Category: Central NY

  • In Focus: Legends Rise As Godsmack and Staind Rock Lakeview Amphitheater

    It was a reunion of sorts on Thursday at the Lakeview Amphitheater in Syracuse, as hard rockers Godsmack and Staind joined forces for an impressive twin bill. The pair of Massachusetts-based bands have toured extensively together since 1998.

    The tour was designed in part to celebrate the 25th anniversary of Godsmack. The band, who released Lighting Up the Sky (2023) earlier this year, has announced that this will be their last studio release, however, lead singer Sully Erna has gone on record to state the band will continue touring. Boasting an impressive resume of eight studio albums with over twenty million albums sold, the band has maintained the same four members throughout the twenty-five years of existence. Frontman Sully Erna (vocals, guitar, percussion) is joined by Tony Rombola (guitar), Robbie Merrill (bass guitar), and Shannon Larkin (drums).  

    The evening’s festivities kicked off with a thirty-minute set by Mix Master Mike. Known for his years as the turntablist with the Beastie Boys, Mix Master Mike was able to fill the amphitheater with early energy and excitement, as he played a mixture of Beastie Boys tracks along with other hit tracks primarily from the 1990s.  

    After a brief set changeover, the back side of the stage was illuminated to show various screens and projection monitors. As Staind took to the stage the screens would display cinematic-style scenes and images tying in to the songs being played. Staind launched into their new single “Lowest In Me” from their forthcoming release Confessions of the Fallen. Aaron Lewis (vocals, guitar) quickly put his signature vocals on display, showcasing one of the more familiar voices in rock music. His bandmates proved to be no slouches either, as Mike Mushok (guitars) jumped, thrashed, and head-banged throughout the set. 

    The band would perform for 75 minutes with a set that included several hit tracks from the early 2000s, such as “Outside,” “It’s Been Awhile,” “Fade,” and “Epiphany.”  As the set neared a close, the amphitheater filled with the familiar bass guitar rumble of the song “Mudshovel,” the band’s breakthrough track in 1999. This brought the crowd to their feet, singing and screaming along with Lewis, as he strutted about the stage.  

    After the set a white sheet would drape over the stage, hiding the set up behind. As it came time for Godsmack to take the stage, Mike Master Mike was projected across the screen.  Several arena rock anthem tracks were played to further build excitement. Eventually, the sheet would drop to reveal a black sheet with the familiar Godsmack sun logo. A few seconds later, and with a burst of fireworks, the headliners would take to the stage. Godsmack immediately launched into the high-energy title track of their 2018 release When Legends Rise.  

    The band would keep the energy going as they moved on to 1000hp, playing in front of a slew of flames and other pyrotechnics.  During the band’s hit track “Voodoo” the flames would again make a return, as fireballs would rise from the stage, almost as if they were dancing with the song’s cryptic rift.  As the set moved on, Larkin’s drum riser would to the front of the stage, and be joined by a second drum set. Erna would then take a seat behind the kit and the pair would then put on an impressive percussion battle on “Batalla de los Tambores.”  

    After a brief encore break, Erna would return to the stage and take a seat behind a piano. He talked about the importance of community and discussed the band’s charity, the Scars Foundation, a nonprofit organization designed to provide mental health services to local communities. Erna would then perform the beautiful track “Under Your Scars.” The song not only showcased Erna’s talent as a songwriter but also his diverse musical ability and his strength as a person. His bandmates would then return to the stage for the evening’s final two tracks, “Bulletproof” and “I Stand Alone.”  

  • In Focus: Main Street Music Series in Cortland

    Last night marked the grand finale of the CFCU Main Street Music Series in Cortland, NY, as music enthusiasts gathered for the third consecutive weekend of unforgettable performances. The stage was set for an extraordinary night featuring local talent, multi-instrumentalist singer/songwriter, Bradford Allen, as well as the dynamic Fall Creek Brass Band. The anticipation was palpable, knowing that the night would culminate with the headlining blues sensation, Vanessa Collier, a recent 2022 BMA winner and 2023 nominee.

    Cortland CFCU Main Street Music Series at Courthouse Park

    Kicking off the evening was Upstate New York native, Bradford Allen, whose musical prowess and versatile artistry set the perfect tone for the night. Armed with multiple instruments and an enchanting voice, Allen effortlessly captivated the audience with his soulful melodies and heartfelt lyrics, it was no surprise that his set was an expertly crafted blend of musical brilliance that left the crowd wanting more.

