Category: NYC Metro

  • Reuben Vincent Releases “February 13th” To Commemorate Black Love Day

    Young elite lyricist and producer Reuben Vincent announced the release of a new video for his soundtrack, “February 13th”. The soundtrack is from his recently released Jamla/Roc Nation debut album Love Is War.

    “February 13th” entails Reuben and fellow Jamla/Roc Nation star Rapsody diving into the Love Is War theology and dissecting the complexities of relationships/situationships. The soundtrack highlights “Black Love Day”, a day designed to demonstrate love, forgiveness and acceptance among black people.  

    Conceptually, Love Is War is an acknowledgement that as young black men I feel like we aren’t taught, and given the tools of how to love properly. We don’t know how to love our people, our women, our brothers; and most importantly ourselves. 

    Reuben Vincent

    Love Is War addresses the importance of self-love so that it can be possible to love others correctly. Vincent reveals that his goal is to establish a proper sense of self love for himself. The soundtrack is titled “February 13th” because of his realization that love is a constant battle to get to that center in your life. People battle themselves daily, to reach a place where they can both love and be loved.”

    There is no doubt that Reuben Vincent was born to win. Recently named one of HipHopDX’s Rising Stars Of 2023, Vincent has spent the last few years honing his artistry. He was guided by Hip-Hop greats 9th Wonder and Young Guru.  

    Before the creation of “February 13th” Vincent and Rasposdy were living with Young Guru in LA during the pandemic. The three woke up together, shared experiences with one another, and learned from each other. According to Rapsody, the soundtrack and music video highlights their encounters with love. Vincent also says, “It was the day before Valentine’s Day so we wanted to make this the break up song. Everyone who is a part of this record experienced real emotions to get to this point.” The artist’s transparency allows you to feel genuine emotion as you listen to the soundtrack.

    Reuben’s Jamla/Roc Nation debut album, Love Is War, is an emotional project that will place him at the forefront of debates about the new rap greats. Vincent uses warm soulful beats from 9th Wonder, Young Guru, The Soul Council and his own production, to unpack relationships and romantic entanglements. “February 13th” also features guest appearances from Reason (TDE), Domani and Stacey Barthe. 

    Reuben Vincent’s Love Is War is now available at all DSP’s via Jamla/Roc Nation Records. You can also purchase, stream, add and favorite Reuben Vincent’s Love Is War here.

  • De La Soul is From the Soul: Remembering Trugoy

    When TMZ first reported on February 12 that De La Soul’s Dave “Trugoy the Dove” Jolicoeur had passed away, there was an outpouring of respect and support throughout social media. And for good reason, the 54-year-old Long Island native was not only one of hip hop’s most innovative rhymers, he had the catalogue and accolades to back it up. However, Plug 2’s value to the hip hop community isn’t based on his achievements on a commercial scale. For many, De La Soul represents the happiest times of their formative years, the boom era where hip hop wasn’t this high-functioning corporate machine, but when the art was still based around thoughts, feelings and the power to dare to be different, the organic way.

    Embed from Getty Images

    Hailing from the same Long Island outskirts that produced the likes of Chuck D, Rakim and Biz Markie, De La Soul’s contributions to hip hop and the black experience overall was one of normalcy. In an ever-changing rap landscape that had adopted an in-your-face brashness amid Public Enemy, NWA and Rakim’s rise, De La Soul served as the buoyant middle ground between the brazen and squeaky clean rappers of the day. While the group’s success is the product of four like minded creative vanguards (Posdnous, Trugoy, Maseo and Prince Paul) there’s no doubting that Trugoy embodied their very essence. Even as their music matured in between 3 Feet High and Rising and Stakes is High, Dave’s laidback effervescence remained a constant.

    https://youtu.be/tD_crXNhzKs

    Trugoy and De La Soul’s Impact

    In an era where black extremism seemed to be the new norm in hip hop, De La Soul brought a fresh point-of-view to life as a black young adult. With their quirky melodies, lighthearted approach, and genre-bending use of samples and rapping styles, the Amityville Memorial High products helped bring the other black experience to prominence. The one where you had fun, nobody got hurt, police was not involved and everything was okay. As a result, their music offered an alternative to contemporaries as their experiences as suburban black youth afforded them a broadened, colorblind view to artistry.

