Live Nation has announced that the stage at Saratoga Performing Arts Center (SPAC) will now be named the Broadview Stage at SPAC, effective immediately.
Broadview Federal Credit Union and Live Nation have partnered to introduce the Broadview Stage name for all Live Nation concerts hosted at Saratoga Performing Arts Center. This collaboration signifies Broadview Federal Credit Union’s “dedication to connecting with, supporting, and investing in the vibrant Saratoga community through unforgettable live entertainment experiences.”
SPAC is one of America’s most prestigious outdoor amphitheaters, located in a 2,400-acre park preserve surrounded by hiking trails, geysers, and natural mineral springs. Lovers of arts, culture, and nature enjoy resident companies like the New York City Ballet, The Philadelphia Orchestra, The Chamber Music Society of Lincoln Center, the Freihofer’s Saratoga Jazz Festival, and concerts by Live Nation.
For more information about the new Broadview Stage, more info is available here.
Upcoming Events at Broadview Stage at SPAC
Tedeschi Trucks Band on July 1 Tears for Fears on July 2 Big Time Rush on July 3 Counting Crows with Dashboard Confessional on July 5 An Evening With Goose on July 7 Noel Gallagher’s High Flying Birds and Garbage on July 8 KIDZ BOP on July 9 Dave Matthews Band on July 14 & 15 Jason Aldean on July 16 Gov’t Mule on July 28 Matchbox Twenty on July 30 Foreigner on Aug 1 The Chicks on August 6 Goo Goo Dolls on August 8 Zac Brown Band on August 13 Brit Floyd on August 22 Pentatonix on August 23 Eric Church on August 24 Phish on August 25+26 Guns N’ Roses on September 1 Noah Kahan on September 2 ZZ Top & Lynyrd Skynyrd on September 8 NE-YO on September 14 Outlaw Music Festival: Willie Nelson, Bobby Weir & more on September 15 Killer Queen on September 16
Beginning June 29, Playhouse Stage Company will present their 36th Anniversary musical production Something Rotten at Albany’s Park Playhouse, a Renaissance-set comedy about a down-on-his-luck writer trying to best William Shakespeare by writing the world’s first musical. The production plays Tuesday through Saturday evenings at 8pm from June 29 through July 22. Playhouse Stage Company will hold an opening night Gala pre-show on June 29, where they will make a special announcement.
Playhouse Stage Company has been producing free summer musicals at Albany’s Park Playhouse in Washington Park since 1989, producing musicals year-round at Cohoes Music Hall since 2016, and took the reins as management of the historic Spindle City venue in 2020.
The Broadway premiere of Something Rotten took place in 2015, and it garnered a nomination for the Tony Award for Best Musical while enjoying a successful two-year run. The book is written by John O’Farrell and Karey Kirkpatrick, with a score and lyrics by Karey & Wayne Kirkpatrick.
The story follows the Bottom brothers, Nick and Nigel, who struggle to find success in the theatrical world as they compete with the wild popularity of their pompous contemporary, “The Bard,” William Shakespeare. When Nick Bottom visits a Soothsayer to discover what the hottest thing in theatre will be in the future, he sets out to write a musical with disastrous results. The show sparks comparison to other bawdy, raucous Broadway comedies including Monty Python’s Spamalot, The Book of Mormon, and Mel Brooks’ The Producers. In an homage to its Renaissance setting, Time Out NY called the show “the funniest musical in at least 400 years.”
The show reunites frequent creative staff collaborators Michael LoPorto (Director), AshleySimone Kirchner (Choreography & Musical Staging), and Brian Axford (Musical Director). Together, the trio have helmed more than a dozen shows for Playhouse Stage. 22 local and regional performers make up the cast, and Axford will lead a twelve-piece band. 12 out of the 22 cast members are graduates of the Playhouse Stage youth theatre program.
The cast is led by Vincent DiPeri (Nick Bottom), who returns to the Playhouse for the first time in eight years after receiving critical acclaim for his performances in The Producers, Hairspray and others. Alongside DiPeri as Bottom’s nemesis William Shakespeare is Steve Raymond, who won strong reviews in the Playhouse’s productions of Spamalot, Spelling Bee and more. Since last appearing on the Playhouse stage, Raymond has developed a significant social media following for his comedy content, with more than three million followers across TikTok, Instagram and other platforms. Rounding out the cast are Playhouse veterans Molly Rose McGrath (Bea Bottom), Marc Christopher (Nostradomus), Daniel Jameson (Nigel Bottom), Brandon Jones (Brother Jeremiah), and Anna Sprau (Portia), in her PSC debut.
