NYS Music 2023

Category: Rock

  • MY GOD! Tessa Violet at Irving Plaza

    Irving Plaza was set ablaze on Aug. 11 as the vibrant indie-pop sensation, Tessa Violet, took the stage, with the equally captivating Frances Forever opening the night. The air was charged with excitement as fans streamed into the venue, anticipating a musical experience that promised to be nothing short of unforgettable.

    With Tessa Violet’s reputation for infectious energy and Frances Forever’s rising popularity, the anticipation was palpable. As the lights dimmed and the first chords reverberated through the air, it was clear that this concert would be a convergence of artistic talent and a celebration of the profound connection between musicians and their devoted followers.

    Frances Forever (photograph by Chinaza Ajuonuma)

    Frances Forever, the burgeoning indie-pop sensation, is carving a unique path with their music that resonates deeply with audiences across the globe. Born from a rich tapestry of influences spanning from folk to lo-fi bedroom pop, Frances Forever delivers an unmistakable sound that stands out in today’s music landscape. With introspective lyrics and melodies that effortlessly navigate themes of love, identity, and the rollercoaster of emotions that come with growing up, Frances Forever has captured the hearts of listeners seeking authenticity and reliability.

    Their breakout hit “space girl” and the subsequent releases have showcased a rare combination of vulnerability and catchy hooks, solidifying their place as a rising star in the indie scene. With an ever-growing fan base and a distinctive musical style, Frances Forever is undoubtedly an artist to watch as they continue to craft music that leaves an indelible mark on listeners and charts a fresh course in the world of indie-pop.

    Frances Forever (photograph by Chinaza Ajuonuma)

    Frances Forever’s opening performance was an absolute whirlwind of emotions and musical prowess. Kicking off with a powerful mashup of “depression” and “cry inside my car,” they immediately set the tone for an intimate and emotionally charged set. The audience was captivated by the seamless transitions between songs and the raw authenticity that Frances Forever brought to the stage. Tracks like “Mr. Man” and “Frankenstein Wannabe” showcased their ability to blend introspective lyrics with energetic melodies, creating a dynamic and engaging atmosphere.

    The standout moment of the night was the live performance of “Monica Gives Me Lockjaw,” an unreleased gem that resonated deeply with the crowd. The unrestrained emotion and vulnerability in their delivery left an indelible mark, reaffirming their status as a rising indie sensation. The juxtaposition of heartfelt tracks like “my condolences to myself” with the infectious energy of “paranoia party” demonstrated Frances Forever’s versatility and the range of emotions they can evoke through their music.

    “Space Girl” served as a fitting conclusion to their set, leaving the audience with an anthemic chorus echoing in their minds. Frances Forever’s performance was a journey through introspection, heartache, and catharsis, all expertly woven into a mosaic of indie pop brilliance. Their ability to connect with the audience on such a personal level while delivering a polished and energetic performance is a testament to their burgeoning talent. As they left the stage, the crowd was left buzzing with excitement, fully immersed in the emotional rollercoaster that Frances Forever had taken them on.

    Frances Forever Setlist: depression / cry inside my car (Mashup), Mr. Man, fuck u, Frankenstein Wannabe, treehouse, Stuck, my condolences to myself, Monica Gives Me Lockjaw (Unreleased), paranoia party, space girl

    Tessa Violet (photograph by Chinaza Ajuonuma)

    Tessa Violet, an emerging luminary in the indie-pop realm, is captivating audiences with her distinctive blend of introspection, vulnerability, and clever lyricism. From an eclectic musical background that spans genres, Tessa Violet has cultivated a sound that effortlessly weaves together catchy melodies and deeply relatable narratives. Her breakout tracks, such as “Crush” and “Bad Ideas,” have resonated deeply with listeners for their unfiltered portrayal of emotions and self-discovery.

    With an innate ability to craft songs that explore the highs and lows of relationships and personal growth, Violet has firmly established herself as a rising star in the music scene. Beyond her music, her engaging presence and relatable charm have endeared her to fans around the world. As she continues to evolve as an artist and explore new musical territories, Tessa Violet’s journey promises to be a captivating one, leaving an indelible mark on the indie-pop landscape.

    Tessa Violet (photograph by Chinaza Ajuonuma)

    Tessa Violet’s electrifying performance was a showcase of her artistry, vulnerability, and boundless energy. The night held a series of delightful surprises, starting with Frances Forever joining Tessa on stage during “Play with Fire,” adding an extra layer of charm to an already captivating song. Violet’s interaction with the crowd brought a personal touch to the show, prompting them to share their gratitude, leading to a delightful chant about dopamine. As she ventured into deeper conversations, she hopped off the stage to engage with fans, leading to a heartfelt exchange of dreams and desires.

    A poignant moment followed as Tessa introduced “I Don’t Know Who I Am Without You,” drawing from personal loss and connecting with the audience through a powerful and heartfelt performance. Throughout the show, her dynamic outfit changes, from the golden goddess dress to the iconic pink armor, added to the visual spectacle of the night.

    Her connection with her band members was evident, particularly with her fiancé Dante Cimadamore on guitar and Mike McKerracher on drums, who joined her on stage for an intimate dance during “I Don’t Know Who I Am Without You.” The live rendition of “When the Curtain Falls” was introduced with Tessa’s characteristic witty banter, giving a glimpse into the theme of her introspective and multi-dimensional album MY GOD!

    The set design, featuring a painting depicting Violet’s different personas, was a visually striking representation of her evolving artistry. Her acoustic take on “Bad Ideas,” with the crowd enthusiastically contributing to the ad-libs, showcased her effortless ability to engage and uplift the audience. Her candid speech on confidence, positive affirmations, and self-love resonated deeply, and the collective affirmation exercise led seamlessly into her empowering anthem “Bad Bitch.”

    Tessa Violet (photograph by Chinaza Ajuonuma)

    The show’s high-energy climax during “Crush” saw her stepping off the stage, mingling with the crowd, and sharing the microphone, creating an unforgettable moment of connection. The evening wrapped up with an encore featuring Frances Forever and their band, dancing, celebrating, and line dancing along with her during a spirited rendition of “Born This Way.” Tessa Violet’s performance was more than just a concert; it was an immersive journey through her music, emotions, and empowering spirit, leaving the audience inspired and invigorated.