    Embed from Getty Images

    Consequently, their idiosyncratic point of view saddled them with a “hippie” gimmick from their record label. After all, black plight had long been one of America’s main soundtracks. For their part, De La Soul refused to portray themselves as victims to anything but wacky outfits. With their D.A.I.S.Y. (Da Inner Sound Ya’ll) mantra, De La Soul epitomizes hip hop’s ethos of “keeping it real.” Along with other members of the Natives Tongues, De LA Soul brought about a musical and social balance to the hip hop landscape. However, they remained true to themselves, refusing to be boxed into the alternative hip hop mold that was building around them.

    De La Soul is Dead was a backlash of feeling that way about the industry. About how our art was being compromised. I think people’s point of view of what we were trying to do — it seemed as if they were pointing their hands at us like, these guys are basically here to represent something that we believe that they are, and they’re going to act the way we think they’re supposed to. It was like, no, that’s not who we are. It’s not what we’re doing, and it’s not what we feel. You feel emotional when things happen inside, and we just gotta let it out through music.

    -Trugoy the Dove in an interview with Kickstarter Magazine

    At the heart of it all was Dave, whose creatively juxtaposing role as Trugoy resonated with many around the world, with De La Soul serving as an inspiration and pushing the budding careers of several acts, including Yasiin Bey and Common. With iconic group’s back catalogue set to hit streaming services on March 3, we can be assured that De La Soul will never be dead.

  • In Focus: Fitz and the Tantrums On Their “Let Yourself Free Tour” Swing by Webster Hall

    On Friday, February 8th, Fitz and the Tantrums stopped by the beloved Webster Hall during their “Let Yourself Free” tour. From the moment Fitz and his talented band took the stage, the crowd was swept away by their electrifying performance. Supported by 20-year-old Sammy Rash all tour, the show had a mix of upbeat pop and rock, animating and electrifying the crowd. 

    Photograph by Chinaza Ajuonuma

    Originally only supposed to support Fitz and the Tantrums on their California dates (San Francisco, Los Angeles, and Sacramento), Sammy Rash is a chill pop artist who makes music in his garage. While relatively new to the music sector, he’s already garnered an extremely loyal fanbase of over 1.3 million monthly listeners on Spotify over the past 2 years. He plans on dropping more indie beach pop singles every month and has already released 2 songs this year. 

    Photograph by Chinaza Ajuonuma

    Fitz and the Tantrums are an American indie pop and neo soul band from Los Angeles, California, formed in 2008. With the soulful and powerful vocals of Michael “Fitz” Fitzpatrick and Noelle Scaggs had everyone on their feet, dancing along with the rest of the crowd.

    Photograph by Chinaza Ajuonuma

    With a mix of upbeat pop, rock, and soul, the bands energy kept everyone moving and enthusiastic all night long. The colorful lights and dynamic stage presence of the band created an atmosphere that felt like a high-energy carnival. With each song, the crowd grew more and more animated, clapping, singing, and jumping along to the beat. Playing some of their most notable songs like “Out of My Leauge” and “Livin’ for the Weekend”, the concert was the perfect place to let loose, dance, and revel in the joy of music.

    Photograph by Chinaza Ajuonuma

    Sammy is still touring with Fitz and the Tantrums, and the tour ends on February 16th in Fort Lauderdale, Florida. Keep an eye on their social media for any new show announcements.

