Gogol Bordello and Bernard Summer have released their cover of “Solidarity” by Angelic Upstarts.
Ukrainian frontman Eugene Hütz of international punk rock band Gogol Bordello, have announced the re-launch of his label Casa Gogol Records and set to showcase the sound of the New York scene and collaborate with legends of the punk rock community. Casa Gogol first started as a touring series curated by Hütz, focusing on bringing like-minded artists on the road with Gogol Bordello.
Casa Gogol released a cover collaboration on November 27, with Gogol Bordello and Bernard Summer of Angelic Upstarts’, “Solidarity”, to honor tribute to the anti-soviet movement to benefit Ukraine and stand in solidarity with oppressed groups worldwide. Aiming to provide proceeds to Ukrainian soldiers recovery, aid children affected, support needed medical supplies and provide other resources.
“This is a particularly meaningful collaboration for us. To do this tribute with one of the most masterful and brilliant pioneers, Bernard Sumner, is truly epic and timely.”
– Eugene Hütz
“Solidarity” uses powerful lyrics that is upbeat, influential and highlights the importance of Ukraine while they sing, “As the people of Ukraine take their stance, and behind them, every honest living man.” They chant, “Give them hope, give them strength and give them light,” to tribute and bring peace to the people of Ukraine. A strong backbeat sews the song together with violin, guitar, and synthesized sounds on the keyboard that pulls punk and rock into a moving tune.
Nora Polinnia’s sophomore EP, Present Chronicles, is more than just a collection of songs; it’s a heartfelt expression of resilience and a call to action. While residing in New York City, Nora’s music transcends borders and languages, making her an influential voice in the fight for justice.
In her own words, “Yes, indeed, there is a time and place for groovy, happy music – such was my first EP. However, I think that now it is time to clarify my beliefs and the beliefs of those I hold close.”
Present Chronicles is an EP that came to life unexpectedly, driven by the collective pain of Nora’s home country, Ukraine. As she watched the world around her, Nora couldn’t help but wonder how she could make a difference, how she could channel her anger and communicate the Ukrainian people’s struggles to the rest of the world.
The result is a musical journey that delves into themes of resilience, loneliness, betrayal, and the responsibilities that come with our heritage. It’s an exploration of the human experience during times when accepting reality is not an option.
“Some of the songs I wrote didn’t seem war-related to me at all. They didn’t feel like they encapsulated the message I wanted to put out. Some I wrote before the war even began, but soon I realized that they are very relevant. They address all of the emotional factors and burdens that came into play because of what was happening.”
Nora Polinnia
Nora’s Present Chronicles doesn’t aim to invoke pity; it seeks to reveal the anger and resilience of the Ukrainian people and expose the reality of the Russian invasion. Tracks like ‘KGB‘ on the EP boldly challenge Russian propaganda and use ironic lyrics to mock the regime.
This musical project, born out of a deep sense of purpose, carries a message of hope and strength. Nora hopes that her music will serve as a legacy, a testament to the strength and resilience of the Ukrainian people.
Nora Polinnia’s artistry is a reflection of the power of music to inspire change, and her music carries a message of hope and resilience that resonates deeply with her audience.
Wednesday, October 4th was an unseasonably warm fall evening in Niagara Falls, Ontario, at Fallsview Casino. Keanu Reeves with his band Dogstar staged an outstanding performance that left no one in doubt about the memories it created. There was only one opening act, the group Archer Oh who hailed from the state of California.
Archer Oh
Dogstar consists of Keanu Reeves on bass. Robert Jailhouse on drums and Bret Dormouse on guitar and lead vocals.
As the lights lowered and excitement rose in the crowds, the members of Dogstar made their way into the stage with a powerful force that attracted viewers at first instance. Not only a great actor, Reeves showed himself to be a talented musician. The chemistry in the band was unmistakably good as they shifted from song to another with ease exhibiting their musical talent. The line-up came just at the right time for die-hard fans, who were looking forward to hearing all Dogstar’s old numbers which prompted many to sing and dance along.
Tracks such as ‘Lust’ and ‘Sleep’ were exemplary of a fusion between alternative-rock and grunge elements in the band’s music. The evening was not dull even for a moment. Reeves bass tone was haunting enough to send shakes into the bones of every listener. He interacted with the audience and made it seem as if they were participating in a unique happening.
