Porno for Pyros has announced their Horns, Thorns en Halos tour, which will feature stops in Manhattan and Port Chester. This tour marks 30 years since the release of Porno for Pyros, and is the first tour for the band in 25 years.
Credit: Andi K. Taylor
Porno for Pyros was originally founded in 1992 by members of Jane’s Addiction, vocalist Perry Farrell and drummer Stephen Perkins, as well as vocalist and guitarist Peter DiStefano and bassist Martyn LeNoble. The band went on hiatus in 1998 after releasing Porno for Pyros in 1993 and Good God’s Urge in 1996.
The original members reunified in 2022, performing at a sold-out show in Los Angeles, CA. Following this, the Porn for Pyros has performed at Rockville, the Chicago Metro, and Lollapalooza. They have also been working on new material that they expect to release sometime this year.
Upcoming Tour Dates
Oct. 8 – Hard Rock Live Sacramento – Wheatland, CA
Oct. 10 – The Masonic – San Francisco, CA
Oct. 13 – The Wiltern – Los Angeles, CA
Oct. 15 – The House of Blues Las Vegas – Las Vegas, NV
Oct. 17 – The Union – Salt Lake City, UT
Oct. 19 – Fillmore Auditorium – Denver, CO
Oct. 21 – Steelhouse Omaha – Omaha, NE
Oct. 23 – The Sylvee – Madison, WI
Oct. 24 – Byline Bank Aragon Ballroom – Chicago, IL
The Great South Bay Music Festival 2023, one of the most highly anticipated events of the summer, is set to make a triumphant return this year after facing numerous challenges due to the COVID-19 pandemic. The festival begins on Thursday, July 20 and runs through Sunday, July 23rd.
As Long Islanders emerge from quarantine and yearn for the joy of live music, this family-friendly festival promises to deliver an unforgettable experience for music enthusiasts of all ages. I had the pleasure of speaking with James Faith, the festival’s producer, about the festival’s journey and what attendees can expect this time around on The Long Island Sound Podcast
The Great South Bay Music Festival, held in the picturesque Patchogue, Long Island, has always been a celebration of local talent alongside renowned artists from various genres. What sets this festival apart is its commitment to creating a family-friendly environment, where attendees of all ages can enjoy music from both local acts and big-name performers across multiple stages.
James Faith – Producer of the Great South Bay Music Festival
James Faith, the festival’s producer, emphasized the importance of creating an inclusive atmosphere, stating, “We want to make sure that families can come and enjoy the music together. It’s not just about the headliners; it’s about showcasing the incredible talent from our local community as well.” This unique blend of local and established acts allows for a diverse range of musical styles and ensures that there’s something for everyone to enjoy.
Putting the Pandemic in the Past
Reflecting on the impact of the pandemic, Faith described the challenges faced by the festival and its organizers. Despite the uncertainties and setbacks, they remained committed to delivering a memorable experience for attendees. “We had to adapt and overcome numerous obstacles, but we never lost sight of our goal: to bring people together through the power of music,” Faith explained.
We want to provide a platform for emerging artists to shine alongside the big names. It’s about fostering a sense of community and giving these talented musicians the exposure they deserve.
James Faith
Now, as the festival gears up for its 2023 edition, attendees can look forward to an impressive lineup that embodies the festival’s spirit. A few of the local artists have been my guests on The Long Island Sound Podcast, including, Matt Marshak, Kerry Kearney, Lex Grey and Phil Firetog.
Among the artists set to grace the stages are Phil Lesh and Friends, Gov’t Mule, Dave Mason, Hot Tuna, Dirty Heads, Cassandra House, Kerry Kearney, Gold Finger, The Fabulous Thunderbirds, Duane Betts, Bad Fish, Tauk, Neighbor, Miles to Dayton, Lex Grey and the Urban Pioneers, oogee Wa Wa, Clifdiver, Harbour, The Joni Project, Phil Firetog Trio, Shecky and the Twangtones, Adam and the Metal Hawks, Jules Radino, Jack Licitra, and Matt Marshak.
