Legendary musician Bruce Hornsby will perform at Troy Savings Bank Music Hall on Thursday, March 23rd.
Originally from Williamsburg, VA, Hornsby first rose to national prominence with “The Way It Is”, his 1986 Grammy-winning debut album with The Range. The title track became the most-played song on American radio in 1987 while Tupac Shakur’s timeless song “Changes” builds on “The Way It Is” and set the stage for many subsequent versions of the track.
In 1991 Hornsby collaborated with Bonnie Raitt, playing on her iconic hit “I Can’t Make You Love Me.” Additionally, Hornsby was a part-time member of the Grateful Dead from September 1990 to March 1992, performing over 100 concerts in America and Europe.
The 13-time Grammy nominee has also solidified his status as a highly sought-after collaborator. Hornsby’s own 23 albums have sold over 11 million copies worldwide, and he has appeared on over 100 records including releases. His most recent studio album, ‘Flicted, was released this past May.
Read our review of Bruce Hornsby and the Noisemakers at Beak and Skiff Orchards in Lafayette, NY on June 16, 2021.
Each Sunday evening from 7-9 p.m. you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists. Tune into WEQX.com this Sunday night to hear new music from Haley Moley and Atelo Songs
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Haley Moley-“Amy”
Based in Troy, Haley Moley is comprised of house music DJ and dance music producer Jennifer Maher Coleman and features Paul Coleman on guitar, Andrea Kosek on keyboard and guitar, Pat Thorpe on bass, and Mike Broomhead on drums. Their newest single “Amy” off of their upcoming album Everybody Wins will be featured on EQXposure.
Atelo Songs-“words”
Sam Gleason, or Atelo Songs, got his start over a decade ago performing at various venues throughout the state of New York. He is a singer/songwriter and producer who creates music spanning a wide variety of genres, including pop, rock, folk, psychedelic, and new wave. He plays constantly throughout the state, having played with artists such as Jimmy Webb and Charles NeVille, and continues to keep writing, recording, and putting out as much music as possible. He currently resides in Albany, and his latest single “words” will be played on EQXposure.
Dark Star Orchestra’s Winter Tour East 2023 will be find the Grateful Dead tribute group playing eight shows in 6 cities, among them a pair of shows on Friday, March 10 and Saturday, March 11 at the Palace Theatre in Albany.
Performing to critical acclaim for over 20 years and over 3000 shows, Dark Star Orchestra carries on the Grateful Dead live concert experience, building shows off the Dead’s extensive catalog and the talent of these seven fine musicians. On any given night, the band will perform a show based on a set list from the Grateful Dead’s 30 years of extensive touring or use their catalog to program a unique set list for the show. This allows fans both young and old to share in the experience.
By recreating set lists from the past, and by developing their own sets of Dead songs, Dark Star Orchestra offers a continually evolving artistic outlet within this musical canon. Honoring both the band and the fans, Dark Star Orchestra’s members seek out the unique style and sound of each era while simultaneously offering their own informed improvisations.
Dark Star Orchestra offers much more than the sound of the Grateful Dead, they truly encapsulate the energy and the experience. It’s about a sense of familiarity. It’s about a feeling that grabs listeners and takes over. It’s about that contagious energy…in short, it’s about the complete experience and consistent quality show that the fan receives when attending a Dark Star Orchestra show.
For us it’s a chance to recreate some of the magic that was created for us over the years. We offer a sort of a historical perspective at what it might have been like to go to a show in 1985, 1978 or whenever. Even for Deadheads who can say they’ve been to a hundred shows in the 90s, we offer something they never got to see live.
keyboardist and vocalist Rob Barraco
Fans and critics haven’t been the only people caught up in the spirit of a Dark Star show. The band has featured guest performances from six original Grateful Dead members Phil Lesh, Bob Weir, Bill Kreutzmann, Donna Jean Godchaux-MacKay, Vince Welnick, Tom Constanten and even toured with longtime Dead soundman, Dan Healy. Other notable guests have included Mike Gordon and Jon Fishman of Phish, Keller Williams, Warren Haynes, Steve Kimock, Peter Rowan, Ramblin’ Jack Elliot and many more.
Tickets to all shows go on sale Friday, January 13 at 10 AM ET via ticketmaster.com. Tickets are also available for purchase at the Palace Theatre Box Office, located at 19 Clinton Ave. Box Office hours are Monday – Friday Noon to 5PM as well as select days and hours for events and on sales.
