Category: Regions

  • Alanis Morissette Announces The Triple Moon Tour, Stops in Wantagh and Bethel

    Seven-time GRAMMY Award-winning singer/songwriter Alanis Morissette has announced 31 North America shows for The Triple Moon Tour, with stops in Wantagh and Bethel. This new tour will feature special guest Rock and Roll Hall of Fame icon Joan Jett & the Blackhearts, along with support from Morgan Wade.

    Since 1995, Alanis Morissette has been one of the most influential singer-songwriter-musicians in contemporary music. Her deeply expressive music and performances have earned vast critical praise and seven Grammy awards. Morissette’s 1995 debut, “Jagged Little Pill,” was followed by nine more eclectic and acclaimed albums. She has contributed musically to theatrical releases and has acted on the big and small screen.

    Outside of entertainment, she is an avid supporter of female empowerment, as well as spiritual, psychological, and physical wellness. In 2001, Alanis was awarded the Global Tolerance Award by the Friends of the United Nations for her contributions to promoting tolerance through the arts. In 2016, Alanis launched Conversation with Alanis Morissette, a monthly podcast that features conversations with a variety of revered authors, doctors, educators, and therapists, covering a wide range of psychosocial topics extending from spirituality to developmentalism to art.

    On December 5, 2019, “Jagged Little Pill” the musical made its Broadway debut at the Broadhurst Theatre in New York City. The show was nominated for fifteen Tony Awards and won 2 Tony Awards at the 2021 ceremony. In July of 2020, Alanis released her ninth studio album, Such Pretty Forks In The Road, to rave reviews. In August of 2021, Alanis kicked off her sold out world tour celebrating 25 years of Jagged Little Pill. The tour became the #1 female-fronted tour from 2021 and also one of the Top Worldwide Tours of 2021 selling over 500,000 tickets. Alanis also stars in Fox’s sitcom, “The Great North,” which is set to return for season 4 in 2024.

    To celebrate the upcoming holiday season, Morissette released a new Christmas single on November 3. The track “Last Christmas” is a part of an EP featuring previously released Alanis holiday covers of John Lennon & Yoko Ono’s “Happy Xmas (War is Over)”, William Chatterton Dix’s “What child is this?”, and Katherine Kennicott Davis’ “Little Drummer Boy”. All four covers are available on a limited edition red and green 10’ vinyl as well as all streaming platforms.

    Joan Jett and the Blackhearts’ website

    Joan Jett grew up during a time when rock ‘n’ roll was off limits to girls and women, but as a teenager, she promptly blew the door to the boys’ club right off its hinges. After forming her band the Blackhearts in 1979, with whom Jett has become a Rock and Roll Hall of Fame inductee, she has had eight platinum and gold albums and nine Top 40 singles, including the classics “Bad Reputation,” “I Love Rock ‘N’ Roll,” “I Hate Myself For Loving You,” and “Crimson and Clover.”

    With a career that has spanned music, film, television, Broadway, and humanitarianism, Joan Jett remains a potent force and inspiration to generations of fans worldwide. As a producer, she has overseen seminal albums by Bikini Kill, and the Germs’ LA punk masterpiece ‘GI.’

    Jett and Kenny Laguna (her longtime producer and music partner) co-founded Blackheart Records from the trunk of Kenny’s Cadillac after rejections from no less than 23 labels. 40 years later, Blackheart is a thriving entertainment company producing music, film and television, and continues to champion emerging bands. Joan Jett and the Blackhearts continue to tour the world with headlining shows alongside fellow rock legends like The Who, Green Day, Heart, and Foo Fighters. ‘Bad Reputation,’ a documentary about Jett’s life, premiered to critical acclaim at the 2018 Sundance Film Festival. Following up on the bands 2022 release Changeup, their first-ever acoustic album, Joan Jett and the Blackhearts EP Mindsets will be a RSD First vinyl release on 11/24. Mindsets is available to stream now.  

    “I am inspired and heartened and feel giddy inside to be going on this upcoming summer tour with Joan and Morgan and all our teams,” Morissette said. “Can’t wait to see you, can’t wait to perform!” 

    Morgan Wade’s website

    One of Nashville’s fastest-rising and most critically acclaimed young stars, Morgan Wade released her much-anticipated sophomore album, Psychopath, Aug. 25 via Sony Music Nashville. Possessed with a raw and unflinching voice anchored by a perfect tinge of twang; the rare ability to pen honest portraits of some of life’s most precious, painful, and unpredictable moments; and an onstage vulnerability that so seamlessly breaks down the wall between fan and artist, Wade has quickly made her mark on the country music scene — and the music world at large. Her stunning 2021 debut album, Reckless, was hailed as a critical triumph; it topped Rolling Stone’s Best Country and Americana Albums of 2021. In 2022, Wade was nominated as the Emerging Act of the Year at the Americana Music Honors & Awards. Followed by 2023, when Wade was nominated for New Female Artist of the Year by the Academy of Country Music and performed at major-market festivals including Bonnaroo, Lollapalooza and Austin City Limits.

