Category: NYC Metro

  • Afropunk: Circus of Soul touches down in Brooklyn

    Afropunk returned to Brooklyn for 2 days of music on August 26th & 27th. The festival took place at Brooklyn’s Greenpoint Terminal Market for 2023.

    As on brand for Afropunk, the lineup for the festival was all black artists from various genres. Some notable names included Tobe Nwigwe, Baby Tate, and Vince Staples. The lineup also included New York’s own Joey Bada$$, and day 2 headliner, Teyana Taylor.

    Unlike last year, this year had a theme, which was Circus of Soul. Motifs of this theme could be seen throughout the event. Both on stage and in the crowd, fans and artists dressed as though they were part of a circus. R&B artist Cleo Reed really leaned into the theme by dressing them selves and other stage performers in clown attire during their set. There were performers on stilts wearing kente cloth patterns walking throughout the crowd. There were also Aerial Ring performers periodically doing stunts throughout the weekend.

    This year was truly one to be at, as there were many performances and attractions that festival goers could really interact with all day.

    A festival of the Arts

    Afropunk is a festival that is bigger than music. Though music may be the highlight, it also features art and artists from all over the globe that center their creativity around the African diaspora. Inside the Spin Thrift Market, there were vendors selling things like clothes, jewelry, books, and weed products. Outside the Market, there were spaces for health and beauty. Festival goers were able to get their hair and makeup done, henna tattoos, and facials. Most of the vendors were also African American owned and operated.

    In addition to vendors that were selling merchandise, there were also areas for festival goers to interact. In the center between the two stages, there were tents set up for festival goers to play games and run through a bubble pit. It seems as though they learned from last year as most activities and vendors were set up under large tents to protect against any potential rain.

    Nonetheless, as much as there was to do off stage, there was much to watch on stage. There was a two stage setup to accommodate for about 30 performances. In between performances on both stages were DJ SNS and DJ Mohogany. They helped to keep the party going as people awaited some of their favorite artists to take the stage.

    Day 1 Highlights

    Day 1 had strong performances from Cleo Reed and a collaboration from the Soapbox presents on the 3 Ring Stage. The Soapbox brought together vocalists and musicians to bring a rock, R&B, and gospel like performance. This was one of the many perfect displays of how African American music is has roots in so many different genres that tend to overlap one another. The performance had fans feeling cool in the end of summer heat.

    One of day 1’s most notable and electric performances was from Tobe Nwigwe. Originally from Houston, TX, Tobe holds on to his Nigerian roots well as they could be seen in his performances. He is always recognizable with his seafoam green outfits and sets. He brought out his wife, Martica Nwigwe, for a few songs from his set. He also had Olu from Earthgang come out for a song. Olu came out on brand, wearing seafoam green wings to sing “WILDLINGS” with Tobe. The performance was full of energy and surprises that keep the audience screaming for an hour.

    Tobe’s performance was evened out by a more mellow from Vince Staples. Vince stared as “Maurice” earlier this year in the Emmy award winning show, Abbott Elementary. His Long Beach, CA vibes really brought the crowd down from their state of choas from before. Though his set did not features as many theatrics like Tobe’s, he still had the attention of the crowd. Vince had the crowd singing along to his hit song, “Norf Norf,” before there was a mass exodus from the event.

    An uneventful end to the hype

    The first night was headlined by Flying Lotus. He is a producer and DJ who has worked on many projects on TV shows and film. One of the most notable projects was Netflix’s Yasuke, an anime centered around the story of Japan’s first black samurai. He makes a lot of EDM and electronic rap songs primarily.

    Flying Lotus did not receive much of an introduction which left many fans confused. Though his fans would be familiar with his music and style, this may have been many’s first exposure to him. He could barely be seen from behind his DJ booth and did not say a word for at least the first 20 minutes of his set. About halfway through, he was joined by rapper Smoke DZA, who he is working on a collaborative album with. Smoke DZA did bring some excitement and energy to his performance.

    After Smoke DZA’s exit, Flying Lotus played a few more songs and was about to leave. He did not realize that his set was not over and played for about another 15 minutes. Flying Lotus had a pretty anti-climatic exit, as it was a pretty bleak end to day 1 of Afropunk 2023.

    A stark turn around from Day 1’s mishaps

    Day 2 still featured a full lineup that had Greenpoint full. What was nice about this year’s festival was the scheduling of performances. With the stage schedules pretty staggered, fans were able to see all their artists without really having to miss a performance. This really set Afropunk apart from other festivals as many usually have fans contemplating which artists they wanted to see more. If they wanted to, fans could see just about every artist and take in the full Afropunk experience.

