Connecticut’s femme pop artist Lexi Mariah has just released her newest single “No Worries…,” a catchy electro-pop tune that is truly vibrant with melody. Presenting an upbeat tempo and electrifying melody, the track truly showcases Lexi Mariah’s vibrant personality and remarkable songwriting skills.
This new pop single features a captivating chorus that will have you humming along in no time produced by the acclaimed Kenny Cash (Sony, Disney, Nickelodeon, Netflix). The track is a fusion of Lexi’s unique style and Cash’s signature production.
“No Worries…” is completely full of infectious hooks, with pulsing beats and relatable lyrics. Lexi took inspiration from the styles of the industry’s top artists such as Taylor Swift, Bebe Rexha, and Ava Max. Overall, the single showcases all the best elements of electro-pop for fans to enjoy.
The storyline behind the single comes from the artist’s personal frustrations with disloyalty. “You know that feeling when you’re hanging out with someone, putting in the effort, giving them your undivided attention, but you can tell they’re distracted by someone else the entire time?” says Lexi.
“Then by the end of the night or the next day, they’re so apologetic and you’re just too emotionally exhausted to deal with it, so you brush them off with the low key sarcastic ‘it’s fine, no worries!’” she adds. “It’s a phrase I say a lot, and honestly, it’s almost always a lie. There’s pretty much always a worry and it’s usually never fine.” the singer laughs. The upbeat track can resonate with anyone who has ever felt the sting of betrayal, making it relatable for fans old and new.
With her previous songs receiving love and praise from outlets such as Rolling Stone IN, Melodic Magazine and EARMILK, it is no surprise that Lexi Mariah has cemented her status as one of the most exciting new voices in electro-pop with this track. “No Worries…” is a true testament to her growth as an artist.
Listen to “No Worries…” by clicking the link here.
For more information and music by Lexi Mariah, click the link here.
Just in time for Pride month, LA’s Andy Frasco & The U.N. have announced the release of their eagerly awaited new album, L’Optimist, on Friday, August 11th. Today, they have premiered the release of the ebullient first single, “You Do You,” with a hilarious music video to accompany it.
As a much-beloved live outfit renowned for unbridled improvisation, audience interaction, surprising covers, special guests, and animated antics unlike any other, Andy Frasco & The U.N. is unlike no other. Frasco’s sixth studio album L’Optimist is the most hopeful and enthusiastic collection thus far in his career.
The upcoming release now sees Frasco continuing to develop as a songwriter, band leader, and human being, his exploratory spirit giving way to something more firmly grounded yet no less adventurous. Having built a still-expanding career on forward motion, Andy Frasco remains positive in his determination to keep on keeping on, pushing himself and his music to grow and improve with every passing day.
“‘You Do You’ is basically a call to arms to myself,” Frasco says about the single. “Like, what is success? We built success through being outlaws and being ourselves. I did it my own way and it worked out for the best, I think. Could we have been way more successful if I just conformed? Maybe, but that’s boring. It sounds like cheating in a race and I’m not trying to cheat. I want to do it my way. Hopefully I’ll look back when I’m 80 and realize that, like Frank Sinatra, I did it my way.”
A testament to Frasco’s wide-ranging influences and boundless energy, L’Optimist sees the magnetic frontman continuing to chart his path of self-exploration and personal discovery through increasingly introspective lyricism and musical adventure. The album sees Frasco fully in command of his craft, more comfortable and confident than ever before, his notorious party-animal persona giving way to a wiser, but no less enthusiastic, artist and band leader.
Frasco once again challenged himself to explore difficult lyrical terrain, spanning relationships and chronic depression, empathy and alienation, inspired in part by his first real girlfriend. Songs like the deeply moving “Iowa Moon” touch on matters of the heart and mental health, emotional struggle and the sheer vulnerability of the human experience, all relayed through a wildly eclectic approach navigating funk, jazz, surf rock, blues, swing, gospel, reggae, exotica, and more with horn-blasted positivity and soulful power.
“With so much bad news in the world, why not try to figure out a way to get out of the darkness,” Frasco says. “We’re not going to be able to change the world, but at least we can change the mind state we have moving forward. We can at least help the process along by being optimistic that the future will turn itself around. And if everyone changes their mind state about the future, then maybe we can change the world.”
In the meantime, Frasco will spend the summer traveling America on a wide-ranging itinerary that features headline dates, top-billed festival appearances, and an eagerly awaited double bill supporting Slightly Stoopid set for August 13th at Morrison, CO’s famed Red Rocks Amphitheatre. Additional dates will be announced in the upcoming weeks.
ANDY FRASCO & THE U.N. TOUR 2023
MAY
19 – Beaufort, NC – Beaufort Music Festival *
20-21 – Garrettsville, OH – Tropidelic’s Sunny Days *
28 – Chillicothe, IL – Summer Camp Music Festival *
JUNE
1-3 – New River Gorge, WV – Mountain Music Festival *
16 – Swanzey, NH – Northlands Music & Arts Festival *
17 – Wellfleet, MA – Beachcomber
18 – Nantucket, MA – The Chicken Box
21 – Charlotte, NC – Visulite Theatre
22 – Isle of Palms, SC – The Windjammer
23 – Black Mountain, SC – Pisgah Brewing Company
24 – Kill Devil Hills, NC – Outer Banks Brewing Station
25 – Kill Devil Hills, NC – Outer Banks Brewing Station
27 – Roanoke, VA – 5 Points Music Sanctuary
28 – Dewey Beach, DE – Bottle & Cork
29 – Virginia Beach, VA – New Realm Brewing Co.