    Tessa Violet Setlist: YES MOM, Breakdown, Play With Fire, Again Again, Good Things Go Bad, Haze / Wishful Drinking (entitled on the setlist, Hazeful Drinking), I Like (the Idea of) You, I Don’t Know Who I Am Without You, When The Curtain Falls, song without a title, Games, Bad Ideas + Liability by Lorde (Mashup), Honest, BAD BITCH, Kitchen Song (voice memo), Kitchen Song, MY GOD!, You Are Not My Friend, Crush

    Encore: Born This Way (Lady Gaga Cover)

    Tessa Violet (photograph by Chinaza Ajuonuma)

    In terms of upcoming shows, “MY GOD! The Tour” will be wrapping up on Sept. 7 in San Diego. If you find yourself in the UK later in September, you can also catch Tessa at Bittersweet Daze!

    Updates for any future Tessa Violet shows can be found on socials, and her website. The same goes for  Frances Forever, and you can find their socials and website linked here.

  • Big Bliss Impress With New Album ‘Vital Return’

    Brooklyn band Big Bliss is set to drop their latest album Vital Return on August 18. Created by brothers Cory and Tim Race, and joined by Wallace May, Big Bliss has fostered an impressive and unique sound since 2015. Vital Return showcases the group’s ability to seamlessly incorporate elements of alt-rock, post-punk, indie-pop, and more into a cohesive body of work.

    Big Bliss by Kevin Condon

    The album is a profound and bold exploration into themes of sobriety, death, trauma, and recovery. Produced by Jonathan Schenke, Vital Return harnesses these difficult and unsettling ideas into a web of interconnected songs. While each track stands alone, there is an aura of anxiety and confusion that permeates each title on the project. Despite the intense nature of the topics, Big Bliss is still able to construct an enjoyable and hopeful album. 

    As a band, and also as individuals, were thrust into some massive changes starting around 2019… Many of which felt too heavy to surmount – the tumult of addiction/early sobriety and familial grief being at the top of the heap. We did make it though. Ultimately the record is about that: reemergence, about coming out the other side.

    Tim Race

    The Album 

    Marked by atmospheric layered sounds along with pounding drums, “A Seat at the Table” lays the foundation for what is to come in Vital Return. The opening track manages to be up-tempo and hypnotic, while also featuring tense and sincere lyrics. The song flows perfectly into the second track on the album “Sleep Paralysis.” Big Bliss expertly balances noisy instrumentation with melancholic and compelling vocals on the song. In “Sleep Paralysis,” the group details a decidedly confusing yet meaningful relationship. Poignant lyrics like “Am I falling or not? Hope I wake before landing” cut through the song’s catchy indie-rock soundscape. 

    While Big Bliss certainly doesn’t break down any walls with their vocal performances, the album is full of powerful and raw lyrics. Each song on Vital Return has a level of emotionality that can be heard with almost every breath. “Solace” is one of the band’s most moving songs and helps to show how versatile and varied the band can be. The track has an alt-rock sound but even features influences of contemporary folk-rock. “Solace” is laced with a frantic and inescapable feeling of being unable to escape from the past. The group is constantly searching for some reprieve from their trauma, singing “Nothing is just as it seems, some invisible violence arriving.” The song is haunting yet hopeful, a perfect representation of the album as a whole. 

    Big Bliss by Kevin Condon

    Big Bliss is at their post-punk best with “Tell Me When You’re Ready” and “Off Guard.” Both offerings include fast-paced driving instrumentation which injects a sense of positivity into the project. While the songs are by no means free of the distress and discomfort that is standard with Vital Return, they mark a steady shift in the album. Both tracks are keenly self-aware and acknowledge the issues that Big Bliss struggle with. Although  much of the album’s lyrics are abstract and symbolic, the writing starts to become more specific as the project progresses. “Tell Me When You’re Ready” is almost a call to action as the lyrics “I’ll figure out what I’m missing, I’ll draw it out of the ground, draw it out of my mouth” ring out as some of the first signs of recovery in the album. 

    As the ten-track project comes to a close, the group sonically and emotionally seem to turn a corner. “Vital Return,” the album’s title-track, caps off the project with a cathartic and dreamy sound. Big Bliss depart slightly from their often noisy production and opt for smoother, more stripped-back instrumentation. The writing on “Vital Return” indicates signs of stability and empowerment. The lyrics, “I have built a city and burned it down, now I know my grief is somewhere under the wreckage, for the first time I will dig it up” testify to how far Big Bliss has come. The song is not meant to represent complete closure but rather a sign that things are heading in the right direction. 

    Big Bliss by A.F. Cortés

    Conclusion

    Vital Return is a beautiful and authentic project that ultimately looks to tell the story of progress. Big Bliss don’t try to bite off more than they can chew and instead stick to the sounds, melodies, and lyrics that organically fit their performance range. While the instrumentation on certain songs can overpower the writing, each track still has a sense of emotion and purpose. The band’s varied musical influences spiral together to create a distinctive sound that resonates with each note. Vital Return is a truly cohesive and unified album that somehow manages to maintain the same earnest atmosphere throughout.

    Vital Return is out August 18th via Good Eye Records.

  • Glenn Hughes to Perform Classic Hits on Tour with Yngwie Malmsteen

    Former bassist and singer of Deep Purple Glenn Hughes, known to millions as the ‘Voice of Rock,’ a Rock and Roll Hall of Fame inductee, and the front man for rock super group Black Country Communion, has just announced a tour devoted to celebrating music from BURN and other classic hits from Deep Purple’s rich back catalog – during a tour that will mostly see Hughes co-headlining with notable guitarist Yngqie Malmsteen. The tour across the U.S. will stop in several cities across New York, including Hudson Falls, Poughkeepsie, and New York City.


    Billed as “Glenn Hughes Performs The 50th Anniversary of Deep Purple’s BURN Live”, Hughes will perform classic hits from the legendary album, and the addition of Deep Purple MKIII and MKIV songs. Glenn’s band will feature Soren Andersen (guitar), Ash Sheehan (drums) and Ed Roth (keyboards).