    Some notable performances from Day 2 were from Baby Tate and Joey Bada$$. Baby Tate brought a fun energy out of the crowd. With a lot of positive sexual messages infused in her lyrics, her music and performance made Greenpoint a safe space for women to express themselves. In the middle of her set, Baby Tate took a break and her DJ Sky Jetta tapped into a different side of her fans. Though Baby Tate makes rap music, Sky Jetta played alternative rock hits, including “I write sins not tragedies” that absolutely killed.

    Baby Tate came back and continued to kill. She played unreleased song “Wig” and ended on her hit “I am” to leave things on a high. Joey Bad$$ proceeded her and continues to bring smiles.

    New York showing out for New York artists

    Joey Bad$$ was happy to be back in his hometown as he expressed his love for Brooklyn all through out his performance. The theme around his performance was love as he turned the camera toward the audience to celebrate black love. He had a kiss cam going on for a bit before singing “Love is only a feeling.” He dedicated a few songs to fallen black artists including, XXXTentacion, Nipsey Hustle, Pop Smoke, Young Dolph, and more.

    Before he left, he expressed his happiness to be playing at an event where he could see so many black faces. He also threw a jab at Afropunk for being a bit unprofessional behind the scenes. He still left things on a high with “Devasated” before handing the stage over to Teyana Taylor.

    The energy from day 2 was drastically different than from the previous day. Day 2’s lineup featured so many artist that people knew and loved. They had performances that people wanted to be a part of and sing along with. Day 2 was originally supposed to end with Grammy award winner Jazmine Sullivan. Due to some personal reasons, she could not perform, but Teyana Taylor was passed the torch to close out the weekend.

    Rose of Harlem feeling the love

    Nicked named the “Rose of Harlem”, Teyana Taylor closed out to packed audience in her city. Teyana had mentioned during her performance that she was nervous to headline a show as she felt as though no one would stay for her. Though some mic issues may have fueled those nerves early on, New York showed her so much love that it brought her to tears.

    The sound was getting too much for Teyana as she asked for just the keys to play during one of her songs. She was able to get real close and emotional with the crowd before turning things back up. The crowd screamed “Issues” and ” Gonna Love Me” with Teyana.

    She was joined on stage by her daughter ,”Junnie,” and husband Iman Shumphert, for a few songs. Her daughter helped her throw out free t-shirts to the audience. Teyana also had 3 outfit changes that synced up with the many different vibes of her performance.

    She exited the stage, but quickly came back for an encore. Teyana ran into the middle column of the pit to slap the hands of her fans before closing out the night. She thanked New York for showing her so much love and making this performance one worth leaving retirement for.

    Afropunk continued to bring peace, love, and education about African American culture to one of the biggest melting pots of the world. With Afropunk’s voice continuing to reach millions, it’s only a matter of time before it starts to expand to other cities across the globe.

  • Broadway Musicians Equity Partnership Launched Its Pilot Program

    Broadway Musicians Equity Partnership (BMEP) announced the launch of its pilot program. BMEP’s innovative program aims to provide access and learning opportunities for musicians who have historically been underrepresented on Broadway to learn about being in the musical theater industry.

    BMEP’s program kicked off September 13 at the inaugural meet & greet of Local 802’s DECIBAL (Diversity, Equity, Community, Inclusion, Belonging, Access, Leadership) Collective, Local 802’s diversity collective that counts BMEP as one of its members.

    We set out to create a program that would respectfully and responsibly open doors to the Broadway scene for multiple communities that have been historically underrepresented and excluded, including people of color, people with disabilities, and transgender or nonbinary individuals.

    Anja Wood, co-chair of the BMEP committee

    The inaugural cohort of BMEP includes 19 visiting partner musicians matched with current Broadway chair holders.

    BMEP is funded via a grant from the New York City Mayor’s Office of Media and Entertainment. The Mayor’s Office of Media and Entertainment says they are proud to support this innovative program and is committed to supporting NYC’s workers.

    BMEP was developed in August 2021 by a group of Broadway musicians, music directors, and former Local 802 Executive members, with the specific goal of fostering collaboration, growth, inclusion, and equity within the Broadway community.

    Every musician in a Broadway orchestra pit got their start thanks to someone who gave them a change and gave them a hand to work their way up. This program aims to provide that same opportunity to talented musicians who might not otherwise have a chance.

    Alvin Hough Jr., co-chair of BMEP committee

    The BMEP is a program that’s stretched over three months of one-on-one partnerships, offering:

    • Shadowing and Pit Visits: visiting partners get the chance to learn by shadowing their chairholder partner in the Broadway orchestra pit.
    • Facilitated Workshops: visiting partners get access to in-person workshops with various guest speakers ranging from Broadway music directors to chairholders. These workshops provide a greater context to the complex working environment on Broadway and also offer critical networking opportunities.
    • Final Project: a hands-on playing experience between Broadway chair holders and visiting musicians to demonstrate their playing skills after learning a Broadway book.

