This past Friday, December 29, punk-rock icon, singer-songwriter, poet, artist, and New York Times Bestselling author Patti Smith graced the stage at the Brooklyn Steel for two nights. Patti returned for her birthday show, this time commemorating turning 77. Fans from all generations came to see Patti’s incredible, lively performance at Brooklyn’s intimate, 1800-capacity venue.
Patti Smith, photographed by Sarah Hyun
Patti Smith, though raised in South Jersey, moved to NYC at the ripe age of 21 to study art and poetry. Her bestselling novel, Just Kids, which details her experience living in NYC, brought a new wave of people—especially younger ones—to Patti’s fanbase and show. Although Patti is not currently touring, she frequently returns to NYC to play with her band which consists of Lenny Kaye, Jay Dee Daugherty, Tony Shanahan, and Jackson Frederick Smith (her son!).
Patti Smith, photographed by Sarah Hyun
Patti opened the night with an extraordinary rendition of “So You Want to Be a Rock ‘n’ Roll Star.” Scaling around the stage with incredible ease and her nimble dance moves, Patti made the crowd go wild with her performance. Her silver braids almost seemed to glow under the stage lights, drawing all eyes to her throughout the whole concert. One fan screamed, “I love you Patti! I’m your number one fan!”
After playing “Free Money,” Patti stopped and began conversing with the crowd about how confusing TV remotes are. “It’s unbelievable right? You need one to put the TV on, the other for volume, and the other to get the Netflix or whatever you want on. It’s taken me hours just to get the TV on.” A fan screamed “Happy Birthday!” where Patti responded with, “Not yet! Don’t age me any faster than I am.”
Ending the night on a powerful note, Patti played “Because the Night” and “People Have the Power,” where she brought out her daughter Jesse Paris Smith and her high school friend Laura to sing. Patti Smith is truly legendary, and her show was nothing short of that.
Gogol Bordello and Bernard Summer have released their cover of “Solidarity” by Angelic Upstarts.
Ukrainian frontman Eugene Hütz of international punk rock band Gogol Bordello, have announced the re-launch of his label Casa Gogol Records and set to showcase the sound of the New York scene and collaborate with legends of the punk rock community. Casa Gogol first started as a touring series curated by Hütz, focusing on bringing like-minded artists on the road with Gogol Bordello.
Casa Gogol released a cover collaboration on November 27, with Gogol Bordello and Bernard Summer of Angelic Upstarts’, “Solidarity”, to honor tribute to the anti-soviet movement to benefit Ukraine and stand in solidarity with oppressed groups worldwide. Aiming to provide proceeds to Ukrainian soldiers recovery, aid children affected, support needed medical supplies and provide other resources.
“This is a particularly meaningful collaboration for us. To do this tribute with one of the most masterful and brilliant pioneers, Bernard Sumner, is truly epic and timely.”
– Eugene Hütz
“Solidarity” uses powerful lyrics that is upbeat, influential and highlights the importance of Ukraine while they sing, “As the people of Ukraine take their stance, and behind them, every honest living man.” They chant, “Give them hope, give them strength and give them light,” to tribute and bring peace to the people of Ukraine. A strong backbeat sews the song together with violin, guitar, and synthesized sounds on the keyboard that pulls punk and rock into a moving tune.
On the evening of Tuesday, October 24, Huntington, Long Island was treated to a blistering performance by the legendary punk rock band Bad Religion. The Paramount, a renowned venue on Long Island, was almost sold out as fans eagerly awaited a night of high-energy music and a setlist spanning the band’s impressive 40-plus-year career.
Formed in 1980 by a group of punk rock enthusiasts in Los Angeles, California, Bad Religion has since become a driving force in the punk and alternative music scenes. Known for their thought-provoking and socially-conscious lyrics, the band has released numerous albums that have left a lasting impact on the genre. With a unique blend of punk and melodic sensibilities, they have earned a dedicated fan base worldwide. The current lineup includes Greg Graffin as the lead singer, Jay Bentley on bass, Brian Baker on guitar, Mike Dimkich on guitar, and Jamie Miller on drums.
