The gifted Keyanna Hutchinson announced her Uncharted concert, Plugged and Unplugged, at the Greenwich House Music School. The show will begin at 8pm on Thursday, April 13.
Keyanna Hutchinson is a Brooklyn-born versatile musician. The multi-talented artist uses her Caribbean lineage, love for music, conservatory training, experience with rock, jazz, R&B and experimental composition tours as inspiration. While known for her mastery of the guitar, Hutchinson is also a multi-instrumentalist, songwriter, and producer.
Hutchinson reveals that the efforts of Terri Lynne Carrington, Lizz Wright, and Brandon Ross of Harriet Tubman have motivated her throughout this journey. Her mentors inspired her to craft a sound that pays homage and to propagate the roots of black and indigenous sound. She also is a recent awardee of the prestigious Next Jazz Legacy fellowship through New Music USA.
Plugged and Unplugged will feature Hutchison’s many talents for a new project that will eventually be released as a debut album. The album will fuse her love of live performance with recent explorations into electronic composition and remix culture. In its ninth year at Greenwich House Music School, the Uncharted residency and concert series provides a resource for New York-based musicians to develop original material, foster new collaborations, and premiere first-look projects in an intimate concert setting.
Greenwich House Music School was founded in 1902 and currently offers innovative programs in arts and education, older adult services, behavioral, mental health, and workforce development. The music school strives to help communities by taking thoughtful risks, piloting new models and approaches, and implementing effective solutions. More information about the Greenwich House Music School can be accessed here.
On Tuesday, the world-renowned reggae group, Morgan Heritage, performed their upcoming album, The Homeland, for a group of fans and friends at the illustrious Platinum Sound Studios. The event was an electrifying preview of the highly anticipated album, which is set to be released on April 21.
The Homeland is a masterpiece that blends Afrobeats, Amapiano, and Reggae, creating a project that aims to be a bridge from Jamaica to Africa. As the title suggests, the album references Africa as the ancestral home of reggae music. The project is meant to bring together different cultures and sounds in a way that promotes unity and inclusivity.
The Homeland features collaborations with some of the most prominent West African artists, such as Shatta Wale, and Jamaica’s own Popcaan. This collaboration of different sounds and cultures is a testament to Morgan Heritage’s creativity and their commitment to expanding the reach of reggae music beyond its traditional roots.
Sonically, the group is in rare form on this project, as they seamlessly blend East African instrumentation with beautiful horns and flutes. This creates a unique sound that is both fresh and appealing to younger audiences while still honoring the roots of reggae music. The group’s ability to blend different musical styles in such a cohesive manner is a testament to their versatility as musicians.
Morgan Heritage’s performance at Platinum Sound Studios was a remarkable display of their musical prowess. The group delivered an energetic and captivating performance, leaving the audience in awe of their talent.
The Homeland is a project that is sure to be a hit among reggae fans worldwide. The album’s release on April 21 is highly anticipated, and fans are eagerly waiting to hear the full album. Morgan Heritage’s ability to bridge different cultures and sounds in a way that promotes unity and inclusivity is a message that is sorely needed in today’s world.
The Homeland is a beautiful fusion of different musical styles and cultures, making it a testament to Morgan Heritage’s dedication to pushing the boundaries of reggae music. The album is a must-listen for anyone who loves music and wants to experience the power of unity through music. The release of The Homeland on April 21 is a date that should be marked on every music lover’s calendar.
The World Music Institute has announced their 12th annual Dancing the Gods festival. For the first time, the celebration will occur at Ailey Citigroup Theater.
From April 14-15 audience members will be treated to spectacular performances from India’s two leading dancers Sreelakshmy Govardhanan and Praveen Kumar. Programs will kick off with a slide presentation titled Epics, Poetry and Indian Dance from festival curator, dance expert and storyteller Rajika Puri.
Since 1985, The World Music Institute has been recognized as one of the most stellar presenters of world music and dance within the United States. The non-profit organization strives to present the best in traditional and contemporary music with a myriad of cultural dances. Their mission is to educate people on the world’s rich cultural traditions, promoting awareness and appreciation and encouraging cross-cultural dialog and exchange. The program is partially supported by public funds from the New York State Council, Office of the Governor, New York State Legislature, and New York City Department of Cultural Affairs in partnership with the City Council.
