NYS Music 2023

Category: NYC Metro

  • Brooklyn Conservatory of Music’s Annual HOUSE PARTY: A Night of Music, Fun, and Fundraising

    Get ready for a musical extravaganza as the nonprofit Brooklyn Conservatory of Music hosts its eighth annual HOUSE PARTY on Thursday, November 9, from 6 PM to 10 PM. This unforgettable event will transform the Brooklyn Conservatory’s Park Slope Victorian Mansion into a vibrant celebration of music, featuring 20 musical acts spread across indoor and outdoor stages, spanning all five floors of this historic venue.

    Courtesy of Brooklyn Conservatory of Music

    The HOUSE PARTY isn’t just about music and revelry; it’s a night with a cause. This event raises funds to support the Brooklyn Conservatory of Music’s vital music education and music therapy programs that serve communities throughout New York City to bring high-quality music education and music therapy to thousands of students and clients at public schools and community-based organizations across the city’s five boroughs.

    The event is scheduled for Thursday, November 9, 2023, starting with a pre-party at 6:00 PM, followed by the main event from 7:00 PM to 10:00 PM and an after-party at 10 PM, all taking place at the Brooklyn Conservatory of Music, situated at 58 Seventh Avenue in Park Slope, Brooklyn, 11217.

    The HOUSE PARTY boasts a spectacular lineup of musical acts, featuring renowned artists such as DJ Spinna, Martha Redbone, Red Baraat, The Brothers Footman, Brass Queens, Duchess, Kiran Ahluwalia, and many more. It’s a diverse and eclectic musical journey that will keep you entertained throughout the evening.

    The Brooklyn Conservatory of Music is on a mission to transform lives and build community through the power of music. They offer private music lessons, group classes, ensembles, and music therapy, all within the welcoming confines of their Park Slope home. Through community engagement programs, they bring high-quality music education and music therapy to students and clients across New York City’s five boroughs. The Brooklyn Conservatory of Music is committed to creating a safe, affirming, and inclusive space where people from all walks of life can come together to experience learning, joy, creativity, and healing through music.

    Support this fantastic cause, enjoy a night of incredible music, and be part of a community that believes in the transformative power of music. Tickets for this one-of-a-kind soirée are on sale now. Don’t miss the opportunity to be part of what many have called “the best party in Brooklyn.“

  • Catch the Dreamy Track “Don’t Throw Your Words” From Brooklyn-Based Like A Doll

    Like A Doll, Brooklyn’s music project from musician Emma Stacher, shared their brand new track, “Don’t Throw Your Words,” from their upcoming self-titled album. The record is set to release on November 10, with a release party that night at Alphaville in Bushwick.

    Single art for Don't Throw Your Words

    “Don’t Throw Your Words” is a hypnotic, insistent track that truly evokes the band’s dollhouse aesthetics. The dreamy vocals and recurring guitar riff create a stirring aura, repeating the lyrics “Don’t throw your words out.”

    This feels like an anthem to believe in yourself. It jolts you from slower to faster and swings to reflect the back and forth of birthing self-confidence. The lyric ‘Don’t throw your words out’ repeats in the chorus with the overall message emphasizing how important our thoughts and voices are.

    Emma Stacher, vocalist, guitarist, and leader of Like A Doll

    Like A Doll was created by Emma Stacher, who rallied a group of childhood friends to comprise the project’s live band: Isabella Dafonseca and Gabriel Paiano on drums, Daniel Barbrack on bass/synth, Adrian Dilulio on guitar, and Leah Beck on synth. The group grew up together in NYC’s East Village neighborhood, parting ways for many to study music at Berklee College, The New School, and Purchase College. Like A Doll marks a new beginning for the group, but is also a reunion of old friends.

    Emma Stacher of Like A Doll

    Like A Doll’s debut self-titled album is set to release on November 10. The band will play a celebratory album release party at Bushwick’s Alphaville on November 10, alongside Noah Kesey and The Burning Sun.

