Category: Pop

  • Britney Spears Book “The Woman In Me” Tells Raw Tale Of Finding Peace After Living Through Hell

    If you grew up in the past three decades paying attention to pop culture, then you know Britney Spears. She took America by storm since she was just a little girl with her raw vocal talent and knack for dancing. With her quick rise to fame came unexpected and unwanted attention: being scrutinized by the media for her clothes, her body, her virginity, and later on, her mental health. 

    It didn’t matter that she was successful; she shaved her head and went “rogue,” so she was “bad.” She was put under a conservatorship, a legal status where someone else is appointed to take care of personal and financial matters instead of the original person, typically reserved for the elderly or disabled: of which, she is neither. Britney Spears’ book The Woman In Me uncovers the Circus that was her life, the abuse she endured, and how she is recovering to this day. 

    “The Woman In Me” on Amazon

    Britney Spears revolutionized teen pop during the 1990s and early 2000s. She signed with Jive Records in 1997 at the young age of 15, and faced immediate success. …Baby One More Time and Oops!…I Did It Again are among the best-selling albums of all time. 

    She’s a famous artist, but she’s also a mother of two boys (Sean Preston Federline and Jayden James Federline), as well as an author, as of October 2023. 

    Spears, with the help of ghostwriter Sam Lansky, tells her story. She starts with her early life, hiding no tarnishes, such as her family’s struggles with mental health and her father’s alcoholism, and how both have affected her throughout her career. 

    Spears began taking dance lessons in her hometown of Kentwood, Louisiana, and from then, she was hooked. She later tried out for the 1990s revival of The Mickey Mouse Club, and after being rejected the first time and returning later with more experience, she was hired in December of 1992 as well as Christina Aguilera, Justin Timberlake, Ryan Gosling, and Keri Russell. After the termination of The Mickey Mouse Club, she realized she needed to pursue her true passion: music. 

    After a few rejections, Jive Records signed Spears and ordered a full album, which we know today as the infamous …Baby One More Time.

    With so much success so fast, Spears realized that her life would never be the same. She was no longer a 15 year old girl in Louisiana: she was a national super star. And with all that attention came a lot of unwanted attention, too. 

    Male hosts, some who could be classified as Womanizers, constantly asked about her breasts, her virginity, and her “risqué” clothing. She noted that many of her male peers simply weren’t asked these questions. In fact, the sexism in the industry is very easily distinguished from her recollection of her time dating Justin Timberlake.

    Their relationship was very serious very fast, which unfortunately led to many issues. Timberlake allegedly cheated on Spears with numerous women, but that’s not how he told the story. Through his music videos, he alluded to Britney Spears cheating on him, and how it hurt him so much– and everyone believed it, because why wouldn’t they?

    What didn’t make it into the press was the abortion she underwent at Timberlake’s request, and the pain and heartache it caused her. Britney Spears recounts her loneliness at this time and how, no matter what, she felt her story would be overshadowed by Timberlake’s. 

    She fell into a deep depression, feeling as if the world was against her, and no matter what she did, it was wrong. She later married Kevin Federline, with whom she had their children, and ultimately divorced in 2007. During a long and difficult custody battle, Spears was often photographed at her worst: she lost her children, lost her voice, and lost any support system she had (if there even was one to begin with). The most infamous photos from this time are when she shaved her head, and proceeded to smash a car window with an umbrella. This image tarnished her reputation, changing her from being a pop star to a Crazy woman. She was put under a conservatorship for her well-being, but what she really needed was support and real, genuine help. 

    People

    After 13 years of having her life controlled at the hands of her Toxic father, being told what to eat, when to eat, when to go to the bathroom, when to perform, and even being denied the removal of her IUD, she had enough when her father allegedly hurt one of her sons. She started searching for a good lawyer, and a court date was eventually set. 

    In November of 2021, the conservatorship was removed, and Britney was free. After years of other people telling her story– the press, her Criminal father, and numerous documentaries– she decided it was time to tell hers.

    “Sometimes I talk trash on Instagram. People don’t know why I have such anger toward my parents. But I think if they were in my shoes, they would understand.”

    Britney Spears’ “The Woman In Me,” pg. 171

    Britney does not deny that the trauma she endured made her Stronger, and she makes it clear that she would not be the woman she is today if it weren’t for that trauma. But she also makes it clear that she, or any woman for that matter, shouldn’t have to be that strong in the first place, because no one should go through what she did. 

    Being a religious woman herself, one would think that she’d be preaching “forgiveness sets you free,” but it’s the opposite. 