The October 24 show was part of Bad Religion’s 2023 North American tour, which consisted of an impressive 22 shows. This leg of the tour was set to culminate at the Starland Ballroom in New Jersey on October 29, after which the band was scheduled to take their electrifying act overseas to Argentina, Brazil, Chile, Peru, and Colombia in December.
Bad Religion took the stage to raucous applause and immediately launched into their set. They opened with “The Defense,” and from that moment on, it was non-stop punk rock euphoria. The band expertly weaved their way through their extensive discography, performing fan favorites like “Against the Grain,” “Infected,” “No Control,” “Sorrow,” “Generator,” and many more.
One remarkable aspect of the performance was the relentless mosh pit that raged at the center of the floor, where bodies surged and collided in a frenetic dance of exhilaration. People were continually crowd surfing, their figures soaring over the rail, borne aloft by a sea of outstretched hands. In the midst of this chaotic fervor, Bad Religion displayed their unwavering energy and enthusiasm, traits that have been the hallmark of their live shows for over four decades. Their music, often delving into pressing societal and political issues, struck a deep chord with the crowd. Fans not only sang along and shouted their approval but also joined the relentless mosh pit, passionately responding to the band’s contagious punk anthems.
The climax of the night came with the encore, which featured one of their most iconic songs, “American Jesus.” In total, Bad Religion played an impressive 26 songs, showcasing the depth of their catalog and their enduring ability to captivate audiences.
A special mention must be made of the opening act, Speed of Light. Comprised of a group of young, talented musicians, this band had the honor of warming up the crowd for Bad Religion. Riley Christensen, a 16-year-old prodigy, took center stage as the lead singer, bassist, and songwriter. Her older brother, Cameron Christensen, at 19 years old, played guitar, sang backup, and also contributed to the band’s songwriting. Completing the trio was Tyler Christensen, the drummer, who not only kept the rhythm but also provided backup vocals and songwriting.
The night of October 24 at The Paramount in Huntington, Long Island, was a memorable one for punk rock enthusiasts. Bad Religion delivered a performance that not only showcased their enduring talent but also underlined the continued relevance of their music. As they continued their North American tour and looked forward to their international dates, it was clear that Bad Religion’s legacy in the world of punk rock remained as vibrant as ever. The show was a testament to the timelessness of their music, and fans left the venue with a sense of satisfaction, knowing they had been part of something truly special.
Setlist: The Defense, Against the Grain, Past is Dead, Anesthesia, Wrong Way Kids, To Another Abyss, Fuck You, Requiem for Dissent, Infected, My Sanity, Portrait of Authority, Delirium of Disorder, No Control, Do What You Want, Recipe for Hate, We’re Only Gonna Die, Los Angeles is Burning, 21st Century (Digital Boy), Drunk Sincerity, Candidate, I Want to Conquer the World, Sorrow, You, Fuck Armageddon…This is Hell, Generator, American Jesus
Gone Stereo, the Long Island native pop-punk band has released their brand new single, “I’m So Sick,” promoting their upcoming sophomore album.
The new track, “I’m So Sick,” builds on the classic, early-2000s pop punk anthem. The song rides the band’s energy and hook-driven catchiness from previous tracks, and features artwork by punk rock legend Mark DeSalvo.
The group is signed to Negative Progression Records, a punk, emo, and indie label established in 1996. Gone Stereo worked on “I’m So Sick” alongside John Naclerio (Knuckle Puck, Real Friends, Bayside) and Chris Badami (The Starting Line, The Early November).
Videos for both “I’m So Sick” and the group’s new B-Side track “Cool Kids” are set to debut on BlankTV, where the band’s previous videos have garnered over 5,000 plays. Tune into SiriusXM’s Faction Punk to hear “I’m So Sick” and more from the group’s sophomore album debuting this fall.
