Onoleigh has just released her powerful and emotional single “Walls,” co-written with John Oates and Nathan Chapman.
John Oates is one half of the iconic New York-based duo Hall & Oates. He is a member of the Rock and Roll Hall of Fame and the American Songwriters Hall of Fame and is a recipient of the prestigious BMI Icon Award as well as numerous American Music, MTV awards, and multiple GRAMMY nominations. Since forming his legendary pop duo with Daryl Hall in the early 1970s, they have gone on to record 21 albums, which have sold over 80 million units, making them the most successful duo in rock history.
Onoleigh started her career as a social worker in Missouri, going to Tennessee to pursue singing in her 20s. She blurs the lines between genres, creating a blend of Americana, rootsy rock & roll, and empowered country music. Years before outlets like CMT hailed her as one of Nashville’s newest stars, though, Onoleigh grew up in the small town of Mahomet, Illinois, where songs by the Eagles, Carrie Underwood, Fleetwood Mac, and Adele played on the local radio, influencing her to inspire others through her sharp songwriting and performances.
Onoleigh is a born performer…her connection with her audience is genuine, soulful, and authentic. Then there’s that knock your socks off, big-time voice of hers that she delivers with emotional energy and range. She’s got it all.
John Oates
“Walls” is dynamic and stunning, with Onoleigh singing about her childhood bedroom in a way that’s both evocative and electric. Co-written with John Oates and Nathan Chapman (Taylor Swift), the song finds her addressing the bedroom walls that watched her grow up, wondering what advice they’d give to her now as an adult. Featuring her powerhouse vocals and beautiful instrumentals, “Walls” is a strong addition to her eclectic discography.
Sphere in Las Vegas has announced that the Radio City Rockettes will be featured daily throughout the holiday season on the Exosphere, the fully programmable LED exterior of the venue.
The festive Christmas Spectacular activation debuted overnight, marking the first time the Exosphere has featured dancing wrapped 360 degrees around the venue. The content was developed in collaboration between Sphere Entertainment and MSG Entertainment, both part of the MSG family of companies.
Since it was first illuminated on July 4, the Exosphere captured worldwide attention for its impactful visuals. It is covered with nearly 580,000 square feet of fully programmable LED paneling, creating the largest LED screen in the world. The Exosphere consists of approximately 1.2 million LED pucks, spaced eight inches apart, capable of displaying 256 million different colors.
There is a magic here that we’ve created with Sphere, and there is a magic that is created by the Rockettes every year in the Christmas Spectacular. There is nothing more artful than the Rockettes or more scientific than Sphere, so bringing these two together on the Exosphere in such a unique way is the essence of what we do here at Sphere – uniting art and science to bring wonder to the world. This is particularly exciting because it is the most complex combination of real-life footage and animated content we’ve created for the Exosphere to date.
Guy Barnett, SVP, Brand Strategy & Creative Development, Sphere Entertainment
Founded in 1925, the Radio City Rockettes are the longest-running precision dance company in America. The Rockettes are world-renowned for their unity, athleticism, and iconic precision style combining elements of ballet, jazz, and tap, and techniques of modern and contemporary dance. In addition to the iconic Christmas Spectacular, the Rockettes perform annually in the Macy’s Thanksgiving Day Parade and the Christmas in Rockefeller Center tree lighting, and have appeared at the Tony Awards, the MTV VMAs, the NYC Pride Parade, and Saturday Night Live.
The activation began with the first Christmas ornament to be displayed on the Exosphere. The top of the vibrant red and gold ornament spun off, revealing, in a nod to the “12 Days of Christmas” number in the Christmas Spectacular, the Rockettes’ legs, rising to reveal more of them. They performed their iconic choreography at 125 feet tall, concluding with their beloved kickline as it rotated around the Exosphere. The Rockettes’ were transparent through the screen, showcasing their backs, marking the first time the technique has been utilized on the immersive digital canvas. To close off, the iconic Radio City Music Hall marquee could be seen.
