The Shakti Lounge in Buffalo announces their new live music series lineup for 2023-24, with their first show on October 7th, presented by Lavender Haze Collective.
The first show features Ravi Padmanabha & David Muse on October 7th. The music duo encompasses a new found musical language using crystal bowls, gongs, tabla, hand pan, clarinet and ocean drum to create an ambient meditation that traverses to an ecstatic musical trance.
The Shakti Lounge offers musicians with a space to open their skills and invites a comfortable environment of community to hear innovative music. Shakti creates a salon-like setting offering guests the freedom to recline on the heated floor or take a seat in a chair, welcoming all. Offering a live music experience truly like no other in Buffalo.
The live music series features a diverse group of artists performing all genres including jazz, folk, classical and world music. Musicians are mainly local to Buffalo with the exception singer-songwriter Cammy Enaharo and Seth Faergolzia’s Multibird both from Rochester. The series also includes storyteller Tyler Westcott, string quartet fra/ctured, alto saxophonist Elliot Scozzaro, guitar driven artist Adam Bronstein & ABtrio and drummer John Bacon with his cast for JBQ.
Shakti lounge in Buffalo welcomes people of all ages to come join the forthcoming live music series and experience the duo host monthly concert every Saturday. For more information visit here.
Shakti Lounge 2023-24 Concert Lineup, Presented by Lavender Haze Collective
Afropunk returned to Brooklyn for 2 days of music on August 26th & 27th. The festival took place at Brooklyn’s Greenpoint Terminal Market for 2023.
As on brand for Afropunk, the lineup for the festival was all black artists from various genres. Some notable names included Tobe Nwigwe, Baby Tate, and Vince Staples. The lineup also included New York’s own Joey Bada$$, and day 2 headliner, Teyana Taylor.
Unlike last year, this year had a theme, which was Circus of Soul. Motifs of this theme could be seen throughout the event. Both on stage and in the crowd, fans and artists dressed as though they were part of a circus. R&B artist Cleo Reed really leaned into the theme by dressing them selves and other stage performers in clown attire during their set. There were performers on stilts wearing kente cloth patterns walking throughout the crowd. There were also Aerial Ring performers periodically doing stunts throughout the weekend.
This year was truly one to be at, as there were many performances and attractions that festival goers could really interact with all day.
A festival of the Arts
Afropunk is a festival that is bigger than music. Though music may be the highlight, it also features art and artists from all over the globe that center their creativity around the African diaspora. Inside the Spin Thrift Market, there were vendors selling things like clothes, jewelry, books, and weed products. Outside the Market, there were spaces for health and beauty. Festival goers were able to get their hair and makeup done, henna tattoos, and facials. Most of the vendors were also African American owned and operated.
In addition to vendors that were selling merchandise, there were also areas for festival goers to interact. In the center between the two stages, there were tents set up for festival goers to play games and run through a bubble pit. It seems as though they learned from last year as most activities and vendors were set up under large tents to protect against any potential rain.
Nonetheless, as much as there was to do off stage, there was much to watch on stage. There was a two stage setup to accommodate for about 30 performances. In between performances on both stages were DJ SNS and DJ Mohogany. They helped to keep the party going as people awaited some of their favorite artists to take the stage.
Day 1 Highlights
Day 1 had strong performances from Cleo Reed and a collaboration from the Soapbox presents on the 3 Ring Stage. The Soapbox brought together vocalists and musicians to bring a rock, R&B, and gospel like performance. This was one of the many perfect displays of how African American music is has roots in so many different genres that tend to overlap one another. The performance had fans feeling cool in the end of summer heat.
One of day 1’s most notable and electric performances was from Tobe Nwigwe. Originally from Houston, TX, Tobe holds on to his Nigerian roots well as they could be seen in his performances. He is always recognizable with his seafoam green outfits and sets. He brought out his wife, Martica Nwigwe, for a few songs from his set. He also had Olu from Earthgang come out for a song. Olu came out on brand, wearing seafoam green wings to sing “WILDLINGS” with Tobe. The performance was full of energy and surprises that keep the audience screaming for an hour.