The Great South Bay Music Festival goes beyond just the music, offering a range of activities and amenities to enhance the overall experience. Attendees can explore artisan craft vendors, indulge in delicious food from local vendors, and engage in interactive workshops and activities for all ages. From art installations to face painting, there’s something to captivate the entire family.
Faith encouraged attendees to immerse themselves in the vibrant Long Island music scene by exploring the Long Island Music Hall of Fame in Stony Brook. This esteemed institution showcases the island’s rich musical legacy and pays tribute to iconic musicians such as Billy Joel, Eddie Money, Joan Jett, and many more.
The Great South Bay Music Festival promises to be a thrilling experience for music lovers and a testament to the resilience of the Long Island community. With its four-day duration, family-friendly atmosphere, and a diverse lineup of local and renowned acts, this festival is set to reclaim its place as one of the region’s premier summer events.
I have my tickets to the Festival! So when you see a white haired guy, who looks like the picture below, make sure you say hello.
It was hot and muggy in Western New York on July 16, 1990. Crosby, Stills and Nash were opening up for the Grateful Dead at Rich Stadium, and Brent Mydland was amid his final tour with the Dead.
The Grateful Dead played Buffalo a total of 12 times in their storied career, including May 9, 1977 at Buffalo Memorial Auditorium (a day after the famed Cornell 77 show) a show at Kleinhan’s Music Hall on March 17, 1970, and six total shows at Rich Stadium, including this show in 1990. A typical summer stop from 1986-1993, Orchard Park’s Rich Stadium had far more space for fans, after the band outgrew the Memorial Auditorium, The Rich shows becoming part of Deadhead lore.
Playing in Foxboro, MA the night before, fans trekked overnight from Eastern Massachusetts to Western New York, a seven hour drive (not factoring in stops, switching drivers and catching sleep at rest stops along the way). With a capacity of more than 70,000, Rich Stadium was ready to welcome more than Foxboro held by a margin of 10,000, plus plenty of fans arriving from across the Empire State who would call this their first Grateful Dead show.
On the NYS Thruway, traffic crawled in the heat, with fans walking along the highway, slow cars filling the breakdown lane, with fans looking for Miracles via hand-lettered signs as you filed into the Rich Stadium lot. The traffic was so bad getting from the Thruway to Orchard Park, fans were pulling into the lot as the opener, Crosby, Stills and Nash, were beginning to play, the songs trickling over the top of Rich Stadium.
Ticket to the Grateful Dead at Rich Stadium, July 16, 1990
Part of their “Live It Up Tour,” Crosby, Stills and Nash toured off the album Live It Up, the first album the trio recorded since 1983. The album came together when Crosby and Nash began working on a new album as a pair, but following the trio performing at the collapse of the Berlin Wall in 1989, Stills became involved in the Crosby and Nash project, as noted in Dave Zimmer’s Crosby, Stills and Nash: The Authorized Biography (The Definitive Inside Story of the Super Group).
View this and more Grateful Dead shows from across the years in New York State with our interactive map below!
Playing a set that was mostly unchanged for the entire tour, CSN made sense as an opener – both bands were part of the late 60s music explosion on the west coast, and with Crosby from Los Angeles and the Dead based in San Francisco and many festival and show billings together, the two bands shared a long history together. Crosby even recorded and performed live with members of the Grateful Dead, billed as David and the Dorks for three shows in 1970. So an opening slot or two on their summer tour was a natural fit, especially with large stadiums like Foxboro and The Rich on the tour schedule.
David and a dork
However, CSN did not mix up their setlist and did not factor in the Grateful Dead shows on their tour, where fans would see more than one night of the tour and catch onto repeats a bit faster. Fans not engaged in the July 16th opening set led to Graham Nash saying to the audience something to the effect of “show us you deserve to wear those tye-dyes and get into it,” reacting to fans non-reaction of the milquetoast opener. One fan recalled that at both shows they saw on the tour, CSN said both times “So, this is what a Grateful Dead audience looks like” with the same banter factored into the set.