30 – Baltimore, MD – Union Craft Brewing
JULY
1 – Scranton, PA – Peach Music Festival *
2 – Amagansett, NY – The Stephen Talkhouse
14 – Buffalo, NY – Cobblestone Live! *
26 – Victor, ID – Knotty Pine
27 – Salmon, ID – Sweet Water Hollow
28 – Livingston, MT – Pine Creek Lodge
29 – Ketchum, ID – Argyros Performing Arts Center
AUGUST
1 – Durango, CO – Animas City Theatre
2 – Grand Junction, CO – Mesa Theater
4 – Steamboat Springs, CO – Snow Bowl Steamboat
5 – Telluride, CO – Sheridan Opera House
6 – Aspen, CO – Belly Up Aspen
10–12 – Yuba, WI – People Fest *
13 – Morrison, CO – Red Rocks Amphitheatre +
SEPTEMBER
9 – Indianapolis, IN – All In Music & Arts Festival *
10 – St. Louis, MO – Music At The Intersection *
28 – E. Lansing, MI – Hall 224 ^
OCTOBER
1 – Washington, DC – Atlantis ^
4 – Burlington, VT – Higher Ground Ballroom ^
8 – Portland, ME – Bayside Bowl ^
11 – Richmond, VA – The Broadberry ^
NOVEMBER
2 – Nashville, TN – Brooklyn Bowl †
4 – Atlanta, GA – Variety Playhouse †
5 – Raleigh, NC – Lincoln Theatre †
DECEMBER
5 – Little Rock, AR – Revolution Music Hall –
6 – Tulsa, OK – The Vanguard –
7 – Austin, TX – Mohawk –
8 – Dallas, TX – Deep Ellum Art Co. –
9 – Houston, TX – Last Concert Cafe –
10 – Baton Rouge, LA – Chelsea’s Live –
16 – Fayetteville, AR – George’s Majestic Lounge #
Waterparks, pop punk/modern rock icons, brought the house down at Philadelphia’s legendary Theatre of Living Arts (TLA). It was the 6th show of their East Coast leg on the Intellectual Property Tour, and boy, did they deliver an unforgettable performance.
With HUNNY and Elliot Lee warming up the crowd, the energy was off the charts. TLA was packed with their devoted fanbase, affectionately known as “parxies,” who created an electric atmosphere. Waterparks’ signature style and intense electric sound had the audience mesmerized and electrified throughout the night. It was an absolute blast, and a testament to their status as one of the leading bands in the pop punk scene.
A New York native, Elliot Lee is a visionary musician who has been rewriting the rules of pop music since bursting onto the scene. With her unmistakable blend of haunting melodies, poetic lyricism, and a voice that resonates with raw emotion, Elliot Lee has captivated audiences worldwide. The atmosphere crackled with anticipation as Elliot’s ethereal vocals filled the venue, intertwining seamlessly with the hypnotic melodies. The crowd was transported to a realm where emotions ran deep, where vulnerability and strength coexisted. It was a transcendent experience, as Elliot bared their soul through their music.
Standout moments included the hauntingly beautiful performance of “Easy To Be You,” where Elliot’s voice soared effortlessly, carrying a weight of raw emotion that left the audience breathless. The pulsating beats and shimmering synths of “Fun” had everyone moving to the rhythm, surrendering to the cathartic release of the music.
Elliot Lee Setlist: Upside Down, Sicko, Drama Queen, Pill for Happiness, Solo, Happy Face, Fun, 54321, Easy to Be You, Pink (Freak)
HUNNY is a dynamic indie rock band that emerged from the vibrant music scene of Southern California. Formed in 2014, this five-piece ensemble quickly garnered attention for their infectious energy and heartfelt lyrics. The band’s during the show consisted of lead vocalist and guitarist Jason Yarger and bassist Kevin Grimmett. With their unique blend of dreamy melodies, gritty guitars, and introspective storytelling, HUNNY swiftly captivated the audience. As the frontman, Yarger’s charismatic persona commanded attention, effortlessly navigating between vulnerable introspection and explosive bursts of passion.
The band’s seamless chemistry created an irresistible atmosphere, driving the crowd into a frenzy. The setlist was a carefully curated journey through their discography, combining fan favorites like “Vowels (And the Importance of Being Me)” and “Televised” with newer gems from their latest album. Each song resonated deeply, with the band’s infectious hooks and infectious melodies washing over the audience.