    Sunset over Courthouse Park – Main Street Music Series

    Following Allen’s memorable performance, the Fall Creek Brass Band took to the stage. Fall Creek Brass Band’s roots run deep, having formed over a decade ago at Dryden High School. From those early days to the present, they have remained an integral part of the local music scene, gracing stages at various festivals and shows. Their opening set was an explosion of energy, as the Fall Creek Brass Band’s infectious rhythms and soulful melodies got the audience grooving from the first note. Their performance was a testament to the power of homegrown talent, leaving no doubt that they are destined for even greater heights in the future.

    Fall Creek Brass Band

    Finally, the moment everyone had been waiting for arrived. Blues sensation Vanessa Collier is up next. A true force to be reckoned with, Collier took the stage by storm, exuding charisma and musical finesse from the very first note. Her award-winning talent and undeniable stage presence immediately earned the adoration of the crowd. As a recent 2022 BMA winner and 2023 nominee, her extraordinary musicianship was on full display. With her saxophone in hand and a voice that could move mountains. Collier delivered a spellbinding performance that transcended genre boundaries.

    Vanessa Collier

    As the night drew to a close, and the echoes of Vanessa Collier’s final notes lingered in the air, the crowd erupted in applause and cheers, showing their deep appreciation for the unforgettable performances of the CFCU Main Street Music Series. The three-weekend extravaganza had been a resounding success. Showcasing not only local talent but also bringing the community together and leaving everyone looking forward to next year.

    Fall Creek Brass Band
  • In Focus: Matchbox 20’s Slow Dream Tour stop at St Joseph’s Lakeview Amp

    On July 29, Matchbox 20 brought their Slow Dreams Tour to St. Joseph’s Lakeview Amphitheater in Syracuse. Filled with incredible performances, unexpected weather, and a dedicated crowd of passionate fans who weathered the storm and years of rescheduled show dates to witness their favorite band live on stage.

    Matchbox 20, photo by Allison Marie

    The evening began with an opening set by the talented Matt Nathanson, who wasted no time in captivating the audience with his infectious energy and witty banter. Despite the pouring rain that persisted for hours before the show, Nathanson’s performance had the crowd laughing and singing along, setting the perfect tone for what was to come. As the night continued, the weather may have been colder than the high heat we’ve been experiencing, but the excitement and anticipation in the air were palpable. For More on Matt Nathanson, click here.

    Slow Dream Tour opener, Matt Nathanson

    Matchbox 20 fans, who had been eagerly waiting for this concert were finally getting their chance to see their beloved band in action. Rob Thomas and the band wasted no time in delivering hit after hit, taking the crowd on a nostalgic journey through their iconic discography.

    Matchbox 20

    The band’s powerful presence on stage, combined with their genuine interactions with the audience, created a connection that went beyond the rain and cold, making it a truly magical experience for all in attendance.

    Rob Thomas of Matchbox 20 performs, Real World at St Josephs Lakeview Amp on Saturday July 29, 2023

    As the concert came to an end, the cheers and applause echoed through the amphitheater, reflecting the collective appreciation for Matchbox 20’s extraordinary performances of their iconic hits.

    Setlist: Friends, How Far We’ve Come, Real World, Disease, Wild Dogs, She’s So Mean, All I Need, If You’re Gone, Mad Season, Don’t Get Me Wrong, Overjoyed, The Way, Downfall/Knocking On Heaven’s Door, Bent, Back To Good, Long Day, Rebels
    Encore: 3AM, Unwell, Push, Bright Lights
    Encore 2: Don’t You Forget About Me.

    For More on Matchbox 20, click here.

    Matt Nathanson
  • Seedstock Music Festival Lineup for this August

    Seedstock Music Festival has recently announced its schedule for the 2023 festival on Aug. 12 in Cortland, NY. The festival is returning to its roots with a one-day festival after its 2020 and 2021 absence due to the COVID-19 pandemic.

    Credit: Seedstock Music Festival

    For over two centuries the Reed family farmed among the hills near Cortland, and for over a century, that farm was known as Reed’s Seeds. When a group of friends moved in to the property, the owners Don and Carol Reed had only one rule: if the boys ever threw a party, they better be invited.