    While Reckless, and particularly its momentous lead single “Wilder Days,” busted down the doors and introduced Wade to a wider listenership, Psychopath is an astounding follow-up statement: the 13-track LP was crafted with the help of some of Nashville’s most extraordinary musical talents, from A-list songwriters (Julia Michaels, Natalie Hemby, Liz Rose, Lori McKenna) to studio musicians as well as Wade’s longtime producer Sadler Vaden. Most excitingly, Psychopath finds Wade peeling back layers of her psyche like never before. “I realized the more authentic you are and the more you pour yourself into your songs, and most importantly if you’re being honest, people will connect to that,” Wade says. 

    THE TRIPLE MOON TOUR DATES: 

    Featuring special guest Joan Jett & the Blackhearts and support from Morgan Wade

    Sun Jun 09 – Phoenix, AZ – Talking Stick Resort Amphitheatre 

    Wed Jun 12 – Austin, TX – Moody Center 

    Fri Jun 14 – Dallas, TX – Dos Equis Pavilion 

    Sun Jun 16 – Houston, TX – Cynthia Woods Mitchell Pavilion Presented by Huntsman 

    Wed Jun 19 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre* 

    Thu Jun 20 – West Palm Beach, FL – iTHINK Financial Amphitheatre* 

    Sat Jun 22 – Alpharetta, GA – Ameris Bank Amphitheater 

    Sun Jun 23 – Nashville, TN – Bridgestone Arena 

    Wed Jun 26 – Charlotte, NC – PNC Music Pavilion 

    Thu Jun 27 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek 

    Sat Jun 29 – Columbia, MD – Merriweather Post Pavilion 

    Tue Jul 02 – Camden, NJ – Freedom Mortgage Pavilion 

    Wed Jul 03 – Holmdel, NJ – PNC Bank Arts Center 

    Fri Jul 05 – Bethel, NY – Bethel Woods Center for the Arts 

    Sat Jul 06 – Hartford, CT – Xfinity Theatre 

    Tue Jul 09 – Mansfield, MA – Xfinity Center 

    Wed Jul 10 – Wantagh, NY – Northwell Health at Jones Beach Theater 

    Tue Jul 13 – Toronto, ON – Budweiser Stage

    Tue Jul 16 – Clarkston, MI – Pine Knob Music Theatre 

    Wed Jul 17 – Cuyahoga Falls, OH – Blossom Music Center 

    Tue Jul 23 – Maryland Heights, MO – Hollywood Casino Amphitheatre 

    Wed Jul 24 – Cincinnati, OH – Riverbend Music Center 

    Sat Jul 27 – Noblesville, IN – Ruoff Music Center

    Sun Jul 28 – Milwaukee, WI – American Family Insurance Amphitheater  

    Wed Jul 31 – Denver, CO – Ball Arena 

    Thu Aug 01 – Salt Lake City, UT – USANA Amphitheatre 

    Sat Aug 03 – Auburn, WA – White River Amphitheatre 

    Sun Aug 04 – Portland, OR – Moda Center 

    Wed Aug 07 – Mountain View, CA – Shoreline Amphitheatre 

    Thu Aug 08 – Palm Springs, CA – Acrisure Arena

    Fri Aug 10 – Inglewood, CA – Kia Forum

    *With support from Joan Jett and the Blackhearts only

    Tickets will be available starting with a Citi presale (details below) beginning on Tuesday, November 14. Additionally, fans can sign up for Morissette’s mailing list by Wednesday, November 15 to get first access to presale tickets. More presales will run throughout the week ahead of the general on-sale beginning on Friday, November 17 at 10 am at alanis.com.

    Citi is the official card of the Triple Moon Tour. Citi cardmembers will have access to presale tickets beginning on Tuesday, November 14 at 10 am until Thursday, November 16 at 10 pm through the Citi Entertainment program. For complete presale details visit this website

    The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. For more information, visit alanis.com.

    Follow Alanis Morissette on Facebook, Instagram, Twitter, or YouTube.

    For more information on Joan Jett and the Blackhearts click here, or follow them on Facebook, Instagram, Twitter, or YouTube.

    For more information on Morgan Wade click here, or follow her on Facebook, Instagram, Twitter, or YouTube.

  • GRAMMY-nominated band boygenius Rocks SNL, Timothée Chalamet Returns

    Timothée Chalamet hosted Saturday Night Live for the second time, his first in 2020. Soon he is starring as Willy Wonka in Wonka, a role he can finally promote now that the Writer’s Strike has ended. Rock band boygenius was the musical guest for the night, rocking the Studio 8H stage, celebrating their six GRAMMY nominations.

    The cold open featured a spoof on the 2024 Republican Presidential Debate, with Kenan Thompson as Lester Holt. James Austin Johnson reprised his iconic role of Donald Trump, making comments on the former President’s recent arrests and breaking the fourth wall, introducing the actors playing the different politicians.

    Timothée Chalamet’s monologue referenced the Writer’s Strike, set to the tone of the Willy Wonka song, his new film coming out December 15. Singing along to the tune, Chalamet pokes fun at long films and AI, bringing out SNL actor Marcello Hernandez to rap about having a “baby face,” but still being attractive. Kenan Thompson also made an appearance rapping about his baby face not changing since he was in his popular Kenan & Kel sitcom.

    Hip Hop just celebrated 50 years, and what better way to celebrate it than a SNL sketch? Bringing in Rick Rubin (James Austin Jones), (Kenan Thompson), and Chalamet as $mokecheddadthaassgetta, a white Soundcloud-type rapper that should definitely not be there. Poking fun at the modern rappers of the day, the sketch Chalamet busting out his best rapping skills, to the distaste of the legends sharing the stage.