    “It was 50 years ago, in the summer of 1973, that the BURN album by Deep Purple was written at Clearwell castle in Gloucestershire UK,” reminisces Hughes. “It was recorded in October in Montreux, Switzerland.”

    Continues Hughes, “We all became one in this centuries old castle in the UK countryside, it felt like Deep were a new band, with David (Coverdale) and I as new members, we couldn’t wait to start working on new song. The atmosphere was electric, in such amazing surroundings.”

    “All the songs on Burn were written in the crypt/dungeon, underneath the great hall. We worked on a new song every day, and we were in the flow. Musically we would play, and work out ideas, and David and I would come up with vocal melodies that would later have lyrics. I remember it like it was yesterday.”

    “As you could imagine, Ritchie Blackmore was in full prankster mode, Jon had warned me, and he rigged my room one night with a speaker that was hidden, and had ghostly voices delivered to my bedside.”

    “The title track was the last song to be written. We came back from the pub, and went down into the crypt, and magic happened.”

    Concludes Hughes, “It’s time to celebrate BURN, and I’m really looking forward to seeing you!”

    Glenn Hughes Biography

    Glenn Hughes is an inductee into the Rock and Roll Hall of Fame as part of the MK 3 line up of Deep Purple.  He spent the formative years of his career as the beloved bassist and vocalist of the group and performed on the classic albums Burn (1974), Stormbringer (1974) and Come Taste The Band (1975).

    The vocalist/bass guitarist/songwriter is a true original. No other rock musician has carved such a distinctive style blending the finest elements of hard rock, soul and funk. Stevie Wonder once called Hughes his favorite white singer.  The first important band Hughes was a member of that achieved notable success was Trapeze.

    In 1973, Hughes joined Deep Purple. The trailblazing hard-rock legends had just weathered the departure of vocalist Ian Gillan and bass guitarist Roger Glover, but guitarist Ritchie Blackmore, keyboardist Jon Lord and drummer Ian Paice continued with the addition of Hughes and David Coverdale.

    Since 1992, Hughes has toured extensively in Europe, Japan, and South America in support of solo albums.  He’s recorded four studio albums with the multi-award-winning supergroup Black Country Communion featuring guitarist Joe Bonamassa, keyboardist Derek Sherinian (Dream Theater) and drummer Jason Bonham, son of the late Led Zeppelin legend John Bonham.

    In 2016 he released his critically acclaimed solo album Resonate featuring the rock radio hit “Heavy” and in 2017 he released Black Country Communion’s fourth studio album BCCIV to ecstatic reviews.

    In 2019, Glenn joined the Dead Daises as their lead singer and bass guitarist, recorded two albums, Holy Ground (2021) and Radiance (2022) and toured the world.

    Tour Dates

    • 08.16.23 Landis Theater Vineland, NJ ***(Glenn Hughes Only)                  
    • 08.18.23      Strand Theater                            Hudson Falls, NY
    • 08.19.23      The Chance                                  Poughkeepsie, NY
    • 08.22.23     The Palladium Times Square    New York, NY
    • 08.23.23     The Paramount                            Huntington, NY
    • 08.25.23      The King of Clubs                        Columbus, OH
    • 08.26.23      Arcada Theater                            St. Charles, IL
    • 08.28.23      Granada Theater                         Dallas, TX***(Glenn Hughes Only)
    • 08.30.23      House of Blues                            New Orleans, LA
    • 09.01.23       House of Blues                            Houston, TX
    • 09.02.23     Tobin Center                             San Antonio, TX
    • 09.04.23     Marquee                                       Tempe, AZ
    • 09.06.23     House of Blues                            San Diego, CA
    • 09.08.23     Saban Theater                             Beverly Hills, CA
    • 09.09.23     Performing Arts Center            Oxnard, CA
    • 09.11.23       House of Blues                              Anaheim, CA
    • 09.13.23      Oriental Theater                          Denver, CO
    • 09.15.23      Emerald Theater                          Mt. Clemens, MI
    • 09.16.23      Blue Note                                         Harrison, OH***(Glenn Hughes Only)
    • 09.19.23      The Palladium                                 Worcester, MA
    • 09.20.23      Jergels                                         Warrendale, PA***(Glenn Hughes Only)
    • 09.22.23      Parker Playhouse                        Ft. Lauderdale, FL
    • 09.23.23      Capitol Theater                            Clearwater, FL

    For more information, visit Glenn Hughes’ website.

  • Bittersweet Daze Leaves a Mark in Central Park

    Central Park‘s SummerStage was a vibrant sphere of music and camaraderie on Aug. 3, as the “Bittersweet Daze” Tour took the entire park by storm. Cavetown and an ensemble of incredibly talented friends — Grant Perez, mxmtoon, and Ricky Montgomery — transformed the iconic outdoor venue into a musical haven. Just as the sun began its descent, casting a warm golden glow over the park, the stage came alive with a promise of extraordinary performances.

    With the collective energy of the artists and the eager anticipation of the audience, it was evident that this evening held the potential for an unforgettable musical experience. The air was filled with palpable excitement as dedicated fans eagerly awaited the musical journey about to unfold, setting the stage for an enchanting evening of diverse talents, heartfelt melodies, and captivating harmonies.

    Under the enchanting twilight at Central Park’s SummerStage, the stage ignited with the promise of a remarkable evening. As the opening chords reverberated through the air, the audience’s anticipation was met with a fusion of talents — Cavetown and friends, including Grant Perez, mxmtoon, and Ricky Montgomery. Each artist brought their unique musical essence, weaving together emotion and melody that resonated with the crowd. Cavetown’s introspective lyrics, Grant Perez’s authenticity, mxmtoon’s charming melodies, and Ricky Montgomery’s soulful performance merged seamlessly, creating an electric atmosphere of unity and creative camaraderie. The audience’s collective energy mirrored the artists’ passion, forging a night that celebrated the power of music to forge connections and leave lasting memories.