In order to achieve continuous dancing, 15 Rockettes were captured performing in groups of five, giving the Sphere Studios team three clips that were composited together. Those composite clips were then multiplied and stitched together to stretch all the way around the Exosphere. The Rockettes’ footage was shot in New York specifically for the Exosphere. The content was conceptualized, developed, and created exclusively by Sphere Studios.
“We are all about precision,” said Danelle Morgan, Radio City Rockette, dance captain and assistant choreographer. “But with Sphere, we really need to make sure that every single thing – from the tip of our finger to the height of our signature eye-high kicks – is completely in sync because of the scale of the Exosphere. It’s such an honor to see the Rockettes on Sphere, spreading Christmas joy in Las Vegas while we perform in the Christmas Spectacular at our home in New York City.”
A staple of the holidays in New York City, the Christmas Spectacular stars The Rockettes and features nine show-stopping numbers throughout the 90-minute production. The show features intricate choreography and thrilling performances that leave audiences with a sense of wonder and amazement. Since it opened at Radio City in 1933, the Christmas Spectacular has brought holiday joy to more than 70 million people from around the world.
Tickets for the 2023 Christmas Spectacular start at $49 and can be purchased online here.
The Grooving Classic Rock Legends Tribute band provided an intimate performance at The Egg’s Swyer Theater on Saturday, November 25, 2023.
The show featured tribute bands playing classic rock and pop hits from the 60s and 70s from artists such as The Beach Boys, The Jimi Hendrix Experience, and Creedence Clearwater Revival. Grooving Classic Rock Legends plays at major theaters and festivals throughout the Northeast, recreating those sights and sounds.
This group of veteran musicians have been playing classic rock for decades, specializing in songs from the era. They perform their songs with authentic instruments, costumes, and stage presence, and even recreate some of their legendary live performances. Proceeds from the show went to local non-profit organizations in the community.
The show was a blast for fans of classic rock, who enjoyed singing along, dancing, and reminiscing about the good old days when they played at Yezzi’s. The bands delivered high-quality performances that captured the spirit and sound of the original artists. The band also honored veterans and first responders who attended, by dedicating some songs to them and thanking them for their service. The three hour show was a success, despite the low attendance due to Thanksgiving weekend. The venue was cozy and comfortable, and the staff was friendly and helpful.
Jim Anderson and Gary Weinlein served as promoters, with Weinlein also performing in the show, which had ‘appearances’ from Jim Morrison, Grace Slick. The Doors, Santana and Linda Ronstadt, who brought back memories of Governor Moonbeam, and all the craziness of that time. The night closed with Eric Clapton, a standing ovation and the crowd getting a chance to meet the performers in the lobby.
Over the past 8 years Groovin’ Legends has performed at Proctors, The Palace Theatre and The Egg, donating over $30,000 to local Veteran groups through ticket sales. The Veteran groups include The Gold Star Mothers, Blue Star Mothers, Gold Star Families Memorial at Lafayette Park in Albany, NY, Tri County Council Vietnam Era Veterans, and the Veterans Miracle Center.
Comedian, actor, and podcast host Sebastian Maniscalco has announced his 2024 It Ain’t Right Tour, stopping in New York City, Albany, Rochester, Buffalo, and Syracuse.
Sebastian Maniscalco is the undisputed king of physical comedy, hailed by The New York Times as the “hottest comic in America.” He has been performing for over two decades gaining a massive loyal fanbase. With his tireless work ethic and undeniable talent, Maniscalco commands the crowd with his witty jokes and honesty. During his latest tour, he conquered New York City by selling out Madison Square Garden, Barclays Center, UBS Arena, and Prudential Center. With residencies at the Borgata Event Center in Atlantic City, as well as the Wynn, Encore Theatre in Las Vegas, he continues his record-breaking arena shows that earned him the top spot on Pollstar’s Top Comedy Tours list.