There was a strong link between the band and its followers, making it possible for a large number of people in the venue to have an intimate environment. When the night finally ended, Dogstar received thunderous applause and shouts of ‘one more’ as they departed the stage. The audience could hardly wait for the encore from the duo who made their way back to finish the night in grand style, giving the audience four more songs.
Dogstar 2023 Tour Dates 10/08 Atlantic City, NJ – Sound Waves at Hard Rock Hotel 10/10 Port Chester, NY – The Capitol Theatre 10/11 New Haven, CT – Toad’s Place 11/30 Los Angeles, CA – Troubadour 12/03 San Francisco, CA – The Great American Music Hall 12/05 Sacramento, CA – Crest Theatre 12/07 Chicago, IL – Thalia Hall 12/08 Detroit, MI – The Majestic Theatre 12/09 Toronto, ON – Lee’s Palace 12/11 Brooklyn, NY – Music Hall of Williamsburg 12/12 Boston, MA – Paradise Rock Club 12/14 Philadelphia, PA – Underground Arts 12/15 Washington, D.C. – The Howard Theatre 12/16 Norfolk, VA – The NorVa 12/18 Charlotte, NC – The Underground 12/19 Atlanta, GA – Center Stage 12/20 Nashville, TN – Brooklyn Bowl 12/21 Nashville, TN – Brooklyn Bowl
Though a Canadian band, Great Lake Swimmers are set to have one show in Albany at The Linda come November, touring their newest album, Uncertain Country. This is the band’s first new album in five years, and is sure to impress all of their fans and newcomers.
They also released an official music video which includes four videos for the album’s singles: “Uncertain Country,” “Swimming Like Flying,” “When The Storm Has Passed,” “Moonlight, Stay Above.”
Great Lake Swimmers, fronted by lead singer/songwriter Tony Dekker, released their newest album Uncertain Country (Harbour Songs/Fontana) this spring. The new album is the band’s first new music in almost five years, and richly compliments their two-decades-deep musical catalogue.
The band has also announced Uncertain Country (Deluxe) that is set for release on September 29, and will feature new acoustic versions of six album tracks: “Uncertain Country,” “When The Storm Has Passed,” “Swimming Like Flying,” “Riverine,” “Respect For All Living Things,” and “Flight Paths.”
Uncertain Country features 11 songs that track a prolonged period of collective anxiety. Though recorded in different locales—largely around the Niagara region, and with a variety of musicians—a theme of questioning runs throughout. Even before the world turned upside down, Dekker felt mired in uncertainty: from the climate crisis and the ever-changing political landscape to deep shifts within the music industry. The “uncertain country” Dekkerchose as the album’s theme is not a specific place. Rather, it’s a territory we inhabit in the 21st century — a world that is confusing, unfamiliar and unsettling.
What started out four years ago as a 10-day trip to the north shore of Lake Superior, inspired a collection of musical field recordings at various locations around the Niagara region (where Dekker now lives) and served as the album’s organic recording studio.