Dark Star Orchestra Winter Tour East 2023
March 9 – Red Bank, NJ – Count Basie Center for the Arts
Just two weeks after his very special appearance at moe.’s New Year’s Eve performance in Philadelphia, founding guitarist Chuck Garvey has announced that he will be returning to the road full-time for the band’s 21-date winter 2023 tour.
Chuck Garvey projected onto the walls of The Capitol Theatre, Port Chester, NY – photo by Filip Zalewski
The tour will kick off on Long Island with the January 19th performance at The Paramount in Huntington, recently named the top club worldwide, by PollStar.
Thank you for your well-wishes and your donations, without which my recovery would not have happened, This year has been a really long, difficult one for me, but a rewarding one, in that I learned what a person needs to do to achieve goals. Some are basic, everyday things like speech, and some are more about universal things that I noticed about family, friends, and community that keep us all afloat.
Garvey in a letter home to fans, in November
The long-awaited announcement comes 13 months after Garvey suffered a stroke, just after the band’s Halloween 2021 performance, which would not have happened without the support of the moe. community, according ot the band.
Bassist Rob Derhak, who himself battled cancer and took time away from moe. in 2017, gave perspective to Chuck’s return to the band:
This past year has been a trying time for moe., as a band. We were faced with an unthinkable decision of replacing our brother Chuck with another guitarist. Suke stepped in and stepped up. He brought his unique style, unparalleled talent, and hyper-focused work ethic into the group. Without his help, we wouldn’t have been able to survive the last year, and I think I speak for all of us when I say that we are eternally grateful. Thank You Suke Cerulo.
Rob Derhak
See Chuck Garvey on tour with moe this winter, which covers much of the Northeast and Southeast. Get tickets at moe.org.
moe. 2023Winter Tour Dates
Thursday, January 19 – The Paramount – Huntington, NY Friday, January 20th – 9:30 Club – Washington, D.C. Saturday, January 21st – Wellmont Theater – Montclair, NJ Friday, February 17th – State Theatre – Portland, ME Saturday, February 18th – State Theatre – Portland, ME Friday, February 24th – Palace Theater – Albany, NY Saturday, February 25th – Palace Theater – Albany, NY Thursday, March 9th – Brooklyn Bowl – Nashville, TN Friday, March 10th – Mars Music Hall – Huntsville, AL Saturday, March 11th – Minglewood Hall – Memphis, TN Sunday, March 12th – Vinyl Music Hall – Pensacola, FL Wednesday, March 15th – Music Hall – Charleston, SC Thursday, March 16th – The Plaza Live – Orlando, FL Friday, March 17th – Culture Room – Ft. Lauderdale, FL Saturday, March 18th – Jannus Live – St. Petersburg, FL Sunday, March 19th – PV Concert Hall – Ponte Vedra Beach, FL Tuesday, March 21st – Lincoln Theatre – Raleigh, NC Wednesday, March 22nd – Jefferson Theatre – Charlottesville, VA Thursday, March 23rd – The Orange Peel – Asheville, NC Friday, March 24th – Variety Playhouse – Atlanta, GA Saturday, March 25th – Variety Playhouse – Atlanta, GA
Born from the depths of the 2020 Pandemic, Neon Avenue is a group of Capital Region musicians came together to play the music of the Grateful Dead. With the stalling of the music industry, a creative outlet was needed for these 5 individuals. What was first a casual get together playing some dead tunes quickly escalated into a singular goal of putting together a live stream. Something special happened during these early sessions/shows and a “one-and-done” livestream turned into something much more.
In less than 2 years as a band, Neon Avenue has made quite a stir in the ever popular (and saturated) Gratefully-inspired tribute scene, growing quickly to become one of the bigger draws in the Upstate NY capital region Dead scene. The band brings a fresh take on the Grateful music that you know and love while placing an emphasis on improvisation, unique setlist construction, deeper cuts into the grateful songbook and a primal energy that they draw from their loyal fans during live performances. With past appearances at the Town of Hoosick Falls concert series, Long Lake’s “Meat.Beer.Music” music festival, as well as scheduled appearances at Lake George Steamboat Company’s “Rock the Dock Music Festival”, “Rockin’ on the River” for the city of Troy, and numerous headlining shows around the Capital region, the word has certainly gotten out about this band. Composed of veteran musicians from numerous local groups like Formula 5, Slipknot! (80’s/90’s Dead tribute), Stone Revival Band, Knot Dead, Jocamo, and more, this combination of players has set out to push the boundaries of the standard Dead tribute.