    In our patriarchal society, women are indirectly, and sometimes directly, told to not express anger. It’s not feminine, it’s not pretty, so don’t do it. But Britney Spears has a lot of rage because of her past, and she doesn’t hide it, because women shouldn’t have to. 

    “In that moment, I made peace with my family– by which I mean that I realized I never wanted to see them again, and I was at peace with that.”

    Britney Spears’ “The Woman In Me,” pg. 251

    While there were some flaws, such as a vague description of some vital points in her career (such as the sexualization of her from such a young age and how that affected her later on, and her Instagram posts), one thing that this book really gets right is peace. 

    While she says that reaching peace is important, she actually defines her version of peace. “Peace,” to Britney, is not forgiving her family for what they did to her, or even keeping them in her life. Peace is being alone, and being at peace knowing that you are okay alone. So no, she does not forgive them– but she’s still free. 

    The idea that you have to forgive someone who traumatized you is absolutely ludicrous: and that’s really the takeaway from Britney’s book. Sometimes it’s okay to be angry, and it’s okay to feel that. Don’t let it destroy you, but remember that you don’t owe anyone anything. 

    All you can do is be and accept yourself. 

  • Jess Novak: Musician, Author, Entrepreneur, And Now A Mother

    Jess Novak has released her EP Sonrise, a love letter to the two most important men in Jess’ life: her husband and her son. She also comes with news of future concert dates and other projects to come.

    Jess Novak (electric violin, guitar, vocals, piano, percussion, looping) makes The Jess Novak Band what it is with the help of Byron Cage on drums, Anthony Saturno on electric guitar, Jay Fabbri on bass, and Gavin George and Marcus Oliver on drums.

    Having traveled across the country and playing 200 shows every year, Jess Novak and her band are well-versed in music, determined to make their next concert even better than their last.

    Novak boasts many talents: with her electric violin and other instruments, she also is credited with aiding in the creation of F.I.R.E Festival (Females. Inspire. Rock. Empower.). This event is meant to create a safe space for women in a male-dominated industry, inviting old and young from all kinds of backgrounds.

    F.I.R.E is also accepting applications for participants, be it volunteering, performing, or sponsoring.

    On top of this festival, she also boasts a future in being an author, with one already published book Dare to Begin published in September 2022, discussing her own musical journey and dreams. Another book is also on the way– a fiction novel “The House Musician” likely to hit the shelves in 2024.

    Just when you think she can’t do anything else, Jess brings a life into the world. She and her husband, Ben, collaborated on an EP called Sonrise, an in-depth and vulnerable love letter to her son, the life she brought into the world, and the immediate connection they shared since his birth.

    It’s an eclectic album with heartfelt vocals and rock instrumentals, from the loving “Falling” to the hard rock “My Baby,” this EP shows all the emotions that can be experienced when one becomes a parent, and how this forever alters one’s life.

    “This album doesn’t feel like an album to me. It feels like a love letter to the two most important men in my life. It feels like a proud way to say how much I love them and how I can’t believe I’m this lucky to be sharing my heart in these songs.”

    Jess Novak

    For more information on Jess Novak follow her on Instagram, Facebook, Twitter, or YouTube.

    For more information on the Jess Novak Band, follow them on Instagram.

  • Screaming Orphans to Perform Christmas Concert at The Roslyn Cellar on December 3

    This upcoming Sunday, December 3, sister band the Screaming Orphans will perform their first ever Christmas concert at The Roslyn Cellar located at 1221 Old Northern Blvd, Roslyn, New York as part of their Mini Christmas Tour.

    The Screaming Orphans’ Mini Christmas Tour promo. Courtesy of the Screaming Orphans’s Facebook Page.

    Their performance begins at 3:00 pm on Long Island. Even though it’s a matinee, be prepared to experience the same level of craic as a weekend night show. The Screaming Orphans promise to curate a party atmosphere that rivals a vigorous session. So you can count on dancing and singing (or if you’re tone-deaf like me, the closest you can to singing) along to various Christmas tunes. 

    Expect to hear songs like “Jingle Bells” and “Christmas Time Is Here” but with a Screaming Orphans’ twist. The Screaming Orphans’ signature sound, which consists of melodic old-school pop with heavy folk influences, can be heard on these classics, transforming these staple songs into the Screaming Orphans’ own. But what truly makes these songs their own is their transcendental harmonies. Their haunting harmonies rise out of the extraordinary sibling bond that binds the band together. 

    “When your siblings, you instinctively know what the other person is going to do…

    It’s like we’re telepathic at times.”

    Gráinne Diver, guitarist and vocalist of Screaming Orphans

    The four sisters (Angela Diver on bass, violin and vocals; Joan Diver on drums and vocals; Marie Thérèse Diver on keys, accordion, and vocals, and Gráinne Diver on guitar and vocals) possess a powerful sibling bond that’s heard not only in their enchanting harmonies but also in their lively performances.

