NYS Music 2023

Category: NYC Metro

  • Lincoln Center Celebrates the 50th Anniversary of Hip-Hop

    Lincoln Center for the Performing Arts revealed the details of Hip-Hop Week, an event to honor the 50th anniversary of the genre. The celebration runs August 9-12 and will coincide with the end of the Summer for the City festival. 

    Hip-Hop Week will feature a slew of different events, performances, conversations, and workshops. The goal is not just to celebrate the music of hip-hop but also appreciate the wider impact that the genre has had across the world. 

    Rakim is set to participate as part of the celebrations

    Born out of the Bronx in the early 1970s, hip-hop has since become a musical and cultural force. The genre has given birth to countless subgenres and sounds, not to mention its effect on other art forms like dance, fashion and design. 

    We recognize and celebrate the profound significance of Hip-Hop as a powerful New York-born culture. It connects generations and propels a number of contemporary art forms

    Shanta Thake, Ehrenkranz Chief Artistic Officer of LCPA

    All of the Hip-Hop Week events are free and operate as first-come first-serve. The celebration starts on August 9 with a “Dance Storytime” during the day and a dance battle and silent disco during the evening. 

    Here for more information and details.

    Hip-Hop Week Programming

    Thursday, June 29 at 9:00pm– Damrosch Park– Film at Lincoln Center

    Juice

    Having already made a name for himself as former classmate Spike Lee’s go-to cinematographer over the preceding decade, in 1992 Ernest R. Dickerson embarked on his own directorial career with Juice, a propulsive, noir-tinged coming-of-age drama starring Omar Epps as Q, a Harlem teen and aspiring DJ whose talents at the turntable seem to promise an authentic means of thriving within, and perhaps transcending, the material confines of his working-class upbringing. Meanwhile, a 20-year-old Tupac Shakur, fresh off the success of his debut album—with which he had swiftly established his own status as a bona fide star, and a leading figure in the ascendant genre of politically conscious West Coast rap—delivers a tour de force performance as Bishop, the mercurial wild card of Q’s tight-knit crew of friends, who harbors a hot temper and a budding violent streak that threatens to derail Q’s musical ambitions and place the futures of all four young men in jeopardy. With an assured hand and cool virtuosity, Dickerson reconsiders the themes and real-world concerns that were animating Hip-Hop culture at the time, refracting them through a distinctly cinematic lens.

    Friday, June 30 at 9:00pm– Damrosch Park– Film at Lincoln Center

    Friday

    Co-writers and producers Ice Cube and DJ Pooh originally envisioned Friday as a boisterous corrective to the despairing hood dramas that proliferated in the pop-cultural landscape of the early ’90s, most of which emphasized violent conflict and ingrained hopelessness as endemic conditions of the inner-city milieu. First-time feature filmmaker F. Gary Gray, who had recently come up in the industry as an acclaimed director of music videos, handily translated his talents to the longer narrative format in order to chronicle a sprawling day in the life of newly unemployed Craig (Ice Cube) and his stoner friend Smokey (Chris Tucker) as the two South Central residents scramble to settle a $200 debt with their drug dealer. A riotously funny high-water mark in the tradition of successful Hip-Hop artists pivoting to assume the role of Hollywood auteur, Friday quickly achieved the status of genuine cult hit, equally celebrated for its affectionate, lived-in evocation of life in the hood and for its chart-topping, double-platinum soundtrack.

    Wednesday, July 12 at 9:00pm– Damrosch Park– Film at Lincoln Center

    Wild Style Introduced by Charlie Ahearn

    Celebrated as a foundational depiction of early Hip-Hop culture—and one of the first to engage cinematically with the lives and perspectives of the young people whose creativity fueled its development—Wild Style was conceived as a collaboration between young No Wave filmmaker Charlie Ahearn and the renowned street artist Fab 5 Freddy. The loose narrative follows Raymond (played by fellow practitioner Lee Quiñones), a precocious teenage graffiti writer in the Bronx known by the pseudonym “Zoro,” and his friend Phade (Fab 5 Freddy), a club promoter, as they navigate a scene fraught with artistic rivalries and a creative community that’s ambivalent about the interest it’s attracting from the upper-crust art world. Filling out the cast with the Rock Steady Crew, Grandmaster Flash, and other pioneering talents of early Hip-Hop culture playing versions of themselves, Ahearn’s film offers an extraordinary semi-documentary portrait of a vibrant cultural movement in its first flowering. A New Directors/New Films 1983 selection.

    Wednesday, August 9 at 11:30 am– The Garden at Damrosch Park– Dance Storytime with Hip-Hop dance artist TweetBoogie and DJ Go BIZZY!

    When the Beat was Born:

    Presented in collaboration with New York Public Library for the Performing Arts

    The staff of the Jerome Robbins Dance Division and internationally renowned dance teacher and artist TweetBoogie and DJ Go BIZZY! present a storytime focusing on the music and dancing styles of Hip-Hop. Beats and books combine for an activity that the whole family can enjoy. Participants will listen to the story, When the Beat was Born: DJKool Herc and the Creation of Hip-Hop by Laban Carrick Hill, and learn a short dance routine to celebrate the 50th anniversary of Hip-Hop.

    Wednesday, August 9 at 6:00 pm– The Dance Floor at Josie Robertson Plaza 

    We Out Here 

    Presented in collaboration with New York Public Library for the Performing Arts 

    To celebrate the recording of five street dance life story interviews by the Dance Oral History Project of the Jerome Robbins Dances Division at the Library for the Performing Arts, Gabriel “Kwikstep” Dionisio and Ana ‘Rokafella’ Garcia bring together the legendary Violeta Galagarza, Anthony G. “Cholly Rock” Horne, Kim D. Holmes, Float Master John, and Emilio Austin Jr. aka Buddha Stretch for a dance battle and silent disco on The Dance Floor. Different street and club styles will be on display as the invited Top eight competitors go toe-to-toe for a cash prize. Hosted by TDK Zone with DJ KS 360, come outside and check out NYC’s finest as we help celebrate the 50th anniversary of Hip-Hop! 

    This event will be preceded by a screening of oral history clips and a panel discussion at the New York Public Library for the Performing Arts. 