    That year in 2008 was the very first Seedstock Festival, owing its name to the farm itself. It would grow from a one-day party with a handful of local bands to a three-day festival with two dozen bands and a thousand people. After its absence in the pandemic, Seedstock returned to a one-day party for 2022’s show and the upcoming 2023 show.

    While food is available on the property throughout the day, it is a BYOB event. Glass bottles are not allowed, and all recyclables with deposits are gathered. The money from this is donated to the Cortland Youth Bureau for their music program.

    Festivities are divided between the Backyard Stage and the Forest Stage, with 13 bands in attendance for the 2023 Seedstock Music Festival. The gates open at 10:00 a.m. and the first performance begins at 11:00 a.m. on the Backyard Stage.

    Credit: Seedstock Music Festival

    Backyard Stage

    Corey Paige – 11:00 a.m.

    Raedwald Howland-Bolton – 11:45 a.m.

    Miss Tess – 1:15 p.m.

    Mike Powell & the Echosound – 3:15 p.m.

    Fall Creek Bass Band – 5:15 p.m.

    The Unknown Woodsmen – 7:30 p.m.

    Digger Jones – 9:00 p.m.

    The Unknown Jones – 10:30 p.m.

    Forest Stage

    Brad Allen & Casey Widger – 12:30 p.m.

    People People – 2:15 p.m.

    Metasequoia – 4:15 p.m.

    The Rollin’ Rust – 6:15 p.m.

    DJ KIDD & SYDCHIK – 11:45 p.m.

    More information on the bands and the festival, as well as tickets, are all available on the Seedstock Music Festival website. Tickets are in high demand with a limited quantity, and any remaining tickets will be sold at the gate. Children 12 and under receive free admission.

  • Five Can’t Miss Shows In Syracuse In August

    August in Central New York is lauded by many in the area as “State Fair Season.” While the New York State Fair once again boasts an impressive musical lineup, there are plenty of other great performances to take in this month leading up to the fair.

    David Wax Museum.

    David Wax Museum – Aug. 3 at 443 Social Club and Lounge

    Described as “Mexo-Americana”, and known for blending folk and roots rock styles, the husband and wife duo bring their dynamic sounds to the 443 Social Club and Lounge on Aug. 3. The duo features David Wax (vocals, jarana) and Sue Slezak (fiddle, vocals, quijada). The band broke through in 2010 after a set at the infamous Newport Folk Fest and they have been turning heads ever since. They are currently touring in support of 2023’s release You Must Change Your Life. As an added bonus, the show takes place at the delightfully intimate 443 Social Club and Lounge, Syracuse’s favorite listening room.  

    Tickets start at $20 with music starting at 7:00 pm.

    Cooper Greer – August 4 at Tin Rooster, Turning Stone Casino

    Sweet country music sounds will echo throughout the Exit 33 music complex at Turning Stone Casino on Aug. 4, as rising country star Cooper Greer performs at the Tin Rooster. The North Carolina native has drawn comparisons to Johnny Cash, Dirks Bentley, and Chris Young. The band is currently embarking on a cross-country tour, which will also feature a stop at Binghamton’s famous Spiedie Fest on Aug. 5.  

    Music starts at 10:30 pm with a $10 cover charge.

    Frank White Experience – August 11 at Westcott Theater

    Regarded as the genre leader in hip-hop tribute bands, The Frank White Experience come to the Westcott Theater on Aug. 11. Drawing comparisons to other highly regarded tribute acts such as The Dark Star Orchestra and Badfish, the Syracuse band pays hip-hop tribute like no other, with complete live instrumentation. The set will deliver listeners a top-end tribute to 90s hip-hop pioneers such as Notorious B.I.G., 2Pac, as well as many others.  The bill also features a slew of other Syracuse talent, including Seth Marcel, Jus One, DJ Tes One, and Ivan the Great.

    Music starts at 8:00 pm with tickets starting at $20.

    The SteelDrivers – August 17 at Center for the Arts of Homer

    Nashville-based bluegrass favorites The SteelDrivers return to Central New York for a performance at the Center for the Arts of Homer on Aug. 17. Once fronted by country music sensation, Chris Stapleton, the band has released an impressive musical catalog with 2015’s release The Muscle Shoals Collection earning the band the Grammy Award for Best Bluegrass Album.

    Music starts at 8:00 pm and tickets are sold out.