    Photograph by Chinaza Ajuonuma

    Sammy Rash Setlist: bad day, best friends, Replay [Iyaz cover], smile more, winter

    Photograph by Chinaza Ajuonuma

    Fitz and The Tantrums Webster Hall Setlist: Sway, Heaven, OCD, Good Intentions, 123456, Complicated, Out of My League, Livin’ for the Weekend, Fool, MoneyMaker, 6AM, Silver Platter, Let Yourself Free, I Just Wanna Shine, All the Feels, The Walker

  • The Moldy Peaches Announces Comeback at Brooklyn Steel

    NYC anti-folk heroes The Moldy Peaches announced their triumphant return to the live stage after 20 years at Brooklyn Steel. 

    Prior to their performance at the Brooklyn Steel, the band announced their first European show in 20 years, with a date at London’s Roundhouse and performances at Primavera Sound Barcelona. 

    The Moldy Peaches

    The Moldy Peaches was established in the mid-90s by Adam Green and Kimya Dawson in New York City. The indie band popularized “anti-folk” music that brought quirky, lo-fi punk elements into the music scene. What began as a duo soon transformed into a six-member band with members such as Brent Cole, Jack Dishel, Toby Goodshank, and Steven Mertens joining. In 2001, the band released their debut album, The Moldy Peaches on Rough Trade Records. Recognized for their sense of humor, whimsy and self-deprecation, the debut album featured gems like “Downloading Porn With Dave” and “Who’s Got The Crack.” In 2002, the group separated to work on solo projects.

    Last year, founding members Kimya Dawson and Adam Green played their first show together in 11 years. The two performed together for a premiere of the documentary Meet Me In The Bathroom, inspired by Lizzy Goodman. When asked about upcoming events the band said, “We’re excited to be back, older, and moldier. Let’s see if we still got it! Once a Moldy Peach, always a Moldy Peach.”

    Presale tickets for the show will be available February 15 via Amex. General tickets will be available for purchase on February 17th. More information about The Moldy Peaches can be found here. 

    THE MOLDY PEACHES – LIVE

    May 29 – London, UK – Roundhouse

    June 2 – Barcelona, ESP – Primavera Sound

    June 9 – Madrid, ESP – Primavera Sound

    August 10 – Brooklyn, NY – Brooklyn Steel

  • Phish Summer Tour includes Syracuse stop, plus 7 Nights at MSG

    Having just celebrated the start of their 40th year with a career-spanning New Years Eve performance at Madison Square Garden, Phish gave a Valentine’s Day gift to fans in the form of Summer 2023 Tour dates. The 23-date Phish tour will include stops at St. Joseph’s Lakeview Amphitheater in Syracuse, and 7 nights at MSG.

    phish summer tour syracuse

    On Sunday, July 23, Phish will make their second ever appearance at Lakeview Amphitheatre in Syracuse, located on the shore of Onondaga Lake and across the highway from the New York State Fairgrounds. Their first performance in 2016, also a Sunday show, featured the band playing a great deal of songs penned by native son, Jon Fishman.

    phish 7 nights MSG syracuse

    While not billed as a residency like the band’s 13-night Baker’s Dozen run of 2017, the Madison Square Garden shows will feature the band’s second longest stretch at the venue. By the end of the residency, they will bring their total number of shows at the World’s Most Famous Arena to 79, second only to Billy Joel. Check out all the pre and post shows during the 7-night run here.

    photo by Chad Anderson

    The band’s summer 2023 will culminate with their traditional Labor Day Weekend run at Dick’s Sporting Goods Park in Commerce City, CO, returning for four nights, August 31-September 3.

    A ticket request period is currently underway at tickets.phish.com and will end on Monday, February 27th at 12PM ET. Tickets go on sale to the public beginning Friday, March 3rd at 10AM ET. Specific ticketing information for each show is available at phish.com/tours.

    phish 7 nights MSG syracuse

    Travel Packages will be offered in Alpharetta, Wilmington, Philadelphia, New York and Commerce City. All packages include tickets and local hotel accommodations and go on sale Thursday, March 2nd at 11AM local venue time. Every multi-night run has a corresponding multi-night ticket available, including a discounted 7-show ticket available for the Madison Square Garden shows.