Tobe’s performance was evened out by a more mellow from Vince Staples. Vince stared as “Maurice” earlier this year in the Emmy award winning show, Abbott Elementary. His Long Beach, CA vibes really brought the crowd down from their state of choas from before. Though his set did not features as many theatrics like Tobe’s, he still had the attention of the crowd. Vince had the crowd singing along to his hit song, “Norf Norf,” before there was a mass exodus from the event.
An uneventful end to the hype
The first night was headlined by Flying Lotus. He is a producer and DJ who has worked on many projects on TV shows and film. One of the most notable projects was Netflix’sYasuke, an anime centered around the story of Japan’s first black samurai. He makes a lot of EDM and electronic rap songs primarily.
Flying Lotus did not receive much of an introduction which left many fans confused. Though his fans would be familiar with his music and style, this may have been many’s first exposure to him. He could barely be seen from behind his DJ booth and did not say a word for at least the first 20 minutes of his set. About halfway through, he was joined by rapper Smoke DZA, who he is working on a collaborative album with. Smoke DZA did bring some excitement and energy to his performance.
After Smoke DZA’s exit, Flying Lotus played a few more songs and was about to leave. He did not realize that his set was not over and played for about another 15 minutes. Flying Lotus had a pretty anti-climatic exit, as it was a pretty bleak end to day 1 of Afropunk 2023.
A stark turn around from Day 1’s mishaps
Day 2 still featured a full lineup that had Greenpoint full. What was nice about this year’s festival was the scheduling of performances. With the stage schedules pretty staggered, fans were able to see all their artists without really having to miss a performance. This really set Afropunk apart from other festivals as many usually have fans contemplating which artists they wanted to see more. If they wanted to, fans could see just about every artist and take in the full Afropunk experience.
Some notable performances from Day 2 were from Baby Tate and Joey Bada$$. Baby Tate brought a fun energy out of the crowd. With a lot of positive sexual messages infused in her lyrics, her music and performance made Greenpoint a safe space for women to express themselves. In the middle of her set, Baby Tate took a break and her DJ Sky Jetta tapped into a different side of her fans. Though Baby Tate makes rap music, Sky Jetta played alternative rock hits, including “I write sins not tragedies” that absolutely killed.
Baby Tate came back and continued to kill. She played unreleased song “Wig” and ended on her hit “I am” to leave things on a high. Joey Bad$$ proceeded her and continues to bring smiles.
New York showing out for New York artists
Joey Bad$$ was happy to be back in his hometown as he expressed his love for Brooklyn all through out his performance. The theme around his performance was love as he turned the camera toward the audience to celebrate black love. He had a kiss cam going on for a bit before singing “Love is only a feeling.” He dedicated a few songs to fallen black artists including, XXXTentacion, Nipsey Hustle, Pop Smoke, Young Dolph, and more.
Before he left, he expressed his happiness to be playing at an event where he could see so many black faces. He also threw a jab at Afropunk for being a bit unprofessional behind the scenes. He still left things on a high with “Devasated” before handing the stage over to Teyana Taylor.
The energy from day 2 was drastically different than from the previous day. Day 2’s lineup featured so many artist that people knew and loved. They had performances that people wanted to be a part of and sing along with. Day 2 was originally supposed to end with Grammy award winner Jazmine Sullivan. Due to some personal reasons, she could not perform, but Teyana Taylor was passed the torch to close out the weekend.
Rose of Harlem feeling the love
Nicked named the “Rose of Harlem”, Teyana Taylor closed out to packed audience in her city. Teyana had mentioned during her performance that she was nervous to headline a show as she felt as though no one would stay for her. Though some mic issues may have fueled those nerves early on, New York showed her so much love that it brought her to tears.