    Britney Spear’s new memoir has been shaking the earth lately, calling out those around her including Justin Timberlake. SNL adds some humor to this tense situation, bringing in some influential people to read parts of her memoir, including parody versions of John Mulaney, Bill Hader, and even a parody of Chalamet himself.

    In a sequel to Chalamet’s old sketch “Tiny Horse,” he brings out his singing abilities in “Giant Horse,” a sound sure to go viral again on TikTok. By the end of the sketch, the horse goes back to its tiny size, bringing everything full circle.

    boygenius is comprised of established musicians Phoebe Bridgers, who achieved well-known status with her song “Motion Sickness,” Lucy Dacus, who went viral for her song “Night Shift,” and Julien Baker, an established guitarist and singer with a couple of well-known albums under her belt. Their music has achieved cult status in the indie rock world, releasing their debut album the record only this year. With melodic and infectious tones, boygenius captivates audiences with its depressing and nostalgic vibes and energetic and rowdy live shows.

    For their first song, boygenius, dressed in all suits, sang one of their most popular songs “Not Strong Enough,” off of the record. With their intense and melodic harmonies, the group lit up the SNL stage with their high energy and beautiful vocals. Each member took a turn singing, a staple in their music.

    https://youtu.be/5TtD9U2f1gs?si=Y-UWn05QtgoXJACj

    Weekend Update with Michael Che and Colin Jost focused on the Presidential election, happening this time next year, and the usual satirical news stories they share. Heidi Gardner made an appearance as the overworked by not working at all coworker, someone all of us have definitely witnessed. The next sketch featured Timothée Chalamet as a humorous vision of Troye Sivan, the Grammy-nominated Internet personality turned popstar, with a shocking and funny twist of boygenius joining him.

    boygenius returned with their second song “Satanist,” also off their debut record. Heavier than their last one, with red hues to match the satanic subject matter and Bridgers screaming like she always does, the group left a chaotic impression on the stage. I mean, only they could write a lyric like “Solomon had a point when he wrote Ecclesiastes.”

    https://youtu.be/hniH8I8c-m0?si=JhOPmeMfNarfEndS

    Saturday Night Live returns on Nov. 18 with host Jason Momoa and musical guest Tate McRae.

    https://youtu.be/TzBvtMzWNL4?si=TKLwTkjoBoz1SLsS
  • John Leventhal Teases Upcoming Album “Rumble Strip” With Two Lyrical Singles

    John Leventhal will explore his newfound solo career with his upcoming album Rumble Strip to be released on January 26. The six-time Grammy-winner’s debut album will showcase some of the most adventurous work of his career. 

    Born in New York City, Leventhal began his career in the late 1970’s playing guitar in dozens of NYC area bands including those led by Billy Vera, Steve Forbert and Levon Helm. His impulse to look for unexpected moments of beauty has served as a compass and survival tactic throughout his remarkable career. He’s produced albums for Rosanne Cash, Marc Cohn, Sarah Jarosz, Jim Lauderdale, William Bell, The Blind Boys of Alabama, Joan Osborne and many others. As a guitar player, he has recorded and performed with Jackson Browne, Bruce Hornsby, Willie Nelson, The Tedeschi Trucks Band, Ry Cooder, Elvis Costello, Donald Fagen, and recently, The National (Leventhal co-produced the song “Crumble” from Laugh Track).

    Leventhal has been a Grammy winner in five consecutive decades, including as a co-writer and producer on Shawn Colvin’s 1998’s Song of the Year “Sunny Came Home,” Cash’s moody The River and the Thread, and Stax legend William Bell’s sublime 2016 album This Is Where I Live. Presently, he’s collaborating with Cash on a musical version of Norma Rae. His unique approach hasn’t always aligned Leventhal with whatever is reaping the biggest commercial rewards, but he figures that’s probably the only way he could’ve done it– and it worked.

    Leventhal has shared two songs from Rumble Strip: “That’s All I Know About Arkansas,” featuring vocals and lyrics by Rosanne Cash, his wife and collaborator of 30 years. The other is the solo guitar piece, “JL’s Hymn No. 2,” written and recorded in the same evening.

    “I’ve always had a catalog of ideas that have never found a home,” Leventhal says. “In the back of my mind, I thought that one of these days I should try to harvest some of those ideas and confront the personal gauntlet of making a solo record.” The COVID-19 pandemic made it inevitable. 

    That willingness to confront his past work pays off handsomely on Rumble Strip, which combines Leventhal’s distinctive, lyrical guitar work, full-band productions with and without vocals, solo guitar pieces that draw on Leventhal’s love for classical music and Anglican hymns, and humid blasts of Southern soul, country twang, and improvisation. 

    Rumble Strip will be out January 26 on RumbleStrip Records, the label co-founded by Leventhal and Rosanne Cash (distributed by Thirty Tigers).

    To pre-save the album Rumble Strip, click here.

    Follow John Leventhal on Instagram and YouTube.

  • Gregory McLoughlin Shares Struggles with “Woody Guthrie”

    Gregory McLoughlin, a bassist and songwriter living in Jersey City, has recently released his latest single, “Woody Guthrie,” a song reflecting on struggles and the healing power of music.