HUNNY Setlist: Natalie, Saturday Night, Vowels (And the Importance of Being Me), Halloween, JFK, Shy, Loser, Good Will Hunting Song, action –> reaction, Lula, I’m Not Mad, Televised, Sports With Strangers
Waterparks (not to be confused with an aquatic amusement park) is a pop punk band from Houston, Texas. Made up of frontman Awsten Knight, drummer Otto Wood, and guitarist Geoff Wigington, the trio quickly gained a reputation for their captivating live performances and clever songwriting since they formed in 2011. Blending elements of pop, rock, punk, and electronic music, they have carved a unique niche for themselves in the music industry. With their infectious melodies, high-energy performances, and fearless attitude, Waterparks has become a defining voice in modern pop-rock, inspiring a new generation of music lovers and proving that they are just getting started.
During the opening chords of ST*RFUCKER and Awsten’s debut in a giant red parka, the audience became a living, breathing entity, swaying and jumping in unison. The surge of adrenaline in the room was palpable, as fans eagerly embraced the band’s electrifying sound.
Awsten effortlessly commanded the stage with his charismatic presence. He engaged the crowd with his patented fan interaction strategies which included affectionately bullying the crowd and airdropping a photo from their photographer’s (Jawn Rocha) phone to random fans. The connection between the Waterparks and parxies was undeniable, as cheers and chants filled the venue.
As the energy reached its peak, the crowd erupted into a frenzy of excitement, with people crowd surfing their way towards the stage. Waterparks’ music created a sense of unity and exhilaration, as fans supported each other, riding the wave of excitement and joy.
Amidst the chaos, Waterparks skillfully navigated through their setlist, flawlessly transitioning from one hit to the next. Tracks like “Numb,” “Stupid for You,” and “Group Chat ” ignited the crowd. Parxies went absolutely wild when the band played “Crave”, the one song that called for Geoff to sing a verse.
As the set reached its crescendo, Waterparks returned for an encore that left the crowd in awe. “REAL SUPER DARK,” “Turbulent,” and “Funeral Grey” ignited a final surge of energy. The audience erupted, jumping and singing along with unbridled enthusiasm. The band poured their hearts into every note, reciprocating the crowd’s unwavering energy.
Their ability to connect with the audience through their music created an electric atmosphere, leaving everyone craving for more. The sight of people crowdsurfing and the collective euphoria of the concert will forever be etched in the memories of those lucky enough to experience the magic of Waterparks live in Philadelphia.
Waterparks Setlist: ST*RFUCKER, Numb, Rare, Stupid for You, Crave, Brainwashed, 2 Best Friends, Fuck About It, War Crimes, [Reboot], Royal, Telephone, Ritual, High Definition (Acoustic snippet), I Miss Having Sex but at Least I Don’t Wanna Die Anymore, Group Chat, Closer, A Night Out on Earth
Waterparks Encore: REAL SUPER DARK, Turbulent, Funeral Grey
The North America portion of the Intellectual PropertyTour will keep going all the way until June 14th when they finish in Los Angeles. If you find yourself abroad, you can catch Waterparks in Europe (with support from Stand Atlantic) and in Australia later on in the year. Stay tuned to their website and socials for more information on those dates.
HUNNY will be following Waterparks till the end of the line so be sure to follow Kevin and Jason’s adventures on tour (and for future endeavors).
Elliot Lee will be departing after the show in Georgia. Be sure to follow them on socials and check their website for any performances that they play when they get back home to NY.
The Summer Camp Music Festival, an annual staple for Chillicothe, Illinois, is to be discontinued following this years gathering on Memorial Day weekend. Producer of the festival, Ian Goldberg, shared the news in a recent press release.
The Summer Camp Music Festival first began in 2001 and has since been known for its trademark late night events, open field shows, campgrounds, and a consistent line up of incredible artists and bands. The 2023 Memorial Day weekend will mark its 22nd year running, bringing back host bands moe. and Umphrey’s McGee along with headliners Willie Nelson & Family, Badflower, and more.
In his statement, Goldberg related that the show will not come to a definite end as the team still plans to throw a redefined camping and music experience at the Three Sisters Park every Memorial Day starting in 2024. The need for change is said to come from logistical challenges that emerged from the pandemic along with the difficulties of throwing an independent festival of this size against large corporate competition. Goldberg claims that these problems have had the team reevaluating how the festival runs for a while now which has led to more road blocks.
“Reimagining Summer Camp had its own challenges, we could not figure how to scale back the event in a way that would feel true to everything Summer Camp Music Festival has come to be,” Goldberg stated. “Cutting pieces of it felt like leaving our children behind. So we decided it was time to put the Summer Camp Music Festival to rest. For now.”
More details about the new Summer Camp festival are said to be released to the public after this year’s concerts. While being different from what concert goers have grown to love, the producer emphasizes that the new rendition will include certain aspects of the original that experienced Sumer Campers will find very familiar.
This year’s Summer Camp Music Festival will commence on May 26th, and, as Goldberg claims, will be “insanely meaningful.”
Tanglewood, a music venue in the towns of Lenox and Stockbridge in the Berkshire Hills in Western Massachusetts, has announced the lineup for their 2023 summer series, celebrating 85 years as an operating venue.
Tanglewood exterior, photo by Aram Boghosian.