    The program is open to all professional musicians in the New York City area from groups which have been historically underrepresented in musical theater. For more information about BMEP, visit their website.

  • Blues Traveler Fall Tour Includes Upcoming Show in Port Chester

    Grammy Award-Winning Rock Band, Blues Traveler has announced their upcoming Fall 2023 Tour and plans on stopping at the Capitol Theatre in Port Chester on October 26.

    Blues Traveler is an American rock band that originally formed in 1987 in Princeton, New Jersey. Best known for blues alternative rock music they have become an influence to the reemerging jam band scene since the 1990’s. Members include singer John Popper, guitarist Chan Kinchla, bassist Bobby Sheehan, drummer Brendan Hill and keyboardist Ben Wilson. The band experienced commercial success in the modern rock community after releasing the top hit “Run-Around” and hit the Billboard Top Ten in 1995 later going platinum six times while also receiving The Best Traditional Blues Album Grammy Award for album “Traveler Blues” in 2022.

    Blues Traveler is proud to announce the upcoming Fall Tour, the band plans to perform a variety of hit singles over the span of three decades of music release. As well as new songs from the forthcoming album “Travelers Soul” which marks their 15th album drop. Accompanying Blues is special guest, American songwriter and singer Jono Manson

    For more information Blues Traveler Fall Tour 2023

    Oct 19              Rocktoberfest at MCAS Cherry Point                              Cherry Point, NC

    Oct 20              Sweetland Amphitheatre                                                LeGrange, GA

    Oct 21              Deep Roots Festival                                                      Milledgeville, GA

    Oct 23              West Virginia University-Creative Arts Center                  Morgantown, WV

    Oct 25              Santander Performing Arts Center                                  Reading, PA

    Oct 26              The Capitol Theatre                                                      Port Chester, NY

    Oct 27              Grunin Center For The Arts                                            Toms River, NJ

    Nov 3                Crystal Grand Music Theatre                                         Wisconsin Dells, WI

    Nov 9                Manchester Music Hall                                                  Lexington, KY

    Nov 11              Brown County Event Center                                          Nashville, IN 

    Nov 12              SKYPAC                                                                      Bowling Green, KY

    Nov 14              Tannahill’s Tavern & Music Hall                                      Fort Worth, TX

    Nov 16              Downstream Casino Resort                                           Quapaw, OK 

    Nov 17              Oaklawn Racing Casino Resort                                      Hot Springs, AR

    Nov 18              IP Casino Resort & Spa                                                 Biloxi, MS

    Nov 20              Montgomery Performing Arts Center                              Montgomery, AL 

    Nov 21              Ryman Auditorium                                                        Nashville, TN 

  • Tedeschi Trucks Band Announces Garden Parties Special Guests

    The Tedeschi Trucks Band has announced the special guests joining them on their “Garden Parties” short run at TD Garden in Boston and Madison Square Garden.

    Tedeschi Trucks Band is a Grammy Award-winning 12-piece rock and soul powerhouse, led by the husband/wife duo of guitarist Derek Trucks and singer/guitarist Susan Tedeschi. They are known for their world-class musicianship and contemporary blend of a wide range of American musical influences. The band continues to tour in support of I Am The Moon, their acclaimed fifth studio project which “explodes with joyful, powerful and positive music” (Guitar Player). The album was made off the road during the pandemic and includes four albums released over the summer of 2022.

    Since forming in 2010, the band has traveled countless miles to bring their music to fans all over the world, from sold-out multi-night residencies across America to tours through Europe and Japan, and their flagship annual summer amphitheater tours. Their extensive catalog isn’t geared towards one genre, spanning rock, blues, jazz, and even country, and no setlist is ever the same.

    Credit: David McClister.

    The band announced that joining the show at TD Garden in Boston, MA on Sept. 27 is Warren Haynes, and Trey Anastasio & Norah Jones at Madison Square Garden on Sept. 29. The opener for these performances will be fellow Grammy Award-winner, Lukas Nelson & Promise of the Real. Derek Trucks said “We’re excited and honored to throw these Garden Parties with our good friends. Both venues are hallowed ground, so collaborating with great artists that we have a shared history with makes it that much sweeter. It’s going to be a blast!”

    To purchase tickets, visit here.

    2023 Tour Dates

    9/22 – Reading, PA – Santander Arena

    9/27 – Boston, MA – TG Garden^ 

    9/29 – New York, NY – Madison Square Garden^

    11/6 – New Orleans, LA – The Big Easy Cruise

    ^Lukas Nelson + POTR

  • Mondo.NYC Announces Inaugural AI Track at Williamsburg Hotel

    Mondo.NYC, the annual global business summit and showcase music festival held in New York from Oct. 10-13, announced the agenda for its new AI track, consisting of ten-panel sessions at the Williamsburg Hotel.