Sreelakshmy Govardhanan is a remarkable woman with numerous talents. She is a renowned creative dancer, choreographer and teacher of Kuchipudi and the founder and Artistic Director of a center for learning, performance and research known as the Avantika Space. Additionally Govardhanan is a trained psychologist who fuses her professional perspective with her art. She uses this to educate young minds through workshops, classes, seminars and lecture demonstrations.
In the Dancing the Gods festival, Govardhanan will explore the Nritta, Nrutya and Natya elements of Kuchipudi through a repertoire set in the format of Margam. Kuchipudi is a dance originating from the theatrical and dance traditions of Andhra Pradesh. It was named after the village called Kuchelapuram. Traditionally the dance is presented by troupes of male actor-dancers who celebrate festivals dedicated to Lord Vishnu. The dance has now transformed into a solo form, which is today popular around the world.
Praveen Kumar was born into a family of artists and showed a passion for dance at a very young age. He learned to appreciate the aesthetic depths of Bharatanatyam after studying with the esteemed guru of Bangalore, the late Smt. Narmada. Currently, Kumar studies with Guru Prof. C.V.Chandrasekhar runs the Chithkala School of Dance in Bangalore. In his solo performance for the festival, he will explore a man’s journey as a companion, admirer, and a friend through various facets of life. Musicians will provide South Indian traditional music for this prodigious production.
Rajika Puri has performed all over Latin America, Europe, Malaysia, the US and India, and in New York at the Asia Society and Ailey Theaters. Prior to Puri’s devotion to western theater, she danced internationally in solo recitals of Bharatanatyam and Odissi for several years. Her success in the Lincoln Center Theater’s “The Transposed Heads”inspired her to develop a form of dance storytelling called ‘Sutradhari Natyam’. The performance is accomplished through songs in Indian languages and English narration with excerpts from dances, spoken rhythms and chants. In ‘Eleni of Sparta’ or ‘Helen of Troy’, Puri sang in ancient Greek.
Tickets and more information about Dancing the Gods festival can be found here.
Amayo, former frontman of Antibalas for 23 years, will embark on a spring tour and perform seven shows across the country in April, with two shows in New York, at City Winery on May 8 and Colony Woodstock on May 13. Amayo is credited with bringing Afrobeat to a global audience, leading it to become a genre of itself.
The Grammy-Nominated Antibalas album, Fu Chronicles, in the category of Best Global Music Albany, was his vision, from concept to compositions and illustrations. The album became the launchpad for Amayo’s solo career, where Kung Fu meets Afrobeat.
A unique blend of styles creates a magical landscape for Chinese & African rhythms, where Amayo sings traditional Yoruba & Edo lyrics and plays piano, electric keyboard, organ, and the Gbedu Spirit Drum. Joining Amayo is his band, featuring chekere, guitar, bass, flute, violin, drums, percussion and horns.
The band carries the spirit of Kung Fu masters and philosophers of Asia, freedom fighters, the royal warriors of Edo & Ife Kingdoms, and Fela Kuti.
Amayo’s songs guide people through Kung Fu movements and stories of the Nigerian Edo & Ife Kingdoms. As an anointed Orisha “Awo” Amayo sings traditional Nigerian spirituals and stories that have been passed down in a sacred lineage.
Additionally, Amayo has been a senior master (Sifu) of the Jow Ga Kung Fu School of martial arts since 1982 and performs traditional Chinese Lion Dance as a salutation ritual to begin his stage performances to bring good fortune to the audience.
The Stig Anderson Music Award Foundation has announced its 2023 Polar Music Prize Winners, including a Beninese singer, the founder of a UK record label and a remarkable composer.
This years recipients are Angélique Kidjo, five-time Grammy Award winning Beninese artist and songwriter; Chris Blackwell, founder of Island Records, one of the UK’s greatest independent record labels, and Estonian Arvo Pärt, the world’s most performed living composer.
Since the inaugural ceremony in 1992, the Polar Music Prize has been renowned as music’s most prestigious honour. The Polar Music Prize (often called the Nobel Prize of Music) is a Swedish international award founded in 1989 by Stig Anderson, best known as the manager of the Swedish band ABBA, with a donation to the Royal Swedish Academy Of Music.
The prize will be presented in Stockholm on May 23rd in the presence of the Swedish Royal Family.
“We are delighted to honor these three Laureates who have all made such a global impact with their music.”
Marie Ledin, Polar Music Prize Director
Previous recipients of the Polar Music Prize include Paul McCartney, Bruce Springsteen, Peter Gabriel, Chuck Berry, Ennio Morricone, Led Zeppelin, Patti Smith, Stevie Wonder, Paul Simon, Kronos Quartet, Joni Mitchell, Elton John, Metallica, Iggy Pop, Ravi Shankar, Renée Fleming, Miriam Makeba, Wayne Shorter, Sofia Gubaidulina and many more.