    Wednesday, August 9 at 8:00 pm– Damrosch Park– Featuring Rakim, Big Daddy Kane, and Special Guests 

    J.PERIOD Live Mixtape: Gods & Kings Edition  

    Brooklyn DJ and producer J.PERIOD (The Hamilton Mixtape) is renowned for his “audio-biography” mixtapes—featuring icons like Nas, Q-Tip, Lauryn Hill, and The Roots—which have solidified his reputation as a top-tier producer, a trusted collaborator, and a groundbreaking musical historian. His long-running performance series J.PERIOD Live Mixtape transforms the traditional Hip-Hop stage show into a high-energy moment of record, captured live onstage in one take. On August 9, Lincoln Center continues its celebration of 50 years of Hip-Hop with J.PERIOD Live Mixtape: Gods & Kings Edition, a commemoration of 2023’s golden anniversary with performances from two of New York’s most legendary emcees, Rakim and Big Daddy Kane, along with more special surprise guests. 

    This performance integrates ASL-interpretation. 

    Thursday, August 10 at 7:00 pm – The Dance Floor at Josie Robertson Plaza 

    Ladies of Hip-Hop Dance Collective 

    Get your groove on at New York City’s largest outdoor dance floor with a 10-foot disco ball and celebrate Hip-Hop’s 50th Anniversary with the Ladies of Hip-Hop, an all-female collective dedicated to empowering girls and women in Hip-Hop culture. Enjoy a summer celebration of Hip-Hop dance culture with DJs, a dance lesson, and even a performance or two!  

    Friday, August 11 at 7:00 pm – Damrosch Park 

    Jazz Está Morto: Arthur Verocai with Orchestra 

    ArtDontSleep, World Music Institute, and Lincoln Center join Jazz Is Dead to present the first-ever NYC performance by Arthur Verocai. Accompanied by a full orchestra, Verocai will travel from his native Brazil to perform his 1972 seminal self-titled debut album in its entirety. Sampled by MF Doom, Ludacris & Common, Little Brother, Action Bronson, Curren$y, and countless others, the album is a staple for Hip-Hop producers and is now considered a “holy grail” within the crate-digging community. Hosted by composer, arranger, and music producer Adrian Younge and DJ, record producer, and rapper Ali Shaheed Muhammad (A Tribe Called Quest) in Damrosch Park, Jazz Está Morto will be a once-in-a-lifetime opportunity to experience one of the greatest Brazilian arrangers/composers of all time. 

    Friday, August 11 at 10:00 pm – The Dance Floor at Josie Robertson Plaza 

    DJ Spinna & DJ Cocoa Chanelle 

    In the summer of 1973, Bronx DJ Kool Herc spun tunes at a backyard block party and kicked off a musical and cultural movement. Flash forward to today, that legacy continues in this evening with DJ Spinna, a founding member of The Jigmastas who has worked with everyone from Mary J. Blige to Stevie Wonder, and DJ Cocoa Chanelle, a native Brooklynite, recording artist, and radio personality (Hot 97 and Kiss FM) named one of the top 17 DJs by Vibe Magazine. Jam with us at a Silent Disco in honor of the 50th anniversary of Hip-Hop! 

    Saturday, August 12 at 11:00 am– The Art of Wellbeing– LeFrak Lobby, David Geffen Hall 

    Every Body Move! 

    Presented in collaboration with NewYork-Presbyterian Hospital 

    Perfect for anyone looking to learn the styles and moves of some of the most popular social dances, this unique workshop incorporates wellness, movement, and joy! Based on popular dances born from African American & Diasporic culture and celebrating Hip-Hop Week, this class will provide a space for participants to connect with their bodies, minds, and community through movement. 

    Led by experienced instructor Ethel Calhoun, the class will begin with exercises that include elements of mindfulness and breathwork, before engaging participants in a variety of social dance forms from swing, salsa, soca, Hip-Hop, and more. Experience is not necessary; the instructor will guide guests through each step to help them feel comfortable on the floor, creating a welcoming and inclusive space for all. 

    Saturday, August 12 at 11:00 am– Hess Grand Promenade, David Geffen Hall 

    Pre-show Family Workshop 

    Join a hands-on, creative Pre-Show Family Workshop led by Lincoln Center Teaching Artists! Open to visitors of all ages and ability levels who are excited and curious to explore art-making inspired by the performance that follows.

    This performance integrates ASL-interpretation. 

    Saturday, August 12 at 12:00 pm– Hess Grand Promenade, David Geffen Hall– A Party Featuring Rap’s Next Generation 

    The Art of the Cypher 

    Lincoln Center’s celebration of Hip-Hop looks to the future with the Art of the Cypher for kids, teens, and families. Cyphers, improvisational circles where rappers share their freestyle skills, are a foundational Hip-Hop tradition. Join host Dr. Chris Emdin, founder of #HipHopEd, for a rap Cypher and Hip-Hop celebration featuring some of our city’s talented teen rappers selected especially for their exceptional rap prowess. Before the show, take part in a hands-on, creative Pre-Show Family Workshop led by Lincoln Center Teaching Artists! Open to visitors of all ages and ability levels for art-making inspired by the performance. 

    This performance integrates ASL-interpretation. 

    Generous support for this event provided by Amazon.

    Saturday, August 12 at 5:00 pm– Hearst Plaza 

    POP UP: Step it UP 

    Every year, nearly 100 teams and more than 1,000 young people audition for Step It Up NYC, a program designed to create positive change across all five boroughs. A program of the City of New York’s Department of Youth and Community Development, Step It Up began in 2009 as a youth engagement program focused on fusing the passion to move with the drive to create change. This year’s teen dance groups were challenged to incorporate themes of celebrating 50 years of Hip-Hop and minimizing violence within NYC communities. And this year, the winning team premieres their final dance routine at Lincoln Center, sharing their piece with you, perfected, fine-tuned and ready for the big stage! 