Tanglewood has been the famed summer home of the Boston Symphony Orchestra since 1937, as well as the Tanglewood Music Center, and the Boston Pops. The venue welcomes more than 350,000 visitors to performances, recitals, and seminars across 500 acres. This summer, the venue is hosting a variety of events, including the Boston Pops and Film Night, Tanglewood on Parade, popular artists like Train, Robert Plant and Alison Krauss, and the Steve Miller Band, along with Boston Symphony Orchestra guest conductors and performances, and more. Tanglewood welcomes all to its iconic grounds surrounded by the beautiful Berkshire Hills of western Massachusetts.
Popular Artists Series
The Popular Artists Series at Tanglewood was founded in 1968 when the venue decided to expand its musical offerings with the creation of “Contemporary Trends” concerts. The purpose of the series was to present performances by popular groups representing important trends in contemporary music outside the sphere of Western “classical” music. The first few years included performances by The Association, Ravi Shankar, Chicago, and more. Over the years, the Koussevitzky Music Shed has welcomed artists such as The Who, Jefferson Airplane, Joni Mitchell, Bob Dylan, Ringo Starr, and more. “Tanglewood has long been renowned as a classical music venue; but since the 1960s, the Popular Artists Series has added to the breadth of musical offerings and the diversity of audiences visiting the Boston Symphony Orchestra’s summer home base in the Berkshires,” says Anthony Fogg, William I. Bernell Vice President, Artistic Planning. All concerts will take place in the Koussevitzky Music Shed this summer.
Thursday, June 22 at 8 p.m.- Wait Wait… Don’t Tell Me!
NPR’s oddly informative news quiz program returns to Tanglewood, now in its 25th year. The Peabody Award-winning series offers a fast-paced, irreverent look at the week’s news, hosted by Peter Sagal and Official Judge and Scorekeeper Bill Kurtis.
The Steve Miller Band is an American rock band formed in 1966, led by Steve Miller on guitar and lead vocals releasing a string of mid-to-late-1970s hit singles that are staples of classic rock, including “Fly Like An Eagle,” “The Joker,” and more. Bruce Hornsby & The Noisemakers support.
Robert Plant is best known as the lead singer and lyricist of the rock band Led Zeppelin for all of its existence from 1968 until 1980. He collaborated with bluegrass-country singer and fiddler Alison Krauss on Raising Sand in 2007 and promptly won the Grammy Award for Album of the Year. Their album Raise The Roof (2021) is available everywhere you can stream music. The support is JD McPherson known for his retro sound rooted in the rock and roll, rockabilly, and rhythm and blues music of the 1950s.
Robert Plant and Alison Krauss, photo by David McClister.
Monday and Tuesday, July 3 and 4 at 8 p.m.- James Taylor
James Taylor is one of the best-selling music artists of all time, having sold more than 100 million records worldwide. He is a six-time Grammy award winner and was inducted into the Rock and Roll Hall of Fame in 2000. James Taylor and his All-Star Band will celebrate the start of the Tanglewood season with two intimate and memorable performances, both sold out.
Thursday, August 24 at 7 p.m.- Train with Very Special Guest Parmalee
Since their formation in 1994, multi-GRAMMY Award-winning, diamond-selling band Train has had 14 songs on Billboard’s Hot 100, 12 albums on the Billboard 200 albums chart, and has sold more than ten million albums and 30 million tracks worldwide. Support is Parmalee, an American country music band consisting of brothers Matt Thomas and Scott Thomas, along with their cousin Barry Knox and best friend Josh McSwain.
Jackson Browne has written and performed some of the most literate and moving songs in popular music. He was inducted into the Rock and Roll Hall of Fame in 2004 and the Songwriter’s Hall of Fame in 2007. Throughout his career, he has released fourteen studio albums, four collections of live performances, two “best of” compilations, two DVDs, and several single recordings. Browne’s newest studio album Downhill From Everywhere was released in July 2021 and received a GRAMMY nomination for Best Americana Album. Tickets for this show go on sale on June 1 here.
Jackson Browne.
Boston Symphony Orchestra
The Boston Symphony Orchestra, led by Andris Nelsons since 2014, will be doing its annual residency at Tanglewood this summer, at various places within the venue, including the Shed, Ozawa Hall, and the Linde Center. BSO gave its inaugural concert in 1881, and now reaches millions of listeners through performances in Boston and at Tanglewood, and also via streaming on BSO NOW, educational and community programs, radio, television, recordings, and tours.
Boston Symphony Orchestra in the Shed, including guest conductors
Friday, July 7 at 8 p.m.
The Boston Symphony Orchestra’s opening concert of the season begins with Wynton Marsalis’s Herald, Holler, and Hallelujah, followed by Prokofiev’s Piano Concerto No. 3, with soloist Daniil Trifonov, and Tchaikovsky’s Symphony No. 4, led by Andris Nelsons.
Sunday, July 9 at 2:30 p.m.
A world premiere of Iman Habibi’s Zhiân and Jessie Montgomery’s Freedom Songs, featuring vocalist Julia Bullock, make up the first half of this program. Hilary Hahn joins the BSO and Andris Nelsons for Brahms’s Violin Concerto to finish the night off.
Andris Nelsons, photo by Marco Borggreve.
Saturday, July 15 at 8 p.m.