    Grant Perez, the spirited singer-songwriter hailing from Sydney, Australia, is making waves with his emotive musical storytelling and genuine connection to his audience. Combining his diverse influences and personal experiences, Grant weaves poignant narratives through his melodies, delving into themes of love, growth, and the human experience. With tracks like “Confusing Girl” and “Why I Love You,” his candid lyricism and distinctive sound have captured listeners’ hearts, setting him on a path to carve his name in the music scene.

    In September 2021, Grant released his debut single “Cherry Wine,” a track that would go on to achieve gold certification in Australia by 2023. The resonance of this achievement was a testament to his growing presence in the industry.

    Continuing his musical journey, in June 2023, Grant released his fourth EP, “When We Were Younger.” A seven-track song cycle centered around the theme of nostalgia, this EP delved into the complexities of looking back on moments that have shaped his journey. With each release, he cements his position as an artist capable of capturing the essence of life’s intricacies through his authentic and relatable music.

    Grant Perez burst onto the stage with infectious energy, launching his performance the moment the doors opened at 6:00, drawing fans into his electric world. His distinctive accent added a unique charm as he delivered a tight 20-minute set that oozed dynamism. Between songs, Perez engaged the crowd with playful banter, keeping them hooked with countdowns and witty interactions. His invitation to start a mosh pit just before the balladic “Cherry Wine” led to a surprisingly amusing slow-motion mosh in the front. The unexpected trumpet noises during the instrumental break further highlighted his exuberance and unpredictability. Perez even led the audience in a lighthearted “guided meditation.” Wrapping up precisely on time, his performance was a vibrant kick-start to the evening, amplifying the anticipatory atmosphere as more fans streamed in from the winding lines outside.

    Grant Perez Setlist: Confusing Girl, Old With You, Stuck On You, Ego, Why I Love You, Cherry Wine

    Ricky Montgomery, a relatable star in the indie-pop realm, has been capturing hearts with his music that strikes a unique chord between introspection and vibrant storytelling. Hailing from a musical background, his artistry has been shaped by a myriad of influences that seamlessly blend into his signature sound. With lyrics that cut deep and melodies that resonate, Ricky’s songs embody raw emotion and introspection, resonating with audiences seeking authenticity.

    His breakout singles like “Line Without a Hook” and “Mr. Loverman” have garnered widespread acclaim for their unfiltered approach to themes of love, heartbreak, and the human experience. Beyond just crafting captivating tunes, his music has become a refuge for those seeking solace in relatable narratives. Whether it’s his debut album or his intimate live performances, Ricky Montgomery’s journey in music continues to captivate listeners, firmly establishing him as an artist whose profound storytelling and emotional vulnerability are second to none.

    When Montgomery took the stage with boundless enthusiasm, he weaved his way around the platform. He launched into silly antics, including engaging in a mock beatdown with his guitarist, evoking laughter and excitement from the audience during the intro of “Black Fins.” An endearing highlight was his impromptu participation with the drummer, borrowing a drumstick to whimsically “assist” during the initial moments of “Talk To You.” The set took an unexpected and delightful turn as he transformed into a fervent merch advocate, shouting out about his new merchandise and playfully complying with his team’s promotion requests. The culmination of this merchandise extravaganza was a slingshot-assisted distribution of his merchandise into the crowd – an unprecedented gesture that Ricky declared was a first-time experience for everyone.

    Yet, the pinnacle of connection came during “Line Without a Hook” when Ricky defied the stage barrier, leaping into the space between the stage and the audience. His direct interaction with fans encapsulated his dedication to creating an intimate experience and left an indelible mark on the concertgoers. The setlist, featuring hits like “This December,” radiated Montgomery’s emotive songwriting and resonated deeply with the captivated crowd. Ricky spirited performance, infused with playfulness and authenticity, set an exhilarating tone for the night ahead, leaving a lasting impression on the Bittersweet Daze crowd.

    Ricky Montgomery Setlist: Talk to You, Line Without a Hook, Black Fins, Don’t Say That, Out Like a Light, This December, Mr. Loverman

    mxmtoon (aka Maia), a rising indie-pop sensation, has been making waves with her distinct blend of sincerity, vulnerability, and hilarious wit. With a musical background that embraces a wide spectrum of influences, from classic rock to 90s R&B, mxmtoon has cultivated a sound that stands out in the industry. Her breakthrough tracks such as “prom dress” and “fever dream” have earned widespread acclaim for their unfiltered and genuine approach to songwriting, addressing themes of love, heartache, and self-discovery with remarkable openness.

    Since the release of her debut EP plum blossom in 2018, mxmtoon has established herself as a compelling force in the music scene, captivating listeners with her intimate and evocative storytelling. Her latest releases, including the EPs dawn and dusk, showcase her exceptional songwriting skills, delving into the complex emotions and experiences of the Gen Z generation. With an ever-growing fan base and a series of successful tours, mxmtoon’s infectious energy and self-deprecating charm continue to win over audiences worldwide, solidifying her status as an artist to watch and a voice that resonates with authenticity.

    mxmtoon’s performance was an enchanting blend of playful energy and heartfelt connection that lit up the Summerstage. From the moment she stepped onto the stage, her charismatic presence was undeniable. With a mischievous grin, she engaged the crowd, coaxing them to join in on a collective cry before launching into the captivating “feelings are fatal.” The intimate banter continued as she introduced “cliche,” a love song born from a singular interaction, playfully dedicating it to “all the delusional people.”

    With a touch of self-deprecating humor, mxmtoon offered a glimpse into her creative process, describing her music as “sad songs that sound happy.” This artistic juxtaposition was beautifully evident in her performance, where her melodies exuded a bittersweet charm that resonated with fans.

    Demonstrating her affinity for meaningful connections, mxmtoon dedicated “seasonal depression” to Tater Tot, a feline TikTok sensation, and playfully shouted out, “This one’s for the gays! Because me too!” before launching into the spirited “kaleidoscope.”

    Adding to the hometown flair, the Brooklyn-based artist embraced the crowd with warmth, reminding everyone that this was a sort of pseudo-hometown show. She encouraged the audience to channel their inner “European nightclub spirit”, injecting vibrant and jumpy energy into the venue during “sad disco.” In a touching moment, she introduced her band members, solidifying the sense of camaraderie that permeated the night.