This show at Rich Stadium for the Grateful Dead would also be the final tour for Brent Mydland, although that may not have been apparent to many fans at the time. A week later, Mydland would play his final show with the Dead, and die three days later from an overdose. There are points of the show between tunes where the band is enjoying themselves and Brent takes a moment to play a few bars of George M. Cohan’s “Over There” and the “Mickey Mouse Clubhouse,” keeping it playful and fans on their toes during these brief interludes.
It was unmistakable though, the presence of Mydland on this short, Midwest/east-coast 12-show summer tour, that made his death harder on many. His talent and boisterous vocals on “Man Smart, Women Smarter” and originals like “Blow Away,” the last of which was played this evening in Orchard Park, were unmistakable, clearly identifying shows with his raspy, soulful voice and precision work on the keys.
Following a breezy afternoon, the stadium climate was muggy yet the Grateful Dead were dialed in from the start, opening with “Hell in a Bucket” and following up with an early highlight of the set, “Mississippi Half-Step Uptown Toodeloo.” “Blow Away” had all the emotion Brent ever put into any of version, and featured a “Mind Left Body” jam, standing out as the final performance of the song.
A pair of cowboy songs – “Mama Tried” and “Mexicali Blues” flowed seamlessly together with Bob Weir on vocals, with a fresh off-the-shelf “Loose Lucy” following, fans cheering in gratitude to hear a song not played since 1974 that made its return in March of 1990. The Rolling Stones “It’s All Over Now” fit in nicely with the flow of this stimulating first set, with “High Time,” and a thoroughly enjoyable “Let It Grow” following, with the Brent-heavy “Don’t Ease Me In” closing out the first set.
The second set would feature a unique “Sugar Magnolia” / “Sunshine Daydream” sandwich, the show opening with the first stanza of “Sugar Magnolia” before dissolving into a smooth and unexpected segue onto “Scarlet Begonias” after only three minutes. The crowd reaction when “Scarlet Begonias” is realized by thousands is a sound to behold and embrace. Not stopping, the Dead moved into “Man Smart, Woman Smarter,” the lyrics in unison from Garcia, Weir and Mydland driving the song.
“Ship of Fools” served as a bridge to the obligatory and long-awaited “Truckin’,” with the “Truckin’, up to Buffalo” lyrics eliciting the largest cheers of the night, the jam meandering but finding itself in the final minutes before “Drums.” If you’re looking to revisit the show or listen for the first time, “Drums” is a percussive trip, with “Space” having a creepy laugh track in the background during the first half, a fun (maybe?) accent to the night for those in attendance.
Ticket to the Grateful Dead at Rich Stadium, July 16, 1990
Jumping out of “Space” were short versions of “The Wheel” and “Gimme Some Lovin’” and a somber “Wharf Rat” to balance them out. “Around and Around” found its place coming out of “Wharf Rat,” diving into “Sunshine Daydream” to an enthusiastic crowd hearing a fantastic full set sandwiched inside a classic Grateful Dead song.
“When the 2nd set ended, I remember experiencing an exaggerated exhilarated feeling that I’ve never felt from any show before. Obviously others felt the same because when the Sunshine Daydream reprise finally ended, we were jumping up and down and even the people behind us were so amped that we all just stood there hugging each other. It was ridiculously intense. No other show has lifted me to such heights before and I am so glad I was here.”
The encore of “Brokedown Palace” fit in perfectly to close the night, capping a day for the fans, and Brent Mydland as he performed his final show in New York.