    Danielle Ponder – August 30 at Chevy Court Stage, NYS Fair

    Rochester native and rising R&B star Danielle Ponder brings her soulful sounds to the New York State Fair for a free show on Wednesday, Aug. 30. Ponder, long known for her years as a social activist and for her work in the Rochester public defender’s office, has been turning heads musically since 2018 when she decided to devote herself full time to music. She is presently touring behind her latest release, Some of Us Are Brave, which was described by NPR as being “anthemic while compassionate; soulful, while bold and strong.” Ponder continues her ascent to stardom, having recently performed at the 2023 Newport Folk Festival, where she turned many heads. You won’t want to miss this one.

    Ponder takes the Chevy Court Stage at 1:00 pm and the set is included with your fair admission.

  • GWAR Performs at NPR’s Tiny Desk Concert Series, Upcoming Shows in NY

    With over-the-top costumes, a bleeding drum set, and some drawn-on abs, the heavy metal band GWAR performed for the National Public Radio’s (NPR) Tiny Desk Concert video series. The band is also to play in Syracuse on Aug. 1 as a part of “The Psychotherapy Sessions” tour.

    GWAR was originally founded in 1984, but has featured a rotating cast of musicians since then. The band orbits around their own mythos as barbaric interstellar warriors, each member wearing a costume and taking on a character. Their shows are known for violent and sexual humor, complete with displays of graphic violence with fake bodily fluids.

    Their performance at NPR and their upcoming tour coincide with the release of The New Dark Ages, the band’s latest album. GWAR’s Tiny Desk Concert featured “Sex Cow,” “I’ll Be Your Monster,” “Phantom Limb,” and “Ratcatcher,” the latter of which being a part of The New Dark Ages.

    We learned a lot from those goody-goodys at NPR. For instance, how to say…”Your support right now is vital to GWAR’s ability to bring you quality cultural and educational programming that leaves you soaked in bodily fluids and shame.” NPR can give you coffee cups and satin totes, but we can give your souls eternal torment, so give to GWAR today.

    Blothar the Beserker

    The upcoming shows for 2023 have been broken down into normal tour dates, headlining shows, and festival appearances. GWAR will be playing aside either Nonpoint, Crobot, or 200 Stab Wounds for their headlining shows, dependent on location. The band will make two stops in NYS, one in Wantagh on July 28, and the other in Syracuse on Aug. 1.

    “The Psychotherapy Sessions” Tour

    July 28 – Northwell Health at Jones Beach Theater – Wantagh, NY

    July 29 – Freedom Mortgage Pavilion – Camden, NJ

    July 30 – Xfinity Center – Mansfield, MA

    Aug. 1 – St. Joseph’s Health Amphitheater at Lakeview – Syracuse, NY

    Aug. 2 – The Pavilion at Star Lake – Burgettstown, PA

    Aug. 4 – Blossom Music Center – Cuyahoga Falls, OH

    Aug. 5 – Hollywood Casino Amphitheater – Tinley Park, IL

    Aug. 6 – Pine Knob Music Theater – Clarkston, MI

    Aug. 8 – Ruoff Home Mortgage Music Center – Noblesville, IN

    Aug. 9 – Peoria Civic Center – Peoria, IL

    Aug. 10 – Azura Amphitheater – Bonner Springs, KS

    Aug. 12 – Dos Equis Pavilion – Dallas, TX

    Aug. 13 – The Cynthia Woods Mitchell Pavilion – The Woodlands, TX

    Aug. 15 – Isleta Amphitheater – Albuquerque, NM

    Aug. 16 – Talking Stick Resort Amphitheater – Phoenix, AZ

    Aug. 17 – FivePoint Amphitheater – Irvine, CA

    Aug. 19 – Concord Pavilion – Concord, CA

    Aug. 20 – Grand Theater at the Grand Sierra Resort – Reno, NV

    Aug. 22 – White River Amphitheater – Auburn, WA

    Aug. 23 – RV Inn Style Resorts Amphitheater – Ridgefield, WA

    Aug. 25 – USANA Amphitheater – Salt Lake City, UT

    Aug. 26 – Fiddler’s Green Amphitheater – Englewood, CO

    Headlining Dates

    Aug. 21 – Knitting Factory with Nonpoint – Boise, ID

    Aug. 27 – Bourbon Theatre with Crobot – Lincoln, NE

    Aug. 28 – First Avenue with Crobot and 200 Stab Wounds – Minneapolis, MN

    Aug. 29 – Wooly’s with Crobot and 200 Stab Wounds – Des Moines, IA

    Aug. 30 – The Pageant with Crobot and 200 Stab Wounds – St. Louis, MO

    Sept. 1 – Vibes Event Center with Crobot and 200 Stab Wounds – San Antonio, TX

    GWAR Festival Appearances

    Sept. 2 – Rocklahoma – Pryor, OK

    Sept. 3 – Muddy Roots Festival – Cookeville, TN

    Oct. 26 & 27 – The Fest – Gainsville, FL

    For more on ticket information and on GWAR, check out their website.