    Greg McLoughlin

    Gregory writes and records as a solo artist, in addition to writing for artists including Beeman & Bannon, BuzzUniverse, Julia Kirk, Ross Sandler, Anthony Tamburro, Abbe Rivers, Johnny Bullitt, Anna Oh and others. He also performs in the tri-state area with his band, Gregory McLoughlin & the Lemonade Band.

    greg Mcloughlin woody guthrie

    McLoughlin didn’t set out to write about Woody Guthrie, and the song isn’t about the famous folk legend, he is just the destination where the songwriting took him. McLoughlin wrote the song in his head on a day in February 2021 during solitary gondola rides up and down Bellayre Mountain mid-pandemic.

    “I feel like a lot of it started with Woody Guthrie, after all, he was Bob Dylan’s number one and Dylan‘s music certainly has healed many lost souls,” shared McLoughlin, adding “It’s a song I wrote reflecting on personal struggles I’ve been through and struggles of loved ones who I empathize with. It’s about how music can heal.”

    Recorded a few months after, McLoughlin recently released the single on all platforms in July.

    Listen to “Woody Guthrie” from Gregory McLoughlin

    Next up for McLoughlin is a on December 30th before Dark Star Orchestra with The Lemonade Band. Get tickets here.

    You can catch Gregory perform an online virtual concert, every Monday night at 8 PM EST on his YouTube Live Page.

  • The 16th Annual Bushwick Film Festival Announces Award Winning Films

    The Bushwick Film Festival celebrates it’s 16th edition this year screening over 125 films from Brooklyn and around the world from October 25th through 29th.

    Over the past 16 years, BFF has showcased the works of nearly 1000 independent filmmakers from Brooklyn and more than 50 different countries. The BFF has evolved into one of Brooklyn’s most highly anticipated cinematic events and is celebrated for its significant contributions to the borough’s artistic, cultural, and economic development.

    The festival culminated with an award ceremony on Sunday, October 29th where over 10 films and filmmakers received awards featuring categories including Best Feature Narrative, Best Short Narrative, Feature Documentary, and Short Series. The award winners told bold stories that embody an independent spirit and featured extraordinary characters revealing tales of change, self-discovery, transitions and new phases of life.

    This year’s jurors included Theo Rigby, Danelle Eliav, Melody C Roscher, Amenya Makuku, Courtney Andrialis-Vincent, Niki Williams, and BFF Founder Kweighbaye Kotee. During opening night, Oviation TV awarded The Bushwick Film Festival with a $10,000 check through the Stand For The Arts Awards a partnership with Spectrum that recognizes local arts, cultural, and educational organizations and programs. These contributions support artists that are community driven, advocating for equality with the access of arts and providing accessible spaces for creative expression.

    Full list of winners:

    FEATURE NARRATIVE CATEGORY

    Best Feature Narrative

    Darla in Space

    Director: Susie Moon, Eric Laplante

    Special Jury Prize

    Bittersweet

    Director: Haroldo Borges

    Honorable Mention

    Playing Sam

    Director: Ramon Felipe Pesante

    SHORT NARRATIVE CATEGORY

    Best Short Narrative

    The Old Young Crow

    Director: Liam LoPinto

    Special Jury Prize

    The Vacation

    Director: Jarreau Carrillo

    Honorable Mention

    Bodies Will Tumble and Roll

    Director: Eli Vazquez

    FEATURE DOCUMENTARY CATEGORY

    Best Feature Doc

    Storming Caesar’s Palace

    Director: Hazel Gurland-Pooler

    Special Jury Prize

    Estamos Unidos

    Director: Alvaro Manuel Morales

    Honorable Mention

    Esu and The Universe

    Director: Thiago Zanato

    SHORT SERIES CATEGORY

    Best Series

    Story of Godia

    Director: Mouayed Zabtia

    Special Jury Prize 

    Awesome

    Director: Paul Munger

    Honorable Mention

    Monologue

    Director: Nick Clifford, Stef Smith

  • Spiritualized Mesmerized Buffalo

    Souls filled the pews and chairs inside Asbury Hall, a cavernous old church in Buffalo, on Tuesday. Dim light from an overcast nighttime sky peaked through stories-tall stained glass windows. A group, called Spiritualized, was in town to bless the enlightened with sounds from the beyond. A three-woman choir, decked out in flowing white blouses, joined in with joyous singing. The attendees clapped, cheered, sang along and raised their arms in praise. But this was no religious gathering. Rather it was a rock concert, and a devilishly good one at that.

    Spiritualized, a 30-plus year-old band out of England, was on the second night of a short week-long stint in the US. There was no opener, no stage banter, almost no dead air at all, just over two hours of glorious music. Bandleader Jason Pierce situated himself on the right side of the stage, seated sideways facing his bandmates. And they were fully engaged from the start.

    A spacey noise drifted gently into weightlessness, building repetitively to a crescendo and fizzling back down again in a near ten-minute “Hey Jane” that set the scene for the rest of the evening. Against a starfield backdrop, and with a mirrorball continually sending dots of light orbiting across the stone walls, we were set to explore, not the heavens, but the cosmos. And what more appropriate guide then Pierce, who is also known as J. Spaceman.