    Her setlist, including hits like “coming of age,” and “mona lisa,” blended seamlessly into the next. With her infectious charm, mxmtoon created an atmosphere that transcended the stage, uniting the crowd in a shared experience of joy, introspection, and the magic of her distinctive sound.

    mxmtoon Setlist: fever dream, sad disco, kaleidoscope, ok on your own, seasonal depression, cliché, feelings are fatal, prom dress, bon iver, coming of age, mona lisa

    Cavetown, the musical project of British singer-songwriter Robin Skinner, has emerged as a prominent figure in the indie music landscape, characterized by his unique blend of introspective lyrics and melodic arrangements. From his humble beginnings on platforms like YouTube, where he gained a devoted following for his heartfelt original songs and covers, Cavetown has transformed into an artist who resonates deeply with audiences around the world. His music, often centered on themes of self-discovery, identity, and mental health, strikes a chord with listeners seeking solace and connection. Cavetown’s discography is a testament to his evolving sound, marked by poignant compositions such as “This Is Home,” which have become anthems for a generation grappling with their place in the world.

    Notably, Cavetown’s impact extends beyond his musical offerings. The creation of Bittersweet Daze, a collaborative project, showcases his dedication to fostering a sense of community and providing a platform for like-minded artists. Through Bittersweet Daze, Cavetown orchestrates a multi-artist event that celebrates the diversity of talent within the indie music sphere, creating an unforgettable experience for fans and artists alike.

    Furthermore, Cavetown’s commitment to social change shines through in his philanthropic efforts. A powerful example is his initiative to donate a portion of ticket sales from the Bittersweet Daze tour to the This Is Home Project. Founded by Cavetown himself, this project channels funds towards organizations that support LGBTQ+ youth in need, reflecting his determination to give back and create positive change.

    With his sincere lyrics, catchy melodies, and unwavering dedication to making a difference, Cavetown’s journey continues to inspire and resonate deeply with audiences worldwide. As he navigates the music industry with authenticity and a passion for both art and advocacy, Cavetown’s influence is undeniable, cementing him as a true artist to watch.

    Cavetown’s performance was a whirlwind of energy and heartwarming interactions that left the audience completely captivated. Amidst the joyous melodies, an unexpected moment of concern arose as a lady passed out just before “Fall in Love With a Girl.” Robin promptly halted the show to ensure her well-being before resuming the set. The stage was adorned with imaginative cardboard mountains, creating an enchanting backdrop that perfectly complemented Cavetown’s whimsical vibe. Throughout the night, Robin’s engagement with fans was nothing short of endearing. During “Guilty,” he playfully accepted a stuffed cow from an eager fan in the front row, and in “heart attack,” he infused the stage with exuberance by clapping, jumping, and swirling a pride flag.

    Robin’s connection with the audience deepened with each anecdote. Prior to performing “Juno,” he queried the crowd about their loyalty since his earlier days, invoking nostalgic camaraderie. The giggle-inducing revelation of his skewed sleep schedule for the initial tour dates added an extra layer of relatability. The tender moment when he introduced “Nobody Loves Me” and invited Ricky and Maia back on stage, followed by their heartfelt rendition, showcased not only artistic collaboration but a genuine sense of camaraderie.

    “frog” became a standout as Robin interacted playfully with the crowd, plucking up a plush toy frog and delivering the song’s captivating melodies while experimenting with cool, distorted synth samples on the keyboard. Amid the diverse array of pride flags bestowed upon him, Robin donned a trans flag as a cape during “This Is Home,” a touching gesture of solidarity. His words before this song, admitting the evolution of his connection to it while dedicating it to the fans, underscored the sincerity he brings to each performance. The night culminated in a breathtaking display of talent during “Boys Will Be Bugs,” where Robin’s guitar prowess and commanding vocals resonated, leaving an indelible mark on the audience and concluding a remarkable evening.

    Cavetown Setlist: worm food, Fall in Love With a Girl, Lemon Boy, Pigeon, Guilty, better, 1994, heart attack, juno, Nobody Loves Me (ft. mxmtoon and Ricky Montgomery), frog, Juliet, Home

    Encore: Boys Will Be Bugs, Devil Town

    In terms of upcoming shows, you can catch mxmtoon at plus63 festival if you happen to find yourself in Manila, Philippines this October. In the meantime, keep up with Maia on Twitter and Instagram.

    You can also catch Grant on tour this fall when he swings through NYC at Webster Hall on Nov. 1.

    Bittersweet Daze is heading to the UK with new artists! Cavetown will remain the headliner, but he’ll be joined by Alfie Templeman, Tessa Violet, Dodie, and Cafuné.

  • Hearing Aide: AstroGun’s Authentic LP ‘The Underground Sessions’

    AstroGun, a Queens-based alternative rock band, has released their new LP The Underground Sessions. The 11 tracks are, as intended, raw and authentic with the hollow creaks of instruments and the echoes of underground jam sessions.

    Credit: B. G. Aramayo

    AstroGun is now in its sixth year with three previous LPs: Internalization, Truth & Lies and Liquid Love. The Underground Sessions takes the best of what these LPs had to offer for a powerful album that represents the best the band has to offer. The band has solidified with Astro Li as the drummer, Adam Anthony as bassist and vocalist, as well as Robby Thunders as the guitarist.

    We wanted to capture our live sound on a recording, which we hadn’t done before. Something like what Radiohead did with From The Basement. We were also thinking of Nirvana’s Smart Sessions, we wanted it to be raw and organic.

    Bassist and Vocalist Adam Anthony

    The album has a distinct lyrical sound due to Anthony’s vocals, and maintains an energetic, raw vibe throughout the piece. Each song has an iconic opening the distinguishes one from the other. It occasionally plays with headphone panning, separating certain sounds into one or the other. This happens in “Mind Revolution,” which also contains some of Li’s best drumming with satisfying echoes and creaks. Li’s beats offer a strong foundation for this song.