Amphitheater lawn seating at Park Playhouse is available for free on a first-come, first-served basis. Premium Reserved Seats are now on sale online, by phone and in person. For more information about the show and Playhouse Stage Company, visit their website here, or call the box office at 518-434-0776.
For media inquiries, to arrange press comps, or to receive production photos and video, please contact Owen Smith, Producing Artistic Director at owen@playhousestage.org or by phone at 518-434-2035, extension 100.
In the Capital Region of New York State, there are numerous recording studios that provide aspiring musicians with a space to record their music and help artists in their efforts to one day make it big in the music industry. Across Albany, Saratoga Springs, and Schenectady, you’ll find a great selection of studios to support musicians, artists, and bands from all genres and scenes.
In Albany, you can find North Albany Studios in the village of Menands, where the handicapped-accessible Studio A comes equipped with a five-piece drum kit, bass amp, guitar amp, lounge facilities, natural light, high ceilings, and green-screen capabilities, and more for making music, film, photography, and theater.
Studio A of North Albany Studios.
The SAG-AFTRA-approved Overit Studios in the city of Albany offers film/tv/games, commercial, music, podcast, and audiobook services. The former church is a 2000-square-foot space with 28-foot ceilings, a spacious live room, three isolation booths, and an oversized control room to can accommodate anything from a singer-songwriter to a full band and even a choir.
Capital Mixers Recording Studios in Albany County offers professional recording, mixing, mastering, and more services to recording artists, Musicians, DJs, bands, and record labels worldwide. It has three studios, A, B, and C, and a podcast and film studio.
DJ mixing at Capital Mixers Recording Studios.
Albany’s AAA Recording Studio C offers recording services for all kinds of musical acts solo artists, small combos, acoustic acts, acapella groups, rock bands, and full-on Big Band groups.
A drum set in AAA Recording Studio C.
White Lake Music and Post in Albany offers four studios for singers to produce music in. The studio has produced, recorded, and mixed multiple Billboard Top 40 singles and provided audio services for clients including Netflix, Discovery, Lifetime, Universal, Disney, Nickelodeon, HBO, and numerous others.
For over 20 years, the hamlet of Delmar, in the Albany County of Bethlehem, is home to Blue Sky Recording/Music Studios, equipped with a full-service recording studio, private music lessons, music classes, music camps, instrument rentals, and a music store all under one roof for professional musicians, music teachers and students of music in the Capital Region. Its recording facility is the premier studio in the Albany area, offering audio recording, mixing, CD mastering, audio transfers & restoration, music editing, music production, commercials, custom jingles, on-location recording, and much more. Blue Sky also offers music lessons for all ages, levels, and styles on most instruments, music therapy classes, ‘Make the Band’ summer rock band camp, audio engineering classes, and Romper Rhythms classes for babies/toddlers and parents.
Blue Sky Recording/Music Studio in Albany,
Don Fury Studio in Troy records music “New York style,” with real drums, real guitars, and real vocals, unedited as if you were right in front, or even on, the stage. “When you hear a record produced at DFS – everything you hear is real.”
Don Fury Studio in Troy.
First opened in 2001, Classical Recording Service in Albany County is a popular choice for recording among musicians in Upstate New York. The studio has made thousands of recordings all over the Capital District, including concerts, recitals, and recording sessions. In the capital region, Classical Recording Services has work locations at the Troy Savings Bank Music Hall in Troy, the Palace Theatre in Albany, and the Proctors Theater in Schenectady.
The stage at Classical Recording Services in Albany County.
The full-service Soundcheck Republic in the Rensselaer County of East Greenbush featuresstate-of-the-art digital and analog recording equipment, providing all the features of a larger studio, acclaimed engineers, and producers.
A typical studio space in Soundcheck Republic.
There are among the many recording studios in the Capital Region where aspiring musicians can make their music, on their journey of one day making it big in the music industry. If we missed a recording studio from the greater Albany area, please email editors@nysmusic.com.
Victor Wooten and The Wooten Brothers have expanded their forthcoming tour into November, adding ten stops to an already jam-packed fall lineup. The group, which features lifelong collaborators and real-life brothers Victor, Joseph, Roy “Futureman,” and Regi Wooten, recently announced its highly anticipated reunion tour, making stops in NY cities including Troy, Buffalo, and Brooklyn.