The sound was getting too much for Teyana as she asked for just the keys to play during one of her songs. She was able to get real close and emotional with the crowd before turning things back up. The crowd screamed “Issues” and ” Gonna Love Me” with Teyana.
She was joined on stage by her daughter ,”Junnie,” and husband Iman Shumphert, for a few songs. Her daughter helped her throw out free t-shirts to the audience. Teyana also had 3 outfit changes that synced up with the many different vibes of her performance.
She exited the stage, but quickly came back for an encore. Teyana ran into the middle column of the pit to slap the hands of her fans before closing out the night. She thanked New York for showing her so much love and making this performance one worth leaving retirement for.
Afropunk continued to bring peace, love, and education about African American culture to one of the biggest melting pots of the world. With Afropunk’s voice continuing to reach millions, it’s only a matter of time before it starts to expand to other cities across the globe.
Binghamton University’s Anderson Center for the Performing Arts announced a performance by Washington, DC’s Step Afrika!, as part of its upcoming 2023-24 Center Series. Step Afrika! is a professional dance company dedicated to the tradition of stepping, scheduled to perform at the Anderson Center on September 30 at 7:30 p.m.
Ranked as one of the top ten African-American dance companies in the country, Step Afrika! combines percussive dance styles historically practiced by African American fraternities and sororities, traditional Western and South African dances, as well as an array of contemporary dance and art forms. Together, they create a cohesive, compelling artistic experience for audiences. Step Afrika!’s performances blend songs, storytelling, humor, and audience participation to create a unique act.
Step Afrika! promotes stepping as an educational tool for young people, with a focus on teamwork, academic achievement, and cross-cultural understanding. The company reaches tens of thousands of Americans each year through tours and its unique position as Washington, DC’s only Cultural Ambassador. Their accolades include the Mayor’s Arts Awards for Outstanding Contribution to Arts Education (2005), among others, as well as performances for former President Barack Obama and First Lady Michelle Obama.
The company is featured at the Smithsonian’s National Museum of African-American History & Culture with the world’s first interactive stepping exhibit. In 2017, Step Afrika! made its Off-Broadwaydebut with the critically acclaimed production, The Migration: Reflections on Jacob Lawrence.
Tickets for the general public range from $25-60, with a 10% discount on premium seats for seniors, veterans, and Binghamton University faculty/staff and alumni. Student and child tickets cost just $10 for any seat in the house.
Tickets are on sale now through the Anderson Center Box Office, online at Anderson.binghamton.edu, or by calling 607-777-ARTS.
For more than a quarter century, Damn Sam Productions has held Harvest Festival and Freedom Fair in locations throughout Eastern New York and the Catskills. Now, the festival has found a home in Trumansburg, just outside of Ithaca, giving solid ground for the October 6-9 celebration of music and cannabis culture.
The 2023 lineup features Skeleton Keys, Dogs in a Pile (2 sets Friday), Immortal Technique, The Garcia Project, and Sophistafunk, but as promoter Rob Robinson notes, “The headliner of Harvest Fest has always been cannabis.”
Add to the music lineup plenty of pro-cannabis speakers and vendors – among them, Tim Tyler, sentenced to life in prison for possession/distribution of LSD under a federal three-strikes law, and later saw his life sentence commuted by President Obama.
Also speaking at this year’s Harvest Fest and Freedom Fair is Donnie Greenthumb, who has been growing medical marijuana for decades, starting out working in a greenhouse at 13 years old, where he learned organic tricks, compost teas, and the importance of soil ph. At 20 years old he wrote for High Times Magazine with John Holmstrom and from the years 1989-2015, he assisted with writing 187 articles about basic questions, problems with growing, and how to get started in the great outdoors. He also wrote about pests and diseases in the Horticulture Medical Growers Bible by Jorge Cervantes. Donnie has had various discussions with many different cultivators throughout the region and brings a great deal of knowledge to a state that is now allows citizens to grow their own.
With these speakers, Harvest Festival and Freedom Fair continues a legacy of music and activism that is now more than a quarter century strong.
