Flushing Town Hall is celebrating Women’s History Month with a special “Octogenarian Women of Jazz” performance. Four octogenarian women will take center stage at Flushing Town Hall on Friday, March 24th, in honor of Women’s History Month. Well past the age of retirement but still very much in their artistic prime, these women prove that great jazz, like great wine, gets better with age.
Flutist/tenor saxophonist Carol Sudhalter, beloved as Flushing Town Hall’s house band leader, will celebrate her 80th birthday leading a very special quintet of Octogenarians for the occasion. She will be joined in the band by world-renowned pianist Bertha Hope (86), drummer Paula Hampton (87) of the legendary jazz Hampton family, and widely popular vocalist Keisha St. Joan (84).
In addition, the concert will feature the rare participation of revered bassist Bill Crow, joining the women on stage at an impressive 95 years of age. Performing well past the typical age of retirement and still very much in their artistic prime.
“Looking at movies, books, and general depictions, we are accustomed to thinking of 80 as an ending, as an age when the mind and body begin to decline,” says Carol Sudhalter.” But now that I am 80, I realize that it is just the beginning of a new life and such a rewarding culmination of past years’ work at the same time. I am so excited to share the stage with my fellow Octogenarians to bring a wonderful evening of jazz to the audiences in Queens.”
“I have been honored to have Carol lead the house band of our popular Louis Armstrong Legacy Monthly Jazz Jams for several years now and am excited to see her take the stage with this extraordinary ensemble for her big birthday,” says Flushing Town Hall’s Executive and Artistic Director Ellen Kodadek. “Carol’s work is extremely important to Flushing Town Hall and the Queens jazz community — and we are so excited to celebrate her birthday with this special concert.”
Flushing Town Hall’s Women of Jazz concert begins at 8:00 PM EST on Friday, March 24th. Tickets are $15/$10 for members, seniors, and students with ID. Tickets can be purchased here.
The smoke will be in the air as West Coast Legends Warren G, Too $hort and Snoop Dogg unite alongside hip hop heavyweight Wiz Khalifa and Bay Area veteran, Berner on the High School Reunion Tour.
The 33-city tour kicks off on Friday, July 7 at Rogers Arena in Vancouver, BC, and includes a stop at Barclays Center in Brooklyn, NY, on Friday, August 4.
Fresh-off The Vinyl Verse Tour alongside DJ Drama, Wiz Khalifa and the legendary mixtape DJ are set for another star-studded expedition. With the featured lineup, the North American escapade will surely be a weed-friendly production. The tour’s name stems from Snoop Dogg and Wiz Khalifa’s 2012 stoner coming-of-age film, yet the two co-stars have long branded themselves as marijuana connoisseurs and each have a lengthy catalog of weed influenced records.
Songs like “Roll Up,” “The Next Episode,” and “On My Level” are sure to get a heavy play throughout the tour. Meanwhile, the likes of Too $hort and Warren G have their own respective history marijuana-laced rhymes. Additionally, Billboard charting rapper Berner is co-founder and CEO of Cookies, the most globally recognized cannabis brand in the world.
Moreover, tickets for the High School Reunion Tour will be available starting with artist and Citi pre-sales beginning on Tuesday, March 7. More info on Citi presale is below. General on sale for the High School Reunion Tour will begin on Friday, March 10 at 09:00 a.m. on Ticketmaster’s official website.
2023 HIGH SCHOOL REUNION TOUR DATES
Fri Jul 07 – Vancouver, BC – Rogers Arena
Sat Jul 08 – Ridgefield, WA – RV Inn Style Resorts Amphitheater
Sun Jul 09 – Auburn, WA – White River Amphitheatre
Tue Jul 11 – Salt Lake City, UT – USANA Amphitheatre
Wed Jul 12 – Denver, CO – Ball Arena
Sat Jul 15 – Rogers, AR – Walmart AMP
Sun Jul 16 – St. Louis, MO – Hollywood Casino Amphitheatre – St. Louis
Tue Jul 18 – Burgettstown, PA – The Pavilion at Star Lake
Thu Jul 20 – Noblesville, IN – Ruoff Music Center
Fri Jul 21 – Tinley Park, IL – Hollywood Casino Amphitheatre – Chicago
Sun Jul 23 – Clarkston, MI – Pine Knob Music Theatre
Wed Jul 26 – Toronto, ON – Budweiser Stage
Fri Jul 28 – Mansfield, MA – Xfinity Center
Sat Jul 29 – Hartford, CT – XFINITY Theatre
Sun Jul 30 – Camden, NJ – Freedom Mortgage Pavilion
Tue Aug 01 – Bristow, VA – Jiffy Lube Live
Wed Aug 02 – Holmdel, NJ – PNC Bank Arts Center
Fri Aug 04 – Brooklyn, NY – Barclays Center
Sat Aug 05 – Virginia Beach, VA – Veterans United Home Loans Amphitheater at Virginia Beach
Sun Aug 06 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek
Tue Aug 08 – Charlotte, NC – PNC Music Pavilion
Wed Aug 09 – Atlanta, GA – Lakewood Amphitheatre
Fri Aug 11 – West Palm Beach, FL – iTHINK Financial Amphitheatre
Sat Aug 12 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
Tue Aug 15 – New Orleans, LA – Smoothie King Center
Fri Aug 18 – Austin, TX – Germania Insurance Amphitheater
Sat Aug 19 – Houston, TX – The Cynthia Woods Mitchell Pavilion
Sun Aug 20 – Dallas, TX – Dos Equis Pavilion
Tue Aug 22 – Albuquerque, NM – Isleta Amphitheater
Wed Aug 23 – Phoenix, AZ – Talking Stick Resort Amphitheatre
Critically acclaimed saxophonist James Casey has released the first single “New Bloom” of his forthcoming solo debut, The Kaua’i Project. With excited anticipation,accompanying the release is a music video dropping March 21stduring Colorectal Cancer Awareness Month.