    Drummer Joan noticed the sisters tend to ramble off and converse between themselves during shows. “We’re terrible chatters,” guitarist Gráinne stated. At times the sisters won’t even finish their sentences. But that doesn’t matter. They understand what the other is saying in a way only siblings can understand. 

    “When your siblings, you instinctively know what the other person is going to do,” Gráinne stated. It’s this deep sibling connection that allows the band to easily improv during performances. “We don’t play our songs like we record them. It’s not like we sit down and learn all these parts. We tend to play things differently live,” Gráinne stated. “As a family, we sort of know if somebody goes off on a different musical tangent, so we follow them. We might glare at them though,” Gráinne laughed. “It’s like we’re telepathic at times.”

    The Screaming Orphans featuring sisters Gráinne, Marie Thérèse, Joan, and Angela Driver.

    The Screaming Orphans aim to recreate this familiar bond with their audience during their shows. “For a lot of our shows, we want people to feel like they’re in our sitting room. Or we’re in the house or kitchen and just having a sing-song,” Gráinne stated. “Everything is very much like, we’re all friends. We’re all sitting ‘round having a bit of fun.” 

    While the band is excited to have some more fun with their fans, Gráinne stated this tour is a bit more nerve wracking than their previous ones. Why? This is the Screaming Orphans’ first live Christmas performance. Their only other Christmas show was a live streamed concert back in 2020 during the midst of the pandemic. 

    Despite the nerves, Gráinne looks to the bright side. For starters, the band won’t need to worry about the internet going in-and-out like it did during their live streamed concert. Gráinne reminisced on it and jokingly said, “We were all just going, I hope the internet drops during a song we don’t know!” Keeping up with her good-natured spirit, Gráinne viewed the newness of this tour with excitement. “Sometimes it’s better craic when you’re not too sure of something.”

    One thing everyone can be sure of is there will be plenty of Christmas songs being sung at The Roslyn Cellar on December 3. The Screaming Orphans will be playing almost the entire discography of their 2021 album Happy Christmas Vol. 1 along with a couple extras not featured on the album.

    Speaking of Happy Christmas Vol. 1, fans can expect a new Christmas album by the Screaming Orphans to come out next December. The band is currently working on a new pop album and plan to work on their new Christmas album soon after. Covers, such as “Christmas Wrapping” by The Waitresses, along with at least two original songs are said to make their way onto the album.

    For now, fans can enjoy the Screaming Orphans perform their songs off Happy Christmas Vol. 1 along with a number of joyful covers on December 3 at 3:00 pm at The Roslyn Cellar in Roslyn, New York. The Screaming Orphans will then continue their Mini Christmas Tour, performing with The Spain Brothers and The Jordan Tirrell-Wysocki Trio on December 9 at The Rex Theatre in Manchester, New Hampshire. For more information about their tour dates and to purchase tickets, click here. 

  • AJR Releases “The Maybe Man” at Irving Plaza

    In an exhilarating double-header on November 12th, the vibrant pop trio AJR surprised their New York City fanbase with an extraordinary day of music. The city that shaped their artistic journey witnessed a surprise daytime performance at Madison Square Park, paving the way for an epic night at Irving Plaza to commemorate the release of their latest album, “The Maybe Man.”

    From the heart of Chelsea to the iconic Irving Plaza stage, the Met brothers, Adam, Jack, and Ryan, guided their audience through a musical odyssey, unveiling both the fresh creations from their new album and the cherished classics. The unexpected nature of these events added an extra layer of thrill, transforming an ordinary Friday into an extraordinary experience for fans who found themselves captivated by AJR’s distinctive soundscapes and infectious energy.

    Hailing from the bustling streets of Chelsea in New York City, AJR is a dynamic pop trio comprised of brothers Adam, Jack, and Ryan Met. Their musical journey began in the living room of their city apartment, where they cultivated a distinctive sound that defies easy categorization, blending pop, indie, and electronic elements. Influenced by the diverse energy of NYC, their breakout single “I’m Ready” showcased their knack for catchy hooks and innovative sampling.

    With hits like “Weak” and “Burn the House Down,” AJR has captivated a dedicated fanbase, exploring themes of self-discovery and modern life complexities through their music. Natives of Chelsea, the trio’s artistic DNA is deeply rooted in the city’s diversity and constant buzz, shaping their evolution into one of the most exciting and innovative acts in contemporary music. From the urban landscapes of Chelsea to the global stage, AJR’s journey reflects the enduring spirit of creativity inspired by the heartbeat of New York City.