    “Writing on the Wall” is the final song on side A, and it has a satisfying opening using headphone panning. A lone guitar begins on the left side while the main instrumentals come roaring in on the right. It also carries that authentic styling with a small audio spike and the occasional sliding of fingers down a guitar. The lyrics are well mixed in “Writing on the Wall,” more distinct than in other pieces.

    “Liquid Love” on side B takes the time for some slower moments that are missing from other songs. This makes it a unique entry, especially with the echoing guitar throughout the piece. The vocals are quieter, but are given space with an absence of clamor. While it is not always so, one of the background drum beats sounds like a dull heartbeat, which is perfect for “Liquid Love.”

    The Underground Sessions, divided into separate entries for side A and side B, can be found on the band’s Spotify page.

  • The Heavy Heavy Bring Sun-Soaked British Vibes To Intimate Albany Debut

    It’s 2023 and there’s nothing wrong with the Earth’s gravitational pull, but you don’t need to be a scientist to calculate The Heavy Heavy is going to be huge someday. With a delightful chemistry and a decidedly sun-soaked pop sound that feels almost like stepping back into the glory days of the British Rock Invasion, the buzz-worthy UK-based rock quintet is quickly earning a reputation as one of music’s “next big things.” 

    They have an uncanny knack for focused songwriting, brilliant four-part harmonies, and energetic live shows. On the eve of making their Newport Folk Festival debut, the band stopped by Albany for one final tune-up. Headlining Lark Hall on Thursday, July 27, not only did The Heavy Heavy deliver a heady heady dose of old-school rock n roll, but they also delivered perhaps the “feel good” performance of the summer.

    Brighton, UK-based band The Heavy Heavy made their Albany debut at Lark Hall on 7/27/23.

    3,382 miles. That’s how far Brighton, UK is from Albany and for a band that only played two gigs before the Covid-19 pandemic shut down live music, The Heavy Heavy have come a long way in a short amount of time. Not to be confused with the other English band known for their “How You Like Me Now?” hit single, these redundant retro-rockers have set out to put a new spin on the kind of music the 1960s forgot.

    Festival-ready from the very first note, the group was first put together by musical companions Will Turner and Georgie Fuller and have since been living the real-life version of their song “Miles and Miles” since coming to America in September of 2022. Expanding their lineup to include talented multi-instrumentalist Frank Fogden, happy-go-lucky bassist Tom Holder and Houston Matthews on drums, the charismatic quintet has been touring the States all summer long and earning rave reviews everywhere they play. 

    Will Turner (guitar) and Tom Holder (bass) of The Heavy Heavy perform at Lark Hall on 7/27/23.

    Rolling into the intersection of Lark and Hudson on a warm Thursday night, The Heavy Heavy casually took their positions on the darkened stage that was adorned in flowers. Gracefully getting the intimate crowd warmed up with a bit of a surf-rock-styled instrumental called “Parakeets,” the groovy vibe and luscious guitar tone of Turner’s vintage white Fender quickly made a splash with the Lark Hall faithful and it would only sound better and better as the night went on. Frontwoman Georgie Fuller would pause to welcome everyone to the show by saying, “We are The Heavy Heavy, but you already know that because you’re here. Thanks for coming out. We’ve got a fun one planned for you and we’re gonna have a good time tonight!”

    The Heavy Heavy’s Georgie Fuller mesmerized the Albany audience on 7/27/23.

    Launching into the opening track from their debut album Life and Life Only, “All My Dreams” highlighted the band’s signature blues-rock sound paired up with gorgeous full-band harmonies that help make this group so special. Following it up with a reverb-drenched tribute to Turner’s Malvern homeland, the irresistible hook of “Man of the Hills” saw the energy in the room reach new heights as the band took the song on a ride into psychedelic territory; the crowd gleefully swaying to the chorus before Fuller would steal the spotlight with her powerful Joplin-like “singing from the depths” bravado in the song’s peak.

    No stranger to the performing arts, Fuller is also a classically trained actress and appeared as comfortable on the Lark Hall stage as any back home in Brighton. After “Why Don’t You Call?” The Heavy Heavy would surprise the audience with arguably their most popular song next, confidently delivering “Go Down River” early in the set as fans scurried to get out their phones and hit the record button. An original song that sounds like it could have been written by The Mommas and the Papas, you couldn’t help but be swept up in the feel-good groove of the folksy singalong.

    Watch fan-shot footage of The Heavy Heavy performing “Go Down River” live at Lark Hall on 7/27/23.

    After working their way through some unreleased material like “Dirt” and a laid-back rendition of “All I Need” that featured beautiful keyboard work from multi-instrumentalist Frank Fogden, The Heavy Heavy then treated the audience to a well-received cover of “Lonesome LA Cowboy” by The New Riders of the Purple Sage. Keeping it colorful, “Purple Flowers” was next followed by another stellar cover selection in the form of Father John Misty’s “Real Love Baby.”

    Frank Fogden of The Heavy Heavy performing at Lark Hall on 7/27/23.

    After a little bit of “Everything,” The Heavy Heavy would then take us to “the garden of our mind” on the upbeat Jefferson Airplane-esq love song “Because You’re Mine.” The slow build-up intro to “One of a Kind” had fans clapping their hands and stomping their feet as the band really let it rip with their magnetic stage presence and carefree confidence. Despite this, the band was having none of the usual “walk of the stage before the encore” wankery. Announcing they only had time left for one more and that they’d be hanging out in the back signing merch if you wanted to meet them, The Heavy Heavy closed with the song that helped put them on the map, “Miles and Miles.” 

    Despite their unfamiliarity with many of these tunes, the always attentive Lark Hall audience knows a good thing when they hear it. Embracing the up-and-coming British band wholeheartedly, virtually everyone who was there, it seemed, ended up getting in line to say “hello” and take selfies with the group. While most of their studio cuts are short and suited for radio airplay, in the live setting where there is room to breathe, the songs really cook and are quite suited for jamming, something the band demonstrated they do very well.

    Tastefully drawing upon their 60’s influences of acid rock and sunshine pop, The Heavy Heavy is weaving together a modern sound that is undeniably their own. Combining colorful riffs, danceable rhythms, and stunning harmonies that reach the depths of your soul, the “timeless quality” of this fresh new act is off the charts and it’s easy to see why they are garnering such attention.  For those who were fortunate enough to be at Lark Hall for their Albany debut, soak it in, because something tells me the next time The Heavy Heavy comes around, they’ll be playing in a much bigger room. 