He has also starred in six comedy specials for networks such as Netflix, Showtime, and Comedy Central. Maniscalco’s success in comedy extends beyond the stand-up stage. His talents have translated to film, television, and podcasting. His new series Bookie, co-produced by Maniscalco and Chuck Lorre, premieres in November of 2023 on HBO MAX. The show follows a veteran bookie navigating the impending legalization of sports gambling and the evolving culture that bounces him around Los Angeles.
Credit: Peggy Sirota.
Maniscalco can be seen on the big screen in projects such as the animated feature film The Super Mario Bros. Movie, the Neil Bogart biopic Spinning Gold, and the dramedy Somewhere in Queens with Ray Romano and Laurie Metcalf. In 2023, Maniscalco marked his first role as a leading man when he co-wrote and starred in About My Father, loosely based on his Italian family experience, alongside Robert De Niro. Maniscalco also appeared in Martin Scorsese’s crime drama, The Irishman, and Peter Farrelly’s Oscar-winning Green Book.
Along with TV and standup, Maniscalco currently hosts two podcasts, Daddy vs. Doctor and The Pete and Sebastian Show. He is also the author of the national best-selling memoir, “Stay Hungry,” an inspiring, and honest collection of essays that traces his career from trials and tribulations – to reaching the pinnacles of comedy success.
“Hop on the ‘It Ain’t Right’ tour, where I’ll roast today’s absurdities – nonexistent manners, wallet-wincing prices, and the social media circus,” said Maniscalco. “Join me in laughing at the wrongs in this shameless world!”
Tickets will be available starting with artist presale on Wednesday, November 29. Additional presales will run throughout the week ahead of the general on-sale beginning on Friday, December 1 at 10 a.m.
IT AIN’T RIGHT 2024 TOUR DATES:
Thu Jul 11 – Norfolk, VA – Norfolk Scope Arena
Fri Jul 12 – Raleigh, NC – PNC Arena
Sat Jul 13 – Asheville, NC – ExploreAsheville.com Arena
This upcoming Sunday, December 3, sister band the Screaming Orphans will perform their first ever Christmas concert at The Roslyn Cellar located at 1221 Old Northern Blvd, Roslyn, New York as part of their Mini Christmas Tour.
Their performance begins at 3:00 pm on Long Island. Even though it’s a matinee, be prepared to experience the same level of craic as a weekend night show. The Screaming Orphans promise to curate a party atmosphere that rivals a vigorous session. So you can count on dancing and singing (or if you’re tone-deaf like me, the closest you can to singing) along to various Christmas tunes.
Expect to hear songs like “Jingle Bells” and “Christmas Time Is Here” but with a Screaming Orphans’ twist. The Screaming Orphans’ signature sound, which consists of melodic old-school pop with heavy folk influences, can be heard on these classics, transforming these staple songs into the Screaming Orphans’ own. But what truly makes these songs their own is their transcendental harmonies. Their haunting harmonies rise out of the extraordinary sibling bond that binds the band together.
“When your siblings, you instinctively know what the other person is going to do…
It’s like we’re telepathic at times.”
Gráinne Diver, guitarist and vocalist of Screaming Orphans
The four sisters (Angela Diver on bass, violin and vocals; Joan Diver on drums and vocals; Marie Thérèse Diver on keys, accordion, and vocals, and Gráinne Diver on guitar and vocals) possess a powerful sibling bond that’s heard not only in their enchanting harmonies but also in their lively performances.
Drummer Joan noticed the sisters tend to ramble off and converse between themselves during shows. “We’re terrible chatters,” guitarist Gráinne stated. At times the sisters won’t even finish their sentences. But that doesn’t matter. They understand what the other is saying in a way only siblings can understand.