Crosby Stills and Nash – Rich Stadium, Orchard Park, NY – July 16, 1990
Setlist: Love the One You’re With, Chicago, Drive My Car, Live It Up, Got It Made, Just a Song Before I Go, Night Time for the Generals, For What It’s Worth, Wasted on the Way, Our House, Almost Cut My Hair, Helplessly Hoping, Déjà Vu, (Got to Keep) Open, Southern Cross, Wooden Ships, Teach Your Children, Woodstock
Grateful Dead – Rich Stadium, Orchard Park, NY – July 16, 1990
Set 1: Hell in a Bucket, Mississippi Half-Step, Blow Away, Mama Tried > Mexicali Blues, Loose Lucy, It’s All Over Now, High Time, Let it Grow > Don’t Ease Me In
Set 2: Sugar Magnolia > Scarlet Begonias > Man Smart/Woman Smarter, Ship of Fools, Truckin’ > drums > space > The Wheel > Gimme Some Lovin’ > Wharf Rat > Around and Around > Sunshine Daydream
For those of us who remember the music of the 80’s & 90’s it was a trip down memory lane with an unforgettable night of music at Tags in Big Flats, NY on Saturday, July 8th. That music came in the form 80’s Metal as headliner Tom Keifer the former singer of Cinderella, Stephen Pearcy former front man of the 80’s band Ratt and and the all woman hard rocking Glam metal band Vixon. Throw in amazing weather ironically in the 80’s and you have an amazing night of music.
Tom Keifer bringing 80’s metal back to Tags.
Tom Keifer has come along way since his days of Cinderella and the tough times of dealing with “vocal cord paresis” in the early 90’s. It’s a disease that litterally attacks the vocal cords and forcing Tom to litterally learn to sing from scratch. Hey brought many of his favorites this night such as “Coming Home”, “Nobody’s Fool”, “Gypsy Road” and “Don’t Know What You Got (til it’s gone).”
Former Cinderella front man Tom Keifer playing to a great crowd at Tags.
Tom’s band is called Keiferband and includes Tony Higbee on lead guitar, Bill Mercer bass (both from Nashville, TN), Jarred Pipe on drums from Hendersonville TN, and Kory Myers on keys hailing from Southaven, Mississippi. Back up singers are Tom’s wife Savana and Tanya Davis, also from Nashville.
Before Tom got things going it was Stephen Pearcy bringing back the 80’s in style.
Stephen Pearcy performing to an excited crowd at Tags.
Pearcy, the former front man for the 80’s hair band Ratt proved that age is just a number by belting out famous Ratt ballads as good as he did 40 years ago. Ratt favorites “Back for More”, “ Wanted Man” and “Round & Round” we well received by the crowd.
Stephen Pearcy, former front man for Ratt helped bring 80’s metal back to Tags for the night.
Starting the night was Vixen with there all female lineup featuring original member Roxy Petrucci on drums, Britt Lighting tearing it up on lead guitar, Lorraine Lewis on lead vocals and recent addition Julia Lage on bass.
Vixen, whose history goes all the way back to the streets of St. Paul, Minnesota in 1980, has withstood the test of time by being the only female band from the 80’s to sell over a milllion albums, had six #1 videos on MTV and had four songs in Billboards top 100. The Tags crowd gave them a huge ovation when they finished their show with “Edge of a Broken Heart.”
Lorraine Lewis of Vixen enjoys an excited crowd at Tags.
The show was another amazing night celebrating 30 years of music at Tags Summer Sound Stage in Big Flats, located between Corning and Elmira. The next big show on the horizon is Country star Dustin Lynch on August 11. Go to www.tagstickets.com for more info.
Vixen’s Julia Lage gets excited for a great crowd at Tags. Vixen Drummer Roxy Petrucci playing for an excited crowd at Tags.
Hot 97’s annual Summer Jam always kicks off the summer season with a bang, and this year did not disappoint. The show moved away from its fully outdoor experience at Metlife Stadium and into a hybrid approach at UBS Arena in Belmont, NY.
2Rare and NLE Choppa performing on the Warner Records Stage. Photo By: Lucas Kurzweil.
Summer Jam started outside of the arena with the Warner Records Stage, featuring up and coming artists in the hip hop world and guest appearances from some of hip hop’s biggest names. NLE Choppa, who was a main stage performer, joined 2Rare on stage to perform their hit song “Do It Again,” and French Montana, another main stage act, came out to greet the crowd and get them hyped for the full day of music.
After a couple hours at the Warner stage, the show moved to the inside of the arena. NLE Choppa opened up as fans started to fill in their seats. Choppa performed some of his most popular tracks including “Walk Em Down.” After Choppa, Bed-Stuy’s Lola Brooke took the stage with a high energy performance complete with a dance team and guest appearances from BreezyLYN and Billy B. By the time Lola’s set was finished there was not an empty seat in sight.