    A highlight of this track will be Mondo.NYC’s first-ever AI Hub, hosted by SingularityNET, a day-long immersive experience held in the hotel’s iconic Water Tower on Tuesday, October 10. SingularityNET was founded by Dr. Ben Goertzel with the mission of creating a decentralized, democratic, inclusive, and beneficial Artificial General Intelligence.

    Mondo.NYC’s inaugural AI track will cover the most important topics and trends in the AI and music space, including AI sourcing, ethics, AI artists, creator tools, using AI safely, and AI’s opportunities and challenges. In addition to the AI track, Mondo.NYC 2023 will also feature programming focusing on topics including the state of the industry, management, music tech, gaming, policy, finance, investment, creation and production, touring, and more.

    Amidst the ever-evolving issues facing the music business, AI has emerged like no other, roaring into our collective consciousness, capturing the attention of thought-leaders across the industry spectrum who are seemingly – and often simultaneously – cheering its potential for good and decrying its potential for disaster. We can’t wait for Mondo attendees to experience the latest in all things AI from the top minds in our industry and start conversations that will reverberate throughout the music business long after Mondo.NYC 2023 ends.

    Bobby Haber, Managing Director of Mondo.NYC

    See the complete agenda here. Mondo.NYC tickets are available here.

    Panel Agenda & Speakers – More to be announced

    Tuesday, October 10, 2023

    1:00 PM – AI: Opportunity or Apocalypse?

    Speakers:

    Moderator: Albhy Galuten, Senior Fellow, Intertrust Technologies

    David Hughes, Principal, Hughes Strategic

    Dr. Martin Clancy, PhD, Founder & CEO, AI:OK

    Albhy Galuten and others will discuss the opportunities and challenges associated with artificial intelligence in the music ecosystem. Is it just another invention like the synthesizer or electric guitar, or is it the end of life (and income) as we know it for musicians and writers?

    3:00 PM – Days of Future Passed: Disruptive Technologies and the Music Industry

    Speakers:

    Bill Rosenblatt, President, GiantSteps Media Technology Strategies

    Howie Singer, Adjunct Professor, NYU Music Business

    If you want to predict how new technologies such as AI and social video will change the music industry, one way is to analyze how previous innovations impacted the business. Howie Singer and Bill Rosenblatt, authors of the new book Key Changes: The Ten Times Technology Transformed the Music Industry, look at lessons from historical developments over more than a century to help us predict how the latest disruptive technologies will shake up the music business.

    4:00 PM – Sync Re:Defined – Re:Designed – Re:Imagined

    Speakers:

    Moderator: Justin Gray, CEO/President, Songistry Inc.

    Music supervisors, songwriters, labels, and publishers all have differing opinions about the benefits of AI and its long-term effect on creativity and job security. Come see how Songistry is using AI to completely reshape how music is managed, discovered, pitched, and licensed.

    5:00 PM A Whole New Ecosystem: Creating & Releasing New Music with AI

    Speakers:

    Moderator: Sean Glover, Director of Industry Engagement, SoundExchange

    The co-writer of your artist’s next big hit or the reason you debut on the charts could be AI. With endless ways artists can collaborate and access beats, samples, tracks, and more, we are living in an age of true musical exploration and innovation. The experts on this panel are one step ahead, leveraging these tools or building them, and will dig into how they create and how they release new music into the world.

    Wednesday, October 11, 2023

    12:00 PM – Beyond the AI Boogeyman: Trust & Safety in the Modern Music Industry

    Speakers:

    Christine Barnum, Chief Revenue Officer, CD Baby

    The critical conversation around trust and safety in music’s digital marketplaces has never been louder, but as each business lays out its own position, how can the industry align to formulate a collaborative approach to a nuanced issue? In this discussion, our panel will focus on the impact of streaming fraud, how a proactive approach to trust and safety is necessary, and why AI=Fraud isn’t the nuanced understanding the industry needs to progress.

    2:00 PM – AI Alchemy: The Future of Creator Tools

    Speakers:

    Moderator: Daniel Rowland, Head of Strategy and Partnerships, LANDR

    Matan Kollenscher, CEO, MyPart

    Rachel Lyske, CEO, DAACI

    Yotam Mann, Musician & Software Maker

    AI is becoming increasingly good at not just prompt-based generation of full songs, but one-shot samples, loops, and even presets for digital instruments, along with composition assistance, mixing, mastering, and other workflow enhancements. But most popular music production software has few – if any – AI features. Will the old guard adapt, or will we see a surge in the popularity of fresh, AI-native creator tools?