History of Harvest Fest
Starting out in Beacon, Damn Sam Productions held an initial event in 1991 dubbed ‘HempSplash’ at Arrowhead Ranch in the Catskills, and after four years, an offshoot festival, Harvest Fest, was held in Modena, NY at an apple orchard.
The festival would move around over the last two decades, holding the event in the small towns of Earlton, Warrensburg, Afton, Bainbridge, hill towns near Oneonta, Camp Minglewood (which would later host Catskill Chill for five years), Monticello, New Berlin, the Washington County Fairgrounds in Saratoga Springs, and finally, Trumansburg, at the home of Grassroots Festival.
Being that this was the 1990s, a drug culture festival being held at a time when cannabis was not nearly as prevalent as it is today, nor legal anywhere in America, was a risky move, but this was part of founder Rob Robinson’s vision – to rally cannabis allies together for a ‘protestival.’
At these early festivals, the speakers now amount to a ‘who’s who’ of cannabis culture – Jack Herer, Ask Ed Rosenthal, “Saint” Steven and Ida May Gaskin (the modern day mother of midwifery in America, also ran a commune in Tennessee), and Pete Seeger all took part in Harvest Festival and Freedom Fairs over the last 25 years. Seeger in particular was a tough sell to play the event – Robinson knew him from growing up in Beacon, and Pete always declined. But after 16 years, Pete said to Rob “You don’t belong in jail, I’ll play your event.” And with that, the legend who wrote “Where Have All the Flowers Gone” and “Which Side Are You On?” took his well worn voice and shared it at Harvest Fest.
Harvest Festival even attracted national attention with Peter Jennings from ABC news arriving at the second annual event to film a segment that would be aired as “Pot of Gold.” Featuring footage from Cannabis Cup, you could see scenes from Harvest Fest, yet there were no interviews or faces seen in the episode. When Robinson and his team reached out to ask why the footage wasn’t used, they said simply that they didn’t want to be the reason they went to jail. The mid-1990s were a time when New York State still held cannabis as a criminalized drug and Rockefeller Drug Laws were in effect, meaning Robinson and others could have faced 15-25 years in prison.
All over the use of a plant that has killed no one.
The Musical Legacy of Harvest Fest
The last 25 years of Harvest Fest has seen an amazing number of musicians make their way to the event: Cabinet, Pete Seeger, Richie Havens, Melvin Seals and the Persuasions, Ghostface Killah, George Clinton & the 420 Funk Mob, Hamilton Morris, Immortal Technique, dead prez, Alex & Alison Grey, The Wailers, Bluestar Radiation, New Riders of the Purple Sage, Dead Milkmen, Levon Helm, Particle, High Times Cannabis Cup Band, Col. Bruce Hampton, Fishbone, John Kadlecik, Ike Willis, Ed Mann, Napoleon Murphy Brock, DJ Logic, The Real Radio Rahim, Frankie Bones, DANK, Queen Mother (wife of Baba Olatunji), Max Creek, ecoustic hookah, Moonalice, The David Nelson Band, Tony Vacca & World Rhythms with Massamba Diop, Garth Hudson & The Dharma Bums, Vassar Clements, Buddy Cage, Steve Hagar, Dogs in a Pile, Deep Banana Blackout and many, many more.
Add to the list this year’s headliner, Skeleton Keys, the keyboard centric electronic exploration of the Grateful Dead, will feature founder Alex Mazur (Gratefully Yours), Aron Magner (Disco Biscuits, Billy and the Kids), Chris J. English (Sam Grisman Project, FUNKNUT) and Tom Pirozzi (Ominous Seapods, Lo Faber), plus sets by Immortal Technique, The Garcia Project, Sophistafunk and many more, and the full music festival aspect is locked down and continuing to deliver memorable sets and join a pantheon of past performers.