Lola Brooke at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.
This year’s event had an emphasis on women in rap, and every female act that took the stage shined a bright light onto the future of the rap game. Coi Leray, one of the biggest female stars in hip hop today, took the stage following Lola Brooke’s performance. Coi’s smooth choreography helped boost her performance as fans went word for word singing her hit song “Girls Is Players Too.” Dancers were doing flips and using red solo cups as props during Coi’s set and matching her every move as she graced the stage.
Coi Leray at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.
Last year’s headliner and East Flatbush native Fivio Foreign followed Coi and turned the crowd up to another level. It was only fitting that Fivio opened up his performance with “City of Gods,” his song that features Alicia Keys and Kanye West, and refers to New York City as the City of Gods. Fivio then brought out two New York Rappers to assist his performance: Brooklyn’s Sleepy Hallow and Bronx’s Lil Tjay. Sleepy performed his popular tracks “2055” and “Deep End Freestyle.” Lil Tjay joined Fivio in performing their track “Zoo York” and stayed on stage to support Fivio as he performed “Big Drip.”
Lil Tjay and Fivio Foreign at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.
Up next was Bronx Rapper Ice Spice. Her performance on the Hot 97 stage was action packed to say the least. Ice Spice brought out numerous guests and received a gold plaque for her song “Munch (Feelin’ U)” while on stage. She brought Lil Tjay back out to perform their song “Gangsta Boo,” and she also brought out Flo Milli, Kali and Kenzo B. The crowd welcomed the guests with open arms as Flo Milli performed “Conceded” followed by Kali and Kenzo B performing their viral song “Area Codes.” Ice made sure to show appreciation to the New York City crowd, thanking them for her recent success.
Ice Spice at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.
In between sets, Hot 97’s DJ Funk Flex played tunes to keep the fans engaged. But after Ice Spice’s set, Funk Flex brought out another surprise artist. DaBaby joined Flex in the DJ booth before taking the mainstage to perform his new hit “SHAKE SUMN.” DaBaby then went into the crowd to play “SHAKE SUMN” a couple of times and his song “Suge.”
DaBaby in the crowd at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.
After DaBaby, French Montana took the stage. Like many other mainstage acts, French also brought out many surprise guests, including: Luh Tyler, Capella Grey, Remy Ma and NLE Choppa. Montana played many of his most popular tracks including “Unforgettable” and his verse on “All The Way Up.” Following French Montana, The LOX took the stage for their 50 years of Hip Hop performance. Their set brought fans back to the earlier days of hip hop with tracks like Jadakiss’s “Who Shot Ya (Freestyle)” and “We Gonna Make It” Even with their nostalgic performance they too had special guests, Rakim and Scar Lip.
Closing out the action packed night was Washington Heights native Cardi B. Cardi’s performance featured numerous pyrotechnical visuals with fire and smoke shooting out of the stage. Cardi followed the trends of Summer Jam by also bringing out a surplus of surprise performers, her guests were Kay Flock, Glorilla, Latto and 21 Savage. She had the crowd going to all of her tracks as she went through her discography for the sellout crowd. Her performance showed the New York fans that Summer Jam will continue to be a staple in hip hop culture and although the event moved, its high quality performances stayed the same.
Max Schneider, the charismatic and multi-talented artist, set the stage on fire as he opened for Big Time Rush on June 9th at Jones Beach Theater in Wantagh, Long Island. With his infectious energy and undeniable talent, Max captivated the crowd from the moment he stepped foot on stage.
This highly anticipated show brought together fans who were eager to witness the magic unfold. As the sun set and the first notes reverberated through the air, it became evident that this night would be filled with unforgettable moments. The atmosphere was electric as fans anxiously awaited Max’s performance, knowing they were about to be treated to an extraordinary display of musical prowess and captivating stage presence.