    3:00 PM – The Artist as API: The Next Level of Fan Engagement

    Speakers:

    Moderator: Daniel Rowland, Head of Strategy and Partnerships, LANDR

    Seth Goldstein, General Counsel and Vice President, Business & Legal Affairs, Moises.ai

    Stefan Heinrich, Co-Founder & CEO, MAYK Inc.

    Outside of using AI in their own productions, some artists are offering fans AI models of their sound, likeness, and voice. Is this the future of fan engagement, brand building, and collaboration at scale?

    4:00 PM RIAA Presents The End of Reality: AI and the Future of Music…

    Speakers:

    Moderator: Jem Aswad, Executive Music Editor, Variety

    Dr. Moiya McTier, ExplAIner-in-Chief, Human Artistry Campaign

    Jonathan Taplin, Director Emeritus, Annenberg Innovation Lab, University of Southern California

    Jessy Wilson, Songwriter & Recording Artist

    Variety Executive Music Editor Jem Aswad leads a discussion with USC Annenberg Innovation Lab Chairman Emeritus Jonathan Taplin, author of The End of Reality; Grammy-nominated songwriter and recording artist Jessy Wilson; and noted scientist, author, and storyteller Dr. Moiya McTier for their expert perspectives on AI, innovation, and the future of the music business.

    5:00 PM – The Well-Trained Model: Ethically Sourced AI for Artists

    Speakers:

    Moderator: Daniel Rowland, Head of Strategy and Partnerships, LANDR

    Chris Horton, SVP Strategic Technology, Universal Music Group

    Stefan Lattner, Research Leader, Music Team, Sony Computer Science Labs

    Joe Lyske, Inventor and Co-Founder, Mashtraxx Ltd.

    How does an artist know what dataset the AI tool they are using was trained on, and whether their own music was used? A discussion of how AI is trained and the future of attribution and compensation for artists.

    Friday, October 13, 2023

    1:00 PM – Ain’t Nothing Like the Real Thing: Hot Topics in Generative AI in the Music Industry from Neural Networks to Fake Drake

    Speakers:

    Moderator: Phil Hill, Special Counsel, Music Industry Practice, Covington & Burling LLP

    Chris Horton, SVP Strategic Technology, Universal Music Group

    Shannon Sorensen, SVP, Legal and Business Affairs, National Music Publishers’ Association

    Generative AI has been the hottest topic in the last several months from board rooms to dinner parties. Our panel will discuss this new technology’s impact on the music industry and will address topics such as copyright, rights of publicity and privacy, contracts and licensing, and overall policy.

  • Manhattan’s Midnight Theatre Announces Official Opening Week

    A year since its inception, Midtown Manhattan’s Midnight Theatre has announced its Grand Opening date of September 22. For the official opening, the Dolphin Entertainment, Inc. investment rolled out a robust lineup of resident acts and concepts for the 2023-24 season.

    The announcement includes an official Opening Week, showing off numerous acts from Monday, September 18.

    Midnight Theatre

    The official Opening Week kicks off on Monday, September 18 with The Moth StorySLAM, an open-mic storytelling competition, which will continue to be featured each month.

    On Wednesday, September 20, the talented Freestyle+ will put on an interactive showcase, celebrating hip-hop with some of New York’s top improv performers. 

    Midnight Theatre

    Thursday, September 21 will feature Samantha Bee’s Wits End, a star-studded live trivia game show hosted by Adam Kesner with Kenice Mobley. 

    Friday night’s opening party at the Midnight Theatre will host Dez Duron, frontman of NBC’s The Voice, showcasing his signature sound with hits from American songbook classics to genre-bending performances.

    Special guests throughout the week will include David Cross and Eugene Mirman.

    Tickets are available here.

  • Listen to Stephen Artemis Jr.’s Americana Ballad “Pale Blue”

    Indie rock singer-songwriter Stephen Artemis Jr. announced his new single, “Pale Blue,” released on September 15. The new track is a classic American murder ballad, as Artemis channels country, rock, and indie veins to fuse his newest release.

    Stephen Artemis Jr

    “Pale Blue” is a lively Americana track from Artemis, showing his signature harmonica skills and a strong following melody. It has a full, busy arrangement, which is not to it’s detriment, but instead emphasizes the pressure and drama of the murder ballad storyline. With inspiration of dark, true crime media, Stephen Artemis Jr. creates a searing look into Americana folk-rock tunes and steadily marks his place among them.