    Saturday, August 12 at 6:00 pm – The Dance Floor at Josie Robertson Plaza– Featuring DJ Fannie Mae 

    Sainted: A Trap Choir Experience 

    Founded by international sensation DJ Fannie Mae and Grammy Award-nominated songwriter and producer Dennis Reed, Sainted is a trap choir offering audiences an eclectic range of gospel, R&B, Hip-Hop, and trap music. Paying homage to the Southern Black Church experience, Sainted highlights the spectrum of Black musical excellence throughout the decades and takes you on a journey that identifies Black Church music as the bedrock of countless musical traditions. Through a combination of scholarly and formal training, along with a unique improvisational approach to music learned in the Black Church, the ensemble reinvents choral norms. Audiences will experience this vibrant celebration of a full choir accompanied by a live band, original choreography, and DJ Fannie Mae herself on the decks. 

    Saturday, August 12 at 8:00 pm– Damrosch Park 

    Rakim + Rapsody & Special Guests 

    No serious conversation about history’s top five rappers can be had without mentioning Rakim. A technical innovator whose use of internal rhyme and complex lyrics helped the form evolve, Rakim remains your favorite emcee’s favorite emcee nearly forty years after his debut. With his partner DJ Eric B, Rakim’s record releases in the 1980s and 90s established him as a world-class storyteller whose calculated flow and extended use of metaphor set the bar for future generations. As part of Lincoln Center’s series of shows honoring Hip-Hop’s 50th anniversary, The God MC headlines the big stage at Damrosch Park for a concert of classic cuts, supported by a select roster of special guests, including Rapsody. The Jamla/Roc Nation artist has spent the better part of the present decade lapping peers and counterparts while mesmerizing fans who still prefer their rhymes detailed and nutritious. One-of-a-kind Bed-Stuy native Mr. Life Of Your Party fka DJ FLY TY gets the party started as opening act, and extends the night leading a Silent Disco at 10pm. Don’t miss this once-in-a-generation celebration of an eternal exemplar of New York’s Hip-Hop excellence!

    This performance integrates ASL-interpretation. 

    Saturday, August 12 at 10:00 pm– The Dance Floor at Josie Robertson Plaza

    Silent Disco: Mr. Life Of Your Party fka DJ FLY TY

    Our celebration of Hip-Hop Week culminates in a Silent Disco led by Mr. Life Of Your Party fka DJ FLY TY! Brooklyn’s own, born and raised, from Bedford Stuyvesant, Mr. Life Of Your Party – the name speaks for itself! He’s played drums since age 12, performing since 18; he brings life to everyone’s party as soon as he steps into the room! From clubs to venues, churches to houses, blocks to businesses… and now straight to you at Lincoln Center!

    https://www.youtube.com/watch?v=HXsqCrHSKvU&ab_channel=RecordingAcademy%2FGRAMMYs

  • James Blake to Visit Knockdown Center on 2023 International Tour

    Grammy Award-winning singer, songwriter, multi-instrumentalist, and producer James Blake has announced dates for a new 2023 tour, with a stop in Queens at Knockdown Center. This coincides with the announcement of his new album Playing Robots Into Heaven, and the release of the first single from that album, “Big Hammer.”

    Credit: Thibaut Grevet

    James Blake has had a hand in some of the most influential albums of the 21st century, helping to produce Frank Ocean’s Blonde, Kendrick Lamar’s DAMN. and Dave’s We’re All Alone In This Together, as well as JAY-Z’s 4:44 and Beyoncé’s Lemonade. He also appeared in “King’s Dead” with Jay Rock, Kendrick Lamar, and Future from the chart-dominating, triple-platinum Black Panther: The Album.

    While his sound emerged with the 2011 album James Blake, James Blake’s peak of critical and commercial success with Assume Form in 2019. It reached #21 on the Billboard Top 200 and reached 300 million cumulative streams in under a year. In addition, Assume Form received a Grammy nomination for “Best Alternative Album.”

    Playing Robots Into Heaven will be James Blake’s sixth album, and will release Sept. 8 through Republic Records. This will be right before the first show of the new tour in Milan, Italy, on Sept. 18.

    General sale begins June 30 at 10:00 a.m., with tickets and more information available on James Blake’s website.

    Upcoming Tour Dates

    Milan, Italy – Fabrique – Sept. 18

    Brussels, Belgium – Forest National Club – Sept. 21

    Paris, France – L’Olympia – Sept. 22

    Berlin, Germany – UFO im Velodrom – Sept. 24

    Tilburg, Netherlands – 013 – Sept. 26

    London, UK – Alexandra Palace – Sept. 28

    Atlanta, GA – Coca Cola Roxy – Oct. 3

    Queens, NY – Knockdown Center – Oct. 5

    Boston, MA – MGM Music Hall at Fenway – Oct. 9

    Montreal, QC – L’Olympia – Oct. 10

    Toronto, ON – Rebel – Oct. 12

    Chicago, IL – Byline Bank Aragon Ballroom – Oct. 14

    San Francisco, CA – The Masonic Theater – Oct. 16

    Los Angeles, CA – Hollywood Forever Cemetery – Oct. 19

  • CREEM Entertainment Announces July Summer Sunburn Festival in Brooklyn

    CREEM Entertainment, celebrating the one-year anniversary of its relaunch and its Summer 2023 edition, has announced the first annual Summer Sunburn, an “all-day rock party” in Brooklyn. Summer Sunburn on July 22 will include: Nothing; Radioactivity, this being their first NYC appearance in five years; Godcaster; Loosey; Jobber; as well as DJ Edan and CREEM writer Hether Fortune playing between acts.

    Summer Sunburn Festival creem
    Summer 2023 cover. Credit: Nicole Rifkin

    Brought back after 33 years of absence, CREEM Entertainment is the modern reincarnation of Detroit’s famous CREEM Magazine, originally founded in 1969, and grew to be a staple of music journalism for twenty years.

    The magazine helped cultivate the talent of people such as Lester Bangs, Cameron Crowe, Patti Smith, Robert Christgau and Jaan Uhelszki (who returned as Editorial Director). In 2020, the magazine’s rise and fall was chronicled in the documentary “CREEM: America’s Only Rock ‘n’ Roll Magazine.”

    We’re now a year into this journey of proving that BOTH rock and print aren’t dead so now’s the time to crack open a coldie and celebrate with the sickest lineup we could imagine!