  • Hearing Aide: TAUK release new LP “Equalizer”

    Long Island natives TAUK officially released their new album, Equalizer, today, October 27. This marks the band’s 9th studio record and 15th official release. 

    tauk equalizer

    This will be the band’s second official release in 2023; TAUK Moore, a joint release and collaborative LP featuring vocalist Kanika Moore, was released just four months ago in June. An electric performance with Moore at Electric Forest in 2018 sparked the flame that birthed the project and eventual record. TAUK consists of Matt Jalbert, Charlie Dolan, A.C. Carter and Isaac Teel.

    Equalizer returns to the band’s original roots; prog rock, electronic and funk influenced instrumentals. Ethereal melodies, atmospheric textures, peaking guitar solos and the addition of horns only scratch the surface of what Equalizer has to offer. Tracks like “Traverse” change time signature effortlessly, while “The Fly” returns to its central theme to bring the listener back home. A melting pot of musical ideas, instrumentation and genre are explored throughout the LP.

    Their songwriting does not follow your typical verse-chorus structure on a lot of their songs. Instead, they take the listener on a compositional journey, with each section seamlessly weaving itself into the next. 

    Photo courtesy of progarchives.com

    TAUK is currently on tour in support of their new album. Dubbed the “Equalizer Tour”, these 29 shows will feature Kanika Moore, as well as Dopapod on select dates. Although they don’t make any stops in New York this time around, you can catch them on the East Coast this December. Visit taukband.com/home for more info. 

    Listen to the three singles off Equalizer below.

    Key Tracks: Melvin’s Mind, Sound the Alarm, Home of the Beast

    Equalizer becomes available on all major streaming platforms Friday, October 27.

  • Golden Era of New York Experimental Music Captured in New Book, “Transfigured New York”

    In 1980, Brooke Wentz landed her dream volunteer job as host of WKCR-FM’s late night radio show, “Transfigured Night.”  Billed as an “exploration into the world of new music,” this Columbia University broadcast allowed the then-student free reign to conduct candid interviews with dozens of avant-garde pioneers in free jazz, no wave and electronic and world music before they emerge as internationally-renowned artists.

    Transfigured New York

    Thanks to the downtime afforded this busy music executive due to the Covid lockdown, these long unheard interviews are now contained in a fascinating new book: Transfigured New York: Interviews with Experimental Artists and Musicians, 1980-1990 (Columbia University Press). Wentz’ latest writing is a virtual and very vivid time capsule of musical and artistic creation from 1980-1990 – a juncture when New York’s uptown and downtown converged to birth bold new sounds and a new generation of sonic visionaries.

    The musicians and artists tell their stories and share their thoughts about the creative process, capturing the ambition and energy that animated their work against all odds.  Legends in the making like Bill Frisell, Philip Glass, John Lurie, Laurie Anderson and Glenn Branca convey what it was like to be a struggling artist in 1980s New York, a time when the city was alive with possibilities and affordable for artists. Others who were well known at the time, including John Cage, La Monte Young and Ravi Shankar, advocate for their distinctive ideas about art and open up about their creative lives.

    Transfigured New York contains an astonishing range of interviews covering the waterfront of creative musical genres – all rescued from dusty cassettes and reel-to-reel tapes of interviews that were only heard once, at their initial airings.  Morton Subotnick, Joan Tower, Steve Reich, Joan La Barbara, Vernon Reid of Living Colour, Arthur Russell, Eric Bogosian, Bill T. Jones and many more are included.  The scene is set with a forward written by someone who was in the thick of the experimental action, former Sonic Youth guitarist Lee Ranaldo. These interviews are also accompanied by a collection of historic black & white photos, captured by renowned photographers of the era. This book is a one-of-a-kind account of one of the most exhilarating and inventive periods for art and culture in New York City’s history.