    I really like true-crime podcasts. I watched way too much true-crime TV over the pandemic, so I think that’s how the song’s concept crept into my brain. I wanted to test myself to see if I could write something dark, like a true-crime podcast, but in my preferred medium; music’s version of true-crime is “the murder ballad” and Americana music is particularly rife with that type of song, but I felt that nobody had written a proper murder ballad in a long time.

    Stephen Artemis Jr.

    No stranger to the New York music scene, Stephen Artemis Jr was born and raised in New York’s Capital Region. In 2006, he moved to New York City and now operates out of Brooklyn. As a former member of Brooklyn-based The Falling Birds, Artemis now leads his own solo project, with two albums under his belt so far. “Pale Blue” marks the beginning of his new project, with more announcements to come.

    “Pale Blue” is available on streaming services and for download on BandCamp. Find more information and announcements to come at stephenartemis.com.

  • In Focus: Pavement at Brooklyn Steel

    Monday, September 11 saw indie-rock legends Pavement perform at Brooklyn Steel for the first of four shows, amid a reunion tour that has stretched on since 2022 and is wrapping up with a performance at The National’s Homecoming Festival.

    Pavement Brooklyn Steel

    Drummer Steve West welcomed the crowd, saying, “Hi, we’re the Pavement Band,” setting a tone for the night, kicking off with “Heckler Spray” off 1993’s Westing (By Musket and Sextant). The lengthy first set included “Embassy Row,” “Kennel District,” “Gold Soundz” and “Serpentine Pad,” closing out the show with “Major Leagues.”

    Prior to the three-song encore, frontman Stephen Malkmus thanked the audience and the openers for the evening, Kiwi Jr, from Toronto, joking with the fans and thanking them for coming to see ‘some washed up losers.’ The band wrapped up the show with “Father to a Sister of a Thought,” “Cut Your Hair,” and “Stop Breathin.”

    Pavement – Brooklyn Steel, Brooklyn – Monday, September 11, 2023

    Setlist: Heckler Spray, Feed ‘em to the (Linden) Lions, Embassy Row, Starlings of the Slipstream, Perfume-V, Kennel District, She Believes, Gold Soundz, Black Out, Silence Kid, Serpentine Pad, Folk Jam, Spit on a Stranger, We Dance, Box Elder, The Hexx, Painted Soldiers, Harness Your Hopes, fight This Generation, Shoot the Singer (1 Sick Verse), Debris Slide, Type Slowly, Major Leagues

    Encore: Father to a Sister of Thought, Cut Your Hair, Stop Breathin

  • Starcatcher World Tour: Greta Van Fleet Masters Madison Square Garden

    A sound must have life, be huge, take up space and matter in order to play at Madison Square Garden. On the New York City night of September 12th, Greta Van Fleet’s “Starcatcher World Tour” watered The (sold out) Garden for the very first time. “The world’s most famous arena” is a sort of heaven’s gate for any name in the music industry. The name Greta Van Fleet rolls right off the tongue and has proven their ability to collect a loyal fandom and climb the charts, and the key was handed over indubitably.

    Photograph by Emma Dowd

    The opener, Surf Curse, a surf-rock band born in Nevada warmed up the ever-filling crowd. After their performance, the Greta Van Fleet curtain was pulled towards the iconic barrelled ceiling of Madison Square Garden. The stage sat idle, out of sight, as the pre-show setlist began to play. An intense elongated intro score played between the sets. Violins and percussion sewed together to form a melody of a sort of Nordic folk music – it was a fail-safe adrenaline amplifier.

    Greta Van Fleet is a transcending rock band from Frankenmuth, Michigan. The group was fortified by three brothers, twins Josh Kiszka (lead vocalist) and Jake Kiszka (guitarist), Sam Kiszka (bassist, multi-instrumentalist), and companion Daniel Wagner (drums and percussion). Their love for each other on stage is tangible in their embraces and sweet brotherly admiration. Their journey into stardom intensified their connection and heavily dosed confidence into their production. 

    Lights overhead shown onto the blue and white silk of the curtain, holding steady focus on Greta’s symbol. All at once the surrounding lights shut off and strobes danced across the curtain. After the hard climax of the introduction song, the curtain dramatically fell to the foot of the stage. On an elevated platform, the four-man band was revealed, posing in formation around Wagner who sat charged behind the drums. 

    Photograph by Emma Dowd

    The Falling Sky” was their first song of the evening, which proved an excellent introduction to Josh’s prodigious vocal range and the unmatchable aptitude of Jake and Sam on the strings. The song, as does most of their discography, allows for a melodic conversation to happen between the instruments. If one speaks, the other listens and responds. 