    CREEM’s Vice President of Content Fred Pessaro

    CREEM Entertainment still covers the classics, bands like The Who, Peter Frampton, or Metallica, but also the new faces to the genre and those that they missed in their 33 years of hiatus. It is led by former VICE publisher John Martin as CEO, and Chairman J.J. Kramer, who is the son of original co-founder and publisher Barry Kramer.

    Taking place in Roberta’s backyard in Brooklyn, NY on July 22, the celebration will run from 2:00 to 10:00 p.m., with music, food, and drinks available. Summer Sunburn will continue CREEM’s partnership with Slane Irish Whiskey. Tickets are available on CREEM’s website, here.

  • Wallice Returns to Rock Bowery Ballroom

    Wallice, the rising indie-pop sensation, graced the stage at Bowery Ballroom in Manhattan on June 27th, captivating the crowd with her infectious melodies and magnetic presence. This performance marked her triumphant return to NYC (and Bowery Ballroom) after her opening act with JAWNY last March.

    With her irresistible charm and undeniable talent, Wallice delivered a performance that was nothing short of electric. Sharing the spotlight was the indie rock boy band Nitefire, whose infectious energy and captivating melodies set the perfect tone for the evening.

    As the lights dimmed and the first chords resonated through the venue, it was evident that this would be a night to remember. The atmosphere was charged with anticipation as fans eagerly embraced the fusion of Wallice’s honest lyrics, vulnerability, and witty storytelling. With each song, she effortlessly transported the audience into her world, exploring themes of love, self-discovery, and the rollercoaster of emotions that come with growing up. The synergy between Wallice and Nitefire created a dynamic and unforgettable concert experience, leaving the crowd craving for more.

    Nitefire,the dynamic musical project of Nico Geyer and Luke White, boldly defines themselves as the “budget Wallows.” Blending the pop sensibilities of turn-of-the-century indie rock with the vibrant sonics and youthful spirit of Brit-pop, Nitefire fearlessly carves out a lane that is uniquely their own, leaving nostalgia behind. With their roots embedded in the thriving Los Angeles music scene, the band has gained recognition for their DIY approach, hosting their own events and shows that embrace an “if you build it, they will come” mentality, diverging from the digital-dominated landscape of today. Nitefire’s sound and attitude are entirely their own as they carve out a distinct lane. With their debut single “Up 2 U” released, the band has already amassed an impressive following and garnered over 40K monthly listeners on Spotify. Nitefire’s journey has only just begun, and their upcoming releases and live performances promise an exciting and vibrant future for the band.

    Nitefire’s opening performance was an electrifying display of energy and connection. Despite a minor setback earlier in the day, with Luke breaking his pinky, the band turned it into a playful guessing game during their set. Nico, the charismatic frontman, challenged the crowd to speculate on the cause of Luke’s injury, teasing them with the statement, “You’ll literally never guess.” Hilarious suggestions of door-related incidents were quickly debunked, fueling the curiosity of the fans. To their surprise, it was revealed that the pinky was actually broken in a Frisbee accident, leaving many scratching their heads and engaging in animated discussions.

    Nico’s crowd interaction was a highlight, as he jumped into the crowd multiple times with guitar and mic in hand, creating a central pit of excitement. One fan attempted to converse with Nico in French, only to be misheard, prompting Nico to ask if she was speaking Spanish instead. The lighthearted exchange drew laughter and further showcased the band’s down-to-earth and approachable nature. The finale saw Nico leaning back into the crowd, crowd surfing during the last song, “Saturday.” Nitefire’s performance was a thrilling and engaging experience, leaving fans captivated by their boundless energy and genuine connection.

    Nitefire Setlist: Daisies, Here We Go, La La, LA’s Got Gorgeous, Love Gets Ug, Uptight, Lovekiss, Life Gets Funny, Worth It, Saturday

    Wallice, the rising indie-pop sensation hailing from Los Angeles, is making waves with her captivating blend of honesty, vulnerability, and wit. With a musical upbringing that exposed her to a diverse range of influences, from classic rock to 90s R&B, Wallice has developed a unique sound that sets her apart in the industry. Her breakout hits, including “23” and “Off The Rails,” have garnered attention for their raw and authentic approach to songwriting, tackling themes of love, loss, and self-discovery with remarkable vulnerability. Her newest EP, “Mr Big Shot,” released June 23rd, further showcases her exceptional songwriting prowess, offering a masterclass in Gen Z’s hopes, dreams, and failures. 

    Following a successful run of North American shows with JAWNY and Australian dates with The 1975, Wallice is now embarking on her own headline tour across the US, captivating audiences with her infectious energy and tongue-in-cheek, self-effacing anthems. With each release, Wallice reaffirms her status as an artist to watch, captivating listeners with her authentic storytelling and undeniable talent.

    Wallice’s performance at the iconic Bowery Ballroom was an extraordinary display of her artistry, accompanied by heartwarming moments and genuine interactions with the audience. The show kicked off with a sweet gesture as she gave her guitarist a peck, setting a playful and affectionate tone for the evening. A fan’s gift of a black gemstone studded cowboy hat became a striking accessory as Wallice embraced it during her soulful rendition of “John Wayne,” captivating the crowd with her magnetic presence. After the song, she graciously returned the hat from whence it came.

    Throughout the set, Wallice’s affection for New York was evident as she expressed her love for the city, instantly establishing a connection with the enthusiastic crowd. The audience reciprocated with adoration, elevating the energy in the venue. A touching moment occurred when a fan handed her a crochet bandana and a heartfelt letter accompanied by personal photos. Wallice graciously accepted the gift and wore the crochet bandana while performing the introspective and introspective song “Quarterlife,” adding an intimate touch to the performance.

    In a playful exchange, Wallice humorously reprimanded her bassist for removing his goggles after the spirited performance of “Why Do You Love Me?“. This lighthearted banter showcased the camaraderie and dynamic chemistry within the band, further enhancing the overall experience for the audience. Following the energetic performance of “Prepaid Wireless,” Wallice took a moment to introduce her talented band members by name, highlighting their contributions to the music.