    Wentz is launching the book at a November 13 event at the home of the New York avant-garde music scene, Roulette (info here)  The event will include conversations with many of the artists profiled including Peter Gordon, Zeena Parkins, Brandon Ross, Tim Berne and Ikue Mori. Several, including Don Byron, Elliot Sharp and Shelley Hirsch, are also scheduled to perform.

    Wentz is a Billboard Music Award–winning music producer, music supervisor and founder of Seven Seas Music and The Rights Workshop.  With Seven Seas, Wentz is a key supplier of world music from 145 countries for licensing in prestige film and television productions including Anthony Bourdain: Parts Unknown. The Rights Workshop has handled music supervision for films including Melancholia and Bill Cunningham New York.  Wentz is a leading expert on music copyrights and former ESPN music director. Her other books include Hey! That’s My Music: Music Supervision, Licensing, and Content Acquisition (2007) and Music Rights Unveiled: A Filmmaker’s Guide to Music Rights and Licensing (2017).

  • The Newly Reimagined “The Who’s TOMMY” Will Open on Broadway Spring 2024

    Producers Stephen Gabriel and Ira Pittelman announce that the newly reimagined production of The Who’s TOMMY will open on Broadway March 28, 2024, with casting yet to be announced.

    Three decades after the epic pop-culture musical theatre sensation first bowed on Broadway, original Tony Award®-winning creators Pete Townshend (music, lyrics, book) and Des McAnuff (book, direction) have reunited to bring the story of Tommy Walker to today’s audiences.

    Following a critically acclaimed, award-winning run at Chicago’s Goodman Theatre (where it was the highest grossing production in the history of the Goodman), The Who’s TOMMY will open on March 28, 2024 at the Nederlander Theatre (208 West 41st Street). Preview performances will begin March 8, 2024.

    The Who’s TOMMY creative team includes choreographer Lorin Latarro (Into the Woods, Mrs. Doubtfire and Waitress); music supervision and additional arrangements by Ron Melrose (Jersey Boys on Broadway, London and National Tour); musical direction and additional orchestrations by Rick Fox (Rent, Jesus Christ Superstar); set design by David Korins (Hamilton, Beetlejuice, Here Lies Love ); projection design by Peter Nigrini (Here Lies Love, MJ and Dear Evan Hansen); costume design by Sarafina Bush (for colored girls…, Pass Over on Broadway); lighting design by Amanda Zieve (Broadway associate on Escape to Margaritaville and Allegiance); sound design by Gareth Owen (Back to the Future, & Juliet and MJ); and wig and hair design by Charles LaPointe (Hamilton, Beautiful). Casting is by Tara Rubin Casting/Merri Sugarman, CSA. Additional Chicago Casting by Lauren Port, CSA and Rachael Jimenez, CSA. Tripp Phillips is the Production Stage Manager and Bespoke Theatricals is General Manager. 

    “In many ways, I think the world has caught up to Tommy Walker, which makes it exciting to revisit The Who’s TOMMY for a new generation who, possibly more than any other, has a broad appetite for all kinds of music and story-telling.”

    Des McAnuff

    Pete Townshend (Music, Lyrics, Book) is known principally as the lead guitarist and composer for The Who, as well as for his own solo career. His career with The Who spans over fifty years, during which time Townshend wrote well over a hundred songs for The Who’s eleven studio albums, including the rock operas Tommy and Quadrophenia and the well-regarded rock radio staple Who’s Next.

    From early classic singles, such as ‘My Generation’ and ‘Substitute’ to ‘Tommy’, ‘Lifehouse’ and ‘Quadrophenia’, Townshend has always been at the forefront of his profession. Though known mainly as a guitarist, he is an accomplished singer and keyboard player, and has played many other instruments (banjo, accordion, synthesizer, piano, bass guitar and drums) on his solo albums and on certain The Who albums.

    As an author, he has written Horse’s Neck, a collection of short stories (Faber & Faber, 1985); Who I Am, a memoir (Harper Collins, 2012), and his latest artistic project, The Age of Anxiety, is simultaneously a novel and a rock opera about passion and ambition, good drugs and bad drugs, and loves lost and found (the novel was published by Hodder & Stoughton, 2019).