“Long-time Great Lake Swimmers listeners will find much that they know, from a strong current of nature imagery to Dekker’s wistful & emotive vocal delivery, but also plenty of new territory to discover. Those who are new to the band will find a rich variety of emotional dynamics & musical approaches that still has a coherent core. ‘Uncertain Country’ stands as some of the strongest & most consistent work by one of Canada’s best bands…”
Review from Great Dark Wonder
GREAT LAKE SWIMMERS – UNCERTAIN COUNTRY TOUR
September 13 @ Biltmore Theatre – Oshawa, ON
September 14 @ Isabel Bader Theatre – Kingston, ON
September 16 @ Le Ritz – Montreal, QC
September 27 @ Dominion Telegraph – Paris, ON
September 28 @ Royal City Mission – Guelph, ON
September 29 @ Bridgeworks – Hamilton, ON
October 3 @ Hi-Fi – Indianapolis, IN
October 4 @ The Southgate House Revival – Newport, KY
October 5 @ The Magic Bag – Ferndale, MI
October 7 @ Ignition Music Garage – Goshen, IN
October 10 @ Park Theatre – Winnipeg, MB
October 11 @ Broadway Theatre – Saskatoon, SK
October 12 @ Festival Hall – Calgary, AB
October 13 @ Festival Place – Sherwood Park, AB
October 14 @ Rocky Mountain House, AB – Rival Trade Brewing Co
October 15 @ Bo’s Bar & Stage – Red Deer , AB
October 18 @ Dream Café – Penticton, BC
October 19 @ Biltmore Theatre – Vancouver, BC
October 20 @ Capital Ballroom – Victoria, BC
October 21 @ Waverley Hotel – Cumberland, BC
October 22 @ Bez Arts Hub – Langley, BC
October 25 @ Troubadour – Los Angeles, CA
October 26 @ Café Du Nord – San Francisco, CA
October 27 @ Volcanic Theatre Pub – Bend, OR
October 29 @ Tractor Tavern – Seattle, WA
November 1 @ Globe Hall – Denver, CO
November 2 @ The Slowdown – Omaha, NE
November 3 @ xBk – Des Moines, IA
November 4 @ Turf Club – St Paul, MN
November 5 @ Shank Hall – Milwaukee, WI
November 6 @ The Bur Oak – Madison, WI
November 7 @ SPACE – Evanston, IL
November 8 @ Rumba Café – Columbus, OH
November 9 @ Beachland Ballroom – Cleveland, OH
November 10 @ Hard Rock Cafe Pittsburgh – Pittsburgh, PA
November 12 @ Sellersville Theatre – Sellersville, PA
November 13 @ The Linda – Albany, NY
November 15 @ TD Music Hall, Massey Hall – Toronto, ON
Smokey Robinson graced the stage at Fallsview Casino in Niagara Falls, Canada, and from the moment he walked out to the introductory overture, the audience knew they were in for an unforgettable night of classic Motown magic.
“Being With You” set the tone for the evening, with Robinson’s velvety voice still as captivating as ever. He transported us back in time with “I Second That Emotion,” a nod to his days with The Miracles, and followed it up with “You’ve Really Got a Hold on Me,” a soulful rendition of The Miracles’ classic.
As the night progressed, Robinson’s timeless hit “Quiet Storm” swept through the venue like a gentle breeze, and “Ooo Baby Baby” had the crowd swaying in their seats, relishing every note. The medley of “The Way You Do the Things You Do,” “Get Ready,” and “My Girl” paid tribute to The Temptations, showcasing Robinson’s versatility as he effortlessly crooned through these iconic songs.
“The Tears of a Clown” brought a wave of nostalgia, and Robinson’s emotional delivery tugged at heartstrings throughout the venue. “I Love Your Face” was a tender and heartfelt moment, showing that even after all these years, Smokey’s ability to convey deep emotions remains unparalleled.
Robinson’s rendition of “Fly Me to the Moon” was a testament to his vocal range and ability to infuse a timeless classic with his unique style. “If We Don’t Have Each Other” and “Beside You” showcased his more contemporary work, reminding us that his talent continues to evolve.
“Just to See Her” had the crowd on their feet, swaying and clapping along, and “The Tracks of My Tears” was a pure, unadulterated masterpiece, transporting us back to the golden era of Motown.
Closing out the night with “Cruisin’,” Robinson left the audience craving for more, his voice as smooth and captivating as ever. The energy in the room was electric, a testament to the enduring appeal of Smokey Robinson’s music.
In Niagara Falls, Canada, OLG Stage at Fallsview Casino, Smokey Robinson delivered a concert for the ages, taking us on a journey through his illustrious career. His voice, still as mesmerizing as when he first graced the stage, left no doubt that he is a true legend of Motown. The setlist was a perfect blend of classics and newer hits, ensuring that both longtime fans and newcomers alike left the venue with their hearts full and their spirits lifted. Smokey Robinson’s performance was a musical experience that will be cherished for years to come.
Rod Stewart brought the house down at Fallsview Casino in Niagara Falls, Canada on Saturday September 2nd. A concert that was a whirlwind of musical hits, wardrobe changes, and a crowd with an average age of about 65 years old.
Stewart, the legendary British rock star, dazzled the audience with his timeless charisma and signature raspy vocals. He kicked off the night with a bang, opening with the Robert Palmer classic “Addicted to Love.” The audience, a sea of silver hair and nostalgic smiles, was immediately transported back to the heyday of rock and roll.