    Although faced with a technical glitch during “Japan,” Wallice’s professionalism shone through as she gracefully restarted the song, seamlessly carrying the audience along with her. Her ability to handle unexpected situations with poise and maintain a strong connection with the crowd was a testament to her artistry and stage presence.

    Wallice’s set at Bowery Ballroom was a memorable and captivating experience, filled with genuine moments of connection. Her ability to embrace fan gifts, engage in playful interactions, and overcome technical challenges showcased her authenticity as an artist. With each song, Wallice’s honesty and vulnerability resonated deeply, leaving the audience with a lasting impression of her talent and charisma.

    Wallice Setlist: Disappear, Little League, Loser At Best, Punching Bag, 90s American Superstar, Wisdom Tooth, Rich Wallice, John Wayne, Headache, Quarterlife, Dramamine, Hey Michael, Why Do You Love Me?, Prepaid Wireless, Off The Rails, Japan, 23, Best Friend, Funeral

    In terms of upcoming shows, Wallice and Nitefire will be on the road with plenty of chances to catch them on tour until they wrap up on July 20th in San Francisco.

    Updates for any future Wallice shows can be found on her socials, and her linktree. The same goes for Nitefire, and you can find their socials and linktree here.

  • Hilltop Announces 2023 Summer Tour, Mercury Lounge August 3rd

    Albany’s rising jam group Hilltop have unveiled their 2023 Summer Tour, taking them across New York, plus festival stops in Pennslyvania and the Catskills and a post Phish show in NYC.

    Photo by Frank Cavone

    Among the dates is a first ever show for Hilltop at Mercury Lounge in Manhattan, on August 3rd. During a non-consecutive 7-night run for Phish at Madison Square Garden, Hilltop jumps on an opportunity to play on one of the few nights off for Phish, bringing Thursday night funk to those looking to keep boogieing down in between Phish shows.

    Joining Hilltop at Mercury Lounge will be Whaley + Ernie & The Band opening the night.

    If you can’t catch them at Mercury Lounge, don’t miss Hilltop as they make a stop at Catskill Jubilee Music Festival in mid-August, featuring the Disco Biscuits headlining. More dates leading into the fall will be announced soon!

    hilltop summer tour

    Get tickets for the Mercury Lounge show here and stay up to date on Hilltop here.

    Hilltop Summer Tour 2023

    6/23 – Red Square – Burlington, VT
    6/24 – The Listening Room at East Coast Van Builds – Bradford, VT
    7/8 – Rock the Dock Music Festival – Lake George, NY
    7/14 – Riverboat Bar – Alexandria Bay, NY
    7/28 – Nietzsche’s – Buffalo, NY
    8/3 – MERCURY LOUNGE – New York, NY *
    8/10-13 – Catskill Jubilee – East Durham, NY
    8/16 – The Fire – Philadelphia, PA
    8/17 – Stella Blues Bar – New Haven, CT

  • MIDNIGHTCHOIR Shares “Lovecrimes” Single + Video

    NYC electronic act MIDNIGHTCHOIR has just released the single “Lovecrimes,” along with this, a music video to accompany it. Along with this, they have also confirmed the forthcoming release of their second album, Loverboy Molotov, to be released July 14th. 

    New York-born and raised electronic producer Patrick Bobilin has been producing music as MIDNIGHTCHOIR since 2014. Bobilin’s love for 80s goth rock and pounding electronic beats combined with his political experiences color the tone and tenor of his music. 

    Speaking on this new single, Bobilin wrote, “After 7 years of being in the public eye, the only times I felt I could be myself were at NYC dance bars like Pyramid Club or Saint Vitus. I started traveling to Austin, TX more often to visit a group of friends, free from the political infamy I’d become ensnared in.”

    “I recorded it quickly in one night, with the urgency of having to get out of town and shake loose of those tangles. ‘Lovecrimes’ was inspired by late nights in NYC and dancing at Barbarella in Austin, where they always play INXS on 80’s Night. The cover of ‘Need You Tonight’ was also inspired by those late nights and features guitar from David Simutis who I met at an office job and who I learned was a seasoned indie rock vet, having engineered and played on some of the coolest records of the last 20 years.” 

    The combinations of sex, politics, and gothic imagery explain the lyrical content and the inclusion of three covers: Bauhaus’ “Bela Lugosi’s Dead,” INXS’ “Need You Tonight,” and “Personal Jesus” by Depeche Mode. 

    Since then, Bobilin ran for public office, led community action organizations during the 2020 social justice uprisings, and has been an active community organizer. He was even arrested twice during the 2020 movement for black lives while organizing protests. That social justice work, which had Bobilin arguing with former-mayor de Blasio about policing on live radio, has found its way into the lyrics of the punk-infused new darkwave album he recorded in the first few weeks of 2023. 

    The new album was made with much of Bobilin’s urgency and energy of his political campaigns in 2017, 2020, and 2022. Having firmly decided to leave politics behind, Bobilin was compelled to write about many of the frustrations that inspired his far-left politics.  

    While Bobilin may lean on 80’s new wave and goth influences, the autobiographical elements of the album reflect his experiences in politics and protest. The politics of the album are far left, with emotional, social, religious, and political concerns peppered throughout. 

    Listen to “Lovecrimes” by clicking the link here. 
    Loverboy Molotov will be available on all streaming services this July. 

  • Lowkey Legends: Roc Marciano

    When it comes to making music, everyone charts different territory through various methods of approach. Some people choose to pay homage to those that came before them in order to emulate and reciprocate greatness. Such is the case with Roc Marciano, a smooth operator out of the 100 Block of Terrace Avenue in Hempstead.

    Growing up in Hempstead was rough for this New Yorker but he managed to climb his way out of the, “city in the suburbs.” His residing area receives major attribution for the direction of his approach, style and taste within the genre of hip-hop.

    roc marciano
    Alchemist x Roc Marciano

    Six Degrees of Separation

    Coming up, many people were hip to Marciano’s talents and abilities. Once he linked up with Busta Rhymes – those recognizable traits started to gain major traction. Marciano attributes his Busta Rhymes connection to the  “six degrees of separation” theory. Subsequently, he went to school with Busta’s younger brother who caught wind of some early musical efforts and passed them along to Busta. 