A Nelsons-led BSO concert performance of Mozart’s opera Così fan tutte, with Nicole Cabell and Kate Lindsey in the lead female roles, with the Tanglewood Festival Chorus, James Burton conductor. Will be sung in Italian with English supertitles.
Sunday, July 16 at 2:30 p.m.
The BSO and Andris Nelsons, joined by the Tanglewood Festival Chorus and children’s choir, perform Orff’s Carmina burana. The program opens with Beethoven’s Leonore Overture No. 3.
Guest Conductors
Friday, July 21 at 8 p.m.
In her BSO debut, Xian Zhang leads the BSO and performers of Nimbus Dance in Copland’s Appalachian Spring with Dvořák’s Symphony No. 9, From the New World.
Xian Zhang, photo by Benjamin Ealovega.
Saturday, July 22 at 10:30 a.m.
Thomas Wilkins leads members of the BSO in a Family Program entitled May I Have Your Attention Please.
Saturday, July 22 at 8 p.m.
David Afkham conducts an all-Mozart program featuring pianist Martin Helmchen.
Sunday, July 23 at 2:30 p.m.
Thomas Wilkins returns the next day to lead a Boston Symphony Orchestra concert, with mandolin soloist Jeff Midkiff in his own concerto entitled From the Blue Ridge, along with the music of Coleridge-Taylor and Ellington.
Friday, July 28 at 8 p.m.
Giancarlo Guerrero leads the BSO and Lorelei Ensemble in Julia Wolfe’s Her Story (BSO co-commission). Mahler’s Symphony No. 1 finishes off the night.
Thomas Wilkins, photo courtesy of Omaha Symphony Orchestra.
Saturday, July 29 at 8 p.m.
Dima Slobodeniouk leads the BSO in a program that opens with Messiaen’s Les Offrandes oubliées and includes Agata Zubel’s In the Shade of an Unshed Tear and Ravel’s Daphnis et Chloé, Suite No. 2.
Sunday, July 30, 2:30 p.m.
BSO Assistant Conductor Anna Rakitina leads the BSO and Joshua Bell in Paganini’s Violin Concerto No. 1, with Ellen Reid’s When the World as You’ve Known It Doesn’t Exist (featuring vocalists Eliza Bagg, Martha Cluver, and Sonja DuToit Tengblad) and a suite from Prokofiev’s Romeo and Juliet.
Friday, August 4 at 8 p.m.
Emanuel Ax performs Brahms’ Piano Concerto No. 1 with Dima Slobodeniouk and the BSO. The program opens with John Adams’ Shaker Loops.
Sunday, August 6 at 2:30 p.m.
Kazuki Yamada, in his BSO debut, is joined by Lucas and Arthur Jussen for Mendelssohn’s Concerto in E for two pianos and orchestra. The program also includes Berlioz’s Symphonie fantastique.
Friday, August 11 at 8 p.m.- Guest
Anne-Sophie Mutter joins the BSO and Nelsons for John Williams’ Violin Concerto No. 2, on a program with works by Strauss and Ravel.
Saturday, August 12 at 8 p.m.
Susanna Mälkki leads the BSO and Seong-Jin Cho in Mozart’s Piano Concerto No. 9 in E-flat on a program with Bartók’s Concerto for Orchestra.
Susanna Mälkki, photo by Marica Rosengard.
Sunday, August 13 at 2:30 p.m.
Julia Adolphe’s Makeshift Castle opens the program, followed by Yo-Yo Ma performing Shostakovich’s Cello Concerto No. 1. The program closes with Stravinsky’s Petrushka (1947 version).
Friday, August 18 at 8 p.m.
Andris Nelsons leads the BSO in Carlos Simon’s Four Black American Dances and Saint-Saëns’ Piano Concerto No. 5, Egyptian, and Gershwin’s Piano Concerto in F, both with Jean-Yves Thibaudet as soloist.
Saturday, August 19 at 8 p.m.
Leonidas Kavakos performs Tchaikovsky’s Violin Concerto on a program with Prokofiev‘s Symphony No. 5.
Special Event
Friday, August 25 at 8 p.m.
Emanuel Ax, Leonidas Kavakos, and Yo-Yo Ma perform an all-Beethoven program in the Shed, with the Archduke Trio and a transcription by Shai Wosner of the Fourth Symphony.
Leonidas Kavakos, photo by Marco Borggreve.
Ozawa Hall: Chamber Music, Recitals, Operas, Dance, Jazz, and More
Wednesday June 28 at 8 p.m.
In its final appearance at Tanglewood, the Emerson String Quartet, joined by Emanuel Ax, performs a new work by Sarah Kirkland Snider and works by Purcell, Shostakovich, and Dvořák.
Thursday, June 29 at 8 p.m.
The Knights, with conductor Eric Jacobsen, perform a new work for voice and orchestra by Chris Thile, who will also be featured as vocal soloist, and Jessie Montgomery’s Source Code for strings, with works of Bartók and Enesco.
Thursday, July 13 at 8 p.m.
Vocalist Julia Bullock in recital.
Thursday, July 20 at 8 p.m.
Philharmonia Baroque, led by Richard Egarr, performs Handel’s Acis and Galatea with singers Nicholas Mulroy, Hera Hyesang Park, Dashon Burton, and Isaiah Bell.