Angélique Kidjo
Angélique Kidjo is a five-time Grammy Award winner, a creative force with 16 albums to her name, and was named “Africa’s premier diva” by Time Magazine. Furthermore, the BBC included Kidjo in its list of ‘The Continent’s 50 Most Iconic Figures’. She was included in The Guardian’s ‘Top 100 Most Inspiring Women in the World’, and was the first woman on Forbes’ list of ‘The Most Powerful Celebrities in Africa’.
Angélique travels the world advocating on behalf of children in her capacity as a UNICEF and OXFAM goodwill Ambassador. She has created her own charitable foundation, Batonga, dedicated to supporting the education of young girls in Africa.
Chris Blackwell
Chris Blackwell founded Island Records – the wildly innovative, legendary music label now regarded among the most admired of all time. Island Records is also known for finding exquisite talent from around the world. Chris introduced the most daring and definitive music of our era, with acts like Cat Stevens, Roxy Music, Steve Winwood, Robert Palmer, Nick Drake, Melissa Etheridge, Tom Waits, Grace Jones and Marianne Faithful.
Arvo Pärt
Arvo Pärt’s creative output has played a significant role in the soundscapes of contemporary music since the 1960s. With his unique compositional technique, tintinnabuli, which Pärt invented in 1976, he has deeply affected the course of music over several decades. His works have reached a vast number of listeners, not only via concerts and recordings but also through films and theatrical productions.
You can watch the live broadcast globally via the Polar Music Prize YouTube, from 6pm (CET) on May 23rd.
Rochester reggae outfit Giant Panda Guerilla Dub Squad (GPGDS) have announced the release of their latest single “Revolution.” The powerful track features Josh Swain and was co-produced with Italian-born international reggae icon, Alborosie.
Beginning April 7, fans can enjoy “Revolution” amongst other songs on the band’s upcoming album, Love In Time.
The essence of the collaboration was indisputably present throughout the creation of Giant Panda Guerilla Dub Squad’s news album. The consultation between the band and Alborosie helped shape “Revolution” into a song that can only be created by complete openness and trust in the process.
Giant Panda Guerilla Dub Squad took a contrasting approach with the writing and recording process of the new album compared to previous tracks. Since the band was facing a potential six-month separation at the start of 2020, they rushed into the studio to record as many tracks as possible. Recording with longtime friend Matthew Goodwin, the reggae ensemble developed over 25 song ideas and riddims within a week. Various tracks were sent to musicians, engineers and producers such as the production trio Zion I Kings, Akae Beka, Midnite, Lutan Fyah, Alborosie, and Danny Kalb.
Originally GPGDS planned three different releases, but the diversity of the songs and production styles all complemented each other in ways the band had not expected. Working with Danny Kalb on the “Steady” single in 2014 was the first time GPGDS collaborated with an outsider and the results were so powerful that they strived for a similar sound for their new album. Additionally, working with featured guests such as Fearon and Botri, The Movement, Anthony B, Double Tiger, Blakkamoore, and Skribe Da God, inspired GPGDS to select the best tracks from the past sessions which resulted in Love In Time.
Formed in 2001 in Rochester, GPGDS consists of guitarists Dylan Savage and Eli Flynn, Chris O’Brian on the drums, and Tony Gallicchio on the keyboard. The band is recognized for their world beats and reggae rhythms with an urgent energy and jam band dynamics. It
GPGDS released six studio albums, ranging from their alternative Americana releases Country (2012) and Bright Days (2015) to their Billboard Reggae Chart-toppers Steady (2014) and Make It Better (2016). Giant Panda Guerilla Dub Squad’s Love In Time delivers a fresh new evolution of the band’s trademark sound that results from their newly collaborative approach.
“Revolution” from Giant Panda can be enjoyed by fans here.
The illustrious TLC and Jamaican icon Shaggy have announced their upcoming amalgamated Hot Summer Nights 2023 Tour. The tour begins the first of June and will make a stop at Northwell Health at Jones Beach Theater in Wantagh, NY on June 13th and at SPAC on June 16th.. Fans can also expect to enjoy special performances from special guests En Vogue and Sean Kingston.
