NYS Music 2023

Category: Regions

  • Westside Gunn Drops Star-Studded LP ‘And Then You Pray For Me’

    Critically-acclaimed Buffalo native, Westside Gunn, continues to push the envelope on his “underground” status with the release of his latest LP, And Then You Pray For Me. Released this past Friday, the star-studded project features a host of hip hop heavy hitters along with a mesh of styles and sub-genres. All in all, showcasing the Griselda head honcho’s status within the game.

    Westside Gunn "And Then You Pray For Me" album cover
    ‘And Then Your Pray For Me” album cover

    The Making of “And Then You Pray For Me”

    Furthermore, the self proclaimed “FlyGod” took a unique approach to the creation of And Then You Pray For Me, recording most of the album overseas. Immersing himself in inspiring locals, he laid down tracks in Paris, Athens, London, and Denmark. Subsequently, as Westside Gunn cements his place in hiphop folklore, he has begun to experiment with different sounds. After years of maintaining an air of creativity and cultural fluidity with his keen fashion sense, expressive styles and interest in art, this has begun to manifest itself in his music — which has long fed the streets with a combination of boom bap and luxury drug raps. While the new experimental sounds have been well received, it has led to questions on whether Westside Gunn’s loyalty to the boom bap sound that gained him relevance has begun to waiver.

    After all, the 21-track project boasts contributions from legendary figures such as RZA, Rick Ross, Jeezy and DJ Drama. While contemporary stars the Iikes of Ty Dolla $ign, J.I.D., EST Gee and producer Tay Keith make appearances with the addition of British rapper, Giggs, for a bit of European flair. Meanwhile, And Then You Pray For Me maintains its gritty feel with appearances from Griselda cohorts and fellow underground stars. Particularly, Benny The Butcher, Conway The Machine, Stove God Cooks, Rome Street and longtime producers Conductor Williams and Derringer grace the project. Ultimately culminating in an electric blend of trap, boom bap with remnants of R&B & soul samples.

    Virgil Abloh Tribute

    I have Virgil Abloh doing my artwork and who left on earth can say that. I cannot disrespect his legacy, he’s immortal and I feel this is his way of blessing me; even though he’s not here in the physical. 

    – Westside Gunn

    In a heartfelt tribute to the late Virgil Abloh, a close friend of Westside Gunn, the renowned Off-White creative designed the artwork for And Then You Pray For Me.  Abloh, known for his innovative and boundary-pushing designs, also created the iconic cover for Westside Gunn’s 2020 album, Pray For Paris. This latest collaboration between Abloh and Westside Gunn is a testament to their enduring friendship and creative synergy. 

  • NYStalgia: Revisit the last time Phish Played Buffalo, October 19, 1996

    In April of 1994 Phish appeared at the Alumni Arena on SUNY Buffalo’s campus. Trey fell through a hole in the stage during soundcheck which would hobble him for the remainder of that spring tour. It’s possible the band held that incident against the entire city of Buffalo. They didn’t return until two and half years later, and that show, on October 19, 1996, would be their last ever visit to the Western NY metropolis. That was 27 years ago.

    Fall 96 Postcard via PhanArt.net
    Fall 96 Postcard via PhanArt.net

    It was a show I had the pleasure of attending. A junior at Syracuse, I had netted just one show that summer, and was determined to take advantage of the Mid-Atlantic start to the tour that would wind them down the coast to Atlanta for the famous “Remain in Light” Halloween show. Tucked between Wednesday night shows in Lake Placid and Hartford, CT, which in retrospect I am not sure how I pulled off either, let alone both, was an easy rust-belt Friday-Saturday run from Pittsburgh up to Buffalo. So out we headed.

    phish buffalo

    The band was a bit uneven at this point, early in the tour, and in 1996 in general. Lake Placid was nothing special, Pittsburgh was solid and this Buffalo show, was generally forgettable. And forgettable is a pretty apt word from my personal standpoint, I really don’t have a lot of strong memories from that night, couldn’t even tell you a single song they played offhand. And popping the show in for another listen, I can’t really recommend anyone put this in their queue. The playing is fine, the song selection is fine, but there’s just nothing really notable here to be worth anyone’s time.

    I have but one strong memory from this show.

    In those days, I was stubbornly determined to be in the front row. I literally had nothing better to do with my time. If it meant sitting out in the baking sun all day and then sprinting like my life depended on it, I did it. If it meant waiting out in the bitter cold singing “Tweezer” with some newfound friends, I did it. If it meant weaseling my way down to the floor and sneaking my way past multiple levels of security, I did it. The latter worked like a charm the previous night in Pittsburgh, a far superior show which I enjoyed front and center.