    Obviously, both of them thought highly of his capabilities and gave him the chance to shine on a brighter platform. Around 2000, Roc Marciano sparred bar for bar with some of the hardest artists in the game. Along the way, he bestowed the utmost respect to legendary artists who paved the way for him to thrive. He paid homage to those before him but also would gauge where they set the bar and try to surpass that. When he contributed to “The Heist” on Busta Rhymes’ album, Anarchy – he exchanged verses with the likes of Ghostface Killah (fresh off classic album Supreme Clientele) and Raekwon, both from the Wu-Tang Clan.

    UN or U Out?

    In 2001, he formed his own clique called “UN Crew” with his Uniondale High School counterparts, Dino Brave, Laku and Mike Raw. They received cosigns from major influential artists such as Large Professor, Madlib and Just Blaze. The group rapped over Pete Rock beats called, “Petestrumentals” and navigated their way into a record deal.

    After their deal with Loud Records fell through, the UN Crew would ink an agreement with Carson Daly and 456 Entertainment. Roc Marciano grew tired of obeying commands and having to rap over beats chosen for him and eventually disbanded from the UN Crew and the record label they were signed to.

    roc marciano

    After a while, Roc began to truly differentiate himself from his peers. Rather than constantly trying to rap over the “hardest” beat, he strayed from the typical path and shifted the paradigms of his artistry. Large Professor played a monumental role in the encouragement of Roc Marciano’s solo career. Large Professor encouraged this burgeoning artist to tap into the twisted sounds within his brain and individually produce every track for his forthcoming album.

    Often, rappers have a leg up on their competition when they are able to rhyme over self-produced beats and melodies. Furthermore, Roc Marciano executes his verses well with an off-kilter and complicated form. He received widespread internet acclaim when he dropped Marcberg in 2010. On his debut album, he received high amounts of underground reception because he was able to display the intricacies of his artistry. By rapping over his self-produced beats, Marciano was able to deliver sounds in pristine form and enter a zone that made him truly stand out. 

    Smooth Maneuvers

    Roc Marci exists as a New York individual that keeps it fresh – stylistically, metaphorically and within his approach to the genre. His casual intensity makes what he does seem effortless, with a highly stylized stream of consciousness. Alas, every move made on wax and between the scenes requires a great deal of calculation, rehearsal and craftiness. Being both smooth and strange has yielded beneficial results for this New York artist. Roc Marciano puts forth masterful bodies of work regardless of theme/concept, ultimately serving the hip-hop ecosystem with compositional lyricism. 

    As an unpredictable, risk-taking and edgy performer, Roc Marciano keeps it very interesting when it comes to creating tunes. In order to change the landscape of the genre and push culture forward he consistently tests the boundaries and takes risks to improve himself as an artist. He chronicles his endeavors extravagantly and uses a hyper syllabic percussive flow. By doing so, he extricates great detail through the use of imaginative imagery. 

    https://www.youtube.com/watch?v=JNxCljW2uWQ
    Verse Starts at 1:03

    He paints narratives with specific skill and prolific penmanship by layering images via dense wordplay. Hence, he masters his entire process with non-traditional methods. Roc Marciano illustrates so well that his verses could be translated into movie scenes. With carefully crafted concoctions, he aims to develop scores for cinematic production.

    With psychedelic wordplay, Roc is a hip-hop natural. By proceeding upon an organic path, the music that he releases allows the audience to follow the voyage of a time traveling wordsmith who is magic whenever he graces the mic. As a lowkey legend, Roc remains recluse and observant. In general, he does not care for radio spins as long as the checks come in and those who truly appreciate the music continue to catch wind of his endeavors. He has extremely high standards and tries to outdo himself every time he steps in the booth. He is constantly reinventing his craft and submits his ultimate contribution to the game by submitting songs that sustain with longevity. 

    Roc Marciano x Flee Lord Delgado

    Verbal Technician

    Roc Marciano nonchalantly devastates his opponents. As a descriptive and introspective emcee he illuminates the virtues of a true player in the game. His stone cold delivery accentuates elements of linguistics and exuberance. He flourishes with precise timing, cadence and tonality. His hyper-controlled nature allows for him to direct the process in the direction he sees fit for his persona.

    He amassed a significant following in part to his extremely impressive flair for storytelling. He attributes his gravitation to the art of rap to the group, Ultramagnetics. They showed him the “scientific” aspect of rap and Roc was highly intrigued by the possibility of evolution within the genre. With an innovative approach, authenticity and discrete nature – no wonder why people appreciate him and his music.

  • New York Based Singer KAZIMI Shares Heartfelt Single “Fever Dream”

    NYC’s indie-pop and folk-rock artist KAZIMI shares the single “Fever Dream,” the second track from her debut album River Run out later this year. The layered percussion is the heartbeat of this single, with drums that are both slinky and sexy, a groove comes across your hips effortlessly.

    The singer-songwriter wrote, “’This is a song about pleasure and craving. About wanting something (someone) so bad that the desire seeps into your every moment, coloring everything you see. That obsession, that need, that want. Bodies seeking bodies.” 

    “I never sat down to make a record. I don’t think I would’ve started if I had.” 

    -KAZIMI

    For most of her life, KAZIMI played music alone and in secret. She crafted songs as a way to work through life’s peaks and valleys but they were never meant to be shared. When the world stopped, something in her changed and that change led to the writing and recording of her debut album, River Run. 

    The New York-based singer-songwriter offers up her personal brand of indie-folk with tracks that explore the trials of being a living, breathing human: betrayal and heartbreak, pleasure and resilience, the death of loved ones, and the rebirth of self. With a soundscape that drifts effortlessly between dreamy, seductive, cinematic, and folky, River Run is as evocative in its style as it is in its storytelling. 

    The indie-folk (although very different it’s also somewhat reminiscent of John Grant, don’t you think?) artist deals with the myriad layers of the human condition as a way of wrestling with difficulties. 

    – Americana UK

    For KAZIMI, the project was an opportunity to dethrone the internal demons that lurked in the shadows of her mind. “Part of making music is letting go so there can be space for magic to enter the room, but giving up control is not something that comes easily to me. I had to constantly recenter the importance of making something true over the temptation to chase perfection.”