One of the standout features of the evening was Stewart’s numerous wardrobe changes. From sharp suits to flamboyant outfits, he brought a sense of style and showmanship that has defined his career. Each costume change was met with applause and anticipation, adding an extra layer of excitement to the show.
The setlist was a journey through musical history, with Rod Stewart effortlessly covering a wide range of classic songs. From “You Wear It Well” to “Infatuation” and “Young Turks,” he showcased his versatility as an artist and a performer. The crowd couldn’t get enough, singing along to every word.
Stewart paid homage to some of the greats with his selection of cover songs, including Creedence Clearwater Revival’s “Have You Ever Seen the Rain?” and Cat Stevens‘ “The First Cut Is the Deepest.” These renditions were met with a nostalgic appreciation from the audience, who knew every lyric by heart.
As the night continued, hits like “Maggie May” and “Tonight’s the Night (Gonna Be Alright)” had the entire casino venue swaying and singing along. Stewart’s powerful stage presence and undeniable charm kept the energy levels soaring throughout the concert.
The encore was a fitting conclusion to the night, featuring the Faces classic “Stay With Me.” The crowd roared with approval, and it was clear that Rod Stewart’s music still held a special place in their hearts.
In a night filled with unforgettable moments, Rod Stewart’s performance at Fallsview Casino was a testament to his enduring talent and the timelessness of his music. It was a concert that transcended generations, reminding us all why he is considered one of the greatest rock icons of all time.
Celebrating 20 years of her debut album, Soul Sessions, Joss Stone has embarked on a city North American tour, including a stop at the OLG Stage in Niagara Falls, Ontario on Aug. 26. Tagging along for the ride was singer/songwriter Stephen Wilson Jr.
Released in the Fall of 2013, Soul Sessions was the first studio album for Stone who was discovered at the age of 13 during a voice competition. With comparisons early on to Janis Joplin with Motown vibes, Stone had her work cut out for her and made the most of every opportunity. Soulful, bluesy, sultry, sensual, and spiritual are all perfect adjectives for any part of her music.
Prior to her soulful show, music fans were treated to some rustic sounds from Stephen Wilson Jr. Primarily a writer, Wilson has discovered that he can draw fans with his voice as well. Playing an approximately 45-minute set, he serenaded the crowd with some witty humor, 70s Bruce Springsteen-like vocals, and a guitar.
After going to school for microbiology, Wilson made the hard life choice to pursue music rather than the science field, with some inspiration from songs like “Don’t Take the Girl.” He calls himself a recovering microbiologist, and personally, I feel he made the right choice, science is overrated, anyway.
Raised by his father, they stayed close until his passing a few years ago. One of his last words to the younger Wilson was “write a good song for me.” For his father, the song “Father’s Son” was written. It is a very profound melancholy-filled song, sure to resonate with many who give it a listen.
I wear his blue jean jacket and his name like a badge of honor I used to hate being called Junior Now I don’t mind any longer
Stepen Wilson Jr. – “Father’s Son”
Many songs from his forthcoming album carry loosely based storylines from his life, including “Holler From the Holler” and “For What It’s Worth.” Keep an ear open for the new music in the next month.
With Stephen Wilson cleared from the stage, the anticipation of a night of soulful blues music was growing. With nine albums to her credit and a number of notable renditions she has performed over the years, the set list for Joss is hard to imagine. For this night, fans were treated to a medley of two songs, followed by two songs from her debut, “Super Duper Love” and “Fell in Love With a Boy.”
As she continued on, Joss shared a little bit of information from each album. Mind, Body, and Soul was all about her and her life choices. Introducing Joss Stone, which she sometimes refers to as her debut, is where she got to work with Raphael Saadiq and Laurn Hill, a dream come true for her. Color Me Free is titled based on where she was in her life, wanting her freedom space.
A storyteller as much as a vocalist, Stone seemed to float across the stage barefoot as always, as she performed and replayed her memories for her fans. Memories of previous tours, memories from trips to Botswana, and memories of working with notable talents as she blossomed into the star she is today. One story of note is from Botswana, where she was asked to write a song to bring the rain. While on a trip there, she was told that there had not been rain for nearly nine months, a true drought for sure. As requested, she wrote the song, aptly titled “Rain Song” and when she went back to Botswana to play it the rain poured down. A very spiritual person, Joss was left amazed at this marvel.