The Hot Summer Nights 2023 Tour will feature top hits from both TLC and Shaggy that will transport you back to the late 90s and early 2000s. You won’t want to miss TLC’s performances of “Waterfalls,” “No Scrubs,” “Unpretty,” and “Creep.” Fans will also encounter Shaggy’s “It Wasn’t Me,” “Boombastic,” and “Angel”; En Vogue’s “Hold On, My Loving (Never Gonna Get It)”, and “Free Your Mind.” Finally, Sean Kingston will perform “Beautiful Girls” and “Take You There.”
After thirty-two years, TLC remains the best-selling American girl group of all time with over eighty-five million records sold worldwide. The trio earned thirty-five Major Awards including the Diamond Award, video of the year award for Waterfalls, four Grammy Awards, two American Music Awards, five MTV Video Music Awards, Brit Award and five Soul Train Music Awards. TLC is ranked number 12 on the list of 100 Greatest Women in Music and was recognized as one of the greatest musical trios by Billboard magazine.
Shaggy, the multi-Grammy award winning musician makes history as the only diamond-selling dancehall artist in music history. The legend has sold more than 40 million album units to date, in addition to landing eight singles on the Billboard Hot 100 and seven albums on the Billboard 200.
Tickets are now on sale. Fans can also purchase VIP Packages, which may include premium tickets, access to the Takin’ It Back per-show lounge, special gift item, exclusive swag bag & more. For more information, visit here.
HOT SUMMER NIGHTS 2023 TOUR DATES
Thu Jun 01 – Pelham, AL – Oak Mountain Amphitheatre
Sat Jun 03 – Miami, FL – FPL Solar Amphitheater @ Bayfront Park
Sun Jun 04 – St. Augustine, FL – The St. Augustine Amphitheatre
Wed Jun 07 – Raleigh, NC – Coastal Credit Union Music Park @ Walnut Creek
Fri Jun 09 – Bristow, VA – Jiffy Lube Live
Sat Jun 10 – Holmdel, NJ – PNC Bank Arts Center
Sun Jun 11 – Mansfield, MA – Xfinity Center
Tue Jun 13 – Wantagh, NY – Northwell Health at Jones Beach Theater
Thu Jun 15 – Toronto, ON – Budweiser Stage
Fri Jun 16 – Saratoga Springs, NY – Saratoga Performing Arts Center
Sat Jun 17 – Hartford, CT – XFINITY Theatre
Wed Jun 21 – Cuyahoga Falls, OH – Blossom Music Center
Fri Jun 23 – Tinley Park, IL – Hollywood Casino Amphitheatre
Sat Jun 24 – Noblesville, IN – Ruoff Music Center
Sun Jun 25 – Clarkston, MI – Pine Knob Music Theatre
Wed Jun 28 – Maryland Heights, MO – Hollywood Casino Amphitheatre
Fri Jun 30 – Irving, TX – The Pavilion At Toyota Music Factory
Sat Jul 01 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion
Sun Jun 02 – Lake Cowichan, BC – Laketown Shakedown (with Shaggy Only | Buy Tickets Here)
Mon Jul 03 – Austin, TX – Bass Concert Hall~ (with TLC, Shaggy, & Sean Kingston Only | Buy Tickets Here or Here)
Thu Jul 06 – Salt Lake City, UT – Granary Live (with Shaggy & Sean Kingston Only | Buy Tickets Here)
One music that never fails to soothe me is Celtic music. I can just feel the stress and the tension of the day wash off, and something crisp and green take its place. It is always welcome, and in turn always welcoming, and there’s a heaviness and a frivolity that can dance with each other. But Kilashandra is not a strictly Celtic band.
They are a Celtic-inspired jam band, and while my questions center around the Celtic part, I hope you will see the band as they will show you below. Maybe we can get them to jam.
I sit with Mark Emanatian, Eileen Markland, Chris Gil and Tom Dolan of Kilashandra and we discuss the rarity of four-leaf clovers.
Liam Sweeny: Celtic music is instantly recognizable, and it makes people feel a certain way, like a gentle breeze on a hilltop of rolling grass, or the bow of a ship destined for the promise of the New World. So the sound is unmistakable. Do you think Celtic lyrics, if read without the music, would be unmistakable as Celtic? Why or why not?
Mark Emanatian: I think the deep rivers of Irish literature, poetry, storytelling and history would make Celtic lyrics unmistakably Irish.
LS: The music of Ireland is a tradition that goes back centuries, and listening to Celtic music, you can hear themes that, though timeless, did originate in a time. But it wasn’t just Ireland, was it? How much of Celtic music comes from Ireland, and how much from Irish immigration to America? MARK: All music is transformed as it intersects with new places and new experiences.