Never Straying from the Original Mission
The original goal of Harvest Festival was to raise money for lobbying in favor of hemp and cannabis legalization. This being in the 1990s, the pitch to legalize cannabis, let alone hemp, was a tough sell and would lead to decades of activism by the New York Cannabis Action Network, later renamed the New York Cannabis Alliance. This continual activism led Rob Robinson to serve as NORML state chair for 5 years in the 1990s, and being twice named High Times Freedom Fighter of the Year.
With legalization, the mission of the festival has evolved. For an event that was started under prohibition and continued to be run that way, Robinson admits “it’s not the best way to judge cannabis, but it is the funnest way to judge cannabis.” Over the years, production value has risen as the event has evolved into being a true festival, putting the focus on the music and celebration, and not just legalization and activism, although the latter still exist in this American cultural event.
Every person wants to change their conscientiousness – some do it through religion, some through exercise, some through substances, some through all three.
Rob Robinson
With prohibition ending in many states (24 have fully legalized), and the medical value becoming clear (38 states allow medical use) the mission encourages folks to explore and embrace the benefits of cannabis.Yet lobbying wise, there is still a black market and mis-management of the dispensary license process has held back progress for the cannabis industry in New York. The new focus is on other drugs being decriminalized, with a focus on this being a land of the free.
The 26th year of Harvest Fest and beyond
One of the only festivals in 2020 to be held during Covid, Robinson notes there were no infections and the festival held like a ‘Drive In’ event, which helped the festival sustain that year and led to continued growth, unabated.
The 2022 location, the Washington County Fairgrounds, was looking to have Harvest Fest return, but with Cannabis being illegal federally, the location had some issues that led to the event needing to be moved to Trumansburg, out of necessity.
“The Ithaca scene is totally different, and a part of NY Harvest Fest has not visited yet. The cannabis part of the Finger Lakes is huge and always has been (likewise the Catskill Mountains), so we’re bringing Harvest Fest to cannabis activists and growers who have been ‘in the closet’ for 30 years.”
Cannacup at Camp Minglewood
Harvest Fest will take place in Trumansburg, NY over October 6-9, 2023, offering a way for people to commune over a shared love of cannabis and all it has to offer. As Robinson puts it, cannabis is the “non-lethal alternative to alcohol and tobacco,” and when joined by the music lined up for the festival, a momentous celebration of freedom is on tap this fall in the Finger Lakes.
The 2023 Albany Latin Fest was held on Saturday, August 26 in Washington Park, with the day-long family-friendly community event hosting music and fun activities for children and adults alike. All throughout the park, families and friends celebrated Latin American culture while enjoying games, dominoes, food trucks, and live music performances.
Live music and cultural performances were presented by Legacy Women, Son Latino, Lulada Club and Puncho & The Boricua Legends. Sibie LaVoz paid homage to Hip Hopâs 50th Anniversary, being celebrated in 2023. During the live performances, crowds were growing, dancing and grooving to the variety of Latin music on hand this afternoon. Sponsors, Congressman Paul Tonko and Organizers of Latin Fest spoke on Latin Culture and their yearly involvement with Latin Fest, and efforts within the Latin community of the greater Capital District.
For many years, Albany Latin Fest has established itself as a unique platform in the Capital Region, providing the local Hispanic population with deserved recognition as a vital element of the community. At Latin Fest, the showcasing of local, regional and international performing artists provides commercial and non-profit businesses and organizations access to the local Hispanic population and engaging in coalition building efforts to address recent disaster relief efforts. Â All photos by Mabou Riddick for NYS Music.
Two Rochester based ensembles, showcasing Sephardic music will perform back to back performances of “Sephardic Reflections,” taking place in Syracuse on October 21 and at Rochester’s Temple Beth El Synagogue on October 22.
The production ‘Old & New: Sephardic Reflections’ brings a taste of medieval flute and electric guitar, offering a contrast of contemporary music with versions of old and new songs. This medieval mix is interpreted by members of fivebyfive and Pegasus Early Music/NYS Baroque. The clash of ensembles explore the sounds of flute and electric guitar to present a new experience for the audience.