Lauded by Rolling Stone as one of the “Top 10 Bassists of All Time,” Victor Wooten has captivated audiences for over four decades with his dynamic stage presence and unparalleled technical chops. Wooten’s eclectic repertoire includes collaborations with the likes of Béla Fleck and the Flecktones (of which he is a founding member), Chick Corea, Dave Matthews Band, India Arie, Keb’ Mo’, and more recently, Cory Wong. Widely regarded as one of the greatest living bassists today, Wooten continues to share his passion for music through numerous modalities. The multidisciplinary artist has authored two books and has mentored thousands of students at his own Center for Music and Nature since the year 2000.
Remarkably accomplished in their own right, each of the Wooten brothers bring a unique flavor to the live experience. Joseph Wooten, also known as the “Hands of Soul,” has been the keyboardist/vocalist for the Steve Miller Band since 1993. He is a renowned composer, arranger, author, and motivational speaker whose collaborations include work with Whitney Houston, George Clinton, and Kenny G.
Roy “Futureman” Wooten is also a founding member of Béla Fleck and the Flecktones and a five-time GRAMMY award winner, famously known for his trademark inventions the “Drumitar” and the “RoyEI” keyboard. A philosopher, researcher, filmmaker, and educator, Roy’s impressive solo career, symphonic works, and “Black Mozart” projects span the genres of classical, jazz, soul, gospel, and spoken word.
Regi Wooten’s signature guitar style of chording, slapping, tapping, and virtuosic strumming has earned him worldwide notoriety and comparisons to Jimi Hendrix, Frank Zappa, and Chuck Berry. In recent years, Regi has performed with many artists including the legendary Ginger Baker. Known worldwide as “The Teacha,” Regi currently teaches music in Nashville, TN, and has taught many notable musicians.
Together The Wooten Brothers bring an uncanny level of experience, originality, and expertise to the stage. Playing together since childhood, the formidable group has shared stages with the likes of Curtis Mayfield, The Temptations, Ramsey Lewis, Stephanie Mills, War, and others. Fans can expect an infectious, colorful, and exuberant production that showcases The Wooten Brothers’ impenetrable creative chemistry. An amalgam of original songs and choice classics, each show offers a one-of-a-kind adventure that defies the bounds of jazz, funk, soul, R&B, rock, and bluegrass.
On the forthcoming tour, Victor shares, “Being in a band with my brothers is the best thing for me. It’s like a family reunion every time we get together to play. They are my teachers and I feel most at home with them.”This will be the brothers’ first tour together as a band since the untimely death of their saxophone-playing brother Rudy a few years ago. In the forthcoming year, The Wooten Brothers will release their first studio album in several decades.
The music we are working on at the moment is a collection of new and old. We have songs that were recorded decades ago that have never been heard by anyone. We also have newer music that was recorded over the last year. It will be a nice collection of old and new. With the older music, we want to introduce the world to Rudy, our saxophone-playing brother who passed away in 2010. Be prepared to have your mind blown.
The Wooten Brothers
The forthcoming Victor Wooten and The Wooten Brothers tour will kick off on Sept. 28 in Chattanooga, TN. For tour dates, tickets, and info, visit here.