“Cool Kids” is about coping with cliques, feeling left out, and how unpleasant it feels. You think that you want to be a part of it, but you refuse to be pressured to conform to their standards. In the end, those cliques will all fade away.
SeptemberFest in Nyack is returning this year on Sept. 10 from 10 a.m.- 5 p.m., inviting families, friends, and visitors to celebrate Fall in the heart of the village on Main Street and Broadway.
SeptemberFest features a rich array of jewelry, clothing, accessories, art, crafts, gifts, and great food offered by 200+ vendors and scores of local businesses. “We’re pleased to once again host our SeptemberFest fair,” said Roger Cohen, President, of Nyack Chamber. “The fair is in many ways an introduction to our village. We welcome everyone to enjoy a special experience, come back for more, and stay – for a weekend…or even a lifetime.”
At the Gazebo on Main Street, people can enjoy music from The Scoop at 1 p.m., the Rockland-based “fun” band, playing a huge catalog of iconic rockers including The Beatles, Stones, Fleetwood Mac, Pretenders, Elton John, and more, with originals too. Also performing is the Nyack-based grunge rock group Bulletproof Heart at 4 p.m. They will pound out hits from the ’70s, ’80s, and ’90s, with modern interpretations of classics from bands like Nirvana, Smashing Pumpkins, Hole, and Weezer.
Photo by Nina Skow.
In addition to enjoying the music and sampling wares from hundreds of fair vendors, Fest-goers can enjoy the many boutiques and restaurants open year-round in the village. Nyack’s one-of-a-kind retailers offer unique merchandise across a broad spectrum of hard-to-find treasures, from antiques, custom jewelry, and original art, to hand-made clothing, crystals, vintage vinyl, specialty eyewear, and other products. People can also enjoy a vast array of food, one of the best in the Hudson Valley.
“SeptemberFest is a not-to-be-missed event, but it’s also an invitation to visitors and residents to sample the village’s special blend of memorable experiences,” said Cohen. “We encourage people to come back after our events to enjoy shopping, dining, music, art, theater, hiking, biking, and river recreation. Nyack offers it all – in a beautiful, walkable riverside community.”
For more information about SeptemberFest, visit here.
Upcoming Nyack Events
Sept. 11: Hometown Heroes (9/11 event)
Sept. 28 – Oct. 21: Phoenix Festival Live Arts in Nyack (live theater, dance, music)
Sept. 30: OctoberFest / LagerFest
Oct. 6: Spirit of Nyack (Halloween kickoff)
Oct. 8: Nyack’s Famous Street Fair (50th anniversary!)
Oct. 28: Halloween parade and festivities
Nov. 4: Rockland County Fashion Week
Nov. 11: Candlelight Concert Series (Bridget Kibbey)
Riot Fest has announced its 2023 line-up for the three-day festival. Beginning in 2005, Riot Fest has been regarded as one of the best festivals in the nation, featuring music from a wide variety of rock bands. The featured headliners include: Foo Fighters, The Cure, The Postal Service, Death Cab for Cutie, and Queens of the Stone Age.
Other notable bands featured are Turnstile, The Mars Volta, Mr. Bungle, Tegan and Sara, 100 Gecs, The Gaslight Anthem, Death Grips, AFI, and many more. Riot Fest will span across Friday, Sept. 15, Saturday, Sept. 16, and Sunday, Sept. 17. As in previous years, the festival will take place in Chicago’s Douglass Park.
Originally founded in 2005, Riot Fest is an independent music festival that incorporates the best of punk, rock ‘n’ roll, hip hop, metal, alternative, and just about everything in between. It was named #1 Music Festival by USA Today twice, and was voted Best Music Festival through a poll for Chicago Reader in 2021.