    Setlist: Parakeets, All My Dreams, Man of the Hills, Why Don’t You Call?, Go Down River, Dirt, All I Need, LA Cowboy, Purple Flowers, Real Love Baby, Everything, Because You’re Mine, One of a Kind, Miles and Miles.

  • Incubus Rocks the Fallsview Casino’s OLG Stage in Niagara Falls

    Niagara Falls was treated to a night of pulsating rhythms, electric energy, and a mix of rock anthems as Incubus took the stage on Sunday, Aug. 6 at Fallsview Casino’s OLG Stage. Despite a few hiccups, the band managed to deliver a memorable performance that left the crowd both exhilarated and yearning for more.

    Disappointment tinged the excitement as news spread that Paris Jackson (Michael Jackson’s daughter) was unable to make the show, leaving fans to wonder what might have been. Nevertheless, the disappointment was fleeting, quickly replaced by the mounting excitement for the headlining act.

    The evening kicked off with an explosive set by Badflower, the opening act that set the stage on fire. Lead singer Josh Katz’s charismatic presence was undeniable as he ventured into the crowd, serenading fans with an infectious energy that set the tone for the night. The band’s sound reverberated through the venue, leaving a lasting impression on concertgoers who were undoubtedly pleased by the musical appetizer they had just devoured.

    As Incubus graced the stage, cheers echoed throughout the venue. However, as the band delved into their setlist, a discerning ear couldn’t help but notice moments where lead vocalist Brandon Boyd seemed to be struggling with pitch. While his distinctive voice remained captivating, occasional off-key notes hinted at monitor problems that might have marred his performance. Technical glitches can affect even the most seasoned of performers, and Boyd’s professionalism in powering through demonstrated his dedication to the fans.

    Despite these minor setbacks, Incubus unleashed a cascade of hits that had the crowd swaying, singing, and chanting along. “Anna Molly” and “Nice to Know You” ignited fervor among the audience, while the introspective “Make Yourself” provided a moment of introspection amid the raucous excitement. The band’s synergy was undeniable, with Mike Einziger’s guitar riffs intertwining seamlessly with Jose Pasillas’ rhythmic drumming, crafting a sonic tapestry that resonated throughout the venue.

    The setlist was a carefully curated journey through Incubus’s discography, touching on both classic favorites and newer tracks. A notable highlight was their electrifying rendition of The Beatles “Come Together,” which injected a dose of nostalgia into the night. As the show reached its zenith with “Pardon Me” and “Stellar,” the crowd’s energy surged, a testament to the enduring power of these iconic hits.

    The performance concluded with a poignant tribute, as Incubus seamlessly segued from “Wish You Were Here” into a snippet of Pink Floyd’s equally iconic track by the same name. The crowd’s applause and cheers filled the air, a fitting send-off for a night of musical magic.

    Despite the technical hiccups and occasional off-pitch moments, Incubus managed to cast a spell on their Niagara Falls audience, reminding everyone present of the transcendental power of live music. As the lights dimmed and the echoes of the final notes faded, concertgoers left the Fallsview Casino’s OLG Stage with hearts full and spirits lifted, a night of rock and roll reverie etched into their memories forever.

    Incubus

  • In Focus: Jason Isbell and the 400 Unit Bring Classic Rock Sounds to Artpark

    Rock’s finest were on display on Aug. 5 at Artpark in Lewiston, as Jason Isbell and the 400 Unit took the stage, with S.G. Goodman opening. The band was touring in support of their recent release, Weathervanes.  

    It has been quite the journey for Jason Isbell. The former Drive By Truckers guitarist left the band in 2007 to pursue a solo career. He writes often about his sobriety journey that he started in 2012 in hopes of serving as an inspiration for others. He is often lauded as one of this generation’s best songwriters.   While performing with the 400 Unit, he is backed by Sadler Vaden (guitars), Derry DeBorja (keyboards, accordion), Chad Gamble (drums) and Will Johnson (guitar, percussion). Longtime 400 Unit bass-player Jimbo Hart sat this tour out due to personal reasons.

    Jason Isbell performs at the Artpark in Lewiston.

    The evening would open with a set by S.G. Goodman. Promptly at 8 pm Goodman’s bandmates took to the stage and jumped right in to the groovy “Work Until I Die.”  After a lengthy instrumental introduction, Goodman took to the stage and the song’s indie garage-rock sound took off.  Goodman, from Hickman, Kentucky, joked with the crowd between songs. “I’m sure by the sound of my voice, you can tell I’m not from around here,” she said with a laugh and a heavy southern accent. Goodman’s songwriting really shined, as she performed tracks like “Space and Time,” a song recently covered by Tyler Childers. As the set came to a close, Goodman paid tribute to Waylon Jennings, with a cover of “Waymore’s Blues.”

    S.G. Goodman performs at the Artpark in Lewiston.

    At promptly 9:10 the house lights dimmed and Isbell’s familiar anchor-dove logo illuminated above the stage. Moments later Isbell and his bandmates took the stage and immediately launched into the crunchy guitar riff of “When We Were Close,” a track chronicling Isbell’s friendship with the late Justin Townes Earle. The crowd quickly stood to their feet and their energy began to build like a pot of water coming to a boil, coming to a complete boil by the third song, “King of Oklahoma.” The powerful, anthemic song saw the audience sing back the song’s chorus in near deafening fashion.  

    Jason Isbell performs at the Artpark in Lewiston.

    As the evening moved on, Isbell’s strength as a song writer became more and more apparent. He has the ability to place the listener directly into the scene of the song, while singing songs dealing with not only his own personal struggles, but issues plaguing society as a whole. The song “Save the World” touches on the need for gun law reform, while “King of Oklahoma” tells the tale of the protagonist struggling with a painkiller addiction. Then, there are more personal songs to Isbell like “Cover Me Up” which addresses coming to sobriety, and Isbell grappling with his own mortality in “If We Were Vampires.”