    Photograph by Emma Dowd

    As fire shot above the band and sparks spewed to the beat of the percussion, a thick heat could be felt across Madison Square Garden’s vast rows of seating. The atmosphere of the night was spawned tonally and visually, for the stage was alive with hot fashion and literal flames. Josh wore his iconic white jumpsuit with a deep chest plunge – the eccentricity of outfits is something fans look forward to and emulate themselves. The rest of the band wore tight pearly white or black trousers, beaded blazers, glorious capes and a sparkly chainmail crop-top. Josh and Daniel’s faces were painted with elegant make-up that reflected with each stroke of spotlight. 

    Photograph by Emma Dowd

    Observing Greta Van Fleet fans felt like looking into a time capsule; fashion from the sixties and seventies re-surged that evening, as people floated around in shimmering shawls and exaggerated bell-bottoms. They thrusted upon the barricade, extending their hands towards the glimmering band members as if they were reaching for grace. It’s fascinating at concerts, how the crowd reacts physically. It’s as if the sound alone isn’t enough. Their physical bodies need something to touch to hold, because the viscerality of digesting music feels too far out of body at times. 

    Photograph by Emma Dowd

    The stage set-up served as a playground for Greta Van Fleet. The band members ran around shoeless, bounded into the air mid guitar riff, rattled their bodies to the beat of their music. Two catwalks extended into the general admission pit. There Jake and Sam took turns running out towards the edge with their instruments slung precariously over their shoulders. Multiple impressive guitar solos took place all across the stage, for their motion was fluid.

    Photograph by Emma Dowd

    After their first couple of songs, Josh left the stage for an outfit change. He came back adorned in a navy velvet jumpsuit to match the next few songs of the setlist. The fashionable theatrics complimented their artistry greatly. They performed “Meeting The Master,” “Heat Above,” and Josh’s favorite song on their discography, “Highway Tune.” Madison Square Garden has never been louder than it was during the final chorus of “Highway Tune.” Singing along required guttural yelling of high energy.

    Josh Kiszka is a special voice in the current of music. He is the birth of something new while being a timeless looking-glass through the past of rock n’ roll. He has the confidence of Freddie Mercury. He has the celestial coolness of David Bowie. He has the hypnotic stage presence of Stevie Nicks. Most impressively, he has the raw range of Robert Plant. Though, comparing him to anyone feels sinful, for he and his band are carving their own realm of rock. He is the starcatcher, an earth-rocker.

    Photograph by Emma Dowd

    The transition out of “Highway Tune” turned into a drum solo by Daniel Wagner. He played with speed, edging a climax for five minutes but never finishing out the song. His intensity cooked a sweet tension in the arena, and the audience ate it up. The stamina he displayed informed the genius of their production; none of their songs ever want to end.

    Photograph by Emma Dowd

    Towards the finish of Wagner’s solo, the rest of the band made their way to the polar side of The Garden and crowded on a small platform with their instruments. Everyone in the standing audience shifted their attention and migrated to huddle at the base of their bare feet. The next two songs, “Waited All Your Life,” and “Black Smoke Rising” were played with the keys, an acoustic guitar, and a ginormous mandolin.

    After entertaining the petite B-stage for a short while, the band was escorted by security back to the main stage. A security guard carried Josh on his shoulders while Josh tossed white roses into the understandably feral crowd, while Jake, Sam, and Daniel tossed flowers on the opposite side of the arena. 

    Photograph by Emma Dowd

    Josh reappeared in a new jumpsuit patched with the sun and the moon. As the end of the show neared, the stakes rose. Flames reclaimed the stage, and the lights seared red. Jake took to his guitar with an impressive attack, riffing over his head and behind his back. The songs “Sacred The Thread” and “The Archer” played with the elements on stage, a thick smoke bellowed into the audience. As special as witnessing Greta Van Fleet at Madison Square Garden was, it felt like one should see them in the red dust swells of Utah, or in a spanning field with no end – some place where Earth becomes indistinguishable from the rest of the universe and all that matters is a sound. 

    Once “The Archer” came to a close, the band briefly waved goodbye and trotted backstage. No encore plea has ever been louder. The audience roared as one collective voice, pleading from their hearts for a return. It wasn’t long before the lights danced back to life, and the band returned in one final outfit change. Josh wore a sun pantsuit with a lavish cloak while the rest of the band seemed to lose articles of clothing, their hair a mess and eyes wild. 

    The key-in note of “Light My Love,” one of the band’s most successful releases, elicited a collective emote from the audience. When the second chorus blasted through the arena, sparks shot up from the stage once again. The lights stemming from the center-roof projected the colors of the rainbow, and a sea of pride flags popped up above heads in the crowd. It was a glorious moment of peace and celebration.