Pegasus Early Music/NYS Baroque
Pegasus Early Music/NYS Baroque will perform using recorders, lute, duduk, shawm, harp and percussion which stay true to the early music of Sephardic traditions in Spain, Portugal and Morocco. Members of the chamber music ensemble will us flute, clarinet, bass, piano and electric guitar which heavily influence the new tradition.
This is an exciting journey for both ensembles, to focus on music from a certain period but in our own styles. All of our musicians are world-class artists, experts in their chosen instruments, and we look forward to collaborating on this kaleidoscopic musical event.
Pegasus/NYS Baroque Director Deborah Fox.
“We are thrilled by the variety of sounds that will be shared in this concert,” said Artistic Director, Laura Lantz of fivebyfive.
fivebyfive
Tickets can be purchased online at pegasusearlymusic.org and fivebyfivemusic.com or purchased at the door. Upstate New York looks forward to see what they have in store for the double ensemble collaboration “Old & New: Sephardic Reflections”.
Blue Note Jazz Club is celebrating Hispanic Heritage Month with a week-long residency from Grammy-nominated Afro-Cuban artist Cimafunk.
Occurring from Sept. 15-Oct. 15, Hispanic Heritage Month celebrates the culture and contributions of Hispanic people. From Sept. 26- Oct. 1, Grammy-nominated Afro-Cuban Rockstar Cimafunk will bring his talents to the Blue Note Jazz Club stage. His name refers to his heritage as a “cimarrón,” Cubans of African descent who resisted and escaped slavery, as well as to the essence of his music, which aims to mix classical Cuban rhythms with funk, afrobeat, and hip hop.
The godfather of Funk George Clinton has referred to Cimafunk as “the one,” and Chucho Valdes credits him for musically “uniting Afro-Cuban and African American.” He has received overwhelming praise touring the U.S. and Europe, making a name for himself as one of today’s great showmen, performing an electric live show with La Tribu, his nine-person band from Havana. His live shows are celebrations of groove and are an unforgettable sonic and bodily experience. His latest album, El Alimento, was nominated at the 2023 GRAMMY Awards for Best Latin Rock or Alternative Album.
Blue Note Jazz Club.
Since 1981, the Blue Note Jazz Club has been a cultural institution in NYC and one of the premiere jazz clubs in the world. It strives to preserve the history of jazz, and the club practices the foundations of jazz on a nightly basis and carries the torch for the genre in the 21st century.
The club has been frequented by celebrities such as Scarlett Johansson, Colin Jost, Zoe Kravitz, and Jon Hamm, and has featured musicians like Robert Glasper, Ron Carter, Pat Metheny, Ms. Lisa Fischer, Christain McBride, Keyon Harrold, Meshell Ndegeocello, and more.
Kicking off on September 26, the shows will take place during Hispanic Heritage Month and feature a variety of iconic special guests including Chuco Valdes, Pedrito Martinez, and Big Freedia. For more information, visit here.
Cimafunk Residency
Tue, Sept 26 @ Blue Note Jazz Club – 8:00 PM & 10:30 PM
Wed, Sept 27 @ Blue Note Jazz Club – 8:00 PM & 10:30 PM *
Thu, Sept 28 @ Blue Note Jazz Club – 8:00 PM & 10:30 PM †
Fri, Sept 29 @ Blue Note Jazz Club – 8:00 PM & 10:30 PM
Sat, Sept 30 @ Blue Note Jazz Club – 8:00 PM & 10:30 PM
Sun, Oct 1 @ Blue Note Jazz Club – 8:00 PM & 10:30 PM ‡
Soca music, otherwise known as “The soul of Calypso’’ is a genre of upbeat music that was created in the West Indian Island of Trinidad & Tobago. The alluring rhythmic energy of soca can be enjoyed at carnivals, fetes, parades, and even at home. The lively tempo gives its audience no choice but to dance and be swept away by the vibrant music.