Victor Wooten and The Wooten Brothers Tour Dates
09/28 – Chattanooga, TN – The Barrelhouse Ballroom^
09/29 – Charlotte, NC – Neighborhood Theatre^
09/30 – Atlanta, GA – Variety Playhouse^
10/01 – Asheville, NC – The Outpost^
10/03 – Troy, NY – Troy Savings Bank Music Hall^
10/04 – Philadelphia, PA – Brooklyn Bowl^
10/05 – Silver Springs, MD – The Fillmore^
10/06 – Baltimore, MD – Rams Head Live^
10/07 – Brooklyn, NY – Brooklyn Steel^
10/08 – Portland, ME – State Theatre^
10/10 – South Burlington, VT – Higher Ground^
10/11 – Boston, MA – Citizens House of Blues^
10/12 – Wilkes-Barre, PA – FM Kirby Center^
10/13 – Roanoke, VA – Jefferson Center
10/14 – Buffalo, NY – CMC International Jazz Festival
11/01 – Saint Louis, MO – Delmar Hall
11/02 – Nashville, TN – Riverside Revival
11/03 – Germantown, TN – GPAC
11/04 – Indianapolis, IN – The Vogue
11/06 – Ann Arbor, MI – The Ark
11/07 – Cincinnati, OH – Hamilton Memorial Hall
11/08 – Madison, WI – Majestic Theatre
11/09 – Minneapolis, MN – Fine Line
11/10 – Evanston, IL – SPACE
11/11 – Elgin, IL – ECC Arts Center
01/11 – Denver, CO – Cervantes’ Masterpiece Ballroom
01/12 – Salt Lake City, UT – The State Room
01/13 – Hamilton, MT – Bitterroot Performing Arts Council
01/14 – Bozeman, MT – The Elm
01/16 – Seattle, WA – The Crocodile
01/17 – Portland, OR – Revolution Hall
01/18 – Eugene, OR – The John G. Shedd Institute For The Arts
01/19 – Chico, CA – The Big Room at Sierra Nevada Brewery
Blanket Approval, an indie pop rock band out of NYC, is stopping in three NY destinations, Albany, Pleasantville, and NYC for its “Happy Alone Tour” this summer. A fourth destination in NY may be possible, but it has yet to be determined. This coincides with the release of their new single “Happy Alone, Pt. II.”
“Born out of the ashes of the pandemic,” Blanket Approval began to form when singer/guitarist Jack Matteucci moved to Brooklyn in 2021 and met drummer Joey Hadden. From there, they met bassist Max Mena and guitarist/keyboardist Rahul Chakraborty. Blanket Approval began rehearsing and recording in January 2022.
They had their live debut at Union Pool in Brooklyn in Spring 2022, going on to 200,000 streams on Spotify in less than 8 months, and featuring in Spotify’s Fresh Finds Indie. In 2023, they plan to release a summer EP.
Blanket Approval’s new single “Happy Alone Part II” builds from a calm, chill opening to powerful harmonies with many of the band’s members and swelling music. Chakraborty’s keyboards, which open the song and carry on throughout the piece give the song a nice echoing beat throughout.
A personal favorite part of the song are the little crescendos, which often occur after the many vocal solos of the “Happy Alone Part II,” a feature fitting given the name. The pause in the instrumentals before these provides a brief return to the more cool opening of the song before returning with the explosive clamor of the instrumentals.
Upcoming Happy Alone Tour Dates
Albany, NY – June 30
Greenfield, MA – July 1
Pleasantville, NY – July 2
Boston, MA – July 3
Burlington, VT – July 5
TBD Upstate NY, VT, NH – July 6
Randolph, VT – July 7
Southbridge, MA – July 8
NYC, NY – July 22
For more information on Blanket Approval, on tickets, and on future releases check out their website.
On Friday evenings in late June, the Empire State Plaza hosts numerous high school graduations. Tucked away between South Colonie and RCS graduates and their families on June 23 was the entrance to The Egg, where So Good! The Neil Diamond Experience performed to an enthusiastic crowd who knew all the words to the deep cuts and all the hits from Diamond’s decades-spanning catalog.
Following a run of sold out shows throughout Long Island and New Jersey over the past three years, So Good! is an all-Long Island band that began a run of 40 shows over the next 10 months with their performance at the Swyer Theatre at The Egg. Fronted by Broadway, TV and film star Robert Neary, the show was truly impressive and hit all the right notes from start to finish. His tribute to Neil Diamond in appearance, on stage mannerisms and voice made the evening truly unforgettable, with The Mystics backing him up and never missing a beat.
With a crowd – median age: retired – nestled into their seats before the 8pm show time, the band slowly took the stage, with Neary outside the doors singing the opening lines to “America” before appearing on stage with the band for the crescendo of the song. Hits that most everyone in the audience knew the words to – “Cracklin’ Rosie”, “Blue Jeans” and “Song Sung Blue” – would follow, with the band jumping from tune to tune until after “Longfellow Serenade” where Neary spoke about E.T. and how it had a profound influence on Diamond, which led him to write the next song, “Heartlight.”
More banter about Diamond’s scant film career discussed a movie he did not land a part in, but affected him profoundly, Bob Fosse’s Lenny. This led to an identity crisis for Diamond, and amid this and moving he and his family to Los Angeles, he penned “I Am… I Said.” Another film song, “Hello” from Diamond’s most memorable film, The Jazz Singer, would follow, before the horns rejoined the rest of the Mystics for “Solitary Man,” “Holly Holy” and the deep cut “Brother Love’s Travelling Salvation Show” that got the crowd up and moving. If that didn’t do it, “Cherry, Cherry” capped off the show, with a noncore of “Sweet Caroline” and “Soolaimon” to close it out.