“New Bloom” and its video share a meaningful message of manifesting positivity to overcome obstacles. It’s a remarkable example of how music can be medicine, encapsulating how he refused to let a stark colon cancer diagnosis prevents him from making his mark on the world. Wrapped in inspiration from a year of self-discovery on a remote Hawaiian island, the song brings to light a mantra of soulful jazz, smooth beats and earnest emotion.
The music video for “New Bloom” tells a visual story of hope alongside fellow New York City creatives who are all living through, and beyond, cancer as a community. Each person featured in the video is persevering against cancer in their own intimate and personal ways.
James Casey is an outspoken advocate for colon cancer awareness, especially among his more vulnerable Black community. Casey first melded music and advocacy in 2022 when he released a holiday EP, A Little Something For Everyone, which garnered praise among NPR staff picks for the Best Songs of 2022.
Today, while undergoing regular chemotherapy treatments, Casey is preparing for the April-May 2023 roll out of his debut LP, The Kaua’i Project. This album was developed over the past two years following a somewhat serendipitous sequence of events. Releasing his own music was never a priority for Casey, but that perception changed abruptly when he was diagnosed with Stage III colon cancer at just 38 years of age.
This shocking news in August 2021 served as an awakening in so many ways. Casey decided to make the most of his time, for both for himself and his loved ones. He let go of all limits to his musical career and, for the first time, began writing and recording music under his own name.
To listen to “New Bloom” by James Casey, click the link here. For more information about James Casey, visit the link here.
Grammy and Academy Award-nominated rock band Counting Crows are scheduled to tour this summer with Dashboard Confessional, performing at five amphitheaters in New York.
Formed in San Francisco, Counting Crows’ career spans seven studio albums over nearly three decades. The band’s debut studio album, August and Everything After, was released in Sept. 1993 and peaked at number four on the Billboard 200 weekly chart. They found further success when their 1996 second studio album, Recovering the Satellites, peaked at number 1 on the Billboard 200 weekly chart. Their music has been prominently featured in pop culture, including “Colorblind”, from their 1999 third album This Dessert Life, being included in the soundtrack for the 1999 film Cruel Intentions. Their seventh studio album, Somewhere Under Wonderland, was released in 2014, and their newest EP, Butter Miracle, was released in 2021.
Dashboard Confessional
Rock band Dashboard Confessional originated in Boca Raton, Florida, and is led by singer Chris Carrabba. Their debut album, The Swiss Army Romance, was released in March 2000. They released their ninth album, All The Truth That I Can Tell, in 2022, touring with fellow rock band Jimmy Eat World in support of the album on the “Surviving the Truth” tour. The band has a long history with Counting Crows, first meeting in 2003 at the 17th annual Bridge School Benefit Concert. In the nearly 20 years since they have formed both a professional and personal relationship together.
Presale for Counting Crows’ tour with Dashboard confessional, which has five shows at New York amphitheatre venues, begins Tuesday, March 14 in select markets. General on-sale begins Friday, March 17 at 10 a.m. For additional information, follow Counting Crows on Facebook and Instagram.