  • In Focus: Grassroots Festival, A Memorable Celebration of Music, Arts, and Community

    From the moment you stepped foot into the Grassroots Festival grounds, you were transported to a world of creativity, community, and culinary delights. This year’s festival, held in Trumansburg, NY, was a true testament to the power of music and the arts in bringing people together for an unforgettable experience.

    Families of all ages were greeted with a plethora of arts and crafts activities that sparked creativity and imagination. From face painting and tie-dye workshops to interactive art installations and collaborative mural projects, there was something for every member of the family to enjoy. The festival organizers went above and beyond to ensure that kids and adults alike could engage in enriching and entertaining experiences, fostering an atmosphere of togetherness and joy.

    Of course, the heart of Grassroots Festival was the music, and what a lineup it was! Spread across multiple stages, bands from all corners of the US delivered electrifying performances that left the audience in awe. The Thursday night performances set the bar high, with explosive sets by performers and bands like Laila Belle, Sophistafunk, Donna the Buffalo, Maddy Walsh and Blind Spots, Laila Belle, Gunpoets, and Giant Panda Guerilla Dub Squad. Their energy and passion set the tone for an unforgettable weekend of musical journeys.

    Sophistafunk

    Friday’s lineup continued to impress, with dynamic performances by the Fall Creek Brass Band, Kevin Kinsella, Jupiter & Okwess, The Rollin Rust, Motherwort, The Mavericks, Jimkata and Double Tiger. Each act brought their unique sound and style to the stage, ensuring that every musical taste was satisfied.

    Jimkata

    Saturday was a highlight of the festival, featuring sensational performances from Rising Appalachia, Watchhouse, Sona Jobarteh, Ryan Montbleau Band, and The Comb Down. The eclectic mix of genres, from folk to world music, had the crowd dancing, singing, and swaying in harmony, creating a unified atmosphere of joy and celebration into the late night underneath the stars.

    Watchhouse

    As the festival approached its closing day, Sunday, the anticipation was palpable. A highlight moment was the Happiness Parade that made its way through the grounds. The Legendary Ingramettes delivered a powerful and soulful performance. Sim Redmond Band, DahkaBrakha, Driftwood, and the All-Star Jam with Donna the Buffalo were the perfect conclusion to a weekend filled with musical magic.

    In addition to the outstanding music, the Grassroots Festival treated its attendees to a diverse array of delectable foods from vendors representing different cuisines from around the world. From Caribbean delights to pizzas, mouthwatering Thai dishes to comforting pasta plates, there was an endless variety of flavors to satisfy any craving.

    In conclusion, the Finger Lakes Grassroots Festival in Trumansburg was an unparalleled celebration of arts, music, and culinary delights that left a lasting impression on all who attended. The remarkable performances, the engaging arts and crafts, and the mouthwatering food options came together to create an experience that celebrated the richness of human creativity and connection. As the festival came to a close, attendees left with full hearts, new friendships, and an enduring appreciation for the magic of music and community. Until next year, Grassroots Festival – thank you for an unforgettable experience!

  • Encased in Orange Rinds: Phish Returns to the ‘Cuse

    Phish returned to Syracuse for the first time in over seven years last Sunday night. Not just a return to Syracuse, also their first show in the entire Central/Western New York region since that show at the same venue, St. Joseph’s Healthcare Amphitheater at Lakeview in 2016 and their first time in the area since Curveball, a planned three-day festival in Watkins Glen, was cancelled. So to say Cuse area fans were hungry for some Phish would be an understatement. Fortunately the band delivered a smorgasbord on which the crowd could feast.

    The band culled selections spanning their entire catalog from the earliest compositions to their latest, from their silliest to their most serious, touching on the expansive multitudes of genres and influences that give Phish the sound that is unmistakably Phish.