    “She Kissed Me (It Felt Like a Hit)” blasted into high gear with frantic drumming, manic bass and wailing guitars. That slammed head first into the gorgeous slide guitar and organ swells of “Shine a Light,” which built up to an exultant chorus from the backup singers. Praise be! “I’m Coming Home Again” immediately followed, peeling back layers of rock exposing a quiet and gorgeous interplay of guitar, piano and bass.

    With little to no pause between songs, the journey continued on through the night. The band would push, pull and stretch the tempo, between songs and within, creating time vortexes. Strobing lights hitting the mirrorball appeared to slow down time altogether as a hyper synth drone sizzled to silence to close out an intense wall of noise in “The A Song.” “Let It Bleed” was another highlight, as it traveled a slow build to ultimate exaltation, choir and all.

    The journey, which made stops along their full catalog, closed out as it began, “Sail On Through” slowly drifting off into space. Spiritualized slowly disengaged from their stations, faced the audience for the first time, and clapped and cheered for us as we for them. Maybe it was a religious experience after all.

    Setlist: Hey Jane, She Kissed Me (It Felt Like a Hit), Shine a Light, I’m Coming Home Again, A Perfect Miracle, Always Together With You, I’m Your Man, The Morning After, Here It Comes (The Road) Let’s Go, Best Thing You Never Had (The D Song), Let It Bleed (For Iggy), The A Song (Laid In Your Arms), Damaged, Soul On Fire, Sail On Through E: So Long You Pretty Thing, Come Together

  • Ukrainian Quartet DakhaBrakha Set to Perform at Binghamton University

    On November 20, the renowned Anderson Center for the Performing Arts at Binghamton University will play host to the experimental Ukrainian world music quartet, DakhaBrakha, promising an enchanting evening of musical fusion and cultural exploration.

    Born from the avant-garde theatre community in Kyiv back in 2004, DakhaBrakha, a term translating to “give and take” in old Ukrainian, has been pushing the boundaries of traditional Ukrainian folk music. Their innovative approach blends these age-old melodies with global rhythms, creating a truly unique and powerful sonic experience. The quartet, accompanied by an array of instruments from Indian, Arabic, African, and Ukrainian traditions, delivers a vocal performance that is both astonishingly powerful and culturally rooted.

    NPR aptly describes DakhaBrakha as a group that “mixes everything from punk-pop to traditional Ukrainian songs in cool yet beguiling textures.” However, it is their live performances that truly set them apart, transforming DakhaBrakha from an intriguing musical act into a brilliant and unmissable phenomenon.

    Rooted in their theatrical origins, DakhaBrakha’s shows boast a strong visual element, featuring dramatic folk garb, original projection art, and poignant video footage addressing the ongoing conflict with Russia. This visual storytelling, added after Russia’s invasion of Crimea in 2014, has elevated DakhaBrakha from musical performers to international ambassadors of the Ukrainian resistance.

    At the crossroads of Ukrainian folklore and theatre, DakhaBrakha’s musical spectrum spans from intimate to riotous, exploring contemporary roots and rhythms. Their performances inspire not just musical appreciation but also cultural and artistic liberation.

    Join DakhaBrakha for a night where boundaries fade away, and cultural resonance takes center stage. Experience the magic of global sounds in the heart of Binghamton University, as DakhaBrakha shares their transcendent musical journey.

    The Osterhout Concert Theater will be the stage for this extraordinary performance, starting at 7:30 p.m. General admission tickets range from $25 to $60, with a 10% discount on premium seats available for seniors, veterans, and Binghamton University faculty, staff, and alumni. Student and child tickets are an affordable $10, offering everyone the chance to immerse themselves in this cultural and musical journey.

    Tickets can be purchased through the Anderson Center Box Office, online at anderson.binghamton.edu, or by calling 607-777-ARTS.

  • Luke Mock Releases Heartwarming and Infectious Single “Love Of My Life”

    Auburn-based singer/songwriter Luke Mock has released his newest single “Love Of My Life,” a haunting look at the end of a happy relationship.

    Luke Mock

    In 2017, Luke Mock initially wrote “Love of My Life,” inspired by his then-girlfriend celebrating their love. Originally with a different title and a duet, the pandemic brought unexpected changes, like the end of said relationship. While dealing with the hardships of quarantine, Mock realized he was feeling intense emotions he couldn’t ignore, entirely transforming the sound of the track, infused with the powerful emotions affecting him.

    Luke Mock is an indie-pop artist hailing from Auburn. His music immerses you in a captivating whirlwind of emotions, driven by catchy hooks, and delivered with genuine charm. He’s captivated many audiences, sharing stages with artists like The Driver Era, Kesha, AJR, Ryan Quinn (The Voice), and Neyla Pekarek (The Lumineers), among others. With honesty and diving into his personal side at the core of Mock’s music, he forges connections and resonates with others. Compared to Shawn Mendes, Charlie Puth, and Julia Michaels, his captivating vocals and infectious pop music elements captivate audiences.

    Luke Mock

    “Love Of My Life” is a hauntingly beautiful track, encompassing the harsh emotions Mock felt when writing it. With a daring and melodic acoustic guitar flowing in the background, picking up with added percussion and beautiful strings, Mock paints a picture of a couple in love. Singing, “I want you to kiss me and make time go still/Yeah you are the one that makes my heart laugh/And you make me happy even when I’m sad,” he expertly describes the sometimes hard-to-put words to the feeling of being in love.