Riot Fest is known for its music features and its reunions, such as that of iconic bands like Naked Raygun, the Replacements, The Original Misfits, and Jawbreaker. This year will feature the return of carnival rides, freak shows, panel discussions, and even a wedding chapel. In addition, Logan Arcade, a local venue, will be having free vintage arcade games, hosted by Riot Pop!!, Riot Fest’s own brand of nonalcoholic and alcoholic seltzer.
The festival is easily accessible with Chicago bus and train lines, and is surrounded by diverse neighborhoods with many drink and food locals. Within the festival itself is a variety of food vendors, including vegan and vegetarian options.
Tickets are available on Riot Fest’s website through the Tixr service. Only three-day passes are currently available, though single-day tickets will be available at a later date. The three-day tickets have a mix of options, such as General Admission, VIP Passes, Deluxe Passes, and Deluxe+ Passes.
The summer of throwback shows at Darien Lake continued on August 20, as The Offspring’s Let the Bad Times Roll tour stopped in Western NY. With the tour carrying the name of their 2021 album, and 10th studio cut, Canadian punkers Simple Plan and Sum 41 tag along and create a little nostalgic tour.
After starting out in the mid 80s, I am sure that Dexter Holland only dreamed of the success he has had with The Offspring. 10 studio albums, nearly 1600 concerts, and a number of punk/alternative hits, these guys found their niche and rolled with, and never really cared what the naysayers were naysaying.
With no shortage of energy and fans, Simple Plan took the stage and shredded it for nearly an hour, hitting the stage to the Star Wars theme music. With that kind of entrance, you know you are in for a killer show.
From Montreal, the wrecking crew of Pierre Bouvier (vocals, bass, percussion) Chuck Comeau (drums, percussion), Sebastien Lefebvre (rhythm guitar, vocal, bass), and Jeff Stinco (guitar, backing vocals) were all in sync from the start, pumping the crowd up, running around the stage in classis 90s alternative/punk fashion. From the opening notes of “I’d Do Anything” to the finishing tunes on “Perfect,” Bouvier had fans jumping bouncing around like a mechanical Tigger toy and giving everyone around them the middle finger, or the Simple Plan salute as he stated. He gratefully thanked fans often as he recalled the last time Simple Plan was in town, back in 2005 for a Warped Tour stop and raved about how he loved Darien Lake and the fans (if he only knew about the parking issues).
With a new album out recently, the band played “Iconic” and dedicated to anyone and everyone who has struggled or is struggling with acceptance. Bouvier urged those individuals to proudly extend their hands and offer up the finger and let others know that they will be Iconic.
As the set was coming to an end, and about halfway through “I’m Just a Kid”, Bouvier took a seat at the drums as Comeau took to crowd surfing, in an attempt to high five as many fans in mosh pit as possible.
Setlist: (entered to Star Wars theme), I’d Do Anything, Shut Up!, Jump, Addicted, Welcome to My Life, Iconic (new song), All Star/Sk8er Boi/Mr. Brightside, What’s New Scooby Doo, Where I belong, Im Just a Kid, Perfect
Following up Simple Plan and preceding The Offspring is no easy task, but Sum 41 came out and absolutely crushed any doubts that anyone had. Another solid entrance, this time to AC/DC’s “T.N.T”, Sum 41, with frontman Deryck Whibley racking up the steps on his Fitbit, was just as motivated at their predecessors and continued to amp up the crowd in preparation for the headliner.
Guitar and bass solos by Dave Brownsound, Tom Thacker, and Cone McCaslin were huge part of this set, with Frank Zummo doing his best Animal impression on the drums. These Ajax, Ontario natives came to play and did just that for the next hour for fans of all ages. Near me was a father, probably in his late 40s, having the time of his life with his young child. The kid was dancing and having just as much fun and was all smiles for the entire set of Sum 41, even more so during their cover or Queen’s “We Will Rock You.” Memories that are sure to last.