    Fall 96 shirt via PhanArt.net
    Fall 96 Phish via PhanArt.net

    At Buffalo, I again snuck onto the floor and was biding my time chatting it up with some friends who were right on the wall of the 100 level. We were talking about the Pittsburgh show and I mentioned where I sat. They asked where I was sitting that night, and I coyly mentioned I would be in the front row again. They didn’t think I could do it, so now I definitely had to come through. Shortly before the lights went down I walked down the aisle right to the front row and there was an empty seat just waiting there for me, right in front of Trey. Easy peasy!

    phish buffalo fall 96
    Fall 96 shirt via PhanArt.net

    Some blurry footage of most of the entire show on YouTube can be found below. I watched it all. Like I said, I can’t recommend it for the music. Even for a nostalgic look back at the band and how the lights were back in “the day” is ruined by excessive zoom and blurrier than blurry footage. As I sat through the whole thing trying to figure out what I could possibly say about this show, it took until the end of the very last song for it to dawn on me. The video finally panned out to show the full stage, lights and crowd during the peak of “Run Like an Antelope.”

    There is a blurry visage of a young guy in the front row bouncing up and down and throwing his fists wildly into the air as the band goes into manic climax mode. That would be me. Two plus hours of feeling somewhat down on the memory of a ho-hum concert was erased instantaneously. There’s just something about seeing a 27-year younger version of yourself, no matter how blurry, finding ultimate bliss for a few minutes. Guess the show wasn’t all that bad, that guy seemed to be enjoying it.

    Setlist via Phish.net

    Phish – Marine Midland Arena, Buffalo, NY – Saturday, October 19, 1996

    Soundcheck: Funky Bitch, Reggae Jam, Life On Mars?, Billy Breathes

    Set 1: My Friend, My Friend, Rift, Free, Esther > Llama, Gumbo, Down with Disease > Prince Caspian > Frankenstein

    Set 2: AC/DC Bag, Sparkle > Slave to the Traffic Light, Bouncing Around the Room, Split Open and Melt, Fluffhead, Swept Away > Steep > Run Like an Antelope, Hello My Baby

    Encore: Fee[1], Rocky Top

    [1] Trey sang verses through megaphone.
    The second set started with a Wish You Were Here tease.

    Stream an audience recording of the show here.

  • An Enchanting Evening with Andy Summers at the Patchogue Theatre

    On Saturday night, October 14, the Patchogue Theatre in New York came alive with the spellbinding music and visual artistry of the legendary guitarist, Andy Summers. The crowd gathered in anticipation of a performance that promised to be much more than just a concert. As part of his tour entitled “The Cracked Lens + A Missing String,” Andy Summers combined his exceptional guitar skills with a unique multimedia presentation.

    The show kicked off with the hauntingly beautiful “Tru Nature,” setting the tone for what was to come. With his distinctive guitar style and unparalleled skill, Summers effortlessly transported the audience into a world of musical wonder. The setlist was an eclectic mix of his solo works and iconic songs from his time with The Police, making it an experience that catered to fans both old and new.

    What truly set this evening apart were the interludes between songs, during which Summers shared captivating anecdotes. These stories offered a glimpse into the inspirations and experiences that shaped his music and life. One unforgettable tale involved an accidental overdose of Ambien, which left him with no memory of how he made it from the plane to his hotel. This candid storytelling offered a humorous yet humanizing perspective on the legendary artist.

    The evening continued with songs like “The Last Dance of Mr. X” and “Tea in the Sahara,” which not only showcased Summers’ musical virtuosity but also his storytelling ability. Each song became more than just a composition; it transformed into a vivid narrative that resonated deeply with the audience.

    Another remarkable story recounted Summers’ adventures with the late John Belushi, where they embarked on a journey involving magic mushroom omelets. The audience was transported into this wild and unexpected adventure through Summers’ vivid storytelling, making them feel like they were right there with him.

    The visual component of the show was equally mesmerizing. Behind Summers, a large screen displayed a collage of photographs he had taken throughout his storied career. These visuals served as a stunning backdrop, creating a visual narrative that harmonized with the music. The result was an immersive experience that combined sound and sight, forging a profound connection between the artist and the audience.

    The show culminated with the iconic “Message in a Bottle,” leaving the audience with a lasting memory of an extraordinary evening that transcended the boundaries of a typical concert.

    Setlist: True Nature, Metal Dog, The Bones of Twang Zu, The Last Dance of Mr X, Tea in the Sahara, Round Midnight, Spain, Roxanne, Manha de carnaval, A Felicidade, Triboluminescence, Spirits in the Material World, Bring on the Night, Message in a Bottle

  • ADK-Phoric Festival Coming to Lake George

    Adk-Phoric Festival, a brand new festival coming to Roaring Brook Ranch Resort in Lake George, has announced it will happen on Aug. 17, 2024, going from the early/late afternoon to 11 p.m.