    Phish 2023 Tour Dates

    FEBRUARY
    23 – Riviera Maya, Cancún, MX – Moon Palace Cancún (SOLD OUT)
    24 – Riviera Maya, Cancún, MX – Moon Palace Cancún (SOLD OUT)
    25 – Riviera Maya, Cancún, MX – Moon Palace Cancún (SOLD OUT)
    26 – Riviera Maya, Cancún, MX – Moon Palace Cancún (SOLD OUT)

    APRIL
    14 – Climate Pledge Arena – Seattle, WA
    15 – Climate Pledge Arena – Seattle, WA
    17 – Greek Theatre – Berkeley, CA (SOLD OUT)
    18 – Greek Theatre – Berkeley, CA (SOLD OUT)
    19 – Greek Theatre – Berkeley, CA (SOLD OUT)
    21 – Hollywood Bowl – Los Angeles, CA
    22 – Hollywood Bowl – Los Angeles, CA
    23 – Hollywood Bowl – Los Angeles, CA

    JULY
    11 – Orion Amphitheater – Huntsville, AL
    12 – Orion Amphitheater – Huntsville, AL
    14 – Ameris Bank Amphitheatre – Alpharetta, GA
    15 – Ameris Bank Amphitheatre – Alpharetta, GA
    16 – Ameris Bank Amphitheatre – Alpharetta, GA
    18 – Live Oak Bank Pavilion at Riverfront Park – Wilmington, NC
    19 – Live Oak Bank Pavilion at Riverfront Park – Wilmington, NC
    21 – The Pavilion at Star Lake – Burgettstown, PA
    22 – The Pavilion at Star Lake – Burgettstown, PA
    23 – St. Joseph’s Health Amphitheater at Lakeview – Syracuse, NY
    25 – TD Pavilion at the Mann – Philadelphia, PA
    26 – TD Pavilion at the Mann – Philadelphia, PA
    28 – Madison Square Garden – New York, NY
    29 – Madison Square Garden – New York, NY
    30 – Madison Square Garden – New York, NY

    AUGUST
    1 – Madison Square Garden – New York, NY
    2 – Madison Square Garden – New York, NY
    4 – Madison Square Garden – New York, NY
    5 – Madison Square Garden – New York, NY

    25+26 – Saratoga Performing Arts Center – Saratoga Springs, NY
    31 – Dick’s Sporting Goods Park – Commerce City, CO

    SEPTEMBER
    1 – Dick’s Sporting Goods Park – Commerce City, CO
    2 – Dick’s Sporting Goods Park – Commerce City, CO
    3 – Dick’s Sporting Goods Park – Commerce City, CO

  • Alice Dunbar-Nelson: Groundbreaking Poet, Activist, and Journalist

    In honor of Black History Month, we look at those whose significant contributions in their life that have transformed the way gender and class are looked at today. One of these early pioneers of journalism, poetry, and activism was Alice Ruth Moore Dunbar-Nelson, one of the prominent African Americans involved in the Harlem Renaissance.

    Alice Dunbar Nelson
    Alice Moore Dunbar-Nelson as a young woman, circa 1895. Photo by R. P. Bellsmith from the University of Delaware Library.

    Alice Ruth Moore Dunbar-Nelson was born in New Orleans on July 19, 1875, to mixed-race parents. Her parents, Patricia Wright, and Joseph Moore were middle-class and part of the city’s multiracial Creole community. Her African American, Anglo, Native American, and Creole heritage contributed to her understanding of gender, race, and ethnicity, something she often referenced in her work. Her education began at Straight University (later merged into Dillard University) in New Orleans, graduating in 1892. She was named Class Poet by her graduating class.

    After graduating, Dunbar-Nelson began teaching in the New Orleans public school system, taught second grade at Marigny School in the Seventh Ward, and became active in teacher organizations. While teaching, she began writing her first works, setting them in New Orleans, as well as poetry.