Counting Crows with Dashboard Confessional ‘Banshee Season’ 2023 Tour Dates
June 13 Omaha, NE Steelhouse Omaha*
June 17 Indianapolis. IN TCU Amphitheater at Winter River State Park
June 18 Cincinnati, OH PNC Pavilion
June 21 Milwaukee, WI Miller High Life Theatre
June 23 Highland Park, IL Ravinia Festival (On-sale May 1)
June 24 Sterling Heights, MI Michigan Lottery Amphitheatre at Freedom Hill
June 26 Moon Twp, PA UPMC Events Center
June 28 Niagara Falls, ON OLG Stage at Fallsview Casino
June 29 Northfield, OH MGM Northfield Park
July 1 Syracuse, NY St. Joseph’s Health Amphitheater at Lakeview
July 2 Canandaigua, NY CMAC
July 5 Saratoga Springs, NY Saratoga Performing Arts Center
July 6 Holmdel, NJ PNC Bank Arts Center
July 8 Wantagh, NY Northwell Health at Jones Beach Theater
July 9 Bethel, NY Bethel Woods Center for the Arts
July 12 Columbia, MD Merriweather Post Pavilion
July 14 Gilford, NH Bank of New Hampshire Pavilion
July 15 Boston, MA Leader Bank Pavilion
July 18 Providence, RI Providence Performing Arts Center
July 19 Bridgeport, CT Hartford HealthCare Amphitheater
July 21 Bethlehem, PA Wind Creek Event Center
July 22 Atlantic City, NJ Borgata Event Center
July 25 Selbyville, DE Freeman Arts Pavilion (On-Sale March 24)
July 26 Doswell, VA The Meadow Event Park
July 28 Virginia Beach, VA Veterans United Home Loans Amphitheater at Virginia Beach
July 29 Raleigh, NC Red Hat Amphitheater
August 1 Charlotte, NC Skyla Credit Union Amphitheatre
August 2 Charleston, SC Credit One Stadium
August 4 Fort Myers, FL Suncoast Credit Union Arena
August 5 Fort Lauderdale, FL Hard Rock Live
August 8 St Augustine, FL The St. Augustine Amphitheatre
August 9 Tampa, FL MidFlorida Credit Union Amphitheatre
August 11 Alpharetta, GA Ameris Bank Amphitheatre
August 12 Albertville, AL Sand Mountain Amphitheater
August 14 Nashville, TN Grand Ole Opry
August 18 New Orleans, LA Saenger Theatre
August 19 Sugar Land, TX Smart Financial Centre at Sugar Land
August 22 San Antonio, TX Majestic Theatre
August 23 Irving, TX The Pavilion at Toyota Music Factory
August 25 Norman, OK Riverwind Casino*
August 26 Tulsa, OK The Cove*
August 30 Highland, CA Yaamavaâ Theater** (On- Sale March 20)
August 31 Phoenix, AZ Arizona Financial Theatre**
September 2 Las Vegas, NV Pearl Theater**
September 3 San Diego, CA The Rady Shell at Jacobs Park** (On-Sale May 2)
September 6 Los Angeles, CA YouTube Theater
September 8 Lincoln, CA The Venue at Thunder Valley
September 10 Berkeley, CA The Greek Theatre
September 13 Airway Heights, WA BECU Live Outdoor Venue
September 14 Bend, OR Hayden Homes Amphitheater
September 16 Seattle, WA TBD (On-Sale TBD)
September 17 Seattle, WA TBD (On-Sale TBD)
September 19 Bonner, MT KettleHouse Amphitheater
September 21 Boise, ID Ford Idaho Center Amphitheater
September 22 Salt Lake City, UT USANA Amphitheatre
Multi-platinum headliners Avenged Sevenfold announce the release of their new single, their first since 2016, titled “Nobody,” as well as a show at Madison Square Garden on June 23.
Photo by Rebecca Sapp/WireImage for the Recording Academy
To date, Avenged Sevenfold has sold over 10 million albums worldwide and earned two consecutive No. 1 albums on Billboard’s Top 200 Albums chart as well as multiple No. 1 singles on rock radio. They have garnered over a billion video views and a billion-plus Spotify streams. Their new track “Nobody” is the band’s first official music release since their 2016 album, The Stage, delivering nearly six minutes of twists and turns, leaning in on the sense of discomfort before letting go.
The official video for the track, directed by Chris Hopewell, is beautifully crafted in stop-motion style, unfolding like a short film. It takes the viewer through the exploration of life and death, love and war, and follows the main character through an existential crisis. The band teased the single through an elaborate and mysterious digital scavenger hunt with puzzles, ciphers, images, and blog posts all written by Chat GPT, DALL-E 2, and AI voice modifiers, leading fans to a website for more challenges, eventually “unlocking” the single on release day.
Their new record Life Is But a Dream was recorded over the last four years, drawing inspiration from Albert Camus’ classic 1942 novella, The Stranger, due June 2. Avenged Sevenfold is supporting the release with two shows this summer- one at the Kia Forum in Los Angeles, CA,on June 9 and the other at Madison Square Garden on June 23. Tickets go on sale this Friday, March 17, with more information available here.
On top of that, they have a number of festival dates scheduled, including a headline run Welcome to Rockville 2023 in Daytona Beach, Florida on May 19, and performances at the Sonic Temple Art and Music festival in Columbus, Ohio on May 26 and Aftershock 2023 in Sacramento, California on Oct. 5.