    Adk-Phoric Festival: Live & Love Music is an unparalleled event that seamlessly blends live music, DJs, artisanal craftsmanship, and culinary diversity. With an elite lineup of both emerging and established artists across many genres, the festival also features a selection of the finest local DJs to accompany the artists to keep the atmosphere electrifying

    It goes beyond musical indulgence, featuring curated selections of food trucks offering an array of gourmet options, alongside a marketplace of bespoke craft vendors showcasing unique, hand-crafted goods. It is a multifaceted celebration of community and culture.

    The Roaring Brook Ranch Resort is a picturesque and serene resort located in Lake George. With its sprawling 35-acre estate, including 245 acres of undeveloped land in the majestic Adirondack Mountains, it has a rich legacy of cherished traditions that span generations, dating back to the memories forged in the 1960s. Festivalgoers will enjoy this scenic atmosphere along with the elite sounds of good music.

    Tickets for the Adk-Phoric Festival will be available for purchase by November 1.

  • Virtuoso Bassist Thundercat Comes to Buffalo 

    Multi-Grammy award winner Thundercat came to Buffalo Riverworks on October 14, showcasing his talent as both a bassist and singer. After immediately selling out tickets to the Town Ballroom, promoters quickly upgraded the venue size. Hundreds of more fans got to pack in for a night of the In Yo Girls’s City Tour.

    Photo Credit: Maddie McCafferty

    Openers Coco and Breezy started off the night in Buffalo with their upbeat energy. These musical twins have grown up with a deep passion for dance music that stems back to their time as tour dancers for Prince. They’ve taken their many influences to build a sound that fuses house, R&B, and Afro-Latino roots. These skilled producers brought their fun-filled tunes to a crowd ready to groove. 

    Shortly after, Thundercat – also known as Stephen Bruner – took to the stage with a Mac Miller intro song. He quickly got to shredding on the bass and filling the venue with vibey tunes. His bandmates Dennis Hamm (keys) and Justin Brown (drums) took this collective playing experience to the next level. Awe-inspiring to watch, the three got lost in the music. They play off one another while intrinsically layering one cohesive piece into another. 

    Photo Credit: Maddie McCafferty

    Thundercat performed a wide array from his musical catalog, including songs off of his 2017 album Drunk including “Uh Uh” and “A Fan’s Mail (Iron Song Suite II).” Most of his performance encapsulated his latest album, It Is What It Is. 

    Closing out the night, Thundercat played his most recent release with Tame Impala, “No More Lies,” finishing off the night with everything harmonically sound and soulfully upbeat. A profound musician that without a doubt is inspiring other young musicians to delve into their passions head first. He even signed a young kids bass at the show.  

    Photo Credit: Maddie McCafferty

    In case you missed a night of sweet tunes, don’t worry there is plenty more coming to Buffalo this fall season. Up next at Riverworks is San Holo coming October 21 and Dropkick Murphys performing October 24. Get your tickets here. 

    Setlist: Lost in Space / Great Scott / 22-26, Interstellar Love, How Sway, Uh Uh, Overseas, Dragonball Drug, Lava Lamp, A Message for Austin / Praise the Lord / Enter the Void, Oh Sheit It’s X, Black Qualls, A Fan’s Mail (Tron Song Suite II), Jameel’s Space Ride, King of the Hill, Tokyo, Lone Wolf and Cub, Funny Thing, Them Changes 

    Encore: No More Lies  

  • Long Island Band The Illusion Inducted Into Long Island Music Hall Of Fame

    The Illusion, a Long Island based psychedelic rock band from the 1960s and 70s was recently inducted into the Long Island Music & Entertainment Hall of Fame (LIMEHoF). At the induction ceremony, the group performed onstage for the first time in 51 years.

    The Illusion

    The Illusion made a name for themselves touring with the likes of The Who, The Allman Brothers Band, The Jimi Hendrix Experience, and more. The group’s first single was released in 1968, with their debut album, The Illusion, released on Steed Records the following year. The band continued with two more albums and ultimately dissolved in the early 1970s. The group notably worked alongside Jeff Barry (Tina Turner, The Crystals), who served as the band’s producer for all three of their albums.

    The Illusion

    The group was inducted into the Long Island Music & Entertainment Hall of Fame on October 7, celebrating original members John Vinci, Rich Cerniglia, Chuck Alder, Mike Ricciardella, and the late Mike Maniscalco. Cerniglia, Alder, and Ricciardella took the stage alongside friends to play a selection of hit songs from their original discography.