    “The Maybe Man” stands as the latest sonic adventure from the chart-topping trio, AJR. Released on November 10, 2023, this marks their fifth studio album and a notable transition as it becomes the first under their newly inked deal with Mercury Records. The anticipation for the album began to build during their 2022 world tour, where the sneak peek of the unreleased track “I Won’t” served as the catalyst. Fans eagerly speculated on the album’s title, unraveling the mystery on November 12, 2022, as “TMM” was revealed, prompting imaginative guesses like “The Music Men” and “Ten Meter Men.”

    Building up to the release, the band strategically dropped singles, including the emotionally charged “God Is Really Real,” a poignant tribute to their father, Gary. The animated teaser video released on August 28, 2023, featuring Jack Met’s journey through various landscapes, culminated in the revelation of the album’s title track, “Maybe Man.” The tour announcement on November 8, which includes 2 shows at Madison Square Garden in April 2024, further underscores the grandeur surrounding this remarkable album release, inviting fans to immerse themselves in the magic of AJR’s musical universe.

    The Irving Plaza show itself was a rollercoaster of emotions, pranks, and heartwarming moments that left fans buzzing with excitement. Jack kicked things off with a resolution to be more positive towards Ryan during this album cycle, but true to form, couldn’t resist poking fun at him after the first song, “Maybe Man”. Ryan, on the other hand, shared a humorous anecdote about a dozing-off 10 year old fan during “100 Bad Days,” emphasizing the cyclical enthusiasm whenever eye contact was made.

    The band playfully teased the young fan chasing Ryan’s approval and pretended to entertain on fan song requests like “Thirsty” and an impromptu tattoo-drawing session. Jack continued the brotherly teasing, asserting that a young fan was seeking Ryan’s approval, deeming it underrated. Fan interactions included an acapella rendition of “Thirsty” by their photographer Austin, responding to a fan’s sign, and collaboratively drawing a fan’s next tattoo, with Jack humorously criticizing Adam’s addition.

    “Steve’s Going to London” became a heartwarming sing-along, and the brothers shared a poignant moment, expressing gratitude for their late father, Gary, whose favorite thing surpassed even pastrami sandwiches (#2) and his sons (#3) — the fans. A Gary chant echoed through the crowd, and Jack revealed their dad heard the new album before his passing.

    Drumming up nostalgia, Jack joined in on the drums for “Don’t Throw Out My Legos,” and a production breakdown preceded the track. “Inertia” got its inspiration from a friend’s inertia-laden job at a bank, adding a humorous touch to the performance. The show concluded with a faux farewell, leading into the encore with “Weak” and “2085,” leaving the audience on a high note and cementing AJR’s reputation for unforgettable live performances.

    In tandem with the recent album promotion, AJR is making a stop at Rough Trade Records in NYC for an in-store record signing for “The Maybe Man”.

    Be sure to also catch the band on their first arena tour this spring when they bring their incredible energy to the stage at Madison Square Garden!

    Setlist: Maybe Man, Touchy Feely Fool, Burn the House Down, Sober Up, Yes I’m a Mess, The Dumb Song, 100 Bad Days, DJ is Crying for Help, World’s Smallest Violin, I Won’t, The Good Part, Inertia, Don’t Throw Out My Legos, Steve’s Going to London, Bang
    Encore: 2085, Weak

  • Luke Mock Releases Heartwarming and Infectious Single “Love Of My Life”

    Auburn-based singer/songwriter Luke Mock has released his newest single “Love Of My Life,” a haunting look at the end of a happy relationship.

    Luke Mock

    In 2017, Luke Mock initially wrote “Love of My Life,” inspired by his then-girlfriend celebrating their love. Originally with a different title and a duet, the pandemic brought unexpected changes, like the end of said relationship. While dealing with the hardships of quarantine, Mock realized he was feeling intense emotions he couldn’t ignore, entirely transforming the sound of the track, infused with the powerful emotions affecting him.

    Luke Mock is an indie-pop artist hailing from Auburn. His music immerses you in a captivating whirlwind of emotions, driven by catchy hooks, and delivered with genuine charm. He’s captivated many audiences, sharing stages with artists like The Driver Era, Kesha, AJR, Ryan Quinn (The Voice), and Neyla Pekarek (The Lumineers), among others. With honesty and diving into his personal side at the core of Mock’s music, he forges connections and resonates with others. Compared to Shawn Mendes, Charlie Puth, and Julia Michaels, his captivating vocals and infectious pop music elements captivate audiences.