    Sadler Vaden performs at the Artpark in Lewiston

    Isbell and his bandmates shined musically through out the evening as well, with Isbell and Vaden often trading guitar solos. Derry DeBorja added unique layers of sound with his keyboard and accordion playing. Perhaps the pinnacle moment of the evening was the band’s performance of “Miles.” The song, reminiscent of a Crosby, Stills, Nash and Young track, saw layers of sound build upon each other and featured dual percussion, with Gamble and Johnson both taking seats behind a kit. This only further drove the song’s intensity, which peaked with the crash of a gong.

    Jason Isbell performs at the Artpark in Lewiston

    Like all good things, this evening had to come to a close. The band closed with “This Ain’t It,” which saw Isbell and Vaden partaking in one last guitar solo dual, much to the crowd’s delight. It was a fitting way to close an evening of classic rock sounds.

    S.G. Goodman

    Jason Isbell and the 400 Unit

  • Rock Band Hairball Joins Suburban Park Stage Lineup at NY State Fair

    Rock and roll group Hairball is getting ready to take the New York State Fair Suburban Park Stage alongside 20 other acts. Performing on the fair’s final day, the six-member band hits Syracuse on Sept. 4, 2023, at 1:00 pm.

    Highlighted by vocalists Kris Vox, Dave Moody, and Drew Hart, and the additional help of HBK, Billy, and Happy on instrumentals, the group will cover hits from Van Halen, KISS, Motley Crue, Queen, Journey, Aerosmith, and more.

    Interim Fair Director Sean Hennessey anticipates Hairball’s performance to be one of the best of the Summer, stating that they aren’t your ordinary 80’s rock band and are ready to deliver “20 concerts in one.”

    These guys bring it and they play every show as if it’s their last. While they’re known for recreating iconic songs and moments in Rock history, they’re also constantly innovating and evolving, introducing their own style and flair.

    – Sean Hennessey

    Celebrating their 23rd year as a group, Hairball guarantees to bring the energy, props, and flair for a one-of-a-kind experience at the New York State Fair, unlike any performer from past years.

    The band rounds out Labor Day weekend and the end of the New York State Fair in a Sept. 4 lineup that also includes Foghat and Skid Row, with Foghat at 4:00 pm on the Chevy Court and Skid Row following Hairball’s show at 6:00 pm on the Suburban Park Stage.

    Additionally, over the 13-day fair, 20 other acts will hit the Suburban Park Stage ranging from hip-hop to country to Hairball’s rock and roll showcase. The full lineup for the New York State Fair is available now.

    Suburban Park Stage Lineup & Ticket Information

    All performances are free and are a part of the admission ticket price. Fair admission tickets are on sale now at NYSFair.NY.Gov and are $6 for adults. Those 12 years old and younger, and 65 years old and older, get in for free.

    Wednesday, Aug. 23 at 2 pm – Steven Page

    Wednesday, Aug. 23 at 8 pm – Lainey Wilson

    Thursday, Aug. 24 at 2 pm – Tonic

    Thursday, Aug. 24 at 8 pm – Theory of a Deadman

    Friday, Aug. 25 at 2 pm – Rebecca Black

    Friday, Aug. 25 at 8 pm – GAYLE

    Saturday, Aug. 26 at 2 pm – Slick Rick

    Saturday, Aug. 26 at 8 pm – George Thorogood and the Destroyers

    Sunday, Aug. 27 at 2 pm – Boys World

    Monday, Aug. 28 at 8 pm – REO Speedwagon

    Tuesday, Aug. 29 at 8 pm – Tyler Hubbard of Florida Georgia Line

    Wednesday, Aug. 30 at 8 pm – Ann Wilson of Heart

    Thursday, Aug. 31 at 8 pm – Ludacris

    Friday, Sept. 1 at 2 pm – Danielle Bradberry

    Friday, Sept. 1 at 8 pm – J.I.D

    Saturday, Sept. 2 at 2 pm – Claire Rosinkranz

    Saturday, Sept. 2 at 8 pm – Quinn XCII

    Sunday, Sept. 3 at 2 pm – Elvie Shane

    Sunday, Sept. 3 at 8 pm – Yung Gravy & bbno$

    Monday, Sept. 4 at 1 pm – Hairball

    Monday, Sept. 4 at 6 pm – Skid Row

  • Today’s Outfit To Promote Nostalgic New Single With Capitol Theatre Performance

    The anthemic rock musical trio Today’s Outfit has dropped a brand new single titled “Best Seats in the House” with a five-minute long music video to accompany the release. The band will be rocking their nostalgic sound on Saturday, August 12th at Garcia’s at The Capitol Theatre in Port Chester!

    Since debuting two years ago at the Toonerville festival, the pandemic-formed band has opened for hard rock legends Living Colour, released an inaugural EP, and has built up an impressive reputation by frequently performing in New York City and throughout the greater New York region. The band is comprised of bassist Mark Garufi, drummer Grant Zacharias, and lead singer and keyboardist Andrew Wood, whose previously active band Bridges and Powerlines experienced runs on the CMJ top 200 radio charts.

    Although the band’s name may lead audiences to believe Today’s Outfit is all about using music to express ideas and sounds of the modern day, their inspiration and melodies work to contradict that. With their ’80s New Wave influenced keyboard instrumentals along with a ten-string bass bringing back the ’70s classic rock era, Today’s Outfit proves to be a trio that accepts how the past influences the present.

    Their new single, “Best Seats in the House,” comes from the band’s unreleased first full-length record titled It’s AlgoRhythmic!, set to be released this fall. The song itself has energetic vocals and instrumentals that transport listeners to the time of The Outfield and classics such as “Your Love” while the lyrics tell a familiar story about our ever-shrinking attention spans and the switch-cost effect. Although the video that accompanies the single is more or less underwhelming, showing the band play their music with various scenes at a theater, the impressive melodies including a rocking Moog solo along with the mix of past and present influences screams that Today’s Outfit deserves attention and their single is worth another listen.

    To be able to see them perform their new single live, get your tickets now for their upcoming show this Saturday, here. The doors of Garcia’s open at 7:00 PM and the toe tapping and head banging will begin at 8:00 PM!