ME: Vocalist Chris Gil has an interesting story. I’m all about those, stories. But his was an impromptu chance to sing at the Pepsi Arena, and a standing ovation. If that doesn’t tell a person they got something, right? So something started shit right there, something inside, a switch from a private thing to a public pursuit. Tell us about it, will
Chris Gil: It was an honor and a thrill to sing the National Anthem at the Pepsi Arena and receive a standing ovation. I put the same energy into my singing whether it’s to a full crowd or 1 person in the back of a pub. It’s all about connecting with the audience.
But I really like singing and playing with this band Kilashandra. Mark Emanatian writes some great songs and is a master guitar player. Eileen Markland is a force of nature. Tom Dolan holds us together. We really connect with each other and we let the audience in on it too.
I’m looking to forward to some big gigs we have coming up: opening for the Young Dubliners at the Colonial Theater in Pittsfield and the Watertown Irish Festival. And of course, we’ll be hitting the pubs from the Berkshires to the Catskills to the Adirondacks.
Come see us at a big show or a pub, I love singing to people
LS: Eileen Markland is a Berklee trained composer and arranger, with a universe of talent with different instruments, having played with more folks than can fit in a small club with the tables removed. One thing I read was that you work with music for visual media. How does playing for visual media differ from playing for the crowd?
Eileen Markland: Harmony is the reason I wake up each morning and endless melodies accompany every activity and quiet moment throughout my day. Composition is the only place in life where I experience true freedom. I can create and mix any scenario I’m craving or feeling by crafting a series of chords, melodies and vocal/ instrumental combinations which then have the potential to perfectly express what I need, if I get it right. Yes, I can tell you what I’m feeling in words, but a musical description is three dimensional, even four dimensional! Composition (and improvisation), for me, is the deep exploration and expression of the state of my soul.
Live performance is a unifying, raw experience that creates a shared sense of community and, really, nothing less than pure love between the people performing and those watching and listening. It’s a social experience with both tangible qualities, such as dollars earned and new friends made, and intangible qualities such as relieved anxiety and the lessening of feelings of loneliness. I deeply believe that live music has been and always will be one of the staples to a peaceful society on a worldwide scale. For me, personally, my best friends are the musicians in my life. The music we create together and the real bonds that come with this ride keep me happy and sane in all corners of my life.
LS: Mark Emanatian, you come from a background I’m very aware of; the blues. Coming to Celtic from blues, and going back again, must be an interesting experience. It seems that they are very different music with different conventions and origins, different historical contexts, so on. What is the common thread that unites them?
ME: First off, they come from a deeply emotional story…and tough histories of people oppressed…the music arises from that…and the music has several similar qualities based around major and minor pentatonics…you can hear a lot of the crossover in bluegrass music that was influenced by both of these musical rivers.
LS: Improvisation is my favorite quality in music. If my brain wasn’t so blues-soaked, I would’ve hopped on to the jazz train and would still be a passenger. Tom Dolan, you are an improviser. In Celtic music, is improvisation the same as it is in jazz, or is it more structured? Is there phrasing that you have in Celtic music that you base on?
ME: There is not a lot of bass in traditional Irish music. Often uilleann pipes are used for drone or acoustic guitar or bouzouki are used in place of the bass to add harmony and movement to songs and tunes. Irish music does not generally use chromaticism or altered and extended chords. So, there is not much similarity between improvising in Irish music and jazz. However, there is modal playing, and the use of pedal tones in common and that is useful for improvising in both genres. And listening to each other. Listening helps. It is using intensity, volume, rhythmic variations to push the tempo to move the song along, hopefully to greater heights, or down to support the lyrics. I have been playing in bands with Mark for 50 years. We have a good understanding of what each other might play. Mark and I have played with Eileen in various groupings for over ten years. Chris is an inventive rhythm guitar, acting as a catalyst, often playing bodhran rhythms, propelling the songs forward. We have a shared vocabulary that allows us to have a conversation on stage. Sometimes full group improvisation can break out. But above all the playing must support the song.
The Great Blue Heron Festival 2023 will celebrate its 30th anniversary with a lineup of fan favorites and ten new, never-been-to-The-Heron artists.
The Great Blue Heron Festival draws in thousands of fans from across the U.S. each year, remaining a tradition for people young and old to celebrate self-expression and music. The festival will take place at the Heron Farm in Sherman, an award-winning campsite, voted number one in the U.S. by HipCamp. The Heron is open daily for seasonal camping from May through October along with the Green Heron Growers Farm Store.