So Good! The Neil Diamond Experience is on tour this summer and fall, with an incredible stage show and songs you’ll be singing along to all night and on the way home. Check out their website for more details.
So Good! The Neil Diamond Experience 2023 Tour Dates
June 28 145 Park Avenue NYC
July 5 Newbridge Road Park, Bellmore, NY
July 9 Sieminski Theatre, Basking Ridge, NJ
July 14 Seaside Pavillion, Old Orchard Beach, ME
July 15 Ellsworth Allen Park, Farmingdale, NY
August 17 Harry Chapin Lakeside Theatre – Eisenhower Park, East Meadow, NY
August 19 The Murphy Theatre, Wilmington, OH
September 9 Infinity Music Hall, Hartford, CT
October 8 The Argyle Theatre, Babylon, NY
October 13 The Argyle Theatre, Babylon, NY
So Good! The Neil Diamond Experience – The Swyer Theater at The Egg – Albany, June 23, 2023
Set 1: America, Cracklin’ Rosie, Blue jeans, Song sung blue, Longfellow Serenade, Heartlight, I am… I Said, Hello, Love on the Rocks, September Moon, I’m a Believer
Set 2: You are the Sun, Shilo, Kentucky Moon, Girl, You’ll be a Woman Soon, Solitary Man, Holly Holy, Brother Love’s Travelling Salvation Show, Cherry, Cherry, Sweet Caroline, Soolaimon
A rainy Friday evening on June 23 did not keep fans from dancing the night away to Steve Miller Band at Koussevitzky Music Shed at Tanglewood in Lenox, Ma.
Bruce Hornsby and the Noisemakers opened up the evening with an hour-long set playing a great selection of their hits such as “My Resolve,” “That is the Way it is,” and “Mandolin Rain.” Bruce chatted very little in between songs but did mention that he was happy to return to Tanglewood for the first time in 29 years.
During the brief intermission while the stage was being prepped, people mingled with friends and neighbors as well as walk up to the stage edge to snap photos of the iconic white pegasus design from the album Book of Dreams on the drum kit.
Steve Miller Band took the stage and with a clever introduction they started off their set with “Swing Town” followed by many hits such as “Fly like an Eagle,”” The Stake,” “Jet Airliner,” “Born in the USA,” and “The Joker” during their 90-minute set. Steve also shared a fun personal story about his first Les Paul guitar which he had on stage with him.
Steve Miller Band is currently on their summer tour, below is a list of their planned stops:
June 28 – Boston, Ma June 29 – Selbyville, DE July 1 – Wantagh, NY July 2 – Bethel, NY July 7 – Cincinnati, OH July 8 – Niagara Falls, ON July 27 – Austin, TX July 29 – Houston, TX July 30 – Dallas TX August 3 – Waukegan, IL August 5 – Lincoln, NE August 8 – Shipsewana, IN August 9 – Youngstown, OH August 11 – Jackson, MI August 12 – Clarkstown, MI
Steve Miller Band is also touring in September & December. Be sure to check out their website for all their up-to-date tour information.
Texas-style folk music made a stop at Caffe Lena on Thursday, June 22, with the swing revival sounds of The Quebe Sisters. The Dallas group played to a sold out crowd this evening, emanating progressive western swing with jazz and blues influences peppered throughout, as well as a healthy dose of comedy and the history behind the music.
These sisters first appeared on my radar thanks to Col. Bruce Hampton, a legend among jam band fans, who had a keen eye for identifying and fostering talent throughout his career. Only mentioned in passing in a 2016 interview, the sisters shared with NYS Music that their connection to Col. Bruce was thanks to his fellow Aquarium Rescue Unit member (and current Widespread Panic guitarist), Jimmy Herring. It was he who saw them perform at a local fair in Georgia, met them following the show (all parties were humbled), and Herring later put the band on Col. Bruce’s radar. From Hampton’s lips to my ears, Caffe Lena was the perfect venue this evening.
As the performance began promptly at 7pm, standing on stage left to right were sisters Hulda, Grace and Sophia, who have each been playing fiddle for more than two decades. Joining them were Simon Stipp on guitar and Daniel Parr on bass, and at times, Grace would play snare drum ever so lightly, stirring with a brush in one hand, and a light tap of the stick with the other. An evening of old-timey folk music, with some songs more than a century old, began with “Avalon” by Al Jolson. If T. Bone Burnett were tasked to produce a soundtrack in the style of O Brother, Where Are Thou?, the sounds of the Quebe Sisters would be a centerpiece of the album.