Max Schneider, the versatile and dynamic artist, is making a name for himself with his magnetic blend of pop, R&B, and soul. Hailing from Manhattan, Max’s musical journey began at a young age, with songs like “Someday” from the Nickelodeon movie he starred in Rags. Since, he’s immersed himself in various genres and honing his craft as a singer and songwriter. With his undeniable talent and captivating stage presence, Max quickly gained attention and built a devoted fanbase.
His music is marked by infectious melodies, heartfelt lyrics, and an innate ability to connect with his audience on a deeply personal level. With breakout hits like “Lights Down Low” and “Love Me Less,” Max showcases his versatility as an artist, effortlessly blending catchy pop hooks with soulful vocals.
As he continues to push boundaries and explore new sonic territories, Max’s star continues to rise, solidifying his position as a rising force in the music industry. With a string of successful releases and an electrifying stage presence, Max Schneider is poised to captivate audiences around the world with his undeniable talent.
Max’s performance at Jones Beach Theater was an exhilarating display of his immense talent and showmanship. With a setlist that spanned his diverse discography, Max delivered a high-energy and unforgettable performance that had the crowd on their feet from start to finish.
Kicking off the set with the infectious hit “Love Me Less,” Max immediately established a powerful connection with the audience. The atmosphere was electric as he seamlessly transitioned into a medley of “Holla” and “Drop It Like It’s Hot,” infusing his own unique style into these iconic tracks.
Max’s versatility as an artist was on full display as he effortlessly shifted gears into the hypnotic and dreamy “Acid Dreams.” The crowd was captivated by his smooth vocals and mesmerizing stage presence, fully immersed in the musical vibes he created.
Taking a moment, Max performed a heartfelt mashup of “Someday” and “Me And You Against The World,” showcasing his ability to tug at heartstrings with his soulful delivery and emotionally charged lyrics. The audience swayed along, enveloped in the powerful atmosphere Max created.
The highlight of his set was the debut of a new, unreleased track titled “Say Less.” The funky and energetic song ignited the crowd, with its infectious hooks and irresistible groove. Max’s performance of this fresh offering left fans eager for what’s to come from his forthcoming album.
Continuing to dazzle the audience, Max delved into the energetic yet intimate “Blueberry Eyes,” a fan-favorite that showcased his vocal prowess, korean rapping mastery, and ability to evoke genuine emotions. The crowd sang along, creating a beautiful moment of unity and connection.
With “Strings,” Max demonstrated his artistry and musicianship, delivering a captivating performance that showcased his skill on the guitar. The intricate melodies and heartfelt lyrics resonated deeply with the audience, further solidifying Max’s status as a true musical talent.
The energy reached its peak as Max unleashed the infectious anthem “Satisfied.” The crowd erupted into cheers, dancing and singing along to every word. Max’s infectious energy and stage presence were contagious, filling the venue with an electrifying atmosphere.
A standout moment came with the performance of his chart-topping hit “Lights Down Low.” As the opening chords filled the air, the entire stadium was illuminated by the sea of phone flashlights held up by fans, creating a magical sight and a testament to the profound impact this song has had on listeners.
Closing out the set with the powerful and dynamic “Mug Shot,” Max left the audience craving more. In a moment of excitement and anticipation, he announced a forthcoming album, set to be released at the end of the year, accompanied by an accompanying tour. The crowd erupted into cheers, eagerly awaiting what promises to be another exceptional chapter in Max’s career.
His performance was a masterclass in showmanship, talent, and connection. With an electrifying stage presence, a versatile setlist, and an unwavering connection with his fans, Max proved once again why he is a force to be reckoned with in the music industry. As fans eagerly anticipate his upcoming album and tour, it’s clear that Max Schneider will continue to rise, and his captivating performances leave an indelible mark on all who have the pleasure of witnessing his artistry.
Stay up to date with Max on socials and any updates from upcoming tour here.
MAX Setlist: Love Me Less, Holla / Drop It Like It’s Hot, Acid Dreams, Someday / Me And You Against The World, Say Less [Unreleased], Blueberry Eyes, Strings, Satisfied, Lights Down Low, Mug Shot
The Sackets Harbor Historical Society recently announced its Concerts on the Waterfront Series. The performances will take place each Sunday from June 25 to September 3 and are free to the public. With its lakeview and beautiful scenery, Sackets Harbor Battlefield will host each of the concerts.