    The Illusion has had such a major impact and influence on so many of the performers who later themselves became inductees into the Long Island Music and Entertainment Hall of Fame, it is high time they themselves became inductees. Congratulations to the Illusion on being inducted into the LIMEHoF.

    Barry Fisch, General Manager of LIMEHoF

    The Illusion is credited with being an influential figure in the Long Island rock scene, as well as a key influential figure for their friend and collaborator Jimi Hendrix. The group met Hendrix by chance at a recording studio early in their careers and went on to become close friends, frequently playing together across the country.

  • Hannah Diamond’s “Perfect Picture”: A Night of Empowerment at Elsewhere Brooklyn

    On October 14, a cool Brooklyn night, Elsewhere played host to an intimate and emotionally charged performance by the sensational Hannah Diamond, as she unveiled her latest album, Perfect Picture. The evening was a celebration of empowerment, self-confidence, and the universal struggles we all face in terms of self-perception, all wrapped in a visually and sonically captivating experience.

    Images by Adrian Hernandez

    The tracklist of Perfect Picture takes us on a touching journey, each song delving into the complex web of emotions that revolve around self-identity and the pursuit of perfection. The album kicks off with the enchanting title track Perfect Picture, which immediately sets the tone for the night. As Hannah’s ethereal vocals blend with mesmerizing visuals, it’s clear that she is on a mission to explore the intricacies of human self-perception.

    The theme of empowerment is prevalent throughout the album, and songs like “Affirmations” and “Unbreakable” stand out as anthems of self-confidence and resilience. These tracks evoke feelings of strength, freedom, and the realization that true beauty lies in embracing our flaws and imperfections. Hannah Diamond’s lyrics are a beacon of hope, reminding us that our self-worth should not be contingent on societal standards but on our ability to love ourselves.

    The show was an intimate affair, which perfectly suited the album’s personal and vulnerable themes. The crowd’s energy was electric, with fans singing along and dancing in unison to the infectious beats. It was evident that Hannah had a genuine connection with her audience, making the performance feel more like an interactive conversation between friends rather than a traditional concert.

    Hannah Diamond’s stage presence was nothing short of mesmerizing. She effortlessly navigated between her hit singles and the deep cuts from “No FX,” and it was clear that she was emotionally invested in every note she sang. Her humility and vulnerability on stage resonated deeply with the audience, as she encouraged everyone to embrace themselves.

    Perfect Picture is an album that delves into the essence of human existence, examining the power of self-love and the beauty of imperfection. Hannah Diamond’s performance at Elsewhere Brooklyn was a testament to the depth of her artistry and her ability to connect with her fans on a profound level. In an industry that often perpetuates unrealistic ideals of beauty and perfection, Hannah’s music serves as a beacon of authenticity and self-empowerment, reminding us all that we are, indeed, perfect just the way we are.

  • The Museum of the City of New York Unveils Centennial Exhibition “This Is New York”

    The Museum of the City of New York opened a new exhibition, titled People, Place, and Influence: The Collection at 100. The exhibition celebrates 100 years of the Upper East Side museum, showing a selection of MCNY’s collection of over 750,000 objects. 

    The new exhibition opened on October 13, presented as part of the Museum’s Centennial celebrations. The selection includes rarely seen items such as a dress worn by opera star Marian Anderson, a golden Tiffany & Company tea and coffee set, a mouthguard used by boxer Joe Louis, and a 1985 street art painting by Sandra “Lady Pink” Fabara. Each object was selected from the museum’s collection of over 750,000 pieces, and reveals a unique perspective of the history of New York City.

    People, Place, and Influence: The Collection at 100
    Credit: Brad Farwell

    A proud highlight of the exhibition, titled Produced by New York, shows a diverse collection crafted and sourced from New York City. Relics from pre-1973 Yankee Stadium, original runs of Broadway productions, Vera Maxwell masterpieces, and more show the rich and expansive culture of New York through the years.

    For the last 100 years, MCNY has wrestled with the ambitious notion that a single institution can capture the history, physical transformation, and diversity of this complex metropolis. People, Place, and Influence is a testament to the enduring themes that have defined our museum over the last 100 years. We are not just showcasing objects; we’re weaving together the incredible narratives of a city that has shaped style, politics, and business on a global scale.

    Lilly Tuttle, Curator, Museum of the City of New York

    In addition to the selection of historical items, the exhibition also includes a look at the history and founding of the Museum of the City of New York. The museum stands as the first city museum in the United States, and is the only museum dedicated to telling the story of New York. People, Place, and Influence: The Collection at 100 is on display until April 21, 2024.