    She began writing for the first newspaper created by and for African American women, The Woman’s Era. Her first book, Violets and Other Tales (1895) was published when she was just 20 by the New Orleans magazine The Monthly Review. Her second collection, The Goodness of St. Rocque and Other Stories (1899) explored her Creole heritage, and the racial oppression she faced. She was highly criticized and rejected by publishers for speaking out about these things.

    Alice Dunbar-Nelson
    Courtesy Schomburg Center for Research in Black Culture, New York Public Library.

    Her writing and photography caught the eye of Paul Laurence Dunbar, who wrote to her, and the two began talking. Dunbar-Nelson left New Orleans with her mother and relocated to Boston with her sister and brother-in-law. She helped to co-found the White Rose Mission, NYC’s first settlement house for young black women. She met Dunbar one evening, and he proposed that night. They separated in 1902 after he nearly beat her to death and she moved to Wilmington, Delaware where she began teaching at Howard High School and then the State College for Colored Students (now Delaware State College). She continued to publish articles in newspapers, essays, and poetry and married Arthur Callis, founder of the Alpha Phi Alpha fraternity in 1910. They divorced but her career continued on without him.

    A Pioneer in Many Genres

    According to Gloria T. Hull, editor of the volume Give Us Each Day: The Diary of Alice Dunbar-Nelson (1984), “Dunbar-Nelson perforce wrote in the interstices of a busy existence unsupported (except for one brief period) by any of the money or leisure traditionally associated with people of letters. Doggedly determined to be an author, she plied her trade… carried forward on the flow of words that came quite easily for her.” She was comfortable in many genres but was best known for her prose. She was one of the few female African American diarists of the early twentieth century, portraying the reality of African American women and intellectuals, and addressing topics about sexuality, racism, oppression, work, and family.

    Dunbar-Nelson regularly published in Black newspapers such as the Opportunity, Ebony and Topaz, and Crisis magazines between 1917 and 1928. Her poems also appeared in James Weldon Johnson’s seminal anthology, The Book of American Negro Poetry (Harcourt, Brace and Company, 1931). In 1932 she moved to Philadelphia and published in the Journal of Negro History (JNH), also writing columns in the Washington Eagle and Pittsburgh Courier.  She was also co-editor and writer for the A.M.E. Review, a church publication, and edited The Dunbar Speaker and Entertainer (1920), as well as co-edited the Wilmington Advocate.

    Alice Dunbar-Nelson
    Photo by Interim Archives/Getty Images

    Political Activist

    On April 20, 1916, Dunbar-Nelson married journalist, poet, and civil rights activist Robert J. Nelson. Besides being a journalist, poet, and writer, she was heavily involved in politics during her life. In 1914, Dunbar co-founded the Equal Suffrage Study Club, and the following year she was a field organizer for the woman’s suffrage movement in the mid-Atlantic states. 

    She supported the NAACP and served with the Women’s Commission on the Council of National Defense and the Circle of Negro War Relief during World War I. In 1922, she advocated for the passage of the Dyer Anti-Lynching Bill, created to “protect citizens of the United States against lynching in default of protection by the States,” and helped establish the Industrial School for Colored Girls in Delaware. She served as executive secretary of the American Friends Inter-Racial Peace Committee (1928-1931) and gave many speeches during this time. One of her speeches was published and included in Masterpieces of Negro Eloquence (The Bookery Publishing Company, 1914).

    Although she herself isn’t considered a huge part of the Harlem Renaissance, she inspired the work of many famous names of that era and was friends with many including W.E.B. Du Bois and poet Georgia Douglas Johnson. She was a fierce and in-demand speaker, as well as one of the leading poets and journalists of that era. Alice Dunbar-Nelson celebrated freedom and beauty until the end of her life when she died on September 18, 1935, in Philadelphia of heart disease at the age of 60. Her work was so often uncredited, unpaid, or both and she was overshadowed by white men, but she worked hard and deserves to be recognized not only for her pen but also for her fight for women’s and African American rights at a time when it was dangerous to do so.