Setlist: T.N.T (entrance music), Motivation, The Hell Song, Over My Head (Better Off Dead), We’re All to Blame, Walking Disaster, We Will Rock You (Queen cover), In Too Deep, Fat Lip, Still Waiting.
With the opening acts done for the night, the packed house in Darien was riding a musically induced high that wasn’t going down anytime soon. With some time to kill, the tour had a blimp floating around the seating area with special camera such as ‘kiss cam’, ‘fuck you’ cam, and of course a “headbanging” cam where fans could pose for the camera doing the assigned task. It was the first time I have seen this at a concert, and the crowd absolutely loved it. The “baby got back” cam and the “fuck you” cam seemed to be the most popular as women were shaking their rear ends to the infamous Sir Mix-a-Lot song and giving double middle fingers as the blimp floated by or camera team was nearby. Definitely a great use of dead time as the stage was prepared for the headliner.
Taking the stage around 9:30pm, Dexter Holland and the rest of The Offspring showed Darien Lake why they have been around nearly 40 years, as they helped bring punk rock into the 90s alternative vibes.
With 10 studio albums to pull from, the setlist could have been arranged in any form and fans would have still left smiling and riding that musical high. Tonight, “Come Out and Play” was the first song. Inspired by gang and school violence in the mid 90s, as well as Holland commuting through East LA for grad school, this and many track on 1994s Smash were about what was happening in front of him. Yet 30 years later, this particular track seems to fit to landscape just the same. Regardless, still a fan favorite as displayed on this night.
As the night went on, Holland was reminiscing just as Sum 41 did about playing Darien Lake on the Warped Tour and marveled at the number of fans that poured into the venue. Bills fan, Sabres fans, and music fans alike. According to his calculations and his people, the attendance at this show, which he called the ‘best thing to happen to rock and roll’, was just under 1.48 million people. This, of course would be a new world record for a concert. I would venture a guess that either he counted wrong, or he had people from the Board of Elections tallying the tickets.
Showcasing guitar skills, Noodles and Todd Morse both were demonstrating new tracks they have learned. With opening chords from classics like Black Sabbath’s “Iron Man” and GNR’s “Sweet Child O’Mine”, they both were dueling for bragging rights as Holland went right into his rendition of “Blitzkrieg Pop” from Ramones. This little number, paired with animated show on back drop screen was quite the display of talent from these punk rockers, as the sync was perfectly timed all night.
Let’s talk about that animation screen behind the band. A seizure inducing light show to rival the best, thought provoking animation (think classic 80s music videos, A-Ha, New Radicals artwork), and nonstop beats the entire night. The screen added an element to each set that took you back the first time you heard any of the bands. Truly a memorable show for those hovering around 50, and for those younger fans who are in the punk phase of their musical lives.
Setlist: Come Out and Play, All I Want, Want You Bad (with organ), Let the Bad Times Roll, Staring at the Sun, Original Prankster, Hassan Chop, Hammerhead, Bad Habit, Iron Man/The Trooper/Sweet Child O’ Mine/In the Hall of the Mountain King, Blitzkrieg Pop (Ramones), Gotta Get Away, Gone Away, Why Don’t You Get A Job?, (Can’t Get My) Head Around You, Pretty Fly (for a White Guy), The Kids Aren’t Alright, Encore: You’re Gonna Go Far, Kid, Self Esteem
Residents of Binghamton’s West Side neighborhood are mowing their lawns and moistening their reeds in anticipation of Binghamton Porchfest 2023, back for an eighth year next Sunday, August 27, from noon to 7 p.m.
Porchfest invites thousands of community members each summer for a free afternoon of live music performed from the residential porches, stoops, and yards of the Abel Bennett Historic Tract. The 2023 festival features 162 local and regional bands performing at 63 host locations, showcasing folk music alongside hip-hop, worship music next door to heavy metal, high schoolers covering Lou Reed, retirees singing Beyonce, classical, jazz, opera, country, and punk.