    But first, there had to be acknowledgement of their return to Syracuse, the hometown of their namesake drummer Jon Fishman. “Welcome Syracuse fans of Jon Fishman!” declared guitarist Trey Anastatio. Fish walked onstage in a new dress in the city-defining Syracuse University orange and blue, which was made for him by local Lisa Simpson, who also just happened to be celebrating her birthday. After a quick run through “Happy Birthday” to celebrate, the show was ready to get rolling.

    The following set sated the fans from a song perspective, with highlights from nearly every stage in the band’s history. Mid-90’s staples like “Free” and “Theme from the Bottom,” a foray into the early years with Gamehenge masterpiece “McGrupp and the Watchful Hosemasters,” 3.0 mainstays “Steam,” and “Stealing Time From the Faulty Plan,” to the new-ish but rare “Evolve” from Anastatio’s pandemic release Lonely Trip. The song selection was excellent, the playing was solid, but it felt somewhat unsteady in it’s variety, quickly flitting from place to place.

    Bluesy rocker “Kill Devil Falls,” finally set down an anchor, launching immediately into the depths. But like what had preceded, it flitted from theme to theme so quickly that it struggled to find traction. The lights skittered and spun, flipping colors and cadences along with the music, overwhelming the senses. Then it happened. Anastatio grabbed onto a repeating theme, Page McConnell jumped in on piano, pushing the sound up and up until it jumped the tracks. Mike Gordon hit a resounding note that registered on the Richter Scale, thundering the shores of Onondaga Lake. With Fish holding it together, the whole band was locked in for a delicious final few minutes before they closed out the set, allowing the hungry crowd and delivering band to take a much-needed break.

    The first set provided the wanting crowd with a tasters menu of what they’d been living without for all these years. But they were still licking their lips for some the type of memorable jams that only Phish could deliver. As the first notes of “Tweezer” rung out early into the set, the crowd salivated in anticipation. The band wasted no time gelling from the get-go, picking up where they left off with “Kill Devil Falls.” McConnell once again emerged as a power player, pushing the band with the Rhodes and piano. After a good long high-energy rocket launch, they entered the cosmos, drifting and ominous. The foursome floated around in the ether, letting natural gravity pull the sound from place to place effortlessly.

    The creativity was bountiful, ideas emerging from nowhere and everywhere, endlessly engaging. Themes were at once familiar and brand new. Genesis’ “That’s All” seemed to take hold, but it wasn’t quite what it seemed. A deep cosmic groove contained an essence of The Who’s “Eminence Front” yet it was entirely original. In fact, other ther than a run through of Joe Walsh’s “Walk Away,” the entire night was pure Phish. Cover songs are always fun, and of course Phish centered a much-copied Halloween tradition around other people’s material. But after 40 years, has the band rendered covers unnecessary? The catalog runs deep, as displayed perfectly at this show. And beyond that, the uncomposed brilliance conjured in the moment is as original and interesting as ever.

    And they’re still writing, adding ever still to that catalog. After 27 minutes of exploration, the “Tweezer” was blasted into oblivion. No wait, that should be capital-O “Oblivion,” another brand-new Anastatio title debuted with his new trio in June and with Phish just a little over a week prior. And a great entry into the catalog it is, lauching right back into more exploration that felt like it advanced right along the same lines the preceding jam was headed. Deep drones tightened around Fishman’s forward-marching beat that McConnell once again pushed to new heights behind bold and brilliant hammering on the ivories. From there it was all peaks and no valleys. All told, when the band finally landed, the crowd was taken on a near 50 minute journey. Syracuse’s patience was finally paying off.

    A poignant “Miss You” grounded the amphitheater, while a fun and always funky “Wolfman’s Brother” and a nostalgia-fueled “Possum” brought the set to an end.

    The encore played like a microcosm of the whole show. Anastatio opened with some more Fish Syracuse references, recounting his high school days at Jamesville-DeWitt. They headed back to some of their earliest years with the silly jazzy barbershop-inflected “I Didn’t Know,” featuring a rare go on the vacuum from Fishman himself, before which Anastatio quipped, “Jon Fishman is about to suck, as predicted by all his teachers.” Then they genre-jumped into the soaring and weightless instrumental “What’s the Use,” before tying a fist-pumping earth-shaking bow on the whole affair with the predictable but always welcome “Tweezer Reprise” closer.

    A one-off Sunday night show amongst a tour of multi-night runs felt like a bit like a consolation prize, but the “never miss a Sunday show” aphorism delivered once again, and Syracuse was treated to a stellar evening of music. But after feasting on that, they might not be so patient in waiting for another taste.