    Luke Mock

    “Love Of My Life” is a hauntingly beautiful track, encompassing the harsh emotions Mock felt when writing it. With a daring and melodic acoustic guitar flowing in the background, picking up with added percussion and beautiful strings, Mock paints a picture of a couple in love. Singing, “I want you to kiss me and make time go still/Yeah you are the one that makes my heart laugh/And you make me happy even when I’m sad,” he expertly describes the sometimes hard-to-put words to the feeling of being in love.

    The added strings and piano add more of a melancholic and nostalgic touch to the track, and make you fall deeper into the words. Mock’s vocals bring you in and hold you there, with his perfectly crafted overdubbing harmonies. “Love Of My Life” is yet another strong addition to Luke Mock’s discography, showcasing his evolving and diverse range.

    “Love Of My Life” is available to stream on all platforms you listen to music. For more information about Luke Mock, visit here.

  • Cortland-Based Cloey Tierno Launches Kickstarter For Sophomore Album

    Resilient and powerful are just two words one could use to describe the Cortland-based artist Cloey Tierno. For the past few years she has been battling a rare cancer, Hodgkin’s Lymphoma, spending the summer in treatment facilities. Despite these setbacks, she is powering through, holding that same fiery passion for music.

    Recently, she has asked for support, launching a Kickstarter to create her sophomore album.

    At just 18 years of age, Cloey Tierno has been singing and creating music for as long as she can remember, singing and coming up with lyrics inside countless notebooks. Recording professionally for the first time at the age of 15 with the talented Chris Merkley and Gabe Cummins, her first record i fell in love with the rain brings 14 pop-oriented songs to the table, all written in her bedroom on an acoustic guitar. About the album, Cloey Tierno says “Those songs quickly developed into a fuller potential, musically, than I could’ve given them on my own, and yet simultaneously preserved the organic elements that they possessed when I first wrote them.”

    She was nominated for a SAMMY (Syracuse Area Music Award) the following year for Best Pop Recording of 2023, winning at the end of the night. “It gave me such validation for what
    I’d created and encouragement to continue finding success in what I loved doing more than anything else,” she said. Finding inspiration in arts like Taylor Swift, Gracie Abrams, and Maisie Peters, Cloey Tierno says that these artists integrate writing, the foundations of it, production, and vocal delivery in a beautiful manner, a manner that she finds herself repeatedly connecting with.

    The music I write is just a poetically honest reflection of where my head or my heart is at as I’m writing it, or sometimes it’s just me trying to more deeply understand an experience that, at the time, I couldn’t fully grasp. It’s also important to me to create a final product that exudes relatability and something raw and authentic. Ultimately, I strive to share lyrics and storytelling that I put a piece of myself into and am truly proud of, and that somebody listening to those results also happens to find a piece of themselves in it, too.

    Cloey Tierno.

    Dealing with chemotherapy treatments hasn’t been easy, but she has concluded the majority of the treatments. About the diagnosis, she said, “What I can tell you is that when I chose to navigate it with intention and openness, it grew to be one of the loudest voices in my songwriting and a guiding factor to both my attitude and my creativity. That integration between the world of art and the world of spirituality is something that I believe has strengthened all the music I have created since and will continue to create, for the better.”

    Looking to the future, she is running a Kickstarter campaign to be able to financially support the making of her second studio album. It’s an all-or-nothing approach, meaning she must make the full amount she is pledging or else she won’t be able to produce the album. She wants to demonstrate how she has grown as both a human and as an artist since her first album release and has more important things to say.

    You can support Cloey by donating to her Kickstarter, and streaming her music on Spotify or Apple Music.

  • Ambrose Getz Releases Empowering Album “Great House of Embers”

    Ambrose Getz, a Brooklyn-based pop artist, has released her newest album, Great House of Embers, which showcases her musical talent, as well as her impactful storytelling capabilities surrounding women’s experiences in today’s society.

    Ambrose Getz deconstructs and reconstructs various genres, including American folk music, Bossa Nova, classic rock, 40s jazz, and more. Getz recorded with a talented group of international musicians consisting of Almog Sharvit (also the producer), Ben Silashi, Tal Yahalom, and Micha Gilad. Emerging from the indie art-pop scene in Brooklyn, Getz has built a network of artists who inspire each other to reconsider American identity. They’re all top-notch musicians she knew could complement her range.

    Her current band that contributed to House of Embers consists of Almog Sharvit (bass, production), Ben Silashi (drums), Tal Yahalom (electric guitar), Micha Gilad (keys), Noah Rott (additional keys), David Leon (saxophone & flute on “Black Hole”), Hila Tako (background vox on “Grace”), Lisa Hoppe (string arrangements), Bergamot Quartet (“Arms Around Her,” “Carrie”), Ledah Finck (violin), Sarah Thomas (violin), Amy Tan (viola), Irene Han (cello).