Located on the shores of Lake Ontario, Sackets Harbor has long been associated with its military roots. The town became the Great Lakes headquarters for the United States during the War of 1812. Rich with history, Sackets Harbor celebrates its 39th season of music with this year’s Concerts on the Waterfront.
Visitors are recommended to bring their own picnic blanket or lawn chairs. More details and information can be found here.
Concerts on the Waterfront Lineup
July 16: Atlas
Atlas is an energetic group that plays everything from 80s hits to legendary soul and rock records. The group has opened for many prominent performers throughout its history, including Michael McDonald, Chaka Khan, Kool and the Gang, Patty LaBelle, and Earth, Wind and Fire.
July 23: The Jess Novak Band
Jess Novak is an immensely talented musician, who sings, writes, plays the fiddle and performs with powerful vocals. Along with Novak, the band is made up of Byron Cage, Anthony Saturno, Jabare McKinstry, and Gavin George. The Syracuse-based band performs pop, rock, and soul.
July 30: Letizia and the Z Band
Letizia and the Z Band are a multidimensional group focusing on 40s classics, 50s rock, Motown, disco, and 90s techno. Letizia’s captivating voice pairs well with horns, a guitar, and alto and tenor saxophones.
Aug 6: Hot Club of Saratoga
Mant of the songs Hot Club of Saratoga performs were written or recorded by legendary guitarist Django Reinhardt. The band reflects his style while also expanding upon the “gypsy jazz” sound.
Aug 13: The Kim Pollard Band
Kim Pollard is a Canadian songwriter and performer who has a diverse set of original music. Together with her band, Pollard infuses blues, jazz, and funk into powerful ballads and spirituals.
Aug 20: 10th Mountain Division Army Band
The 10th Mountain Division Army Band is composed of 41 soldier-musicians, capable of performing in a variety of configurations, styles, and venues.
Aug 27: The Large Flowerheads
The Large Flowerheads channels the energy and sound of the 1960s. Their repertoire includes songs by The Beatles, The Rolling Stones, Sonny & Cher, Dusty Springfield, The Mamas & The Papas, The Monkees, and many more.
Sept 3: Maria DeSantis Orchestra
This legendary band features vocalists Keith Condon, Gary Branch, Michael Ranalli, and Maria DeSantis. The group is known for its signature big band sound which has been refined and perfected throughout the groups 70 year legacy.
With Mass Appeal and Live Nation’s Hip Hop 50 Live show at Yankee Stadium less than a month away, new talent has been added to the already stacked lineup.
Some may think that having Run-D.M.C., Snoop Dogg and Lil Wayne already on the roster, there is no possible way to improve the show, but they would be wrong. The new additions include Wiz Khalifa, who will be joining Snoop Dogg for a joint performance, Bronx rapper A Boogie wit da Hoodie, Bronx DJ and Rapper Kid Capri, and Harlem’s own Cam’ron.
Fans can expect a performance of Snoop Dogg and Wiz Khalifa’s hit song “Young, Wild and Free” along with many other classics that span the decades of their respective careers. A Boogie wit da Hoodie is hot off of his world tour, where he performed at the Barclays Center in Brooklyn last March in addition to stopping into Legacy Records in Dumbo to meet some of his fans.
A Boogie Wit Da Hoodie at his fan meet and greet at Legacy Dumbo. Photo By Lucas Kurzweil.
The Hip Hop 50 show is shaping up to be one for the ages as we celebrate a half decade of Hip Hop where it all started: The Bronx. Tickets for the show are available HERE on Ticketmaster.
The anticipation was palpable as My Morning Jacket took the stage at the Artpark Amphitheater in Lewiston on June 26. The crowd erupted in cheers as the band launched into their set with the powerful and infectious “War Begun.”
From that moment on, it was clear that this would be a night to remember. My Morning Jacket flawlessly navigated through their setlist, effortlessly blending old favorites with newer tracks. “Circuital” and “Mahgeetah” showcased the band’s signature sound, with Jim James’ distinctive vocals soaring above the intricate guitar work and driving rhythm section.