Brooklyn-based melodic punks Warn The Duke are back with a new album titled All That’s Solid, out on Friday, March 17th. The band will celebrate that night with a show at Brooklyn’s Our Wicked Lady.
The new LP All That’s Solid is a window into the ebbs and flows of recovery. Songwriter and lead singer Dan McCool (former River City Rebels) leads us through cycles of despair, renewal, and self-forgiveness that emerge after trauma and loss.
This is Warn The Duke’s first album in eight years, being written on the heels of lockdowns, divorce, and addiction. By layering harmonies and the combo of male/female vocals, the band emphasizes the record’s bittersweet atmosphere.
There are some far-ranging influences bringing the listeners through All That’s Solid. For instance, the warmth of Mike Ness’s vocals, the wry defiance of Against Me!, the dense, dark guitar tone of Nothing. Also, the earworms and hooks of The Replacements, early 2000s math rock-inspired lead guitar lines, and the hard-hitting punk grit of Hot Water Music.
“These guys play that brand of punk rock and post-hardcore that bands like Hot Water Music perfected.”
-Nerdist
Joining McCool on the album are drummer Derek Davis (former Big D and The Kids Table/The Toasters), bassist/vocalist Chris Marciniak, lead guitarist Chris Ferreria, and guitarist/vocalist Dori Cameron.
The album features the songs “Sometimes,” “The Middle” and the single “Anniversaries” (the latter of which is now streaming). Watch the music video for “Anniversaries” below and pre-save the album on Spotify. “All That’s Solid” arrives on 12” LP vinyl and digital on Friday, March 17th. The band will celebrate that night with a show at Brooklyn’s Our Wicked Lady.
All songs on All That’s Solid were written, performed, and produced by Dan McCool and Warn The Duke. Furthermore, some were recorded and mixed by Jeff Berner at Studio G (Brooklyn). Additional record recording and co-production was done by Chris Duggan at Blue Banshee Studio (Brewster, MA), and mastered by Jon Markson.
As part of Vevo’s footnotes series, celebrating the 50th anniversary of Hip Hop, Queens group Salt-N-Pepa have revisited their iconic “Shoop” video, The rap icons shared insights into their creative process, the inspiration behind the song and their fight to make “Shoop” the lead single on the group’s fourth album, 1993’s Very Necessary.
During the episode, Pepa delves into the story behind the song and her verse, as well as the challenges the group faced in convincing their label to release “Shoop” as the lead single from their album ‘Very Necessary.’ She also recounts the excitement they felt when the song became a massive hit and solidified the group’s position in hip-hop.
Meanwhile, Salt discusses how the song helped her to step away from her boyfriend and manager, Hurby [Luv Bug] and how “Shoop” empowered not only her but other women. She also shares her favorite moment from the music video shoot and reveals that she recorded her verse while holding her daughter Corin.
Below is a complete outline of “Shoop”” I Vevo Footnotes:
00:15 – The concept for “Shoop” started with me chillin’ in Queens, riding around in the car and I’m telling the story of how “I saw a brother, I had to kick it to, I’m not shy so I asked for the digits and that does not make me a hoe.” This story became the song and the inspiration for the first verse. – Pepa
00:35 – My favorite moment in the video is when Salt, Spin and I step out of the car and my niece is with me. Also, the guys on the corner shooting dice are playing Silo 456…it’s a New York thing. – Pepa
01:02 – When shooting “Shoop” I was a bit self conscious. It was hard being in a bathing suit and my booty kept falling out of my shorts when we were dancing on stage. – Salt
01:28 – The objective was to turn the tables on men – make them the objects. When writing my verses, I was thinking of tongue in cheek ways to objectify men. When you really like a song, it’s easy to record. Fun fact: I had my daughter Corin in my arms while recording “Shoop.” – Salt
02:04 – I was going through producer Mark Spark’s crates of records and there was the sound I was looking for “I’m Blue (The Gong-Gong Song)” by the Ikettes. Once I wrote the second verse I knew I wanted to add Captain Sky’s “Super Sperm.” Which was one of the best breakbeat songs out! I added it right after the line “not falling in love but I’m falling for your…” – Pepa
02:33 – My favorite detail was being in Coney Island, such an important part of my childhood. I used to go there with my family then my friends as a teen, so shooting my own video in Coney Island was a full circle moment for me. – Salt
02:55 – I had to jump through hoops for “Shoop” to be the first single off the ‘Very Necessary’ album. The label gave me a lot of push back since Hurby [Luv Bug] didn’t produce or write the song. Ultimately, it was an undeniable hit that took Salt-N-Pepa to the next level, and solidified our worth to hip-hop. Such a dope feeling. – Pepa
03:23 – I was ready to be emancipated from Hurby not only as my boyfriend and manager, but also as a creative. We wanted to be free to express ourselves on our own. “Shoop” was empowering for women. Fans always tell us it’s their go-to karaoke song. – Salt
03:40 – When we were planning the video, I wasn’t in the best shape. Luckily, we ended up being scheduled to shoot after our trip to Russia. I was a little culture shocked and couldn’t get used to the white nights and food, by the time we got back I had lost a lot of weight and I was ready to Shoop! – Pepa
Mike Gordon has announced a new solo album, Flying Games, along with June and July tour dates, bringing him to Webster Hall in Manhattan and Town Ballroom in Buffalo.