    Photograph by Emma Dowd

    Their final song, “Farewell For Now,” was the perfect send-off. It was an ode to The Garden, a praise for the fans. The lyric: “Tonight, it’s all for you,” felt personal and honest, as the members of Greta Van Fleet looked out into the cellular starlights with awe painted blush across their faces. Once the song concluded, they gathered where they started, around Daniel and his drums to take a bow. Unable to contain their thrill, they bounced off each other as they left the stage.

    Photograph by Emma Dowd

    It was jarring, while fans began to file out of the venue with stunned looks, to remember that Madison Square Garden is in the heart of Midtown Manhattan. While Greta’s performance unfolded and wrapped itself up again, the clamoring chaos of New York City persisted all around. I’m sure the magic could be felt radiating down the avenues.

  • Cold War Kids Share Emotional Single, Announce Headline Tour Coming to Webster Hall

    Cold War Kids have announced their new single “Another Name” off of their upcoming record Cold War Kids, their tenth record. The group also announced a headline tour in support of the record, with two nights at NYC’s Webster Hall.

    Cold War Kids from California is made up of Nathan Willett (vocals, piano, guitar), Matt Maust (bass guitar), David Quon (guitar, backing vocals), Matthew Schwartz (keyboards, backing vocals, guitar, percussion), and Joe Plummer (drums, percussion). Since its inception nearly two decades ago, the group has garnered over one billion streams, adding to its eclectic catalog with its newest endeavor Cold War Kids.

    “The band started out with four guys who have very specific tastes and styles, and now it’s mostly me making the records in a way I love and have always envisioned,” Willett says. “The sound of Cold War Kids has always been there, and I wanted this record to be the ideal, best version of all those things we’ve always been.” Instead of just releasing a five-song EP or an entirely different record, Willett took a breather and contemplated how the record should sound, infusing it with meaningful discourse about his life, and the state of the world.

    The aptly self-titled result is perhaps the strongest and most well-rounded record Cold War Kids has ever produced. They previously shared their current single “Run Away With Me” which debuted at #33 on the AltRock charts. With its funky groove and huge chorus, the track sets the tone for the LP as a whole, featuring 12 high-minded, stylistically diverse songs referencing everything from Curtis Mayfield to the Pretenders and Elton John to Happy Mondays and Gang Of Four. They also released “Double Life,” which American Songwriter called “an energetic, shoulder-shaking new single.” 

    The album draws inspiration from the band’s blues-and-soul-driven past as well as fresh dance beats and 80s pop/rock. The themes of the record speak about Willett’s introspective state of mind and his reality. The newest single “Another Name” is an emotionally driven track, slow and melodic, speaking of heartbreak in a tear-jerking way.

    This summer Cold War Kids were on the road as the direct support for Tears For Fears. Now, they are excited to announce a North American headline tour in support of Cold War Kids with dates kicking off in January. They will play at New York City’s Webster Hall on March 1 and 2. Tickets are on sale Friday, Sept 15th at 10 AM local time.

    Cold War Kids tour dates

    1/31 – San Francisco, CA – The Fillmore^

    2/01 – Portland, OR – McMenamins Crystal Ballroom^

    2/02 – Vancouver, BC – Vogue Theatre^

    2/03 – Seattle, WA – Moore Theatre^

    2/05 – Boise, ID – Knitting Factory^

    2/06 – Bozeman, MT – The ELM^

    2/08 – Aspen, CO – Belly Up Aspen^

    2/09 – Denver, CO – Gothic Theatre^

    2/10 – Denver, CO – Gothic Theatre^

    2/13 – Tulsa, OK – Cain’s Ballroom^

    2/15 – Dallas, TX – House of Blues^

    2/16 – Houston, TX – House of Blues^

    2/17 – Austin, TX – Stubb’s Waller Creek Amphitheater^

    2/23 – Chicago, IL – The Salt Shed#

    2/24 – Minneapolis, MN – First Avenue#

    2/26 – Cleveland, OH – House of Blues#

    2/27 – Toronto, ON – The Phoenix Concert Theatre#

    2/28 – Boston, MA – House of Blues#

    3/01 – New York, NY – Webster Hall#

    3/02 – New York, NY – Webster Hall#

    3/03 – Philadelphia, PA – The Fillmore#

    3/05 – Washington, DC – 9:30 Club#

    3/08 – Raleigh, NC – The Ritz#

    3/09 – Atlanta, GA – Buckhead Theatre#

    03/15 – Roseville, CA – Goldfield Trading Post*

    03/16 – Santa Cruz, CA – The Catalyst*

    03/18 – San Diego, CA – The Observatory North Park*

    03/20 – Los Angeles, CA – The Fonda Theatre*

    03/21 – Los Angeles, CA – The Fonda Theatre*

    03/23 – Pioneertown, CA – Pappy + Harriet’s*

    ^ – Hovvdy support 

    # – Joe P support 

    * – TBA support