“When your siblings, you instinctively know what the other person is going to do,” Gráinne stated. It’s this deep sibling connection that allows the band to easily improv during performances. “We don’t play our songs like we record them. It’s not like we sit down and learn all these parts. We tend to play things differently live,” Gráinne stated. “As a family, we sort of know if somebody goes off on a different musical tangent, so we follow them. We might glare at them though,” Gráinne laughed. “It’s like we’re telepathic at times.”
The Screaming Orphans featuring sistersGráinne, Marie Thérèse, Joan, and Angela Driver.
The Screaming Orphans aim to recreate this familiar bond with their audience during their shows. “For a lot of our shows, we want people to feel like they’re in our sitting room. Or we’re in the house or kitchen and just having a sing-song,” Gráinne stated. “Everything is very much like, we’re all friends. We’re all sitting ‘round having a bit of fun.”
While the band is excited to have some more fun with their fans, Gráinne stated this tour is a bit more nerve wracking than their previous ones. Why? This is the Screaming Orphans’ first live Christmas performance. Their only other Christmas show was a live streamed concert back in 2020 during the midst of the pandemic.
Despite the nerves, Gráinne looks to the bright side. For starters, the band won’t need to worry about the internet going in-and-out like it did during their live streamed concert. Gráinne reminisced on it and jokingly said, “We were all just going, I hope the internet drops during a song we don’t know!” Keeping up with her good-natured spirit, Gráinne viewed the newness of this tour with excitement. “Sometimes it’s better craic when you’re not too sure of something.”
One thing everyone can be sure of is there will be plenty of Christmas songs being sung at The Roslyn Cellar on December 3. The Screaming Orphans will be playing almost the entire discography of their 2021 album Happy Christmas Vol. 1 along with a couple extras not featured on the album.
Speaking of Happy Christmas Vol. 1, fans can expect a new Christmas album by the Screaming Orphans to come out next December. The band is currently working on a new pop album and plan to work on their new Christmas album soon after. Covers, such as “Christmas Wrapping” by The Waitresses, along with at least two original songs are said to make their way onto the album.
For now, fans can enjoy the Screaming Orphans perform their songs off Happy Christmas Vol. 1 along with a number of joyful covers on December 3 at 3:00 pm at The Roslyn Cellar in Roslyn, New York. The Screaming Orphans will then continue their Mini Christmas Tour, performing with The Spain Brothers and The Jordan Tirrell-Wysocki Trio on December 9 at The Rex Theatre in Manchester, New Hampshire. For more information about their tour dates and to purchase tickets, click here.
Grammy-nominated R&B sensation Fridayy is heading to New York City as part of his “A Night w Fridayy” tour. The Def Jam signee is in the midst of his first country-wide trek following the release of his self-titled debut-album in August of 2023. Moreover, the Haitian-bred singer will hit 4 major markets during a 4-date mini troop. Presented by Live Nation, the Philadelphia native will perform in four of the countries biggest markets, further establishing himself as a force in the industry. With this intention, the tour will begin with a sold-out show in Atlanta on Friday, December 1, followed by a two-night east coast run — icluding a hometown performance in Philadelphia’s Theater of Living Arts — and a stop at Manhattan’s Webster Hall. Altogether, “A Night w Fridayy” culminates with another sold-out show in Los Angeles.
Grammy-nominated Fridayy heading to Webster Hall on December 5
Fridayy’s Comeup
Following years laying groundwork, Fridayy gained mainstream traction with features on DJ Khaled’s “God Did” and Lil Baby’s “Forever,” with the former’s success earning him 3 Grammy-nominations. Since then, the R&B crooner has gone on to release his debut project while continuing to set personal milestones. Accordingly, he made his BET Soul Train Awards debut this past Sunday as he performed his latest single, “When It Comes To You.”
In a festive celebration of Italian musical heritage, the American Classical Orchestra (ACO), under the guidance of Founder and Artistic Director Thomas Crawford, is set to enchant audiences with a holiday concert program on Thursday, December 14 at 7 PM at Corpus Christi Church, located at W. 121 St. between Broadway & Amsterdam in Manhattan.