The group of Joe Davis (Formula 5), Mike Urbon (Knot Dead), Mike Cassels (Stone Revival Band, Jocamo, Knot Dead), Mike McDonald (Formula 5, Knot Dead) and Doug Klein (Slipknot, Robanic, Knot Dead) were re-inspired playing the music of the Grateful Dead, Jerry Garcia Band, Ratdog, and others. While existing in an endless sea of 1970’s era Grateful Dead tributes, this group strives to separate itself with a dedication to unique arrangements of setlists and song segues, utilizing extended improvisation, playing deeper cuts from all eras of the Dead, JGB, and Ratdog songbook.
The historic Cohoes Music Hall announces three new shows to their calendar of upcoming events, featuring Hootenanny at the Hall, A Night of Joni Mitchell, and Stephen Pearcy’s “The Voice Of RATT.”
The Cohoes Music Hall opened its door in 1874 in Cohoes. It was restored in 1974 to become what it is today, a historic music hall with a great lineup of events. In late December, the venue was awarded $1.88 million in funding through New York State Energy Research and Development Authority and Office of Parks Recreation and Historic Preservation grants, transforming it into an energy-efficient building.
Their upcoming lineup of events features three new shows on the bill. On Feb. 26 at 7:30 p.m. Steven Pearcy brings “The Voice of RATT” to the Cohoes Music Hall. He is the founder, lead singer, and songwriter of the metal rock band RATT, credited with having been a pioneer of the early 80’s Sunset Strip rock scene. RATT has nearly four decades of success, having released eight albums and played thousands of shows worldwide all the while selling over 20 million records. He will be performing all the hits, including “Round & Round,’“ “Wanted Man,” “Lay It Down,” “Lack Of Communication,” “Dance” and many more.
Other events added at the Cohoes Music Hall include A Night of Joni Mitchell with Zan & The Winter Folk, Girl Blue, Hold on Honeys, and Belle-Skinner on March 11. The evening will be celebrating the music of the legendary Joni Mitchell, with four of the Capital Region’s premier musical acts together. Finally, the second annual Hootenanny at the Hall will happen on March 25. The event focuses on celebrating Country, Bluegrass, and Blues in the Capital Region, featuring three incredible artists/bands, The Moon Shells, Caity & the Gallaghers, and Jacob Shipley.
There are more events happening at the venue that have already been announced, including Zach Nugent and Dead Set on Jan. 20, The British Legends of Rocks Show on Feb. 17, ACROBAT, The International U2 Tribute Show on Feb. 25, Haley Reinhart on March 24, and many more.
Information about the events announced at the Cohoes Music Hall and to purchase tickets, visit here.
Brooklyn-based bluegrass trio Damn Tall Buildings will bring their fresh bluegrass sound to Caffè Lena on January 20 at 8PM with unmatched energy and enthusiasm that creates a captivating, high-energy sound.
Damn Tall Buildings
Consisting of fiddler/vocalist Avery Ballotta from Bozeman, guitarist/lead vocalist Max Capistran from Bedford, and bassist/lead vocalist Sasha Dubky from Philadelphia, Damn Tall Buildings is a tight, harmonizing, swinging trio that specializes in bluegrass but also expertly ventures through jazz, ragtime, country swing, and contemporary singer-songwriter styles. They have been called “The Carter Family for the millennial generation” by the Boston Globe.
Damn Tall Buildings is a damn fine trio, mixing bluegrass, swing, and foot-stomping old-time music you wouldn’t think possible from a band from Brooklyn.
No Depression, Chris Griffy
Continuing the busk energy in their early days, Damn Tall Buildings still radiates the energy of a ragtag crew of music students playing bluegrass on the street. But anchoring that energy is their instrumental chops, their strong songwriting, and their varied influences that stretch beyond bluegrass. Their latest release was their thrid full length album called Sleeping Dogs including 11 tracks in the summer of 2022.
Holding the mission that “To provide music, connection and learning from a legendary venue”, Caffè Lena presents extraordinary music in Saratoga Springs. It is renowned for its long history on continuously operating folk music venue in the United States. It has been recognized as “An American treasure” by The Library of Congress. The GRAMMY Foundation also recognized for its important contributions to the development of American music. In 2020 they launched a School of Music for the purpose of carrying on the folk tradition of music as a social pastime.
The performance of Damn Tall Buildings will start at 8PM and doors at 7:30PM (EST). Livestream is also available. Tickets for student or child are $10, while $18 for members and $20 for general admissions. For ticket and more information, please visit this link.