    Throughout the record’s nine tracks, Getz showcases her fluency in many styles, all run through an art pop filter a la St. Vincent or Bjork. Synths, strings, and electric guitars blend with jazz-inspired percussion as Getz’s voice delivers the lyrics. Ambrose released the single and accompanying video for the jazz-influenced beauty of a song, “Starlight.” 

    “Starlight is about staying up past midnight, waiting for your crush to call. I wrote it on one of those long nights, losing myself in romanticism, knowing it was foolish to hope and laughing at myself for hoping anyway.”

    Ambrose Getz

    Wanting the song to transport the listener (the same way the jazz standards of the 40’s and 50’s do), after recording the song with her band, Ambrose added a special guest feature: a string arrangement composed by Berlin-based bassist Lisa Hoppe and performed by Brooklyn-based string quartet Bergamot Quartet.

    For the video, Ambrose and the band continued their theme of featuring women-led projects and performers with the addition of the directing team Las Lauras (Laura Sofía Pérez & Laura Isabel Tropi). Visually, they riffed on the theme of waiting through picking flowers and playing musical instruments. The video was shot by Lucas Hrabal, edited by Almog Sharvit, and colored by Alexey Zavolokin.

    The appeal of dynamic innovators like Getz and her collaborators lies in their ability to create work that defies passing trends.

    Great House of Embers ambrose getz
    Ambrose Getz

    Sometimes Getz’s adventurous spirit means adding synths and strings to a song inspired by jazz standards (“Starlight”), and sometimes it means crunchy guitars and twinkling synths (“Fantasies”). “Mary Awakens” takes a psychedelic detour through clips of Getz’s aunt speaking, girl-group harmonies, and a walking bassline. Getz has a strong, adaptable voice reminiscent of Suzanne Vega’s, and she uses every bit of it.  

    “When I wrote the song ‘Great House of Embers,’ I was thinking about JFK’s 1961 speech where he called America a “city upon a hill” and how Americans believed we had to be an example for other nations. My generation now sees the destruction our country has caused. Visualize a giant house on a big hill that has been on fire for a hundred years and is reduced to embers. That’s what my generation inherited.” 

    Ambrose Getz

    Singing loud, breaking forms, and telling complex stories converge in the album’s themes. The title track was inspired by Citizenfour, a documentary by Laura Poitras about NSA surveillance brought to light by Edward Snowden. 

    An avid reader, one of Getz’s favorite writers is Nobel laureate Alice Munro, whose work serves as inspiration for the song “Grace.” Getz’s said, “Her writing always has a subtle flip that can turn you on your head. She was the first author I read who consistently centered women’s stories, with depth and darkness and subtlety.” This influence is evident in Getz’s own lyrics, which deliberately delve into the experiences of women across generations, crafting narratives that are so apt and thought-provoking that they are sure to spark conversations between mothers and daughters. Through her shrewd songs about women’s lives, Getz shines a light on the cultural legacies we inherit both politically and personally. Her lyrics offer a keen insight into the complexities of these legacies, inviting us to explore and challenge the narratives that shape our understanding of women’s experiences.

    Getz never sacrifices the music for the message, as you can hear on debut single “Black Hole.” Written to be “dark and danceable,” the lyrics personify capitalism as an insatiable femme fatale, echoed in the music video directed by Margot Bennett and filmed by Eurica Yu. The video’s imagery—shot with dark backgrounds—pulls the viewer into a world where the allure of capitalism is as irresistible as it is dangerous. A single spotlight follows Getz, clad in androgynous black and white and sporting alarm-call red lipstick. Those images intercut with scenes of Getz wearing skintight black clothing and dancing, her red hair catching the light.

    Rather than posit herself as a victim of zeitgeist or a savior for our times, Getz offers candor and imagery alongside her range of musical styles. “Ultimately I see myself as an artist who writes songs that center women’s stories,” she says. Just as she asks what Americans inherited socio-politically, she looks to the women in her family to investigate what she has inherited personally. “Many of the songs on this album are short stories about my female relatives. ‘Mary Awakens’ is for my aunt, Mary Frances Ambrose, and ‘Carrie’ is for my maternal grandmother.”

    With Great House of Embers, Ambrose Getz adds another valuable record for the future to inherit. It’s a snapshot of a dark time illuminated by the hope of innovation. 

    The strings in her music are captivating, especially in the song “Arms Around Her,” which adds a classy feel and really creates a beautiful blend between the background music and the vocals.

    Every song is a little different and she truly showcases her abilities both in songwriting, but also in adapting to different genres. “Carrie” sounds more pop-influenced with a little country, while “Black Hole” is jazzy, and “Great House of Embers” might even have a little bit of rock influence.