Trinidad and Tobago flag. Waving flag of Trinidad and Tobago 3d illustration. Port of Spain
On September 4th, Soca music can be enjoyed at the West Indian Labor Day Parade in Crown Heights, Brooklyn.
photo @newyorkcarnival
Soca music is a combination of Calypso and Indian music. Ras Shorty I, a Trinidadian musician sought to fuse the genres after the realization that calypso was becoming threatened by reggae music. Shorty created an energetic hybrid genre called solka, which later became known as soca. In 1973, the musician introduced soca to the world through his song, “Indrani.” Shorty established two different types of soca music known as Power and Groovy soca.
Power soca music is fast with tempos around 160 beats per minute. This upbeat soca encourages people to dance as a response to artists giving dancing instructions through their music. Groovy soca is slower paced with tempos around 115 beats per minute. Songs such as “Turn Me On” by Kevin Lyttle and “Tempted To Touch” by Rupee demonstrate this type of soca.
The creation of soca gave Caribbean Islanders numerous hits by popular artists such as Machel Montano, Destra, Alison Hinds, Atlantik, KMC, and Bunji Garlin, among others.
Montano, also recognized as the “King Of Soca” celebrated 40 years in the industry in September 2022. Montano was the first Trinidadian and youngest performer to win the Caribbean song festival in 1987. Additionally, the musician won the Young Kings Competition in 1991, the Party Vocalist Competition in 1995, and the Road March King Competition of Trinidad and Tobago in 1997. At the age of nine, Montano exposed the world to soca with his performance with the Mighty Sparrow, at Madison Square Garden. He is most known for his songs “Fast Wine”, “Like Ah Boss” “Vibes Cyah Done” and “Soca Kingdom.”
As soca became more renowned and spread to other Caribbean Islands such as Jamaica, Guyana, Barbados, Grenada, more sub genres were created. Other variations include ragga, Chutney soca, Raga soca, Afrosoca, Steelband soca, Parang soca, Bouyon soca, and Bashment soca. Chutney soca is directly connected to East Indian culture with lyrics featuring both English and Hindi. Raga soca fuses traditional soca with Jamaican dancehall beats and instruments any you will most likely hear the presence of electric bass and electronic drums in this subgenre. Like Raga soca, Afrosoca is also influenced by Jamaican dancehall beats, an intermixture of dancehall and Nigerian beats.
Steelpan soca is characterized by its heavy usage of steel pans. Unlike the other subgenres, Parang soca is the only subgenre to incorporate Spanish into its lyrics. Bouyon soca is influenced by rhythms of Dominica. Besides Trinidad, many Bouyon soca artists are from St. Lucia, Antigua, and Martinique. Finally, Bashment soca is a contemporary form of soca and based in Barbados.
Although in many soca songs, human vocals are the only melodic instrument, often you will hear electric bass, keyboard synthesizers, cowbells, and machine drums. Larger soca bands are more likely to have a brass section featuring the trumpet, trombone, and the saxophone in their productions.
Soca has transformed throughout the years and has become a genre that not only represents Trinidad but the Caribbean as a whole, loved internationally and has inspired music from Western culture. Artists such as Drake, Nicki Minaj, Chris Brown, Busta Rhymes have multiple top charted songs influenced by soca.
Bryant Park Picnic Performances season of free, live performances, continues on Saturday, September 9 with the US debut of Turkish musician Gaye Su Akyol, as well as opening act The Secret Trio, presented by Drom.
This concert celebrates the music of Anatolia and marks the centenary of the founding of the Turkish Republic.
Gaye Su Akyol is an Istanbul-based musician and artist, born in 1985. In her work, she redefines the concepts of power, desire, change and rebellion. She creates a universe of imagination, in which she constructs her own “counter-reality” — a world without oppression or injustice. Without alienating from the land she was born into, she questions its representations, defines new symbols, and chases after the practice of transforming a conservative world through collective dreaming.