Photo Credit: Rene Huemer
Flying Games (ATO Records/Megaplum) will be released on Friday, May 12 and is produced by Gordon, recorded by longtime collaborator Jared Slomoff, and mixed by GRAMMY-winning engineer Shawn Everett (Alabama Shakes, The War on Drugs).
For me Tilting is about being in a situation or a relationship where you don’t know if your footing is solid, but then accepting that and realizing you enjoy the feeling of disorientation. Whether it’s playing music or driving or experiencing something new, I’ve always felt more present when I don’t know where I’m going next.
The eclectic sixth solo LP from Mike Gordon, Flying Games is an album of constant and wildly hypnotic movement, each moment animated by unexpected sounds that morph and expand and spin off into their own strange orbits. Flying Games follows Gordon’s most recent solo works, 2020’s Noon and 2017’s OGOGO. The LP imbues elements of everything from disco and dancehall to psych-folk and funk into Gordon’s unfettered and expansive breed of rock music.
To create Flying Games, the Vermont-based Gordon spent much of 2020’s lockdown and – writing and recording in his makeshift Megaplum home studio, immersing himself in sonic experiments ranging from the playfully spontaneous (constructing beats by banging wrenches against various pieces of farming equipment) to the hyper-specific and technical (programming a keyboard with chords sampled from’50s-era Hawaiian guitar records).
As the songs became more fully formed, Gordon brought in contributions from his bandmates, drummer John Kimock, keyboardist Robert Walter, percussionist Craig Myers, and guitarist/pedal-steel player Scott Murawski, all of whom submitted parts from afar which were then woven by Gordon and Slomoff into the initial tracks. Revealing entirely new dimensions of the kaleidoscopic musicianship Gordon has displayed as Phish’s bassist for the last four decades, the result is a work of both extraordinary vision and daring execution.
As someone who comes from a world of telepathic improvisation, the idea of one person layering sounds alone in a room might seem a bit against the mythos. But with this record I didn’t want to work in that traditional way of going into a studio with a band and recording for two weeks; I wanted to take my time and explore, and really go deep into the fabric of the music to see what we could find.
Mike Gordon
Gordon, bassist for Phish, will celebrate the release of Flying Games with a tour that includes headline shows and performances at Peach, Northlands and Blue Ox festivals. Tickets for all newly announced headline dates go on sale Friday, March 17 with pre-sales underway.
Grammy-nominated music group Wild Up is scheduled to perform The Music of Julius Eastman in New York this spring, April 21 and 22, at Eastman 92NY. The group will be joined by musicians Dev Hynes and Adam Tendler. These dates come alongside Wild Up’s Endless Season, their first-ever season in Los Angeles, their hometown.
Adam Tendler and Dev Hayes. Credit: Glen Hahn
Wild Up is a large ensemble committed to creating visceral, thought-provoking music. They strongly believe in the power of music to unite society over shared experiences, and that Eastman 92NYvenue is the perfect place for that. The group is currently working on the third volume of their seven part anthology concert series honoring the late Julius Eastman. The first two volumes of the anthalogy series were met with critical acclaim, with Volume One: Femenine being called “a masterpiece” by the New York Times, and NPR and The Wall Street Journal calling Volume Two: Joy Boy, “Glorious.” “Stay On It” from Joy Boy was nominated for a 2023 Grammy for Best Orchestral Performance.
At the end of last year, Elizabeth Cine was hired as the new Executive Director of Wild Up. Significantly, Cine got the ensemble their first gig, a paid residency at the Hammer Museum. She has a long history with Wild Up, having collaborated with Christopher Rountree, the group’s artistic director. Outside of Wild Up, Cine has worked for a number of music organizations in Los Angeles. Wild Up, with Rountree conducting, also served as the band for Cline’s opera The Edge Of Forever.
Information about Wild Up in New York and more:
03.25.2023: HOCKET / Rountree Los Angeles, CA
03.30.23: Boston Celebrity Series, Boston, MA
04.16.2023: Julius Eastman: Femenine, University Musical Society, Ann Arbor, MI
04.21.2023: The Music of Julius Eastman: Femenine, 92NY, New York, NY
04.22.2023: The Music of Julius Eastman: Buddha, 92NY, New York, NY
04.22.2023: The Music of Julius Eastman: Chamber Music, 92NY, New York, NY
04.29.2023: Darian Donovan Thomas / Jiji, Los Angeles, CA
05.07.2023: Scelsi / Shiroishi, Los Angeles, CA
05.27.2023 – 05.28.2023: Xenakis, a ritualist at 101, Los Angeles, CA
06.16.2023: Julius Eastman Vol. 3 Release Party, Los Angeles, CA
Caramoor, a cultural arts destination located on a unique 80-plus-acre estate in Northern Westchester County, has announced its events for the 2023 summer season.