    Many artists claim to be “breaking” genres, but this album is actually doing it.

    For more information on Ambroze Getz, visit her website, Instagram, or TikTok.

    Stream Getz’s music on Apple Music, Spotify, or Bandcamp.

  • Remembering Sinéad O’Connor: A Tribute at City Winery

    City Winery New York hosted a special night to remember Sinéad O’Connor on October 29th. What started as an idea by Amanda Palmer took shape over the last few months and came together with a star-studded lineup.

    Amanda Palmer

    The lineup included Stephin Merritt (Magnetic Fields), Amanda Palmer, John Cameron Mitchell, Kevin Devine, Suzanne Vega, Kat Edmonson, Julia Cumming (Sunflower Bean), Catherine Russell, Martha Wainwright, Resistance Revival Chorus, Bilal, Dida Pelled, Toby Lightman, Susan McKeown, and Joy Askew.

    Stephin Merrit (The Magnetic Fields)

    The house band was led by Tony Shanahan (Patti Smith) and featured Gerry Leonard (David Bowie), Jamie Edwards, and Yuval Lion. All the proceeds were donated to Bring Change to Mind and the Emma Swift Mental Illness Recovery Fund.

    Bilal

    Setlist: Dida Pelled: Jealous/Toby Lightman: You Made Me The Thief of Your Heart/Lahna Deering: Dense Water, Deeper Down/Susan McKeown: I Am Stretched on Your Grave/Joy Askew: Mandika/Kevin Devine: This Is To Mother You/Bilal: Just Like You Said It Would Be/Julia Cumming: Success Has Made a Failure of Our Home/Stephin Merrit: The Last Day of Our Acquaintance/Amanda Palmer: Black Boys on Mopeds/Kat Edmonson: In This Heart/Martha Wainwright: Nothing Compares to You/Resistance Revival Chorus: Thank You For Hearing Me/John Cameron Mitchell: The Emperor’s New Clothes/Suzanne Vega: All Apologies/
    Catherine Russell: No Man’s Woman

    John Cameron Mitchell
    Martha Wainwright
    Dida Pelled
    Joy Askew
    Julia Cumming (Sunflower Beam)
    Kat Edmonson
    Kevin Devine
    Lahna Deering
    Resistance Revival Chorus
    Susan McKeown
    Toby Lightman
    The House Band
  • New Kids on the Block Release Summer 2024 Revival Tour Dates

    New Kids on the Block, the Boston native pop act, announced the Magic Summer 2024 Tour, reviving their 1990 tour of the same name.

    Special guests Paula Abdul and DJ Jazzy Jeff will join the group as they embark, with stops in Wantagh, Saratoga Springs, and Darien Center. 

    New Kids on the Block Tour

    The tour will kick off on June 14 in Cuyahoga Falls, OH, with stops in Denver, Phoenix, Dallas, Philadelphia, and Toronto. The group will make stops in New York at Wantagh’s Northwell Health at Jones Beach Theater on August 4, Saratoga Springs’ Broadview Stage at SPAC on August 11, and Darien Center’s Darien Lake Amphitheater on August 22.

    The true ‘magic’ of this tour is in the music, the moments and the memories that we get to create – and recreate – with our amazing fans each night. Feeling all the nostalgic feels of the original Magic Summer, with the bond that we’ve shared throughout the years, will make for a most magical time indeed.

    Donnie Wahlberg

    As a revival of their 1990 Magic Summer Tour, New Kids on the Block will perform a selection of their greatest hits, fan favorite tracks, and deep cuts for diehard fans. The tour is their first predominantly outdoor tour in 15 years, with many of the same venues from the 1990 tour.

    New Kids on the Block

    New Kids on the Block will release a revamped version of their 2008 comeback album, The Block Revisited, on November 3. The release will celebrate 15 years since their return from hiatus.

    TICKETS: Tickets will be available starting with Fanclub and CITI presales beginning on Wednesday, November 1. Additional presales will run throughout the week ahead of the general on-sale beginning on Friday, November 3 at 10 AM at LiveNation.com.