    People, Place, and Influence: The Collection at 100
    Credit: Brad Farwell

    The Museum continues another centennial exhibition, This Is New York: 100 Years of the City in Art and Pop Culture. It features an interactive exhibit showcasing artists, writers, and creatives who were both inspired by and influenced the culture and development of New York City. This exhibit is on view through June 21, 2024.

    The Museum is also hosting a monthly film and speaker series in celebration of the centennial, titled New York on Film: Decade by Decade. The events feature studio, independent, and documentary films that tell the story of New York City at the time they were made. A full schedule and lineup are available here.

  • Enso Taves Releases Bachata Fusion Single “Tengo Sueños”

    Enso Taves, the New York-based Dominican singer-songwriter, has long been recognized for his unique fusion of Bachata with Latin American Bolero, Son, and Jazz. This remarkable combination of styles has earned him a dedicated fan base eager to embrace his upcoming release, “Tengo Sueños.”

    Released on October 13, this single is not only a symbol of Enso’s artistry but also a testament to his ability to create contemporary music with the heart of traditional Bachata.

    Enso Taves is more than just a singer-songwriter; he is a storyteller who weaves the rich cultural tapestry of his Dominican heritage into every note and lyric. His music can be described as elegant simplicity with a touch of sophisticated romance, a characteristic often associated with Bolero and Bachata. Yet, what sets Enso apart is his ability to infuse these traditional sounds with a modern twist, creating a unique listening experience.

    “Tengo Sueños” begins with a warm and inviting melody, an unmistakable hallmark of Bachata. The song carries the heart of traditional Bachata with its gentle yet emotionally charged guitar strums, which form the backbone of the genre. The traditional bongo and maracas add a layer of authenticity to the rhythm, making you feel as though you’re dancing in a Dominican plaza.

    But what sets “Tengo Sueños” apart is its fusion of these traditional elements with modernity. Enso Taves’ voice is velvety smooth, guiding you through the song’s narrative with a sense of intimacy and nostalgia. As the song progresses, a contemporary touch emerges with the incorporation of electric guitars and a richer percussive backdrop, hinting at the influence of pop and rock.

    The lyrics of “Tengo Sueños” beautifully encapsulate the power of love to conquer adversity. As Enso sings:

    “Tengo sueños tienes que dos también un verso que te quite el miedo de dorar fracto preñar tus sueños que esta historia empieza no… vamos a ver para fugar no donde quiera de no puedo corazón…”

    Here’s the translation:

    “I have dreams, you have two, a verse that takes away your fear, gilds the cracks, nurtures your dreams, this story begins now… let’s see where it goes, I can’t go anywhere, my heart…”

    These words balance vulnerability and strength, emphasizing the importance of understanding each other’s dreams and fears in a relationship.

    For Enso Taves, “Tengo Sueños” is not just a song; it’s a testament to his artistry and his commitment to preserving the cultural heritage of his Dominican roots while pushing the boundaries of contemporary music. Enso Taves will be taking this enchanting musical journey on the road with his upcoming “Bachata Bohemia 2023” tour, bringing this fusion of tradition and innovation to audiences around the world. The single promises to be a musical experience that transcends the barriers of time and tradition, carrying us into a world of love and dreams where the power of music knows no bounds.

  • UAlbany PAC to Host Silent Film Screening with The Area Wind Ensemble

    The UAlbany Performing Arts Center (PAC) will host a free film screening of The Cabinet of Dr. Caligari composed by Brett L. Wery and performed by The Area Wind Ensemble on Sunday, November 12.

    This event is one of three this season that celebrates local artists as part of the UAlbany Performing Arts Center’s prime performance series. Composer Brett L. Wery is the Music Director/Conductor of the Capital Region Wind Ensemble in Schenectady and composer/editor for Sonata Grendel Publishing in Scotia. Wery’s compositions have been performed and recorded around the world while also named winner of the Classic Pure Vienna International Music Competition.

    The Area Wind Ensemble also by the name Quintocracy based in the Capitol Region featuring Melanie Chirignan on flute, Susan Loegering Daves on bassoon, Kelly Lockwood on oboe and Kathryn Svatek on horn. They will be joined for this performance by guest artist Allegra Smith on clarinet.

    Over the years, the ensemble has created a goal to break the dusty, classical ensemble mold in support of their belief that music is for all and the music around us should be as diverse as the culture in which we live. Supporting the opportunity to perform for the upcoming silent horror film and help enhance the mystique of the cinema experience.

    Admission to this event is free. No reservations or tickets are required.  For further information, visit here.