Gaye Su Akyol has created her own unique language, taking the contrasts of traditional Anatolian music, Classical Turkish music, psychedelia, surf rock and post-punk, and combining them with her futuristic approach. Akyol, who, in 2014, released her first album Develerle Yaşıyorum (“I Live With Camels”) in 2014, written and composed entirely by herself, defines her music as “universal in concept, local in spirit.” She expanded her audience through numerous concerts and festivals in Turkey, Europe, Middle East and the Far East, with the release of her first international album, Hologram İmparatorluğu (“Hologram Empire”) in 2016.
The Secret Trio, the opening band for Gaye Su Akyol, is made up of three astounding musicians who came together to create a new type of chamber music with new and interesting approaches to their instruments. Immerse yourself in the captivating melodies and stunning virtuosity of Ara Dinkjian, Ismail Lumanovski, and Tamer Pinarbasi.
Founded by two immigrant business entrepreneurs, Drom’s mission is to celebrate cultural diversity in the performing arts field. They have provided a physical space for artists from around the world to present their music, art and creative experiments. Drom live by the motto, #DromIsHome. From downtown Manhattan, they bring together a local and global community of like-minded individuals to share art and culture that transcend genre, class, race, and geography. Drom’s programs span diverse artistic forms including music, dance, theater, comedy and its stage is open to the next generation, as well as established performers.
REMAINING SCHEDULE AT BRYANT PARK
August 25 – Accordions Around the World: Diana Burco, Suistamon Sähkö, Ragini Ensemble
August 26 – Roulette Intermedium: Immanuel Wilkins, 75 Dollar Bill, Ka Baird
August 31 – The Town Hall: Martha Redbone Roots Project
September 01 – The Classical Theatre of Harlem: Young, Gifted and Black
September 07 – American Symphony Orchestra: American Expressions
September 08 – New York City Opera: Romeo and Juliet
September 14 – Harlem Stage: 40th Anniversary Celebration
Attendees to Bryant Park Picnic Performances may bring their own food or purchase from on-site food and beverage vendors. At all performances, attendees can discover new dishes and celebrate classics from the five boroughs with a rotating line-up of local artisanal vendors curated by Hester Street Fair.
For the most current information about Bryant Park, please visit bryantpark.org/picnics.
The Caribbean Music Awards announced a star-studded lineup of live performances for the upcoming event on August 31, boasting many artists of the genre’s biggest names.
The awards will take place at the Kings Theatre in Brooklyn, with performances by Alison Hinds, Jada Kingdom, Dexta Daps, Kranium, Nailah Blackman, Ding Dong, Rupee and Romain Virgo, as well as others to be announced.
Last month, The Caribbean Music Awards announced Grammy Award-winner and Haitian-born Newark artist Wyclef Jean as the host for the event. Along with a full range of live performances, the night of celebration for Caribbean Music will feature appearances from Spice, Baby Cham, Toni-Ann Singh, and more.
Awards span across in 26 categories in many genres, including Reggae, Dancehall, Soca, Kompa, and Zou. Trinidadian group Kes leads with five nominations, including Performer of the Year, Video of the Year, and Artist of the Decade. Following with four nominations are Masicka, Ding Dong, Machel Montano, and Shenseea.
Trinidadian singer, songwriter, and producer Machel Montano will accept the Lifetime Achievement Award for his contributions as a leader of the sound and style of Soca music worldwide. In addition, reggae legend Beres Hammond will accept the Elite Icon Award. The esteemed award commemorates Hammond for his contributions in elevating and enriching the face of Reggae music for decades.
The Caribbean Music Awards will take place on August 31, 2023 at 8pm EST at the Kings Theatre in Brooklyn, and will be streaming worldwide on YouTube.
For the latest updates and information, visit the official website CaribMusicAwards.com or follow on IG @CaribMusicAwards. Get ready to experience the best that Caribbean music has to offer at the Caribbean Music Awards.