Food vendors and restroom locations dot the neighborhood and a free shuttle traverses the perimeter of the roughly quarter square mile festival footprint, defined by the rough borders of Riverside Drive, Chestnut Street, Recreation Park, and Beethoven Street. Most roads will be closed to traffic, with free golf cart shuttles offering rides where traffic is prohibited. Lourdes Hospital is offering free parking in their back lot at the end of Lourdes Road. Cans collected during the festival will benefit fundraising efforts for the Danielle House.
Like the many other Porchfests operating independently throughout the country, Binghamton Porchfest is modeled after a DIY community festival hosted by the residents of Ithaca since 2007.
Binghamton Porchfest 2023 comes to life with the support of the City of Binghamton and Mayor Jared Kraham, Cavanaugh’s Grocery, Visions FederalCredit Union, and the generosity of many community sponsors and donors. This event is made possible with public funds from the Statewide Community Regrants Program, a regrant program of the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and administered by The Earlville Opera House. Additional support for the Broome SCR Program graciously provided by the Stewart W. and Willma C. Hoyt Foundation, Inc.
Brooklyn band Big Bliss is set to drop their latest album Vital Return on August 18. Created by brothers Cory and Tim Race, and joined by Wallace May, Big Bliss has fostered an impressive and unique sound since 2015. Vital Return showcases the group’s ability to seamlessly incorporate elements of alt-rock, post-punk, indie-pop, and more into a cohesive body of work.
Big Bliss by Kevin Condon
The album is a profound and bold exploration into themes of sobriety, death, trauma, and recovery. Produced by Jonathan Schenke, Vital Return harnesses these difficult and unsettling ideas into a web of interconnected songs. While each track stands alone, there is an aura of anxiety and confusion that permeates each title on the project. Despite the intense nature of the topics, Big Bliss is still able to construct an enjoyable and hopeful album.
As a band, and also as individuals, were thrust into some massive changes starting around 2019… Many of which felt too heavy to surmount – the tumult of addiction/early sobriety and familial grief being at the top of the heap. We did make it though. Ultimately the record is about that: reemergence, about coming out the other side.
Tim Race
The Album
Marked by atmospheric layered sounds along with pounding drums, “A Seat at the Table” lays the foundation for what is to come in Vital Return. The opening track manages to be up-tempo and hypnotic, while also featuring tense and sincere lyrics. The song flows perfectly into the second track on the album “Sleep Paralysis.” Big Bliss expertly balances noisy instrumentation with melancholic and compelling vocals on the song. In “Sleep Paralysis,” the group details a decidedly confusing yet meaningful relationship. Poignant lyrics like “Am I falling or not? Hope I wake before landing” cut through the song’s catchy indie-rock soundscape.
While Big Bliss certainly doesn’t break down any walls with their vocal performances, the album is full of powerful and raw lyrics. Each song on Vital Return has a level of emotionality that can be heard with almost every breath. “Solace” is one of the band’s most moving songs and helps to show how versatile and varied the band can be. The track has an alt-rock sound but even features influences of contemporary folk-rock. “Solace” is laced with a frantic and inescapable feeling of being unable to escape from the past. The group is constantly searching for some reprieve from their trauma, singing “Nothing is just as it seems, some invisible violence arriving.” The song is haunting yet hopeful, a perfect representation of the album as a whole.
Big Bliss by Kevin Condon
Big Bliss is at their post-punk best with “Tell Me When You’re Ready” and “Off Guard.” Both offerings include fast-paced driving instrumentation which injects a sense of positivity into the project. While the songs are by no means free of the distress and discomfort that is standard with Vital Return, they mark a steady shift in the album. Both tracks are keenly self-aware and acknowledge the issues that Big Bliss struggle with. Although much of the album’s lyrics are abstract and symbolic, the writing starts to become more specific as the project progresses. “Tell Me When You’re Ready” is almost a call to action as the lyrics “I’ll figure out what I’m missing, I’ll draw it out of the ground, draw it out of my mouth” ring out as some of the first signs of recovery in the album.