This concert marks the second of four Manhattan performances by the ACO this season, featuring a captivating selection of Italian works, including the rediscovery of Antonio Bencini’s long-lost Christmas oratorio “Gesù Nato” and Antonio Gianettini’s “Magnificat,” in collaboration with the Academy of Sacred Drama.
The heart of the program lies in the resurrection of Antonio Bencini’s forgotten masterpiece, “Gesù Nato,” rescued from the depths of the Vatican archives. This Christmas oratorio, composed in 1742, offers a glimpse into the enchanting world of the Nativity, featuring vocal soloists, a choir, and a vibrant orchestra of trumpets, oboes, and strings. Antonio Gianettini’s “Magnificat” and five psalm settings, written for four-part chorus with string accompaniment, further enrich the program, providing a sonic tapestry rooted in the Roman Catholic tradition.
The evening will be graced by the talents of renowned soloists:
Linda Tsatsanis (Soprano): Praised by The New York Times for her “ravishing” performance at the Boston Early Music Festival. Kate Maroney (Mezzo-Soprano): A CBC and Naxos recording artist, also recognized for her expertise as a voice and vocal pedagogy teacher at Mannes School of Music and Yale University. Alex Guerrero (Tenor): Applauded by The New York Times for his “apt comic timing,” Guerrero has been a featured singer in numerous ACO performances.
The members of the American Classical Orchestra Chorus will join forces with the soloists to deliver a mesmerizing performance under the baton of Thomas Crawford.
Antonio Gianettini, a 17th-century Italian organist, singer, and composer, will take center stage with his Psalms and the majestic Magnificat. Having served as maestro di cappella to Francesco II d’Este, Duke of Modena, Gianettini’s compositions were cherished in both Italy and Germany during his lifetime.
The rediscovery of Antonio Bencini’s “Gesù Nato” is a significant musical event, offering what is likely the modern premiere of this hidden gem. Composed in 1742, the oratorio captures the spirit of the Nativity and was tucked away in the Vatican Library for three centuries before resurfacing.
This performance is a collaborative effort between ACO and the Academy of Sacred Drama, founded by ACO violinist and scholar Jeremy Rhizor in 2013. The Academy is dedicated to Baroque oratorio that draws inspiration from biblical tales and the lives of saints, enriching the cultural and spiritual experience.
Tickets for this musical extravaganza are priced at $75, $55, and $35, and can be purchased at ACO’s website or by calling ACO at (212) 362-2727, ext. 4.
NFA Jazz Masters Concert will continue for the 18th year in a row at the Flushing Town Hall. This beloved event is an annual highlight for New York City’s many jazz aficionados who know the Queens venue to be one of the city’s finest to find the best jazz artists.
Flushing Town Hall began a significant tradition when it hosted the first-ever NEA Jazz Masters concert on November 17, 2006. This remarkable occasion showcased three iconic NEA Jazz Masters: Jimmy Heath (saxophone); Clark Terry (trumpet); and Dr. Billy Taylor (piano). Since then, the Smithsonian affiliate has continued to dazzle jazz enthusiasts by welcoming a roster of luminaries most often found frequenting Manhattan’s renowned clubs. The Queens stage has witnessed performances by Earl May, Benny Powell, Albert “Tootie” Heath, Cándido Camero, Paquito D’Rivera, Reggie Workman, Toshiko Akiyoshi, Joey DeFrancesco, Dr. Barry Harris, Sheila Jordan, Antonio Hart, Bill Charlap, Gustavo Casenave, and many other jazz greats.
This year, the NEA Jazz Masters concert will bring arrangements of several NEA Jazz Masters and their own compositions to the stage, including performers Jimmy Owens, Gary Bartz, Louis Haves, Joann Brackeen, Ron Carter, and Wycliffe Gordon.