    The added strings and piano add more of a melancholic and nostalgic touch to the track, and make you fall deeper into the words. Mock’s vocals bring you in and hold you there, with his perfectly crafted overdubbing harmonies. “Love Of My Life” is yet another strong addition to Luke Mock’s discography, showcasing his evolving and diverse range.

    “Love Of My Life” is available to stream on all platforms you listen to music. For more information about Luke Mock, visit here.

  • James Casey’s Musical Family Honors His Life with Memorial Benefit at the Brooklyn Bowl

    Friends & fans filled the Brooklyn Bowl on Monday, November 6, to celebrate James Casey‘s rich musical legacy by playing songs he loved. His dear friends Louis Cato, Nikki Glaspie, and Trey Anastasio Band led performances, joined by dozens of his musical cohorts to honor his memory and life of music.

    Casey wanted a party, not a funeral, so Peter Shapiro obliged his last wishes by hosting his memorial celebration at his Brooklyn Bowl in Williamsburg. Proceeds from the event benefit the two organizations which helped Casey after he was diagnosed with colon cancer in 2021, the CCA and the ABGH. The 3 hour concert was livestreamed on Fans.Live, and will stay up until Sunday night.

    Music Director and multi-instrumentalist Louis Cato led The Late Show Band, showcasing songs from Casey’s favorites from Sly and the Family Stone, along with songs from Casey & Cato’s bands, Animus Rexx, and Six Figures. The Trey Anastasio Band spearheaded a 4-song set which included some of James’ favorite songs. Nikki Glaspie led an all-star lineup that included members of Lettuce, Snarky Puppy, Animus Rexx, TAB, John Brown’s Body, Six Figures, and many others to play songs from Earth Wind & Fire, Sly and the Family Stone, Parliament Funkadelic. At the end of her band’s set, Nikki pulled nearly everyone on stage for a Go-Go medley, setting a new record for the most people on stage at any Brooklyn Bowl. Raydar Ellis DJed during band downtimes, curating selections from James’ favorite songs and artists.

    Brooklyn Bowl owner Peter Shapiro introduced the night’s festivities with how important James was to him and his friends & family whose lives James graced. Shapiro smiled as he shared somber words while holding back tears, “Do you guys feel this in the air right now? Because that’s James Casey. And we were fortunate to have James play on this stage many times. And when I think of James here, I look over … it’s right about there (points to bowling lanes), ‘cuz James would come off the stage, maybe sitting in with Soulive at Bowlive, and I’d be right over there. And the feeling of hugging it out with James Casey … right by the stage was probably one of the best feelings I’ve ever had in my life: that strength…that smile. And I’m so glad that tonight James Casey is selling out the Brooklyn Bowl.” as fans applauded, with few dry eyes in the room.

    Shapiro continued, “I love that guy and we miss him, but he wanted to party, and the energy in here feels like a party, but a special one. So we want to thank you guys and everyone that’s here, particularly Ayla (his wife) and James’ family to trust us for hosting this night.” Shapiro then introduced the host of the evening, Sirius XM‘s Phish Radio host, Ari Fink, who warmed up the crowd with a resounding, “Let’s GOOOOO!!!” Fink quipped, “I …want to thank Bill Graham…I mean, Pete Shapiro (fans chuckle) for the wonderful introduction, for having us, and to Ayla, PJ, Margaret, Richard, Britten … and the entire crew…” (cheers) Fink told the fans to wave to their friends watching from home.  Fink shared philosophy about how we process grief:

    “There’s a common misconception about grief. Most people think it’s about letting go, but it’s actually quite the opposite. It’s really more about holding on. And James made that so easy for us. Every note he played had just the right amount of power & precision, placed perfectly into the flow of that moment. And it would enhance it, like noone else. Same thing when you spoke to him. So now, with us here in this moment, we’re holding on to his fierce spirit, wry sense of humor, unmatched musical empathy, and enough swagger to fill an entire venue”

    Ari Fink

    Fink continued to tell the fans that both he and Casey grew up in Prince George’s County, Maryland, and that he first met Casey back in 2013 when he was launching his new band, Animus Rexx, which was so good (“the greatest ish I’ve ever heard in my entire life”) that Fink was inspired to help them get started. And after that, Fink had Casey as a frequent guest on Sirius XM, where he shared another story with the audience:

    “Now over the next decade, James was a frequent guest on Sirius XM, he would come up and kick it, and we would call each other to talk about our latest projects, share guidance, and talk about trials & tribulations of the music industry (by the way, which, there are a lot of). For both of us, you know, we easily were able to get through all of the surface stuff and cut right to the core. He always asked about my family. But the most amazing part about James on Sirius XM… the craziest thing would happen. Every time we sat down, my voice would relax, and..it would naturally start to drop, like almost a full octave at a time, because it was just like (points down)… he was that amazing to talk to. And normally it’s my job to make people feel comfortable on the air, but James had an unmatched ability to do just that for me. And when I listen back to those moments, it’s clear. We were locked in, the flow state was all the way to 100, and it was just real talk, real hangs and lots and lots of laughs. You guys ever heard James laugh? (fans: yeah!) Best laugh of all time!”

    Fink’s speech went on for a solid 10 minutes or so, and with fans itching for music, Fink held back a couple of jeers to get to his introduction of the Music Director of the show, and Casey’s dear friend, Louis Cato. (on the livestream, skip ahead to 1:29:36 to jump to when the music starts).