Some of the many talents coming to Caramoor this summer.
Caramoor’s curated concert season presents performers representing a vast array of backgrounds and lived experiences, including classical live performances, American roots, jazz, and more. The estate sits on beautiful grounds, including the historic Rosen House, a stunning mansion listed on the National Register of Historic Places. Edward J. Lewis III, Caramoor’s President and Chief Executive Officer, elaborated on the experiences one can have at the venue.
True to the vision of our founders, Caramoor is the place where you can be transformed by the convergence of an exciting and diverse mix of remarkable live music performances, stunning gardens and grounds, and the beauty of an art-filled historic home. The Caramoor experience leaves both the artist and audience refreshed and renewed and compels all to return again and again.
Edward J. Lewis III
There are five venues for performances, for more large-scale ones, those can go beneath the open-sided tent of the Venetian Theater surrounded by woods (cap: 1,220), while casual concerts on Friends Field offer a more relaxed vibe (cap: 1,000). More intimate settings include the outdoor Spanish Courtyard (cap: 388) and the Sunken Garden, the venue for Caramoor’s Music & Meditation series, classical guitar performances, and more. This summer, guests can attend intimate classical recitals in the Music Room, which was once the living room of Caramoor’s founders, Walter and Lucie Rosen (cap: 192).
The summer season runs from June 17-Aug. 18. Tony, Emmy, and Grammy Award–winning singer and actor Audra McDonald opens with an Opening Night Gala featuring classics from the Great American Songbook, led by her longtime musical director Andy Einhorn conducting the Orchestra of St. Luke’s (OSL).
Described as “one of the most versatile and galvanic ensembles in the U.S,” by WQXR, OSL returns twice this summer, first with passionate pianist Hélène Grimaud and conductor Lina González-Granado for a program of Gabriela Lena Frank’s Elegía Andina, Ravel’s Piano Concerto in G and Brahms’s Second Symphony on July 16. The next performance on Aug. 6 features MacArthur “genius grant”-winning cellist Alisa Weilerstein, along with conductor Roderick Cox, joining OSL for Shostakovich’s Cello Concerto No. 1, as well as Beethoven’s Symphony No. 7 and George Walker’s Lyric for Strings.
Audra McDonald
New Music
Brooklyn Rider performs its “Four Elements” program at Caramoor on June 23, exploring the elements (earth, air, water, and fire) as a metaphor for the complex inner world of the string quartet and the current health of planet Earth. The program also includes works by Shostakovich, Osvaldo Golijov, and a Suite of American Folk Songs, collected/transcribed by Ruth Crawford Seeger and arranged by Brooklyn Rider violinist Colin Jacobsen.
Caramoor’s 2022-23 Ernst Stiefel String Quartet-in-Residence (ESSQIR) is the Ivalas Quartet – with a mission to champion diverse voices and spotlight Black and indigenous composers. Their yearlong residency concludes with a performance on June 29, including the world premiere of a Caramoor commission by Derrick Skye, a composer with Ghanian, Nigerian, Native American, and British/Irish ancestry who believes music is a doorway into the understanding of other cultures. Also on the program are works by Jessie Montgomery, Carlos Simon, and Eleanor Alberga.
Hailed by The New York Times as “a lush, brooding celebration of noise,” Andy Akiho’s Grammy-nominated Seven Pillars comes to Caramoor on June 30, his most ambitious project to date. Performed by Sandbox Percussion, the evening-length work is the largest-scale chamber music work that Akiho has written and that Sandbox has commissioned, their ongoing collaboration on the piece has spanned the past eight years. There will be a 7:00 p.m. pre-concert talk with members of the ensemble.
TheNew York Times declared that “America’s most astonishing choir…” The Crossing, led by Donald Nally, “combines an embrace of the new, a social conscience, and fearless technique.” They will perform the New York premiere of Ted Hearne’s FARMING for free on July 9 in the Sunken Garden. There will also be a pre-concert talk with Hearne, Nally, and director Ashley Tata.
Finnish violinist Pekka Kuusisto and celebrated American composer and pianist Nico Muhly collaborate on an intimate evening of unexpected musical connections on July 27. They reunite in a different format the following night, when The Knights perform the New York premiere of Muhly’s violin concerto titled Shrink, with Kuusisto as soloist. The Knights are dedicated to transforming the orchestral experience and eliminating barriers between audience and music.