    His numerous awards for The Who’s Tommy include a Grammy Award (1993), Tony Award for Best Score (1993), Dora Mavor Moore Award (1994) and Olivier Award (1997).

    The Who’s website

    Des McAnuff (Book, Director) is a two-time Tony Award-winning director and former Artistic Director of Canada’s Stratford Festival. He is also Director Emeritus of La Jolla Playhouse, whereas Artistic Director he staged over 30 productions of classics, new plays and musicals: Ain’t Too Proud; Summer; Doctor Zhivago; Jesus Christ Superstar; Guys and Dolls; Aaron Sorkin’s The Farnsworth Invention; Jersey Boys (Tony and Olivier Awards: Best Musical); Billy Crystal’s 700 Sundays (Tony Award: Best Special Theatrical Event); Dracula the Musical; and many, many more.

    Playbill

    “Being asked to join the creative team of TOMMY is a dream come true. It’s the OG rock musical. Des and Pete are visionaries,” said Lorin Latarro. “I’m focused on creating a contemporary movement vocabulary that feels like it could be from any era. I am interested in pushing story inside the dances, and still building to dance breaks that have high velocity. I’m also a mother and I see the domestic aspects of this family as both brutal and profound. The work of motherhood without the joy of a hug from your child is sobering.” 

    Larin Latarro’s website

    The Goodman production of The Who’s TOMMY recently won 9 Joseph Jefferson “Jeff” Awards, the most for any show this season, including Best Director for Des McAnuff and Best Production.

    TOMMY is the first musical in years to feel completely alive in its own moment. No wonder that for two hours it makes the world seem young.

    Frank Rich, New York Times 1993

    Presale for those who sign up will be available here, beginning on Wednesday, November 8 at 10:00am ET through Friday, November 10 at 9:59am.

    General Onsale begins Friday, November 10 at 10am ET. For more information, visit TOMMY’s website.

  • Psymon Spine Release Kinetic Single “Boys” Ahead of Hometown Brooklyn Show

    Psymon Spine, a Brooklyn-based alt-pop group, recently embarked on their US tour, finishing with a hometown show at Alphaville on October 26. The group recently released their newest single, “Boys,” alongside an official music video on October 10.

    Psymon Spine

    Psymon Spine developed as members Noah Prebish and Peter Spears were in college, later adding Brother Michael to the group. Vocalist and former member Sabine Holler lends her voice to the new track, “Boys,” since her relocation to Berlin during the COVID-19 pandemic.

    “Boys” is an upbeat alt-pop track, featuring a new-wave-inspired melodic riff. The track features Sabine Holler’s light yet hypnotizing vocals against a synth-heavy dance rhythm. The group cites influences such as Talking Heads, Os Mutantes, and the NYC dance music scene.

    By nature every Psymon Spine song must be a little cheeky to bypass our own self-criticism, but in reality ‘Boys’ is just a very earnest song about friendship.

    Psymon Spine
    Psymon Spine live photo Photo Credit: Alyssa Gisselle
    Photo Credit: Alyssa Gisselle

    Psymon Spine will make their way home for a show at Brooklyn’s Alphaville on October 26, as well as a show in Troy on November 8. The group will play new tracks like “Boys,” as well as hits from their most recent album, 2021’s Charismatic Megafauna. Tickets are on-sale now.

    Psymon Spine Tour

    10/13 – Madison, WI @ UW Madison

    10/14 – Northfield, MI @ Carleton College – The Cave (private event)

    10/15 – Galesburg, IL @ Knox College

    10/16 – Chicago, IL @ Color Club

    10/17 – St Louis, MO @ The Sinkhole

    10/18 – Nashville, TN @ The Basement

    10/21 – Memphis, TN @ Wiseacre Festival

    10/26 – Brooklyn, NY @ Alphaville

    11/8 – Troy, NY @ No Fun

  • Hearing Aide: MVW and Valee Bring VALEEDATION To the Rap Game

    MVW and Valee have combined their idiosyncratic styles to bring about their latest avant-garde endeavor, VALEEDATION. The join-effort sees the duo make good on years of collaborations, with their like-minded approach bringing the best out of one another. The 14-track project — exclusively produced by MVW — offers a minimal yet expressive approach to hip hop. Moreover, in a boisterous genre, Valee and MVW present themselves through a colorful-yet subtle hue.