  • A Residency at The Capitol Theatre with Bob Weir & Wolf Bros

    Bob Weir & Wolf Bros took over The Capitol Theatre in Port Chester for a four-night residency, part of a 2023 winter tour.  Joining Bob on stage: bassist Don Was, keyboardist Jeff Chimenti, drummer Jay Lane,  pedal steel guitarist Barry Sless with strings and horns supplied by The Wolfpack (Alex Kelly, Brian Switzer, Adam Theis, Mads Tolling and Sheldon Brown.)

    Bob Weir & Wolf Bros

    The four nights presented a wide variety of music. Each having its own groove.  Covers where distributted throughout the shows, including songs from Bob Dylan (When I Paint My Masterpiece, All Along the Watchtower), Johnny Cash (Big River), and The Beatles (Tomorrow Never Knows, Dear Prudence.)  

    The shows held over February 7- 11 were broken up into two night groupings with the middle night at The Capitol occupied by Long Island Medium Theresa Caputo. Whether she was booked to conjure up additional “Dead” spirits could not be confirmed. But the following Friday and Saturday shows where packed to the rafters. 

    Bob Weir & Wolf Bros

    Of course, a four-night stint like this has its fair share of Weir solo, Ratdog, and Grateful Dead tunes. If the stage was not filled enough, Rick Mitarotonda and Peter Anspach of Goose as well as Kenny Brooks, Dred Scott, and Sasha Dobson joined in to close out the final night.

    The tour heads into March, including a stop in Atlanta for three nights with the Atlanta Symphony Orchestra.  

    Bob Weir & Wolf Bros – The Capitol Theater, February 7, 8, 10, 11 Setlists: 

    February 7
    Set 1 – Cassidy, My Brother Esau, When I Paint My Masterpiece, Catfish John, Tennessee Jed, Black-Throated Wind, Lost Sailor, Saint of Circumstance
    Set 2 – Mama Tried, China Cat Sunflower, I Know You Rider, He’s Gone, Going Down the Road Feelin’ Bad, I Need a Miracle, All Along the Watchtower, Stella Blue, Sugar Magnolia

    February 8
    Set 1 – Greatest Story Ever Told, Iko Iko, Only a River, Friend of the Devil, Althea, Come Together, Weather Report Suite, Let It Grow
    Set 2 – Ramble On Rose, Truckin’, Looks Like Rain, Playing in the Band, Uncle John’s Band, Supplication, Morning Dew
    Encore: Black Muddy River

    February 10
    Set 1 – The Music Never Stopped, Easy Answers, Loser, Big River, She Knows What I’m Thinkin’, Deal, Candyman, Bird Song
    Set 2– Fever, Ashes and Glass, Don’t Let Go, Dark Star, Shakedown Street, The Wheel, Tomorrow Never Knows, Days Between, Not Fade Away
    Encore: Ripple

    February 11
    Set 1 – Jack Straw, Minglewood Blues, She Belongs to Me, Brown-Eyed Women, Loose Lucy, Two Djinn, Corrina, New Speedway Boogie
    Set 2 – Peggy-O, Me and My Uncle, Scarlet Begonias, Estimated Prophet, Franklin’s Tower, The Other One, Dear Prudence, Lady With a Fan, Terrapin Station, Terrapin Transit, At a Siding, Terrapin Flyer
    Encore Brokedown Palace, One More Saturday Night

  • moe. announce 3-night run in May at Brooklyn Bowl

    With their eyes set on the State Theatre in Portland, Maine, moe. has just announced they will hold a special 3-night run at Brooklyn Bowl in Williamsburg over May 18-20, wrapping up their winter/spring tour.

    moe brooklyn bowl

    Presented by Relix, the run of shows follows the return of guitarist Chuck Garvey to the road full-time following his stroke in 2021, and the more recent announcement that keyboardist Nate Wilson, who first sat in with the band during Garvey’s recovery last year, is now an official member of the band and will perform at all of moe.’s performances, going forward.