Wednesday, July 26 at 8 p.m.
The Boston Symphony Chamber Players perform works of Yehudi Wyner, Sofia Gubaidulina, Shulamit Ran, and Schumann.
Wednesday, August 2 at 8 p.m.
The Danish String Quartet performs the works of Schubert and Bent Sørensen.
Danish String Quartet, photo credit by Caroline Bittencourt.
Sunday, August 6 at 8 p.m.
The Aaron Diehl Trio, consisting of pianist Aaron Diehl, drummer Aaron Kimmel, and bassist David Wong, presents a jazz program that includes Sir Roland Hanna’s 24 Preludes.
Wednesday, August 9 at 8 p.m.
Cellist Alisa Weilerstein presents FRAGMENTS 2, an immersive, multi-sensory audience experience combining music by contemporary composers with unaccompanied Bach.
Wednesday, August 16 at 8 p.m.
Pianist Bruce Liu presents a recital of works by Barber, Chopin, Kapustin, and Rameau.
Sunday, August 20 at 8 p.m.
TLI Presents the Gerald Clayton Trio.
Tuesday, August 22 at 8 p.m.
Vocalist Kelli O’Hara, joined by pianist Dan Lipton, performs Broadway favorites.
Kelli O’Hara.
Boston Pops and Film Night
The Boston Pops Orchestra, led by Keith Lockhart, performs the best music of the past and present with a broad spectrum of styles, from jazz to pop, indie rock to big band, film music to the great American songbook, and more. They appeal to the widest possible audience due to their variety and are perfect for people who may not even like orchestras. This summer, all shows will be performed at the Shed.
Saturday, July 8 at 8 p.m.
The Boston Pops, Keith Lockhart, and a cast of acclaimed Broadway singers perform a new symphonic arrangement of Ragtime: The Symphonic Concert, prepared by the original creators Terrence McNally, Lynn Ahrens, and Stephen Flaherty
Friday, July 14 at 8 p.m.
The Boston Pops and Keith Lockhart present an All-Gershwin program with artist Michael Feinstein and pianist Jean-Yves Thibaudet joining forces for a celebration of the music of this iconic American composer.
Keith Lockhart, photo by Hilary Scott.
Saturday, August 5 at 8 p.m.
John Williams’ Film Night, with conductors John Williams and David Newman, features classic film clips and favorite film score themes from the silver screen.
Saturday, August 26 at 8 p.m.
Keith Lockhart leads Harry Potter and the Sorcerer’s Stone™ in Concert, with John Williams’ score performed by the Boston Pops Esplanade Orchestra while the film is presented on high-definition screens.
Sunday, August 27 at 2:30 p.m
Star Wars: The Story in Music features Keith Lockhart and the Boston Pops performing the most memorable music from the sprawling saga of all nine Star Wars movies composed by John Williams.
Tanglewood Music Center Orchestra Concerts
The Tanglewood Music Center (TMC) offers an intensive schedule of study and performance for emerging professional instrumentalists, singers, conductors, librarians, and composers. Applications are now open to be a part of the TMC, for more information, visit here. Chamber music and recital programs presented by the young Fellows of the TMC are free of charge and take place throughout the summer
Xian Zhang conducts Prokofiev’s Symphony No. 6 on a program with works by Strauss and Gabriela Lena Frank led by TMC Conducting Fellows.
Monday, August 7 at 8 p.m. Ozawa Hall
Dima Slobodeniouk conducts Sibelius’ Symphony No. 2 on a program with works by Rachmaninoff and Ravel led by TMC Conducting Fellows.
Monday, August 14 at 8 p.m. Ozawa Hall
Dame Jane Glover, in her Tanglewood debut, conducts Brahms’ Symphony No. 2 on a program with Britten and Dvořák led by TMC Conducting Fellows.
Sunday, August 20 at 2:30 p.m. Shed
Susanna Mälkki returns to the podium for the final orchestra program of the summer, leading the Tanglewood Music Center Orchestra, Tanglewood Festival Chorus, and soloists Amanda Majeski, J’Nai Bridges, Stephen Costello, and Ryan Speedo Green in Beethoven’s Ninth Symphony and spirituals from Tippett’s A Child of Our Time.
Tanglewood Lawn with an audience, photo by Hilary Scott.
Festival of Contemporary Music Performances
The Festival of Contemporary Music (FCM) is one of the world’s premier showcases for works from the current musical landscape and landmark pieces from the new music vanguard of the 20th century. Recitals and many concerts are free of charge. FCM opens with “In Conversation: Curators of the Festival of Contemporary Music and Michael Gandolfi” on Thursday, July 27, at 1 p.m. in the Linde Center.
Thursday, July 27 at 8 p.m. Ozawa Hall
The music of FCM Co-curator Gabriela Lena Frank (Milagros, Sonata Serrana No. 1, and Las Sombras de los Apus) is included in FCM’s first musical program, which also includes Bartók’s Contrasts.