While she is known for her bluesy, jazzy styles, Joss is very capable of any genre, as she displayed during a three-song reggae set, including parts of a song that her father used to sing to her. While she is no Marley or Jimmy Cliff, her ability to put her own style on something like Island music is something that sets her apart. With an innocent giggle at the end of the set, as the stage goes dark, it’s clear that Joss was having quite a good time.
With the show winding down, fans were hit with a confetti canon as she sang about the power of music and spoke about how music brings people together, creates love, and inversely can divide people. Soulful, spiritual, and cheerful, Stone graciously thanked everyone for coming out tonight.
When artists hit the stage to perform, they often have a set routine and follow it pretty closely. I am sure that Joss Stone is no different, but the way she delivers it all is second to none. Joking with the crowd, giggling all night, dancing around the stage in any of the 3 outfits she donned, and presenting fresh sunflowers to random fans all speaks volumes to the level of fun she has. A real class act that Fallsview Casino Resort should be bragging about.
Joss Stones Setlist: Intro Medley, Super Duper Kind of Love, Fell in Love With a Boy, Jet Lag, Proper Nice, Tell Me ‘Bout It, 4&20, The Love We Had, Even the Sky, Reggae mix, When You’re In Love, Rain Song (for Botswana), Music, Put Your Hand On Me/Son of A Preacher Man, Right to Be Wrong, Spell on You, Some Kind of Wonderful
Niagara Falls was treated to a night of pulsating rhythms, electric energy, and a mix of rock anthems as Incubus took the stage on Sunday, Aug. 6 at Fallsview Casino’s OLG Stage. Despite a few hiccups, the band managed to deliver a memorable performance that left the crowd both exhilarated and yearning for more.
Disappointment tinged the excitement as news spread that Paris Jackson (Michael Jackson’s daughter) was unable to make the show, leaving fans to wonder what might have been. Nevertheless, the disappointment was fleeting, quickly replaced by the mounting excitement for the headlining act.
The evening kicked off with an explosive set by Badflower, the opening act that set the stage on fire. Lead singer Josh Katz’s charismatic presence was undeniable as he ventured into the crowd, serenading fans with an infectious energy that set the tone for the night. The band’s sound reverberated through the venue, leaving a lasting impression on concertgoers who were undoubtedly pleased by the musical appetizer they had just devoured.
As Incubus graced the stage, cheers echoed throughout the venue. However, as the band delved into their setlist, a discerning ear couldn’t help but notice moments where lead vocalist Brandon Boyd seemed to be struggling with pitch. While his distinctive voice remained captivating, occasional off-key notes hinted at monitor problems that might have marred his performance. Technical glitches can affect even the most seasoned of performers, and Boyd’s professionalism in powering through demonstrated his dedication to the fans.
Despite these minor setbacks, Incubus unleashed a cascade of hits that had the crowd swaying, singing, and chanting along. “Anna Molly” and “Nice to Know You” ignited fervor among the audience, while the introspective “Make Yourself” provided a moment of introspection amid the raucous excitement. The band’s synergy was undeniable, with Mike Einziger’s guitar riffs intertwining seamlessly with Jose Pasillas’ rhythmic drumming, crafting a sonic tapestry that resonated throughout the venue.
The setlist was a carefully curated journey through Incubus’s discography, touching on both classic favorites and newer tracks. A notable highlight was their electrifying rendition of The Beatles “Come Together,” which injected a dose of nostalgia into the night. As the show reached its zenith with “Pardon Me” and “Stellar,” the crowd’s energy surged, a testament to the enduring power of these iconic hits.
The performance concluded with a poignant tribute, as Incubus seamlessly segued from “Wish You Were Here” into a snippet of Pink Floyd’s equally iconic track by the same name. The crowd’s applause and cheers filled the air, a fitting send-off for a night of musical magic.