From June 30-July 2, there will be three stages, called the Main Stage, the big top Dance Tent, and the Tiger Maple Stage, as well as over 30 artists, featuring returning headliners Donna the Buffalo. The group has been together for over thirty years, releasing over ten records, performing with various musicians, including prominent folk/roots performers such as Jim Lauderdale, the father and son zydeco musicians Preston and Keith Frank, and more. Three Heron newcomers and finalists include Keller & The Keels, Couch, and Kaleta & the Super Yamba Band.
Keller & The Keels have been making Appalachian-style psychedelic bluegrass tunes since 2004, recording three albums since. Featuring award-winning flat picker Larry Keel, his bass-playing wife Jenny Keel, and Keller Wiliams, the trio is excited to perform at Great Heron. Boston-based group Couch infuses pop with funk, rock, and R&B/soul. Their vibrant sound is further defined by the members’ backgrounds in jazz, a cappella, and musical theatre. They celebrated the release of their debut EP, COUCH in Feb. 2021 as well as three new singles and a 20-city headline tourin 2022.
Brooklyn-based group Kaleta & the Super Yamba Band is fronted by Afrobeat and Juju veteran Leon Ligan-Majek a.k.a. Kaleta, living his adolescent years in Lagos, Nigeria where Afrobeat was born. The group has performed across the globe, releasing its debut album Mèdaho in 2019. Other performers for the festival include Peter Rowan, Kevin Kinsella OG JBB, Henhouse Prowlers, The Probables, Root Shock, Smackdab, Dr. Bacon, New Planets, Dirty Gems, Sun King Warriors, Pa Lane, and more.
Tickets for the Great Blue Heron Festival 2023 edition are on sale now.
NYC’s Irish Arts Center has announced more than two dozen artists who will come together to celebrate and extend the immense legacy of Mick Moloney, a towering figure in Irish traditional music, who died last year.
The tribute concerts, co-presented with NYU Glucksman Ireland House, will unfold over three nights, March 30 & 31 and April 1, at 7:30pm at the Irish Arts Center.
The concert tribute, produced by Irish Arts Center under the musical direction of Athena Tergis and Seamus Egan, will feature just a sample of the range of artists influenced by Moloney throughout his long career, including Nora Brown, Jean Butler, Donie Carroll, Liz Carroll, Brenda Castles, Stephanie Coleman, Cheick Hamala Diabate, Brendan Dolan, Megan Downes, Seamus Egan, Donny Golden, Ivan Goff, Jefferson Hamer, Liz Hanley, Kieran Jordan, James Keane, Tamar Korn, Dan Levinson, Joanie Madden and Cherish the Ladies, Billy McComiskey, Dan Neely, Eamon O’Leary, Niall O’Leary, John Roberts, Leni Sloan, and Athena Tergis.
In a career spanning seven decades, Moloney, described in a New York Times obituary as a “pioneering scholar and superb musician,” was one of the world’s foremost advocates of the music, history, and culture of Ireland, Irish America, and the global Irish diaspora. In co-presenting the concert tribute, Irish Arts Center and NYU Glucksman Ireland House jointly celebrate Moloney’s legacy and long association with both institutions, serving as Global Distinguished Professor of Music at NYU, and presenting more than 100 concerts over a fifteen year period at Irish Arts Center.
Irish Arts Center, founded in 1972 and based in Hell’s Kitchen, New York City, is a home for artists and audiences of all backgrounds who share a passion or appreciation for the evolving arts and culture of contemporary Ireland and Irish America. IAC presents, develops, and celebrates work from established and emerging artists and cultural practitioners, providing audiences with emotionally and intellectually engaging experiences in an environment of Irish hospitality. Steeped in grassroots traditions, IAC also provides community education programs and access to the arts for people of all ages and ethnic, racial, and socioeconomic backgrounds. In an historic partnership of the people of Ireland and New York, Irish Arts Center recently opened a state-of-the-art new facility to support this mission for the 21st century.
Glucksman Ireland House is New York University’s center for the study of Ireland and the Irish diaspora. Renowned for dynamic programming and research initiatives, Glucksman Ireland House is the home of the Glucksman Irish Diaspora Series with NYU Press and the Archives of Irish America. The mission at Glucksman Ireland House NYU is to foster excellence in the study of Ireland, Irish America, and the Irish Diaspora in New York and the global communities.