The band’s musicianship was on full display throughout the night. The intricate guitar solos and dynamic drumming added depth and complexity to each song. Whether it was the introspective beauty of “Golden” or the raw energy of “One Big Holiday,” My Morning Jacket commanded the stage with a magnetic presence that held the audience in rapt attention.
As the evening progressed, the crowd was treated to a range of emotions. The hauntingly beautiful “Never in the Real World” and the introspective “If All Else Fails” showcased the band’s ability to delve into more introspective and introspective territory. The energy reached its peak during fan-favorite anthems like “Wordless Chorus” and “One Big Holiday.”
The encore was a fitting culmination of an already exhilarating performance. “Touch Me I’m Going to Scream Pt. 1” enveloped the venue in a wave of sound, with its infectious rhythm and soaring vocals. The atmospheric “Spring (Among the Living)” provided a brief moment of reflection before the band unleashed the explosive “Touch Me I’m Going to Scream Pt. 2.” The combination of these three songs created an electrifying finale that left the audience wanting more.
Setlist: War Begun, I Will Sing You Songs, Circuital, Love Love Love, Mahgeetah, Golden, Never in the Real World, Anytime, One Big Holiday, Death Is the Easy Way, Feel You, If All Else Fails, Lay Low, Friends Again, Off the Record, Evil Urges, Wordless Chorus
Encore: Touch Me I’m Going to Scream Pt. 1, Spring (Among the Living), Touch Me I’m Going to Scream Pt. 2
Toronto’s Echo Beach was set ablaze on Wednesday July 12th as the Danish rockers Volbeat, accompanied by the powerhouse American rock band Halestorm, unleashed a sonic storm upon the fervent crowd. The air was electric with anticipation as fans eagerly awaited the musical extravaganza that awaited them. And boy, did these bands deliver!
Halestorm last play the area in Hamburg last year. Kicking off the night with an explosive energy, Halestorm took the stage by storm, leaving the audience breathless with their blistering performance. Frontwoman Lzzy Hale commanded the stage like a true rock goddess, her powerful vocals piercing through the night air. With her signature charisma and raw intensity, she effortlessly captured the hearts of every spectator in the venue.
Halestorm’s guitar-driven anthems reverberated through the amphitheater, igniting an uncontainable fervor among the crowd. Songs like “Love Bites (So Do I)” and “The Steeple” resonated with fans, who eagerly sang along to every word. The band’s seamless synergy and tight musicianship were evident, creating an undeniable chemistry that fueled the entire performance.
After a brief intermission, the stage transformed into a grandiose spectacle, signaling the arrival of Volbeat. The “Servant Of The Road” tour had kicked off in Toronto, and the band wasted no time in proving why they are considered one of the most dynamic acts in rock music today.
Frontman Michael Poulsen’s commanding stage presence and distinct baritone vocals took the audience on a wild ride. The band effortlessly transitioned from hard-hitting, foot-stomping rockers like “The Devil’s Bleeding Crown” to more melodic and introspective tunes like “Becoming.” Each song was executed flawlessly, fueling an intense euphoria that pulsed through the veins of every fan.
Volbeat’s performance was accompanied by a stunning visual display, with mesmerizing light shows and striking backdrops that added an extra layer of grandeur to the concert. The crowd’s collective energy reached its peak during the band’s iconic hit, “Still Counting,” with fans chanting the infectious chorus with unbridled enthusiasm.
The chemistry between the band members was palpable, as they effortlessly navigated their extensive catalog of rock anthems. From the blistering guitar solos to the thunderous drumming, every musician on that stage showcased their immense talent, leaving the audience in awe.
The Volbeat and Halestorm show at Echo Beach was an unforgettable experience, leaving no doubt that rock ‘n’ roll is very much alive and thriving. These two bands proved that they are the rightful torchbearers of the genre, infusing it with their unique sound and captivating performances. The Toronto crowd was treated to a night of pure rock ‘n’ roll magic, and everyone left Echo Beach with their hearts pounding and their souls rejuvenated.