In the Washington County town of Hudson Falls, a year of celebration is underway. The Strand Theatre, which opened its doors on January 17, 1923, will kick off a centennial year of celebration, with a series of films that call back to the silent film era, which the Strand Theatre was initially built for.
October 2022
Having reopened on October 7, 2016 through the nonprofit Hudson River Music Hall Productions, which came together in 2010 with the goal of helping to rehabilitate old buildings in Hudson Falls. Having a huge calendar each month (see below) with a wide variety of genres, shows and experiences, the Strand Theatre holds the distinction as the only major music venue in Washington and Warren Counties that is open year-round. Part of a chain of Strand Theatres built in the early 20th century, other venues under the name Strand can be found in Plattsburgh and Schroon Lake, as well as others that have closed over time.
1923
The Strand Theatre opening night in 1923 incldued two screenings of One Week in Love. Now in 2023, the Hudson Falls Strand Theatre, starting on January 17th, will celebrate the 100th anniversary of the venue’s grand opening with the 1923 comedy classic Safety Last, starring silent-era film star Harold Lloyd. January 19th will feature The General, starring Buster Keaton, with Max Schreck’s Nosferatu the feature film on January 20th, and Fritz Lang’s NYC-inspired Metropolis on January 21.
All movies will start at 7 pm, with admission and popcorn free.
Stay tuned for NYS Music’s full history of The Strand Theatre and more info on the centennial year of this Northeast New York multi-purpose performing arts venue.
Each Sunday evening from 7-9 p.m. you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists. Tune into WEQX.com this Sunday night to hear new music from, Timing, Teddy Bear Savage, and Ciarra Fragale.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Teddy Bear Savage is an indie rock band from Balston Spa, formed in 2019. The group is composed of bassist and singer Paul Lambert, lead guitarist Zak Westbrook, guitarist Ryan Halpin, and drummer Mike Atwood. Their single “Oh do you see me shake” came out in July of 2022, and will be played on EQXposure on Sunday night.
Ciarra Fragale is an indie pop singer/songwriter, producer, and actor from the Hudson Valley. She blends nostalgia with new-wave songwriting, creating a unique blend. In addition to making her own music, she has also composed many works for theater and film. Her newest single “County Line” which came on Dec. 28 will be played on EQXposure.
EMPAC, located at Rensselaer Polytechnic Institute in Troy, has unveiled their Spring 2023 season of performances. This series of events is a special opportunity to experience synthesizing productions that integrate artistic practices, and fuses both art and technology. Starting in January and running through May, artists in residence at EMPAC premiere shows that span dance, visual arts, performance-installations, multimedia concerts, new music, film, and hybrid theatrical productions.
Since its first commission in 2006, the EMPAC curatorial program has supported the commissioning, production, and presentation of ambitious performances and artworks that span time-based visual art, music, theater, and dance. The program’s polyvocal curatorial approach resonates through each project, generating time-based artworks that are diverse in content, method, technology, and audience experience. Alongside the curatorial program, researchers at Rensselaer use the infrastructure of EMPAC to expand the discourse at the intersection of digital technology and the human condition through a broad range of research projects in science and engineering that include cognitive computing, immersive visual and auditory environments, and physical computing.
This spring season at EMPAC hosts some of our largest and most intimate projects to date, all of which stretch sensory exploration and technical research in the arts in new ways. As we continue to welcome audiences back to EMPAC, our curators and engineers are excited to connect the people of our region to this polyvocal program of expansive new works by our artists in residence, many of which have been in development for several years at the Center.
Vic Brooks, EMPAC Associate Director of Arts and Senior Curator of Time-based Visual Art.
EMPAC (The Curtis R. Priem Experimental Media and Performing Arts Center) grants artists the creative sovereignty to pursue collaborations with others working not only in the fields of visual and performing arts, but also in science, new media, and technology. T
he Spring 2023 season showcases programs by worldwide artists that binds disciplines, medium, and subject matter–sculptors working with composers, visual artists with sound artists, a music/documentary-theater hybrid with an 18-person live orchestra, and a large-scale dome installation currently being designed to host performances with integrations of immersive VR, projection, and spatial audio. With the assistance of new and evolving technology developed by EMPAC, artists explore political, social, and global issues. Alongside this search, artists are also attentive to how new art forms can open imaginative spaces for rethinking the future.