As the ten-track project comes to a close, the group sonically and emotionally seem to turn a corner. “Vital Return,” the album’s title-track, caps off the project with a cathartic and dreamy sound. Big Bliss depart slightly from their often noisy production and opt for smoother, more stripped-back instrumentation. The writing on “Vital Return” indicates signs of stability and empowerment. The lyrics, “I have built a city and burned it down, now I know my grief is somewhere under the wreckage, for the first time I will dig it up” testify to how far Big Bliss has come. The song is not meant to represent complete closure but rather a sign that things are heading in the right direction.
Big Bliss by A.F. Cortés
Conclusion
Vital Return is a beautiful and authentic project that ultimately looks to tell the story of progress. Big Bliss don’t try to bite off more than they can chew and instead stick to the sounds, melodies, and lyrics that organically fit their performance range. While the instrumentation on certain songs can overpower the writing, each track still has a sense of emotion and purpose. The band’s varied musical influences spiral together to create a distinctive sound that resonates with each note. Vital Return is a truly cohesive and unified album that somehow manages to maintain the same earnest atmosphere throughout.
Dromedary Records has announced Drom30, a weekend-long celebration of independent rock in the beautiful Hudson Valley and Catskill Mountains of New York, from Sept. 15-17.
Initially brought up as a party to celebrate the 30th anniversary of Kingston micro-indie Dromedary Records, the idea evolved into a greater event.
As more and more bands got involved, it really started to look more like a celebration of the entire community of independent rock music, and the many of us who’ve kept our toes in this water for a really long time. Some of the artists have released records with Dromedary, some have been long-time friends, and some have been artists we’ve admired from afar. We’re all going to get together in the Hudson Valley and have a big, weekend-long party, hopefully feel like kids again, and celebrate this amazing community of artists we’re so proud to be a part of.
Dromedary founder Al Crisafulli.
“We hope people plan to come out to the party and enjoy the Hudson Valley for the weekend,” explained Crisafulli, “It’s a great lineup, an excellent blend of indie rock royalty, and great bands that haven’t played together in years, and younger bands that wear their 90s indie rock influences on their sleeve.” The lineup includes a number of musical luminaries, standout DJs, and some of the most important figures in the history of indie rock. Longtime Dromedary artists and collaborators Cathedral Ceilings, The Mommyheads, Stuyvesant, Joy Cleaner, Civic Mimic, Speed the Plough, and Guy Capecelatro III will perform. Each day’s events will be headlined by indie rock legends Yung Wu, Lotion, and Das Damen, three artists who seldom perform live.
Single-day passes are on sale now. Admission for Friday night’s events will be $25 and will take place at Tubby’s in Kingston. Admission for Saturday and Sunday events in Catskill will be $40 per day. For more information about Drom30 and to purchase tickets, visit here.
Drom30 Lineup
Sept 15 – 7 pm-midnight Tubby’s Kingston Yung Wu, Speed the Plough, and DJ Jeff Economy (WGXC)
Sept 16 – 1 pm-midnight The Avalon & Left Bank Ciders, Catskill Antietam, Sleepyhead, Flower, Cathedral Ceilings, Joy Cleaner, Civic Mimic, Das Damen, French, Dots Will Echo, Guy Capecelatro III w/Carrie Bradley, DJ Mark Shue (GBV), DJ Betsy Wright (Bat Fangs), DJ Al C (Dromedary/WIOX), and DJ Nick & Lysa (WGXC).
Sept 17 – 3 pm-midnight The Avalon & Spike’s Record Rack, Catskill Lotion, Monsterland, The Mommyheads, Jenny Toomey & Friends, Dippers, Stuyvesant, Overheard, Bela Koe-Krompecher, DJ Metal Mark (Worldsucks), and DJ JC (Rigorous/KMES).