Jimmy Owens (2021 NEA Jazz Master) has over forty-five years of experience as a jazz trumpeter, composer, arranger, lecturer, and music education consultant. His experience covers a wide range of international musical achievements, which include extensive work as a studio musician, soloist, bandleader, and composer of orchestral compositions, movie scores, and ballets. Owens is one of the few trumpeters of his generation who performed with many extraordinary jazz leaders, including sitting in with Miles Davis at age 15 and playing with Kenny Barron, Count Basie, Kenny Burrell, Duke Ellington, Dizzy Gillespie, Benny Golson, Lionel Hampton, Charles Mingus, Max Roach, Archie Shepp, Billy Taylor, and Gerald Wilson.
Gary Bartz (2024 NEA Jazz Master) was born in 1940 in Baltimore, Maryland, to nightclub-owning parents. Because of his upbringing, Gary Bartz was exposed to many great jazz artists early on. Renowned for his “informal composition” (as opposed to improvisation) on alto saxophone since the 1960s, he collaborated with jazz luminaries like Max Roach, Charles Mingus, Art Blakey, and Miles Davis. With over 45 solo albums and 200 guest appearances, Bartz also mentors emerging jazz talents today. Music serves a higher purpose for him, passionately advocating for Black Americans and their musical heritage. Through his saxophone (alto and soprano) and vocals, Bartz communicates profound convictions about the role of Black Americans today.
Louis Hayes (2023 NEA Jazz Master) was born in 1937 in Detroit, Michigan. Hayes’ musical journey began with piano, before his father gave him a set of drums at age 10. Guided by a cousin who recognized his talent and was inspired by Detroit’s vibrant music scene in the 1950s, he honed his skills alongside luminaries like Yusef Lateef, Kenny Burrell, and Doug Watkins. At age 18, Hayes joined the Horace Silver Quintet in New York, making his mark with the iconic “Six Pieces Of Silver.” Over the next decade, he led and co-led dynamic, electrifying ensembles which included talents like Freddie Hubbard, Kenny Barron, and Dexter Gordon. Notable recent engagements include The Kennedy Center for the Arts and the Chivas Jazz Festival in Brazil. His latest endeavor, “Serenade for Horace,” pays tribute to his mentor Horace Silver, and marks his debut as a leader on Blue Note Records.
Joanne Brackeen (2018 NEA Jazz Master) was a child prodigy and learned piano at 11 in six months by transcribing eight Frankie Carle solos and began professional performances at 12. Early influences include Art Farmer and Dexter Gordon. She was offered a full scholarship from the Los Angeles Conservatory and attended classes less than one week before deciding the bandstand was more significant. Her distinct style demands attention in various musical settings, from solo to quintet. Her captivating improvisations and intricate, rhythmically daring compositions span a wide range of styles. As a full-time professor at Berklee College of Music (Boston, MA) and a guest professor at the New School (New York City), Brackeen imparts her expertise. Brackeen, an award-winning artist, tours globally, having played in 46 countries.
Ron Carter (1998 NEA Jazz Master) is among the most original, prolific, and influential bassists in jazz. He has recorded over 2200 albums and has a Guinness world record to prove it. From 1963 to 1968, he was a member of the acclaimed Miles Davis Quintet. Over his 60-year career, he has recorded with many of the jazz greats: Lena Horne, Bill Evans, B.B. King, Dexter Gordon, Wes Montgomery, Bobby Timmons, Eric Dolphy, Cannonball Adderley, and Jaki Byard. He can be heard on many iconic jazz records of the 60s and 70s such as Speak No Evil, Maiden Voyage, Red Clay, Speak Like a Child, Nefertiti, and Miles Smiles, to name a few. In 2015 Carter earned a Guinness World Record as the most recorded jazz bassist with 2,221 recordings and has recorded hundreds more since then.