    Valee (left) & MVW (right) bring Valeedation to the game

    After all, Valee’s unconventional style and infectious energy, along with his distinctive lyrical delivery and unwavering commitment to artistic exploration has led to his own niche existence within a fickle music indutry. Meanwhile, MVW’s expertise in contemporary classical composition is showcased as he weaves together intricate musical arrangements. All in all, their unique blend of classical-trap music is part of the connection they’ve developed through their shared artistic vision.

    VALEEDATION Review

    “The music feels like scenes in a movie more than tracks on an album, highlighted by different lighting on a thematic, subtle vibe. There is this sense of installation.”
    – MVW on VALEEDATION

    Ultimately, VALEEDATION serves as another installment in the series that is MVW’s hip hop voyage. Notably going away from contemporary rap music’s in-your-face production style — where the beats usually outshine the artist — MVW has countered with a a more subtle, complementary style. Since embarking on his hip hop journey in the fall of 2021, the former classic composer has featured a myriad of rappers on his classical-trap beats. However, none have quite meshed with his musical ethos quite like the Chicago-bred Valee.

    Comparatively, his own musical exploits have seen the former Good Music signee depart from mainstream conventions. Rather, he immerses himself in innovative aesthetics that challenge the status quo. This avant-garde approach serves as a guiding beacon for MVW. In effect, VALEEDATION offers hip hop fans a unique lens through which to navigate uncharted territories in music.

    Another key point is the continuation of MVW and Valee’s symbiotic musical relationship. With this latest effort serving as the final stamp of approval in MVW’s hip hop passport. Through 14 unique records, the duo charter through a wave of unexplored, genre-bending possibilities. Record like “Tailor Swift” and “Could Be” offer an alternative, unsaturated production style, which Valee does his best to command. All the same, songs like “Pistachio” and “Yo Yo” see the duo share the stage between MVW’s spacey prodcutions and Valee’s colorful metaphors and one-liners. Overall, the album follows a theme of internal dichotomy between conventional ear-catching tunes versus unconventional beats and flows that challenges the microwave music consumption of today.

  • Bad Religion Rocks the Paramount in Huntington, Long Island

    On the evening of Tuesday, October 24, Huntington, Long Island was treated to a blistering performance by the legendary punk rock band Bad Religion. The Paramount, a renowned venue on Long Island, was almost sold out as fans eagerly awaited a night of high-energy music and a setlist spanning the band’s impressive 40-plus-year career.

    Formed in 1980 by a group of punk rock enthusiasts in Los Angeles, California, Bad Religion has since become a driving force in the punk and alternative music scenes. Known for their thought-provoking and socially-conscious lyrics, the band has released numerous albums that have left a lasting impact on the genre. With a unique blend of punk and melodic sensibilities, they have earned a dedicated fan base worldwide. The current lineup includes Greg Graffin as the lead singer, Jay Bentley on bass, Brian Baker on guitar, Mike Dimkich on guitar, and Jamie Miller on drums.

    The October 24 show was part of Bad Religion’s 2023 North American tour, which consisted of an impressive 22 shows. This leg of the tour was set to culminate at the Starland Ballroom in New Jersey on October 29, after which the band was scheduled to take their electrifying act overseas to Argentina, Brazil, Chile, Peru, and Colombia in December.

    Bad Religion took the stage to raucous applause and immediately launched into their set. They opened with “The Defense,” and from that moment on, it was non-stop punk rock euphoria. The band expertly weaved their way through their extensive discography, performing fan favorites like “Against the Grain,” “Infected,” “No Control,” “Sorrow,” “Generator,” and many more.