    The title track was written in an empty hotel lobby in Nashville at the height of quarantine in 2020, “I was driving from Texas to New York. Passing through Memphis, I crossed the Wolf River and something about the name stuck in my mind. That evening I went downstairs and sat at the keys. I hadn’t had a piano to play in 4 months. Over the course of the time I wrote the song, I never saw another person. No other guests, no staff. Just me alone in a hotel, singing to the walls,” she says.

    Swimming in the depths and then soaring through the clouds, the record traces the journey of a path unknown. The very act of making it, says KAZIMI, is a victory. “I am following what makes me feel most alive, even though I don’t know where it will lead. I found an ember and I held it close. I blew on it until a fire burst forth.” 

    For more music by KAZIMI, click here. 

  • Victor Wooten and The Wooten Brothers Expand Fall Tour, Include Stops in NY

    Victor Wooten and The Wooten Brothers have expanded their forthcoming tour into November, adding ten stops to an already jam-packed fall lineup. The group, which features lifelong collaborators and real-life brothers Victor, Joseph, Roy “Futureman,” and Regi Wooten, recently announced its highly anticipated reunion tour, making stops in NY cities including Troy, Buffalo, and Brooklyn.

    Wooten Brothers

    Lauded by Rolling Stone as one of the “Top 10 Bassists of All Time,” Victor Wooten has captivated audiences for over four decades with his dynamic stage presence and unparalleled technical chops. Wooten’s eclectic repertoire includes collaborations with the likes of Béla Fleck and the Flecktones (of which he is a founding member), Chick Corea, Dave Matthews Band, India Arie, Keb’ Mo’, and more recently, Cory Wong. Widely regarded as one of the greatest living bassists today, Wooten continues to share his passion for music through numerous modalities. The multidisciplinary artist has authored two books and has mentored thousands of students at his own Center for Music and Nature since the year 2000.

    Remarkably accomplished in their own right, each of the Wooten brothers bring a unique flavor to the live experience. Joseph Wooten, also known as the “Hands of Soul,” has been the keyboardist/vocalist for the Steve Miller Band since 1993. He is a renowned composer, arranger, author, and motivational speaker whose collaborations include work with Whitney Houston, George Clinton, and Kenny G.

     Roy “Futureman” Wooten is also a founding member of Béla Fleck and the Flecktones and a five-time GRAMMY award winner, famously known for his trademark inventions the “Drumitar” and the “RoyEI” keyboard. A philosopher, researcher, filmmaker, and educator, Roy’s impressive solo career, symphonic works, and “Black Mozart” projects span the genres of classical, jazz, soul, gospel, and spoken word. 

    Regi Wooten’s signature guitar style of chording, slapping, tapping, and virtuosic strumming has earned him worldwide notoriety and comparisons to Jimi Hendrix, Frank Zappa, and Chuck Berry. In recent years, Regi has performed with many artists including the legendary Ginger Baker. Known worldwide as “The Teacha,” Regi currently teaches music in Nashville, TN, and has taught many notable musicians.

    Wooten Brothers

    Together The Wooten Brothers bring an uncanny level of experience, originality, and expertise to the stage. Playing together since childhood, the formidable group has shared stages with the likes of Curtis Mayfield, The Temptations, Ramsey Lewis, Stephanie Mills, War, and others. Fans can expect an infectious, colorful, and exuberant production that showcases The Wooten Brothers’ impenetrable creative chemistry. An amalgam of original songs and choice classics, each show offers a one-of-a-kind adventure that defies the bounds of jazz, funk, soul, R&B, rock, and bluegrass. 

    On the forthcoming tour, Victor shares, “Being in a band with my brothers is the best thing for me. It’s like a family reunion every time we get together to play. They are my teachers and I feel most at home with them.”This will be the brothers’ first tour together as a band since the untimely death of their saxophone-playing brother Rudy a few years ago. In the forthcoming year, The Wooten Brothers will release their first studio album in several decades. 

    The music we are working on at the moment is a collection of new and old. We have songs that were recorded decades ago that have never been heard by anyone. We also have newer music that was recorded over the last year. It will be a nice collection of old and new. With the older music, we want to introduce the world to Rudy, our saxophone-playing brother who passed away in 2010. Be prepared to have your mind blown.

    The Wooten Brothers

    The forthcoming Victor Wooten and The Wooten Brothers tour will kick off on Sept. 28 in Chattanooga, TN. For tour dates, tickets, and info, visit here.