Despite the technical hiccups and occasional off-pitch moments, Incubus managed to cast a spell on their Niagara Falls audience, reminding everyone present of the transcendental power of live music. As the lights dimmed and the echoes of the final notes faded, concertgoers left the Fallsview Casino’s OLG Stage with hearts full and spirits lifted, a night of rock and roll reverie etched into their memories forever.
On Sunday July 23rd, Fallsview Casino’s OLG Stage in Niagara Falls marked an unforgettable night for the attendees. Shinedown delivered a powerful and electrifying performance to conclude their recent tour supporting their latest album, Planet Zero. Preceding the headlining act, the crowd was treated to an impressive opening set by Sleep Theory, hailing from Memphis TN, who energized the audience with their raw and captivating sound.
As the lights dimmed and the anticipation reached its peak, Shinedown took the stage, igniting the atmosphere with their opening track, “Diamond Eyes (Boom-Lay Boom-Lay Boom).” Lead vocalist Brent Smith’s commanding presence held the audience in thrall from the very beginning, setting the tone for an evening filled with rock anthems and heartfelt ballads. Many fans were excited to see the use of pyro and flash bangs inside. It wasn’t as big as an outdoor show, but was still spectacular.
The band’s well-curated setlist of 19 songs showcased their musical versatility, incorporating both fan-favorite classics and fresh tracks from their latest album. Hits like “Second Chance” and “Sound of Madness” had the crowd singing along passionately, while newer releases like “Devil” and the album’s title track, “Planet Zero,” demonstrated the band’s continued evolution and growth.
A standout moment of the night was the acoustic rendition of Jimmy Eat World’s hit, “The Middle.” The stripped-down performance showcased Smith’s soulful vocals and resonated deeply with the audience, creating an intimate and emotional connection.
Throughout the concert, Shinedown engaged with their fans, with Smith delivering heartfelt speeches that emphasized themes of resilience, unity, and hope. This personal touch forged a strong bond between the band and their dedicated supporters, making the event feel like a shared and special experience.
As the night approached its climax, the band closed with an explosive performance of “Cut the Cord,” leaving the crowd in a state of euphoria. The overwhelming energy and passion on display demonstrated why Shinedown has remained a force to be reckoned with in the modern rock scene.
In the aftermath of the concert, attendees were left with lasting memories of an exceptional night of music and showmanship. Shinedown’s ability to connect with their audience, coupled with the stellar opening act by Sleep Theory, solidified the event as a remarkable and unforgettable experience. As the lights came up and the cheers subsided, it was evident that Shinedown’s music and live performances will continue to resonate with fans for years to come. They are not stopping anytime soon.
Sleep Theory
Shinedown
photos by Mike Millerphotos by Mike Millerphotos by Mike Millerphotos by Mike Millerphotos by Mike Miller
Rock The Bells, AfroFuture, AfroVerse and Sixthman festivals have announced the first-ever AfroCruise which will sail from Miami, Florida to Nassau, Bahamas. The cruise will depart on March 29, 2024 and will arrive on April 1. The multi-day event will feature performances from some of the biggest African artists and will also showcase African and diasporic culture through food and fashion.
Linking together travel, live music, and a cultural celebration, the AfroCruise is one of the first events of its kind. Hosted on the Norwegian Pearl, the celebration still possesses all of the amenities and elements normal to an extravagant cruise ship. Attendees will have access to the boat’s fully stocked bars, dining options, pools, casino, spa, fitness center, and more.
Amongst the hustle and bustle of a standard cruise, the event also boasts an impressive roster of performing artists. Headlined by Nigeria’s Adekunle Gold and Ayra Starr, AfroCruise gives guests the opportunity to experience some of the best music from all over the world. The aim is to fully immerse attendees into the sounds and sensibilities of Afrobeats and Amapiano music.
Ayra Starr
AfroCruise will also feature multiple different cultural events and workshops. In addition to traditional cruise ship tournaments and activities, there will also be an event focused on the African rice dish Jollof, a West African BBQ, and several different themed parties.
Rock The Bells was founded in 2018 by acclaimed rapper LL Cool J and Geoff Yang. The organization creates content and experiences within hip-hop culture. Together, with their partners Afrofuture, AfroVerse and Sixthman festivals, the collective looks to create an event that celebrates and encapsulates contemporary African and Disaporic culture. Click here for reservations and more details