Friday, July 28 at 2:30 p.m. Ozawa Hall
Works by FCM Co-curator Anna Thorvaldsdottir (Spectra, Reminiscence I, II, III, IV, V, VI, and VII, Hrim, Aequilibria, and Ró) highlight this program. Kurtág’s 12 Microludes and Six Moments Musicaux also are performed.
Saturday, July 29 at 4 p.m. Linde Center
TLI Presents: A Curated Concert by Reena Esmail (FCM Co-curator), featuring Indian classical vocalist Saili Oak, in an all-Esmail program.
Saturday, July 29 at 6 p.m. Ozawa Hall
Prelude Concert with the Tanglewood Music Center
Ozawa Hall & Lawn, photo by Stu Rosner.
Sunday, July 30 at 10 a.m. Ozawa Hall
Interspersed with music by FCM Co-curator Tebogo Monnakgotla (It is the Lark that Sings, Five Pieces for String Trio, Le dormeur du val, Toys [or The Wonderful World of Clara], and Companion) are works by Malin Bång (Arching), Andile Khumalo (Schaufe[r]nster II), and Bent Sørensen (The Lady of Shalott).
Sunday, July 30 at 8 p.m. Linde Center
Experience a silent film screening of a score written by TMC Composition Fellows and performed live by TMC Fellows
Monday, July 31 at 8 p.m. Ozawa Hall
Works by all four curators are featured in the closing concert, with Stefan Asbury and TMC Conducting Fellows leading the Tanglewood Music Center Orchestra in Esmail’s RE / Member, Thorvaldsdottir’s METACOSMOS, Monnakgotla’s Un Clin d’oeil, and Frank’s Walkabout: Concerto for Orchestra.
For more information about the Tanglewood 2023 season and to purchase tickets, visit here.
The final Dead & Company tour, stopping in Saratoga Springs on June 17-18 and Citi Field June 21-22. will include a traveling charity auction featuring ten one-of-a-kind D’Angelico guitars designed by contemporary rock music artist AJ Masthay.
Each guitar features designs using images from Masthay’s Dead & Company poster art, creating an anthology of his work with the band, dating back to 2016.
The auction is part of the “Participation Row” activism village organized by HeadCount, a non-profit organization that promotes voter registration and civic participation, along with REVERB, which promotes environmental responsibility. Since 2015, Participation Row has raised more than $2.8 million dollars for nearly two dozen “Dead Family” charities through auctions and activity at over 180 concerts. Participation Row’s impact also includes over 25,000 fans registering to vote or signing up for election alerts, and over 100,000 single use water bottles being eliminated.
Masthay has this to say about his collaboration with HeadCount:
I’m a firm believer that if our democracy is going to function as intended, we all as citizens have an obligation to be informed and participate in said democracy, that’s why I am and will continue to be a supporter of HeadCount and their mission. My relationship with HeadCount started over a decade ago and out of our partnership has come some of the most cherished pieces in my portfolio.
Masthay is most well known for his unique style of reduction block printing in the concert art arena. His blend of traditional techniques and love of live music has made him one of the most prominent figures in the rock art industry. Masthay established his own letterpress studio in 2001 and is currently based out of Hartford, CT. He has also done work for Black Sabbath, Foo Fighters, South Park, Queens of the Stone Age, Umphrey’s McGee, Widespread Panic, and many more.
Current Dead & Company and former Grateful Dead drummer Mickey Hart will display his newest art collection during the band’s Summer Farewell Tour stops in Washington D.C. and Short Hills, NJ this June. These private, in-person appearances come as a rarity and will be exclusive one-of-a-kind showings to cap off the band’s, and Hart’s, illustrious career.
Art of Mickey Hart, the title of his newest collection, will showcase his creative journey between art, music, and science. Some of the pieces contained in these presentations were exhibited as a one-man feature at the Coral Springs Museum of Art in early 2020, but still connect to his fresh work.
“Hart 71” by Mickey Hart
Joining the Grateful Dead in 1967, Hart has spent over 50 years crafting some of the biggest musical performances in the industry’s history and is now looking forward to showing fans paintings that back his awarded career on canvas.
“These visual representations from my sonic-driven world are snapshots into the music I am making. The basis of all life is vibratory, from the cosmos to human organism to the rhythms of nature and the music that come from what we make, from what we call culture. These are the worlds of rhythm that envelop us on a daily basis. Understanding these rhythms is essential in our daily lives. These works have been drummed, vibrated into existence. This technique is essential in the creation of my art.”
Mickey Hart
Through his inner self and audacious curiosity, the ongoing love to express creativity is what has pushed Hart so much beyond music. The Library of Congress and the Smithsonian Institution have also welcomed the artist to be a spokesperson and pillar to represent music traditions.
Hart now completes his long, experienced journey with Bob Weir, John Mayer, Oteil Burbridge, and Jeff Chimenti as a part of Dead & Company’s 31-show farewell tour.
“Gold Man” by Mickey Hart
The art shows will take place through Wentworth Gallery where these will be intimate showings. It is recommended you contact the Short Hills or Washington D.C. location before attending.
Dates and times are now available for each show.