    A special artist pre-sale for Brooklyn Bowl is currently underway using password WINDITUP – click here for moe information. Tickets go on sale to the general public this Friday, February 17th at 10amET. For ticketing and show info, visit moe.org/tour

    moe.’s Winter 2023 Tour will resume with their 2-night run at the State Theatre this weekend, as well as an additional 2-night run at the Palace Theater in Albany, NY on 2/24-25, coinciding with “moe.day” in Albany on 2/24. Select February performances will include an opening set by Karina Rykman.

    moe. 2023 Winter Tour Dates
    Friday, February 17th – State Theatre – Portland, ME*
    Saturday, February 18th – State Theatre – Portland, ME*
    Friday, February 24th – Palace Theater – Albany, NY*
    Saturday, February 25th – Palace Theater – Albany, NY
    Thursday, March 9th – Brooklyn Bowl – Nashville, TN
    Friday, March 10th – Mars Music Hall – Huntsville, AL
    Saturday, March 11th – Minglewood Hall – Memphis, TN
    Sunday, March 12th – Vinyl Music Hall – Pensacola, FL
    Wednesday, March 15th – Music Hall – Charleston, SC
    Thursday, March 16th – The Plaza Live – Orlando, FL
    Friday, March 17th – Culture Room – Ft. Lauderdale, FL
    Saturday, March 18th – Jannus Live – St. Petersburg, FL
    Sunday, March 19th – PV Concert Hall – Ponte Vedra Beach, FL
    Tuesday, March 21st – Lincoln Theatre – Raleigh, NC
    Wednesday, March 22nd – Jefferson Theatre – Charlottesville, VA
    Thursday, March 23rd – The Orange Peel – Asheville, NC
    Friday, March 24th – Variety Playhouse – Atlanta, GA
    Saturday, March 25th – Variety Playhouse – Atlanta, GA
    Friday, April 14th – Higher Ground – Burlington, VT
    Saturday, April 15th – Higher Ground – Burlington, VT
    Wednesday, April 26th – Cain’s Ballroom – Tulsa, OK
    Thursday, April 27th – The Echo Lounge – Dallas, TX
    Friday, April 28th – Paramount Theatre – Austin, TX
    Saturday, April 29th – Tipitina’s – New Orleans, LA
    Sunday, April 30th – Tipitina’s – New Orleans, LA
    Tuesday, May 2nd – JJ’s Live – Fayetteville, AR
    Wednesday, May 3rd – The Truman – Kansas City, MO
    Thursday, May 18th – Brooklyn Bowl – Brooklyn, NY
    Friday, May 19th – Brooklyn Bowl – Brooklyn, NY
    Saturday, May 20th – Brooklyn Bowl – Brooklyn, NY
    Thursday, May 25th-Sunday, May 28th – Summer Camp Music Festival – Chillicothe, IL
    Friday, June 16th – Red Rock Amphitheatre – Morrison, CO^
    Saturday, June 17th – Red Rock Amphitheatre – Morrison, CO^
    Thursday, July 13th-Saturday, July 15th – 4848 Festival – Snowshoe, WV
     
    * with Karina Rykman
    ^ supporting Umphrey’s McGee

  • Jack Kleinsinger Presents Highlights in Jazz at BMCC Tribeca PAC

    The Highlights in Jazz concert series celebrates its 50th anniversary on Thursday, Feb. 23, at 8 p.m. at BMCC Tribeca Performing Arts Center.

    Founded and produced by Jack Kleinsinger, Highlights in Jazz is New York’s longest-running Jazz concert series. NEA Jazz Master Sheila Jordan, guitarist Russell Malone, and bassist Jay Leonhart will accompany the anniversary show, along with surprise guests.