With folk songs of trails, cowboys and traveling, tunes of pioneers were played, a history lesson in the form of stories handed down as song. A dive into 19th century poetry yielded “My Love, My Life, My Friend, influenced by the Emily Dickinson poem “That it will never come again.” A duet of “Lullaby of Birdland” was followed by The Mills Brothers’ arrangement of a 1942 song, “Cow Cow Boogie” and the medley “Speed the Plow” which closed a set that had the style of music you’d expect to hear in a Quentin Tarantino film.
The all fiddle family returned for a second set with “Lonesome Road” and the wonderful “Shame on You,” which hit all the right spots, reminiscent of Patsy Montana’s “I Want To Be a Cowboy’s Sweetheart.”
Set to the tune “Home on the Range,” the prescient and eerily humorous “Drone on the Range” sang of the perils of technology and the neighbors who misuse it. The Bob Wales instrumental “Roly Poly” would follow, along with Ray Charles’ “Georgia on my Mind” and the instrumental “Load in at 7 (leave at 8) likewise was a tongue in cheek take on life on the road.
“Lullaby of Leaves” saw the three sisters fiddling together, before diving into the extensive catalog of fellow Texan Willie Nelson on “Summer of Roses, follows by a unique as ever “Merch Jingle” to encourage fans to meet and greet them after the show and pick up merchandise before heading out. “It’s a Sin to Tell a Lie” would close the set, and the original familial song “Texas” served as the lone encore.
The Quebe Sisters have one of the most unique harmonies and a sound that bridges generations of country and western music, influenced by time and the fiddle prowess of a trio of 20 years strong, just getting started.
The Quebe Sisters – Caffe Lena, Saratoga Springs – June 22, 2023
Set 1: Avalon, Please Don’t Talk > Going Away Party, Teardrops, Pierce the Blue > Twin Guitar, Timber Trail > Trouble in Mind, My Love, My Life, My Friend, Lullaby of Birdland, Cow Cow Boogie, Twilight > Speed the Plow
Set 2: Lonesome Road > Shame on You, Distraction, Drone on the Range, Roly Poly, Georgia on my Mind, Load in at 7 (Leave at 8), Day People, Lullaby of the Leaves, Swingin’ the Bow, intros > Summer of Roses, Merch Jingle > It’s a Sin to Tell a Lie
Friday, June 23rd marks the release date of Glass Pony’s latest album, Washed Away. The strength of the release lies with compelling instrumentals, creating a perfect blend between nostalgic classic rock and a more modern sound.
The Albany-based group features Chanda Dewey on drums and vocals, Eddie Hotaling on guitar and vocals, Jeff Picarazzi on bass and vocals, and Greg Pittz on lead guitar and vocals.
The album offers a perfect pop-rock sound for a hot summer day, the sound reminiscent of some signature classic rock influences. This is first established with the album’s catchy opening song, “Bottom of the Ocean.” The bright guitar creates a nostalgic, summery feel, qualities that would make the song perfect to listen to on the beach. The song blends the vocals of the entire group for an upbeat tune about change, or the lack thereof. The lyrics remind us that “at the bottom of the ocean, it’s just another day,” despite how much may change on the shore.
Another Washed Away highlight is “Spotlights,” one of the album’s most impressive pieces. While the song’s opening is slow, it quickly becomes captivating through its transition into a funky, quick groove. The quick beat and groovy feel make the song an enjoyable listen, perfect to dance to. The powerful instrumental mix carries the music, almost as if the vocals accompany them. Similarly to “Bottom of the Ocean,” the song embodies aspects of classic rock, largely though the electric guitar. Halfway through the song, an epic guitar solo takes over, almost as if it is telling story. Listening to the song was a memorable experience, akin to its lyrics about having a new experience.
One of Washed Away‘s most unique pieces was undoubtedly “Doppler.” The song opens with a bass solo, establishing a chill tone, but takes on different moods and tones throughout the song. A powerful instrumental intro takes on an alternative rock feel, whereas later sections of the song incorporate dreamy synth combined with sounds of nature, such as bird calls. Through a slow crescendo into a guitar solo, the instrumental-heavy song is dreamy, interesting, and powerful.