    Louis Cato began the music of the evening, saying, “Let’s give it up one time for the man of the hour, James Casey. For all of us that have been, have had had the pleasure of knowing this incredible human being, you know that he’s always been the life of the party, and … as he transitioned into the next phase of his journey, he made it very clear: “I don’t want a funeral, I wanted a party!” I don’t know if I can curse on the stream. (to his keyboard player) can I curse on the stream? (smiles)  Jenna …wherever you are, earmuffs! That’s my daughter. Who is also James’ niece. Earmuffs! So, you wanted a party? That’s what the fuck we’re gonna do! C’mon, let’s get it on y’all!!!

    The Late Show Band kicked off the music with Sly & the Family Stone’sFamily Affair”, with Cato on guitar & vocals, Reuben Cainer on bass, Dave DJ” Ginyard on bass, Nêgah Santos on percussion & vocals, Randy Runyon on guitar, James Williams on drums, Corey Bernhard on keys, with other friends sitting in and switching various instruments. Cato’s band launched into the night on guitar, calling out solos around the stage, first to his trombonist, followed by a scorching alto sax solo by Louis Fouché, a tasty Hammond B3 solo by Bernhard, then a smoking solo by Runyon, with others soloing in turn until the end of “Family Affair”. Afterwards, Cato then put his guitar down and said:

    “So everybody up here on the stage has been.. a friend, and a brother, and a sister, and a bandmate of James, so we had to make sure it goes all the way around (points to sides) so you all get to see the outreach, because we’ve all been changed… by our interactions, our musical relationships, as well as the personal, with this monumental musician. We’re going to do another one, with another iteration .. of a band we used to have together back in the day, called Six Figures. With James is the agreed-upon front man,” as he walked back to sit on the drum kit.

    More great solos continued on bass, clavinet, and then the horns left stage, as a film clip from Casey’s band, Animus Rexx was shown (Live from Rockwood Music Hall – Apr. 23, 2014) on the big screen for the audience. In that clip, Casey used his sampler, manipulating & replaying his altered vocal samples, while his bandmates added synth, drums, and bass.

    As the side film ended, Cato got back up on the drums and asked the crowd “Are you still with us?” and then Cato’s band with most of Animus Rexx ended the set with their song, “Pleasure” a trippy synth swirl, intriguing, groovy and ethereal. The fans showed their appreciation, though most were hearing it for their first time. Cato’s band ended their set with “The Payback“, with Reuben on sampler, Runyon on guitar, and BigYuki on synth, and Cato filling in on drums for Justin Tyson (who is now with Robert Glasper’s Electric Trio).

    After Cato’s set, Ari Fink came back out to give accolades to Animus Rexx, then introduced Casey’s wife, Ayla, who slowly took to the stage, smiling but holding back tears. She said, “Every single person in this room lifted James up in some way, …even right now. And it meant the world to James to live his dream performing and releasing music”. Ayla shared how James kept touring while they fought “the hardest battle of their lives”, and that she was “so grateful for the love that he received.” She said we should know our family history, be our own advocates, arm ourselves with knowledge, and re-emphasize symptoms, get a second opinion if we feel we’re not being heard. Ayla then introduced the President and Co-Founder of the ABGH, Dr. Sophie Balzora, who shared stats on how black people are 20% more likely to get colon cancer and 40% more likely to die from it. She contacted James to ask if he’d help ABGH, which he humbly agreed to. Balzora said that ABGH created a medical education scholarship in his name, to big applause.

    Michael Sapienza (CEO of the Colon Cancer Alliance) reminded us that colon cancer is the second-most common cancer in the US, and listed the many ways James Casey helped their cause, and that his own mother died of colon cancer.  He said we have to change this, but that (Casey’s devotion) was inspiring.

    The next band was either the most anticipated or a complete surprise, depending on who you asked before the show. It was a bit of a mystery, since so few artists were announced before showtime. Fink bantered around who might be on next, but soon enough, fans realized their wishes would come true, as he introduced the Trey Anastasio Band, to huge applause. As the band plugged in, Trey simply said “Thanks, everybody!” as TAB tore into a snappy version of “Mozambique“, ended by tight horns, with Zoidis playing in Casey’s spot.

    TAB hopped into “Everything’s Right”, as more horn players slinked onstage, with Alecia Chakour and Jo Lampert adding vocals to Jenn and Natalie. “This world, this world, this crazy world I know / it turns, it turns, long night’s over, and the sun’s coming up.” As Trey repeated this, he raised his arms and the fans erupted into a bubbling soup of dancing heads with hands raised into the air. The lights darkened as the song cooled to make space for a warm Zoidis solo, with Trey popping fills between Zoidis’ riffs, building to the end.

    Trey shared his thanks for James playing in TAB for 11 years: “We love James, we love you (holding back tears). It’s incomprehensible how much we love James and how grateful we are for every single second we got to be with him. Our friendship with Ayla and James’ amazing family, mom & dad, everyone. Today/tonight has been really… (makes a heart gesture) heart-filling. All the friends from Boston that James met when he was in college who are here tonight, all the friends and family: thank you for being here and celebrating this incredible human being. And now we will play… James’ used to really like singing this song. So we’re going to do a cover here of a song that…I wish that he was here to sing it for you, so you have to use your imagination. We’ll all try to… fill in the blanks a little bit, but he loves singing this song”.