    One remarkable aspect of the performance was the relentless mosh pit that raged at the center of the floor, where bodies surged and collided in a frenetic dance of exhilaration. People were continually crowd surfing, their figures soaring over the rail, borne aloft by a sea of outstretched hands. In the midst of this chaotic fervor, Bad Religion displayed their unwavering energy and enthusiasm, traits that have been the hallmark of their live shows for over four decades. Their music, often delving into pressing societal and political issues, struck a deep chord with the crowd. Fans not only sang along and shouted their approval but also joined the relentless mosh pit, passionately responding to the band’s contagious punk anthems.

    The climax of the night came with the encore, which featured one of their most iconic songs, “American Jesus.” In total, Bad Religion played an impressive 26 songs, showcasing the depth of their catalog and their enduring ability to captivate audiences.

    A special mention must be made of the opening act, Speed of Light. Comprised of a group of young, talented musicians, this band had the honor of warming up the crowd for Bad Religion. Riley Christensen, a 16-year-old prodigy, took center stage as the lead singer, bassist, and songwriter. Her older brother, Cameron Christensen, at 19 years old, played guitar, sang backup, and also contributed to the band’s songwriting. Completing the trio was Tyler Christensen, the drummer, who not only kept the rhythm but also provided backup vocals and songwriting.

    The night of October 24 at The Paramount in Huntington, Long Island, was a memorable one for punk rock enthusiasts. Bad Religion delivered a performance that not only showcased their enduring talent but also underlined the continued relevance of their music. As they continued their North American tour and looked forward to their international dates, it was clear that Bad Religion’s legacy in the world of punk rock remained as vibrant as ever. The show was a testament to the timelessness of their music, and fans left the venue with a sense of satisfaction, knowing they had been part of something truly special.

    Setlist: The Defense, Against the Grain, Past is Dead, Anesthesia, Wrong Way Kids, To Another Abyss, Fuck You, Requiem for Dissent, Infected, My Sanity, Portrait of Authority, Delirium of Disorder, No Control, Do What You Want, Recipe for Hate, We’re Only Gonna Die, Los Angeles is Burning, 21st Century (Digital Boy), Drunk Sincerity, Candidate, I Want to Conquer the World, Sorrow, You, Fuck Armageddon…This is Hell, Generator, American Jesus

  • Adam Sandler, Jon Stewart and Many More Return to Night of Too Many Stars at the Beacon Theatre – A Live Comedy Event Benefiting Autism Programs

    NEXT for AUTISM, the leading nonprofit dedicated to building national programs that enhance the lives of autistic adults, is excited to announce the return of its beloved live comedy event, Night of Too Many Stars. The comedy concert and live auction are set to captivate the audience on Monday, December 11 at the Beacon Theatre in New York City.

    This year’s lineup promises an evening filled with laughter and entertainment, featuring talented performers such as Rachel Bloom, Stephen Colbert, Ron Funches, James Austin Johnson, Chris Rock, Adam Sandler, Amy Schumer, Jon Stewart, the cast of How to Dance in Ohio, and many more exciting names yet to be revealed. This event provides an ideal opportunity for both businesses and individuals to come together, celebrate the holiday season, and make a positive impact. Group sponsorships and ticket options are available for those eager to participate in this worthy cause.

    Night of Too Many Stars was conceived by the accomplished SNL and Conan O’Brien writer/producer Robert Smigel and his wife Michelle Smigel. Their personal journey with their autistic son, Daniel, led to the creation of this event. Over the past two decades, their extended comedy family has rallied behind the cause, raising over 30 million dollars to support programs that enrich the lives of autistic individuals. These programs focus on critical areas like education, home life, employment, social interaction, health, and overall well-being. Past event luminaries include the likes of Steve Carell, George Clooney, Billy Crystal, Jimmy Fallon, Tina Fey, Tracy Morgan, John Oliver, Katy Perry, Amy Poehler, Seth Rogen, Paul Rudd, Maya Rudolph, Jerry Seinfeld, Sarah Silverman, and Ben Stiller.