The Knights
The rotating annual Sonic Innovations sound art exhibition is curated by Chicago-based sound artist and Northwestern University professor Stephan Moore. New this summer is Dyning in the Dovecote by Liz Phillips, an interactive sound installation where one can hear sounds of water, insects, dove calls and bird wings flicke, while underwater sound transducers create ripple patterns on the surface of the fountain. The official opening of Sonic Innovations and the grounds will take place at “Soundscapes” on June 4.
Baroque Music: Caccini’s Alcina, Handel’s Acis and Galatea, Ruckus
Caramoor welcomes the Boston Early Music Festival production of Francesca Caccini’s La liberazione di Ruggiero dall’isola d’Alcina, the first known opera by a female composer, to the Venetian Theater on June 25. Co-music directors Paul O’Dette and Stephen Stubbs and director Gilbert Blin lead a stellar cast of Baroque soloists including mezzo-soprano Mireille Lebel, tenor Colin Balzer, and mezzo-soprano Virginia Warnken Kelsey. July 7 brings Baroque supergroup Ruckus, with soloists Rachell Ellen Wong– the only early music artist ever to win the prestigious Avery Fisher Career Grant – on violin and Emi Ferguson on flute.
On July 23, another Baroque opera graces the stage, the Philharmonia Baroque Orchestra, with the original 1718 version of Handel’s Acis and Galatea, one of the composer’s most popular dramatic works, led by Richard Egarr. There will be a pre-concert lecture with MIT professor emeritus and Handel scholar Ellen T. Harris.
Chamber music and recitals
July 13 has Davóne Tines at the intimate Spanish Courtyard with a program of spiritual and intellectual exploration titled Recital No 1: Mass, with pianist Adam Nielsen, featuring works by Caroline Shaw, J.S. Bach, Tyshawn Sorey, Margaret Bonds, and Julius Eastman. Austin-based, internationally celebrated Miró Quartet, formed in 1995 and one of Caramoor’s earliest quartets-in-residence, performs as well.
The Dover Quartet returns with classical saxophonist, composer, and 2022 Avery Fisher Career Grant winner Steven Banks, performing Banks’s recent quintet Cries, Sighs, and Dreams. July 20 brings pianist-composer Conrad Tao, performing a collaborative event with choreographer-dancer Caleb Teicher titled “Counterpoint.” It is a dynamic interplay of piano and tap dance that includes works by J.S. Bach, Brahms, Mozart, Gershwin, Ravel, Schoenberg, and more.
Pianist Garrick Ohlsson, who 53 years later remains the only American to have ever won the Chopin International Piano Competition, performs an all-Chopin recital in the Venetian Theater on July 30. This summer, Tengyue Zhang – who received First Prize in the 2017 Guitar Foundation of America (GFA) International Concert Artists Competition, plays music by J.S. Bach, Domenico Scarlatti, Albéniz, Rameau, and more at the Sunken Garden on Aug. 3.
A new series debuting this summer, Recitals in the Music Room comprises hour-long programs on Saturdays in the late afternoon. Alexander Hersh is joined by pianist Christopher Goodpasture for the first concert on July 8, including works by Debussy, Paul Wiancko, Webern, Mendelssohn, and Sollima. Chinese pianist Zhu Wang, winner of the 2020 Young Concert Artists International Auditions, will perform the music of Schumann, Beethoven, Stravinsky, William Grant Still, and Zhang Zhao on Aug. 5.
Jazz Festival and Events
Caramoor’s annual Jazz Festival returns on July 22, presented in collaboration with Jazz at Lincoln Center and headlined by six-time Grammy-winning vocalist and MacArthur Grant recipient Cécile McLorin Salvant. Caramoor’s second Hot Jazz Age Frolic, featuring the 17-piece Eyal Vilner Big Band, takes place in the Friends Field tent on June 18. Two-time Grammy winner Samara Joy performs on Aug. 4.
Samara Joy.
Broadway/Pops: Over the Rainbow: The Music of Harold Arlen
Stage, jazz, and television artist Aisha de Haas, celebrated vocalist Mikaela Bennett, and Broadway actors and singers Nicholas Ward and Julie Benko join multi-faceted, Tony Award-winning orchestrator and musical director Ted Sperling for “Over the Rainbow,” an all-Harold Arlen evening in the Venetian Theater. Composer of over 500 songs, Arlen collaborated with some of the 20th century’s most notable lyricists on songs including “Over the Rainbow,” “Stormy Weather,” “Get Happy,” and more. The event takes place on July 8.
To celebrate Independence Day, Curt Ebersole and the Westchester Symphonic Winds return to Caramoor on July 2 for their annual Pops & Patriots concert. There will be guest vocalists and more performing patriotic tunes.