    Trey nodded to Russ to start “Express Yourself”, Alecia added her soulful voice to lift the song up where James could see it. Jenn crafted a trumpet solo, as the band loosened up and dance along with the fans. He introduced their friend, Jo Lambert, they hug, play Rise/Come Together, with TAB’s choral family expanding as Erin Boyd and Elenna Canlas hopped up on vocals, and Snarky Puppy’s Mike Maher added his trumpet, ending TAB’s brief set with hugs as they waved away.

    Nikki Glaspie brought her super-band onstage with 25-30 or more musicians playing, setting a new Brooklyn Bowl record. 8-10 percussionists were stacked 4 to 5 rows deep on the right, with 7 or 8 horn players on the left, with Nth Power’s and another Wally’s OG, Nate Edgar on bass, Sean Erick on trumpet, Rene del Fierro on guitar (has a band w/ Carlos Santana’s son), three keyboardists (Nigel Hall, Basil Wajdowicz, Elenna Canlas), Angie Swan on guitar, Chris St. Hilaire on drums (London Souls, Black Keys), Lyric Jones, Matty O and Mike Maher on trumpets, also Andrew Marsh on kit, Khris Royal and Chris Ward on saxes, Natalie on trombone, and other horns, percussionists & vocalists.

    Nikki tore into the Gospel classic, singing “I Don’t Know What You Come to Do“, with Jenn responding, “I came to celebrate James!” in traditional call-and-response fashion, with backup singers echoing replies. Strangely, after a ripping solo, Angie Swan hoisted her guitar and its neck abruptly folded. We learned it was a Ciari travel guitar, but still aren’t sure if it was a planned stunt or an accident. She re-attached the next and somehow the guitar was still in tune, and finished the song.

    Nigel sang lead on “Remember the Children”, by Earth Wind & Fire, after which, Nikki warned  “we’re about to get dirty right now!” and “so James being from DC… the greatest music in the world came from Washington, DC, we call it Go-Go music. And we’re gonna play some!” Nigel replied, “Yeah, DC is in the house right now. Southeast is in the house! to which Nikki said “PG county – the greatest county in the world, goddammit!”

    Nikki then slid over to kit. After the song got going, Nigel rose from his keys to sing harder.  Total chaos ensued for the Go-Go medley, with little room to fit more musicians on stage. Go-Go morphed into funk as they transitioned into “Bop Gun” by P Funk, then a Parliament’s “Flash Light”, with Josh Dion (Paris Monster) up again on lead vocals, a killer Zoidis sax solo, more Go-Go, then “Give Up the Funk” into “Do That Stuff (reprise)” to end their incredible, wild set.

    Louis Cato returned for the last set of the evening, reminding us again about James’ journey & battle, sharing somber words about how he felt about James and all they experienced and did together, the fullness of their relationship, while struggling to speak as he got emotional. Cato warned us not to lose our humanity as we strive with our ambition as artists:  “James has always been… and I say to me, but know that I’m aware that it’s for all of us, most of us, it has always been both: he consummate musician dedicated to his craft, committed to putting love into the music, always, always, always. (fans clap) And he always put that same love into his friends and gave it to his family. And the two…it’s a rare thing… it’s the biggest thing … about James Casey. He’s always been that rare breed that can engage in music, and spirit, and craft and vocabulary at the highest level, but also meet you where you are, at the highest level. And, it’s changed the path of my life… eternally. And that is why we’re here.”

    At this point, Cato called The Finale Band to the stage, with Nikki on drums, as Cato slaps his P-Bass to kick off “I Want To Take You Higher” with Jenn and Alecia and others on vocals, and mostly The Tonight Show band with a few guests who appeared in other sets throughout the evening, with impeccable horn solos and powerful vocals to end the night on a high note of optimism and warm memories of James Casey’s life and contributions to music, friendships, and family.

  • Photo City Music Hall and RootsCollider to present Rave Against the Machine 5 post-Thanksgiving

    RootsCollider, the ever-popular EDM dance-rock group from Rochester, have announced their 5th annual Rave Against The Machine, this year sporting the Glitch Hop Edition.

    The event will take place on November 24 at Rochester’s Photo City Music Hall with rotating music performances from 7PM until late into the night.

    Rave Against The Machine 5

    The event hosts six performing groups: Sophistafunk, RootsCollider, Subsoil, Éclat Vibes, Junkyard Theory, and Ampbition, in addition to numerous special guests. Appearances will be made by Giant Panda Guerilla Dub Squad, Gunpoets, Mosaic Foundation, Personal Blend, The Buddhahood, Helium Bubble and more throughout the night.

    The six performing groups will rotate on two stages throughout the night, playing multiple sets each. Headlined by Sophistafunk and RootsCollider, the night will feature all flavors of EDM, hip-hop, fusion rock, and more.

    RootsCollider
    RootsCollider

    The Rave night is themed and inspired by the recent Barbie movie, so attendees are encouraged to wear all pink, or dress up at their favorite characters from the hit movie. 

    Rave Against The Machine is an 18+ event. Tickets are general admission and are available here. The event will take place at Photo City Music Hall in Rochester, NY on November 24 at 7PM.