    With the prevalence of autism in children now at 1 in 36, and over 5.4 million autistic adults in the United States, the mission of NEXT for AUTISM is ever more critical. Their vision is to ensure every individual, regardless of their neurodiversity, has the opportunity to lead a fulfilling and productive life. To achieve this vision, NEXT leverages the insights of both neurodiverse and neurotypical stakeholders within their team and broader network. Over time, they have funded more than 350 projects at 145 organizations across the United States, making a positive impact on the lives of over 100,000 autistic individuals.

    The event committee comprises individuals deeply committed to the cause, including Michal Shtender and Michael Auerbach, Tanja and James Dixon, Dee and Tommy Hilfiger, Dr. Jen Clark and Andy Korbak, Bellanca Smigel Rutter and Mitch Rutter, Jackie and Adam Sandler, Rena and David Schwartzbaum, Laura and Harry Slatkin, Lucia Smigel, Michelle and Robert Smigel, Tracey and Jon Stewart, and Christopher “CJ” Wallace (as of October 15, 2023).

    Tickets for this extraordinary event start at $134.55 and will be available to the general public starting at 11am ET on Friday, October 27. Tickets can be purchased via Ticketmaster.com and will also be available for in-person purchase starting on Saturday, October 28 at the Madison Square Garden, Radio City Music Hall, and Beacon Theatre box offices.

    NEXT for AUTISM is the leading nonprofit dedicated to transforming the national landscape of services for people with autism. In its 20th anniversary year, NEXT remains steadfast in its mission to revolutionize how individuals with autism thrive throughout their adult lives. This mission is accomplished through strategic partnerships with a wide range of autistic and neurotypical stakeholders, as well as national and local organizations. NEXT’s commitment is to develop national programs that enhance the lives of autistic adults, including initiatives like NEXT for DSP (Direct Support Professional) professional development training, NEXT for AUTISM FELLOWS scholarship initiative, and NEXT CONNECTS, a co-mentorship program aimed at fostering inclusion in the workplace.

  • Dmitry Wild Drops Newest Track, “Rock N Roll Is My Business”

    Dmitry Wild, a New York-based rock artist, released his newest track, “Rock N Roll Is My Business.” Following up to his 2022 album, Electric Souls, his newest track comes alongside a few recent singles.

    Inspired by an experience at a business convention, Dmitry Wild penned “Rock N Roll Is My Business” in response to a question posed to the audience, “What is your business?”. Finding himself at odds with the businesspeople and conventiongoers, he was inspired by his own answer, “Rock N Roll Is My Business.”

    Wild’s newest track exudes confidence, accompanied by ever-present horns and funky, layered vocals. He latches onto the classic rock-n-roll figurehead frame, and creates a Halloween-esque sound that solidifies his place in the rock-n-roll business.

    Dmitry Wild

    “Rock N Roll Is My Business” released following Wild’s single, “Son of a Gun,” another funky rock track with a bright, eclectic music video alongside. In addition, he released “New York Stones” in July, a rock ballad dedicated to the city of New York. Wild sings, “No matter where we go, no matter what we do, New York is in our soul, the city that gave us rock and roll.” 

    Catch Dmitry Wild at his upcoming shows in New York. He will play Woodstock’s The Colony on October 28, as well as Freddy’s Bar in Brooklyn on November 5. Finally, he will make a stop at No Fun in Albany on December 21 to close out the year.

    Dmitry Wild Upcoming Shows

    Oct 28 – Colony, Woodstock, NY

    Nov 5 – Freddy’s Bar, Brooklyn, NY

    Nov 16 – The Eight Room, Nashville, TN

    Nov 18 – Venue TBD, New Orleans, LA

    Dec 21 – No Fun, Albany, NY