    Photo credit: Highlights in Jazz

    The milestone 50th anniversary of Jack Kleinsinger’s Highlights in Jazz has experienced delays due to the Covid-19 pandemic. However, he never lost hope. “I was sure I’d celebrate this anniversary, though I wasn’t sure it would happen in 2023,” says producer Kleinsinger. “I was determined to do a 50th concert somehow. And here I am, at it again,” he notes with a laugh.

    The Highlights in Jazz concert series has attracted the attention of not only audiences but musicians as well. “I must be there,” declared Sheila Jordan, as soon as she heard the golden anniversary concert was in the works. The anniversary concert marks a return after a short absence for Jordan, last performing at the March 22, 2022 show.

    The singer is a force to reckon with, still performing at the age of 94. “Sheila lives by Sheila’s laws, she blows my mind,” declares fellow musician Art Baron. Baron and Jordan have known each other since the ’80s, and have performed together alongside Roswell Rudd, George Gruntz, and others.

    Unlike previous years, the 50th-anniversary show for Highlights in Jazz will not feature a “living legends” concert, due to this year’s abbreviated schedule. “Since the start, we saluted a living jazz artist every year. I believe in doing it while they’re alive and it means something, that’s part of our tradition. Lionel Hampton was the first living legend we saluted and it became an annual tradition,” Kleinsinger said. However, two previous living legend honorees, bassist Jay Leonhart, and guitarist Russell Malone are part of the 50th-anniversary lineup.

    This year’s Tribeca performance comes as Kleinsinger does some serious reflection on his career. “This may be the last concert I ever do. “It’s bittersweet because there have been so many losses to covid. I’m ready to pack it in. I’m doing one concert, I’m not ready to do a whole season, that’s a lot of work,” Kleinsinger said.

    Whether the Highlights in Jazz 50th anniversary will mark Kleinsinger’s last hurrah is still to be determined, but fans can always count on Kleinsinger to continue supporting the music and the musicians so dear to him.

    Tickets for the Highlights in Jazz 50th Anniversary Gala are available here.

  • Jay-Z named Greatest Rapper of All-Time by Billboard

    In the culmination to their countdown of hip hop’s best ever rappers, — as part of a collaborative effort to celebrate Hip Hop’s 50th anniversary — Billboard and Vibe have named Jay-Z the number 1 rapper in the history of hip hop. The rollout began with a January 11 reveal of the rappers ranked 50-41. Each week since, the two publications have revealed 10 more rappers, with the top 10 released on Wednesday.

    This latest designation caps off an eventful week for Hov who was not only nominated for 5 Grammys, but also returned to the music award show’s stage as performer after an 8-year absence. The 24-time Grammmy winner performed alongside hip hop heavyweights DJ Khaled, Rick Ross, Lil Wayne, John Legend, and relative newcomer Fridayy on their thrice nominated hit-record “God Did” at the 65th annual Grammy Awards. The Brooklynite also extended his lead as the rapper to receive the most-ever Grammy nominations with 88.

    Impact of Rankings

    While Jay-Z’s coronation caused plenty of social media stir, the rest of the top 10 created many talking points itself. Filling out spots 2-10 are Kendrick Lamar, Nas, 2Pac, Eminem, The Notorious B.I.G., Lil Wayne, Drake, Snoop Dogg and Nicki Minaj. Notably, Kendrick Lamar–fresh off his 2023 Grammy win for Best Rap Album — was a point of contention. The Compton bred rapper leapfrogged the likes of 2Pac, Notorious B.I.G. and Eminem. The formers have long held a spot on hip hop’s Mount Rushmore, while the latter is the highest selling rapper of all-time. Similarly, Nas’ ranking is a well-deserved honor for someone who hasn’t always gotten his due. Although, he’ll have to settle for third behind his once-rival, Jay-Z.

    Meanwhile, Queens native Nicki Minaj was the highest-charting woman on the list. Others cracking the top 50 include, Missy Elliot (19), Lauryn Hill (30), Lil Kim (31), Queen Latifah (44) and MC Lyte (47).