    New Kids on the Block Upcoming Tour Dates

    June 14 – Cuyahoga Falls, OH – Blossom Music Center

    June 15 – Tinley Park, IL – Credit Union 1 Amphitheatre

    June 18 – Clarkston, MI – Pine Knob Music Theatre

    June 19 – Burgettstown, PA – The Pavilion at Star Lake

    June 21 – Cincinnati, OH – Riverbend Music Center

    June 22 – Maryland Heights, MO – Hollywood Casino Amphitheatre

    June 23 – Prior Lake, MN – Mystic Amphitheater

    June 25 – Kansas City, MO – Starlight Theatre

    June 26 – Rogers, AR – Walmart AMP

    June 28 – Denver, CO – Ball Arena

    June 29 – Salt Lake City, UT – USANA Amphitheatre

    July 1 – Highland, CA – Yaamava’ Theater **

    July 2 – Wheatland, CA – Toyota Amphitheatre

    July 3 – Mountain View, CA – Shoreline Amphitheatre

    July 5 – Inglewood, CA – Kia Forum

    July 6 – Palm Desert, CA – Acrisure Arena

    July 7 – Chula Vista, CA – North Island Credit Union Amphitheatre

    July 9 – Phoenix, AZ – Talking Stick Resort Amphitheatre

    July 10 – Albuquerque, NM – Isleta Amphitheater

    July 12 – Austin, TX – Germania Insurance Amphitheater

    July 13 – The Woodlands, TX – Cynthia Woods Mitchell Pavilion Presented by Huntsman

    July 14 – Dallas, TX – Dos Equis Pavilion

    July 16 – Franklin, TN – FirstBank Amphitheater

    July 17 – Franklin, TN – FirstBank Amphitheater

    July 19 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre

    July 20 – West Palm Beach, FL – iTHINK Financial Amphitheatre

    July 21 – Jacksonville, FL – Daily’s Place

    July 25 – Charleston, SC – Credit One Stadium

    July 26 – Alpharetta, GA – Ameris Bank Amphitheatre

    July 27 – Charlotte, NC – PNC Music Pavilion

    July 28 – Raleigh, NC – Coastal Credit Union Music Park

    August 1 – Virginia Beach, VA – Veterans United Home Loans Amphitheater at Virginia Beach

    August 2 – Hartford, CT – XFINITY Theatre

    August 3 – Hershey, PA – Hersheypark Stadium

    August 4 – Wantagh, NY – Northwell Health at Jones Beach Theater

    August 8 – Holmdel, NJ –  PNC Bank Arts Center

    August 9 – Gilford, NH – BankNH Pavilion

    August 10 – Mansfield, MA – Xfinity Center

    August 11 – Saratoga Springs, NY – Broadview Stage at SPAC

    August 15 – Philadelphia, PA – TD Pavilion at the Mann

    August 16 – Columbia, MD – Merriweather Post Pavilion

    August 17 – Toronto, ON – Budweiser Stage

    August 22 – Darien Center, NY – Darien Lake Amphitheater

    August 23 – Columbus, OH – Nationwide Arena

    August 24 – Milwaukee, WI – American Family Insurance Amphitheater

    August 25 – Noblesville, IN – Ruoff Music Center

  • Psymon Spine Release Kinetic Single “Boys” Ahead of Hometown Brooklyn Show

    Psymon Spine, a Brooklyn-based alt-pop group, recently embarked on their US tour, finishing with a hometown show at Alphaville on October 26. The group recently released their newest single, “Boys,” alongside an official music video on October 10.

    Psymon Spine

    Psymon Spine developed as members Noah Prebish and Peter Spears were in college, later adding Brother Michael to the group. Vocalist and former member Sabine Holler lends her voice to the new track, “Boys,” since her relocation to Berlin during the COVID-19 pandemic.

    “Boys” is an upbeat alt-pop track, featuring a new-wave-inspired melodic riff. The track features Sabine Holler’s light yet hypnotizing vocals against a synth-heavy dance rhythm. The group cites influences such as Talking Heads, Os Mutantes, and the NYC dance music scene.

    By nature every Psymon Spine song must be a little cheeky to bypass our own self-criticism, but in reality ‘Boys’ is just a very earnest song about friendship.

    Psymon Spine
    Psymon Spine live photo
Photo Credit: Alyssa Gisselle
    Photo Credit: Alyssa Gisselle

    Psymon Spine will make their way home for a show at Brooklyn’s Alphaville on October 26, as well as a show in Troy on November 8. The group will play new tracks like “Boys,” as well as hits from their most recent album, 2021’s Charismatic Megafauna. Tickets are on-sale now.

    Psymon Spine Tour

    10/13 – Madison, WI @ UW Madison

    10/14 – Northfield, MI @ Carleton College – The Cave (private event)

    10/15 – Galesburg, IL @ Knox College

    10/16 – Chicago, IL @ Color Club

    10/17 – St Louis, MO @ The Sinkhole

    10/18 – Nashville, TN @ The Basement

    10/21 – Memphis, TN @ Wiseacre Festival

    10/26 – Brooklyn, NY @ Alphaville

    11/8 – Troy, NY @ No Fun