Glass Pony further showcased their compositional skill through quick instrumental pieces like “Sonder,” a song without lyrics, but not lacking in any way – the instruments tell their own story. A quick, shredding electric guitar builds into a catchy tune, ultimately building to a chaotic, fascinating blend of instrumentals.
The album’s final track, “Upside Down,” offers another chill, summery rock anthem to add to any beach playlist. The music manages to emphasize lyrical phrases, matching the beat and rhythm of the group’s words. The bright, pop rock sound is comparable to the album’s opening track, bringing a sense of coherency to the album. Through a similar intro and outro, it feels like the listener is taken through a musical journey, returning to where they began.
Following its official release, find Washed Away from Glass Pony on Spotify. Watch the lyric video to “Bottom of the Ocean” below.
It was a great night to be a fan of live music if you were anywhere near downtown Albany on Thursday, June 15th. With the annual Alive at 5 free concert series now in full swing, fans from across the Capital Region flocked to Jennings Landing for “Jam Night” with Mihali Savoulidis. While it was undeniably a great time and great exposure for the ultra-talented and charismatic Twiddle front man, it was the show-after-the-show that ultimately provided the biggest improvisational peaks of the evening. Playing to a packed Parish Public House directly across the street after Mihali’s set, Annie in the Water kept the party going long and strong well into the next morning.
Alive at 5: Mihali, featuring Scott Hannay and the West End Blend Horns got the party started
Going off the cuff without a written setlist, the band unleashed the perfect combination of original songs, unexpected covers, and guest sit-ins galore from some high-profile friends, including members of Twiddle, Scott Hannay, and the West End Blend, all making for a perfect night cap to an already memorable night in Albany.
Often regarded as one of the leading forces in the Capital Region’s live music resonance, Annie in the Water has been making steady waves across the northeast for years. Comprised of Brad Hester (Lead Vocals/Rhythm), Michael Lashomb (Lead Guitar/Vocals), Joshua West (Drums/Vocals), Chris Meier (Bass/Vocals), Matt Richards (Keys/Vocals) and Brock Kuca (Percussion/Vocals), the band has already played everything ranging from the Adirondack Independence and Memorial Meltdown Festivals, Rock the Dock, the Catskill Mountain Jubilee, and even made their Alive at 5 debut last summer, opening for fellow jammers Spafford. Making plenty of friends along the way and taking pride in making every performance different, you never know who might show up at an Annie in the Water show.
Brad Hester performs with Annie in the Water at the Parish Public House
On this Thursday night, things at the Parish got heated up quickly as fans cramped into the dimly lit club early to get a glimpse of the action. Right out of the gates we were treated to a guest sit in from Ryan Dempsey, a classically trained keyboard player and one of Mihali’s bandmates in Twidde. Opening the frame with a jammed-out version of “Pleasure in Sin,” Annie in the Water would then play their latest R&B inspired single “Honeybee” to the adoring crowd who just seemed to love these guys.
Ryan Dempsey of Twiddle sat in with Annie in the Water for several songs
Pulling double duty, our next musical collaboration would feature West End Blend saxophone player Mike Oehmen, a cancer survivor who was also was part of Mihali’s Alive at 5 band earlier in the evening. Lending his talents to the relaxing groove of “Out of Phase,” Oehmen’s soaring sax solo would soon lift the energy in the room to the next level. From there Joe Davis made a surprise appearance, jamming out to his former bandmate’s song, the Matt Richards penned, “In The Sand.”
The dancing would continue with a delightful version of “Bloom,” the infectious lead track from Annie in the Water’s latest studio album, 2022’s Sun At Dawn. One affectionate couple in the front row were particularly grateful to hear it, describing it as “their song.” Indeed, it’s catchiness makes it the type of song that could easily be a massive hit if given proper airplay. With the audience now fully feeling sexy, the next surprise came in a cover of Christina Aguilara’s late 90’s pop TRL hit, “Genie in a Bottle,” which got the entire audience going wild and singing along. Giving this version a bit of the “rock” treatment, by the time “Genie” reached it’s over-the-top guitar solo courtesy of Michael Lashomb, even the hardest fans in the room could be seen letting their guard down and bobbing along. What, you think I didn’t see you? The guilty pleasures would continue for another cover song from the same era, this time with Brad Hester turning his cap around and doing his best Mashall Mathers impression on “The Real Slim Shady,” which would bring the incredibly fun opening set to a close. Showing both their musical diversity and their sense of humor, how the guys planned to top it for the second set was anyone’s guess.