American Roots: Brandy Clark, Mary Chapin Carpenter & more
Caramoor’s American Roots Music Festival, an all-day celebration of the best in Americana, blues, folk, and bluegrass, returns on June 24. Headlining the festival this summer is acclaimed singer/songwriter and ten-time Grammy nominee Brandy Clark. Her songs have been recorded by the likes of George Strait, Carly Pearce with Patty Loveless, Toby Keith, Reba McEntire, Sheryl Crow, and many others, and she co-wrote the score for the new Broadway musical Shucked. Daytime artists for the American Roots Music Festival include Sunny War, Miko Marks, and the Mike Block Trio, with more artists to be announced soon.
On Aug. 5, Mary Chapin Carpenter performs her most recent album The Diry and the Stars. She is the winner of five Grammy Awards, two CMA Awards and is one of only 15 women inducted into the Nashville Songwriters Hall of Fame.
Mary Chapin Carpenter
This summer, six Roots and world music concerts are held for the Concerts on the Lawn series, happening at Friends Field. The series opens on June 22 with a nod to Juneteenth featuring the Harlem Gospel Travelers. Closing out the Caramoor season and Concerts on the Lawn on Aug. 18 is Chicago-based singer/songwriter Neal Francis, whose new album In Plain Sight is a “must hear” according to Rolling Stone.
Global Music: Oumou Sangaré, Arooj Aftab, DakhaBrakha & more
Plena Libre are multi-Grammy-nominated masters of the traditional Puerto Rican plena and bomba styles, fusing well-loved traditions with modern Afro-Caribbean influences. On July 1, they will be performing at Caramoor. With roots in Ukrainian folklore and music filtered through punk, cabaret, rock, and hip-hop, DakhaBrakha is an award-winning quartet from Kyiv. On July 14 they will combine various instruments from multiple countries and powerful vocals to create an evening of “ethnic chaos” and national pride.
Grammy Award-winner Oumou Sangaré mixes traditional African percussion, distinctive vocals, and progressive social criticism, returning to the Venetian Theater at Caramoor after 12 years on July 15. She will perform a program that ranges from traditional Wassoulou music to contemporary African sounds, as well as songs from her recent critically acclaimed album, Timbuktu.
Brooklyn-based singer and composer Arooj Aftab, the first Pakistani woman to win a Grammy, brings her new project “Love in Exile” to Friends Field on July 29 with two of her most trusted collaborators, pianist Vijay Iyer and multi-instrumentalist Shahzad Ismaily. The New York Times said: “Her voice is contemplative, breathy and relaxed, with the intimacy of indie-pop and jazz though she occasionally uses the microtonal embellishments of classical South Asian singing.”
Brooklyn-based electronic indie band Balún fuses Caribbean rhythms, Dembow (old-school reggaeton), intelligent dance music (IDM), and dreamy dance-pop tunes with the traditional sounds of their Puerto Rican homeland. On Aug. 11, they will be performing “music that you can sleep to while dancing.” Aug. 16 brings what NPR describes as “a sonic experience of epic proportions” in the form of composer, bandleader, and bassist Michael Olatuja, blending the sounds of Lagos, Nigeria (his hometown), London (his birthplace), and New York (his current home).
Music and Meditation in the Garden
Promoting mindful listening, the Music & Meditation in the Garden series on three Saturday mornings in July in the Sunken Garden comprises a meditation led by Jennifer Llewelyn followed by a performance. The first event on July 1 features the duo of violinist and ERS alum Tessa Larkand bassist Michael Thurber, member of Stephen Colbert’s house band.
Next on July 15 is Celtic harpist Maeve Gilchrist, whose music has been described by the Irish Times as “buoyant, sprightly, and utterly beguiling” performing with guitarist Kyle Sanna. The series concludes with a string quartet performance from the Harlem Chamber Players on July 29.
Children’s Programming
Caramoor also mentors young professional musicians and provides music-centered educational programs for young children. One of Caramoor’s new ventures this summer is devoted to its youngest demographic: children ages 2–6 and their guardians. On Friday mornings at 11 a.m., the series Concerts for Little Ones, featuring world-class artists, will invite children to sing and dance to diverse styles of music. On July 7, the Musiquita program is presented by husband-and-wife team Blanca Cecilia González and Jesse Elder, who playfully explore Spanish and English music and song.
On June 18, a family concert with the Eyal Vilner Swing Band called “Gotta Swing!” will explore the history of jazz with dancers Nathan Bugh, Gaby Cook, Jennifer Jones, and Ray Davis.
Bassoonist Alexander Davis, one of Caramoor’s teaching artists, brings along some friends on July 14 to give a guided tour of his unique woodwind instrument. Finally, on July 21 two-time Grammy-nominated trumpeter Alphonso Horne brings the series to a close with the irresistible rhythms and energy of New Orleans jazz.
For more information on Caramoor’s 2023 summer season events and to purchase tickets, go here.