In Gallery Appearances By Mickey Hart
Mickey Hart Galleries – artist will be in attendance at both showings – contact the Gallery for information on attending
Ukrainian singer-songwriter, Nora Polinnia, dropped three new singles over the past few months. She released her debut single, “Gotham,” last October, followed by “Late Love,” and her most recent song, “Midnight Boy,” which dropped on April 28th.
These songs are heavily influenced by the singer’s adolescent experiences and the hardships of love and life during wartime. The up and coming artist currently resides in NYC and has lived there since the fall of 2022.
Polinnia co-created her debut single, “Gotham,” with her long-time friend Martin Nikov, as a part of an artistic movement to support Ukraine. The single itself, takes listeners on an eerie and haunting trip into the artists’ perspectives on the destruction of their home. It compares the country’s condition with the dark, fictional city of Gotham. The lyrics, at times over-literal with this metaphor, express a sense of hopelessness and pain. The strong, pulsating beat and rhythm contrastingly emphasize the singer’s anger, allowing it to become an anthem of rebellion and discontent.
Her newest single, “Midnight Boy” strays drastically from the mood of her first release, as it takes on the genres of disco and funk. The song describes a reckless type of man that has the ability to make others do what he wants through his surface-level charm. The fun, upbeat listen calls on women to discard these types of men and focus on their own independence.
Polinnia is currently working on publicity for “Midnight Boy” which includes a comedic and upbeat music video that will be released at the end of the month. Alongside the video, the artist is in the process of launching a TikTok dance challenge for the single. She hopes to get as many people involved around the world as she can, especially highschool students.
The singer’s recent singles are a part of her debut EP, Past Chronicles, which addresses the more careless and oblivious years of her youth. Following its completion, the artist plans to release two additional EP’s called Present Chronicles and Future Chronicles in order to create a trilogy. Present Chronicles is set to be released at the end of June this year which will address the challenges of living in the current state of the world.
Nora Polinnia, an artist with a unique sound, uses her fresh singles as a way to express herself as well as deal with her past, present, and future struggles. The artist remarks, “There’s no concrete explanation for how music and art makes people feel. However, it is something that connects us all and allows fleeting moments to be encapsulated.”
Sphere Entertainment Co. and Live Nation has announced the heavily anticipated “U2:UV Achtung Baby Live At Sphere,” a first-of-its-kind live music experience, happening at the brand new Sphere at The Venetian in Las Vegas this fall. Due to high demand, the band has added additional shows, bringing the total number to 17.
The long-awaited confirmed dates of this special run come after U2 dropped a sneak peek in a Super Bowl commercial back in February. The dates at the Sphere mark the band’s first live outing in four years, with Bono and The Edge saying, “U2 hasn’t played live since December 2019 and we need to get back on stage and see the faces of our fans again. And what a unique stage they’re building for us out there in the desert… We’re the right band, ACHTUNG BABY the right album, and Sphere the right venue to take the live experience of music to the next level.”
The Sphere, curated by Madison Square Garden Entertainment, is becoming the next-generation entertainment medium, bringing wonder to the world and redefining the future of live entertainment, where artists, creators, and technologies will create extraordinary experiences, taking storytelling to a new level. The venue will transform the concert-going experience with innovative technologies that include a 16K x 16K LED display inside the main venue bowl that wraps up, over, and around the audience, creating a fully immersive visual environment. The Sphere also has the world’s most advanced concert audio system, featuring crystal-clear audio and 10,000 immersive seats including a system that utilizes deep vibrations so guests can feel the rumble of thunder or a roaring motorcycle.
The group went on to say that “Sphere is more than just a venue, it’s a gallery and U2’s music is going to be all over the walls.” The visuals are so integral to the performances, that The Edge has said this show will only happen at this venue, and the band cannot tour this show outside of that setting.
Acknowledged as one of the best live acts in the world, U2, formed in Dublin in 1978, has since toured the globe countless times, released 14 studio albums, sold over 170 million albums, and won numerous awards, including 22 Grammys and Amnesty International’s Ambassador of Conscience award. They were inducted into the Rock and Roll Hall of Fame in 2005 and have twice been nominated for an Academy Award for Best Original Song. U2 has consistently pushed the boundaries of live performance, with ground-breaking stage shows that embrace the latest in technology and innovation. They will be the first musical act at the Sphere but acts such as Phish are in talks to have their own residency coming soon.
Tickets start at $140 and will reflect all-in pricing, this means the ticket price listed is the full out-of-pocket price inclusive of taxes and fees. Since tickets will be in such high demand, fans must sign up for the Verified Fan presale through Ticketmaster. For more information on presale tickets, to sign up for Verified Fan codes, and learn more about the event itself, visit here.
The prog/jam sounds of Baked Shrimp will be found across the Midwest, South and Northeast this summer, with six July shows lined up across New York State. The Long Island power trio will perform in Alexandria Bay, Rochester, Cortland, Patchogue, Manhattan and Schtagatoke, including festival appearances and a Phish pre-show.
Baked Shrimp’s Summer Tour runs for 40+ shows and pushes the workhorse trio to west of the Mississippi for the first time in their six-year career. The band will perform at major festivals including Peach Music Festival, Summer Camp Music Festival, Strange Creek Camp Out, Northlands Live, and more. An additional round of dates will be announced in June.