    Phish – St. Joseph’s Lakeview Amphitheatre, Syracuse, NY – Sunday, July 23, 2023

    Set 1: Happy Birthday, Free, Steam, McGrupp and the Watchful Hosemasters, Evolve, Stealing Time From the Faulty Plan, Meat, Walk Away, Theme From the Bottom, Kill Devil Falls

    Set 2: Suzy Greenberg, Tweezer > Oblivion, Miss You, Wolfman’s Brother, Possum

    Encore: I Didn’t Know, What’s the Use?, Tweezer Reprise

  • Nick Balzano of LI Jam Scene Announces Watkins Jam Lineup

    Nick Balzano of the LI Jam Scene has announced his new venture Watkins Jam, taking place July 28-30 at various places in the state, celebrating the 50th anniversary of the famous Watkins Glen Summer Jam.

    Nick Balzano has performed in many bands over the years, with his love for music starting at a young age with drums and piano. For the past ten years, he has been the vocalist and performed multiple instruments in LI Jam Scene. He has also put on many events over the years with companies and venues like Liquid Shadows Entertainment, 89 North, and more, and has always strived to give artists the fair shake and audience they deserve. His newest project, Pine Barrens Jam, hopes to showcase Long Island’s creative talent for years to come.

    Now, Balzano is celebrating the anniversary of the Watkins Glen Summer Jam, which featured The Band, Grateful Dead, and The Allman Brothers Band. On creating the tribute shows, he said “[they] have been some of my biggest inspirations and I’m sure the rest of the members of this project can say the same. The songs, drumming styles, and even the communities they’ve created have had a huge influence on the path I’ve chosen as a musician.”  When putting together the lineup, he specifically chose bands and artists who were also inspired by the three legendary acts.

    The tribute shows take place on July 28 at Deep Dive in Ithaca, July 29 at Courtyard in Rosecoe, and July 30 at LI Glass in Holtsville. The lineup is comprised of various supergroups taking on each band’s eclectic catalog. Whaley will be presenting a set of The Band with the help of Damien Pagan of Funkin A’/Albums We Love on Long Island. The Allman Brothers and Grateful Dead sets will feature John & Rob from Ernie & The Band, as well as Damien & other guests. The original drummer from Balzano’s time in A Band In Ship, Ryan McCloskey, will be joining for The Allman Brothers set for the Upstate dates and Jager Soss of Baked Shrimp will be holding down the second kit on Long Island.

    The original Summer Jam.

    For more information and to purchase tickets, visit here.

  • Dead and Company’s Cornell Concert Raises $3.1 Million for Non-Profits

    Dead & Company, continuing the legacy of the Grateful Dead’s Barton Hall show at Cornell University, has raised $3.1 million in proceeds from their recent show for their now-complete Final Tour. These proceeds will be donated to the Recording Academy’s MusiCares organization and the Cornell 2030 Project, each non-profit receiving over $1.5 million.

    Cornell University’s Barton Hall. Credit: Steve Malinski

    Dead & Company is made up of former members of the Grateful Dead, with guitarist and vocalist Bob Weir, drummer Mickey Hart, and drummer Bill Kreutzmann. The latter did not join the final tour. They are joined by guitarist and vocalist John Mayer, bassist and percussionist Oteil Burbridge of the Allman Brothers Band, keyboardist Jeff Chimenti of Further and RatDog, as well as drummer Jay Lane of RatDog and Primus.

    The show on May 8 was the 46th anniversary of the May 8, 1977 Grateful Dead Show. Part of the Spring Tour of 1977, considered one of the Grateful Dead’s best tours, the May 8 show at Cornell’s Barton Hall was released on a a three-disc CD and as a five-disc LP for the 40th anniversary of the show. The recording is a part of the National Recording Registry at the Library of Congress.

    Cornell ’77 Poster designed by Cornell alumnus Jay Maybrey

    MusiCares is a non-profit organization founded in 1989, intended to act as a safety net for the music community, supporting the health and welfare of industry professionals through preventative, emergency, and recovery programs. More information can be found on their website.

    Cornell University’s 2030 Project is a campus-wide initiative that works to develop technological solutions and to advance policies for businesses and individuals, seeking to mitigate the effects of climate change. More information can be found on Cornell University’s website.