counsel and Vice President, Business & Legal Affairs, Moises.ai

    Stefan Heinrich, Co-Founder & CEO, MAYK Inc.

    Outside of using AI in their own productions, some artists are offering fans AI models of their sound, likeness, and voice. Is this the future of fan engagement, brand building, and collaboration at scale?

    4:00 PM RIAA Presents The End of Reality: AI and the Future of Music…

    Speakers:

    Moderator: Jem Aswad, Executive Music Editor, Variety

    Dr. Moiya McTier, ExplAIner-in-Chief, Human Artistry Campaign

    Jonathan Taplin, Director Emeritus, Annenberg Innovation Lab, University of Southern California

    Jessy Wilson, Songwriter & Recording Artist

    Variety Executive Music Editor Jem Aswad leads a discussion with USC Annenberg Innovation Lab Chairman Emeritus Jonathan Taplin, author of The End of Reality; Grammy-nominated songwriter and recording artist Jessy Wilson; and noted scientist, author, and storyteller Dr. Moiya McTier for their expert perspectives on AI, innovation, and the future of the music business.

    5:00 PM – The Well-Trained Model: Ethically Sourced AI for Artists

    Speakers:

    Moderator: Daniel Rowland, Head of Strategy and Partnerships, LANDR

    Chris Horton, SVP Strategic Technology, Universal Music Group

    Stefan Lattner, Research Leader, Music Team, Sony Computer Science Labs

    Joe Lyske, Inventor and Co-Founder, Mashtraxx Ltd.

    How does an artist know what dataset the AI tool they are using was trained on, and whether their own music was used? A discussion of how AI is trained and the future of attribution and compensation for artists.

    Friday, October 13, 2023

    1:00 PM – Ain’t Nothing Like the Real Thing: Hot Topics in Generative AI in the Music Industry from Neural Networks to Fake Drake

    Speakers:

    Moderator: Phil Hill, Special Counsel, Music Industry Practice, Covington & Burling LLP

    Chris Horton, SVP Strategic Technology, Universal Music Group

    Shannon Sorensen, SVP, Legal and Business Affairs, National Music Publishers’ Association

    Generative AI has been the hottest topic in the last several months from board rooms to dinner parties. Our panel will discuss this new technology’s impact on the music industry and will address topics such as copyright, rights of publicity and privacy, contracts and licensing, and overall policy.

  • Skidmore’s Frances Young Tang Museum and Gallery To Run New Arts Series

    The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College has announced a public series of talks, screenings, performances, and more this fall. The series is in collaboration with the new exhibition “Forms of Awakening: Selections from the Jack Shear Collection of Himalayan Art.”

    Forms of Awakening: Selections from the Jack Shear Collection of Himalayan Art Frances Young Tang Museum

    “Forms of Awakening” displays traditional Tibetan objects from the Jack Shear Collection alongside work from contemporary Tibetan artists. Together, the works reveal how such objects change our perspectives and bring light to aspects of reality unnoticed in daily life.

    “Forms of Awakening” is open from August 19 through December 10. The exhibition is organized by Benjamin Bogin, Associate Professor of Asian Studies, Skidmore College; Rachel Seligman, Malloy Curator, Tang Teaching Museum; and Ariana Maki, Associate Director of the Tibet Center and Bhutan Initiative at the University of Virginia.

    Forms of Awakening: Selections from the Jack Shear Collection of Himalayan Art Frances Young Tang Museum

    The Museum and Art Gallery’s new series includes a two-day symposium, with a focus on contemporary poetry and translation, featuring visiting poets and scholars. Featured guests include Sonam Tsomo Chashutsang, Lekey Leidecker, Tsering Wangmo Dhompa, and Dominique Townsend on Sept. 22–23; concerts by musician and activist Tenzin Choegyal on Oct. 13 and singer-songwriter Techung and singer-artist YESH on Dec. 2; a screening of four films by exhibiting artist Tenzin Phuntsog on Oct. 16; a dialogue between Phuntsog and Mary Kate Donovan, Skidmore College Associate Professor of Spanish and Director of Media and Film Studies, on October 19; and a tour with the exhibition curators and artist Palden Weinreb on Oct. 21.

    All events are free and open to the public. For the latest information, visit tang.skidmore.edu.