On January 11, Daina Ashbee,a Canadian choreographer, recognized and admired for her innovativeness will make the US Premiere of her first group show J’ai pleuré avec les chiens(Time, Creation, Destruction)at EMPAC in Troy, NY.. You can expect a transformative experience about the rebellious potential of the human body in performative spaces, which has already been staged in a handful of major cities outside the US. Two more performances follow at Gibney: Agnes Varis Performing Arts Center in New York City (January 13 & 14).
January 23 brings the live performance Cuando las nubes eran las olas / When the clouds were the waves by two EMPAC artists in residence, the Venezuelan-Ecuadorian artist Ana Navasand Venezuelan composer Mirtru Escalona-Mijares. The production explores the afterlives of the Venezuelan modernist art movement during a time of political and economic turmoil for the country. They pay homage to Alexander Calder’s panels in the Aula Magna, the main auditorium in the Central University of Venezuela in Caracas, and the commonalities the Aula Magna shares with the EMPAC concert hall, where the show will be installed and performed.
At Empact, the first program, A Kind Of Ache by music curator Amadeus Julian Regucerawill be delivered on January 27. The production will be an hour-long performance by the contemporary, experimental chamber music duo The Living Earth Show. This duo is on a mission to emphasize the voices, perspectives, and bodies of non-white and queer artists that mainstream classical music traditionally exclude. Sarah Hennies, a composer and percussionist whose works explore queer and trans identity, composes the original score. Terry Berlier, who investigates queerness and ecologies in her art, designs a sculpture-turned-instrument that the duo and Hennies will perform on. This is the kick-off to The Living Earth Show’s multi-season residency with EMPAC, with another engagement slated for Fall 2023.
On February 25, the world premiere of Paper Pianosby Mary Kouyoumdjian, an Armenian-American composer and documentarian and Nigel Maister, a South African- American director and writer will be performed live on EMPAC. The production will be delivered by the acclaimed 18-person Alarm Will Soundorchestra with projections by Syrian visual artist Kevork Mourad. The evening-length music and documentary-theater hybrid explores the dislocation, longing, and optimism of refugees and the experiences of those who provide services to them.
Bora Yoon, a Korean-American electroacoustic composer, vocalist, and sound artist, and Joshue Ott,a creative technologist who designs custom softwares, apps, and interactive visual and audio experiences for concert halls, join forces to premiere their multimedia concert SPKR SPRKL, on March 18. Yoon and Ott use EMPAC’s Wave Field Synthesis Array to produce a visually and sonically stimulating composition based on a new imminent album by Yoon.
Later in the season, Transtraterrestrial, a prequel and premiere of The Unarrival Experiments – Unconcealment Ceremonies(April 6), a long-term collaboration between EMPAC and queer/nonbinary/trans multidisciplinary artist Sage Ni’Ja Whitson, is installed in the EMPAC building. The installation features embodied performance, integrations of immersive VR, projection, and spatial audio in a custom-built 40’ x 15’ dome covered in painted organic matter. The performance dome structure was developed by Whitson through discourse with architects, engineers, and astrophysicists. In dialogue with Yorùbá Cosmology, astrophysics, and research on the “blackest black,” this iterative artwork is designed to magnify the dark, centering the mysteries of dark matter and dark energy through a black, queer, and trans embodied lens. For the fifth year, EMPAC is collaborating with graduate students from Center for Curatorial Studies at Bard College (CCS Bard) on a public exhibition. This year focuses on the black body in Detroit techno music, and is inspired by the work of scholar and music artist DeForrest Brown, Jr. The project engrossed recordings from the artist’s new album Techxodus, which operates as a musical successor to the ideas in his recent publication Assembling a Black Counter-Culture (2021). The world premiere of DeForrest Brown’s Speakers That Speak To Youat EMPAC (April 28) makes use of EMPAC’s extensive spatial audio capabilities and is curated by Katherine Adams, Liv Cunibert, Mary Fellios, Abel González Fernández, and Sidney Pettice.
On May 8, 2023, the Canadian bilingual, multidisciplinary live art ensemble and winner of an EMPAC open call with CINARS, Theatre Junction, will be at EMPAC for a residency and work-in-progress showing. The production will guide an audience through four distinct rooms that feature live video feeds and live actors. The work is being developed at EMPAC and will premiere in Montreal in the Fall of 2023.
EMPAC’s Spring 2023 season also includes public tours, screenings, and conversations with film director Ayo Akingbade, artist Armando Guadalupe Cortés, artist/DJ M. Elijah Sueuga, and EMPAC’s Senior Curator for Theater/Dance Ashley Ferro-Murray, among others; and events presented in collaboration with iEAR Presentsand the Sanctuary for Independent Media.