Trombonist Wycliffe Gordon boasts an impressive career touring the world, performing to great acclaim from audiences and critics alike. He received the “Trombonist of the Year” accolade from the Jazz Journalists Association a record-breaking 13 times and claimed “Best Trombone” in the Downbeat Critics Poll an unprecedented six times (2020, 2018, 2016, 2014, 2013 & 2012). With a mantle adorned by the “Louie Award,” the International Trombone Award, and the Satchmo Award, among others, Wycliffe stands out as a prolific recording artist. He is celebrated for his distinctive signature sound, plunger technique, and unique vocals. His music graces numerous recordings, soundtracks, live DVDs, and documentaries, resonating with musicians and ensembles worldwide, and his arrangement of NPR’s “All Things Considered” theme song is heard daily across the globe.
“I feel truly privileged to welcome two of the newest NEA Jazz Masters, Gary Bartz, and Louis Hayes, alongside the return of some seasoned Masters and outstanding jazz talents to our stage…”Queens is the borough so many jazz legends have called home, and our annual NEA Jazz Masters concert upholds the borough’s history as a go-to destination for jazz icons and audiences alike.”
Ellen Kodadek, Executive and Artistic Director at Flushing Town Hall
The Legendary Jazz Masters concert at Flushing Town Hall on Friday, December 15, begins at 8:00 PM. Tickets are $40/$32 members and seniors, $20 students with ID. Table packages for two with refreshments are available for $130/$110 members.
From 5:00- 6:30 PM, patrons with paid tickets for the concert are invited to join a free pre-concert workshop, “NEA Jazz Masters in Conversation,” discussing the icons that the Masters have performed with, including Max Roach, Oscar Peterson, Charles Mingus, Art Blakey, and Billy Taylor.
For ticket information, visit this website. For the Flushing Town Hall schedule, visit this website.
A new live music venue called Electric Grinch has officially opened in Schenectady, a revamp of a once popular bar in the 1970s and 80s.
The venue opened its doors on November 16. The owner is Mitchell Ramsey, who also owns Jay St. Pub in Schenectady. What used to be a popular place for food, drinks, and live music more than 40 years ago on Erie Boulevard is now getting revamped into this new and exciting venue. The inside has a full bar, table seating, a stage large enough to accommodate full bands, a 1,000-square-foot back patio, and a 2,500-square-foot roof deck.
The venue is located at 116 Jay Street. The Electric Grinch is open Wednesday and Thursday from 4 p.m. to midnight, Friday from 4 p.m. to 1 a.m., and Saturday from 11 a.m. to 1 a.m.
The original Electric Grinch, courtesy of Times Union.
A full schedule and website are unavailable now, but check out their Instagram or Facebook for more information.
Runaway New York, a fashion and lifestyle brand based out of the Big Apple, is presenting an exclusive event titled Open ‘Til Midnight at Brooklyn’s Public Records on December 11. Featuring performances by Balu Brigada and Carlo Redl, the night will celebrate Runaway New York’s 5-year anniversary in their hometown.
Based in major cities such as Paris, Miami, London, Tokyo, and originally New York, Runaway New York is a fashion and lifestyle brand created by Jagger Walk. Committed to making an impact on their community, Runaway New York has worked alongside NYC’s City Meals On Wheels, delivering meals to elderly residents, and El Paso, TX’s Annunciation House, providing support to refugees and immigrants. Known for their statement loungewear, the brand is returning home for their 5-year anniversary this December.
Balu Brigada will make an appearance at the event, performing to support their upcoming EP Find A Way. The New Zealand-born alt-pop duo relocated to New York in 2022 after signing with Atlantic Records, and recently was crowned Best New Artist by People Magazine.
Carlo Redl will also perform, showcasing his talents likened to that of John Mayer, with a R&B twist. Earning the #1 song in Japan at age 21, he splits time between Miami and Tokyo as an upcoming singer-songwriter.
Runaway New York will celebrate their 5-year anniversary at Public Records in Brooklyn on December 11 at 7PM. With drinks, music, and opportunities to browse exclusive Runaway New York clothing, the night will bring together music, fashion, and community.