Annie in the Water guitarist Michael Lashomb was firing on all cylinders
After a brief break to catch our breath and air out the room, it was time for everybody to get a drink. That’s because not only was Ryan Dempsey of Twiddle making his second appearance of the night, he would also lead the charge through a pair of classic Twiddle songs. First up was “Mamunes the Fawn,” which brought the party vibe to a whole new level and perhaps with it, some optimism that Twiddle front man Mihali would possibly make an appearance too. While ultimately he did not, for the next Twiddle cover, we did get two of Mihali’s Alive at 5 bandmates, West End Blend’s Michael Bafundo pumpin’ on the trumpet and Mike Oehmen on sax once again for a joyous rendition of “Syncopated Healing.” Despite lacking Mihali’s distinct vocals, it was pretty amazing to hear how well Annie in the Water recreated Twiddle’s massive sound, obviously long-time admirers of the band.
Michael Bafundo and Mike Oehmen pulled double duty playing sets with both Mihali & Annie in the Water
The horns would stick around for a few more songs, while a third (yes third) keyboard player, Scott Hannay, would join in on the fun for “Feel That Pulse.” The family-style jam would continue for one more song, “Seeds,” which was arguably the high point of the evening. After both pulling double duty performing at Alive at 5 and now sitting in for several songs with Annie in the Water, it’s fair to say the tuckered out West End Blend boys earned their keep on this night and the right to take the rest of it off. Scott Hannay, however, was just getting warmed up and would stick around to crush his part of “Seaside Highway.”
With a Little Help From Their Friends: It was sit in’s galore at Annie in the Water’s Parish Performance
Ryan Dempsey would then return for one final dose of triple piano action on the always appreciated Talking Heads cover, “Take Me To The River.” The remainder of the set though, would be vintage Annie in the Water performing some of their best original material. Starting with “Change My Mind,” next on tap was “Balloons,” the song their very own IPA beer is named after.
Scott Hannay never fails to crush a sit in with his Annie in the Water pals
Following a quick encore break and a 50/50 drawing for a good cause, Brad Hester would then take the stage by himself for a heartfelt, vocal’s only rendition of “Free (No Need for Forgiveness). About halfway through the number, the remainder of the band would emerge from backstage one at a time and slowly join in on the song as it seamlessly transitioned into “Sativa,” a special song about embracing life’s challenges, growing and learning from the unexpected struggles. Annie in the Water would finally bring things back full circle by closing out with “Free Again (reprise)” to bring the stellar performance to a close. Great music, great people, great collaborations and great times. Just a ‘grade A’ evening all around.
Up next, the band will release their next single “Sailing” on Friday, June 30th. In celebration, Annie in the Water will then be ON the water, finding their sea legs as part of a sold-out Boatcruise weekend on July 1st, 2023. Later this summer, the group plans to link up with long time friend, Hayley Jane, to recreate the classic Fleetwood Mac album, Rumors. That’s if their tour van can get them there. A blown transmission has recently sent them scrambling for a little help. A Gofundme page is expected to be announced shortly. You know what to do.
Annie in the Water | June 15, 2023 | Parish Public House | Albany, NY
Set 1: “Pleasure in Sin” > Jam *Ryan Dempsey Keys, Honeybee, Out of Phase *Mike Oehmen Sax, In the Sand > Jam *Joe Davis Guitar, Bloom, Genie in a Bottle (Christina Aguilera), The Real Slim Shady (Eminem)
Set 2: Mamunes the Fawn (Twiddle) *Ryan Dempsey keys, Syncopated Healing (Twiddle) *Ryan Dempsey keys, Mike Oehmen Saxophone, Michael Bafundo Trumpet, Feel That Pulse, *Scott Hannay keys, Mike Oehmen Saxophone, Michael Bafundo Trumpet, Seeds *Ryan Dempsey keys, Scott Hannay keys, Mike Oehmen Saxophone, Michael Bafundo Trumpet, Seaside Highway *Scott Hannay keys, Take Me to the River (Talking Heads) *Scott Hannay keys, Ryan Dempsey keys, Change My Mind, Balloons, Free Again > Sativa > Free Again (reprise)
Photo courtesy of Frank Cavone/Mirth FilmsPhoto courtesy of Frank Cavone/Mirth Films