    Wooten Brothers

    Victor Wooten and The Wooten Brothers Tour Dates

    09/28 – Chattanooga, TN – The Barrelhouse Ballroom^

    09/29 – Charlotte, NC – Neighborhood Theatre^

    09/30 – Atlanta, GA – Variety Playhouse^

    10/01 – Asheville, NC – The Outpost^

    10/03 – Troy, NY – Troy Savings Bank Music Hall^

    10/04 – Philadelphia, PA – Brooklyn Bowl^

    10/05 – Silver Springs, MD – The Fillmore^

    10/06 – Baltimore, MD – Rams Head Live^

    10/07 – Brooklyn, NY – Brooklyn Steel^

    10/08 – Portland, ME – State Theatre^

    10/10 – South Burlington, VT – Higher Ground^

    10/11 – Boston, MA – Citizens House of Blues^

    10/12 – Wilkes-Barre, PA – FM Kirby Center^

    10/13 – Roanoke, VA – Jefferson Center

    10/14 – Buffalo, NY – CMC International Jazz Festival

    11/01 – Saint Louis, MO – Delmar Hall

    11/02 – Nashville, TN – Riverside Revival

    11/03 – Germantown, TN – GPAC

    11/04 – Indianapolis, IN – The Vogue

    11/06 – Ann Arbor, MI – The Ark

    11/07 – Cincinnati, OH – Hamilton Memorial Hall

    11/08 – Madison, WI – Majestic Theatre 

    11/09 – Minneapolis, MN – Fine Line

    11/10 – Evanston, IL – SPACE

    11/11 – Elgin, IL – ECC Arts Center

    01/11 – Denver, CO – Cervantes’ Masterpiece Ballroom

    01/12 – Salt Lake City, UT – The State Room

    01/13 – Hamilton, MT – Bitterroot Performing Arts Council

    01/14 – Bozeman, MT – The Elm

    01/16 – Seattle, WA – The Crocodile

    01/17 – Portland, OR – Revolution Hall

    01/18 – Eugene, OR – The John G. Shedd Institute For The Arts

    01/19 – Chico, CA – The Big Room at Sierra Nevada Brewery

    01/20 – Berkeley, CA – The UC Theatre

    01/21 – Santa Cruz, CA – Rio Theatre

    01/23 – Solana Beach, CA – Belly Up Tavern

    01/25 – West Hollywood, CA – Troubadour

    ^With Special Guests Rebirth Brass Band

  • In Focus: Ruel brings the “4th Wall World Tour” to Terminal 5

    Ruel, the prodigious Australian singer-songwriter, took the stage by storm at New York City’s renowned Terminal 5, captivating the crowd with his soulful melodies and undeniable talent. This highly anticipated show marked a milestone in Ruel’s career as he embarked on the East Coast leg of the tour. From the moment the lights dimmed and the first notes filled the air, it was clear that this night would be one for the books. The energy in the venue was palpable as fans eagerly awaited Ruel’s remarkable performance, ready to be swept away by his mesmerizing voice and magnetic stage presence.

    Sam MacPherson, the incredibly talented singer-songwriter, mesmerized the crowd with his captivating opening performance at Terminal 5 in Manhattan. As he stood in the center of the stage belting out soulful vocals and heartfelt lyrics, he effortlessly commanded the stage, leaving a lasting impression on the audience. MacPherson’s infectious energy and authentic musicality created an intimate and introspective atmosphere, solidifying the connection between performer and listener. Blending elements of folk, pop, and soul, he showcased his versatility as an artist, setting the perfect tone for the night ahead and leaving the crowd hungry for more incredible music. It was a true testament to his talent and a memorable start to an unforgettable evening of live music.

    Ruel, the prodigious 20-year-old singer-songwriter hailing from Australia, has taken the music industry by storm with his undeniable talent and soulful artistry. At a remarkably young age, Ruel’s journey embarked on a meteoric rise when he captured the world’s attention with his debut single “Golden Years” in 2017. This captivating release not only showcased his remarkable vocal prowess but also showcased his ability to connect with listeners on a profound level. 

    As he continued to ascend, Ruel’s magnetic presence and introspective songwriting captivated audiences around the globe. With each subsequent release, including his EP Ready in 2018, Ruel solidified his position as a musical prodigy, effortlessly blending genres and delivering poignant lyrics that resonate deeply with fans. 

    Drawing inspiration from his own experiences, Ruel fearlessly explores themes of love, growth, and self-discovery, forging a deeply personal and relatable connection with his audience. With a maturity beyond his years and an unwavering commitment to his craft, Ruel stands poised to leave an indelible mark on the music world, captivating hearts, and minds with his extraordinary talent and unwavering authenticity.

    Ruel’s “4th Wall Tour” reached its pinnacle at Terminal 5 in New York City, delivering an awe-inspiring performance that left the audience in a state of pure musical euphoria. As the anticipation built, the crowd erupted with excitement, ready to embark on a sonic journey led by the prodigious Australian singer-songwriter.

    From the moment Ruel took the stage, the energy was palpable. Opening with the powerful anthem “GROWING UP IS ____,” he immediately captured everyone’s attention with his soulful vocals and magnetic stage presence. The audience was fully immersed in his world as he flawlessly transitioned into the introspective “YOU AGAINST YOURSELF,” where his heartfelt lyrics resonated deeply with fans.

    Throughout the night, Ruel showcased his versatility and artistry, effortlessly weaving between his own captivating tracks and surprising covers. The crowd erupted with joy as he delved into unexpected renditions of the Black Eyed Peas’ “I Gotta Feeling” and One Direction’s “Night Changes,” infusing them with his own unique style and charm.

    As the show progressed, Ruel’s connection with his fans became undeniable. The venue transformed into a collective sea of voices singing along to every word, creating a powerful sense of unity and shared experience. The atmosphere reached its peak during the poignant performance of “Younger,” a heartfelt song that resonates with audiences of all ages.

    The highlight of the evening came with the spine-tingling rendition of “Painkiller,” where Ruel’s soulful voice soared effortlessly, eliciting a wave of emotions from the crowd. The synergy between Ruel and his band was evident, as they flawlessly executed each song, transporting the audience into a world of musical bliss.

    As the final notes reverberated through the venue, Ruel took a moment to acknowledge the incredible team behind the “4th Wall Tour.” With a list of credits displayed on the screens, from the tour crew to the guitar and PR companies involved, it was a testament to the collaborative effort and dedication that made the tour possible.

    Ruel’s show at Terminal 5 was a tour de force, a testament to his undeniable talent, and a testament to the unwavering support of his fans. It was an unforgettable night filled with electrifying performances, heartfelt moments, and an undeniable connection between the artist and the audience. As the lights dimmed and the crowd dispersed, the echoes of Ruel’s unforgettable performance lingered in the hearts and minds of everyone fortunate enough to be part of this musical journey.

    Ruel Setlist: GROWING UP IS ____, YOU AGAINST YOURSELF, SOMEONE ELSE’S PROBLEM, IF AND/OR WHEN, MUST BE NICE, I Gotta Feeling (Black Eyed Peas cover), Night Changes (One Direction cover), WISH I HAD YOU, golden hour – Ruel Remix (JVKE cover), Flames (SG Lewis cover), SET YOURSELF ON FIRE, SITTING IN TRAFFIC, Dazed & Confused, Younger, Painkiller, I DON’T WANNA BE LIKE YOU

    In terms of upcoming shows, “The 4th Wall World Tour” will be finishing up the North America portion in Los Angeles on July 7th, but the rest of the tour picks back up in August down in Santiago, Chile.

    Updates for any future Ruel shows can be found on socials and his website. The same goes for Sam MacPherson, and you can find his socials and website linked here.